Close The Window That Hurts You Quotes

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Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
Ray Bradbury (Fahrenheit 451)
You never know the hurt others endure in this world behind the closed windows of their life, or the joy a simple act of kindness can bring.
Jennifer Skiff (The Divinity of Dogs: True Stories of Miracles Inspired by Man's Best Friend)
His expression became serious, and his hand almost slipped from mine. "I've had a long time to think about it." "This can't work!" He looked down, then jerked his head up in frustration as his finger tightened on mine. "I'm not asking you to marry me, Rachel. I just ..." My heart pounded, and he stepped closer, so close the scent of cinnamon and wine enveloped me. "I like walking into a room and seeing your face light up when you see me," he said earnestly, the sun from the open window making his hair glow. "I like arguing with Quen over the wisdom of employing a demon to be my security." My throat caught. This wasn't going to happen, but something in me was withering. I wanted more--and I knew I couldn't have it. He touched my hair, and I twitched as he tucked a strand of hair behind my ear. “I want to wake up beside you, see your curls on my pillow. I want a chance at falling in love.” My breath came fast. That was what I wanted too, and it hurt more than I thought was possible to survive.
Kim Harrison (The Undead Pool (The Hollows, #12))
You'll get over it...' It's the cliches that cause the trouble. To lose someone you love is to alter your life for ever. You don't get over it because 'it' is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to greive over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to? I've thought a lot about death recently, the finality of it, the argument ending in mid-air. One of us hadn't finished, why did the other one go? And why without warning? Even death after long illness is without warning. The moment you had prepared for so carefully took you by storm. The troops broke through the window and snatched the body and the body is gone. The day before the Wednesday last, this time a year ago, you were here and now you're not. Why not? Death reduces us to the baffled logic of a small child. If yesterday why not today? And where are you? Fragile creatures of a small blue planet, surrounded by light years of silent space. Do the dead find peace beyond the rattle of the world? What peace is there for us whose best love cannot return them even for a day? I raise my head to the door and think I will see you in the frame. I know it is your voice in the corridor but when I run outside the corridor is empty. There is nothing I can do that will make any difference. The last word was yours. The fluttering in the stomach goes away and the dull waking pain. Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone had said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shaft of recognition. It was worth it. Love is worth it.
Jeanette Winterson (Written on the Body)
Absolutely pathetic.” I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?” “Lucinda flirting with couriers. Pathetic.” Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing. “I’m nice to him.” “You? Nice?” I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.” “Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.” He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window. “She’s got a few lovely things about her, I suppose.” I raise a finger and enunciate the words crisply: “Human resources.” He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you. We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
Sally Thorne (The Hating Game)
Did you get me that movie about Genghis Khan? 'It's in the Netflix queue, but that's not the surprise. You don't need to worry, it'll be something good. I just don't want you to feel depressed about going home.' Oh, I won't. But it would be cool to have a stream like this in the backyard. Can you make one? 'Ummm... no.' I figured. Can't blame a hound for trying. Oberon was indeed surprised when we got back home to Tempe. Hal had made the arrangements for me and Oberon perked up as soon as we were dropped off by the shuttle from the car rental company. 'Hey, smells like someone's in my territory,' he said. 'Nobody could be here without my permission, you know that.' 'Flidais did it.' 'That isn't Flidais you smell, believe me.' I opened the front door, and Oberon immediately ran to the kitchen window that gazed upon the backyard. He barked joyously when he saw what was waiting for him there. 'French poodles! All black and curly with poofy little tails!' 'And every one of them in heat.' 'Oh, WOW! Thanks Atticus! I can't wait to sniff their asses!' He bounded over to the door and pawed at it because the doggie door was closed to prevent the poodles from entering. 'You earned it, buddy. Hold on, get down off the door so I can open it for you, and be careful, don't hurt any of them.' I opened the door, expecting him to bolt through it and dive into his own personal canine harem, but instead he took one step and stopped, looking up at me with a mournful expression, his ears drooping and a tiny whine escaping his snout. 'Only five?
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
“Rachel...you need help.” I laugh and it’s the same bitter laugh I remember him giving when we met so many weeks ago. “So do you.” “I love you.” Isaiah says it so simply that my heart soars and sinks at the same time. “I love you,” I whisper. “Did you ever think that loving someone could hurt so bad?” Isaiah shakes his head and stares out the window. “What’s going to happen to us?” I ask. Because I don’t know how the two of us can continue forward. Isaiah refuses to let me in. It’s sort of cruel. He’s brought me close with his stories of his childhood and with his words of love, but he can’t relinquish control. I refuse to be with someone who won’t treat me as an equal.
Katie McGarry (Crash into You (Pushing the Limits, #3))
He grabbed the back of my parka,but I got the distinct impression he was not trying to be a gentleman by helping me out of it.He just wanted his parka back. "When you feel cornered,you'll just fling whatever you've got at people, and you don't care who gets hurt with what." "I am not scared." I slid down from the truck seat into Liz's stepdad's galoshes, then turned to face Nick one last time. "I am not scared of boarding or you,and I will prove it to you tomorrow.If you think I'm going easy on you in the comp just because you have a debilitating injury from yesterday-" "That's what you think," he snarked. "I've been going yoga." "-you have another think coming.You will buy me those Poser tickets. And I'm not even taking you.You will hand the tickets over to me,and I'll take someone else." "Who? Your little brother's friends?" "No,Everett Walsh." I closed the door softly behind me so as not to alarm sleeping adults,because I was that mature. Even through the door and the rolled up window,I could clearly hear every filthy work Nick uttered, ending with, "Everett [cuss word] Walsh." I opened the passenger door. "Ask not for whom the fire-crotch burns;it burns for thee!" I'd meant this to be an insult.Then I realized it sounded like I wanted Nick.Or like I had a feminine problem.
Jennifer Echols (The Ex Games)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
Except for the giant sword in his hand. "Is that really necessary?" I asked when I walked in, noting that his dagger was also hanging off his belt. His head jerked up, and I thought he might have been relieved to see me. But then he turned back to the Itineris, crouching down to pull something out of a black duffel bag at his feet. "Never hurts to be prepared," he said. "It just seems like overkill when you already have a dagger and I have supernatural magic at my disposal." "'Superpowerful?'" He stood up, a gold chain dangling from his fingers. "let me remind you of two words, Mercer: Bad. Dog." I rolled my eyes. "That was nearly a year ago. I'm way better now." "Yeah,well,I'm not taking any chances," he said. For the first time, I noticed there was some sort of holster thing on his back. He slid the sword into it so the hilt rose over his shoulders. "Besides," he added, "I thought you might not come. After what happened the other night..." he paused, studying my face. "Are you all right?" "I will be when people stop asking me that." "You know I had nothing to do with that, right?" "Yeah," I replied. "And if you did have something to do with it, I will vaporize you where you stand." The corner of his mouth quirked. "Good to know." He closed the distance between us, coming to stand entirely too close to me. "What are you doing?" I asked, hoping I didn't sound as breathless as I felt. He lifted his hands, and with surprising gentleness, placed the chain around both our necks. Looking down at it, I saw that the links were actually tiny figures holding hands. I'd seen it somewhere before. "This is the necklace one of the angels is wearing in the window at Hex Hall." "It is indeed." Reaching down to take my hands, he explained, "It's also a very powerful protection charm, which we're going to need." I swallowed as we laced our fingers and stepped closer to the Itineris. "Why?" "Because we're going a very long way." I involuntarily squeezed his fingers with mine. The last time I'd traveled through the Itineris, I'd only gone a few hundred miles, and that had made my head nearly explode. "Where are we going?" I asked. "Graymalkin Island," he answered. And then he yanked me into the doorway.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Clenched Soul We have lost even this twilight. No one saw us this evening hand in hand. While the blue night dropped on the world. I have seen from my window the fiesta of sunset in the distant mountain tops. Sometimes a piece of sun burned like a coin in my hand. I remembered you with my soul clenched in the sadness of mine that you know. Where we you then? Who else was there? Saying what? Why will the whole of love come on me suddenly when I am sad and feel you are far away? The book fell that always closed at twilight and my blue sweater rolled like a hurt dog at my feet. Always, always you recede through the evenings towards the twilight erasing statues.
Pablo Neruda
Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a lone one if possible, and then, at the very end, you might perhaps be able to write ten good lines. For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences. For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that. You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them. - For the Sake of a Single Poem
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
tell me off or worse—beat me? What can I say? I stare momentarily out of the window. The car is heading back across the bridge. We are both shrouded in darkness, masking our thoughts and feelings, but we don’t need the night for that. “Why, Anastasia?” Christian presses me for an answer. I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods…oh—and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more…love. He squeezes my hand. “Talk to me, Anastasia. I don’t want to lose you. This last week…” We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I think I would make a very good astronaut. To be a good astronaut you have to be intelligent and I’m intelligent. You also have to understand how machines work and I’m good at understanding how machines work. You also have to be someone who would like being on their own in a tiny spacecraft thousands and thousands of miles away from the surface of the earth and not panic or get claustrophobia or homesick or insane. And I really like little spaces, so long as there is no one else in them with me. Sometimes when I want to be on my own I get into the airing cupboard outside the bathroom and slide in beside the boiler and pull the door closed behind me and sit there and think for hours and it makes me feel very calm. So I would have to be an astronaut on my own, or have my own part of the space craft which no one else could come into. And also there are no yellow things or brown things in a space craft, so that would be okay too. And I would have to talk to other people from Mission Control, but we would do that through a radio linkup and a TV monitor, so they wouldn’t be like real people who are strangers, but it would be like playing a computer game. Also I wouldn’t be homesick at all because I’d be surrounded by things I like, which are machines and computers and outer space. And I would be able to look out of a little window in the spacecraft and know that there was no one near me for thousands and thousands of miles, which is what I sometimes pretend at night in the summer when I go and lie on the lawn and look up at the sky and I put my hands round the sides of my face so that I can’t see the fence and the chimney and the washing line and I can pretend I’m in space. And all I could see would be stars. And stars are the places where molecules that life is made of were constructed billions of years ago. For example, all the iron in your blood which keeps you from being anemic was made in a star. And I would like it if I could take Toby with me into space, and that might be allowed because they sometimes do take animals into space for experiments, so if I could think of a good experiment you could do with a rat that didn’t hurt the rat, I could make them let me take Toby. But if they didn’t let me I would still go because it would be a Dream Come True.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
The van doors were closed and—as I learned to my dismay when I tried to wrench them open—locked. I slapped my pocket and swore. “Sloane, I don’t have my keys!” I shouted. “Do you?” “Like you people let me drive? Fuck, no, I don’t have keys to the van.” She bent, picking up a large rock from the curb. “On the other hand, I don’t really need them, do I?” “Sloane—” My protest died when I heard Jeff scream inside the van. It was a shrill, agonized sound, and it hurt my heart in ways I hadn’t known were possible. “Throw the fucking rock, Sloane!” The words had barely left my lips before Sloane’s rock was smashing through the driver’s side window
Seanan McGuire (Indexing (Indexing, #1))
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
It's a lot of funnels and a lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break window-panes in the Window Smasher place and wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing "chicken" and "knock hub-caps". I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt one another nowadays?
Ray Bradbury (Fahrenheit 451)
My dad gave me these charms, and each one represents something different. The raven protects against black magic. The bear inspires courage. The fish signifies a refusal to recognize other people’s magic.” “I never knew those charms had meaning.” Absently, Vivian reaches up and touches her own necklace. Looking closely at the pewter pendant for the first time, Molly asks, “Is your necklace—significant?” “Well, it is to me. But it doesn’t have any magical qualities.” She smiles. “Maybe it does,” Molly says. “I think of these qualities as metaphorical, you know? So black magic is whatever leads people to the dark side—their own greed or insecurity that makes them do destructive things. And the warrior spirit of the bear protects us not only from others who might hurt us but our own internal demons. And I think other people’s magic is what we’re vulnerable to—how we’re led astray. So . . . my first question for you is kind of a weird one. I guess you could think of it as metaphorical, too.” She glances at the tape recorder once more and takes a deep breath. “Okay, here goes. Do you believe in spirits? Or ghosts?” “My, that is quite a question.” Clasping her frail, veined hands in her lap, Vivian gazes out the window. For a moment Molly thinks she isn’t going to answer. And then, so quietly that she has to lean forward in her chair to hear, Vivian says, “Yes, I do. I believe in ghosts.” “Do you think they’re . . . present in our lives?” Vivian fixes her hazel eyes on Molly and nods. “They’re the ones who haunt us,” she says. “The ones who have left us behind.
Christina Baker Kline (Orphan Train)
Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
Ray Bradbury
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
A True Account Of Talking To The Sun On Fire Island" The Sun woke me this morning loud and clear, saying "Hey! I've been trying to wake you up for fifteen minutes. Don't be so rude, you are only the second poet I've ever chosen to speak to personally so why aren't you more attentive? If I could burn you through the window I would to wake you up. I can't hang around here all day." "Sorry, Sun, I stayed up late last night talking to Hal." "When I woke up Mayakovsky he was a lot more prompt" the Sun said petulantly. "Most people are up already waiting to see if I'm going to put in an appearance." I tried to apologize "I missed you yesterday." "That's better" he said. "I didn't know you'd come out." "You may be wondering why I've come so close?" "Yes" I said beginning to feel hot wondering if maybe he wasn't burning me anyway. "Frankly I wanted to tell you I like your poetry. I see a lot on my rounds and you're okay. You may not be the greatest thing on earth, but you're different. Now, I've heard some say you're crazy, they being excessively calm themselves to my mind, and other crazy poets think that you're a boring reactionary. Not me. Just keep on like I do and pay no attention. You'll find that people always will complain about the atmosphere, either too hot or too cold too bright or too dark, days too short or too long. If you don't appear at all one day they think you're lazy or dead. Just keep right on, I like it. And don't worry about your lineage poetic or natural. The Sun shines on the jungle, you know, on the tundra the sea, the ghetto. Wherever you were I knew it and saw you moving. I was waiting for you to get to work. And now that you are making your own days, so to speak, even if no one reads you but me you won't be depressed. Not everyone can look up, even at me. It hurts their eyes." "Oh Sun, I'm so grateful to you!" "Thanks and remember I'm watching. It's easier for me to speak to you out here. I don't have to slide down between buildings to get your ear. I know you love Manhattan, but you ought to look up more often. And always embrace things, people earth sky stars, as I do, freely and with the appropriate sense of space. That is your inclination, known in the heavens and you should follow it to hell, if necessary, which I doubt. Maybe we'll speak again in Africa, of which I too am specially fond. Go back to sleep now Frank, and I may leave a tiny poem in that brain of yours as my farewell." "Sun, don't go!" I was awake at last. "No, go I must, they're calling me." "Who are they?" Rising he said "Some day you'll know. They're calling to you too." Darkly he rose, and then I slept.
Frank O'Hara
Will sat down and looked at Lyra. “What am I doing wrong?” he said. He was bloodstained, trembling, wild-eyed. He was living on the edge of his nerves: clenching his jaw, tapping his foot, breathing fast. “It’s your wound,” she said. “You en’t wrong at all. You’re doing it right, but your hand won’t let you concentrate on it. I don’t know an easy way of getting around that, except maybe if you didn’t try to shut it out.” “What d’you mean?” “Well, you’re trying to do two things with your mind, both at once. You’re trying to ignore the pain and close that window. I remember when I was reading the alethiometer once when I was frightened, and maybe I was used to it by that time, I don’t know, but I was still frightened all the time I was reading it. Just sort of relax your mind and say yes, it does hurt, I know. Don’t try and shut it out.” His eyes closed briefly. His breathing slowed a little. “All right,” he said. “I’ll try that.” And this time it was much easier.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
When we live intensely, we run more risks and we become more fragile. We already know that people who do nothing suffer nothing. But avoiding doing things out of fear of getting hurt is not a path to growth. When we mix our fears with reality, we are limiting ourselves. Don’t forget that the decisions we don’t make also cause us pain. Be careful about how you interpret what happens to you. If you don’t have an explanation that brings you peace, don’t make one up. What causes one kind of emotional pain to be more intense than another? Well, it depends on the emotional attachment to the source of the pain. What hurts more intensely is what directly affects us or the people we love. What hurts more is what affects our greatest aspirations and objectives. We are more easily hurt by what affects our desires or fears, and the more intense our desire, the more painful our frustration when we do not achieve it. The emotional involvement determines and explains the intensity of our pain. The greater the emotional involvement, the greater the pain. When pain comes in the door, perspective goes out the window, taking with it our ability to reason properly, to analyze events, and to make good decisions. Each time you remember what happened you transform what happened. None of our experiences is in vain if we are capable of learning from what happened to us and from the suffering and pain it caused us. But we won’t be able to learn from what happened if we don’t look back and review our experiences. Carrying your past is like carrying a huge backpack full of stones that prevents you from walking freely. But to walk through life all you need is a bit of water and food, a dream, and a destination—and, in a pinch, you can probably do without a destination. Let bygones be bygones, learn from what happened, and bring that chapter to a close. Your beliefs feed your decisions, your fears, and your desires. Knowledge will set you free, so make an effort to learn, study, read, travel.
Tomás Navarro (Kintsugi: The Japanese Art of Embracing the Imperfect and Loving Your Flaws)
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
Anne Carson (Norma Jeane Baker of Troy)
You don’t have to decide anything now. If you will allow me to be near you for a time, then we can see.” He rested his head back, and they looked at each other, their faces inches apart. He always was so good at looking at her. And it occurred to her just then that she herself was more Darcy than Erstwhile, sitting there admiring his fine eyes, feeling dangerously close to falling in love against her will. “Just be near…” she repeated. He nodded. “And if I don’t make you feel like the most beautiful woman in the world every day of your life, then I don’t deserve to be near you.” Jane breathed in, taking those words inside her. She thought she might like to keep them for a while. She considered never giving them up. “Okay, I lied a little bit.” He rubbed his head with even more force. “I need to admit up front that I don’t know how to have a fling. I’m not good at playing around and then saying good-bye. I’m throwing myself at your feet because I’m hoping for a shot at forever. You don’t have to say anything now, no promises required. I just thought you should know.” He forced himself to lean back again, his face turned slightly away, as if he didn’t care to see her expression just then. It was probably for the best. She was staring straight ahead with wide, panicked eyes, then a grin slowly took over her face. In her mind was running the conversation she was going to have with Molly. “I didn’t think it was possible, but I found a man as crazy intense as I was.” The plane was moving, that scatty slow motion that seemed to go both forward and backward at once. Jane kept looking back and forth between the window and the man next to her, checking to see if he was really there. Was this a better ending than tallyho? “So,” he said, “is New York City our final destination?” “That’s home.” “Good. There’s bound to be work for an attractive British actor, wouldn’t you think?” “There are thousands of restaurants, and those waiter jobs have high turnover.” “Right.” “Loads of theaters, too. I think you’d be wonderful in a comedy.” “Because I’m laughable.” “It doesn’t hurt.
Shannon Hale (Austenland (Austenland, #1))
Claire… It is not what you think. Won’t you please allow me to explain? Please. Allow me to speak with you.” It was more tempting than she liked. “There is nothing to say. We both know what I saw.” She paused. “Now go away.” Her tone was as aloof as she could manage between tears that would not stop. She saw the handle turn. “Don’t you dare!” She took a pre-emptive step back. But he did dare. The door opened slowly. “Are you…dressed?” “Of course, I am dressed!” she said furiously. “I am packing. Kindly have a carriage ordered.” It was a lie but he would not know that. Her case was still open on the window seat. He pushed the door open wider. He did not look like a man who had come from the arms of another woman. His face was not flushed with desire. It looked rather drawn in fact. But what did she know of such things? Perhaps that woman had merely exhausted him. “I did not invite her here, Claire. I did not even know she was coming.” He pushed locks of dark hair from his eyes. Claire bit her lip, thinking of how she had looked forward to touching those waves, brushing it possessively off his face herself. “Serafina does what she pleases. As you can see, she has no sense of propriety or discretion. She believes she owns Isabel and I even still. Even though, after her unforgiveable actions, she quite thoroughly relinquished rights to us both some time ago. I do not believe Isabel has pardoned her yet. I certainly will not.” He looked at her, eyes wide and beseeching. Not a hint of pride or arrogance. “She does not want me to be happy without her, Claire,” he said softly. “She must have found out I was to be married and she came with all haste. This is exactly what she was hoping for—or nearly so. When you walked in…” “Oh? Nearly so?” Fury twisted inside her. “I apologize for intruding so unexpectedly, for interrupting your passionate liaison. I suppose if Isabel and I had not walked in, you would still be there even now. On the floor together perhaps.” Thomas looked taken aback, then angry. “Of course not! Do you really think me so…? Is that what you believe, Claire? You did exactly what Serafina hoped you would do. Reacted with anger and jealousy, blamed me, and stormed out.” “Jealousy!” Claire exclaimed, drawing herself up. “I assure you—I am not jealous in the least. If she wants you, she is welcome to have you. I did not want you in the first place, as you will recall.” He flinched. If she did not know better, she might almost have believed him to be hurt. She swallowed hard. “What have I to be jealous of? The fact that you prefer your mistress to…” Oh, no. Her voice was catching in her throat. “…to… me…” She hiccupped embarrassingly, tears flowing over. All of a sudden Thomas’s arms were around her, holding her firmly to his chest. “Claire… No, no…” he whispered. Her cheek was pressed up rather roughly against his tailcoat. He smelled so good. She closed her eyes, her body relaxing against him. There was another smell there. An overpoweringly sweet scent of lilacs. She pushed herself away, hands against his chest. “You smell of her.” He looked horrified. Horrified that he did? Or horrified that she had noticed? Did he smell of her from head to toe? Claire felt nauseous.
Fenna Edgewood (Mistakes Not to Make When Avoiding a Rake (The Gardner Girls, #1))
Before she could speak again, he asked, “Is that my cloak?” “Yes.” She held it out to him, but he didn’t take it. “Why did you bring it back? I realize it is worn, but—” “No.” She almost gasped the word, and when she reached out to touch his chest, her hand brushed hardness. She snatched her hand back. “It isn’t that, sir. You were most generous to allow me to borrow it.” “It was a gift. Yours to keep.” His heartfelt statement shook her down to her boots. “I thank you. It kept me warm. I…it was on my bed and kept me comfortable during this last cold snap.” “Then why did you bring it back?” he asked, his voice gentle. “My parents insisted I return it.” His lips tightened, and muscles in his jaw worked. He turned away and stared out the window. “I see. Though I’m not surprised.” “I’m sorry, sir. I did not mean to offend.” “Offend?” Once more he turned towards her, and his hand came up. She flinched and drew back. He frowned, but his voice was soft. “Did you think I was going to hit you?” He clasped her shoulders and leaned in close. “Listen to me. I’d never raise a hand to you. I don’t hurt women or children. I’ve never beaten a woman or child, nor will I suffer anyone to do so.” Realizing that she trembled from head to toe, Adrenia closed her eyes and took a shivering breath. Her muscles, which had locked tight, eased. “Goddess.” He rubbed her shoulders. “I was only reaching to do this.” He lifted his left hand slowly and touched her uneven hairline. “Who did this to you, Adrenia?” When she wouldn’t answer, he continued. “Were your parents angry about this cloak?” His hand brushed over her hair, then her cheek in a touch that made her want to melt like a kitten under a caress. “They say it isn’t appropriate for an unmarried woman to take a gift from a soldier.” His eyebrows went up. “Even an officer?” “Not any man.” He sniffed. “It’s as I told your father. No daughter of mine, no woman who belonged to me would go without protection from the elements.
Denise Agnew
The gondola jolted backward as Falco pulled the rope tight. Cass looked up, surprised to find herself back at the villa already. Falco hopped out of the boat and turned to her with an expectant look. “What are you doing?” she asked. “I thought you had someplace to be.” She couldn’t keep the hurt from leaching into her voice. “I’m going to walk you to your door, of course.” “I can walk myself, thank you.” Cass clambered over the side of the gondola, her chopines clutched in her left hand. Her cloak snagged on the boat. One of the tall wooden overshoes slipped out of her fingers and landed in the shallow water. “Mannaggia,” she muttered, reaching down to retrieve the soggy shoe. She pushed past Falco as she headed across the lawn. Falco caught up with her easily. “Cassandra, be reasonable. There’s a murderer running around.” She didn’t answer. She headed around to the back of the villa, doing her best to ignore him as he loped beside her in the manicured grass. He couldn’t just freeze her out for the whole boat ride and then pretend everything was fine. Cass tucked her hands into the pockets of her cloak. Her fingers closed around a scrap of fabric--her handkerchief. She remembered Mada’s words. If he keeps it for a little while, then he’s yours. Did she want Falco to like her? Cass wasn’t sure. “A presto,” Falco said, with a short bow. “Until very soon.” “All right.” Cass bit back the tears that were suddenly pushing at the back of her throat and eyes. If she turned around, even for a second, she knew that she would cry. But why? What had happened? She didn’t know. She let the handkerchief slip from her pocket as she pushed quickly into the house, shutting the door behind her without looking back. Leaning against the wall of the kitchen, Cass forced herself to breathe. A single tear worked its way down her cheek, and she brushed it roughly from her face. She turned and peered through the thick glass window. Falco was still there. He had picked up her handkerchief. It looked small in his hands. He paused for a moment, glanced in the direction of the back door, and then tucked the cloth square into his pocket. Overwhelmed by the evening’s events and her swirling emotions, Cass let her body slide slowly to the floor. This time she couldn’t stop the tears from falling.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Jack’s fingers closed around her shoulders. Jane could feel his labored breaths, the ragged movement of his chest. “You show up looking like that—wearing his dress, his jewels, his perfumes. What in the hell am I supposed to think?” He released her, stepping back. “My congratulations, Countess. You’ll make a beautiful ornament at the court of Louis the Eighteenth.” Jane had always prided herself on her ability to retain her poise, even in the most grueling of circumstances. But she was frustrated, humiliated, hurt, and just plain furious. Jane poked Jack in the chest with her index finger. It felt good, so she did it again. “Would you like to know just how many times I’ve told Nicolas no? By last count, approximately thirty-seven. Not that it’s any of your concern. You see, he, like you, seems to believe that I don’t know what is best for me.” Jack grabbed her hand before she could poke him again. “He can give you everything I can’t. He can give you riches, titles, a place in the world.” Jane jerked her hand away. “I have my place in the world! I made it myself, with my own hard work.” And error, a great deal of error. She braced her hands against Jack’s shoulders, holding herself away to look at his face. “Have I ever—ever—given you any indication that I desire titles or riches?” “Not in so many words, no . . .” Jack’s fingers itched to close around her waist and draw her close. Everything that had seemed so clear ten minutes ago was murky and blurry. He knew he had a point, but he was no longer entirely sure what that point was. He retreated a step, his back hitting the whitewashed stone of the wall. Jane stalked forward, cornering him. Jack could feel the rough stone biting into his back as Jane glared at him, her chest right beneath his nose. “I don’t want to be placed on a pedestal. I don’t want to be the ornament of anyone’s court. And I certainly don’t want a lute beneath my window!” She had told him that, hadn’t she? Jack was beginning to feel rather less sure of himself. The Gardener, that proposal, felt very far away, and Jane was very near.
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
My choices are nothing alcoholic, nothing alcoholic and nothing alcoholic, so who cares, honey. Just give me something wet,” Susan answered, coming to stand close to Stellan and her son. “She’s pregnant,” Harry explained to Simone. “Wow. Congrats,” Simone said to Susan with another smile. “I cried three times before getting in the car to come over here just thinking about hearing Stellan call you ‘darling’ again. In other words, like the last one, it’s gonna be a rough ride.” “Crying?” Simone asked. “Crying all the time, and my nipples were hard and hurt like heck for seven months straight, and I actually broke a window when I threw a jar of jelly through it that I couldn’t open, and that was in month five. It went downhill from there.
Kristen Ashley (The Greatest Risk (Honey, #3))
Living Hurts [Verse] Woke up this morning to the sound of rain, Tears and thunder, just a different kind of pain. Got my coffee, took a sip, tried to feel alright, But the heartache's like a storm, rollin’ in tonight. [Verse 2] Saw an old photo, brought me right to my knees, Memories of a love, scattered like autumn leaves. In this small town where the years go by slow, Life is a mess, but it's the mess that helps us grow. [Chorus] Living hurts, oh but make it worth the pain, The tears fall like raindrops on a window pane. When the world bears down on your weary soul, Don't close your eyes, let the heartache make you whole. [Verse 3] The fields are overgrown with yesterday's dreams, Broken fences, shattered hopes, and silent screams. Yet there’s beauty in the wreckage, strength in the scars, In the darkest moments, we find who we really are. [Chorus] Living hurts, oh but make it worth the pain, The tears fall like raindrops on a window pane. When the world bears down on your weary soul, Don't close your eyes, let the heartache make you whole. [Bridge] Sometimes the hurtin's what keeps us alive, It's in the cracks where the light truly thrives. So stand in your sorrow, don't be afraid to feel, It’s the wounds that heal us, make the love real.
James Hilton-Cowboy
The door to the captain’s office was open, the room vacant but for the memories it held, and I staggered forward to sink into a chair. I closed my eyes, filled with a dreadful, yearning sorrow. Cannan had been such a powerful presence in the palace--in our lives--for so many years that it felt as though the heart of our kingdom had been taken from us. He had been Captain of the Guard for thirty years, and had not failed once in his duties; he had saved more lives than he had ever taken in war; and he had raised Steldor to be the man he was today--a bold, brave, sacrificing man. The son was his father in many, many ways. I was startled out of my thoughts by a knock, and turned to see Steldor standing in the doorway. He glanced around the office, his expression composed, and yet it held a deep and immutable sorrow. “I was told I would find you here,” he said. “How are you?” I asked, nervously twining my hands. “As good as can be expected, I suppose.” “And Galen?” “He has Tiersia.” I nodded, averting my gaze. I knew his answer had been an honest one, and had not been meant to hurt me, but sadness filled me. I wanted him to have someone--he deserved to have someone. Only that someone could not be me. “Let’s go to my drawing room,” I suggested, for Cannan’s office was not a place that would allow us to talk about the future, and that was what we needed to do. Steldor stepped aside, allowing me to exit first. He spent one last moment absorbing the look and feel of his father’s office, then respectfully closed the door. When we reached the Queen’s Drawing Room at the front of the palace, we walked over to the bay window that granted a view of the Eastern Courtyard to talk, much as we had when he had told me of his plan to annul our marriage. But this time, I was the one who needed to speak. I slipped my hand into his, and he glanced at me in mild surprise. “I’m sorry about your father’s passing. I know how close you were to him. His strength and guidance will be missed by all. Despite our kingdom’s glory, Hytanica is less without him.” Steldor did not respond, but gazed stoically out the window. Then he nodded twice and took a deep breath, reining in his emotions. Even now, with me, he was proud, not knowing that I wanted to hold him and let him cry, and that if he did, I would not, even for an instant, find him weak. He ran a hand through his dark hair and turned to face me, silently begging me to change the subject, and I obliged. “”And how is the rest of your family?” “Amid our losses, there is also some good news. Shaselle has a suitor.” “Do you approve of her choice? After all, you are the man of the family now.” “There’s no accounting for taste.” He smirked, seeming thankful for my attempt at normalcy. “Actually, Lord Grayden is a good man--a man who met my father’s approval and, I believe, would have met Baelic’s. When the time is right, I expect a betrothal.” Again a smile played across his features. “Now I just have to worry about the other three girls in the family.” I laughed, lacing my fingers through his when I felt he might pull away. I did not know how he would react to my coming proposal--and whether he would admit it or not, he needed some comfort now. “Steldor,” I said, my tone and demeanor once more serious, “when I see Galen, I will reinstate him as Sergeant at Arms.” “An excellent decision.” I nodded, then continued. “But our military needs to be reformed. It needs a strong and passionate leader, someone who will do Cannan and all of his work justice. I cannot think of anyone more suited to taking over the position of Captain of the Guard than you.” He did not immediately reply, but his eyes went to our hands, and he raised mine to his lips as he had so often done before.
Cayla Kluver (Sacrifice (Legacy, #3))
Alternatives to time-out Isolating children for a period of time has become a popular discipline strategy advocated by many child psychologists and pediatricians. However, newly adopted toddlers seem to be more upset than helped by time-outs. Time-outs are intended to provide an opportunity for both parents and children to calm down and change their behaviors, but it isn’t effective for children who do not have self-calming strategies. Isolation can be traumatic for a toddler who is struggling with grief and/or attachment, and so perceives time-out as further rejection. If the child becomes angrier or more withdrawn as a result of being timed-out, try another strategy. One alternative is for parents to impose a brief time-out on themselves by temporarily withdrawing their attention from their child. For example, the parent whose child is throwing toys stops playing, looks away, and firmly tells the child, “I can’t continue playing until you stop throwing your toys.” Sitting passively next to the child may be effective, especially if the child previously was engaged in an enjoyable activity with the parent. Another alternative to parent enforced time-outs is self-determined time-outs, where the child is provided the opportunity to withdraw from a conflict voluntarily or at least have some input into the time-out arrangement. The parent could say, “I understand that you got very upset when you had to go to your room yesterday after you hit Sara. Can you think of a different place you would like to go to calm down if you feel like getting in a fight?” If the child suggests going out on the porch, the next time a battle seems to be brewing, Mom or Dad can say, “Do you need to go outside to the porch and calm down before we talk more?” Some children eventually reach the level of self-control where they remove themselves from a volatile situation without encouragement from Mom or Dad. These types of negotiations usually work better with older preschoolers or school-age children than they do with toddlers because of the reasoning skills involved. As an alternative to being timed-out, toddlers also can be timed-in while in the safety of a parent’s lap. Holding allows parents to talk to their child about why she’s being removed from an activity. For example, the toddler who has thrown her truck at the cat could be picked up and held for a few minutes while being told, “I can’t let you throw your toys at Misty. That hurts her, and in our family we don’t hurt animals. We’ll sit here together until you’re able to calm down.” Calming strategies could incorporate music, back rubs, or encouraging the child to breathe slowly. Objects that children are misusing should also be removed. For example, in the situation just discussed, the truck could be timed-out to a high shelf. If parents still decide to physically remove their child for a time-out, it should never be done in a way or place that frightens a toddler. Toddlers who have been frightened in the past by closed doors, dark rooms, or a particular room such as a bathroom should never be subjected to those settings. I know toddlers who, in their terror, have literally trashed the furniture and broken windows when they were locked in their rooms for a time-out. If parents feel a time-out is essential, it should be very brief, and in a location where the child can be supervised.
Mary Hopkins-Best (Toddler Adoption: The Weaver's Craft Revised Edition)
He cupped her face. “He’s an asshole. You’re better off without him. Let’s never speak of him again.” She laughed. “Sorry. I’m tired and that guy demanding to find my husband because he was sleeping with his wife brought it all up for me again.” “You were hit by a car, you had your past thrown in your face, it’s late, and you’re tired. Why don’t you go change, and I’ll sweep up the glass and take care of boarding up the window. If you give me your insurance information, I’ll call them first thing in the morning and start your claim and have a new sliding door put in as soon as possible.” “You don’t have to do all that.” “I want to. This wouldn’t have happened if not for my client. Let me do this. It’s the least I can do.” “You’ll find the information in my office.” She pointed to the closed door off the living room. “Bottom drawer of the desk in the file marked insurance.” He smiled to lighten things and teased, “An organized woman. Dangerous creatures.” “Yes, well, stay out of the other stuff. There be dragons with sharp teeth who’ll burn your ass for snooping through my papers.” He laughed. “Not the trusting sort, are you?” “I’ve been burned already.” “I’m not out to hurt you, honey. Just help you.” “You can’t be that good looking and not have some flaws.” Her cheeks blazed red. He laughed again. “I’ve got plenty of flaws, but none that will bite you on the ass. Unless you want me to,” he teased. “Because it’s a fine ass, and I wouldn’t mind.” -Owen & Claire
Jennifer Ryan (Falling for Owen (The McBrides, #2))
The others climbed into the back of the truck with the pitchforks and the pinestraw, leaving Stacy all alone in the front with the man. She sat as close to the door as she could and held the handle tight in case she had to jump out or something. Suspiciously, she looked at the big paper bag on the seat between them. The man, still frowning, put the truck into gear. With a jolt, they started off. Before they had gone very far he slammed on the brakes, throwing them all forward. He doesn’t even have seatbelts, Stacy thought. But how can you think of dumb things like that when you’re about to die? “Sorry,” he said gruffly. “I forgot. I’ve got to make one stop before we go to the dairy barns.” Throwing the truck into reverse, he backed up a few yards to a narrow road that led into the woods. A small sign that read “Private! Closed to the Public” was posted by the side of the road. Oh dear, Stacy thought, we’re doomed now. How many times did Mom ever tell me never to get into a car with a stranger? And now I’ve gone and done that and here we are heading down an off-limits road into the woods. She had a cold chill, and this time it wasn’t from her wet clothes. They bounced down the rutted road. In the mirror outside her window, she could see the kids hanging on to the side of the truck for dear life. The arms of the low pines brushed the roof of the truck with a skeletal scraping down. At least they came to an opening. Before her Stacy could see rows and rows of vines. “Vineyards,” she whispered to herself. Suddenly, the man slammed on his brakes. The truck jarred to a stop. Without a word he threw open the door and climbed out. Now we’re in for it, thought Stacy. I just know he’s coming around this side to get me. She squeezed her eyes shut tight. Over the idling hum of the motor she could hear him walking. Then there was a squeal from the kids in the back of the truck. Oh, my goodness, she thought, squinching her eyes tighter and tighter until they hurt. What is he doing to them? In a moment he slung the door of the truck open. In spite of herself she turned and looked at him. He had a big grin on his face. And his shirt was covered with a big purple stain. Blood! “Your shirt,” she stuttered, pointing a quivery finger toward him. He laughed. “Juice,” he said. “Juice from the grapes.” Stacy sniffed. Sure enough it did smell like grape juice. She got up the nerve to look in the rearview mirror. The kid’s heads bobbed in the back. Slowly she ungripped her hand from the door handle. The man waved an arm towards the vineyards. “We grow grapes for wine here. It’s just another way to use the land like Mr. Vanderbilt thought you should.” Stacy just stared at his shirt again and said, “Oh.
Carole Marsh (The Mystery of the Biltmore House (Real Kids! Real Places! (Paperback)))
my favorite was when the schoolgirl didn’t complete her homework on time!” Owen was saying enthusiastically. “It was a great piece of filmmaking, because the professor had this dungeon...” “Hey, buddy,” Liam said, leaning forward. “Looks like there’s a gas station at that exit up ahead. Didn’t you say you were running low? How about we stop and fill up, and maybe grab a bite to eat?” “But I’m in the middle of my story!” Owen protested. “Don’t you want to hear what happens to the schoolgirl? Helen does! Don’t you, Helen?” “Get. Gas. Now.” My voice has never been more deadly serious. “Sheesh,” Owen says sadly, signaling and pulling over to exit. “Fine, Helen; if you insist. I’m disappointed in you. Liam is a spoilsport, but I would have thought that since you’re a writer, you would appreciate a good story.” “A good story?” I repeat incredulously. “Owen, nothing you’ve said in the past three hours has been anywhere close to a good story. Listening to you is making my ears hurt. I think they’re melting—your words are like acid being poured into my ear canals.” “Hey! That’s not nice,” Owen says in a grumpy tone. It sounds like he might be pouting. “It’s medically impossible to lose your hearing from listening to someone talk about the glorious art of pornography.” I grumble to myself unhappily. “It’s possible if I buy a popsicle at the gas station, eat the popsicle, and then use the popsicle stick to gouge my own ears out so that I can tolerate the rest of this trip!” Sighing, I lean to press my head against the glass of the car window. It is cold, and I use it like an ice pack to soothe my aching ear and temple. I really do feel like if I need to listen to one more ridiculous tale of sexual depravity for no particular reason, I’m going to lose my mind. I really wouldn’t care if they were good stories. “Seriously. I think I’m going deaf. It hurts.” “Well, that’s a bad problem to have when you’re in the car with two eye doctors!” Owen says cheerfully. “Jesus, man,” Liam says to his friend in dismay. “It’s been hours. You need to stop talking.
Loretta Lost (Clarity (Clarity, #1))
Life’s got an interesting sense of humor.” He was relaxing now that she’d decided to drop the subject. A long, put-upon sigh. “Isn’t that the truth? Clearly, I’m being tested.” Curious, he asked, “And are you passing?” Another adorable pout. “I don’t think so.” That mouth looked like she’d just eaten a bowl of strawberries and the juices had stained her lips. He wanted to bite her. Lick her to see if she tasted as sweet as she looked. She got all squinty, another pretzel firmly in hand. “I’m drunk.” Unfortunately. “I don’t doubt that.” Her gaze caught his. Darted away. Her pink tongue flitted out to wet her full lower lip. It glistened like an invitation. “I’d leave, but I can’t walk. My feet hurt.” “I wouldn’t let you go, anyway.” He was a little taken aback to find the words true. It had been a long time since he’d wanted anything, but he still recognized the spark of desire. He wanted her, and wasn’t ready for her to walk off into the sunset yet. The right or wrong of the situation didn’t much matter. She swirled a finger over the edge of her ice water. “Do you think you could stop me? He cocked a brow and gave her a once-over. “Considering the way you hobbled in here, I think I can take you.” Dark lashes almost obscured the green of her irises as she squinted. “I’m supposed to be getting independent now.” “I see,” he said, considering the guy she’d ditched at the altar for the first time. It took a lot to drive a woman out a church window with nothing but the clothes on her back. “Everyone needs a little rescue sometime.” “You’re not one of those knight-in-shining-armor guys, are you?” She said the words as if they were foul. “Not normally, but I’m making an exception for you.” He was surprised to find he wanted the role, despite her distain. “I don’t want an exception.” Her tone had taken on a decided wail. “Too bad.” Yep, he wasn’t budging on this one. She wanted to stand on her own two feet. He understood, but it only made him more determined. “Why me?” “Because I want to.” It was that simple. Besides, she’d probably take off in the morning and he’d never see her again. One night to break the monotony wouldn’t hurt. Before she could respond, he turned and walked the length of the bar. Flipping open the counter, he rounded the corner, striding to stand in front of her. “It’s been a long time since I’ve done anything chivalrous. Won’t you let me?” Even white teeth nibbled on her bottom lip and he curled his hand into a fist to keep from stroking his thumb over the abused, moist flesh. Glassy, pensive eyes blinked up at him. He stepped close enough to feel the warmth of her skin. “What kind of a man would I be if I left you stranded?” “I’m
Jennifer Dawson (Take a Chance on Me (Something New, #1))
And then you had to go and sing that song! Why did you pick that song?” His head jerked back slightly and his eyes lost some of their fierceness. “You’re mad about me singing the song? You love that song. You play it all the time.” I finally succeeded at freeing my wrist and crossed my arms under my chest. “And how the hell would you know that? I know I’ve never played that song in front of you!” “Seriously? You leave your windows open! We live right across from each other. I can hear it from my apartment.” Oh. “Well, that’s private. It’s for my parents. You don’t understand what it could possibly mean to me for you to sing that song to me.” Confusion crossed his face and he shook his head. “For your parents?” “Yes! And since we’re throwing the shields out, I lied to you, Kash.” “About what?” he said through gritted teeth, and called my name when I turned and dashed into my room. “Damn it, woman, stop running from me!” “I’m not running. I never told my parents about what happened to me like I promised you I would,” I mumbled as I grabbed underneath my mattress for my journal. Turning back to him, I held it up so he could see it and dropped it on the bed. “That is how I told my parents.” His eyes were narrowed again as they bounced between the journal and me. “Why?” “Why did I lie to you? Because you kept telling me I should tell them. And . . . well . . . technically, I did. I wrote it to them, so I guess I wasn’t exactly lying, because this”—I picked the journal back up—“is the only way I can talk to them.” “What are you—” “They’re gone, Kash. My parents died almost four years ago! I told you I couldn’t tell them. But I wasn’t ready for you to know why; no one in Texas other than Candice knows about it. And that’s how I like it.” Kash’s face fell and he took a few steps closer to me. “Rach . . .” “No, Kash. You didn’t want any more shields. Now there aren’t any. That song you sang tonight, my dad used to sing to my mom when they thought no one was watching. He would pull her close and dance with her in the kitchen while he did it, and it’s my favorite memory of them. So I’m sorry if I didn’t know how to react to you singing it to me, but that song means so much to me.” “Rachel, I’m sorry.” I threw my arms up and planted them on his chest so he wouldn’t come any closer. “Is this what you wanted? You know everything now. Are you happy . . . are you glad the shields are gone?” He pulled me into his arms and held me close. “I had no idea, I’m so sorry. I—I’m just sorry. For hurting you, for pushing you to tell me, for upsetting you with the song . . . all of it. I swear to you that isn’t what I wanted.” My anger was quickly fading and I blinked back tears. “I know, I just . . .” “That song is special to you. I get it, Rach.” He tipped my head back and brushed his lips across my forehead before capturing my eyes with his. “You need to know—” “Rach, I’m back!” Candice called. “Time to start this junk-food night!” Kash didn’t let me go, and I didn’t move. We continued to stare at each other, and when we heard Candice messing with the food in the kitchen, he leaned close and whispered in my ear. “You need to know that you’re special to me. I meant every single word I sang to you tonight and I will never regret that kiss.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Speaking of those children...."  He tried to turn his head within the curve of Juliet's arm so that he could look at Charlotte. "It appears that one of them ... is yours." "Yes, my daughter. She's just over six months." "Will you lift her up so I may see her? I adore children." Juliet hesitated, thinking that sleeping babes were best left alone. But it was not in her to deny the wishes of a man who might very well be dying. Carefully, she picked up the infant and held her so that Gareth could see her. Charlotte whimpered and opened her eyes. Immediately, the lines of pain about Gareth's mouth relaxed. Smiling weakly, he reached up and ran his fingers over one of the tiny fists, unaware that he was touching his own niece. A lump rose in Juliet's throat. It was not hard at all to imagine that he was Charles, reaching up to touch his daughter. Not hard at all. "You're just ... as pretty as your mama," he murmured. "A few more years ... and all the young bucks shall be after you ... like hounds to the fox."  To Juliet he said, "What is her name?" "Charlotte."  The baby was wide awake now and tugging at the lace of his sleeve. "Charlotte. Such a pretty name ... and where is your papa, little Charlie-girl? Should he ... not be here to ... protect you and your mama?" Juliet stiffened. His innocent words had slammed a fresh bolt of pain through her. Tight-lipped, she pried the lace from Charlotte's fist and cradled her close. Deprived of her amusement, the baby screwed up her face and began to wail at the top of her lungs while Juliet stared out the window, her mouth set and her hand clenched in a desperate bid to control her emotions. Gareth managed to make himself heard over Charlotte's angry screams. "I am sorry. I think I have offended you, somehow...." "No." "Then what is it?" "Her papa's dead." "Oh. I, ah ... I see."  He looked distressed, and remorse stole the brightness that Charlotte had brought to his eyes. "I am sorry, madam. I am forever saying the wrong thing, I fear." Charlotte was now crying harder, beating her fists and kicking her feet in protest. The blanket fell away. Juliet attempted to put it back. Charlotte screamed louder, her angry squalls filling the coach until Juliet felt like crying herself. She made a noise of helpless despair. "Here ... set her on your lap, beside my head," Lord Gareth said at last. "She can play with my cravat." "No, you're hurt." He smiled. "And your daughter is crying. Oblige me, and she will stop."  He stretched a hand toward the baby, offering his fingers, but she batted him away and continued to wail. "I'm told I have a way ... with children." With a sigh, Juliet did as he asked. Immediately, Charlotte quieted and fell to playing with his cravat.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. “What’s been the most upsetting thing you’ve had to read about yourself?” “Well, those pictures the other day of my supposed cellulite upset me a lot actually. It really hurt me. It was too painful, too personal. It’s my body everyone was talking about, not just my face. I felt invaded because they put the cameras deliberately onto my legs.” Diana’s relationship with the paparazzi was obviously complex. She professed to hate them: “I know most of the paparazzi and their number plates. They think I am stupid but I know where they are. I’ve had ten years practice. I would support an antistalking bill tomorrow.” Then she took me to the window and started showing me the various media cars, vans, and motorbikes lurking outside. But when I asked why she doesn’t go out of one of the ten other more discreet exits, she exposed her contrary side: “I want to go out the front like anyone else. Why should I change my life for them?” “Because it would make your life easier?” I said. William was equally upset by the constant prying lenses: “Why do they have to chase my mother around so much? It’s unfair on her.” I was torn between genuine concern for the young man protecting his mum so gallantly, and a sense of foreboding for him that one day it would be him, not his mother, who would be chased just as aggressively. How do you explain to a thirteen-year-old boy that he sells papers and therefor he’s a valuable commodity to photographers and editors like me?
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
He’s so close to releasing himself, and his speed is picking up again, feeling my comedown. With what little strength I have left, I wait until he’s right on the edge and then I tear myself from his grip, catching him by surprise. I twist, grab him by the throat and practically tackle him to the sandy floor. He falls easily, caught off guard, but my window is minuscule. His hazel eyes are wide as I position myself between his spread legs, grabbing his drenched cock in my hands and peeking up at him through my lashes. “You were so close to coming, and I denied you, didn’t I?” Anger flashes across his eyes and the corner of my lips curl upward. “Does it hurt, baby?
H.D. Carlton (Does It Hurt?)
You’re profiling me, for one, which would likely put you to be somewhere in that field, given the ride and attire. Your friend has an expensive suit that he wears to impress, but yours is less flashy. Your posture around him and good-natured ribbing towards him leads me to believe you’re equals, despite the financial difference. So I’m assuming he comes from money, and you’ve earned your own way. The SUV isn’t a standardized version. The blacked out windows are too dark to be legally tinted, but I know the FBI are given certain leniencies due to security risks. So am I right?” I really hate the way he continues to smile, as though he’s only more intrigued instead of freaked out. I wanted to freak him out. “You’re not a paid profiler, not FBI, and not affiliated with any military unit,” he says, confusing me. “Your outfit is bohemian chic, meaning you’re less worried about your outward appearance and more concerned with comfort. You sit alone by choice, and dismiss any attention sent your way. At first glance, you’re too feminist for your own good. At second glance, you’re someone who is hard to get close to because trust isn’t something you share too often. It keeps you from being hurt by people, but it also keeps you from having anyone in your life. At night, when you close your eyes and allow yourself to be vulnerable…that’s the only time you dare to wonder what it’d be like to be with someone.
S.T. Abby (The Risk (Mindf*ck, #1))
Byte sighed, and a few clunks echoed from inside the box before its projector appeared. On the glass of the dome, and emitting out into the water, it showed the blonde woman it had before. "You remember her?" "Alys Fairweather, the woman you served before she disappeared." "This was her home." Mira felt her jaw drop open as the droid said that with such ease. "Excuse me?" "This was her home. It was built for her by her father, after she supposedly disappeared. My programming initiative was to tell everyone that she'd died, but we were not programmed to lie well. So I was sent into the ocean because I couldn't keep the secret about... him." Another click and a new image appeared, floating like he was just outside the window. A green finned undine, just like the legends always said. He wasn't nearly as different as Arges, but perhaps he was from a different clan. He certainly looked like he wasn't a deep sea creature. With tiger stripes of green scales that glimmered on his skin, and gills behind his long pointed ears, some along his ribs as well, he was just as massive as Arges but so much softer looking. This new undine pressed his fingers against the glass, and the love in his eyes hurt to look at. He loved her so much. She could see it in his eyes, in the way that he lingered at the window, draping his tail over it as the image of Alys danced through the room. She reached up for him, wiggling her fingers and laughing at the way he shook his head. They were so in love. So very in love. The images faded, and she found her throat had closed up with emotion. Licking her lips, she asked, "So you wanted me to come here? Why?" "I didn't know you would end up here. In her home. But I saw the way you two looked at each other and I couldn't let you go back home without realizing the truth." "What truth?" she croaked. Byte's projector crunched back into the box. "That it was possible for your two to be together. Because I have seen it happen, and I know that it can work. Alys and her undine were together until she was very old. They lived here, and no one bothered them. He was an outcast to his people but he... he loved her. Very much. And she loved him in return." It was possible. They weren't the first. She
Emma Hamm (Whispers of the Deep (Deep Waters, #1))
The sun had reached its noon zenith in the sky in the world that lay outside the dark and grimy warehouse, and coming in slantwise through the small window sent a dusty shaft that fell like a theatrical spotlight about Jennie’s head and shoulders as she lectured. “If you have committed any kind of an error and anyone scolds you – wash,” she was saying. “If you slip and fall off something and somebody laughs at you – wash. If you are getting the worst of an argument and want to break off hostilities until you have composed yourself, start washing. Remember, every cat respects another cat at her toilet. That’s our first rule of social deportment, and you must also observe it. “Whatever the situation, whatever difficulty you may be in you can’t go wrong if you wash. If you come into a room full of people you do not know, and who are confusing to you, sit right down in the midst of them and start washing. They’ll end up by quieting down and watching you. Some noise frightens you into a jump, and somebody you know saw you were frightened – begin washing immediately. “If somebody calls you and you don’t care to come and still you don’t wish to make it a direct insult – wash. If you’ve started off to go somewhere and suddenly can’t remember where it was you wanted to go, sit right down and begin brushing up a little. It will come back to you. Something hurt you? Wash it. Tired of playing with someone who has been kind enough to take time and trouble and you want to break off without hurting his or her feelings? Start washing. “Oh, there are dozens of things! Door closed and you’re burning up because no one will open it for you – have yourself a little wash and forget it. Somebody petting another cat or dog in the same room, and you are annoyed over that – be nonchalant; wash. Feel sad – wash away your blues. Been picked up by somebody you don’t particularly fancy and who didn’t smell good – wash him off immediately and pointedly where he can see you do it. Overcome by emotion – a wash will help you to get a grip on yourself again. Any time, anyhow, in any manner, for whatever purpose, wherever you are, whenever and why ever that you want to clear the air, or get a moment’s respite or think things over – WASH!
Paul Gallico (Jennie (Collins Modern Classics))
On a related issue, my father used to say, “Let negative energy fly out open windows. Don’t take it on.” Sometimes your kids, spouse, or coworkers will make negative or irresponsible comments, and instead of taking it on and trying to resolve it, ignore that it was even uttered. It’s like giving people a free pass for something they said in the heat of the moment. Let it fly out an open window instead of closing the window and letting it bounce around the room. You’ll both get hurt.
Stephen R. Covey (The 7 Habits of Highly Effective People: Revised and Updated: Powerful Lessons in Personal Change)
Close the window that hurt you, no matter how beautiful the view is," and I felt that!
Library Mindset (The Art of Laziness: Overcome Procrastination & Improve Your Productivity)
I was brought up to a trade, you know,’ continued Anthony. ‘And you abandoned it?’ ‘Yes.’ ‘Why?’ ‘A matter of principle.’ ‘Oh!’ ‘You’re a very unusual woman,’ said Anthony suddenly, turning and looking at her. ‘Why?’ ‘You can refrain from asking questions.’ ‘You mean that I haven’t asked you what your trade was?’ ‘Just that.’ Again they walked on in silence. They were nearing the house now, passing close by the scented sweetness of the rose garden. ‘You understand well enough, I dare say,’ said Anthony, breaking the silence. ‘You know when a man’s in love with you. I don’t suppose you care a hang for me—or for anyone else—but, by God, I’d like to make you care.’ ‘Do you think you could?’ asked Virginia, in a low voice. ‘Probably not, but I’d have a damned good try.’ ‘Are you sorry you ever met me?’ she said suddenly. ‘Lord no. It’s the red signal again. When I first saw you—that day in Pont Street, I knew I was up against something that was going to hurt like fun. Your face did that to me—just your face. There’s magic in you from head to foot—some women are like that, but I’ve never known a woman who had so much of it as you have. You’ll marry someone respectable and prosperous, I suppose, and I shall return to my disreputable life, but I’ll kiss you once before I go—I swear I will.’ ‘You can’t do it now,’ said Virginia softly. ‘Superintendent Battle is watching us out of the library window.
Agatha Christie (The Secret of Chimneys (Superintendent Battle, #1))
overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.
Samuel J Dixey (The Blooming Yard)
close the window that hurts you, no matter how beautiful the views is
wordsfromheart_
Close the window that always hurts you, no matter how beautiful the view is.
quotesdiary
The angels and hallucination-like, we were all fighting for me to not be taken in any way by demons, or by the girls, that wanted me for their sexual role-playing games. Yet, the sisters got their way a lot of the time as you know, as luck would have it. We were fighting them off, as well as beating them all off too. I remember the white angels would shock the demons away with their bolt of lightning strikes and the thunder would crack out the glass of the school windows, and spray all over us. Supernaturally all the locker doors would open and close, the papers would fly, the pencils would zip by me like their uniforms and fingers, I was in the storm of their pain, everything was happening so hallucination-like. This is how Kristen told me her rapes were like too, maybe, that is the way it is for all girls, which lived through all that hurt…? Your brain is half on, yet it is like it is wanting to be turned off. The demons have satanic powers, which make angels freeze in mid-fight and flight. They are so strong they could tear the wings off of an Angel with their thought of mind. However, the bolt of lightning can make demons blow up; conversely, they disintegrate and then rise from the ashes once more to fight yet again. They do not go away unless they have bodies to go into, or they are banished back down to hell. Otherwise, to claim the souls they want, you have to agree with what they say; only if you do not deny them, they will remain. Never- ever let them win! The demons can take on any figure or form they want to. Some choose to be animals, and some choose to be human-like beings, like the four sisters and clan, and the only protection was from the angels above me that would fight them off of me. Do you see what I mean- or did I lose you?
Marcel Ray Duriez (Nevaeh Struggle with Affections)
I’m sweaty. I’m tired. And I stink in places I really shouldn’t be stinking.” I whine and shoot a glare to Dean, who’s sitting in the passenger seat looking sheepish. “What?” he exclaims with his hands raised. “I didn’t know we’d have fucking car trouble. Your car isn’t even a year old.” “I know!” I snap, hitting my hand on the wheel and growling in frustration. “Stupid old lady car!” I exclaim and push my head closer to the window for a breeze. “The frickin’ air conditioning isn’t even working anymore. Me and this car are officially in a fight.” “I think we all just need to remain calm,” Lynsey chirps from the back seat, leaning forward so her head comes between Dean’s and mine. “Because, as horrible as this trip was, after everything that’s happened between the three of us the past couple of years, I think this was really healing.” I close my eyes and shake my head, ruing the moment I agreed that a road trip to the Rocky Mountains to pick up this four-thousand-dollar carburetor from some hick who apparently didn’t know how to ‘mail things so they don’t get lost.’” Honestly! How are people who don’t use the mail a thing? Though, admittedly, when we got to the man’s mountain home, I realized that he was probably more familiar with the Pony Express. And I couldn’t be sure his wife wasn’t his cousin. But that’s me being judgmental. Still, though, it’s no wonder he wouldn’t let me PayPal him the money. I had to get an actual cashier’s check from a real bank. Then on our way back down the mountain, I got a flat tire. Dean, Lynsey, and I set about changing it together, thinking three heads could figure out how to put a spare tire on better than one. One minute, I’m snapping at Dean to hand me the tire iron, and the next minute, he’s asking me if I’m being a bitch because he told me he had feelings for me. Then Lynsey chimes in, hurt and dismayed that neither of us told her about our conversation at the bakery, and it was a mess. On top of all of that, my car wouldn’t start back up! It was a disaster. The three of us fighting with each other on the side of the road looked like a bad episode of Sister Wives: Colorado Edition. I should probably make more friends. “God, I hope this thing is legit,” Dean states, turning the carburetor over in his hands. “Put it down. You’re making me nervous,” I snap, eyeing him cautiously. We’re only five miles from Tire Depot, and they close in ten, so my nerves are freaking fried. “I just want to drop this thing off and forget this whole trip ever happened.” “No!” Lynsey exclaims. “Stick to the plan. This is your grand gesture! Your get out of jail free card.” “I don’t want a get out of jail free card,” I cry back. “The longer we spent on that hot highway trying to figure out what was wrong with my car, the more ridiculous this plan became in my head. I don’t want to buy Miles’s affection back. I want him to want me for me. Flaws and all.” “So what are you going to do?” Dean asks, and I feel his concerned eyes on mine. “I’m going to drop this expensive hunk of metal at the counter and leave. I’m not giving it to him naked or holding the thing above my head like John Cusack in Say Anything. I’ll drop it off at the front counter, and then we’ll go. End of story.” Lynsey’s voice pipes up from behind. “That sounds like the worst ending to a book I’ve ever heard.” “This isn’t a book!” I shriek. “This is my life, and it’s no wonder this plan has turned into such a mess. It has desperation stamped all over it. I just want to go home, eat some pizza, and cry a little, okay?” The car is dead silent as we enter Boulder until Dean’s voice pipes up. “Hey Kate, I know you’re a little emongry right now, but I really don’t think you should drive on this spare tire anymore. They’re only manufactured to drive for so many miles, you know.” I turn and glower over at him. He shrinks down into his seat a little bit.
Amy Daws (Wait With Me (Wait With Me, #1))
I can’t stop cleaning and I have a monster inside my brain and I miss you and Sloan is falling apart and his parents won’t take him off life support, so his organs are rotting. I can’t get all the lines right on the carpet with the vacuum and Stuntman is in a kennel and I haven’t seen him in days, and I just need you to let me clean this fucking apartment!” I’m not sure how much of it he heard, if any. I was crying so hard I could barely understand myself. He just held me and caressed my hair, and for the first time in weeks the velociraptor hunted other prey. Josh made me weak. Or strong. It was hard to tell anymore what I was without my coping mechanism. At least when I rode the beast, I got shit done. And now I was nothing but an emotional mess. But at least the mess was mine. Why did he have this effect on me? He had this way of waking up dormant parts of my soul. He ripped through me and let everything in with him like a storm surge. I took on water. And at the same time, something told me if I let him, he’d keep me afloat. He wouldn’t let me sink. I’d never felt this vulnerable and safe with anyone. I felt hot and shaky. I gasped and clutched his shirt until the crying spasms stopped. He held me so tight my knees could have given out and I wouldn’t have fallen an inch. “I can’t be the only one who has their shit together,” I whispered. His chest rumbled as he spoke. “It doesn’t look like you have your shit together…” I snorted. “Josh, please.” I looked up at him, my hands trembling on his collarbone. “I need you to insert yourself here. Go talk to his parents. They’ll listen to you.” He looked at me like seeing me cry was agony. The longing on his face was razor blades to my heart. His sad eyes, the set of his mouth, his knit brows. He loved me almost as much as I loved him, and I knew I was hurting him. I knew he thought I was enough. But I wasn’t enough. How could one of me be any kind of substitute for the half dozen kids he’d always wanted? It just couldn’t. The math didn’t work. The logic wasn’t sound. He wiped a tear off my cheek with his thumb. “Okay,” he whispered. “I’ll go. Just, sit down or something. Stop cleaning.” He dipped his head to catch my eyes. “Are you okay? You’re shaking.” He put a hand over mine to still the tremor against his chest, and the closeness of him made me whole for the first time in weeks. “I’m fine,” I said, swallowing. “Just hurry, okay?” He looked at me for a long moment, like he was trying to memorize my face or steal an extra second to hold me. Then he turned for the bathroom. When he walked away from me, the absence of his body pressed into mine felt like I’d lost my clothes and I stood naked and exposed to the elements. I missed him. No amount of time lessened it. It made it worse. My heart was a neglected building, and every day I weathered a fierce storm that dripped through my roof, flooded my floors, and broke my windows, and the disrepair just made me weaker and closer to collapse. The water turned on in the bathroom and I looked around the apartment, my compulsion raging back with a fury now that he was gone. At least I could do this for him. I could take care of his space, give it order. Wash his clothes and his blankets. Make things smell clean, turn his home into someplace he wanted to be. Do this thing that he obviously couldn’t do for himself at the moment.
Abby Jimenez
So when you say that your feelings make you weak, I wonder what mine make me, because you are my existence. The reason I breathe. Smile. Laugh. Live. You’ve taught me to feel again, to love and to trust. You give me a reason to wake up in the morning.” He chuckled, though he didn’t sound amused. “But if you ever decide this relationship is not right for you, I will let you go, because above all, above my pain and needs, your happiness is the most important thing to me.” I stopped breathing when he reached up and touched the side of my face with the tips of his fingers, leaving behind heated flesh. For one brief moment, I closed my eyes and savored his touch, tears burning my eyes. But I opened them just as quickly because I needed to take him in with all my senses. “Every night when I leave you and crawl in my cold bed, it hurts. I’m not talking about sexual frustration. I need to hold you in my arms. Feel you. Breathe you. Every moment you look into my eyes and whisper you love me, I give you a piece of myself. Yet loving you feeds my soul. Kissing you reaffirms what I believe deep down in my core—that you and I are meant to be together.” He wiped a tear from my cheek. “Do you know that when I wake up every morning and don’t see you by your window I break out in a cold sweat? The thought of losing you to the Norns or stupid Mortals who use magic frivolously is my worst nightmare. I’d do anything, fight anyone to keep you safe, so don’t ever think I don’t listen to anything you say. Everything you do and say is important to me. If it takes a lifetime to convince you of that—
Ednah Walters (Seeress (Runes, #4))
Why should I tell you anything?” “Because,” he hissed, taking another step, “the last time I saw you, Celaena, you were unconscious on Arobynn’s carpet and so bloodied up that I couldn’t see your damn face.” He was close enough that she could touch him now. Rain continued beating against the hall windows, a distant reminder that there was still a world around them. “Tell me,” he said. I’ll kill you! Sam had screamed it at Arobynn as the King of the Assassins beat her. He’d roared it. In those horrible minutes, whatever bond had sprung up between her and Sam hadn’t broken. He’d switched loyalties—he’d chosen to stand by her, fight for her. If anything, that made him different from Ansel. Sam could have hurt or betrayed her a dozen times over, but he’d never jumped at the opportunity. A
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))