Coast Sunset Quotes

The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.

The sunset was a massive canvas of gold and orange, green and rose, gray and indigo and blue. It reminded him of beaches on the North American west coast, except there were no vendors clogging the place and no advertising drones muttering about the joys of commerce.

A rosy sunset that flooded the long, sandy sea-coast with colour and brought red road and fir-darkened hill out in fleeting clearness of outline.

Southern California sunsets, neon, flowers, ocean, desert landscapes, and wide boulevards sifted their ways into the subconsciousnesses (or consciousnesses) of L.A. artists.

Okay, I know--my superpower--I'd be able to shoot lightening bolts out from my fingertips--great big knowledge network lightening bolts--and when a person was zapped by one of those bolts, they'd fall down on their knees and once on their knees, they'd be under water, in this place I saw once off the east coast of the Bahamas, a place where a billion electric blue fish swam up to me and made me a part of their school--and then they'd be up in the air, up in Manhattan, above the World Trade Center, with a flock of pigeons, flying amid the skyscrapers, and then--then what? And then they'd go blind, and then they'd be taken away--they'd feel homesick--more homesick than they'd felt in their entire life--so homesick they were throwing up--and they'd be abandoned, I don't know...in the middle of a harvested corn field in Missouri. And then they'd be able to see again, and from the edges of the field people would appear--everybody they'd known--and they'd be carrying Black Forest cakes and burning tiki lamps and boom boxes playing the same song, and they sky would turn into a sunset, the way it does in Walt Disney brochure, and the person I zapped would never be alone or isolated again.

I’ve reached that point in my journey, where there is more scenery in the rear view mirror than there is roadway ahead, I now have the time to write. I would rather hit the end of the road at full throttle than coast to a stop in the sunset.

This distinctly suggests a renunciation, an envy of one’s own youth, of that time of “effortlessness” which one would so gladly cling on to. But the final stanza portends disaster: a gazing towards the other land, the distant coast of sunrise or sunset. Love no longer holds the poet fast, the bonds with the world are broken, and loudly he calls for help to the mother:

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

He disappeared inside and I leaned back on the seat to stare straight up the star-crazed sky. It seemed about 6 feet above my eyes. Or maybe 60 feet, or 600. I couldn't be sure, and it didn't matter, anyway, because by that time I was convinced I was in the cockpit of a 727 coming into LA at midnight. Jesus, I thought, I am ripped straight to the tits. Where am I? Are we going up or down? Somewhere in the back of my brain, I knew I was sitting in a Jeep in the parking lot of a night club on an island off the Mexican coast - but how could I really be sure, with another part of my brain convinced that I was looking down on the huge glittering bowl of Los Angeles from the cockpit of a 727? Was that the Milky Way? Or Sunset Boulevard? Orion, or the Beverly Hills Hotel? Who gives a fuck? I thought.

One At A Time A friend of ours was walking down a deserted Mexican beach at sunset. As he walked along, he began to see another man in the distance. As he grew nearer, he noticed that the local native kept leaning down, picking something up and throwing it out into the water. Time and again he kept hurling things out into the ocean. As our friend approached even closer, he noticed that the man was picking up starfish that had been washed up on the beach and, one at a time, he was throwing them back into the water. Our friend was puzzled. He approached the man and said, “Good evening, friend. I was wondering what you are doing.” “I’m throwing these starfish back into the ocean. You see, it’s low tide right now and all of these starfish have been washed up onto the shore. If I don’t throw them back into the sea, they’ll die up here from lack of oxygen.” “I understand,” my friend replied, “but there must be thousands of starfish on this beach. You can’t possibly get to all of them. There are simply too many. And don’t you realize this is probably happening on hundreds of beaches all up and down this coast. Can’t you see that you can’t possibly make a difference?” The local native smiled, bent down and picked up yet another starfish, and as he threw it back into the sea, he replied, “Made a difference to that one!” Jack Canfield and Mark V. Hansen

He lifted one bottle into the light. " 'GREEN DUSK FOR DREAMING BRAND PUREE NORTHERN AIR,' " he read. " 'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.' "Now the small print," he said. He squinted. " 'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.' " He picked up the other bottle. "This one the same, save I've collected a wind from the Aran Isles and one from off Dublin Bay with salt on it and a strip of flannel fog from the coast of Iceland." He put the two bottles on the bed. "One last direction." He stood by the cot and leaned over and spoke quietly. "When you're drinking these, remember: It was bottled by a friend. The S.J. Jonas Bottling Company, Green Town, Illinois- August, 1928. A vintage year, boy... a vintage year.

Though I was there only a short time, one thing about the Relay Station did impress me very strongly. Everywhere else I’d been, one could look “down” at the earth and watch it turning on its axis, bringing new continents into view with the passing hours. But here there was no such change. The earth kept the same face turned forever toward the station. It was true that night and day passed across the planet beneath, but with every dawn and sunset, the station was still in exactly the same place. It was poised eternally above a spot in Uganda, two hundred miles from Lake Victoria. Because of this, it was hard to believe that the station was moving at all, though actually it was traveling round the earth at over six thousand miles an hour. But because it took exactly one day to make the circuit, it would remain hanging over Africa forever—just as the other two stations hung above the opposite coasts of the Pacific.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

My heart was pounding as I drove up the coast again a few days later. There was the familiar little sign, the modest entrance. And here he was again, as large as life--six feet tall, broad shoulders, a big grin, and a warm and welcome handshake. Our first real touch. “Well, I’m back,” I said lamely. “Good on you, mate,” Steve said. I thought, I’ve got what on me? Right away, I was extremely self-conscious about a hurdle I felt that we had to get over. I wasn’t entirely sure about Steve’s marital status. I looked for a ring, but he didn’t wear one. That doesn’t mean anything, I told myself. He probably can’t wear one because of his work. I think he figured out what I was hinting at as I started asking him questions about his friends and family. He lived right there at the zoo, he told me, with his parents and his sister Mandy. His sister Joy was married and had moved away. I was trying to figure out how to say, “So, do you have a girlfriend?” when suddenly he volunteered the information. “Would you like to meet my girlfriend?” he asked. Ah, I felt my whole spirit sink into the ground. I was devastated. But I didn’t want to show that to Steve. I stood up straight and tall, smiled, and said, “Yes, I’d love to.” “Sue,” he called out. “Hey, Sue.” Bounding around the corner came this little brindle girl, Sui, his dog. “Here’s my girlfriend,” he said with a smile. This is it, I thought. There’s no turning back. We spent a wonderful weekend together. I worked alongside him at the zoo from sunup to sunset. During the day it was raking the entire zoo, gathering up the leaves, cleaning up every last bit of kangaroo poo, washing out lizard enclosures, keeping the snakes clean. But it was the croc work that was most exciting. The first afternoon of that visit, Steve took me in with the alligators. They came out of their ponds like sweet little puppies--puppies with big, sharp teeth and frog eyes. I didn’t know what to expect, but with Steve there, I felt a sense of confidence and security. The next thing I knew, I was feeding the alligators big pieces of meat, as if I’d done it all my life.

You’re like the sunset on the Pacific coast. You’re every color from the color wheel, the different hues and shades swirling together. You’re a fucking masterpiece and I could stare at you for the rest of eternity.

Happiness was a choice. And while that mindset might be harder to maintain in this situation, she could at least choose not to sink into a deep, dark place of terrible thoughts and awful what ifs.

For decades, Amtrak ran a long-distance train from Los Angeles to Jacksonville called the Sunset Limited. In August 2005, Hurricane Katrina washed out the tracks from New Orleans to Florida. The service was never restored, and the Gulf Coast has been without rail travel for nearly a decade now.

we passed Costa Rica, and were near land. We had a most gorgeous sunset, and a full moon at night; besides, the water was all aglow with brilliant phosphorescence, which looked like great fiery serpents playing about the steamer

The East Coast forces sports on their young!

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Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008

Elegance and simplicity . . . plastic, including polyester resin, which has several attractions: permanence (indoors), an aura of difficulty and technical expertise, and preciousness . . . rivaling bronze or marble. . . . in short, the aroma of Los Angeles in the sixties — newness, postcard sunset color, and intimations oif aerospace profundity.

A palm tree came down on top of

The movie always ends with the ‘I love you.’ He's holding the boombox outside of her room, and they ride off into the sunset. You never hear they broke up a week later when she wanted an East Coast school and he wanted West Coast. The thing that makes love lasting and true is knowing another person. You feel for them, but do you know them, the good, the bad, and the ugly, in your heart of hearts. - Theo Jefferson from Smolder: A Strong Woman Firefighter Romance

I cannot come with you, pilla. I would wilt like a plucked flower. I belong here." "Well, I belong here, too." They had reached the bottom of the hill and the line of palms that grew along the coast. The dhows bobbed mildly on the flat sea, their sails down, as white-robed Parsees gathered along the shores to begin their sunset prayers. Ada stopped walking and faced the golden ocean, the dying sun still warm on her face. She was infused with a feeling for which she did not have a name, but which was exquisitely wonderful and painful at the same time. She repeated, more softly now, "I belong here, too, Shashi.

In Los Angeles, it was easier to breathe. It always was. My hometown made me feel at ease in a way no other landscape ever would: the strip malls and cloverleaf freeway exits, the rush of salt wind on the Pacific Coast Highway, the dark silhouettes of palm trees against those startling, smog-brightened sunsets. This was where I’d gotten high with my high school boyfriend, sixteen and not a virgin anymore, driving the dark back roads thinking, not a virgin not a virgin not a virgin. These streets were the first streets I ever drove with my friends, late at night, with the radio cranked up, imagining our futures.

Psychological research provides a clear answer to these sorts of quantity-quality trade-offs: Choose the shorter, more memorable vacation. When you’re back at home or at work, two pleasant but less memorable weeks won’t feel any different from one. But savoring your memories of walking right onto the beach in the morning and then again at sunset, playing the album of the musicians you heard live as you sipped that rum concoction, and remembering what it looked like to see the Na Pali coast from the air are experiences you will draw on for a lifetime.