Clocks Keep Ticking Quotes

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(It starts with) One thing, I don’t know why It doesn’t even matter how hard you try Keep that in mind, I designed this rhyme To explain in due time All I know time is a valuable thing Watch it fly by as the pendulum swings Watch it count down to the end of the day The clock ticks life away It’s so unreal Didn’t look out below Watch the time go right out the window Trying to hold on but didn’t even know Wasted it all just to Watch you go I kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter
Linkin Park
It's kind of like when a clock battery runs down. The hour and minute hands don't disappear, but they don't keep ticking either. They freeze on the last minute they measured.
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
He’s like an old clock the won’t tell time but won’t stop neither with the hands bend out of shape and the face bare of numbers and the alarm rusted silent, an old worthless clock that keeps ticking and cuckooing without meaning nothing.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
- he's finished with that; it's like an old clock that won't tell time but won't stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old worthless clock that just keeps ticking and cuckooing without meaning nothing.
Ken Kesey
It turns out that once you begin, habit and memory keep your body moving in the right directions, like a wound-up clock ticking dutifully through the seconds.
Alix E. Harrow (The Ten Thousand Doors of January)
Do yourself a favor, right now, and realize two things: 1. You will keep getting older, and then you will die. 2. Everything that's ever entered your experience has lasted and will continue to last for only a brief moment in the life of the universe. This is game time, champ. You're in. You're in, playing, right now, and the clock is ticking. So stop wondering what it all means and how you'll possibly ever do X and what people will think, and get on with your life already. Stop being a pussy and go do something amazing.
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.
A.K. Kuykendall (The Possession (The Writer's Block trilogy, #1))
remote and seemingly lone trees were not as badly affected as those living together in close proximity. Today, I think of fanaticism – of any type – as a viral disease. Creeping in menacingly, ticking like a pendulum clock that never winds down, it takes hold of you faster when you are part of an enclosed, homogenous unit. Better to keep some distance from all collective beliefs and certainties, I always remind myself.
Elif Shafak (The Island of Missing Trees)
It’s so overwhelming when you notice how the clock ticks; so many tiny pieces holding each other together just so it keeps going.
Sijdah Hussain (Red Sugar, No More)
My biological clock is ticking so loudly that it’s keeping me awake at night.
Clare Pooley (The Authenticity Project)
TIL KINGDOM COME you'll be the one. FOR YOU theres NO MORE KEEPING MY FEET ON THE GROUND. My head is in the clouds NOW MY FEET WONT TOUCH THE GROUND. LIFE IS FOR LIVING and i cant live until i have stolen a spot in your heart. HURTS LIKE HEAVEN and feels like hell to know your in ANOTHERS ARMS. This is no PARADISE. DONT LET IT BREAK YOU HEART i tell my self. Your BEAUTIFUL WORDS always IN MY HEAD i cant stop my self. THINGS I DONT UNDERSTAND would be you and me. LOST in your X&Y. I feel like i was SWALLOWED IN THE SEA, LOST and unseen, not a WISPER or a weep. I cry in my sleep, EVERY TEARDROP IS A WATERFALL. Should have seen the WARNING SIGNS, they were always there like a WISPER in my ear. Every time you say hello were back at SQUARE ONE, a smile my face. SUCH A RUSH i get when i talk to you. My heart beats as fast as a HIGH SPEED race. Every second i wait for your reply like CLOCK ticking by. DAYLIGHT nears as the SLEEPING SUN is UP IN FLAMES. What if its US AGAINST THE WORLD? What if HOW YOU SEE THE WORLD is how i see it too? WHAT IF?
Rhyan Roads
Only cells that had been transformed by a virus or a genetic mutation had the potential to become immortal. Scientists knew from studying HeLa that cancer cells could divide indefinitely, and they’d speculated for years about whether cancer was caused by an error in the mechanism that made cells die when they reached their Hayflick Limit. They also knew that there was a string of DNA at the end of each chromosome called a telomere, which shortened a tiny bit each time a cell divided, like time ticking off a clock. As normal cells go through life, their telomeres shorten with each division until they’re almost gone. Then they stop dividing and begin to die. This process correlates with the age of a person: the older we are, the shorter our telomeres, and the fewer times our cells have left to divide before they die. By the early nineties, a scientist at Yale had used HeLa to discover that human cancer cells contain an enzyme called telomerase that rebuilds their telomeres. The presence of telomerase meant cells could keep regenerating their telomeres indefinitely.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
I rolled my eyes as the elevator door opened. 'I was thinking more along the lines of Tick and Tock. You know they won't--' 'Holy shit, boss! Did you beat him up with your mouth?' Tick exclaimed loudly as he stood from his perch near the elevator doors. '--keep their mouths shut,' I muttered. 'Jesus,' Tock whispered. 'Gay sex is hardcore.' He jumped up and stood next to me, not knowing what personal space meant. 'I think he was trying to eat you,' he told me. 'Or something,' I agreed.
T.J. Klune (Burn (Elementally Evolved, #1))
They also knew that there was a string of DNA at the end of each chromosome called a telomere, which shortened a tiny bit each time a cell divided, like time ticking off a clock. As normal cells go through life, their telomeres shorten with each division until they’re almost gone. Then they stop dividing and begin to die. This process correlates with the age of a person: the older we are, the shorter our telomeres, and the fewer times our cells have left to divide before they die. By the early nineties, a scientist at Yale had used HeLa to discover that human cancer cells contain an enzyme called telomerase that rebuilds their telomeres. The presence of telomerase meant cells could keep regenerating their telomeres indefinitely. This explained the mechanics of HeLa’s immortality: telomerase constantly rewound the ticking clock at the end of Henrietta’s chromosomes so they never grew old and never died.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
The clock! That twelve-figured moon skull, that white spider belly! How serenely the hands move with their filigree pointers, and how steadily! Twelve hours, and twelve hours, and begin again! Eat, speak, sleep, cross a street, wash a dish! The clock is still ticking. All its vistas are just so broad—are regular. (Notice that word.) Every day, twelve little bins in which to order disorderly life, and even more disorderly thought. The town’s clock cries out, and the face on every wrist hums or shines; the world keeps pace with itself. Another day is passing, a regular and ordinary day. (Notice that word also.) _______
Mary Oliver (Upstream: Selected Essays)
What are you?” he asked. “What are you people?” She yawned, showing a perfect, dark-pink tongue. “Think of us as symbols—we’re the dream that humanity creates to make sense of the shadows on the cave wall. Now go on, keep moving. Your body is already growing cold. The fools are gathering on the mountain. The clock is ticking.
Neil Gaiman (American Gods)
When he was finished, he set his plate down, looked at me, and raised an eyebrow. I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.” He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.” He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber. I watched him closely for a full two minutes and then folded up my napkin. “Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?” He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.” My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?” “Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.” “Partial? Partial meaning what, exactly?” “Partial, meaning a certain number of hours per day. Six hours to be exact.” I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.” He paused. “Twenty-four what?” “Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.” He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.” I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.” He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?” I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do. Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
She lies there, perfectly still, tries to hold time like a breath in her chest; as if she can keep the clock from ticking forward.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
in a world of chaos and ticking clocks, live for the moments that keep you still
Sara Marie (Cat's Game)
Within a decade or two, all Holocaust survivors will likely have passed away so a ticking clock is in effect in this battle between the truth and lies. Keep in mind even those survivors born in a concentration camp during WW2 would be at least 71 years-of-age when this book (the one you are reading now) was released. Those survivors old enough to clearly recall the events of that nightmare will, of course, be older and have much less time left. As the memory of the Holocaust begins to fade away, it will become easier to deny the genocide even occurred unless those of us who are truthseekers are able to embrace the memory of the genocide and educate others do the same. What’s needed in this propaganda war is for the true stories of Holocaust survivors – as well as those of the Nazi perpetrators, their associates and others who witnessed the genocide – to be told loudly and clearly so that there will never, ever be room for doubt in generations to come. After all, nothing is more powerful, credible or damning than eyewitness accounts.
James Morcan (Debunking Holocaust Denial Theories)
It’s so overwhelming when you notice how the clock ticks; so many tiny pieces holding each other together just so it keeps going. We are like clocks, too! Always ticking to the tocks. When the pieces of our soul are torn away or broken – we can’t be sent to the mending shop, however. So how do we get better? Workable? Thoughts can be tiring, at times. Or maybe it’s the same time – who knows? The clock is broken. Meh.
Sijdah Hussain (Red Sugar, No More)
type – as a viral disease. Creeping in menacingly, ticking like a pendulum clock that never winds down, it takes hold of you faster when you are part of an enclosed, homogenous unit. Better to keep some distance from all collective beliefs and certainties, I always remind myself.
Elif Shafak (The Island of Missing Trees)
Camilla Stewart stared at the rhinestone brooches pinned to a piece of blue velvet, but she was not really seeing them. All around her the dusty little junk shop was silent except for the incessant ticking of eighteen clocks on the wall. Eighteen. She'd had plenty of time to count them. She tried to keep her hands from shaking.
Barbara Cool Lee (The Honeymoon Cottage (Pajaro Bay, #1))
Admit it,” she whispers. “You care for the pawn.” “I care if she slips off and disappears, yeah. With the way shit’s been, I wouldn’t put it past her to try.” Marissa pops up, her eyes infuriated. “You can’t fail.” I keep my face blank. “I know.” “Fix it, dear husband. The clock is ticking, and I’m ready to take you home.” “It’s almost over. Then, everything will be how it should be.” My eyes bounce between hers. “That’s a promise.
Meagan Brandy (Wrong For Me)
least.” “I don’t remember you complaining.” “Yes, well, I’d only been fantasizing about it for ages.” “See, there’s a thing,” Alex points out. “You just told me that. You can tell me other stuff.” “It’s hardly the same.” He rolls over onto his stomach, considers, and very deliberately says, “Baby.” It’s become a thing: baby. He knows it’s become a thing. He’s slipped up and accidentally said it a few times, and each time, Henry positively melts and Alex pretends not to notice, but he’s not above playing dirty here. There’s a slow hiss of an exhale across the line, like air escaping through a crack in a window. “It’s, ah. It’s not the best time,” he says. “How did you put it? Nutso family stuff.” Alex purses his lips, bites down on his cheek. There it is. He’s wondered when Henry would finally start talking about the royal family. He makes oblique references to Philip being wound so tight as to double as an atomic clock, or to his grandmother’s disapproval, and he mentions Bea as often as Alex mentions June, but Alex knows there’s more to it than that. He couldn’t tell you when he started noticing, though, just like he doesn’t know when he started ticking off the days of Henry’s moods. “Ah,” he says. “I see.” “I don’t suppose you keep up with any British tabloids, do you?” “Not if I can help it.” Henry offers the bitterest of laughs. “Well, the Daily Mail has always had a bit of an affinity for airing our dirty laundry. They, er, they gave my sister this nickname years ago. ‘The Powder Princess.’” A ding of recognition. “Because of the…” “Yes, the cocaine, Alex.” “Okay, that does sound familiar.” Henry sighs. “Well, someone’s managed to bypass security to spray paint ‘Powder Princess’ on the side of her car.” “Shit,” Alex says. “And she’s not taking it well?” “Bea?” Henry laughs, a little more genuinely this time. “No, she doesn’t usually care about those things. She’s fine. More shaken up that someone got past security than anything.
Casey McQuiston (Red, White & Royal Blue)
Pete never tried anything like that again, and he never will. Now, when he starts acting up during a meeting and they try to hush him, he always hushes. He’ll still get up from time to time and wag his head and let us know how tired he is, but it’s not a complaint or excuse or warning anymore—he’s finished with that; it’s like an old clock that won’t tell time but won’t stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old, worthless clock that just keeps ticking and cuckooing without meaning nothing.
Ken Kesey (One Flew Over the Cuckoo's Nest)
In my past, there's also an opportunity I could have taken advantage of that I didn't, and that I wish I had. There's a thing I got rid of that I really wish I'd kept. But the train never backs up. Never. I missed those things, and I will never get a second chance. Do yourself a favor, right now, and realize two things: 1. You will keep getting older, and then you will die. 2. Everything that's ever entered your experience has lasted and will continue to last for only a brief moment in the life of the universe. This is game time, champ. You're in. You're in, playing, right now, and the clock is ticking. So stop wondering what it all means and how you'll possibly ever do X and what people will think, and get on with your life already. Stop being a pussy and go do something amazing. *** DO EPIC SHIT.
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. ”Go and sleep, Mother, you will catch cold here.” ”I can sleep enough later,” she says. I sit up. ”I don’t go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.” She is silent. Then she asks gently: ”Are you very much afraid?” ”No Mother.” ”I would like to tell you to be on your guard against the women out in France. They are no good.” Ah! Mother, Mother! You still think I am a child–why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy’s trousers–it is such a little time ago, why is it over? ”Where we are there aren’t any women, Mother,” I say as calmly as I can. ”And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! ”Yes Mother, I will.” ”I will pray for you every day, Paul.” Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, mother! ”Perhaps you can get a job that is not so dangerous.” ”Yes, Mother, perhaps I can get into the cookhouse, that can easily be done.” ”You do it then, and if the others say anything–” ”That won’t worry me, mother–” She sighs. Her face is a white gleam in the darkness. ”Now you must go to sleep, Mother.” She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. ”And you must get well again, Mother, before I come back.” ”Yes, yes, my child.” ”You ought not to send your things to me, Mother. We have plenty to eat out there. You can make much better use of them here.” How destitute she lies there in her bed, she that loves me more than all the world. As I am about to leave, she says hastily: ”I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack.” Ah! Mother! I know what these under-pants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying; we have so much to say, and we shall never say it. ”Good-night, Mother.” ”Good-night, my child.” The room is dark. I hear my mother’s breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack, which lies there already made up because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;–I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave.
Erich Maria Remarque (All Quiet on the Western Front)
Time stood still, the tick of the clock in the kitchen couldn´t keep up with the metronome of my racing heart.
Denise Grover Swank (Twenty-Eight and a Half Wishes (Rose Gardner Mystery, #1))
One thing I noticed back then, and have never forgotten, was that remote and seemingly lone trees were not as badly affected as those living together in close proximity. Today, I think of fanaticism – of any type – as a viral disease. Creeping in menacingly, ticking like a pendulum clock that never winds down, it takes hold of you faster when you are part of an enclosed, homogenous unit. Better to keep some distance from all collective beliefs and certainties, I always remind myself.
Elif Shafak (The Island of Missing Trees)
who brought their knitting in public, just to keep him from the feeling that the clock was ticking at odd hours of the day with nothing to fill the time.
Amy Lane (Living Promises (Promises #3))
Here is what I recommend: As soon as possible, once you have finished reading this little book, set aside a full day. It might be a Saturday or a Sunday, or some other day you have off from work. Plan to spend six to eight consecutive hours alone, except for bathroom breaks and lunch. Go to a library. Leave your cell phone and computer in the car because you don’t want to be disturbed. Take a pen or half a dozen pencils and a legal pad, find a secluded spot, and get comfortable. Write at the top of the first page, “I am now 101 years old, I am on my death bed, and I’m looking back. If I’d stayed on the course I was on when I was (the age you are now), would I have any regrets? Instead, having learned how to work Actual Magic, I have lived an incredibly successful and fulfilling life. What about it was most important to me? What were my biggest accomplishments? What else stands out?” Write down everything, and I mean everything, that comes to mind. Do not self edit; take your time. Taking time and having time to take is important because your mind works differently when you feel rushed because of a looming deadline. It’s virtually impossible to go deep with a clock ticking in your head. That’s why it’s important for it to be totally relaxed because you have all day. Sit back and let go. Take a deep breath and hold it to the count of four. Then let it out slowly through your mouth. There’s nothing else to do or to think about but the life ahead of you and what you want it to become. Once you reach a point where you cannot think of anything else to write down, go back, look over what you have written and arrange the items in descending order with the most important one first. Having completed that task, go to the next blank sheet and put the number-one most important thing at the top. Then write down what is keeping you from achieving that goal. Is it something buried in your unconscious mind?
Stephen Hawley Martin (Actual Magic: How to Unleash the Power of Your Mind)
In The End It starts with one One thing I don't know why It doesn't even matter how hard you try Keep that in mind, I designed this rhyme To explain in due time All I know All I know time is a valuable thing Watch it fly by as the pendulum swings Watch it count down to the end of the day The clock ticks life away It's so unreal It's so unreal, didn't look out below Watch the time go right out the window Trying to hold on, did-didn't even know I wasted it all just to watch you go Watch you go I kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter One thing, I don't know why It doesn't even matter how hard you try Keep that in mind, I designed this rhyme To remind myself how I tried so hard I tried so hard In spite of the way you were mocking me Acting like I was part of your property Remembering all the times you fought with me I'm surprised it got so far Things aren't the way they were before You wouldn't even recognize me anymore Not that you knew me back then But it all comes back to me in the end In the end You kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter I've put my trust in you Pushed as far as I can go For all this There's only one thing you should know I've put my trust in you Pushed as far as I can go For all this There's only one thing you should know I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter
Linkin Park (LINKIN PARK'S LYRICS BOOK)
We’re not bleedin’ gods, mate. We’ve only so much time to love and laugh and shag and cry and grow old together as that ruddy clock keeps ticking away.
Giselle Beaumont (On the Edge of Daylight)
She got frightened of my love, asked herself seriously: to accept or not to accept, and couldn't bear the question, and preferred to die. I know, I know, there's no point racking one's brain: she made too many promises, got frightened that she couldn't keep them-it's clear. [...]And since she was too chaste, too pure to consent to the kind of love a merchant needs, she didn't want to deceive me. [...]when she looked at me with stern astonishment. Stern, precisely. Then I understood at once that she despised me. [...]What are your laws to me now? What do I need your customs, your morals, your life, your state, your faith for? Let your judge judge me[...]The judge will shout[...]But I'll shout back... [...]Paradise was in my soul, I'd have planted it all around you! Well, so you wouldn't love me-let it be, what of it?[...]You'd tell me things as you would a friend - and we'd be joyful. [...]Insensateness! Oh nature! People are alone on the earth - that's the trouble! "Is there a living man in the field?" the Russian warrior cries. I, too, though not a warrior , cry out, and no one answers. They say the sun gives life to the universe. Let the sun rise and - look at it, isn't it dead? Everything is dead, and the dead are everywhere. Only people, and around them silence - that's the earth! "People, love one another" - who said that? whose testament is it? The pendulum ticks insensibly, disgustingly. It's two o'clock in the morning. Her little boots are standing by her bed, just as if they were waiting for her...No, seriously, when she's taken away tomorrow, what about me then?
Fyodor Dostoevsky
She got frightened of my love, asked herself seriously: to accept or not to accept, and couldn't bear the question, and preferred to die. I know, I know, there's no point racking one's brain: she made too many promises, got frightened that she couldn't keep them-it's clear. [...]And since she was too chaste, too pure to consent to the kind of love a merchant needs, she didn't want to deceive me. [...]What are your laws to me now? What do I need your customs, your morals, your life, your state, your faith for? Let your judge judge me[...]The judge will shout[...]But I'll shout back... [...]Well, so you wouldn't love me - let it be, what of it?[...]You'd tell me things as you would a friend - and we'd be joyful. [...]Insensateness! Oh nature! People are alone on the earth - that's the trouble! "Is there a living man in the field?" the Russian warrior cries. I, too, though not a warrior , cry out, and no one answers. They say the sun gives life to the universe. Let the sun rise and - look at it, isn't it dead? Everything is dead, and the dead are everywhere. Only people, and around them silence - that's the earth! "People, love one another" - who said that? whose testament is it? The pendulum ticks insensibly, disgustingly. It's two o'clock in the morning. Her little boots are standing by her bed, just as if they were waiting for her...No, seriously, when she's taken away tomorrow, what about me then?
Fyodor Dostoevsky
Maybe you should stop keeping it from me. I can handle all of you, Lex. I’m not afraid of you. The person you become when you try to fight yourself is the one I fear. It’s this neck-breaking pendulum of emotions. It’s even more erratic when you try to make sense of that part of you. Even if there were a hundred dead bodies around us, I’d love you. Yeah, I was upset when you killed that man, and I felt a lot of guilt, but I wasn’t surprised. I expect you to kill a man who thinks about touching me. I knew a clock was ticking above his head. What I don’t expect is for you to push me away every time. Like you say to me, stop running from what you are. What you’re capable of.
Lauren Biel (Hitched (Ride or Die Romances))
I’ll stop pushing you away if you’re sure you can deal with the half of me I try to keep from you.” “Maybe you should stop keeping it from me. I can handle all of you, Lex. I’m not afraid of you. The person you become when you try to fight yourself is the one I fear. It’s this neck-breaking pendulum of emotions. It’s even more erratic when you try to make sense of that part of you. Even if there were a hundred dead bodies around us, I’d love you. Yeah, I was upset when you killed that man, and I felt a lot of guilt, but I wasn’t surprised. I expect you to kill a man who thinks about touching me. I knew a clock was ticking above his head. What I don’t expect is for you to push me away every time. Like you say to me, stop running from what you are. What you’re capable of. I accept all of you, Lexington.
Lauren Biel (Hitched (Ride or Die Romances))
We need to think of ways to creatively, lovingly meet their needs while still honoring God with appropriate boundaries on behaviors. This means speaking in a gentle voice, using soft eyes and loving words, and empathizing with their feelings first before going into how they should handle a similar moment in the future. If they’re not ready to talk right away, we may just need to sit nearby, waiting for calm to return, reminding them that they’re safe and we’re there. Calm isn’t always easy to find, for kids or for parents. It can be hugely challenging to regulate our own emotions in the thick of difficult parenting, and sometimes we may sound aggressive or unloving without even realizing it. I struggle to keep my cool when we’re running late and a child’s misbehavior derails my agenda. Realizing that’s a hard time for me has helped, but still I have to remind myself that the people in front of me are more important than the clock ticking on my wrist.
Mary Ostyn (Forever Mom: What to Expect When You're Adopting)
His eyes never leave me. He’s tall enough to see over the heads of most of the other guys in the room, and as we twist and twirl and bob and bow, he never stops watching me. And instead of feeling gawky and clumsy, it gives me the strangest boost of confidence. I am flooded with adrenaline and energy. It runs up and down my arms and legs, and I want to grab his hand, gather my skirts in my free hand, and run away from the crowds so I can be with him. But I know it wouldn’t be proper, and so we simply dance. With every twist and dip, my smile grows. This must have been how Emily felt at the last dance. The reason she was glowing. And yet my brain keeps battling with my emotions, willing me to tell him who I am, to unload the truth. I know the clock is ticking. I know at any moment I can have everything yanked from me--yet another way I’m like Cinderella. Every time we stand closely, every time he’s looking at me, I try to tell him. I try to say I’m not Rebecca, try to say that I need to talk to him in private, but I can’t get the words out of my mouth. The song changes. The dance changes. But we don’t leave the floor. We dance through three songs. It must be at least an hour’s worth of dancing. I give up on the idea of telling him anything tonight. It can wait. It has waited thirty days; it can wait another. I’ll find him in the morning, before Rebecca arrives. I’ll explain it all. It’s not until I’m entirely too short of breath and dizzy--I blame it on the corset--that I have to bow out. Alex tries to follow me, but he is quickly swarmed by girls in fancy dresses and thick gemstones, and I can’t help but smirk at the look on his face. I’m starting to think he doesn’t want to be a duke at all, even if he doesn’t say it out loud. There are whispers as I leave the floor. All eyes are on me. I need fresh air, so I leave the room and find the courtyard, where several ladies are milling about. Emily is one of them. “I was beginning to think you’d simply keep dancing until the guests had all gone home.” I laugh. “I was a bit short of breath.” “I’m sure the young ladies in attendance thank you.” “Was it that obvious?” “His Grace would not have noticed if the ceiling had fallen in.” I know I should be embarrassed, but I just keep grinning. “I’m sure he was just being polite.” “A single dance would have sufficed. Three means he’s taken an interest. Tongues will wag. You, my dear, have just become the belle of the ball.” “Oh, I didn’t mean to steal your--” Emily laughs. “Not at all. I owe my engagement to you. You may take all the attention you want.” I smile at her and try not to notice that what she’s saying is true. People are watching us. She’s so sweet not to care that I’m stealing her limelight. She’s just that kind of person.
Mandy Hubbard (Prada & Prejudice)
... She was a clock, I could tell by the ticking in her wrist. (I'd secretly slipped my thumb down, to feel her pulse as we danced. It was perfectly steady and wreaking havoc with mine.) I could keep time by you, I thought.
Elizabeth McCracken (Niagara Falls All Over Again)
There was so much to worry about: God finding the man in time, God preserving a few good eggs in Cynthia’s aging insides, the man being “God’s choice for Cynthia,” and keeping the lost millions from getting sick and dying before Cynthia could get there and do her stuff and save them. All sorts of clocks were ticking: biological, spiritual, eternal . . . and she’d have to learn the language first! Between the babies, learning the language, finding a man—and this didn’t even address the issue of the funds to get out there—how could God do it all before the change? The quest for Cynthia’s husband and the state of her withering ovaries became a major obsession of my childhood. “Have you found anyone yet?” I would ask. “No, but there are two Koreans coming up next weekend from the University of Lausanne,” Cynthia said. Cynthia
Frank Schaeffer (Crazy for God: How I Grew Up as One of the Elect, Helped Found the Religious Right, and Lived to Take All (or Almost All) of It Back)
A smaller screen near us pans to Sam. He’s pacing back and forth down the sideline, and he’s not even looking in our direction. But then one of his teammates smacks him on the shoulder and he looks toward me. He stops. He unstraps his helmet, pulls it from his head and stares up at me. Star motions for everyone in our section to be quiet, and they all lower their signs. Emily swipes a tear from her cheek and says, “Go for it.” Logan wraps an arm around her and Kit and holds them tight. Logan is grinning like a fool, though. The camera guy is right in front of me. “Forty-five seconds,” he reminds me. I see my image on the big screen and one of the guys on the field points to it, so Sam looks in that direction. I hold up my signs. I have them grouped in order, one after the other. I show the first one. I love you, 51! I flip to the next. I don’t want to be just a Zero anymore. Flip. I want to be a Zero-plus-one. Flip. Or a Zero-plus-two. Flip. Maybe even a Zero-plus-three. Flip. I want to make little cupcakes with you. Flip. Only you. Flip. Forever. Flip. Check yes or no. I take this last card and walk out of my section. I have hands of people I don’t even know reaching out to steady me, and they’re all saying encouraging things. The camera guy runs along behind me, cursing as he chases me down the stairs. I run with my last card all the way down to the bottom bleacher and I lean over the side, holding it down against the concrete block wall. I pull a marker from my pocket and hold it out, too. Then I wait. It’s the longest forty-five seconds of my life. Sam stands completely still. He scratches his head. His teammates say things to him and he still stands there. The clock is ticking. Maybe he doesn’t want what I want after all. Then he starts to run toward me. He jogs in my direction, and my heart is in my throat. I have tears running down my face, and I don’t care. When he gets to the wall, he stares up at me. There’s no way he can come up this high, so I drop the board with the check boxes and the pen on the ground in front of him. He grins up at me and lays the board on the grass. He takes the pen and starts to check a box. Then he stops and looks up. Then he moves like he’s finally going to do it. Then he stops and looks up. I’m going to kick his ass if he keeps messing with me. Then he checks the yes box and holds the board up for the whole stadium to see. The buzzer goes off and he has to run with his teammates back onto the field to play the last two minutes of the half. When that’s over, just before he goes into the tunnel, he turns back and flashes me the I love you sign, along with a big smile. My heart settles. I
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
hawk, he would have been bankrupt years ago. I like to build cars and make movies. If you ask me, we would have been better off directing our resources toward making movies than putting up a fancy new building.” “Why did you go along with the plan?” “I didn’t have any choice. I told my father I thought it was a bad idea. He had the final vote. Did you and your father agree on everything when you were growing up?” “Of course not.” “Who usually won the arguments?” “My dad.” He gives me a knowing smile. “Same here. My father wanted to build his dream studio. It was his money. Do you think my opinion on the economic viability of the project carried any weight? He spent his life being told he was a genius. That word isn’t generally used when people talk about me. Now it’s going to cost us a fortune to get out.” Families. Rosie keeps her eye on the ball. “Richard, you told us you left your father’s house around two o’clock. Who was still there?” “My dad, Angelina, and Marty Kent.” “Do you know what time Kent left?” “No.” “Do you have any idea what happened to him?” “I understand he jumped.” Rosie lays the cards on the table. “Do you think he killed your father?” He starts mixing paint again. “I think Angelina killed my father. Then again, nothing Marty did would have surprised me. He was a self-righteous ass. He thought he was the brains behind the operation, and my dad and I were just pawns. And he was really ticked off.” The venom in his tone surprises me. He tells us Kent and his father had been fighting about the China Basin project for months. “Marty thought he was getting screwed. My dad went to the other investors to try to negotiate a bonus for him.” “Did something happen on Friday night?” “Yes. My dad told him that the other investors had vetoed the bonus.” This jibes with the information from Ward. He adds, “There was something else. Marty decided to try to pull some strings at city hall. He hired a consultant to help him get the approvals for the China Basin project.” I decide to play coy. “Do you know his name?” “Armando Rios. Some money may have changed hands. Marty never told me about it. Marty never told me
Sheldon Siegel (Criminal Intent (Mike Daley/Rosie Fernandez Mystery, #3))
He swept a hand back through his dark hair, and in that moment Ceony saw a flicker in his eyes and a thinning of his lips. He was worried. “Is everything . . . all right?” she asked, hesitating at the threshold of the library, unsure of her bounds. “Hm?” he asked, his countenance smoothing between ticks of the library clock. “Quite fine. Do take care, Ceony.” He walked down the hallway as far as the lavatory, where he turned around and added, “And keep the doors locked.
Charlie N. Holmberg (The Paper Magician (The Paper Magician, #1))
The rhythmic songs of crickets and grey tree frogs sound to me like little clocks. But instead of ticking time away-time going, going, gone-they seem to be accumulating time, season after season of mystery, wisdom, and wonder. With each trill and chirp and throb, these voices are keeping turtle time, renewing the covenants that keep the world alive, and offering us the gift of eternity.
Sy Montgomery (Of Time and Turtles: Mending the World, Shell by Shattered Shell)
Give Yourself Some Flowers And in the beginning, God gave your body a checklist: Keep your heart on beat and your lungs dancing with oxygen, not passive to air. Make sure the path of your blood slows down for checkpoints and avoids bumps in the road. Train your nerves to keep a balanced pace and stay within the lines of steady flow. Push forward without putting too much pressure on movement. Remember to return to water when your spirit and its frame are in drought. Treat your body like a well-rounded planet built for all seasons, or pretend you are an adaptable star: Float in the black and stay there if you need to, save some light for yourself. In other words, rest like the sun does: Schedule some time to stay out of sight when too many people praise warm energy. Keep in mind all of these things when depression tells you nothing is working. Keep in mind all of these things when it tells you there is no invisible force connecting us, when your veins are stopped by blood clots, when your bones are dry, and the water is too quick to boil. Keep in mind all of these things when it tells you that the soul is like the body: Made to be broken, open to deterioration and doubt. Yes, keep in mind all of these things and remember: Even when it seems like the clock isn’t ticking, you were made perfectly for this moment in time.
Marcus Amaker
an understandable story that keeps things simple. She knew that everything humans see is a simplification. A human sees the world in three dimensions. That is a simplification. Humans are fundamentally limited, generalising creatures, living on auto-pilot, who straighten out curved streets in their minds, which explains why they get lost all the time. ‘It’s like how humans never see the second hand of a clock mid-tick,’ said Nora.
Matt Haig (The Midnight Library)
His hand slid down the front of my shirt until he found my breast. I arched into his touch, and he squeezed--- gently at first, and then, when he saw what his touch was doing to me, with firmer pressure. My breasts were a respectable size, but I fit easily and entirely within his large palm. My nostrils flared, my breathing coming hot and quick as sensation coursed through me. "Frederick," I murmured, intending only to encourage him to keep going. The sound of his name must have done something to him because he growled his response. All his formidable powers of speech seemed to have fled as his free hand came down and cupped my other breast. He thumbed roughly at my nipples through my shirt and bra until they pebbled up into hard little sensitized buds against his palms, and then he kept going, and going, and going, until I was nothing but pure sensation. "Oh," I said, incapable of articulate speech. The soft velvet duvet underneath me served as delicious contrast to the sharp spikes of pleasure coursing through my bloodstream, the placid and even ticking of the grandfather clock in the hallway a stark accompaniment to my uneven, rapid breaths. Frederick tore off my shirt and bra impatiently, tossing them to the floor like the hindrances they'd become. His low, desperate groan when he saw my bare chest ratcheted the coil of desire in the pit of my stomach to nearly unbearable heights.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
One of the fatal mistakes the man has done to himself is dividing the period between two sunrises into twenty-four units. He did not just stop there, he went on cutting it further into smaller pieces called minutes and seconds. Then, suddenly, he imagined a larger disaster, and combined thirteen full moons and name that catastrophe a year. Finally, instead of our mind, we are governed by a clock that ticks every second distracting us keeping us stuck in the snare of time, for a timeless, infinite and eternal period, till the man extinct on the face of the earth".
Pramudith D. Rupasinghe (Termites)
The early shows had the breath of Victorian melodrama: the music had a tingling quality, of time running out or fate closing in. The narration enhanced it: … the hushed voice and the prowling step … the stir of nerves at the ticking of the clock … the rescue that might be too late, or the murderer who might get away … we invite you to enjoy stories that keep you in … Suspense
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I’ll make you a deal. You told me and Edward to wait until London to work out our differences. You must do the same. Once we’re in London, with proper medical care, then you can play your experiment if you insist.” The clock on the mantel ticked away each long second. He was right, of course. Whatever the experiment proved, it did me little good if we were still stuck on the island. I folded my arms. “You know, I suspect you and Edward would be friends if it weren’t for this place.” His eyes were on fire. “It’s not the island keeping us from being friends.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
How Explainer Videos Work For Your Business If you wonder how to take your business to the next level, then explainer videos could be your answer. A short, crisp, informative piece of explainer video is the ultimate key to reach your ideal business leads. Henceforth, you need not worry about keeping your profits high. All you have to do is to invest a part of your money in getting quality, professional explainer videos to boost up your rankings on search engines. Google’s algorithm for search engine rankings includes a part that quantifies the amount of time spent by the visitors to your website. The longer time they spent, the higher will be your ranking. This is why your site needs an explainer video to keep the clock ticking for you. These videos are great ways to get the attention of your visitors; it really keeps them engaged for a long time, provided the videos are interesting. It has been found out that a human brain is more attentive to visuals rather than mere phrases. As readers spend only a few seconds to minutes on each site, quality content with a catchy title would grab their attention, but not always. On the other hand, if they confront an interesting and funny video, they will be attracted and urged to watch the content. That is why explainer videos are smart marketing tools. According to top marketing firms, websites with explainer videos rank higher than others in Google universal searches. In a business, an explainer video offers you a smart platform to reach your ideal customers and introduce your services to them with the reasons for them to choose you over your competitors. What could it be? An explainer video could be anything. You can share your identity, ideas, concepts, issues, solutions, products, services and even arguments. You can bring them all up with videos in just a few seconds. How long could it be? The shorter, the better. Videos more than a 90 seconds could be boring to your visitors. Keeping them short and engaging is the trick to make the visitors stay on your page, which in turn fetches the ranking. Here are a few reasons to justify the need for explainer videos for your business. 1. Creates a virtual connection: The most important aspect of online marketing is to showcase your personality in a smart manner. Your customer is with little or no contact with you in online business. So it is crucial to build a trustworthy bond with your customer to maintain a strong relationship. Explainer videos do this job for you; they offer you an identity that is recognized by your customers which wins their trust. 2. Gains popularity: A good and attractive explainer video is extremely contagious. It is not restricted to your website alone and can be shared with other video hosting sites like YouTube. This means your site gains popularity. People share videos on a higher scale rather than sharing web pages. Moreover, free video hosting sites like YouTube can be accessed even on a Smart phone which is an added advantage. 3. Holds all in one: Website clutter is a serious mistake that directly affects the rankings of a website. With the intention to hike rankings and boost sales, many website owners clutter their site with loads of images, colorful fonts, flash pictures and pop boxes. This could only have adverse effects on the site. It increases the load time of the website and leaves the visitors confounded that they wonder what your site conveys. On the contrary, an explainer video is can be designed to comprise all such smart aspects squeezed into a single video. 4. Resurrects your identity: PPT slides and pop up ads are obsolete and they don’t belong to this era of online business marketing. A colorful, funny and informative video with great visuals can do the magic; it grabs the attention of the audience. This is particularly suitable for multifaceted businesses with multiple products and services. You can create customized videos for each product and
mahalingam
Bedtime by Maisie Aletha Smikle Tick tock tick tock Says my bunny clock It's half past nine o’clock The ship has already dock It's bedtime It's time to unwind And go to bed My mommy said So I take my bath And brush my teeth With a night cap over my hair I hop into my night gown Kneel down Bow my head And clasp my hands To pray Dear Lord You keep me when am awake Please keep me while I sleep Mommy comes in and peek Picks me up and tucks me in Dims the light Kiss me goodnight Read a story And sings me a happy lullaby Mommy reads the story of a sheep That didn't want to sleep So the shepherd counted flocks Till it was way past ten o’clock And the sheep fell fast asleep Mommy sings a lullaby My little one my sweet little one Your warm bed beckons Sweet peaceful sleep And happy lovely dreams Goodnight sunshine I love you dearly Sleep tight see you in the morning light
Maisie Aletha Smikle
I am, myself, three selves at least. To begin with, there is the child I was. Certainly I am not that child anymore. yet, distantly, or sometimes not so distantly, I can hear that child's voice - I can feel its hope, or its distress. It has not vanished. Powerful, egotistical, insinuating - its presence rises, in memory, or from the steamy river of dreams. It is not gone, not by a long shot. It is with me in the present hour. It will be with me in the grave. And there is the attentive, social self. This is the smile and the doorkeeper. This is the portion that winds the clock, that steers through the dailiness of life, that keeps in mind appointments that must be made, and then met. It is fettered to a thousand notions of obligation. It moves across the hours of the day as though the movement itself were the whole task. Whether it gathers as it goes some branch of wisdom or delight, or nothing at all, is a matter with which it is hardly concerned. What this self hears night and day, what it loves beyond all other songs, is the endless springing forward of the clock, those measures strict and vivacious, and full of certainty. The clock! That twelve-figured mon skull, that white spider belly! How serenely the hands move with their filigree pointers, and how steadily! Twelve hours, and twelve hours, and begin again! Eat, speak, sleep, cross a street, wash a dish! The clock is still ticking. All its vistas are just so broad - are regular. (Notice that word.) Every day, twelve little bins in which to order disorderly life, and even more disorderly thought. The town's clock cries out, and the face on every wrist hums or shines; the world keeps pace with itself. Another day is passing, a regular and ordinary day. (Notice that world also.) [ ... ] And this is also true. In creative work - creative work of all kinds - those who are the world's working artists are not trying to help the world go around, but forward. Which is something altogether different from the ordinary. Such work does not refute the ordinary. It is, simply, something else. Its labor requires a different outlook - a different set of priorities. Certainly there is within each of us a self that is neither a child, nor a servant of the hours. It is a third self, occasional in some of us, tyrant in others. This self is out of love with the ordinary; it is out of love with time. It has a hunger for eternity.
Mary Oliver (Upstream: Selected Essays)
Every few years, a new crop of politicians emerges promising to put country over party, to govern on behalf of the people rather than the powerful, to listen to the better angels of our nature rather than the howling of our factions. And then the clock ticks forward, the insurgents become the establishment, public disillusionment sets in, the electorate swings a bit to the other side, and we start again. This cycle is a tributary feeding into the country’s political rage—it is maddening to keep trying to fix a problem that only seems to get worse.
Ezra Klein (Why We're Polarized)
The thing is, the one thing I’ve learnt is that this, all of this, is a journey. Time is sacred. We don’t get it back. Every minute we’re given is a gift. From the minute we’re born the clock is ticking and you’re heading towards your destination. Some people are lucky, some people aren’t. Nothing is for keeps, however hard that might be to bear.
Cassie Steward (Number Thirty-Two: A gripping, contemporary family saga)