Closeout Quotes

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Music is crucial. Beyond no way can I overstress this fact. Let's say you're southbound on the interstate, cruising alone in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you--do you want to be hearing another radio commercial for a mega, clearance, closeout, blow-out liquidation car-stereo sale?
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
Music is crucial... Let's say you're southbound on the interstate, cruising along in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you - do you want to be hearing another radio commercial for a mega, clearance, close-out, blow-out liquidation car-stereo sale?
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
Gaiman wrote the first draft in fountain pen, in several five-hundred-page, leather-bound sketchbooks that he purchased in a close-out sale. "I really wanted a second draft," says the author. "It's my experience with computers that they do not give you a second draft. Computers give you an ongoing, ever-improving first draft.
Hank Wagner (Prince of Stories: The Many Worlds of Neil Gaiman)
The Grateful Dead did not play in sets; no eight numbers to a set, then a twenty-five-minute break, and so on, four or five sets and then the close-out. The Dead might play one number for five minutes or thirty minutes. Who kept time? Who could keep time, with history cut up in slices. The Dead could get just as stoned as anyone else. The … non-attuned would look about and here would be all manner of heads, including those running the show, the Pranksters, stroked out against the walls like slices of Jello. Waiting; with nobody looking very likely to start it back up. Those who didn’t care to wait would tend to drift off, stoned or otherwise, and the Test would settle down to the pudding.
Tom Wolfe (The Electric Kool-Aid Acid Test)
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I thought on that, but there just ain’t no way around the fact that some folks need killing.
C. Hoyt Caldwell (The Closeout Kings)
Other stores put closeout or discontinued items on a shelf or cart in the back of the store.
Steve Economides (Cut Your Grocery Bill in Half with America's Cheapest Family: Includes So Many Innovative Strategies You Won't Have to Cut Coupons)
Peter announced that Paul do Mar was not a surf spot, that it was just a picturesque, kamikaze close-out. I disagreed. I found it a mesmerizing wave. But absurdly dangerous. Besides the raw power, there was the shoreline. The rocks were round, mostly, but the shorebreak borderland you had to cross to enter the water was simply too wide, particularly when the surf was big. Even after timing it carefully, waiting for a lull, letting a shorebreak wave expend itself, then running recklessly with your board over wet boulders, you sometimes didn’t make it to water deep enough to paddle on before the next wave slammed you, banging you backward across the rocks—board, body, dignity all battered, sometimes severely. This was not a normal ocean problem. It felt like bad arithmetic—the time and distance did not, for some Madeira-only reason, compute. I had never seen a surf spot with an entrance so daunting. And the exit, getting back onto dry land, could be even worse. The wave we were there to ride was at most only thirty yards offshore, but I sometimes resorted to a very long paddle, around a seawall at the far east end of the village, rather than face that shorebreak.
William Finnegan (Barbarian Days: A Surfing Life)
Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes, and Politics)
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