Clown King Quotes

Nobody likes a clown at midnight

Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.

Everything's a lot tougher when it's for real. That's when you choke. When it's for real.

A clown on a throne is still a clown. A king in rags is still a king.

I started after him...and the clown looked back. I saw Its eyes, and all at once I understood who It was." "Who was it, Don?" Harold Gardner asked softly. "It was Derry," Don Hagarty said. "It was this town.

Kill you all!" The clown was laughing and screaming. "Try to stop me and I'll kill you all! Drive you crazy and then kill you all! You can't stop me!

When you put on a clown suit and a rubber nose, nobody has any idea what you look like inside.

Princes & Kings Isn't it strange how princes and kings, and clowns that caper in sawdust rings, and common people, like you and me, are builders for eternity? Each is given a list of rules; a shapeless mass; a bag of tools. And each must fashion, ere life is flown, A stumbling block, or a Stepping-Stone.

Creepy as hell. You ever see that TV movie about the clown in the sewer?

As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life. And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.

For a moment he felt a wild hope: perhaps this really was a nightmare. Perhaps he would awake in his own bed, bathed in sweat, shaking, maybe even crying . . . but alive. Safe. Then he pushed the thought away. Its charm was deadly, its comfort fatal.

The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire.

The fears of children were simpler and usually more powerful. The fears of children could often be summoned up in a single face... and if bait were needed, why, what child did not love a clown?

The most important things are the hardest things to say, because words diminish them...

Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.

The Clown turned his powdered face to the mirror. "If to be fair is to be beautiful," he said, "who can compare with me in my white mask?" "Who can compare with him in his white mask?" I asked Death beside me. "Who can compare with me?" said Death, "for I am paler still." "You are very beautiful," sighed the Clown, turning his powdered face from the mirror.

I've become convinced that genius is a vastly overrated commodity. I think this country is full of geniuses, guys and gals so bright they make your average card carrying MENSA member look like Fucko the Clown. And I think that most of them are teachers, living and working in small town obscurity because that's the way they like it.

The terror, which would not end for another twenty-eight years–if it ever did end–began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.

I took the Nuban's bow. I didn't trust the midget to be able to run down any thieves, and besides, I might want to shoot a circus clown or two. Just for laughs.

The clown figure has had so many meanings in different times and cultures. The jolly, well-loved joker familiar to most people is actually but one aspect of this protean creature. Madmen, hunchbacks, amputees, and other abnormals were once considered natural clowns; they were elected to fulfill a comic role which could allow others to see them as ludicrous rather than as terrible reminders of the forces of disorder in the world. But sometimes a cheerless jester was required to draw attention to this same disorder, as in the case of King Lear's morbid and honest fool, who of course was eventually hanged, and so much for his clownish wisdom. Clowns have often had ambiguous and sometimes contradictory roles to play. ("The Last Feast Of The Harlequin")

You laugh because what's fearful and unknown is also what's funny, you laugh the way a small child will sometimes laugh and cry at the same time when a capering circus clown approaches, knowing it is supposed to be funny... but it is also unknown, full of the unknown's eternal power.

Tied to my reading lamp was a single balloon. Filled with helium, it floated in a morning sunray which slanted in through one of the high windows. On it was a picture of my face, the eyes gone, blood running down from the ragged sockets, a scream distorting the mouth on the balloon's thin and bulging rubber skin. I looked at it and I screamed.

My father, ” she said, pronouncing it fadder, and Beverly saw that her dress had also changed. It had become a scabrous, peeling black. The cameo was a skull, its jaw hung in a diseased gape. “His name was Robert Gray, better known as Bob Gray, better known as Pennywise the Dancing Clown. Although that was not his name, either. But he did love his joke, my fadder.

My fairytale was full of witches, pixies, pirates, dementors, princesses, clowns, true love, betrayal, battles and kings. Yet, I stood on the edge of never and with the bravery of a queen I could see across forever....and I whisphered to the wind, "Morals of great stories didn’t live in kindness. They bloomed from the ashes of who you were to where you were meant to be."

We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, “the rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all.

The face of the clown in the stormdrain was white, there were funny tufts of red hair on either side of his bald head, and there was a big clown-smile painted over his mouth. If George had been inhabiting a later year, he would have surely thought of Ronald McDonald before Bozo or Clarabell.

A year [after the passage of the Voting Rights Act of 1965], the white backlash had become an emotional electoral issue in California, Maryland and elsewhere. In several Southern states men long regarded as political clowns had become governors or only narrowly missed election, their magic achieved with a “witches’” brew of bigotry, prejudice, half-truths and whole lies.

It ratified a theory of mine that great writing could sneak up on you, master of a thousand disguises: prodigal kinsman, messenger boy, class clown, commander of artillery, altar boy, lace maker, exiled king, peacemaker, or moon goddess.

Unlike the Jester and the Clown, who are at the bottom of a hierarchical pile and survive only by making the king laugh, the Trickster is free, a paradox, a breaker of boundaries who makes us laugh—and laughter lets the sacred in. In Native spiritualities, there is often a belief that we cannot pray unless we’ve laughed.

Yes, I’m the crazy rock’n’roller who bit the head off a bat and pissed on the Alamo, but I also have a son who likes to mess around with the settings on my telly, so when I make myself a nice pot of tea, put my feet up, and try to watch a programme on the History Channel, I can’t get the f**king thing to work. That kind of stuff blew people’s minds. I think they had this idea in their heads that when I wasn’t being arrested for public intoxication, I went to a cave and hung upside down, drinking snakes’ blood. But I’m like Coco the Clown, me: at the end of the day, I come home, take off my greasepaint and my big red nose, and become Dad.

Float?” The clown’s grin widened. “Oh yes, indeed they do. They float! And there’s cotton candy. . . .

he began to see why Merlyn had always clowned on purpose. It had been a means of helping people to learn in a happy way.

There was a clown in the stormdrain.

They float,” the clown said. “Down here we all float; pretty soon your friend will float, too.

Pennywise and the Clowns.

The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself -- that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once with a bang. And maybe, Richie thought, that's the scary part. How you don't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons with the Burma-Shave slogans on the sides. The kid in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grownup looking back at you. You could go on wearing blue-jeans, you could keep going to Springsteen and Seger concerts, you could dye your hair, but that was a grownup's face in the mirror just the same. It all happened while you were asleep, maybe, like a visit from a Tooth Fairy.

The laughing, joking court jester, who is in reality a Shaman, has all the respect of a king, for there has always been an element of danger lurking about beneath the surface of his smile

Do you think Stephen King was actually murdered by a clown in real life? Did Shakespeare really down a vial of poison? Of course not, Ben. It's called fiction for a reason. You make the shit up.

As he drove up Wentworth Street, he thought he saw a clown grinning up at him from an open sewer manhole – a clown with shiny silver dollars for eyes and a clenched white glove filled with balloons.

To actually make you believe that your problems were spiritual and mental but absolutely not boozical. Good Christ, just the alcohol-related loss of the REM sleep was enough to screw you up righteously, but somehow you never thought of that while you were active. Booze turned your thought-processes into something akin to that circus routine where all the clowns come piling out of the little car.

When people talk about the stuff of mine that's frightened them onscreen, they're apt to mention Pennywise the Clown first, then Kathy Bates as Annie Wilkes, and then the floating vampire-boys in Lot.

Derry was hard, that Derry didn’t much give a shit if any of them lived or died, and certainly not if they triumphed over Pennywise the Clown. Derryfolk had lived with Pennywise in all his guises for a long time . . . and maybe, in some mad way, they had even come to understand him. To like him, need him. Love him? Maybe. Yes, maybe that too.

And there are millions of teens who read because they are sad and lonely and enraged. They read becuase they live in an often-terrible world. They read becuause they believe, despire the callow protestations of certain adults, that books-especially the dark and dangerous ones-will save them. As a child, I read because books-violent and not, blasphemous and not, terrifying and not-were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Lousia May Alcott's March sisters. But I became the kids chased by werewolves, vampires and evil clowns in Stephen King's books. I read books about monsters and monsterous things, often written with monstrous language, becuase they taught me how to battle the real monsters in my life. And now i write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far to late for that. I write to give them weapons-in the form of wors and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.

means that of all God's creatures a cat is at all times himself. When in the presence of a king, mere mortal man must bow and lady, curtsy. A dog, well trained, will grovel and beg. Horses wait patiently in the rain upon his pleasure. But a cat cares but for himself. He will walk into any room and stare you in the eye, be you king or clown and he will hold his own opinion of you. He will turn his back on you if you displease him, stand, sit, or walk away as is his will. And a king will tolerate this from a cat, but from no one else, since to protest would be the veriest waste of time.” “How

Somebody bring the Thorazine and the straitjacket," Eddie called. "Roland just went over the high side." Roland paid no attention to this; he was coming to understand that Eddie's jokes and his clowning were his way of dealing with stress.

Well, that’s the thing about dressing up in an outfit, isn’t it?” His smile was gone. Now he looked pale and grim. Like everyone else in Derry, in other words. “When you put on a clown suit and a rubber nose, nobody has any idea what you look like inside.

... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.

Creepy as hell. You ever see that TV movie about the clown in the sewer?” Hodges shook his head. Later—only weeks before his retirement—he bought a DVD copy of the film, and Pete was right. The mask-face was very close to the face of Pennywise, the clown in the movie.

King Kranlin became dizzily aware that day was now indiscernible from night, that selfness was essentially the same as otherness, that all things had become nothing, and that nothing had become everything. “What’s happening to me?” he croaked. “I shot you with my deconstruction pistol,” King Derridap said. “An invisible différance-bullet has pierced that well-fed belly of yours. You’re deconstructing.

Do they float?' 'Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm.

I, Georgie, am Mr. Bob Gray, also known as Pennywise the Dancing Clown.

it was two-twenty-five in the afternoon when the shooting started and the sun was out but that clown didn’t cast any shadow. No shadow at all.

The clown made me do it.

wonder. As I wonder if somewhere out in this storm there is a clown selling balloons tonight.

The mask-face was very close to the face of Pennywise, the clown in the movie. The

It is a well-known fact that kings and clowns frequently call each other cousin.

Self-proclaimed kings are often seen as jesters.

Pennywise the Dancing Clown is every menacing figure you see. But the ones who float, in this apt soliloquy, look mighty similar to me. I don't think we're all Georgie.

The high schoolers went in costume to the annual Halloween dance in the gym, for which a local garage band, Big Top, renamed themselves Pennywise and the Clowns.

I think I could believe in anything from flying saucers to killer clowns. Because there really is a second world. It exists because people refuse to believe it’s there.

Ever wondered what it’s like to be fucked by a clown? …And no, I'm not talking about your ex.

Thanks to her, I began to learn about the Trickster, a common figure in Native myhtologies, a boundary crosser who can go anywhere. Unlike the Jester and the Clown, who are at the bottom of a hieractchical pile and surivive only by making the king laugh, the Trickster is free, a paradox, a break of boundaries who makes us laugh- and laughter lets the sacred it.

adults had their own terrors, and their glands could be tapped, opened so that all the chemicals of fear flooded the body and salted the meat. But their fears were mostly too complex. The fears of children were simpler and usually more powerful. The fears of children could often be summoned up in a single face . . . and if bait were needed, why, what child did not love a clown?

When it comes to clothing, gentlemen’s personal gentlemen have a comprehensive vocabulary of euphemisms. ‘Bold’ translates as ‘ostentatious’, ‘lively’ as ‘clown-like’, and ‘striking’ as ‘obscene’.

And the beasts of the earth and the birds looked down, In a wild solemnity, On a stranger sight than a sylph or elf, On one man laughing at himself Under the greenwood tree- The giant laughter of Christian men That roars through a thousand tales, Where greed is an ape and pride is an ass, And Jack's away with his master's lass, And the miser is banged with all his brass, The farmer with all his flails; Tales that tumble and tales that trick, Yet end not all in scorning- Of kings and clowns in a merry plight, And the clock gone wrong and the world gone right, That the mummers sing upon Christmas night And Christmas day in the morning.

And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. “They

Who’d make that shit up? Well,” she reasoned, “maybe Stephen King. But then it would involve murderous clowns or haunted hotels or . . . the end of the world. Have you read The Stand?” “Is this how Manson worked?” “Manson who?

First of all I express sincerity. There's also that sense of humor, by which people sometimes learn to laugh about themselves. I mean, the situation is so serious that the people could go crazy because of it. They need to smile and realize how ridiculous everything is. A race without a sense of humor is in bad shape. A race needs clowns. In earlier days people knew that. Kings always had a court jester around. In that way he was always reminded how ridiculous things are. I believe that nations too should have jesters, in the congress, near the president, everywhere.....You could call me the jester of the Creator. The whole world, all the disease and misery, it's all ridiculous.

I, Georgie, am Mr. Bob Gray, also known as Pennywise the Dancing Clown. Pennywise, meet George Denbrough. George, meet Pennywise. And now we know each other. I’m not a stranger to you, and you’re not a stranger to me. Kee-rect? ” George

glimpse of him. Once things got hot, I tended pretty much to my own knittin. I glanced around just once and saw him upstreet beyond them Swedes under the Bijou’s marquee, ” Mr. Keene said. “He wasn’t wearing a clown suit or nothing like that. He was dressed in a pair of farmer’s biballs and a cotton shirt underneath. But his face was covered with that white greasepaint they use, and he had a big red clown smile painted on. Also had these tufts of fake hair, you know. Orange. Sorta comical.

Well, that’s the thing about dressing up in an outfit, isn’t it?” His smile was gone. Now he looked pale and grim. Like everyone else in Derry, in other words. “When you put on a clown suit and a rubber nose, nobody has any idea what you look like inside.” 4

But drinking: manly. Having buddies: manly. Clowning around: manly. Earning lots of money: manly. Owning a fast car: manly. Slouching around: manly. Sniggering as you smoke joints: manly. Being competitive: manly. Being aggressive: manly. Wanting to fuck loads of partners: manly. Responding with violence to something that threatens you: manly. Not taking time to spruce yourself up in the morning: manly. Wearing clothes because they're practical: manly. Everything that's fun to do is manly, everything concerned with survival is manly, everything that gains ground is manly.

I’ve become convinced that genius is a vastly overrated commodity. I think this country is full of geniuses, guys and gals so bright they make your average card-carrying MENSA member look like Fucko the Clown. And I think that most of them are teachers, living and working in small-town obscurity because that’s the way they like it.

The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself—that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn’t go all at once, with a bang. And maybe, Richie thought, that’s the scary part. How you don’t stop being a kid all at once, with a big explosive bang, like one of that clown’s trick balloons with the Burma-Shave slogans on the sides. The kid in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grownup looking back at you. You could go on wearing bluejeans, you could keep going to Springsteen and Seger concerts, you could dye your hair, but that was a grownup’s face in the mirror just the same. It all happened while you were asleep, maybe, like a visit from the Tooth Fairy.

Come on, you deucies!" a relatively young man snarled. He wore his blue scarf around his throat like a rally-racer's ascot. He was bald except for two fluffs of frizzy red hair, one on each side of his head. To Susannah, this fellow looked like Clarabell the Clown; to Eddie he looked like Ronald McDonald; to both of them he looked like trouble.

What’s your biggest fear?” ‘It was a generic question with plenty of generic answers – clowns, losing more people I loved, being alone. All things that had kept me up late at night, especially after I watched It. but the answer that came out of my mouth had nothing to do with the killer clowns or dying by myself on some stranded road. “A life without purpose.

October 3, 2017 The clown, Hagarty said, looked like a cross between Ronald McDonald and that old TV clown, Bozo—or so he thought at first. It was the wild tufts of orange hair that brought such comparisons to mind. But later consideration had caused him to think the clown really looked like neither. The smile painted over the white pancake was red, not orange, and the eyes were a weird shiny silver. Contact lenses, perhaps . . . but a part of him thought then and continued to think that maybe that silver had been the real color of those eyes. He wore a baggy suit with big orange-pompom buttons; on his hands were cartoon gloves. “If you need help, Don,” the clown said, “help yourself to a balloon.” And it offered the bunch it held in one hand. “They float,” the clown said. “Down here we all float; pretty soon your friend will float, too.

He muses on the terrorists who brought down the World Trade Center (he muses on them often). Those clowns actually thought they were going to paradise, where they'd live in a kind of eternal luxury hotel being services by gorgeous young virgins. Pretty funny, and the best part? They joke was on them...not that they knew it. What they got was a momentary view of all those windows and a final flash of light. After that, they and their thousands of victims were just gone. Poof. Seeya later, alligator. Off you go, killers and killed alike, off you go into the universe null set that surrounds one lonely blue planet and all its mindlessly bustling denizens. Every religion lies. Every moral precept is a delusion. Even the stars are a mirage. The truth is darkness, and the only thing that matters is making a statement before one enters it. Cutting the skin of the world and leaving a scar. That's all history is, after all: scar tissue.

want my lawyer, you guys run this place just like a frigging prison.” Burkes: “Shut up in there, or I’ll rank you.” The clown: “I ranked your wife, Burkie.” Gonyar: “Shut up, all of you, or you’ll spend the day in there.” He and Burkes went up the line again, counting noses. They didn’t have to go far. “Who belongs in this cell?” Gonyar asked the rightside night guard. “Andrew Dufresne,” the rightside answered, and that was all it took. Everything stopped being routine right then. The balloon went up.

Want your boat, Georgie?” Pennywise asked. “I only repeat myself because you really do not seem that eager.” He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. “Yes, sure,” George said, looking into the stormdrain. “And a balloon? I’ve got red and green and yellow and blue. . . .” “Do they float?” “Float?” The clown’s grin widened. “Oh yes, indeed they do. They float! And there’s cotton candy. . . .” George reached. The clown seized his arm.

but Ben could see the clown’s face clearly. It was deeply lined, the skin a parchment map of wrinkles, tattered cheeks, arid flesh. The skin of its forehead was split but bloodless. Dead lips grinned back from a maw in which teeth leaned like tombstones. Its gums were pitted and black. Ben could see no eyes, but something glittered far back in the charcoal pits of those puckered sockets, something like the cold jewels in the eyes of Egyptian scarab beetles. And although the wind was the wrong way, it seemed to him that he could smell cinnamon and spice, rotting cerements treated with weird drugs, sand, blood so old it had dried to flakes and grains of rust . . .

But the clown did not disappear along that curve that seemed to define the edge of that old existence. Instead, it leaped with a scary, nimble grace onto a lamppost that stood in the extreme left foreground of the picture. It shinnied up like a monkey on a stick—and suddenly its face was pressed against the tough plastic sheet Will Hanlon had put over each of the pages in his book. Beverly screamed again and this time Eddie joined her, although his scream was faint and blue-breathless. The plastic bulged out—later they would all agree they saw it. Bill saw the bulb of the clown’s red nose flatten, the way your nose will flatten when you press it against a windowpane. “Kill you all!” The clown was laughing and screaming. “Try to stop me and I’ll kill you all! Drive you crazy and then kill you all! You can’t stop me! I’m the Gingerbread Man! I’m the Teenage Werewolf!” And for a moment It was the Teenage

One of the bonds between Lily and me is that we both suffer with our teeth. She is twenty years my junior but we wear bridges, each of us. Mine are at the sides, hers are in front. She has lost the four upper incisors. It happened while she was still in high school, out playing golf with her father, whom she adored. The poor old guy was a lush and far too drunk to be out on a golf course that day. Without looking or given warning, he drove from the first tee and on the backswing struck his daughter. It always kills me to think of that cursed hot July golf course, and this drunk from the plumbing supply business, and the girl of fifteen bleeding. Damn these weak drunks! Damn these unsteady men! I can't stand these clowns who go out in public as soon as they get swacked to show how broken-hearted they are. But Lily would never hear a single word against him and wept for him sooner than for herself. She carries his photo in her wallet.

I ask him about his novel. I fancy that Leo writes historical fiction, and for some reason I'm convinced his era is the Roman Empire. I have no reason to suppose this...it's just a fancy. "Romance," he says. "I write romance." My surprise clearly needs no words because he continues to explain. "My agent will tell you it's a story about passionate friendships and reluctant relationships in modern America, but really it's a romance." "Oh...set today?" I'm still thinking gladiators. "Modern America, remember." "Have you...have you always written romance?" "Yes, and what's more, so have you. The mystery writers, the historical novelists, the political thriller writers, the science fiction writers...everybody but the people who write instruction manuals is writing romance. We dress our stories up with murders, and discussions about morality and society, but really we just care about relationships." "You can't be serious. You're saying Stephen King writes romances?" "Yes, ma'am!" Leo sits back in the sofa. "The killer clown is entertaining and all that, but what we're really interested in is whether the fat kid gets the pretty girl.

Hi, Georgie,” it said. George blinked and looked again. He could barely credit what he saw; it was like something from a made-up story, or a movie where you know the animals will talk and dance. If he had been ten years older, he would not have believed what he was seeing, but he was not sixteen. He was six. There was a clown in the stormdrain. The light in there was far from good, but it was good enough so that George Denbrough was sure of what he was seeing. It was a clown, like in the circus or on TV. In fact he looked like a cross between Bozo and Clarabell, who talked by honking his (or was it her?—George was never really sure of the gender) horn on Howdy Doody Saturday mornings—Buffalo Bob was just about the only one who could understand Clarabell, and that always cracked George up. The face of the clown in the stormdrain was white, there were funny tufts of red hair on either side of his bald head, and there was a big clown-smile painted over his mouth. If George had been inhabiting a later year, he would have surely thought of Ronald McDonald before Bozo or Clarabell. The clown held a bunch of balloons, all colors, like gorgeous ripe fruit in one hand. In the other he held George’s newspaper boat. “Want your boat, Georgie?” The clown smiled.

Richie had felt a mad, exhilarating kind of energy growing in the room […] He thought he recognized the feeling from childhood, when he had felt it every day and had come to take it merely as a matter of course. He supposed that, if he had ever thought about that deep-running aquifer of energy as a kid, he would have simply dismissed it as a fact of life, something that would always be there, like the color of his eyes or his disgusting hammertoes. Well, that hadn’t turned out to be true. The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself- that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke-high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn’t go all at once, with a bang. And maybe, Richie thought, that’s the scary part. How you don’t stop being a kid all at once, with a big explosive bang, like one of that clown’s trick balloons with the Burma-Shave slogans on the side. The kind in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grown-up looking back at you. You could go on wearing blue jeans, you could keep going to Springsteen and Seger concerts, you gould dye your hair, but that was a grown-ups face in the mirror just the same.

Ronald, remember our deal? Keep feeding me the children. You'll stay rich while I stay full.

Time passes. Big men dwindle, small men grow. This man shrinks into old age, those men’s reach grows longer. They can stretch out their arms and touch places and people they couldn’t reach before. There are companies here to lend assistance to companies there, to facilitate journeys, to execute strategies. Clowns become kings, old crowns lie in the gutter. Things change. It is the way of the world.

I brought him here,” he said, eager to claim credit for whatever had so overjoyed his king. “I caught him making a sacrifice to Lord Hades at your shrine, my lord Theseus, and when I tried to stop him--” Theseus’s laughter crushed Telys’s weak attempt at boasting. “We all know what happened when you tried to stop him, you clown,” he said, wiping his eyes. “The whole palace is talking about how you were bested by a mere boy. Well, the truth is even better.” He was off the throne and across the floor in an instant, scattering everyone who stood between him and me. He bounded behind me, grabbed the waist of my tunic with both hands, and yanked it back, hard. I’d relied on the looseness of my clothing to hide my breasts, small as they were, but now the thin cloth pulled taut against every line of my body. I might as well have been wearing nothing at all. I heard the onlookers gasp. “Why aren’t you smiling, Telys?” Theseus leered as he confronted the horror-struck young guard. “You ought to be glad. You weren’t beaten by a boy after all.

Ursula K. Le Guin said it best. “We live in capitalism. Its power seems inescapable. But then, so did the divine right of kings. Any human power can be resisted and changed by human beings.

In one classic carnival celebration called the “feast of fools,” a fool is elected king. The real king (old authority and truth) is brought down—metaphorically killed—so that the king of fools (a new authority, a new truth) can emerge. When the fool’s reign is over at carnival’s end, his kingly disguise is removed and he retakes his place as a clown. But the fool doesn’t “die” in vain—he has led the hierarchy and the folk through metamorphosis. Dying brings change and rebirth.

They reminded her of the scary clown from Stephen King’s It (a problematic but still highly popular, if slightly dated, read. She had to remember to show it to Elijah. It might appeal to him, since it was both humorous and gory, but also featured young people finding their true calling through helping others).

I hate clowns.   Always have.   I place the blame with Stephen King.

It means that of all God's creatures a cat is at all times himself. When in the presence of a king, mere mortal man must bow and lady, curtsy. A dog, well trained, will grovel and beg. Horses wait patiently in the rain upon his pleasure. But a cat cares but for himself. He will walk into any room and stare you in the eye, be you king or clown and he will hold his own opinion of you. He will turn his back on you if you displease him, stand, sit, or walk away as is his will. And a king will tolerate this from a cat, but from no one else, since to protest would be the veriest waste of time.” “How

Want a Balloon?” – Pennywise, IT (1986), Stephen King

I’ve tried to analyze the four five-star Admirals that we’ve had in this Navy,” Smoot reminisced. “You have a man like King—a terrifically ‘hew to the line’ hard martinet, stony steely gentleman; the grandfather and really lovable old man Nimitz—the most beloved man I’ve ever known; the complete and utter clown Halsey—a clown but if he said, ‘Let’s go to hell together,’ you’d go to hell with him; and then the diplomat Leahy—the open-handed, effluent diplomat Leahy. Four more different men never lived and they all got to be five-star admirals, and why?”15 Smoot answered his own question with one word: “leadership.” Each of the fleet admirals, he said, had “the ability to make men admire them one way or another.” But

After the concert, for an additional $150, VIPs could attend a reception in the auditorium’s upstairs ballroom, where they nibbled expensive desserts and listened to a string quartet play while a bluegrass fiddler sat atop a large wrapped gift box and sang “Box of Rain.” Wavy Gravy, the clown prince of Woodstock, dressed as Ludwig van Beethoven, sang “Happy Birthday” to the birthday boy, who was accepting his well-wishers while seated on a king’s throne on the stage, as regal as a king without actually wearing a crown. “Don’t eat the brown strudel,” warned Gravy.

Who are you?” I say. “Sawney Bean.” I shake him a couple of times. “Sawney Bean? He died three hundred years ago and a million miles away. Try again, Porky.” He laughs and grabs my arms. “I’m Sawney and I’ll eat your guts for lunch.” “Naming yourself after a dead cannibal might scare some people, but you’re just a clown to me. Now tell me again why I shouldn’t drop you out a window?

He muses on the terrorists who brought the World Trade Center (he muses on them often). Those clowns thought they were going to paradise, where they'd live in a kind of eternal luxury hotel being serviced by gorgeous young virgins.

the children. Always, the children. Think first of the children, the lifeblood of our future. As Fred Rogers summed it up: “Childhood is not just clowns and balloons. In fact, childhood goes to the very heart of who we all become.