Clyde Barrow Quotes

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Art has now done for Bonnie Parker and Clyde Barrow something they could never achieve in life: it has taken a shark-eyed multiple murderer and his deluded girlfriend and transformed them into sympathetic characters, imbuing them with a cuddly likability they did not possess, and a cultural significance they do not deserve.
Bryan Burrough (Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34)
To the generations of Americans raised since World War 2, the identities of criminals such as Charles "Pretty Boy" Floyd, Baby Face Nelson, "Ma" Barker, John Dillenger, and Clyde Barrow are no more real than are Luke Skywalker and Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time. They were real.
Bryan Burrough (Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34)
Buck Barrow, brother of Clyde Barrow (Bonnie & Clyde) was once asked "Where are you wanted by the law?" Barrow replied, "Wherever I've been." What a picture of our own guilt. We cannot escape our sinfulness because it follows us everywhere. Neither can we escape the mercy of God that is always there.
William Branks
When one looks back across a chasm of seventy years, through a prism of pulp fiction and bad gangster movies, there is a tendency to view the events of 1933-34 as mythic, as folkloric. To the generations of Americans raised since World War II, the identities of criminals such as Charles “Pretty Boy” Floyd, Baby Face Nelson, “Ma” Barker, John Dillinger, and Clyde Barrow are no more real than are Luke Skywalker or Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time.
Bryan Burrough (Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34)
The way I saw it, that was the real mistake the Barrow gang had made. It seemed to me that they'd have been a lot less likely to get gunned down if Bonnie had just had the sense to be Clyde.
Saundra Mitchell
Sometimes Across the fields of yesterday She sometimes comes to me A little girl just back from play the girl I used to be And yet she smiles so wistfully once she has crept within I wonder if she hopes to see the woman I might have been— —1933
Blanche Caldwell Barrow (My Life with Bonnie and Clyde)
We laughed about a lot of things that we should have taken more seriously. But no matter how serious or dangerous the situation was, we always found something to laugh about later on. It always seemed better to laugh than to cry. We had to laugh to keep from crying.
Blanche Caldwell Barrow (My Life with Bonnie and Clyde)
You’ve read the story of Jesse James— Of how he lived and died; If you’re still in need Of something to read, Here’s the story of Bonnie and Clyde. Now Bonnie and Clyde are the Barrow gang. I’m sure you all have read How they rob and steal And those who squeal Are usually found dying or dead. There’s lots of untruths to these write-ups; They’re not so ruthless as that; Their nature is raw; They hate all the law— The stool pigeons, spotters, and rats. They call them cold-blooded killers; They say they are heartless and mean; But I say this with pride, That I once knew Clyde When he was honest and upright and clean. But the laws fooled around, Kept taking him down And locking him up in a cell, Till he said to me, “I’ll never be free, So I’ll meet a few of them in hell.
Ted Hinton (Ambush: The Real Story of Bonnie and Clyde)
Bonnie was so drunk she could hardly walk. ... I had always felt sorry for her, having to live the life she was living, never a minute’s peace. She had often told me she was happier when she had something to drink. So I did not blame her for staying drunk most of the time, if it made her feel better.
Blanche Caldwell Barrow (My Life with Bonnie and Clyde)
There were occasional dances at the main prison compound with live bands as well as holiday dinners, activities that Blanche greatly enjoyed. In her scrapbooks, she placed an autographed promotional photograph of one visiting band, The Rural Ramblers. ... Blanche loved to dance and by all accounts she was very good at it. She applied to a correspondence course in dancing that came complete with diagrams of select dance steps to place on the floor and practice. She also cut similar dance instructions and diagrams from newspapers and magazines and put them in her scrapbooks. By 1937, she had mastered popular dances like jitterbug, rumba, samba, and tango. The men’s prison, or “the big prison” as the women called it, hosted movies on Friday nights. Features like Roll Along Cowboy ... were standard, usually accompanied by some short musical feature such as Who’s Who and a newsreel. The admission was five cents. Blanche attended many of these movies. She loved movies all of her life. Blanche Barrow’s periodic visits to the main prison allowed her to fraternize with males. She apparently had a brief encounter with “the boy in the warden’s office” in the fall of 1934. There are few details, but their relationship was evidently ended abruptly by prison officials in December. There were other suitors, some from Blanche Barrow’s past, and some late arrivals...
John Neal Phillips (My Life with Bonnie and Clyde)
I talk of those incidents [with Bonnie and Clyde] as if I were not a part of any of it, like a character in a book I once read. It’s the only way I keep from going crazy. Maybe we were all pretty young then, but we knew what we were doing. Clyde never held a gun to my head. I was there because I wanted to be! What’s that they say in the movies? ‘The show must go on!’ Well, life goes on.
Blanche Caldwell Barrow (My Life with Bonnie and Clyde)
Actually, despite his earlier vow to one day raid Eastham, Clyde Barrow tried to go straight when he was paroled. He first helped his father make preparations to put an addition onto the service station, then traveled to Framingham, Massachusetts, to take a job and get away from his past in Texas. However, he quickly grew homesick and returned to Dallas to work for United Glass and Mirror, one of his former employers. It was then that local authorities began picking Barrow up almost daily, often taking him away from his job. There was a standing policy at the time to basically harass excons. Barrow was never charged with anything, but he soon lost his job. He told his mother, in the presence of Blanche Barrow and Ralph Fults, 'Mama, I'm never gonna work again. And I'll never stand arrest, either. I'm not ever going back to that Eastham hell hole. I'll die first! I swear it, they're gonna have to kill me.' ... Mrs. J. W. Hays, wife of former Dallas County Sheriff's Deputy John W. “Preacher” Hays, said, 'if the Dallas police had left that boy [Clyde Barrow] alone, we wouldn't be talking about him today.
John Neal Phillips (My Life with Bonnie and Clyde)
[At Eastham, probably after sexual abuse]: In Barrow's own words to Fults, 'I'd like to shoot all these damned guards and turn everybody loose.' Fults, initially unimpressed by the diminutive Barrow, later noted the change he witnessed. 'I seen him change from a schoolboy to a rattlesnake. He got real bitter.' ... This is echoed by members of the Barrow family who noted a distinct difference in Barrow's personality after his 1932 parole. According to his sister Marie, 'Something awful sure must have happened to him in prison, because he wasn't the same person when he got out.
John Neal Phillips (My Life with Bonnie and Clyde)
Of her portrayal in the 1967 movie, Bonnie and Clyde, Blanche said, 'That movie made me out like a screaming horse's ass!' ... 'I was too busy moving bodies [to act hysterical],' Blanche herself said. ... Her image in this memoir, as well as in Fugitives and in Cumie Barrow's manuscript, was fashioned at a time when Blanche could have easily been charged with the Joplin murders. That may account for the great difference in tone Between Blanche, the young convict in Missouri State Penitentiary, and Blanche, the elder ex-fugitive. Indeed, at least one of Blanche Barrows' champions, Wilbur Winkler, the Deni— son man who co-owned (along with Artie Barrow Winkler) the Cinderella Beauty Shoppe, used Fugitives to try to obtain a parole for Blanche from the Missouri Board of Probation and Parole. In letters to the Platte County prosecutor and the judge involved in Blanche's case, Winkler alluded to the book's description of Blanche in Joplin in an effort to win their support for her release: 'Blanch [sic] ran hysterical [tic] thru [sit] the gunfire down the street carrying [her] dog in her arms,' Winkler wrote. He even sent copies of the book to them—and to others.
John Neal Phillips (My Life with Bonnie and Clyde)
Ranger Captain Fred McDaniel drove Fults to Austin. There the outlaw was interviewed about his experiences with Clyde Barrow and Raymond Hamilton. Fults, in turn, probed the Rangers for information about the ambush of Bonnie and Clyde. 'Yeh,' McDaniel said, 'they approached me and Hickman and Gonzualeson that Clyde and Bonnie deal.We told them 'no thanks, we don't ambush people and we don't shoot women.
John Neal Phillips (Running With Bonnie and Clyde: The Ten Fast Years of Ralph Fults)
Hamilton and Joe Palmer were an unlucky pair who were once confederates of Clyde Barrow up in West Dallas. At one time Ray was public
George Wier (The Last Call (Bill Travis Mysteries, #1))
What name did you give them when you registered us?” Bonnie asked. She was turned around in her seat, watching to see if they were going to be pursued. So far so good. “Parker Barrow.” Bonnie laughed and groaned. “And you thought that was a good idea?” “No. I just thought it was funny. And at this point, funny is about all we’ve got,” Finn said with a rueful smile. “We really aren’t anything like Bonnie Parker and Clyde Barrow.” “I’ve decided that the media doesn’t care, Bonnie Rae. They want us to be . . . and so that’s the story they’ll tell.
Amy Harmon (Infinity + One)