Clue Play Quotes

You tie me up in knots. I want to play you a thousand different songs so you can get a clue of what... I feel inside me...

It was my first clue that atheists are my brothers and sisters of a different faith. Like me, they go as far as the legs of reason will carry them - and then they leap. I'll be honest about it. It is not atheists who get stuck in my craw, but agnostics. Doubt is useful for awhile. We must all pass through the garden of Gethsemane. If Christ played with doubt, so must we. If Christ spent an anguished night in prayer, if He burst out from the Cross, "My God, my God, why have you forsaken me?" then surely we are also permitted doubt. But we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.

We don't have a clue what's really going down, we just kid ourselves that we're in control of our lives while a paper's thickness away things that would drive us mad if we thought about them for too long play with us, and move us around from room to room, and put us away at night when they're tired, or bored.

Mrrrp? To anyone else in the Cahill universe, the high-pitched sound of the pet Egyptian Mau had a hundred different meanings: the playful mrrp, the I-want-red-snapper mrrp, the that-wasn't-enough-red-snapper mrrp, the thank-you-for-the-meager-portion-of-red-snapper mrrp. And on and on. But to Ian Kabra's ears, each was the I-hate-you-with-all-my-soul mrrp.

Students present themselves...like a succession of CDs whose shimmering surface gives no clue to their contents without the equipment to play them.

When we grow up," she said, "we'll have amazing families. Our dens will be better than this. Your kids and my kids will play together in a humongous room with every kind of toy and game." "Except I won't have kids," Dan said. "I'll come over myself and play...

They'd been played. By a tuba!

Rather, the best clue is, of all things, the pity play. The most reliable sign, the most universal behavior of unscrupulous people is not directed, as one might imagine, at our fearfulness. It is, perversely, an appeal to our sympathy. I first learned this when

I leave the kitchen table to bathe, and to dress for church. If only my closet held on its shelves an array of faces I could wear rather than dresses, I would know which face to put on today. As for the dresses, I haven't a clue.

I have no clue what happened to my best friend, the one who played with me on the playground when no one else would. But this Logan…” She gestured from my shoes on up. “This Logan can kiss my ass.

Don’t play, baby.” “Tell me I am,” I rasp. When his brows dip, I continue. “Your baby.” My eyes hit his. “For reals, not for fakes. For keeps, not for now.” The heavy thump of his heart beats against my hand, and I flatten my palm there, not wanting to miss the way it’s climbing. “Pixie.” He leans in, brushing his lips over mine. “You are. You’ve been,” he stresses. “Even when you had no fuckin’ clue... you were my baby.

After listening for almost twenty-five years to the stories my patients tell me about sociopaths who have invaded and injured their lives, when I am asked, “How can I tell whom not to trust?” the answer I give usually surprises people. The natural expectation is that I will describe some sinister-sounding detail of behavior or snippet of body language or threatening use of language that is the subtle giveaway. Instead, I take people aback by assuring them that the tip-off is none of these things, for none of these things is reliably present. Rather, the best clue is, of all things, the pity play. The most reliable sign, the most universal behavior of unscrupulous people is not directed, as one might imagine, at our fearfulness. It is, perversely, an appeal to our sympathy.

America," he begged. I turned to Maxon. "They're fine. The rebels were slow, and everyone here knows what to do in an emergency." I nodded. We stood there quietly for a minute, and I could tell he was about to move on. "Maxon," I whispered. He turned back, a little surprised to be addressed so casually. "About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever." He was dumbfounded. "What?" "He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me." Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face. "Was everyone told this?" he asked, sounding appalled at the idea. "I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room. He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?" "I hit your thigh!" "Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism. A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was. "So how are you handling a roomful of crying women?" I asked. There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it." This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.

No one at school knows what I’m about to tell you. And it wasn’t really the class itself that played a part. Even if I never took Peer Communications, the outcome may very well have been the same. Or not. I guess that’s the point of it all. No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same.

My guess is that people haven’t a clue how to get along . They need a structure , rules , and roles to play .

If Clue was played like D&D, you could grab the lead pipe, beat a confession out of Colonel Mustard, and have sex with Miss scarlet on the desk in the conservatory.

It means the world's about as solid and as reliable as a layer of scum on the top of a well of black water which goes down forever, and there are things in the depths that I don't even want to think about. It means more than that. It means that we're just dolls. We don't have a clue what's really going down, we just kid ourselves that we're in control of our lives while a paper's thickness away things that would drive us mad if we thought about them for too long play with us, and move us around from room to room, and put us away at night when they're tired, or bored.

I sniffed as a few tears escaped, lifting my hands to wipe them away. It was then that I caught the only clues I’d been given by whoever had left me here. On one wrist someone had written You are Kahlen. The other said He is Akinli. I flipped my hands over and searched up and down my arms, hoping there was more. “Look,” I begged, holding out my arms. “Pretty handwriting,” Ben commented. Julie hit him, but in a way that seemed playful. “Seriously?” “That’s all you have?” Akinli asked. “Apparently. So, all I know is who I am and who you are.” I looked into his eyes, the glowing blue, and sensed that was all that mattered.

Seriously? You've never done this for your friends before?" Trent shrugs. He manages to stay straight-faced for another three seconds before a sly smile betrays him. "Yeah, tons of times. But I liked letting you feel me up." A loud chorus of snickers and laughter erupts. They all knew he was playing me. How did they all know and I have no clue? Probably because I'm too busy drooling over his body to notice his practiced movements.

Do you never have the sense that our metaphors eat up our world? I mean of course everything connects and connects — all the time — and I suppose one studies — I study — literature because all these connections seem both endlessly exciting and then in some sense dangerously powerful — as though we held a clue to the true nature of things? I mean, all those gloves, a minute ago, we were playing a professional game of hooks and eyes — mediaeval gloves, giants' gloves, Blanche Glover, Balzac's gloves, the sea-anemone's ovaries — and it all reduced like boiling jam to — human sexuality. Just as Leonora Stern makes the whole earth read as the female body — and language — all language. And all vegetation is pubic hair.

The little kids by the water threw their hands in the air and squealed, chasing each other in circles. It was hard to believe that I’d ever been that small. That young. That happy and clueless. They had pain ahead. Heartbreak. Loss. They didn’t know and I didn’t want them to – but at the same time, I hated that I hadn’t known. I’d taken everything for granted – my mother, my friends in Alexandria, playing hockey. I dreamed about the future because that’s what people persuade you to do when you’re a kid, but that’s the biggest lie of all – that you can plan. Reality is, you have no fucking clue what’s coming and neither do they

RULES OF LYING: 1. Figure out your lie before you open your mouth. 2. Play on your opponent's sympathies and weaknesses 3. Dance around the lie with distracting truth. They're far more convincing. 4. Picture the lie in your head as if it were the truth. They want to see how it's coming up. 5. Never forget which is the lie and which is the truth. 6. If you say something that brings you trouble, pretend that was actually the lie. Lie and say you were joking before, and aren't you funny? It's a quick escape from a sticky situation. It's the liars trapdoor. 7. Avoid it if at all possible. 8. Keep up your poker face. Never have a "tell" or a physical gesture that will give yourself away and let your opponent know your bluffing.

Leonard is far and away my least favorite relative, and I have no clue why I call him one night, collect, very late, and give him an involved and scrupulously fair edition of the whole story. We end up arguing. Leonard maintains that I am just like our mother and suffer from an unhappy and basically silly desire to be perfect; I sat that this has nothing constructive to do with anything I've said, and furthermore I fail to see what's so bad about wishing to be perfect, since being perfect would be...well, perfect. Leonard invites me to think about how boring it would be to be perfect. I defer to Leonard's extensive and hard-earned knowledge about being boring, but do point out that since being boring is an imperfection, it would by definition be impossible for a perfect person to be boring. Leonard says I've always enjoyed playing games with words in order to dodge the real meanings of things; this segues with suspicious neatness into my intuitions about the impending death of lexical utterance, and I'm afraid I indulge myself for several minutes before I realize that one of us has severed the connection. I curse Leonard's pipe, and his wife with a face like the rind of a ham.

All serious poker players try to minimize their tells, obviously. There are a couple ways to go about this. One is the robotic approch: where your face becomes a mask and your voice a monotone, at least while the hand is being played. . . . The other is the manic method, where you affect a whole bunch of tics, twitches, and expressions, and mix them up with a river of insane babble. The idea is to overwhelm your opponents with clues, so they can't sort out what's going on. This approach can be effective, but for normal people it's hard to pull off. (If you've spent part of your life in an institution, this method may come naturally.)

Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that

Grace used to let her play with these — a pearl bracelet, a diamond ring,

War -- is a last ditch moral nightmare. People begin worshiping a mysterious slouching beast, following after, bowing down, offering gifts, making much of zero; and worse. Love of death, idolatry, fear of life; that roughshod trek of war and warmakers throughout the world, hand in hand with death. Long live death! They wouldn't worship it if they weren't in love. Or if they weren't in fear. The second being a state of devouring, at least, as the first. I think the clue is the second masquerading as the first -- just as the beast is the ape of god; to do some thing successfully, you have to, above all, hide what your up to. In this way fear can ape love. Death can demand a tribute owed to life, the ape can play God. Such reflections are of course ill at ease by some: those to whom the state is a given, the church is a given, Western culture a given, war a given, consumerism a given, paying taxes a given. All the neat slots of existence into which one fits, birth to death and every point in between. Nothing to be created, no one to be responsible to, nothing to risk, no objections to lodge. Life is a mechanical horizontal sidewalk, of the kind you sometimes ride at airports between buildings. One is carried along, a zonked spectator... Every nation-state tends towards the imperial -- that is the point. Through banks, armies, secret police propaganda courts and jails, treaties, taxes, laws and orders, myths of civil obedience, assumptions of civic virtue at the top. Still it should be said of the political left, we expect something better. And correctly. We put more trust in those who show a measure of compassion, who denounce the hideous social arrangements that make war inevitable and human desire omnipresent; which fosters corporate selfishness, panders to appetites and disorder, waste the earth.

Trying to get a Phoenix build going is like playing Legend of Zelda, if it were written by a sadist, forcing her to adventure far and wide to find hidden keys scattered across the kingdom and given only measly clues from uncaring NPCs. But when you finally finish the level, you can’t actually play the next level—you have to mail paper coupons to the manufacturer and wait weeks to get the activation codes.

Hartwell’s hockey skills are on a different planet, and I think I might be a little bit in love with her. I’ve never seen anyone play like that, and I have no fucking clue how she’s not already on an NHL roster.

Nick laughed and pet the Wangdoodle on the head. “Esperto, you silly boy,” he said to the Wangdoodle. “Usually, Esperto only transforms when I’m in danger,” Nick said to Elphaba. “But whenever he’s around Dymons, he loves to play along. Their transformations are to Esperto what a ball of yarn is to a kitten.” Esperto gave out a strange squeaking growl, which Elphaba figured was the Wangdoodle version of a purr. “What the hell is a Wangdoodle?” Elphaba whispered. “I haven’t a clue,” Nick laughed.

I liked the way the boats looked, but I didn’t do anything about it. After a blowup with the feculent Times bloater—lying there on his waterbed playing the paper comb and drinking black rum—I flew up to Houston, Texas— don’t ask me why—and bought a touring bike. A bicycle, not a motorcycle. And I pedaled it to Los Angeles. The most terrible trip in the world. I mean Apsley Cherry-Garrard with Scott at the pole didn’t have a clue. I endured sandstorms, terrifying and lethal heat, thirst, freezing winds, trucks that tried to kill me, mechanical breakdowns, a Blue Norther, torrential downpours and floods, wolves, ranchers in single-engine planes dropping flour bombs. And Quoyle, the only thing that kept me going through all this was the thought of a little boat, a silent, sweet sailboat slipping through the cool water. It grew on me. I swore if I ever got off that fucking bicycle seat which was, by that time, welded into the crack of me arse, if ever I got pried off the thing I’d take to the sea and never leave her.

For my wife for Valentine’s Day, A proposition, if I may— Three clues for you, You know what to do— And if you want your present to claim, You’re going to have to play my game Now here’s the clue that I speak of: Tell me, darling Nikki, what is sweeter than Love?

In his indispensable book The Return of the Prodigal Son, Henri Nouwen boldly invites us to imagine ourselves not just in the place of the younger son, and then the elder one, but also in the place of the father. Many of Jesus’ parables are waiting for this kind of attention—his shepherds, widows and vineyard owners are not just clues to the true nature and identity of God, but to what we are meant to become by grace. But for us the path to becoming the shepherd requires first recognizing that we are the lost sheep; to become the searching widow, we must understand that we are the coin lost in the cranny; and to become the father requires first coming to terms with ourselves as his equally foolish, equally prodigal children. And that is, in a nutshell, what discipleship is about. In the crucible of discipleship we come to see just how distorted our vision for our own power has been and how small we have become, but we also discover just how lavish our Father’s goodness is and how much glory is waiting for us, how much more we are meant to be.

I just want to tell my story. Because this is what I do. I play Russian roulette with Fate, knowing someday a therapist will break confidentiality and turn me in. It’s like when I was a child, weighed down by guilt over some wrongdoing but fearing the punishment too much to confess outright. I’d drop clues, reasoning that if I was meant to be caught, those hints would chamber the round. Magical, childish thinking, but it’s what I do now. I tell my story and reason that if I’m truly meant to be punished, a therapist will turn me in.

At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap

I think I'll say goodnight here," Jack said. "My dad's not so bad." "Oh yeah,he was great...right up until the time I started dating his daughter." I'd seen how my dad had become considerably colder toward Jack. There were little clues,like the other evening when out of nowhere he told Jack about how every football player he went to high school with had gotten fat after graduation.We'd been talking about what to make for dinner. "Okay," I said. "Maybe next time." I leaned over to peck him on the cheek, but he grabbed my face in both of his hands and kissed me. His breath tasted like the mints the chaperones had passed out when the dance was over, and when he parted his lips against mine, I shivered, but not because of the cold. I pressed against him even more and hoped the dark inside the car obscured my dad's view. But I knew better than to push it.As I was about to break away,Jack put his hands behind my waist and pulled me even closer,practically lifting me over the center console,so I was sitting in his lap. I pulled back. "My dad's going to love that-" He put his finger over my lips, cutting me off. "Please don't talk about your dad when I'm kissing you. Besides, unless he's enacted a law against it-" "Which he may well do after tonight," I interrupted. He smiled and then brought my face to his again for a few moments before finally releasing me. "After that kiss,we'd better dream of the same thing tonight," he said with a smirk. My face got even warmer,but I tried to speak in a calm voice. "I'll probably dream my usual dream,where I show up to school without any clothes on." "Me too." Jack chuckled.I gave his shoulder a playful shove.

It's a lost and lonely kind of feeling, To wake up wearing a disguise. I lie in bed staring at the ceiling, I don't know who I am There's little that I can Fully recognize.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps And I don't know what to say. Small steps, Trying to pull myself together, And maybe I'll discover A clue along the way.... Just to make it through the day and not to get hurt, Seems about the best that I can hope. Like coffee stains splattered on your sweatshirt There isn't any pattern. Everything's uncertain. It's difficult to cope.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps, And I've forgotten how to play. Small steps, Trying to pull myself together, And maybe I'll discover, A clue along the way.... And if someday my small steps bring me near you, Please don't rush to tell me all you feel. You don't have to speak for me to hear you. If I softly sigh, Look me in the eye And let me know I'm real.... Then we'll take small steps, 'Cause we won't know where we're going. We'll take small steps, And we'll have too much to say. Small steps, Hand in hand we'll walk together, And maybe we'll discover A clue along the way.... Small steps, 'Cause I don't know where I'm goin'. Small steps, I just take it day to day. Small steps, Somehow get myself together, Then maybe I'll discover Who I am on the way....

Physicians need to be trained to see symptoms of the larger structural problems that will bedevil a child’s health and well-being more than a simple cold ever could. But these problems are harder for even a well-trained physician to identify. A child doesn’t come to my exam room for “food insecurity.” Their moms don’t call the clinic for an appointment because “we can’t make ends meet” or “there aren’t any safe places to play outside.” They make appointments because of nosebleeds and ear infections, like other moms, or for well-baby checkups. And when we see them, if we don’t ask about the situation at home or learn to notice the clues on our own, we’ll never find out what these larger problems are. When we know about the child’s environment, we can treat these kids in the best, most holistic way, which will leave them with much more than just a prescription for amoxicillin.

The problem is that the pressure to disprove a stereotype changes what you are about in a situation. It gives you an additional task. In addition to learning new skills, knowledge, and ways of thinking in a schooling situation, or in addition to trying to perform well in a workplace like the women in the high-tech firms, you are also trying to slay a ghost in the room, the negative stereotype and its allegation about you and your group. You are multitasking, and because the stakes involved are high--survival and success versus failure in an area that is important to you--this multitasking is stressful and distracting. ...And when you realize that this stressful experience is probably a chronic feature of the stetting for you, it can be difficult for you to stay in the setting, to sustain your motivation to succeed there. Disproving a stereotype is a Sisyphean task; something you have to do over and over again as long as your are in the domain where the stereotype applies. Jeff seemed to feel this way about Berkeley, that he couldn't find a place there where he could be seen as belonging. When men drop out of quantitative majors in college, it is usually because they have bad grades. But when women drop out of quantitative majors in college it usually has nothing to do with their grades. The culprit, in their case, is not their quantitative skills but, more likely, the prospect of living a significant portion of their lives in a domain where they may forever have to prove themselves--and with the chronic stress that goes with that. This is not an argument against trying hard, or against choosing the stressful path. There is no development without effort; and there is seldom great achievement, or boundary breaking, without stress. And to the benefit of us all, many people have stood up to these pressures...The focus here, instead, is on what has to be gotten out of he way to make these playing fields mere level. People experiencing stereotype threat are already trying hard. They're identified with their performance. They have motivation. It's the extra ghost slaying that is in their way.

Also, don’t touch anything, and if you can help it, try not to look at anything either—not for longer than a second or two. Otherwise you might trigger some educational minigame or side quest that you’ll be forced to complete, and we’ll have to go on without you. We don’t have time to stop and play Blue’s Clues.

Our work is rejected because we are actually interested in the truth. Not a good look! People are “ashamed and embarrassed” by our work because, like Nietzsche’s work, it’s full of “difficult” material. Nietzsche was totally ignored during his sane life. Even today, the common herd don’t have a clue who he is. Leibniz, humanity’s greatest genius, is more or less unknown. That’s the way it goes. Our work is suffering the same fate. Well, it’s no surprise. We refused to play the Mandarin game. We refused to comply with the herd. Like true philosophers, we prefer to be Sages and Gadflies. The masses killed Socrates. Everyone that refuses to share our work is passing us the hemlock. So be it! We have total contempt for people that claim to like our work, but wouldn’t be seen dead sharing it on social media. You must be able to stand with those making difficult arguments that the herd don’t like. We disagree with Nietzsche on all manner of things, but we would certainly stand shoulder to shoulder with him against the herd. It’s essential for Gadflies to exist to shake the masses out of their complacency. Yet the Gadflies are always hated and, in the end, they are always handed the hemlock. They are the true heroes of our world, the ones that never get any credit.

That's how it was on Irving Circle and how I was raised: You made the best out of what was within reach, which meant friendships engineered by parents and by the happenstance of housing. I stayed with it because we both had queenly older sisters who rarely condescended to play with us, because Shelley was adopted and I was not, because Shelley had Clue and Life, and I did not

Feel free to put on some music you like." I didn't have the faintest clue how to work the radio or satellite thing or whatever the hell it was. Fortunately, it was already playing what appeared to be classic rock at a volume that still allowed conversation. "This is fine," I said. If it had been opera or jazz or anything weird, I'd have had to figure the damn thing out for my own sanity.

Who’s winning?” “I don’t have a f*cking clue nor do I f*cking care.” Echo’s head ticks back. “Back off, Beth.” I cross the room, drop a kiss on the curve of Echo’s neck and whisper in her ear, “She’d rip me to pieces, too, right now. She’s a b*tch when the Yankees play.” Her eyebrows rise. “Is she a Red Sox fan?” Isaiah chuckles and we both throw him a glare, but he doesn’t notice as he’s absorbed in a car manual. “Beth hates baseball.” Echo’s eyes dart from Beth to the television to me then she waves her hand in the air for an explanation. “She watches,” I explain. “Yankees only. It’s what she does and there are some things we don’t question about each other.” “Just the Yankees?” Echo whispers. “Just the Yankees,” I repeat. “And she hates baseball?” “With a passion.” “That’s...” Echo says in a hushed tone. “That’s messed up.

*Emotional control is the most essential factor in playing the market. *Don’t anticipate! Wait until the market gives you the clues, the signals, the hints, before you move. Move only after you have confirmation. Anticipation is the killer. It is the brother to greed and hope. Don’t make decisions based on anticipation. The market always gives you time. If you wait for the clues there will be plenty of time to execute your moves.

Fitzgerald still has that doe-eyed innocent look about him, but Mike's seen him on the ice, seen what he can do and he knows the kid's as vicious, deep down as the rest of them. He's got big blue eyes and hair constantly falling in his face and an ass that's spectacular even compared to the average hockey player and Mike wants him so bad, his teeth hurt, but Fitzgerald has no clue what he's playing with, so Mike keeps his goddamn hands to himself.

A so-called busy man may declare the day to be endless, or may mourn how the hours crawl slowly toward dinner time, but this is no evidence that this man’s life is long. For when the busy man finally has some time to himself he’s left to stew in boundless boredom with nothing to do and with no clue how to fill his day. Restlessly these types seek new ways to be at leisure and the time between play needles them to no end. Their excitement peaks at the announcement of a gladiator bout or some other such spectacle and they long to skip the days that lie between now and the grand day of extravagant entertainment. Their impatient waiting for something they desire gives them the illusion that time is passing by slowly. Yet their days on Earth remain finite, even as they fritter away time bobbing from one pleasure to another. For these wasters, uneventful afternoons of no play are long and hateful. Yet a single night out drinking with a harlot seems to fly by in no time! This strange perception of the passage of time depending on one’s mood and company has provided material for the poets. We have heard tales of how when Jupiter was with a lover the night he spent in her pleasant company seemed to pass twice as long. But doesn’t using the story concerning a god as an example of how to make time pass longer merely encourage more human vice? Can a night that costs a man so much really be regretted by that same man for being so short? They waste the day in anticipation of the night, then spend the night worrying about the coming dawn.

Every morning they made sure that they had removed all clues to their presence, then set off to find another lonely and secluded spot, traveling by Apparition to more woods, to the shadowy crevices of cliffs, to purple moors, gorse-covered mountainsides, and once a sheltered and pebbly cove. Every twelve hours or so they passed the Horcrux between them as though they were playing some perverse, slow-motion game of pass-the-parcel, where they dreaded the music stopping because the reward was twelve hours of increased fear and anxiety.

Caden/Asshole drove a Land Rover. I don’t know what I expected, but it wasn’t that. And it was clean. I paused after I opened the door and could only stand there. It was impeccably clean. He’d already gotten inside. “Please don’t tell me the leather offends you.” “It’s so clean.” “Yeah?” I had no clue what came over me, but I broke out in a “Ta-daa!” and my arms lifted like heaven’s gate had been thrown open. A full choir and orchestra played out in my voice. “Behold the gloriousness!” Then I dropped my arms and was met with silence. He tilted his head. “How much did you drink?

If they studied their paper money for clues as to what their country was all about, they found, among a lot of other baroque trash, a picture of a truncated pyramid with a radiant eye on top of it, like this: Not even the President of the United States knew what that was all about. It was as though the country were saying to its citizens, “In nonsense is strength.” *** A lot of the nonsense was the innocent result of playfulness on the part of the founding fathers of the nation of Dwayne Hoover and Kilgore Trout. The founders were aristocrats, and they wished to show off their useless education, which consisted of the study of hocus-pocus from ancient times. They were bum poets as well. But some of the nonsense was evil, since it concealed great crimes. For example, teachers of children in the United States of America wrote this date on blackboards again and again, and asked the children to memorize it with pride and joy: The teachers told the children that this was when their continent was discovered by human beings. Actually, millions of human beings were already living full and imaginative lives on the continent in 1492. That was simply the year in which sea pirates began to cheat and rob and kill them. Here

These stories are real, the dreams are real, yet the dilemmas each person faces are founded on the presences that haunt from their past. We see again the twin mechanisms present in all relationships: projection and transference. Each of them, meeting any stranger, reflexively scans the data of history for clues, expectations, possibilities. This scanning mechanism is instantaneous, mostly unconscious, and then the lens of history slips over one's eyes. This refractive lens alters the reality of the other and brings to consciousness a necessarily distorted picture. Attached to that particular lens is a particular history, the dynamics, the script, the outcomes of which are part of the transferred package. Freud once humorously speculated that when a couple goes to bed there are six people jammed together because the spectral presences of the parents are unavoidable. One would have to add to this analogy the reminder that those parents also import their own relational complexes from their parents, so we quickly have fourteen underfoot, not to mention the persistence of even more ancestral influences. How could intimate relationships not be congested arenas? As shopworn as the idea seems, we cannot overemphasize the importance of primal imagoes playing a domineering role in our relational patterns. They may be unconscious, which grants them inordinate power, or we may flee them, but they are always present. Thus, for example, wherever the parent is stuck—such as Damon's mother who only equates sexuality with the perverse and the unappealing, and his father who stands de-potentiated and co-opted—so the child will feel similarly constrained or spend his or her life trying to break away (“anything but that”) and still be defined by someone else's journey. How could Damon not feel depressed, then, at his own stuckness, and how could he not approach intimacy with such debilitating ambivalence?

Let's face it, we all got issues. Most of the time we can deal with our own overstuffed luggage, but every once in a while a few marbles bust out of the bag, go rolling down the aisle, and we got no choice but to chase after them. Chasing after our lost marbles is like an out-of-body experience. For a while it's like we become somebody else—someone we don't recognize. It scares us and gives us new and bigger headaches...They got shrinks to analyze why we do weird crap. Sometimes they tell us it's all because of our parents, which makes us happy, because we all want to blame our parents for everything, right?...No one ever seems to take responsibility themselves—because if we don't blame it on our parents, or the devil, or the government, or the freaking position of Venus in relation to Mars, then we're still left with that big ugly 'why?' Most of the time we know for sure what we did, when we did it, and where it happened. Which means we're not playing Boggle anymore; now it's Clue. But does anyone ask why Colonel Mustard killed Professor Plum with the lead pipe in the ballroom? No. When we look at our own lead pipes and ask ourselves why, the answer never really comes, so we find someone or something to blame, because 'I don't know' is not an acceptable answer.

Material artifacts may stubbornly defy time, but what they tell about man's history is a good deal less than the truth, the whole truth, and nothing but the truth. If the only clue to Shakespeare's achievement as a dramatist were his cradle, an Elizabethan mug, his lower jaw, and a few rotted planks from the Globe Theatre, one could not even dimly imagine the subject matter of his plays, still less guess in one's wildest moments what a poet he was. Though we would still be far from justly appreciating Shakespeare, we should nevertheless have a better notion of his work through examining the known plays of Shaw and Yeats and reading backward.

I have known a number of actors very well. I have found them good company. Their gift of mimicry, their knack of telling a story, their quick wit, make them often highly entertaining. They are generous, kindly and courageous. But I have never quite been able to look upon them as human beings. I have never succeeded in achieving any intimacy with them. They are like crossword puzzles in which there are no words to fit the clues. The fact is, I suppose, that their personality is made up of the parts they play and that the basis of it is something amorphous. It is a soft, malleable thing that is capable of taking any shape and being painted in any colour.

Rebecca,” she says coolly, grasping my hand. “You’re on Successful Saving, aren’t you?” “That’s right,” I say, equally coolly. “It’s very good of you to come today,” says Alicia. “I know you journalists are terribly busy.” “No problem,” I say. “We like to attend as many press conferences as we can. Keep up with industry events.” I feel pleased with my response. I’m almost fooling myself. Alicia nods seriously, as though everything I say is incredibly important to her. “So, tell me, Rebecca. What do you think about today’s news?” She gestures to the FT under my arm. “Quite a surprise, didn’t you think?” Oh God. What’s she talking about? “It’s certainly interesting,” I say, still smiling, playing for time. I glance around the room for a clue, but there’s nothing. What’s she talking about? Have interest rates gone up or something? “I have to say, I think it’s bad news for the industry,” says Alicia earnestly. “But of course, you must have your own views.” She’s looking at me, waiting for an answer. I can feel my cheeks flaming bright red. How can I get out of this? After this, I promise myself, I’m going to read the papers every day. I’m never going to be caught out like this again. “I agree with you,” I say eventually. “I think it’s very bad news.” My voice feels strangled. I take a quick swig of champagne and pray for an earthquake.

stay in a convenience store, you have to become a store worker. That’s simple enough, you just wear a uniform and do as the manual says. And before you say anything, it was the same in Stone Age society, too. As long as you wear the skin of what’s considered an ordinary person and follow the manual, you won’t be driven out of the village or treated as a burden.” “I haven’t a clue what you’re blathering on about.” “In other words, you play the part of the fictitious creature called ‘an ordinary person’ that everyone has in them. Just like everyone in the convenience store is playing the part of the fictitious creature called ‘a store worker.’” “But that’s painful. That’s why I’m so bothered by it.

The national curriculum for the Swedish preschool is twenty pages long and goes on at length about things like fostering respect for one another, human rights, and democratic values, as well as a lifelong desire to learn. The document's word choices are a pretty good clue to what Swedish society wants and expects from toddlers and preschoolers. The curriculum features the word "play" thirteen times, "language" twelve times, "nature" six times, and "math" five times. But there is not a single mention of "literacy" or "writing." Instead, two of the most frequently used words are "learning" (with forty-eight appearances) and "development" (forty-seven). The other Scandinavian countries have similar early childhood education traditions. In Finland, formal teaching of reading doesn't start until the child begins first grade, at age seven, and in the Finnish equivalent of kindergarten, which children enroll in the year they turn six, teachers will only teach reading if a child is showing an interest in it. Despite this lack of emphasis on early literacy, Finland is considered the most literate country in the world, with Norway coming in second, and Iceland, Denmark, and Sweden rounding out the top five, according to a 2016 study by Central Connecticut State University. John Miller, who conducted the study, noted that the five Nordic countries scored so well because "their monolithic culture values reading.

Have you ever been too old, too young, too big, too small, too smart, too dumb? Have you ever been too fat, too thin, too shy, too loud, too slow to win? Have you ever been too scared to try, too small to play, too young to die? Have you ever been too weak to fight, too little yet, or not quite right? Have you ever been too dark, too light, too black, too brown, too red, too white? Have you ever been put off ’til last, the odd man out, the jerk they sassed? Have you ever been the one black sheep, the naughty child, the nerdy geek? Have you ever been the butt of jokes, the timid soul, the oddest folk? Have you ever been left out of fun, forgotten when the day is done? Have you ever been afraid to lose? Afraid to try? Afraid to choose? Have you ever been too rich, too poor, too venturesome, or just a bore? Have you ever had no clue at all? Nowhere to go? No one to call? Have you ever been without a friend? Have you ever wished the day would end? Have you ever had the biggest nose, the longest arms, the funny toes? Have you ever had the flattest chest? Have you ever had the biggest breasts? Have you ever prayed your luck would change? Have you ever felt your life was strange? Have you ever wished for something more, or something less than what you were? If you have ever felt this way, you're one of us I’m here to say. We've all been there a time or two because we're human, me and you. We've all felt different in some way because we are, and that’s okay. We've all been hurt; we've all been scarred. That's life. And frankly, life is hard.

Men spent centuries building the professional world, devising rules to make sure it was a comfortable place for them and that it was geared toward their particular qualities and skills. Like any good guest, women have looked for clues on how we are to behave in this foreign land. We have tried to understand and follow the local customs. We have intuited that in this world we are to be obliging, calm under pressure, and diligent, and to always keep our emotions in check. Our adaptive skills have served many of us well. But we aren’t in a man’s world anymore. Now it’s our world. And shame on us women if we don’t do something to change the way this game is played so that everybody is able to bring their best to the effort. Let’s embrace a new way of working that is equally geared toward our own qualities and skills.

The vivid scenes with their elegant colour, their unexpected distinction, and their strangeness, were like an arras before which, like mysterious, shadowy shapes, played the forms of Kitty's fancy. They seemed wholly unreal. Mei-Tan-Fu with its crenellated walls was like the painted canvas placed on the stage in an old play to represent a city. The nuns, Waddington, and the Manchu woman who loved him, were fantastic characters in a masque; and the rest, the people sidling along the tortuous streets and those who died, were nameless supers. Of course it had, they all had, a significance of some sort, but what was it? It was as though they performed a ritual dance, elaborate and ancient, and you knew that those complicated measures had a meaning which it was important for you to know; and yet you could see no clue, no clue.

He hooks his finger into the soft cup of my bra and lowers it. His forehead presses against mine and he looks down, to the hard point of my nipple. “Jesus,” he mutters. “I can take it off—” “No.” He groans softly and thumbs the pebble back and forth. Pinches it just this side of too much, making me gasp. “I’m not going to fuck you, but God, I could.” His entire palm rubs against my breast, and my whimper is humiliating. This is going to feel good. Really, really good. It’s already much better than . . . than anything. Pulling embarrassing, unfortunate noises out of me. “What do I do?” he asks, fitting his fingers in the dips of my ribs. I look up at him, glossy-eyed, already a little dazed. “What?” “What do you like?” He’s looking down at my body like it’s a beautiful space oddity, something belonging to a minor goddess, to be investigated in filthy, methodical, obscene ways. His hand traces my flat stomach. Skims the place where my thigh highs transition into tender skin. Brushes reverently against the pod right above my panties, like this little thing my life depends on is as much a part of me as my navel. J.J. asked me to take it off, said he found it off-putting. Made bionic woman jokes. And then there’s Jack. Licking his lips and asking, “Where do I start?” I have no clue. “Um . . .” He kisses me again, this time slow and gentle, pulling back from that initial brink. He uncovers my other breast, and his fingers are back, playing with my nipple like it’s an instrument. Liquid warmth hooks low in my belly. “Trial and error, then.” “What do you do with other girls?” “Other girls?” “Normal girls.” He laughs into my collarbone, then starts sucking on it. “Elsie.” “I just want to know. If I . . . if I weren’t me, what would you do?” “No.

Dan was the first to speak, his words blurred by the roar of the cascading water. “Pools,” he said. “What about the pools?” “Poos?” Amy said. “What poos?” Atticus asked. “Bird poos? It’s called guano. Actually, it’s pretty interesting how many different words there are for animal poos. Guano, dung, droppings, spoors, cow pies, buffalo chips . . . One of my favorites is fewmets.” Dan said, “But I didn’t —” “Fewmets — that’s from medieval times, the poo you find when an animal is being hunted on a quest.” Atticus was on a roll again. “And did you know that otter poo is called spraints?” “Why do otters get their own word for poo?” Jake wondered. “I love otters, they’re so playful,” Amy said. “Spraints — what a funny word.” “Enough with the poos!” Dan yelled. Then he looked at Atticus. “I mean, it’s cool — especially about the spraints, I didn’t know that before — but I didn’t say poos.

From the same twelfth-century bestiary, we learn that the hedgehog is covered with spikes and curls itself into a ball for protection; that the fox is a 'fraudulent and ingenious animal' that plays dead in order to catch its prey; that cranes move about in military formation; that the serpent called 'basilisk' can with the power of its glance; that the lynx's urine turns into a precious stone; that lions are compassionate and courageous, and that the eyebrows and manes offer a clue to their disposition. Finally, many (but not all) entries go on to draw a moral or make a theological point on the basis of the animal description. The hedgehog is an example of prudence, the crane of courtesy and responsibility. The fox is employed as a type of the devil, who entices carnal man through fraudulent behavior. And the male lion, breathing life into its stillborn offspring after three days, represents God the Father raising Christ from the dead.

I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-

What about the backyard stuff?” he asked. “What about it?” “Is it okay if I use it, too?” “Oh, sure. The equipment is in a metal shed in the back. Just help yourself. It’s not locked or anything. And if you want company, just let me know. I’d be happy to play with you.” Did I just say that? I did not just say that. Like we were six years old and heading for a sandbox. He was grinning again, like he thought it was funny or stupid or I was having a Tiffany moment. “I didn’t mean play with you exactly,” I said. “I meant…you know, keep you company so you don’t feel awkward…you know, like I exercised with you.” “I’ll be okay alone in the backyard.” He stepped off the treadmill. “I’m going to go shower.” He waited a heartbeat, like he expected me to say I’d be happy to keep him company in the shower, too. Fortunately, my brain finally kicked in, and I kept my mouth shut. I watched him walk out of the room. I thought I’d known everything that would be involved in having a baseball player living with us for the summer. I was discovering that I didn’t have a clue.

So you’re a sailor,” the dwarf muttered. Wyatt, who had been passing the time by playing with the feather in his hat, raised his head and nodded. “And you’re a dwarf.” “What was your first clue?” The little fellow smirked. “What’d you do?” Wyatt did not see any point in avoiding the question. Lies were told to protect one’s future, and Wyatt had no illusions of his. “I’m responsible for destroying Tur Del Fur.” The dwarf sat up, interested. “Really? What part?” “The whole city—well, technically all of Delgos, if you think about it. I mean, without the protection of Drumindor, the port is lost and the rest is helpless.” “You destroyed an entire country?” “Pretty much.” Wyatt nodded miserably, then sighed. The dwarf continued to stare at him, now in fascination. “How about you?” Wyatt asked. “What did you do?” “I tried to steal a dagger.” Now it was Wyatt’s turn to stare. “Really?” “Sure, but you have to remember—I’m a dwarf. You’ll probably get a slap on the wrist. After all, you only destroyed a country. I’ll likely be ripped apart by wild dogs.

As I read, I imagine Strane in sexual harassment training, irritated he had to sit through it at all—none of it would have touched him—along with the other teachers who saw me, the one who called me Strane's classroom pet, Ms. Thompson and Mrs. Antonova, who recognized the clues but didn't protest when those clues were used as evidence of an emotionally troubled girl. I imagine them sitting through the training, nodding in agreement, saying yes, this is so important; we need to be these children's advocates. But what have they done when faced with situations in which they could actually make a difference? When they heard of the camping trips the history teacher took each year with his students, when faculty advisors brought students into their homes? All of this feels like performance, because I've seen how it plays out, how quickly people lift their hands and say, It happens sometimes, or Even if he did do something, it couldn't have really been that bad, or What could I have done to stop it? The excuses we make for them are outrageous, but they're nothing compared with the ones we make for ourselves.

In his movie The Seventh Continent, Michael Haneke depicts a normal middle-class family who, for no apparent reason, one day quit their jobs, destroy everything in their apartment, including all the cash they have just withdrawn from the bank, and commit suicide. The story, according to Haneke, was inspired by a true story of an Austrian middle-class family who committed collective suicide. As Haneke points out in a subsequent interview, the cliché questions that people are tempted to ask when confronted with such a situation are: “did they have some trouble in their marriage?”, or “were they dissatisfied with their jobs?”. Haneke’s point, however, is to discredit such questions; if he wanted to create a Hollywood-style drama, he would have offered clues indicating some such problems that we superficially seek when trying to explain people’s choices. But his point was precisely that the most profound thoughts about whether life is meaningful occur once we have swept aside all the clichés about the pleasure or lack thereof of “love, work, and play” (Thagard), or of “being whooshed up in sports events and being absorbed in the coffee-making craft” (Dreyfus and Kelly). Psychologically, or psychotherapeutically, these are very useful ways of “finding meaning in one’s life”, but philosophically, they are rather ways of how to avoid raising the question, how to insulate oneself from the likelihood that the question of meaning will be raised to oneself. In my view, then, the particular answer to the second question (what is the meaning of life?) is not that important, because whatever answer one offers, even the nihilist or absurdist answer, is many times good enough if the purpose is to get rid of the state of puzzlement. More importantly, however, what matters is that the question itself was raised, and the question is posterior to the more fundamental one of whether there is any meaning at all in life. It is also intuitive that we could judge someone’s life as meaningless if that person has never wondered whether her life, and life in general, is meaningful or not. At the same time, our proposal is, in my opinion, neither elitist, nor parochial in any way; I find it empirically quite plausible that the vast majority of people have actually asked this question or some version of it at least once during their lives, regardless of their social class, wealth, religion, ethnicity, gender, cultural background, or historical period.

Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.

The music still came from the house. It was past midnight. What kind of old lady plays rock music after midnight? One who still plays old vinyl records. One who keeps a weird tombstone in her wooded backyard. One who has strange visitors in a black car with a license plate number engraved on that same weird tombstone. One who told a teenage boy that his dead father was still alive. “What’s this?” Ema asked. I snapped back to the present. “What?” “Behind here.” She was pointing to the back of the tombstone. “There’s something carved into the back.” I walked over slowly, but I knew. I just knew. And when I reached the back of the tombstone and shined the light on it, I was barely surprised. A butterfly with animal eyes on its wings. Ema gasped. The music in the house stopped. Just like that. Like someone had flicked the off switch the moment my eyes found that dang symbol. Ema looked up at my face and saw something troubling. “Mickey?” Nope, there was no surprise. Not anymore. There was rage now. I wanted answers. I was going to get them, no matter what. I wasn’t going to wait for Mr. Shaved Head with the British accent to contact me. I wasn’t going to wait for Bat Lady to fly down and leave me another cryptic clue. Heck, I wasn’t even going to wait until tomorrow. I was going to find out now. “Mickey?

We get up from the table to work our way through the crowd, but before I leave, I lean down, whispering in Hunter’s ear, “Even though it might be difficult, please, try not to miss me too much.” But I don’t wait for a response. Instead, I shoot him a flirty smile, pulling away as I spin around. But before I’m able to move two feet, he grabs my arm, yanking me down into his lap. With my face only inches from his, he parts his lips and leans in. Every ounce of my body tingles with anticipation of the kiss I’ve imagined a thousand times. He’s so close I can feel his warm, minty breath on my face. His nose grazes the tip of mine, but then he stops. My heart freezes. “Stay out of trouble over there,” he says. But before I know what’s happening, he has me off his warm lap and back on my feet. I stand there for a few seconds eyeing him, wondering what in the hell just happened. Was he just teasing me? Um, okay. Well, if that’s how he wants to be—two can most definitely play this game. I look him straight in the eyes. “Well maybe I’d like some trouble.” Then I paint on a mischievous smile and saunter away. I feel his eyes searing a hole through the back of my head. Vindication is oh so sweet. Yes! I smile to myself. Hunter Payne might be older and more experienced—but he has no clue who he’s dealing with. Ha. And neither do I apparently. Since when did I grow a set of balls?

Swan had used them to send Sophie messages. He fished out the tiny velvet pouch and Sophie caught herself clutching her allergy remedy necklace. She still kept the silver moonlark pin that Calla had given her attached to the cord—a reminder of the friend she’d lost, and a symbol of the role she needed to figure out how to play. “Looks like we’re good,” Sandor said, handing her the small boobrie pin—a strange black bird with bright yellow tail feathers. “Can’t imagine that means anything important.” Sophie couldn’t either. Especially since the Black Swan had been annoyingly silent. No notes. No clues. No answers during their brief meetings. Apparently they were “regrouping.” And it was taking forever. At least the Council was doing something—setting up goblin patrols and trying to arrange an ogre Peace Summit. The Black Swan should at least be . . . Actually, Sophie didn’t know what they should be doing. That was the problem with having her friend join the enemy. “There you are!” a familiar voice said behind her. “I was starting to think you’d ditched us.” The deep, crisp accent was instantly recognizable. And yet, the teasing words made Sophie wish she’d turn and find a different boy. Fitz looked as cute as ever in his red Level Five uniform, but his perfect smile didn’t reach his trademark teal eyes. The recent revelations had been a huge blow for all of her friends, but Fitz had taken it the hardest. Both his brother and his best friend had run off with the Neverseen. Alvar’s betrayal had made Fitz wary—made him doubt every memory. But Keefe’s?

There’s more, Anna. When we first got to California,” she says, “you asked me if I remembered your birthday party.” I nod, picking at a thread on her comforter. “I did remember. Matt was acting like such a space cadet that night after we got home – like he was floating. I can’t believe I didn’t figure it out, but of all the things that he could have been thinking about, you were the last – I mean, my mind just didn’t even go there. You were like our sister.” “But I–” “Wait – let me get this out.” She looks at me hard, her broken wing eyebrow trembling to keep the tears back. “After I brushed my teeth, I walked into his room. He was sitting on his bed, playing with that blue glass necklace he always wore, a big smile on his face. Remember the necklace?” The necklace. “Of course.” “I asked him what was so funny. He jumped a little, not knowing I’d been watching him smile there like a goofy little kid. He said it was nothing – just that he had fun at the party. And I believed him, all the way up until the day I read your journal. That’s when it all made sense. All the times he’d ask me about who you liked at school, or who wanted to take you to whatever dance.” She’s quiet as I digest her story, putting the pieces together to form a complete whole from the missing half that’s haunted me since that night – how did he really feel about me? Was it just one stupid moment, perpetuated a little too long, only to be forgotten as quickly as it came? As soon as he went away to school? “I was in love with him forever – since I was, like, ten,” I confess. “Yeah,” she says. “You both were in love. I know that now. We were all so close, you know? I just didn’t see it coming until I read your – I’m sorry, Anna.” I close my eyes, fighting back the image of her hand on my journal. “It’s okay.

I’ve put down half a pitcher of water by the time she comes to take my order. She fills another pitcher and sets it in front of me, standing with her pen in her hand, distracted, waiting for me to order. It’s early afternoon and well north of 100 degrees. Perusing the menu, I comment on the heat. “Man, it’s hot out there.” Setting her order pad down on the counter, crossing her arms, tapping the back of her pen against her lower lip, she looks out the window at my bike leaning there. Her eyes drift to mine with that look women can give men. You know the look, the one that says, “I’m wondering if you’re trying to act dumb, or if you really might be that dumb.” Not necessarily mean, just curious. I smile sheepishly beneath the pressure of the question behind her look. Every man reading these words knows exactly what I’m talking about here. You get the look, so you know you’ve said or done something really stupid, but you don’t have a clue what it is you’ve done or said that is so outrageously idiotic. Which just makes it worse. She sees all this wash across my face, and a small smile plays at the corners of her face. Still tapping the pen against her lower lip, she brings her elbows down to rest on the bar, leaning in a little closer to me, as if letting me in on her secret. “Honey, it’s June. It’s the hottest month in the Sonoran Desert.” Pausing, she looks again at my bicycle leaning against her window. “You’re riding a bicycle across the black asphalt in the hottest desert in the hottest month.” She pauses there, looking into my eyes, raising one eyebrow, letting me know a question is coming. “What, exactly, did you expect?” Hmmm. Good point. I might have heard those words whispered to me by the desert itself earlier today. “Right,” I say, closing the menu and handing it to her, keeping my eyes on hers. “I’ll take the burger.” We smile at each other as she takes the menu.

Having studied workplace leadership styles since the 1970s, Kets de Vries confirmed that language is a critical clue when determining if a company has become too cultish for comfort. Red flags should rise when there are too many pep talks, slogans, singsongs, code words, and too much meaningless corporate jargon, he said. Most of us have encountered some dialect of hollow workplace gibberish. Corporate BS generators are easy to find on the web (and fun to play with), churning out phrases like “rapidiously orchestrating market-driven deliverables” and “progressively cloudifying world-class human capital.” At my old fashion magazine job, employees were always throwing around woo-woo metaphors like “synergy” (the state of being on the same page), “move the needle” (make noticeable progress), and “mindshare” (something having to do with a brand’s popularity? I’m still not sure). My old boss especially loved when everyone needlessly transformed nouns into transitive verbs and vice versa—“whiteboard” to “whiteboarding,” “sunset” to “sunsetting,” the verb “ask” to the noun “ask.” People did it even when it was obvious they didn’t know quite what they were saying or why. Naturally, I was always creeped out by this conformism and enjoyed parodying it in my free time. In her memoir Uncanny Valley, tech reporter Anna Wiener christened all forms of corporate vernacular “garbage language.” Garbage language has been around since long before Silicon Valley, though its themes have changed with the times. In the 1980s, it reeked of the stock exchange: “buy-in,” “leverage,” “volatility.” The ’90s brought computer imagery: “bandwidth,” “ping me,” “let’s take this offline.” In the twenty-first century, with start-up culture and the dissolution of work-life separation (the Google ball pits and in-office massage therapists) in combination with movements toward “transparency” and “inclusion,” we got mystical, politically correct, self-empowerment language: “holistic,” “actualize,” “alignment.

Almost as though this thought had fluttered through the open window, Vernon Dursley, Harry’s uncle, suddenly spoke. “Glad to see the boy’s stopped trying to butt in. Where is he anyway?” “I don’t know,” said Aunt Petunia unconcernedly. “Not in the house.” Uncle Vernon grunted. “Watching the news . . .” he said scathingly. “I’d like to know what he’s really up to. As if a normal boy cares what’s on the news — Dudley hasn’t got a clue what’s going on, doubt he knows who the Prime Minister is! Anyway, it’s not as if there’d be anything about his lot on our news —” “Vernon, shh!” said Aunt Petunia. “The window’s open!” “Oh — yes — sorry, dear . . .” The Dursleys fell silent. Harry listened to a jingle about Fruit ’N Bran breakfast cereal while he watched Mrs. Figg, a batty, cat-loving old lady from nearby Wisteria Walk, amble slowly past. She was frowning and muttering to herself. Harry was very pleased that he was concealed behind the bush; Mrs. Figg had recently taken to asking him around for tea whenever she met him in the street. She had rounded the corner and vanished from view before Uncle Vernon’s voice floated out of the window again. “Dudders out for tea?” “At the Polkisses’,” said Aunt Petunia fondly. “He’s got so many little friends, he’s so popular . . .” Harry repressed a snort with difficulty. The Dursleys really were astonishingly stupid about their son, Dudley; they had swallowed all his dim-witted lies about having tea with a different member of his gang every night of the summer holidays. Harry knew perfectly well that Dudley had not been to tea anywhere; he and his gang spent every evening vandalizing the play park, smoking on street corners, and throwing stones at passing cars and children. Harry had seen them at it during his evening walks around Little Whinging; he had spent most of the holidays wandering the streets, scavenging newspapers from bins along the way. The opening notes of the music that heralded the seven o’clock news reached Harry’s ears and his stomach turned over. Perhaps tonight — after a month of waiting — would be the night — “Record numbers of stranded holidaymakers fill airports as the Spanish baggage-handlers’ strike reaches its second week —” “Give ’em a lifelong siesta, I would,” snarled Uncle Vernon over the end of the newsreader’s sentence, but no matter: Outside in the flower bed, Harry’s stomach seemed to unclench.

Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.

She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.

This is painfully obvious at a poker table. Even weak players know, in principle, that seeing through the eyes of opponents is critical. She raised the bet $20? What does that tell me about her thinking—and the cards she has? Each bet is another clue to what your opponent is holding, or wants you to think she is holding, and the only way to piece it together is to imagine yourself in her seat. Good perspective-takers can make a lot of money. So you might suppose that anyone who takes poker seriously would get good at it, quickly, or take up another hobby. And yet they so often don’t. “Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake. Duke teaches poker and to get her students to see like dragonflies she walks them through a game situation. A hand is dealt. You like your cards. In the first of several rounds of betting, you wager a certain amount. The other player immediately raises your bet substantially. Now, what do you think the other player has? Duke has taught thousands of students “and universally, they say ‘I think they have a really strong hand.’” So then she asks them to imagine the same situation, except they’re playing against her. The cards are dealt. Their hand is more than strong—it’s unbeatable. Duke makes her bet. Now, what will you do? Will you raise her bet? “And they say to me, ‘Well, no.’” If they raise, Duke may conclude their hand is strong and fold. They don’t want to scare her off. They want Duke to stay in for each of the rounds of betting so they can expand the pot as much as possible before they scoop it up. So they won’t raise. They’ll only call. Duke then walks them through the same hypothetical with a hand that is beatable but still very strong. Will you raise? No. How about a little weaker hand that is still a likely winner? No raise. “They would never raise with any of these really great hands because they don’t want to chase me away.” Then Duke asks them: Why did you assume that an opponent who raises the bet has a strong hand if you would not raise with the same strong hand? “And it’s not until I walk them through the exercise,” Duke says, that people realize they failed to truly look at the table from the perspective of their opponent. If Duke’s students were all vacationing retirees trying poker for the first time, this would only tell us that dilettantes tend to be naive. But “these are people who have played enough poker, and are passionate about the game, and consider themselves good enough, that they’re paying a thousand dollars for a seminar with me,” Duke says. “And they don’t understand this basic concept.”22

At least there is calm at home? Hardly: food, gas, and electricity prices are at near all-time highs; a stagnant economy in “recovery” that for most people outside of Wall Street remains recessionary; government soon to be run by executive orders; the end of any idea of national sovereignty or a southern border; the Ferguson riots and racial explosions revealing an America more divided than at any time since the 1970s; the buffoonish Missouri governor Nixon playing the Katrina role of a now imprisoned Ray Nagin. The alphabet soup of unresolved IRS, VA, NSA, and AP scandals; revolutionary, extra-legal justice meted out to Rick Perry; Benghazi coming back into the news; the little reported on drip-by-drip practical dissolution of Obamacare. 1979–80 seem calm in comparison. The chaos arises from a variety of causes, but one common denominator is that President Obama has not a clue how to deal with these crises.

Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!

Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-

QUICK MENTAL RECAP: KIDNAPPED BY Mafia gang ruled by insane, chain-smoking reject from the sixties—female; discover husband has alias name and FBI badge that he’s been able to keep hidden from me for seventeen years (reminder to self: get a clue!); follow half-baked scheme provided by Brad Pitt look-alike to make a quick getaway through guest bathroom; wind up playing bad game of Twister in bathtub with Elvis Presley wannabe; witness the whacking of FBI husband; hear Elvis Presley wannabe proclaim, regarding husband’s whacker: “That’s No Toes” and follow up with obvious comment, “Dis ain’t good.” Would Al Pacino be caught dead in this movie? Definitely not.

Children often give clues that they are disturbed in their play and in their art. Therapists should explore the sexual and aggressive fantasies of children and should not be so naïve as to think that children as young as five do not have the capacity to fantasise about raping and mutilating their mothers. They do, believe me.

spy with my little eye something made of gold: So follow the clues both night and day; leave no stone unturned, the game’s in play. “‘Leave no stone unturned?

Everything we know, everything we think we know is a lie. It means the world's about as solid and as reliable as a layer of scum on the top of a well of black water which goes down forever, and there are things in the depths that I don't even want to think about. It means that we're just dolls. We don't have a clue what's really going down, we just kid ourselves that we're in control of our lives while a paper's thickness away things that would drive us mad if we thought about them for too long play with us, and move us around from room to room, and put us away at night when they're tired, or bored.

Why is this? How can experience be so valuable in some professions but almost worthless in others? To see why, suppose that you are playing golf. You are out on the driving range, hitting balls toward a target. You are concentrating, and every time you fire the ball wide you adjust your technique in order to get it closer to where you want it to go. This is how practice happens in sport. It is a process of trial and error. But now suppose that instead of practicing in daylight, you practice at night—in the pitch-black. In these circumstances, you could practice for ten years or ten thousand years without improving at all. How could you progress if you don’t have a clue where the ball has landed? With each shot, it could have gone long, short, left, or right. Every shot has been swallowed by the night. You wouldn’t have any data to improve your accuracy. This metaphor solves the apparent mystery of expertise. Think about being a chess player. When you make a poor move, you are instantly punished by your opponent. Think of being a clinical nurse. When you make a mistaken diagnosis, you are rapidly alerted by the condition of the patient (and by later testing). The intuitions of nurses and chess players are constantly checked and challenged by their errors. They are forced to adapt, to improve, to restructure their judgments. This is a hallmark of what is called deliberate practice. For psychotherapists things are radically different. Their job is to improve the mental functioning of their patients. But how can they tell when their interventions are going wrong or, for that matter, right? Where is the feedback? Most psychotherapists gauge how their clients are responding to treatment not with objective data, but by observing them in clinic. But these data are highly unreliable. After all, patients might be inclined to exaggerate how well they are to please the therapist, a well-known issue in psychotherapy. But there is a deeper problem. Psychotherapists rarely track their clients after therapy has finished. This means that they do not get any feedback on the lasting impact of their interventions. They have no idea if their methods are working or failing—if the client’s long-term mental functioning is actually improving. And that is why the clinical judgments of many practitioners don’t improve over time. They are effectively playing golf in the dark.11

Members of highly reactive families, therefore, wind up constantly focused on the latest, most immediate crisis, and they remain almost totally incapable of gaining the distance that would enable them to see the emotional processes in which they are engulfed. The emotionally regressed family will stay fixed on its symptoms, and family thinking processes will become stuck on the content of specific issues rather than on the emotional processes that are driving those matters to become “issues.” The systemic anxiety thus locks everyone into a pessimistic focus on the pathology within the family, and it becomes almost impossible for such systems to reorient themselves to a focus on their inherent strengths. What also contributes to this loss of perspective is the disappearance of playfulness, an attribute that originally evolved with mammals and which is an ingredient in both intimacy and the ability to maintain distance. You can, after all, play with your pet cat, horse, or dog, but it is absolutely impossible to develop a playful relationship with a reptile, whether it is your pet salamander, no matter how cute, or your pet turtle, snake, or alligator. They are deadly serious (that is, purposive) creatures. Chronically anxious families (including institutions and whole societies) tend to mimic the reptilian response: Lacking the capacity to be playful, their perspective is narrow. Lacking perspective, their repertoire of responses is thin. Neither apology nor forgiveness is within their ken. When they try to work things out, their meetings wind up as brain-stem storming sessions. Indeed, in any family or organization, seriousness is so commonly an attribute of the most anxious (read “difficult”) members that they can quite appropriately be considered to be functioning out of a reptilian regression. Broadening the perspective, the relationship between anxiety and seriousness is so predictable that the absence of playfulness in any institution is almost always a clue to the degree of its emotional regression. In

In common with Russia, American children seldom play outdoors. Russia can use the excuse of cold weather, but in the United States, the daily torrent of bad news from televisions and smartphones leads most parents to believe that murder or abduction lies at the end of their driveways. In both countries, men escape. In Russia, men disappear on fishing boats weighed down with cases of vodka. In American, men go golfing. In

Today, 18 out of 45 customers entering a restaurant ask whether they can sit somewhere else. From that point on, their digital lives take over. Diners take out their phones and try to connect to the nearest Wi-Fi. They hunt down information or check if anyone “liked” their Facebook post, often forgetting that their menus are waiting there on the table, which is why when the waiter asks them if they’re ready to order, most respond that they need more time. Twenty-one minutes later, they’re ready to order. Twenty-six of them spend up to three minutes taking photos of their food. Fourteen snap photos of each other eating, and if the photos are blurry or unflattering, they retake them. Approximately one-half of all diners ask if their server would take a group photo and while he’s at it, would he mind taking a few more? The second half sends their food back to the kitchen, claiming it’s cold (which it is, as they’ve spent the past ten minutes playing with their phones and not eating). Once they pay their check, they leave the restaurant twenty minutes later, versus five minutes in 2004. As they exit, eight diners are so distracted that they bump into another diner, or a waiter, or a table, or a chair. An

Sometimes what’s exceptional about a sign is not the sign itself, but its timing. Your favorite pick-me-up song plays on the radio just when you’re feeling especially down. The number 100 appears on your Starbucks receipt just when you’re worrying about flunking a test. The answer to a crossword puzzle clue is randomly spoken by someone on TV just when you’re about to give up on it. All of these simple, surprising occurrences can be signs from the Other Side, because their timing makes us feel connected to the world in a way we can’t quite explain—as if all we have to do is release our feelings of fear and doubt into the universe, and the universe will respond with playful, wonderful reassurances.

I knew he was going to drop a headline-making bombshell and the gullible reporter would have no clue that he or she was being played. This is a little-appreciated fact about his path to power. He screams about fake news and reporters being the enemies of the people, like a tin-pot dictator, but the truth was that the media’s psychotic fascination with Trump was one of the biggest—maybe the biggest—cause for his rise to power.

Each suitor was faced with three boxes: a gold one, a silver one, and a lead one - each with corresponding clues. Whoever chose the gold box would earn what many men desired. Whoever chose the silver box would earn what many men deserved. And whoever chose the lead box would be required to give and risk all he had... since Portia was the pearl of great price, he must be willing to give everything and all that he had in order to have a true chance of winning her hand and her heart. Shakespeare's play - The Merchant of Venice

Again, no clue. If they’re wasting our time, I promise to exact revenge and lure them out to Cyberniskos’s lair.” Cyberniskos, the card-playing faerie cannibal that had been at the Faerie Ring? “What? No! Nausicaä you can’t kill the Seelie Prince of Summer just for ‘wasting your time,’ you…do know that, right? “Mmm, better come along, then. It’s hard to keep track of all these made-up rules on my own.” She waggled her brows. Arlo sighed heavily through her nose.

But who needs clues when you don’t even realize you’re supposed to be playing detective?

I don’t have a single clue what I’m doing right now, why I thought this might be the right way to deal with the way I’m feeling. No fucking shit Olivia didn’t trust me to change, to be different than I’ve been. This right here proves I’m the same guy fucking his problems away.

With the best will in the world, Sam, nobody really cares about journalists getting bumped off in Russia. Your average punter doesn’t have a clue who Peter the Great is. Does he play for Liverpool? Was he knocked out in the final of Britain’s Got Talent?

He kisses like he plays, razing through my defenses, seizing the opportunity and scoring, over and over. He doesn’t only kiss, he’s out to devour me. To paint black stars in the midst of the bright white lights. His tongue ravages my tender one until no air is allowed into my burning lungs. Until I’m wheezing, silently begging and imploring. For what, I have no clue.

There are hints, too, of wider social trends. The first edition of the Dictionary contains more than thirty references to coffee, and even more to tea. Johnson would vigorously defend the latter, not long after the Dictionary was published, in his review of an essay by the umbrella-toting Hanway, who believed it was ‘pernicious to health, obstructing industry and impoverishing the nation’.2 Johnson’s love of tea was deep but not exceptional: the leaf had been available in England since the 1650s (Pepys records drinking it for the first time in September 1660), and by 1755 it was being imported to Britain at the rate of 2,000 tons a year. The fashion for tea-drinking, facilitated by Britain’s imperial resources, drove demand for another fruit of the colonies, sugar (‘the native salt of the sugar-cane, obtained by the expression and evaporation of its juice’). Tea also played a crucial role in the dissolution of the eighteenth-century British Empire, for it was of course Bostonian opponents of a British tax on tea who opened the final breach between Britain and colonial America. All the same, it was coffee that proved the more remarkable phenomenon of the age. Johnson gives a clue to this when he defines ‘coffeehouse’ as ‘a house of entertainment where coffee is sold, and the guests are supplied with newspapers’. It was this relationship between coffee and entertainment (by which Johnson meant ‘conversation’) that made it such a potent force. Coffee was first imported to Europe from Yemen in the early part of the seventeenth century, and the first coffee house opened in St Mark’s Square in Venice in 1647. The first in England opened five years later—a fact to which Johnson refers in his entry for ‘coffee’—but its proprietor, Daniel Edwards, could hardly have envisioned that by the middle of the following century there would be several thousand coffee houses in London alone, along with new coffee plantations, run by Europeans, in the East Indies and the Caribbean. Then as now, coffee houses were meeting places, where customers (predominantly male) could convene to discuss politics and current affairs. By the time of the Dictionary they were not so much gentlemanly snuggeries as commercial exchanges. As the cultural historian John Brewer explains, ‘The coffee house was the precursor of the modern office’; in later years Johnson would sign the contract for his Lives of the English Poets in a coffee house on Paternoster Row, and the London Stock Exchange and Lloyd’s have their origins in the coffee-house culture of the period. ‘Besides being meeting places’, the coffee houses were ‘postes restantes, libraries, places of exhibition and sometimes even theatres’. They were centres, too, of political opposition and, because they were open to all ranks and religions, they allowed a rare freedom of information and expression.

it is important to pay close attention here for clues that foreshadow significant themes. He will insist throughout this letter that God brings encouragement in the midst of suffering and affliction (e.g., 4:8; 7:6). Another important theme is introduced in verse 5, where he refers to Christ’s sufferings. Paul will expound on the role Christ’s suffering and death played in God’s act of reconciling the world to himself (5:14–