Clutch Baseball Quotes

I'll teach you later, but for now I just need someone to watch the signs for me. Come on up to the copilot chair." I jerked a thumb in the direction of Chubs. Liam only shook his head. "Are you kidding me? Yesterday he thought a mailbox was a clown." I unbuckle my seat belt with a sigh. As I climbed over Chubs's outstretched legs to the front, I glanced over my shoulder, my eyes going to his too-small glasses. " Is his eyesight really that bad?" "Worse," Liam said. "So, right after we got the hell out of Caledonia, we broke into this house to spend the night, right? I woke up in the middle of the night hearing the most awful noise, like a cow dying or something. I followed the wailing, clutching some kid's baseball bat, thinking I was going to have to beat someone's head in for us to make a clean getaway. then I saw what was sitting at the bottom of a drained pool." "No way," I said. "Way," he confirmed. "Hawkeye had gone out to relieve himself and had somehow missed the giant gaping hole in the ground. Twisted his ankle and couldn't climb out of the deep end. I tried so hard not to laugh, but it was impossible. The mental image was just too damn good.

[Tony] Pérez stood out because he was a clutch hitter. And like Bench and Morgan and Rose, it was a clutch October hit that immortalized him in baseball’s postseason lore. The powerful first baseman hit three home runs against Boston during the 1975 World Series, but none bigger than his blast against Bill Lee.

Is his eyesight really that bad?" "Worse," Liam said. "So right after we got the hell out of Caledonia, we broke into this house to spend, right? I woke up in the middle of the night hearing the most awful noise, like a cow dying or something. I followed the wailing, clutching some kid's baseball bat, thinking I was going to have to bad someone's head in for us to make a clean getaway. Then I saw what was sitting at the bottom of the drained pool." "No way," I said. "Way," he confirmed. "Hawkeye had gone out to relieve himself and had somehow missed the giant gaping hole in the ground. Twisted his ankle and couldn't climb out of the deep end.

baseball is really the game that tells you what life is going to be: fastballs, errors, wild pitching, clutch hits, strike-outs, not getting to first base, things coming in from left field. Near misses. And that’s just the romance part.

Zoe, I--Oh, God!" he shouted, clutching his chest and stumbling back. "What?" she asked, looking around anxiously as she clutched a large brown muffin against her chest. With a shaky hand, he pointed at the offending item that she dared bring into his house. "What the hell is that?" She looked down and frowned. "My muffin?" "How could you?" he demanded hoarsely as he shook his head in disgust. "What the hell are you freaking out about?" she demanded, looking around again. "That shirt!" he said, pointing wildly towards the Red Sox shirt that she dared to wear in his presence. "What the hell were you thinking?

He lifted the picture for a closer look and saw himself among a group of men, tossing a baseball from bare right hand to gloved left hand. The flight of the ball had always made this photo mysterious to Francis, for the camera had caught the ball clutched in one hand and also in flight, arcing in a blur toward the glove. What the camera had caught was two instants in one: time separated and unified, the ball in two places at once, an eventuation as inexplicable as the Trinity itself. Francis now took the picture to be a Trinitarian talisman (a hand, a glove, a ball) for achieving the impossible: for he had always believed it impossible for him, ravaged man, failed human, to reenter history under this roof. Yet here he was in this acne of reconstitutable time, touching untouchable artifacts of a self that did not yet know it was ruined, just as the ball, in its inanimate ignorance, did not know yet that it was going nowhere, was caught. But the ball is really not yet caught, except by the camera, which has frozen only its situation in space. And Francis is not yet ruined, except as an apparency in process. The ball still flies. Francis still lives to play another day. Doesn't he?

The examples go on and on—victims typically don't see the knife that they are stabbed or cut with. Therefore, you must assume that he has a knife. Study his hands. Is one hand behind his back, held behind his leg, in a backpack, etc.? Be prepared for him to pull a concealed knife from his waistband or pocket. Just yesterday I struck up a conversation with a martial artist who told me combat was all about getting in close. NO! NO! NO! Part of assuming the knife means that you maintain distance whenever possible. The moment you close, the odds shift in favor of the guy with a knife. Even if you dish out serious punishment up close, if he clutches onto you it may be fatal when he draws a knife or ties you up, leaving you helpless as his buddies close in.

The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks. But Derek knew who they were. “No! No!” he cried. All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill. One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank. One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat. Derek dropped to his knees. Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape. Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down. “Don’t be stupid, Derek. We’re not after you.” The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her. When her mouth was sealed, the thugs pulled off their shooter’s earmuffs. Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.” “Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit. “She’s a freak,” Hank said. “She’s my little sister. This is our home.” “She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.” “Man, come on,” Derek pleaded. “She’s not hurting anyone.” “It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.” “All she does is—” Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?” “Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.” He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?” Derek’s resistance died. “The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there. Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon. “Let me at least get her doll.

I retrieved the guys’ guns, plus a baseball cap and a pair of sunglasses. “I doubt the cavalry will arrive any time soon. But we should still get out of here.” “Where to?” “Somewhere private. We have a lot to talk about.” “OK.” Fenton made her way around to the driver’s side of her Jeep and flipped up the windshield. “My hotel.” She fired up the engine and shifted into Reverse, then sat with one foot on the brake and the other pressing down on the clutch. Both her hands were on the wheel. At the top. Pressed together at the twelve o’clock position. She was hanging on tight. Her knuckles were white. Veins and tendons began to bulge. She closed her eyes. Her chest heaved, like she was having trouble catching her breath. Then she regained control. Slowly. She relaxed her grip. She opened her eyes, which dislodged a couple of tears. “Sorry.” She brushed her cheeks then switched her right foot to the gas pedal and raised the clutch. “I was thinking of Michael. I can’t believe he’s gone.

The Advantage of Long Range Technique and Why Close Range Is Deadly Let's be clear: you always want to maintain distance. For the long stick, long range is the optimum strategy. At long range, the opponent must reach out with his hand to hit you. At the farthest range, he can only hit you with that hand: the other hand is too far back to touch you, and his feet are planted as he stretches. If he extends to kick you, his hands can't touch you, while his other foot is planted. In either case, at this longest range only one hand or foot threatens you. With the big stick, you want to maintain a range where you can blast him, but he can't touch you. This is the safest range. As the opponent gets closer he enters a range where he can hit you with both hands and kick you with both feet, so you now have four potential weapons to contend with. At even closer range he can hit with the hands, elbows, knees, head, so the number of threats grows larger still. At this range if he has a knife, he can use one hand to hold you while he stabs with the other, which is easily a fatal attack. At close range an opponent can bring a concealed gun or knife into play, and you may not see the weapon until it is too late. While long range is the desired range, you must realize that you can't always maintain that range, so you must be prepared to fight in close. You not only want to be able to hit at very close range, but be able to drive the opponent back out into the kill zone. Countering the Closing Opponent 1) Recognize the Danger Avoid overconfidence, the delusional thinking, “If anybody tries to tackle me I'll knock him out.” It's not that easy. As long as you're standing, running is always an option, but once an opponent has clinched or tackled you, you lose that option. If you get taken to the ground spectators can very easily kick you in the head, a very powerful, inconspicuous kick that is like kicking a football off a tee. Martial artist Geoff Thompson knew two men who were killed in just such a fashion. A gang tactic is to assign one member to tie you up, sacrificing himself if necessary, so that the rest of the gang can pick you off. Against multiple opponents your primary strategy is mobility, fleeing if possible, but once you're clutched or tackled you've lost that option. A clinching assailant with a knife is your worst nightmare, posing a highly lethal threat.

Desperate times and all. She clutched the baseball bat tighter in her fist and crept down the rickety, back staircase.

She fell asleep anticipating another enigmatic dream. Tonight’s feature starred the commander-in-chief himself. Angie had been summoned to Casa Bellicosa to unfasten a screech owl from the presidential pompadour, which the low-swooping raptor had mistaken for a road-kill fox. When Angie arrived, the commander-in-chief was lurching madly around the helipad, bellowing and clawing at the Velcro skull patch into which the confused bird had embedded its talons. The owl was still clutching a plug of melon-colored fibers when Angie freed it. Swiftly she was led to a windowless room and made to sign a document stating she’d never set foot on the property, or glimpsed the President without his hair. A man wearing a Confederate colonel’s uniform and a red baseball cap stepped forward and hung a milk-chocolate medal around Angie’s neck, after which she was escorted at sword-point out the gates. She

She doubled over until her forehead touched Arion's mane. She rocked and murmured, clutching her wrist like a baseball player who had just broken her hand and was trying to fight the pain. At last she straightened. She took a shaky breath. She dismounted, wrapped her arms around Arion's neck, and whispered something in his ear. The horse nodded. Hazel stepped back and he raced away - a streak of white heading west towards the Caldecott Tunnel. I wanted to warn Hazel there was nothing to find there, but I didn't. I understood heartache a little better now. Each person's grief has its own life span; it needs to follow its own path.