Cloth Napkins With Quotes

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LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
There are two good reasons to put your napkin in your lap. One is that food might spill in your lap, and it is better to stain the napkin than your clothing. The other is that it can serve as a perfect hiding place. Practically nobody is nosey enough to take the napkin off a lap to see what is hidden there.
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
And the next time you choose to project into my dreams, do keep your clothes on.” He smiled. It was a very male, self-aware smile, not just sexual but carnal. The predatory look in his eyes turned ravaging. I felt the need to grab a napkin and hold it in front of me like a shield. “I can project, but I would have to be next to you to do it.” Oh crap.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
The cloth overlay of Billy’s cart clucks, and a brown chicken pokes her head out from under the covering, stepping out of the basket she was riding in. “There is a chicken in your cart.” “I know,” Billy snaps, and slaps his napkin across his lap. “Why is there a chicken in your cart?” “Because this was supposed to be chicken stew,” he says. “I’ve been hand-feeding this bird for days to be sure it was not poisoned before the fact. And now . . .” He pours Mirabella some water and drinks from her cup. The hen clucks, and Billy tosses down a chunk of bread. “Now her name is Harriet,” he says quietly. Mirabella laughs.
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
Breakfast! My favorite meal- and you can be so creative. I think of bowls of sparkling berries and fresh cream, baskets of Popovers and freshly squeezed orange juice, thick country bacon, hot maple syrup, panckes and French toast - even the nutty flavor of Irish oatmeal with brown sugar and cream. Breaksfast is the place I splurge with calories, then I spend the rest of the day getting them off! I love to use my prettiest table settings - crocheted placemats with lace-edged napkins and old hammered silver. And whether you are inside in front of a fire, candles burning brightly on a wintery day - or outside on a patio enjoying the morning sun - whether you are having a group of friends and family, a quiet little brunch for two, or an even quieter little brunch just for yourself, breakfast can set the mood and pace of the whole day. And Sunday is my day. Sometimes I think we get caught up in the hectic happenings of the weeks and months and we forget to take time out to relax. So one Sunday morning I decided to do things differently - now it's gotten to be a sort of ritual! This is what I do: at around 8:30 am I pull myself from my warm cocoon, fluff up the pillows and blankets and put some classical music on the stereo. Then I'm off to the kitchen, where I very calmly (so as not to wake myself up too much!) prepare my breakfast, seomthing extra nice - last week I had fresh pineapple slices wrapped in bacon and broiled, a warm croissant, hot chocolate with marshmallows and orange juice. I put it all on a tray with a cloth napkin, my book-of-the-moment and the "Travel" section of the Boston Globe and take it back to bed with me. There I spend the next two hours reading, eating and dreaming while the snowflakes swirl through the treetops outside my bedroom window. The inspiring music of Back or Vivaldi adds an exquisite elegance to the otherwise unruly scene, and I am in heaven. I found time to get in touch with myself and my life and i think this just might be a necessity! Please try it for yourself, and someone you love.
Susan Branch (Days from the Heart of the Home)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
He wore clothes to cover his nakedness, he drove a car, and he ate with a knife and a fork and a linen napkin. He was gainfully employed in a job that required intellectual ability and acuity. He controlled his sexual urges through various civilized means and would never take a woman against her will. Nevertheless, as he stared at Miss Mitchell and Paul, he realized that he was an animal. Something primitive. Something feral. And something made him want to go over there and rip Paul’s hands from his body and carry Miss Mitchell off. To kiss her senseless, move his lips to her neck, and claim her.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
Frank grabbed a tourist brochure stuck under the napkin dispenser. He began to read it. Piper patted Leo’s arm, like she couldn’t believe he was really here. Nico stood at the edge of the group, eyeing the passing pedestrians as if they might be enemies. Coach Hedge munched on the salt and pepper shakers. Despite the happy reunion, everybody seemed more subdued than usual—like they were picking up on Leo’s mood. Jason had never really considered how important Leo’s sense of humor was to the group. Even when things were super serious, they could always depend on Leo to lighten things up. Now, it felt like the whole team had dropped anchor. “So then Jason harnessed the venti,” Hazel finished. “And here we are.” Leo whistled. “Hot-air horses? Dang, Jason. So basically, you held a bunch of gas together all the way to Malta, and then you let it loose.” Jason frowned. “You know, it doesn’t sound so heroic when you put it that way.” “Yeah, well. I’m an expert on hot air. I’m still wondering, why Malta? I just kind of ended up here on the raft, but was that a random thing, or—” “Maybe because of this.” Frank tapped his brochure. “Says here Malta was where Calypso lived.” A pint of blood drained from Leo’s face. “W-what now?” Frank shrugged. “According to this, her original home was an island called Gozo just north of here. Calypso’s a Greek myth thingie, right?” “Ah, a Greek myth thingie!” Coach Hedge rubbed his hands together. “Maybe we get to fight her! Do we get to fight her? ’Cause I’m ready.” “No,” Leo murmured. “No, we don’t have to fight her, Coach.” Piper frowned. “Leo, what’s wrong? You look—” “Nothing’s wrong!” Leo shot to his feet. “Hey, we should get going. We’ve got work to do!” “But…where did you go?” Hazel asked. “Where did you get those clothes? How—” “Jeez, ladies!” Leo said. “I appreciate the concern, but I don’t need two extra moms!” Piper smiled uncertainly. “Okay, but—” “Ships to fix!” Leo said. “Festus to check! Earth goddesses to punch in the face! What are we waiting for? Leo’s back!” He spread his arms and grinned. He was making a brave attempt, but Jason could see the sadness lingering in his eyes. Something had happened to him…something to do with Calypso.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She saw beauty in ordinary little things and took pleasure in it (and this was just as well because she had had very little pleasure in her life). She took pleasure in a well-made cake, a smoothly ironed napkin, a pretty blouse, laundered and pressed; she liked to see the garden well dug, the rich soil brown and gravid; she loved her flowers. When you are young you are too busy with yourself... you haven't time for ordinary little things but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from from a stone and sparkling with rainbow colours.
D.E. Stevenson (Vittoria Cottage (Dering Family #1))
Love is like that girl, who had to drop out of school; Three-and-a-half days each month, Must wear dry grass tied in cloth; In monsoon, the grass is green, So, ash wrapped in cloth, to soak up the blood, seated quietly, alone, book-less.
Malay Roy Choudhury (ছোটোলোকের কবিতা)
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
Hatred was easy. The permutations constant over the years: A stranger at a fair who palmed my crotch through my shorts. A man on the sidewalk who lunged at me, then laughed when I flinched. The night an older man took me to a fancy restaurant when I wasn't even old enough to like oysters. Not yet twenty. The owner joined our table, and so did a famous filmmaker. The men fell into a heated discussion with no entry point for me: I fidgeted with my heavy cloth napkin, drank water. Staring at the wall. "Eat your vegetables," the filmmaker suddenly snapped at me. "You're a growing girl." The filmmaker wanted me to know what I already knew: I had no power. He saw my need and used it against me.
Emma Cline (The Girls)
Still smiling, he leaned toward me. "You're jealous, aren't you?" "Why would I be jealous of her?" "Because she has what you don't." "Which would be what? A bad hairdresser, poor rhythm, or a striking lack of financial sense when it comes to buying clothes?" His smile grew. "Admit it, you're jealous." "I'm not jealous." I straightened the napkins into a tall stack. "Rich people are so arrogant. You all think everyone just sits around coveting your wealth. Well, my happiness isn't dependent on my account numbers." He gave a mock grunt. "I wasn't talking about Olivia's money. I was talking about me." "Oh." It was suddenly hard to breathe.
Janette Rallison (It's a Mall World After All)
John saw only the linen cloths. He, Peter, also saw the linen cloths because we [Gentiles] do not reject the Old Testament, for as Luke says, "Then he opened their minds to understand the scriptures" (Lk 24:45). But in addition Peter saw the napkin which had been on his head: "The head of Christ is God" (1 Cor 11:3). Thus to see the napkin which had been on the head of Jesus is to have faith in the divinity of Christ, which the Jews refused to accept. This napkin is described as not lying with the linen cloths, and rolled up, having a place by itself, because the divinity of Christ is covered over, and it is apart from every creature because of its excellence: "God who is over all be blessed for ever" (Rom 9:5); "Truly, you art a God who hides yourself" (Is 45:15).
Thomas Aquinas (Catena Aurea: Commentary on the Four Gospels, Collected Out of the Works of the Fathers, Volume IV Part 2, Gospel of St. John)
Harry paused with his fork held in midair, mesmerized by the sight of her slim fingers twirling the honey stick, meticulously filling each hole with thick umber liquid. Realizing that he was staring, Harry took a bite of his breakfast. Poppy replaced the honey stick in a small silver pot. Discovering a stray drop of sweetness on the tip of her thumb, she lifted it to her lips and sucked it clean. Harry choked a little, reached for his tea, and took a swallow. The beverage scalded his tongue, causing him to flinch and curse. Poppy gave him an odd look. "Is there anything the matter?" Nothing. Except that watching his wife eating breakfast was the most erotic act he had ever seen. "Nothing at all," Harry said scratchily. "Tea's hot." When he dared to look at Poppy again, she was consuming a fresh strawberry, holding it by the green stem. Her lips rounded in a luscious pucker as she bit neatly into the ripe flesh of the fruit. Christ. He moved uncomfortably in his chair, while all the unsatisfied desire of the previous night reawakened with a vengeance. Poppy ate two more strawberries, nibbling slowly, while Harry tried to ignore her. Heat collected beneath his clothing, and he used a napkin to blot his forehead. Poppy lifted a bite of honey-soaked crumpet to her mouth, and gave him a perplexed glance. "Are you feeling well?" "It's too warm in here," Harry said irritably, while lurid thoughts went through his mind. Thoughts involving honey, and soft feminine skin, and moist pink-
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
And the next time you choose to project in my dreams, do keep your clothes on.” He smiled. It was a very male, self-aware smile, not just sexual but carnal. The predatory look in his eyes turned ravaging. I felt the need to grab a napkin and hold it in front of me like a shield. “I can project, but I would have to be next to you to do it.” Oh crap. His voice turned smooth and sensual. A man had no right to sound like that. “Tell me, what wasn’t I wearing in your dreams?” I rose, turned my back to him, and walked out. The sound of his laughter caressed my back, almost like a sexual touch. Keep walking, keep walking, keep walking. That was dumb. I just had to get that last word in. Would it have killed me to keep my mouth shut?
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
At mealtime a very broad cloth is laid on the trestle table in the solar. to facilitate service, places are set along one side only. On that side the cloth falls to the floor, doubling as a communal napkin...there are several kinds of knives...but no forks.
Joseph Gies (Life in a Medieval City (Medieval Life))
LIVIA DIDN’T IMMEDIATELY REMEMBER the details of the night before when she woke in her bed. Her blanket had been arranged around her. As she sat up, she noticed little paper-napkin roses tucked among her belongings. Blake. He’d even given Teddy a spiffy bow tie. He must have taken a whole stack of napkins from The Launch Pad, and the sunlight trickling in her window explained his absence. His fancy clothes were folded neatly on the end of her bed. The prince was the one to run out of time in this Cinderella story.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Ren took his time perusing the menu and seemed to be thoroughly enjoying himself. I didn’t even pick my menu up. He shot me meaningful glances while I sat silently, trying to avoid making eye contact. When she came back, she spoke to him briefly and gestured to me. I smiled, and in a syrupy sweet voice, said, “I’ll have whatever will get me out of here the fastest. Like a salad, maybe.” Ren smiled benignly back at me and rattled off what sounded like a banquet of choices, which the waitress was more than happy to take her time writing down. She kept touching him and laughing with him too. Which I found very, very annoying. When she left, he leaned back in his chair and sipped his water. I broke the silence first and hissed at him quietly, “I don’t know what you’re playing at, but you only have about two minutes left, so I hope you ordered the steak tartar, Tiger.” He grinned mischievously. “We’ll see, Kells. We’ll see.” “Fine. No skin off my nose. I can’t wait to see what happens when a white tiger runs through this nice establishment creating mayhem and havoc. Perhaps they will lose one of their stars because they put their patrons in danger. Maybe your new waitress girlfriend will run away screaming.” I smiled at the thought. Ren affected shock, “Why, Kelsey! Are you jealous?” I snorted in a very unladylike way. “No! Of course not.” He grinned. Nervously, I played with my cloth napkin. “I can’t believe you convinced Mr. Kadam to play along with you like this. It’s shocking, really.” He opened his napkin and winked at the waitress when she came to bring us a basket of rolls. When she left, I challenged, “Are you winking at her? Unbelievable!” He laughed quietly and pulled out a steaming roll, buttered it, and put it on my plate. “Eat, Kelsey,” he commanded. Then he sat forward. “Unless you are reconsidering seeing the view from my lap.” Angrily, I tore apart my roll and swallowed a few pieces before I even noticed how delicious they were-light and flaky with little flecks of orange rind mixed into the dough. I would have eaten another one, but I wouldn’t give him the satisfaction.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Yes, the irreplaceables, the things you never use--those are what really matters. I've got a damask table-cloth, you know, and napkins to match for 24 people. I've heard it said that a woman's possessions are part of herself. If she loses her things, her personality undergoes a change
Penelope Fitzgerald (Human Voices)
They got their own name in French,” she reminded Miss Beryl, stealthily exchanging her soiled cloth napkin for a fresh one at an adjacent table. “Escargot.” There’s also a word in English, Miss Beryl had pointed out. Snail. Probably horse doo had a name in French also, but that didn’t mean God intended for you to eat it.
Richard Russo (Nobody's Fool (Sully #1))
You'll sip the water and cough just so the hero can wipe your chin with a napkin. Do anything to cement this new bond. This adoption. Remember to add details. Stain their clothes with snot so they can laugh and forgive you. Cling and clutch. Really cry so they can wipe your eyes. It's okay to cry as long as you're faking it. Just don't hold anything back. This is going to be the best story of somebody's life.
Chuck Palahniuk (Choke)
Mrs. Gruber admitted this was true, but went on to explain that it wasn’t so much the snail itself that had attracted her as the name. “They got their own name in French,” she reminded Miss Beryl, stealthily exchanging her soiled cloth napkin for a fresh one at an adjacent table. “Escargot.” There’s also a word in English, Miss Beryl had pointed out. Snail. Probably horse doo had a name in French also, but that didn’t mean God intended for you to eat it.
Richard Russo (Nobody's Fool (Sully #1))
The Ulfric had waded into the pack with my blood in his hands. They surrounded him, touching him, caressing, begging for him to share. He dipped his lingers in the nearly empty cup and held them down for the wolves to lick. Edward came to stand near me. He said nothing, just helped me put pressure on the wound, got more napkins from under the bar and a clean cloth to tie it tight. Our eyes met, and he just shook his head, the faintest of smiles playing on his face. "Most people pay money for information.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Since seeing such things in the water-colours of Elstir, I enjoyed noticing them in reality, glimpses of poetry as they seemed: knives lying askew in halted gestures; the bell-tent of a used napkin, within which the sun has secreted its yellow velvet; the half-emptied glass showing better the noble widening of its lines, the undrunk wine darkening it, but glinting with lights, inside the translucent glaze seemingly made from condensed daylight; volumes displaced, and liquids transmuted, by angles of illumination; the deterioration of the plums, green to blue, blue to gold, in the fruit dish already half plundered; the wandering of the old-fashioned chairs, which twice a day take their places again about the cloth draping the table as though it is an altar for the celebration of the sanctity of appetite, with a few drops of lustral water left in oyster-shells like little stone fonts; I tried to find beauty where I had never thought it might be found, in the most ordinary things, in the profound life of ‘still life’.
Marcel Proust (In the Shadow of Young Girls in Flower)
Michael, I am most pleased to see you up and about and looking so fine and healthy.” He inclined his head, thanking her for the compliment. She dabbed the corners of her mouth daintily with her napkin. “But now you must attend to your responsibilities as the earl.” He groaned. “Don‟t be so petulant,” Janet said. “No one is going to hang you up by your thumbs. All I was going to say is that you must go to the tailor and make sure you have proper evening clothes.” “Are you certain I can‟t donate my thumbs instead?
Julia Quinn
then they walked back to the wicker picnic basket and sat on a plaid blanket eating cold fried chicken, salt-cured ham and biscuits, and potato salad. Sweet and dill pickles. Slices of four-layer cake with half-inch-thick caramel icing. All homemade, wrapped in wax paper. He opened two bottles of Royal Crown Cola and poured them into Dixie cups—her first drink of soda pop in her life. The generous spread was incredible to her, with the neatly arranged cloth napkins, plastic plates and forks. Even minuscule pewter salt and pepper shakers. His mother must have packed it, she thought, not knowing he was meeting the Marsh Girl. They talked softly of sea things—pelicans
Delia Owens (Where the Crawdads Sing)
Cordelia – “Why so rough?” Aral – “It’s very poor. It was the town center during the time Isolation. And it hasn’t been touched by renovation, minimal water, no electricity choked with refuse.” “Mostly human,” added Peoter tartly. “Poor?” Asked Cordelia bewildered. “No electricity? How can it be on the comm network?” “It’s not of course,” answered Vorkosigan. “Then how can anyone get their schooling?” Cordelia “They don’t.” Cordelia stared. “I don’t understand, how do they get their jobs?” “A few escape to the service, the rest prey on each other mostly.” Vorkosigan regarded her face uneasily. “Have you no poverty on Beta colony?” “Poverty? Well some people have more money than others, but no comm consuls…?” Vorkosigan was diverted from his interrogation. “Is not owning a comm consul the lowest standard of living you can imagine?” He said in wonder. “It’s the first article in the constitution! ‘Access to information shall not be abridged.’” “Cordelia, these people barely have access to food, clothing and shelter. They have a few rags and cooking pots and squat in buildings that aren’t economical to repair or tear down yet with the wind whistling through the walls.” “No air conditioning?” “No heat in the winter is a bigger problem here.” “I suppose so. You people don’t really have summer. How do they call for help when they are sick or hurt?” “What help?” Vorkosigan was growing grim. “If they’re sick they either get well or die.” “Die if we’re lucking” muttered Veoter. “You’re not joking.” She stared back and forth between the pair of them. “Why, think of all the geniuses you must missing!” “I doubt we must be missing very many from the Caravanceri.” Said Peoter dryly. “Why not? They have the same genetic compliment as you.” Cordelia pointed out the – to her -obvious. The Count went rigid. “My dear girl, they most certainly do not. My family has been Vor for nine generations.” Cordelia raised her eyebrows. “How do you know if you didn’t have the gene-typing until 80 years ago?” Both the guard commander and the footman were acquiring peculiar stuffed expressions. The footman bit his lip. “Besides,” she pointed out reasonably, “If you Vor got around half as much as those histories I’ve been reading imply. 90% of the people on this planet must have Vor blood by now. Who knows who your relatives are on your father’s side. Vorkosigan bit his napkin absently. His eyes gone crinkly with much the same expression as the footman and muttered, “Cordelia, you really can’t sit at the breakfast table and imply my ancestors were bastards. It’s a mortal insult here.” “Where should I sit? Oh I’ll never understand.
Lois McMaster Bujold (Barrayar (Vorkosigan Saga, #7))
Poppy gave him an odd look. “Is there anything the matter?” Nothing. Except that watching his wife eating breakfast was the most erotic act he had ever seen. “Nothing at all,” Harry said scratchily. “Tea’s hot.” When he dared to look at Poppy again, she was consuming a fresh strawberry, holding it by the green stem. Her lips rounded in a luscious pucker as she bit neatly into the ripe flesh of the fruit. Christ. He moved uncomfortably in his chair, while all the unsatisfied desire of the previous night reawakened with a vengeance. Poppy ate two more strawberries, nibbling slowly, while Harry tried to ignore her. Heat collected beneath his clothing, and he used a napkin to blot his forehead. Poppy lifted a bite of honey-soaked crumpet to her mouth, and gave him a perplexed glance. “Are you feeling well?” “It’s too warm in here,” Harry said irritably, while lurid thoughts
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
When she first arrived, Mi-ran was impressed. The dormitories were modern and each of the four girls who would share one room had her own bed rather than use the Korean bed mats laid out on a heated floor, the traditional way of keeping warm at night while expending little fuel. But as winter temperatures plunged Chongjin into a deep freeze, she realized why it was that the school had been able to give her a place in its freshman class. The dormitories had no heating. Mi-ran went to sleep each night in her coat, heavy socks, and mitten with a towel draped over her head. When she woke up, the towel would be crusted with frost from the moisture of her breath. In the bathroom, where the girls washed their menstrual rags (nobody had sanitary napkins, so the more affluent girls used gauze bandages while the poor girls used cheap synthetic cloths), it was so cold that the rags would freeze solid within minutes of being hung up to dry. Mi-ran hated the mornings. Just as in Jun-sang's school, they were roused by a military-style roll call at 6:00 A.M., but instead of marching off like proud soldiers, they shivered into the bathroom and splashed icy water on their faces, under a grotesque canopy of frozen menstrual rags.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Kendra rubbed her eyes. She had slept in her clothes. “Come in, then.” The door opened and Cody entered with a tray. “Scrambled eggs, sausage, bacon, toast, yogurt, and juice,” he announced, setting the tray on the desk. “You barge down the stairs, infuriate Torina, and end up with a first-rate breakfast. Maybe I should start acting a little less compliant!” “Don’t get too jealous. This may be my last meal.” Cody shrugged. “They’re expecting visitors. They told me to deliver this. I’m supposed to suggest that you be on your best behavior. So I’ve suggested it.” “You want some bacon or something?” He hesitated. “I couldn’t take your food.” “Have a strip. And some sausage, too. How am I supposed to eat all that?” “Personally, I’d use the toast to make a breakfast sandwich. If you’re willing to part with a strip and a link, I’ll call it my tip.” Cody placed some bacon and sausage on a napkin and exited the room. She heard the lock reengage. Kendra sat at the desk. Molten cheese glued chunks of ham to the fluffy eggs. The sausages glistened with grease but tasted good, and the bacon had a pleasant crunch. As she was sipping some juice, the door unlocked and Torina entered, wearing a flirtatious sundress and sandals. “He’s here,” she announced, girlishly flustered. “Did
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Bruno reappeared with two baskets swathed in white linen napkins and a ramekin of something bright yellow. Thatcher unveiled one basket. "Pretzel bread," he said. He held up a thick braid of what looked to be soft pretzel, nicely tanned, sprinkled with coarse salt. "This is served with Fee's homemade mustard. So right away the guest knows this isn't a run-of-the-mill restaurant. They're not getting half a cold baguette here, folks, with butter in the gold foil wrapper. This is warm pretzel bread made on the premises, and the mustard ditto. Nine out of ten tables are licking the ramekin clean." He handed the bread basket to a waiter with a blond ponytail (male- everyone at the table was male except for Adrienne, Caren, and the young bar back who was hanging on to Duncan's arm). The ponytailed waiter- name?- tore off a hunk of bread and dipped it in the mustard. He rolled his eyes like he was having an orgasm. The appropriate response, Adrienne thought. But remembering her breakfast she guessed he wasn't faking it. "The other basket contains our world-famous savory doughnuts," Thatcher said. He whipped the cloth off like a magician, revealing six golden-brown doughnuts. Doughnuts? Adrienne had been too nervous to think about eating all day, but now her appetite was roused. After the menu meeting, they were going to have family meal. The doughnuts were deep-fried rings of a light, yeasty, herb-flecked dough. Chive, basil, rosemary. Crisp on the outside, soft on the inside. Savory doughnuts. Who wouldn't stand in line for these? Who wouldn't beg or steal to access the private phone line so that they could make a date with these doughnuts?
Elin Hilderbrand (The Blue Bistro)
198 Lady Lazarus I have done it again. One year in every ten I manage it------- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?------- The nose, the eye pits, the full set of teeth ? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I’ve a call. It’s easy enough to do it in a cell. It’s easy enough to do it and stay put. It’s the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout : ‘A miracle!’ That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart------- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash — You poke and stir. Flesh, bone, there is nothing there——— A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. 23–29 October 1962
Sylvia Plath (The Collected Poems)
We eat in silence for a few minutes, and then Alexandra says, “That reminds me. Matthew, could you escort me to a charity dinner the second Saturday in December? Steven is going to be out of town.” She looks toward me. “I would ask my darling brother to do it, but we all know he spends his Saturday nights with the city slu—” she glances at her daughter “—undesirables.” Before Matthew can answer, Mackenzie puts her two cents in. “I don’t think Uncle Matthew can come, Momma. He been too busy bein’ pussy whipped. Wha’s pussy whipped, Daddy?” As soon as the words leave her angelic little lips, a horrendous chain reaction is set off: Matthew chokes on the black olive in his mouth, which flies out and nails Steven right in the eye. Steven doubles over, holding his eye and yelling, “I’m hit! I’m hit!” and then goes on about how the salt from the olive juice is eating away at his cornea. My father starts coughing. George stands up and begins pounding on his back while asking no one in particular if he should perform the Heimlich. Estelle knocks over her glass of red wine, which quickly seeps into my mother’s lace tablecloth. She makes no move to clean up the mess, but instead chants, “Oh, my goodness. Oh, my goodness.” My mother runs around the dining room like a chicken with its head cut off, searching for non-cloth napkins to wipe up the stain, all the while assuring Estelle that everything’s fine. And Frank…well…Frank just keeps eating. While the chaos continues around us, Alexandra’s death-ray glare never wavers from Matthew and me. After squirming under it for about thirty seconds, Matthew caves. “It wasn’t me, Alexandra. I swear to Christ it wasn’t me.” Chicken shit. Thanks, Matthew. Way to leave my ass blowing in the wind. Remind me never to go to war with him as my wingman. But as The Bitch glower is turned full force on me alone, I forgive him. I feel like at any moment I’ll be reduced to a smoking pile of Drew ash on the chair. I dig deep and give her the sweetest Baby Brother smile I can manage. Take a look. Is it working? I’m so fucking dead. See, there’s one thing about Bitch Justice you should know. It’s swift and merciless. You won’t know when it’s coming; all you can be certain of is that it will come. And when it does, it will be painful. Very, very painful.
Emma Chase (Tangled (Tangled, #1))
went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.
Mark Twain (The Innocents Abroad - Mark Twain [Modern library classics] (Annotated))
Call it 'supper'. When you start calling it 'dinner' you raise people's expectations. They'll think there's going to be salad and cloth napkins. If you call it supper no one will bat an eye if you just put out a casserole. Remember the nice one I used to make you kids with the noodles and the tunafish?" -- Celeste Haxton, Thea Gallas's mother
Kristen Panzer
Mirchi, I cannot lie to you,” Rahul said, grinning. “On my side of the hall there were five hundred women in only half-clothes—like they forgot to put on the bottom half before they left the house!” “Aaagh, where was I?” said Mirchi. “Tell me. Anyone famous?” “Everyone famous! A Bollywood party. Some of the stars were in the VIP area, behind a rope, but John Abraham came out to near where I was. He had this thick black coat, and he was smoking cigarettes right in front of me. And Bipasha was supposedly there, but I couldn’t be sure it was really her or just some other item girl, because if the manager sees you looking at the guests, he’ll fire you, take your whole pay—they told us that twenty times before the party started, like we were weak in the head. You have to focus on the tables and the rug. Then when you see a dirty plate or a napkin you have to snatch it and take it to the trash bin in the back. Oh, that room was looking nice. First we laid this thick white carpet—you stepped on it and sank right down. Then they lit white candles and made it dark like a disco, and on this one table the chef put two huge dolphins made out of flavored ice. One dolphin had cherries for eyes—” “Bastard, forget the fish, tell me about the girls,” Mirchi protested. “They want you to look when they dress like that.
Katherine Boo
It is important not to be careless about supper when you are alone. It is easily done, boring as it is to cook for one person only. There must be potatoes, sauce and green vegetables, a napkin and a clean glass and the candles lit on the table, and no sitting down in your working clothes. So while the potatoes are boiling I go into the bedroom and change my trousers, put on a clean white shirt and go back to the kitchen and lay a cloth on the table before putting butter in the frying pan to fry the fish I have caught in the lake myself.
Per Petterson (Out Stealing Horses)
e live in a day and age where manners have been all but forgotten. We can remedy that with our children and grandchildren. When teaching the "M" word, show your children manners can be fun. One way is to have interesting pretend conversations that teach saying "hello," "goodbye," "I'm happy to meet you," and "thank you very much." Make a game of teaching kids how to set a table. Knife here. Fork there. Napkin fluffed in a napkin ring-and a pretty bowl of flowers or other decoration in the middle. Make a date with your grandchildren and take them out to lunch so they can practice their skills. Yes, manners can be used even if they're just ordering grilled cheese sandwiches! Manners will help children have kinder hearts, think of others, and stand them in good stead when they grow up and join the workforce. Love has manners, and emphasize how much they're showing they care when they use their good manners. hat's the greatest gift we can give to our often impersonal and violent society? Our feminine selves! Does that surprise you? Let me share a few simple truths about being a woman of God. Women have always had the ability to transform their surroundings, to make them more comfortable and inviting so friends can find comfort and joy. Let's rejoice in this gift and make the most of it. The beautiful woman is disciplined, modest, discreet, gracious, self-controlled, and organized. Scripture says that as women our worth is far above jewels. Strength and dignity are our clothing. When we open our mouths, wisdom and the teaching of kindness are on our tongues. We are women who fear the Lord. Let's live up to that description and celebrate who we are in Christ.
Emilie Barnes (365 Things Every Woman Should Know)
I'm going out with him again tomorrow night," Emilie said after they'd finished eating. "He lives up in Baltimore, so we're going to meet after I'm done at the clinic." "What are your wearing?" Kelly asked, wiping her mouth with her napkin. "Just..." She shrugged and looked down at the white cardigan she wore over a pair of basic black slacks. "Work clothes". Kelly's eyes went wide. "Oh, no. No, no. Hottie McHotterson deserves more than work clothes. Hottie deserves a little black dress or a pair of fuck-hot jeans and a slinky little top. And heel - sexy, tall heels." She arched an eyebrow.
Laura Kaye (Hard to Come By (Hard Ink, #3))
Her smile joined his, her thoughtful green eyes studying his face. “Do you know what I want to do right now?” Rick placed the cloth napkin across his lap. He should have asked for a less conspicuous table. “Tell me.” Samantha picked up a bread stick, examined it for a moment, then slowly licked the length of it. “Mm, salty goodness,” she murmured. “Christ. Cease and desist before I split my zipper.” “Oh, then I would have to sit on your lap in my short dress to protect your modesty.” She leaned forward, gazing at him serenely. “Comfortable?
Suzanne Enoch (Don't Look Down (Samantha Jellicoe, #2))
THE ABRIDGED RULES OF CIVILITY NUMBER RULE 2 When in Company, put not your Hands to any Part of the Body, not usualy Discovered. 7 Put not off your Cloths in the presence of Others, nor go out your Chambers half Drest. 24 Do not laugh too loud or too much at any Publick [Spectacle]. 54 Play not the Peacock, looking every where about you, to See if you be well Deck’t, if your Shoes fit well if your Stockings sit neatly, and Cloths handsomely. 56 Associate yourself with Men of good Quality if you Esteem your own Reputation; for ’tis better to be alone than in bad Company. 73 Think before you Speak pronounce not imperfectly nor bring ou[t] your Words too hastily but orderly & distinctly. 82 Undertake not what you cannot Perform but be Carefull to keep your Promise. 90 Being Set at meal Scratch not neither Spit Cough or blow your Nose except there’s a Necessity for it. 92 Take no Salt or cut Bread with your Knife Greasy. 100 Cleanse not your teeth with the Table Cloth Napkin Fork or Knife but if Others do it let it be done wt. a Pick Tooth.
Alexis Coe (You Never Forget Your First: A Biography of George Washington)
There’s no need for you to awaken early if you don’t wish,” he said, sprinkling a pinch of salt over his eggs. “Many ladies of London sleep until noon.” “I like to rise when the day begins.” “Like a good farmwife,” Harry said, casting her a brief smile. But Poppy showed no reaction to the reminder, only applied herself to drizzling honey over the crumpets. Harry paused with his fork held in midair, mesmerized by the sight of her slim fingers twirling the honey stick, meticulously filling each hole with thick amber liquid. Realizing that he was staring, Harry took a bite of his breakfast. Poppy replaced the honey stick in a small silver pot. Discovering a stray drop of sweetness on the tip of her thumb, she lifted it to her lips and sucked it clean. Harry choked a little, reached for his tea, and took a swallow. The beverage scalded his tongue, causing him to flinch and curse. Poppy gave him an odd look. “Is there anything the matter?” Nothing. Except that watching his wife eating breakfast was the most erotic act he had ever seen. “Nothing at all,” Harry said scratchily. “Tea’s hot.” When he dared to look at Poppy again, she was consuming a fresh strawberry, holding it by the green stem. Her lips rounded in a luscious pucker as she bit neatly into the ripe flesh of the fruit. Christ. He moved uncomfortably in his chair, while all the unsatisfied desire of the previous night reawakened with a vengeance. Poppy ate two more strawberries, nibbling slowly, while Harry tried to ignore her. Heat collected beneath his clothing, and he used a napkin to blot his forehead. Poppy lifted a bite of honey-soaked crumpet to her mouth, and gave him a perplexed glance. “Are you feeling well?” “It’s too warm in here,” Harry said irritably, while lurid thoughts went through his mind. Thoughts involving honey, and soft feminine skin, and moist pink— A knock came at the door. “Come in,” Harry said curtly, eager for any kind of distraction.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Langley felt the airport was too controlled and therefore too easy for the Chinese to tilt in their favor. The CIA wanted a public location with multiple evacuation routes. They had cars, safe houses, changes of clothes, medical equipment, fake passports, and even a high-speed boat on standby. They had thought of every contingency and had built plans for each. That was how worried they were. Stepping inside, Harmon scanned the café. The air-conditioning felt like being hooked up to a bottle of pure, crisp oxygen. He grabbed a paper napkin and starting at the top of his shaved head, wiped all the way down the back of his thick neck. He ordered a Coke in a can, no ice. He had learned the hard way about ice in foreign countries
Brad Thor (Act of War (Scot Harvath, #13))
Linn sat up a little straighter when the first course arrived, smoked salmon profiteroles. By the time we'd moved from the panini and tea sandwiches and on to the Parisian Opera Cake and devil's food teacakes, Linn had downed almost everything set in front of her, as well as an entire pot of tea. "It's all so good!" she said, wiping her hands on her cloth napkin. "I love the tiny portions. And they just keep bringing food! I love this. We should do this every day." "I completely agree.
Hillary Manton Lodge (A Table by the Window (Two Blue Doors #1))
I’m uncomfortable when Mom and Dad fight,” Levi says, pulling at a cloth napkin. Leaning in close, Pacey asks, “Which one is Mom?” With that signature smile, Levi says, “Taters, of course. Easily the bottom.” “Fuck you, I’m not the mom.
Meghan Quinn (Kiss and Don't Tell (The Vancouver Agitators, #1))
carries an avoska. Aunt Mayya comes home laden with grocery bags. Family dinners are true events, every single night, each one capped off by tasty little medovik, or honey cakes. That’s because Pripyat is no backwater town. Pripyat is an atomgrad—an atomic city, built to support the great nuclear power plant and financed by the Ministry of Energy. A beautiful dream, a workers’ paradise. Families sail little boats up and down the river on Sunday afternoons. The wives of the atomschiki spritz their necks and wrists with European perfume. Mayya sets the samovar upon the clean table and serves Pavlo and Yuri tea. Yuri glances at his younger cousins, Alina and Lev. He knows what’s coming. “May we listen to the radio?” Alina asks. Yuri bunches his cloth napkin tightly in his fist, watching the exchange. “One hour,” Pavlo tells his thirteen-year-old daughter. “And be sure to—
Andy Marino (Escape From Chernobyl)
nobody carries an avoska. Aunt Mayya comes home laden with grocery bags. Family dinners are true events, every single night, each one capped off by tasty little medovik, or honey cakes. That’s because Pripyat is no backwater town. Pripyat is an atomgrad—an atomic city, built to support the great nuclear power plant and financed by the Ministry of Energy. A beautiful dream, a workers’ paradise. Families sail little boats up and down the river on Sunday afternoons. The wives of the atomschiki spritz their necks and wrists with European perfume. Mayya sets the samovar upon the clean table and serves Pavlo and Yuri tea. Yuri glances at his younger cousins, Alina and Lev. He knows what’s coming. “May we listen to the radio?” Alina asks. Yuri bunches his cloth napkin tightly in his fist, watching the exchange. “One hour,” Pavlo tells his thirteen-year-old daughter. “And be sure to—
Andy Marino (Escape From Chernobyl)
For the uninitiated, oryoki is a baffling combo of a meal and a shell game. It goes something like this: You start the game with three nested bowls, a pair of chopsticks, a little wooden paddle with a cotton tip, and a cloth or straw place mat—all of which are wrapped like a gift in a generous napkin, whose ends are knotted so the tails stick up and the whole package can be quickly undone. If you are not expert, it is not so easy to undo the knot, spread the cloth, and organize your bowls before the servers start zipping around with the first of three vats—say, vegetable gruel, some sweet potatoes or scrambled eggs, and maybe a salad. The servers arrive at your place long before your bowls are properly aligned. (Also, your chopsticks were supposed to be laid out like compass needles; they point in one direction before you eat and end up in the opposite direction and balanced on one of the bowls when the wooden clapper signals the end of this ordeal.) You can waste a lot of time surveying your neighbors' arrangements, and, thus, barely get a bite to eat. There are also some secret hand signals you have to master to indicate to the servers whether you want the soup, and how much, and if you don't give the proper Stop! sign, you are supplied with way too much gruel or sweet potatoes, and then the lickety-split meal is ending and someone is stand- ing before you with a giant kettle of boiling water, which is aimed at your biggest bowl (which should be empty by now, but you took way too much gruel; learn the hand signals). Here's where the little paddle comes into play; you use it like a big Q-tip to swish and swab the hot water in each bowl in succession—your oryoki will not be otherwise cleaned for a week—and then you drink the dregs, and stack and wrap the bowls up as fast as you can.
Michael Downing (Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco Zen Center)
Of course, now I wonder where I had gotten the idea that for you to participate in a gathering, the other people had to really, really want you to be there and that anything short of rabid enthusiasm on their part meant you’d be a nuisance. Where had I gotten the idea that being a nuisance was that big a deal? Sometimes now I think of all the opportunities I didn’t take—to get a manicure in town, to watch television in another dorm, to go outside for a snowball fight—and of how refusal became a habit for me, and then I felt it would be conspicuous if I ever did join in. Once when I was a sophomore, I was at a lunch table when Dede was organizing a group of people to go to a restaurant before the spring formal. She went around the table, pointing at each of us and counting, and when she got to me, she said, “Okay, not you because you never go to the dances.” And that was true, but I’d have gone to a restaurant, I’d have put on a dress and ridden the charter bus and sat with my classmates at a big round table in a big room with an oversized red cloth napkin on my lap, I’d have drunk Sprite through a straw, have eaten warm rolls and roast beef and dessert; all of that would have been manageable. But in the moment of Dede bypassing me, how could I have explained this?
Curtis Sittenfeld (Prep)
Jimmy gave a startled yelp. She had put cute little candy cane striped glass cocktail stirrers in everyone's drinks and Jimmy had thought they were real candy canes and bitten his in half. "Goodness. I feel dreadful", Jane said to everyone while Jimmy was in the bathroom, spitting out blood and shards of glass. "Should we take him to the ER?" "Oh, he'll be fine," Duncan assured her. "He didn't go to the ER that time he accidentally locked himself into the finishing room and inhaled fumes all night." That didn't seem like the soundest piece of logic to Jane, but Jimmy came back into the room at that moment and said, "I'm OK, really Jane. I'll just keep this napkin in there to stop the bleeding." So Jimmy spent spent the rest of the evening with a white cloth napkin poking out of his mouth and looked vaguely like a trout.
Katherine Heiny (Early Morning Riser)
Sharp spur mek maugre horse cut caper. (The pinch of circumstances forces people to do what they thought impossible.) Sickness ride horse come, take foot go away. (It is easier to get sick than it is to get well.) Table napkin want to turn table cloth. (Referring to social climbing.) Bull horn nebber too heavy for him head. (We always see ourselves in a favorable light.) Cock roach nebber in de right befo’ fowl. (The oppressor always justifies his oppression of the weak.) If you want fo’ lick old woman pot, you scratch him back. (The masculine pronoun is always used for female. Use flattery and you will succeed.) Do fe do make guinea nigger come a’ Jamaica. (Fighting among themselves in Africa caused the negroes to be sold into slavery in America.) Dog run for him character; hog run for him life. (It means nothing to you, but everything to me.) Finger nebber say, “look here,” him say “look dere.” (People always point out the shortcomings of others but never their own.) Cutacoo on man back no yerry what kim massa yerry. (The basket on a man’s back does not hear what he hears.)
Zora Neale Hurston (Tell My Horse: Voodoo and Life in Haiti and Jamaica)
I’m uncomfortable when Mom and Dad fight,” Levi says, pulling at a cloth napkin. Leaning in close, Pacey asks, “Which one is Mom?” With that signature smile, Levi says, “Taters, of course. Easily the bottom.
Meghan Quinn (Kiss and Don't Tell (The Vancouver Agitators, #1))
K began to fume with anger every time he had to repeat the bland routine of special offers and efficacies of products. The back-of-the-mind scenarios of applying napkins began to be replaced with violent sexual acts - sadomasochistic, brutal and twisted. Instead of being cosseted in a woman's hot embrace, he now imagined ripping her clothes off, biting at the very tits that he had once coveted until he drew blood, fisting their pussies wearing barbed gloves, kicking them in the teeth, watching the gore drip down their proud queenly chins and putting an end to their teasing, access-denying smiles. It fetched him more story-ideas but for how long? The anguish that burgeoned during the day could not be watered down by the porn videos he had committed to memory with repeated viewing; it couldn't be flushed out with the joy of literary creation that had, till now, been feeding equally upon his happiness, sadness and neutrality. The tipping point had arrived, the moment when the grimy tar of impatience would boil over, flooding everything - pen, paper, keypad, life itself.
Rajeev Singh (The Erotic Muse)
The women of Venice are far more capable than most men realize,” she snapped. If the room got any colder, Cass would have to ask one of the servants to bring her a cloak. Agnese cleared her throat to speak, but to Cass’s amazement Luca cut her off. It was like he’d completely forgotten her aunt was at the table with them. His voice rose and his face reddened again, but this time not from embarrassment. “I am well aware that many women believe themselves to be stronger than they are. They might believe, for example, that it is a fully rational thing to go gallivanting around the city alone at night. They believe that they are playing a game--they have no idea how high the stakes really are.” Cass had never seen Luca show this much emotion, and it was both fascinating and frightening. A chill zipped up her spine. Was he threatening her? She forced herself to maintain eye contact. “You are not my husband yet,” she said softly, but with force. “And I do not have to listen to you.” Luca’s fork fell to the table with a clatter. “Then you are a sillier girl than I thought,” he burst out. “And I would urge you to be more careful. Where have you been spending your time, Cassandra?” “One might ask the same question of you,” she said. Both Siena and Madalena had claimed to have seen him on the Rialto. They couldn’t both be mistaken. Her eyes narrowed. “How long have you really been in Venice, Luca? You told me you had just arrived, but you were seen in the city more than a week ago! How do you explain that?” “All I have done since arriving in Venice is attend to your safety.” Luca flung his balled-up napkin onto his untouched dessert plate. “What you don’t know can hurt you, Cass.” He pushed his chair back abruptly from the table. For a second, no one said a word. The outburst had startled even Agnese into silence. Cass was sure that the servants were taking in every word. Luca seemed suddenly to remember that there were others in the room. He passed a hand through his hair. “I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
You are not my husband yet,” she said softly, but with force. “And I do not have to listen to you.” Luca’s fork fell to the table with a clatter. “Then you are a sillier girl than I thought,” he burst out. “And I would urge you to be more careful. Where have you been spending your time, Cassandra?” “One might ask the same question of you,” she said. Both Siena and Madalena had claimed to have seen him on the Rialto. They couldn’t both be mistaken. Her eyes narrowed. “How long have you really been in Venice, Luca? You told me you had just arrived, but you were seen in the city more than a week ago! How do you explain that?” “All I have done since arriving in Venice is attend to your safety.” Luca flung his balled-up napkin onto his untouched dessert plate. “What you don’t know can hurt you, Cass.” He pushed his chair back abruptly from the table. For a second, no one said a word. The outburst had startled even Agnese into silence. Cass was sure that the servants were taking in every word. Luca seemed suddenly to remember that there were others in the room. He passed a hand through his hair. “I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.” Cass turned to her aunt the second Luca disappeared into the portego. “What on earth do you suppose that was about?” she asked. “It appears that during his time in France, your fiancé developed a bit of a temper,” Agnese said mildly, as though Luca’s outburst were perfectly normal. She blotted her mouth with her napkin and signaled a servant to bring her a second pastry. “Let’s just hope he saves some of that passion for your wedding night.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.” Cass turned to her aunt the second Luca disappeared into the portego. “What on earth do you suppose that was about?” she asked. “It appears that during his time in France, your fiancé developed a bit of a temper,” Agnese said mildly, as though Luca’s outburst were perfectly normal. She blotted her mouth with her napkin and signaled a servant to bring her a second pastry. “Let’s just hope he saves some of that passion for your wedding night.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.” Cass turned to her aunt the second Luca disappeared into the portego. “What on earth do you suppose that was about?” she asked. “It appears that during his time in France, your fiancé developed a bit of a temper,” Agnese said mildly, as though Luca’s outburst were perfectly normal. She blotted her mouth with her napkin and signaled a servant to bring her a second pastry. “Let’s just hope he saves some of that passion for your wedding night.” Cass folded her napkin and put it on the table. She felt nauseated. She replayed the conversation with Luca again and again. He hadn’t even denied returning to Venice early. It was true--he’d been in town for at least a week, maybe more. Why had he lied to her? She thought of how she had seen, for just one second, his face contorted with rage as he warned her to be more careful. It was a side of Luca she had never seen--almost as though for just one second, he had slipped on a mask. Or perhaps he had slipped out of a mask. Maybe, in that moment, he had let drop the image of the ever-composed, always righteous Luca. It was more than just jealousy or overprotectiveness. Luca was hiding something. Cass was certain of it.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
In addition to a stack of small white plates, a basket of rolled cloth napkins, and a pile of polished silver forks, there is baked Brie in puff pastry, caviar with blinis (caviar!), a shallow bowl of beautiful purple grapes with a sterling silver pair of scissors placed beside it, poached shrimp with cocktail sauce, and a pale pink mold in the shape of a fish with crackers surrounding it, thin lemon slices and capers on top. "That's not the salmon mousse from the Silver Palate, is it?" I ask. The salmon mousse from the Silver Palate is perhaps my favorite thing to eat in the world. "Oh shoot," she says, and I can all but imagine her stomping her little foot. "You found me out. Is it just so tacky I brought in food from the city? I did press the mousse into the fish mold myself, and I also fixed the Brie. That is, I put some apricot jam on it and wrapped it in Pepperidge Farm puff pastry dough.
Susan Rebecca White (A Place at the Table)
As if on cue, Roo strolled out of the bakery, carrying a huge cinnamon roll in one hand and a giant cappuccino in the other. She wore a black taffeta miniskirt, black tights, black ballet slippers, and a black tank top over a purple T-shirt. Watching her a moment, Parker turned to the others and sighed. “Look at her. Fashion Goddess of the Dark Realm.” “She’s creative,” Ashley emphasized. “And her realm isn’t always a bad place to be.” “Neither is hell. If you’re the Antichrist.” This earned Parker a slug on the arm. Grinning, he pulled Ashley close and kissed her. “Don’t even ask,” Roo announced as she joined them. “These are mine, and I’m not sharing.” Gage promptly tore off a fourth of the cinnamon roll and popped it in his mouth. Etienne took a third of what was left. Roo stood there looking down at her practically empty napkin. “You didn’t need that, anyway,” Ashley insisted. “All those calories.” Parker gave Roo a serious once-over. “Since when has Roo cared about calories? No, wait. Since when has Roo cared about clothes? No, wait. Since when has Roo cared about how she looks?” He stared at Gage. Gage stared at Etienne. Etienne stared at Parker. “Since when has Roo cared about anything?” they all asked in unison. Feeling a little envious, Miranda observed the good-natured teasing. The kids back home hadn’t shared this kind of camaraderie. Not that they hadn’t been close--their own special group of girls and guys--but what Miranda saw here was different. Stronger, somehow. Like a real family. Miranda refocused on the three boys. Roo didn’t seem the least bit bothered by their comments. As Gage reached for the last bite of cinnamon roll, Roo stuffed it quickly into her mouth. Etienne just as quickly snatched the cappuccino from her other hand.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Grace Patel…” Bradley wiped his mouth with his cloth napkin, “that’s an Indian name, right?” “Yes. My father’s parents were from India.” He nodded. “Interesting. Do you plan on going into engineering or computer science?” Sara hissed, but she didn’t speak up. She’d barely said anything since Bradley had come into the room. Sebastian’s leg jiggled under the table so hard, his silverware rattled. I gripped his knee as I flashed Bradley a smile when I really wanted to stab his racist ass with my salad fork. “No. My dad didn’t pass any of those genes onto me. I’m an artist, but my plan is to study both art and graphic design in college. I have dreams of making a living from my sculptures, but since I’m a pragmatist, I want to have a marketable skill along with it.
Julia Wolf (Start a Fire (The Savage Crew, #1))