Clock King Quotes

In the Land of Memory the time is always Now. In the Kingdom of Ago, the clocks tick... but their hands never move. There is an Unfound Door (O lost) and memory is the key which opens it.

Time was our very first king. We all live our lives to the aggressive ticking of the clock. We don't question that our lives are a grid of seconds; even our pulses oblige. No succeeding king can hope to hold this kind of power.

When it was done and I went to sleep, I lay awake and listened to the clock on your nightstand and the wind outside and understood that I was really home, that in bed with you was home, and something that had been getting close in the dark was suddenly gone. It could not stay. It had been banished. It knew how to come back, I was sure of that, but it could not stay and I could really go to sleep. My heart cracked with gratitude. I think it was the first gratitude I’ve ever really known. I lay there beside you and the tears rolled down the sides of my face and onto the pillow. I loved you then and I love you now and I have loved you every second in between. I don’t care if you understand me. Understanding is vastly overrated, but nobody ever gets enough safety. I’ve never forgotten how safe I felt with that thing gone out of the darkness.

But maybe time was invented so that misery might have an end. So that it shouldn't last forever? There may be something in this. And bliss, just the opposite, is eternal? There is no time in bliss. All the clocks were thrown out of heaven.

Amy sighed. Just when she started to almost like Ian again—after all, he'd flown across the ocean and had been working around the clock to help—his snob quotient went through the roof.

The words 'bad timing' came to be ghosts haunting our every move in Birmingham. Yet people who used this argument were ignorant of the background of our planning...they did not realize that it was ridiculous to speak of timing when the clock of history showed that the Negro had already suffered one hundred years of delay.

Three days ago we not only ruled the earth, we had survivor's guilt about all the other species we'd wiped out on our climb to the nirvana of round-the-clock cable news and microwave popcorn. Now we're the Flashlight People.

We are metered only by our own machines, while the book is a clock that forgets her machanics.

So gorgeous was the spectacle on the May morning of 1910 when nine kings rode in the funeral of Edward VII of England that the crowd, waiting in hushed and black-clad awe, could not keep back gasps of admiration. In scarlet and blue and green and purple, three by three the sovereigns rode through the palace gates, with plumed helmets, gold braid, crimson sashes, and jeweled orders flashing in the sun. After them came five heirs apparent, forty more imperial or royal highnesses, seven queens - four dowager and three regnant - and a scattering of special ambassadors from uncrowned countries. Together they represented seventy nations in the greatest assemblage of royalty and rank ever gathered in one place and, of its kind, the last. The muffled tongue of Big Ben tolled nine by the clock as the cortege left the palace, but on history's clock it was sunset, and the sun of the old world was setting in a dying blaze of splendor never to be seen again.

He imagined that the clock's second hand possessed awareness and knew that it was a second hand and that its job was to around and around inside a circle of numbers forever at the same slow unvarying machinelike rate...

Unless hours were cups of sack, and minutes capons, and clocks the tongues of bawds, and dials the signs of leaping-houses, and the blessed sun himself a fair hot wench in flame-colored taffeta, I see no reason why thou shouldst be so superfluous to demand the time of the day.

You could feel weight, yes—when you were carrying too much, it made you ploddy—but wasn’t it, like time, basically just a human construct? Hands on a clock, numbers on a bathroom scale, weren’t they only ways of trying to measure invisible forces that had visible effects? A feeble effort to corral some greater reality beyond what mere humans thought of as reality?

If someone had asked him, “Ben, are you lonely? , ” he would have looked at that someone with real surprise. The question had never even occurred to him. He had no friends, but he had his books and his dreams; he had his Revell models; he had a gigantic set of Lincoln Logs and built all sorts of stuff with them. His mother had exclaimed more than once that Ben’s Lincoln Logs houses looked better than some real ones that came from blueprints. He had a pretty good Erector Set, too. He was hoping for the Super Set when his birthday came around in October. With that one you could build a clock that really told time and a car with real gears in it. Lonely? he might have asked in return, honestly foozled. Huh? What? A child blind from birth doesn’t even know he’s blind until someone tells him. Even then he has only the most academic idea of what blindness is; only the formerly sighted have a real grip on the thing. Ben Hanscom had no sense of being lonely because he had never been anything but. If the condition had been new, or more localized, he might have understood, but loneliness both encompassed his life and overreached it. It simply was, like his double-jointed thumb or the funny little jag inside one of his front teeth, the little jag his tongue began running over whenever he was nervous.

In a real dark night of the soul, Scott Fitzgerald had said, it is always three o’clock in the morning, day after day.

Then he looked up, despite all best prior intentions. In four minutes, it would be another hour; a half hour after that was the ten-minute break. Lane Dean imagined himself running around on the break, waving his arms and shouting gibberish and holding ten cigarettes at once in his mouth, like a panpipe. Year after year, a face the same color as your desk. Lord Jesus. Coffee wasn't allowed because of spills on the files, but on the break he'd have a big cup of coffee in each hand while he pictured himself running around the outside grounds, shouting. He knew what he'd really do on the break was sit facing the wall clock in the lounge and, despite prayers and effort, count the seconds tick off until he had to come back and do this again. And again and again and again.

Hands on a clock, numbers on a bathroom scale, weren’t they only ways of trying to measure invisible forces that had visible effects?

His cock swung from side to side like the pendulum of a grandfather clock on speed.

Two clocks, two ghosts, one square acre of hidden mirror.

The clocks had nothing to do with time but were merely instruments, the clicking and ticking of silver and gold and bronze and pinchbeck arrows, a droll and slapstick rhapsody of lies.

A certain king had a beautiful garden, and in the garden stood a tree which bore golden apples. These apples were always counted, and about the time when they began to grow ripe it was found that every night one of them was gone. The king became very angry at this, and ordered the gardener to keep watch all night under the tree. The gardener set his eldest son to watch; but about twelve o'clock he fell asleep, and in the morning another of the apples was missing. Then the second son was ordered to watch; and at midnight he too fell asleep, and in the morning another apple was gone. Then the third son offered to keep watch; but the gardener at first would not let him, for fear some harm should come to him: however, at last he consented, and the young man laid himself under the tree to watch. As the clock struck twelve he heard a rustling noise in the air, and a bird came flying that was of pure gold; and as it was snapping at one of the apples with its beak, the gardener's son jumped up and shot an arrow at it. But the arrow did the bird no harm; only it dropped a golden feather from its tail, and then flew away. The golden feather was brought to the king in the morning, and all the council was called together. Everyone agreed that it was worth more than all the wealth of the kingdom: but the king said, 'One feather is of no use to me, I must have the whole bird.

When I was a teenager, I looked at over-fifties with pity and unease: they walked too slow, they talked too slow, they watched TV instead of going out to movies and concerts, their idea of a great party was hotpot with the neighbors and tucked into bed after the eleven o’clock news. But—like most other fifty-, sixty-, and seventysomethings who are in relative good health—I didn’t mind it so much when my turn came. Because the brain doesn’t age, although its ideas about the world may harden and there’s a greater tendency to run off at the mouth about how things were in the good old days.

Hands on a clock, numbers on a bathroom scale, weren’t they only ways of trying to measure invisible forces that had visible effects? A feeble effort to corral some greater reality beyond what mere humans thought of as reality?

Time is invisible. Unlike weight. Ah, but maybe that wasn't true. You could feel weight, yes--when you were carrying too much, it made you ploddy--but wasn't it, like time, basically just a human construct? Hands on a clock, numbers on a bathroom scale, weren't they only ways of trying to measure invisible forces that had visible effects? A feeble effort to corral some greater reality beyond what mere humans thought of as reality?

He was the other man, the other face, the hardcase, the dark man, the Walkin Dude, and his rundown bootheels clocked along the perfumed ways of the summer night.

And for fifty minutes every Tuesday and Thursday, between two o’clock and two fifty, I talk. How I do talk.

I wonder what love feels like on the inside because externally it turns you into the King of Tit Mountain.

The cruelty of time, thought Alex. The world kept spinning, clocks kept ticking: time didn’t stop for anyone’s tragedy.

In one of his most famous quotations, King sadly said, “I am [ashamed] and appalled that eleven o’clock on Sunday morning is the most segregated hour in Christian America.

That's how, on the second-to-last day of the job, the convict crew that tarred the plate-factory roof in 1950 ending up sitting in a row at ten o'clock on a spring morning, drinking Black Label beer supplied by the hardest screw that ever walked a turn at Shawshank Prison. That beer was piss-warm, but it was still the best I ever had in my life. We sat and drank it and felt the sun on our shoulders, and not even the expression of half-amusement, half-contempt on Hadley's face - as if he was watching apes drink beer instead of men - could spoil it. It lasted twenty minutes, that beer-break, and for those twenty minutes we felt like free men. We could have been drinking beer and tarring the roof of one of our own houses.

There's something oddly comforting about talking to a legal guy once the billable hours clock has started running; you have passed the magical point at which a lawyer becomes your lawyer. Your lawyer is warm, your lawyer is sympathetic, your lawyer makes notes on a yellow pad and nods in all the right places. Most of the questions your lawyer asks are questions you can answer. And if you can't your lawyer will help you find a way to do so, by God. Your lawyer is always on your side. Your enemies are his enemies. To him you are never shit but always Shinola.

In the Land of Memory, the time is always Now. In the Kingdom of Ago, the clocks tick . . . but their hands never move. There is an Unfound Door (O lost) and memory is the key which opens it.

THERE are so many things which are impossible to explain! Why should certain chords in music make me think of the brown and golden tints of autumn foliage? Why should the Mass of Sainte-Cécile send my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage, and Sylvia bent, half curiously, half tenderly, over a small, green lizard, murmuring, "To think that this also is a little ward of God?

Dorian stirred, a cool breeze fluttering in as if his magic awoke as well, squinted at them both, then at the clock atop the mantel. He hauled the pillow over his eyes and went back to sleep. “Very kingly,” Aedion told him,

Byron clapped Walter on the back. 'Good work,' he said. Walter shook his head. 'You're the one who clocked her with the Stephen King hardcover. That took some of the wind out of her.' 'Thank heavens he's a wordy man,' said Byron.

I play chess on my iPhone, and indulge in a fond fantasy that my opponent isn't a mind of digital code but Dad: It's Dad's attacks I repel; Dad's defenses I dismantle; Dad's king scurrying around the board to prolong the inevitable.

You’ve always known,” Tony continued, and he began to walk closer. For the first time, Tony began to walk closer. “You’re deep down in yourself in a place where nothing comes through. We’re alone here for a little while, Danny. This is an Overlook where no one can ever come. No clocks work here. None of the keys fit them and they can never be wound up. The doors have never been opened and no one has ever stayed in the rooms. But you can’t stay long. Because it’s coming.

Keep your whiskers crisp and clean. Do not let the mice grow lean. Do not let yourself grow fat Like a common kitchen cat. Have you set the kittens free? Do they sometimes ask for me? Is our catnip growing tall? Did you patch the garden wall? Clouds are gentle walls that hide Gardens on the other side. Tell the tabby cats I take All my meals with William Blake, Lunch at noon tea at four, Served in splendor on the shore At the tinkling of a bell. Tell them I am sleeping well. Tell them I have come so far, Brought by Blake's celestial cat, Buffeted by wind and rain, I may not get home again. Take this message to my friends. Say the King of Catnip sends To the cat who winds his clocks A thousand sunsets in a box, To the cat who brings the ice The shadows of a dozen mice (serve them with assorted dips and eat them like potato chips), And to the cat who guards his door A net for catching stars, and more (if patience he abide): Catnip from the other side.

He said no; only upon one memorable occasion. It was after a great feast given by his father the king on the gaining of a great battle wherein fifty of the enemy had been killed by about two o'clock in the afternoon, and all cooked and eaten that very evening.

To Margaret—I hope that it will not set the reader against her—the station of King’s Cross had always suggested Infinity. Its very situation—withdrawn a little behind the facile splendours of St. Pancras—implied a comment on the materialism of life. Those two great arches, colourless, indifferent, shouldering between them an unlovely clock, were fit portals for some eternal adventure, whose issue might be prosperous, but would certainly not be expressed in the ordinary language of prosperity.

It's one o'clock and we're having a pre-match pint. It's been a hard week at the warehouse and the lager gives me a kick-start.

It was ten o’clock. Their quarters were filled with counterfeit sleep.

Be here at six o'clock tomorrow morning," Wymack said. "We've got a game to win Friday.

Girls with clock hearts aren’t made for falling in love.

Doesn’t prove she’s dumped you for a gym rat with the face of Keanu Reeves, the anatomy of King Dong, and the charisma of moi

Somewhere in the shadows a clock vomited up a few sluggish chimes.

I work until beer o'clock.

He found himself becoming more attuned to her moods, her cycles; he listened to her tick as if she were a wounded clock. ‘As

In the Land of Memory, the time is always Now. In the Kingdom of Ago, the clocks tick . . . but their hands never move. There

In the Kingdom of Ago, the clocks tick . . . but their hands never move.

It was ten o'clock. Their quarters were filled with counterfeit sleep.

She’s bundled up in a parka even though it’s still in the mid-fifties at eight o’clock, because she’s down to a hundred and ten pounds (her doctor routinely scolds her about her weight) and she feels the cold. Even more than the cold, she feels the damp. Yet she stays, because there’s a poem to be had tonight, if she can just get her fingers under its lid and open it up.

Then Soames opened his eyes and said, ‘Sheriff Baker’s dead. If that’s what you flagged me down for, you can forget it. He died a little after two o’clock this morning. Now Janey’s sick with it.

Aerial bombardment is likely between the hours of eight and ten of the clock. All noncombatant residents should report to their designated shelters. Bring your gas masks. Repeat, bring your gas masks.

Jake: This thing runs but cannot walk, sometimes sings but never talks. Lacks arms, has hands; lacks a head but has a face. What is it, Blaine? Blaine: A CLOCK. Jake: (whispering, lips compressing) Shit.

In The Voyage of the Dawn Treader, King Caspian tangles with slave traders who, with statistics and graphs, try to justify their operations as 'economic development.' Caspian wants the trade ended: 'But that would be putting the clock back,' gasped the governor. 'Have you no idea of progress, of development?' 'I have seen both in an egg,' said Caspian. 'We call it "Going Bad" in Narnia. This trade must stop.

And the beasts of the earth and the birds looked down, In a wild solemnity, On a stranger sight than a sylph or elf, On one man laughing at himself Under the greenwood tree- The giant laughter of Christian men That roars through a thousand tales, Where greed is an ape and pride is an ass, And Jack's away with his master's lass, And the miser is banged with all his brass, The farmer with all his flails; Tales that tumble and tales that trick, Yet end not all in scorning- Of kings and clowns in a merry plight, And the clock gone wrong and the world gone right, That the mummers sing upon Christmas night And Christmas day in the morning.

Good morning, Mrs. Hudson,” I called out softly, figuring that Holmes was still asleep. He often was in the mornings, as he kept odd hours—sleep was a concern of the body and of convenience, he declared, not of the clock.

Why should the Mass of Sainte Cécile bend my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage and Sylvia bent, half curiously, half tenderly, over a small green lizard, murmuring: "To think that this also is a little ward of God!

The intention was to build an illusion—a clock-tower that people could look at . . . but one you could fly a plane through, if it came to that. In other words, they intended to project a gigantic magic-lantern slide in the sky.

Locked. You stupid fool, of course it’s locked – did you really think anyone would leave a cemetery inside the municipal city limits of any American city unlocked after eleven o’clock? No one is that trusting, dear man, not any more.

The grandfather’s clock in the corner of the room, I suddenly realized, wasn’t getting any younger. It would drop out a tick, and the tick would land inside my head like a rock dropped in a well, and the ripples would circle out and stop, and the tick would sink down the dark. For a piece of time which was not long or short, and might not even be time, there wouldn’t be anything. Then the tock would drop down the well, and the ripples would circle out and finish.

You have a bunch of cracked-out hoes fighting over Flavor Flav, the king of funk nasty. You have to wonder what in the hell must be going through these women’s minds to have to want to hook up with him. He’s nasty! I would rather hook up with some of my relatives in a weekend than with Flavor Flav. Of course, it would have to be a long weekend filled with tranquilizers and alcohol – in mass quantities – but, point being said that that scrawny man is funky. Don’t let the clocks or Viking hats fool you. The show is already entertaining enough as it is but I believe that it would be even better if the producers were to throw some blind contestants on who have never heard of him. That would be great.

And where had he been then, her intended, her dark bridegroom? On what streets, what back roads, clocking along in outside suburban darkness while inside the brittle clink of cocktail chatter broke the world into neat and rational sections?

Why do we call a dishonest person two-faced? Is it really so honest to wear the same face day in, day out, regardless of our mood, our condition, or the event? We are not clocks! Have a face for every occasion, I say! Be honest: Wear a mask.

Shortly before five o’clock, Mayor Thorin woke from a terrible dream. In it, a bird with pink eyes had been cruising slowly back and forth above the Barony. Wherever its shadow fell, the grass turned yellow, the leaves fell shocked from the trees, and the crops died. The shadow was turning his green and pleasant Barony into a waste land. It may be my Barony, but it’s my bird, too, he thought just before awakening, huddled into a shuddery ball on one side of his bed. My bird, I brought it here, I let it out of its cage.

The graves in the Pet Sematary mimed the most ancient religious symbol of all: diminishing circles indicating a spiral leading down, not to a point, but to infinity; order from chaos or chaos from order, depending on which way your mind worked. It was a symbol the Egyptians had chiseled on the tombs of the Pharaohs, a symbol the Phoenicians had drawn on the barrows of their fallen kings; it was found on cave walls in ancient Mycenae; the guild-kings of Stonehenge had created it as a clock to time the universe; it appeared in the Judeo-Christian Bible as the whirlwind from which God had spoken to Job.

In 2012, I turned fifty-six. Hugh and his longtime girlfriend took me out to dinner. On the way home I remembered a bit of old folklore—probably you’ve heard it—about how to boil a frog. You put it in cold water, then start turning up the heat. If you do it gradually, the frog is too stupid to jump out. I don’t know if it’s true or not, but I decided it was an excellent metaphor for growing old. When I was a teenager, I looked at over-fifties with pity and unease: they walked too slow, they talked too slow, they watched TV instead of going out to movies and concerts, their idea of a great party was hotpot with the neighbors and tucked into bed after the eleven o’clock news. But—like most other fifty-, sixty-, and seventysomethings who are in relative good health—I didn’t mind it so much when my turn came. Because the brain doesn’t age, although its ideas about the world may harden and there’s a greater tendency to run off at the mouth about how things were in the good old days. (I was spared that, at least, because most of my so-called good old days had been spent as a full-bore, straight-on-for-Texas drug addict.) I think for most people, life’s deceptive deliriums begin to fall away after fifty. The days speed up, the aches multiply, and your gait slows down, but there are compensations. In calmness comes appreciation, and—in my case—a determination to be as much of a do-right-daddy as possible in the time I had left. That meant ladling out soup once a week at a homeless shelter in Boulder, and working for three or four political candidates with the radical idea that Colorado should not be paved over.

Philips was setting up a new ‘underground’ label called Vertigo when we were looking for a deal. We were a perfect fit. But the funny thing was that Vertigo wasn’t even up and running in time for our first single, ‘Evil Woman’, so it was originally released on another Philips label, Fontana, before being reissued on Vertigo a few weeks later. Not that it made any f**king difference: the song went down like a concrete turd both times. But we didn’t care, because the BBC played it on Radio 1. Once. At six o’clock in the morning. I was so nervous, I got up at five and drank about eight cups of tea. ‘They won’t play it,’ I kept telling myself, ‘They won’t play it...’ But then: BLAM...BLAM... Dow-doww... BLAM... Dow-dow-d-d-dow, dooooow... D-d-d-d-d-d-d-d-d DUH-DA! Do-doo-do DUH-DA! Do-doo-do... It’s impossible to describe what it feels like to hear yourself on Radio 1 for the first time. It was magic, squared. I ran around the house screaming, ‘I’m on the radio! I’m on the f**king radio!’ until my mum stomped downstairs in her nightie and told me to shut up.

The timid fellow writes ‘The meeting will be held at seven o’clock’ because that somehow says to him , “Put it this way and people will believe you really know.” Purge this quisling thought! Don’t be a muggle! Throw back your shoulders, stick out your chin, and put that meeting in charge! Write ‘The meeting’s at seven.’ There, by God! Don’t you feel better?

Employment in the Small Bookstore" Twelve Poems, 1975 The dust is almost motionless in this narrowness, this stillness, yet how unlike a coffin it is, sometimes letting a live one in, sometimes out and the air, though paused, impends not a thing, the silence isn't sinister, and in fact not much goes on at the Ariel Book Shop today, no one weeps in the back room full of books, old books, no one is tearing the books to shreds, in fact I am merely sitting here talking to no one, no one being here, and I am blameless, More, I am grateful for the job, I am fond of the books and touch them, I am grateful that King St. goes down to the river, and that the rain is lovely, the afternoon green. If the soft falling away of the afternoon is all there is, it is nearly enough, just let me hear the beautiful clear voice of a woman in song passing toward silence, and then that will be all for me at five o'clock I will walk down to see the untended sailing yachts of the Potomac bobbing hopelessly in another silence, the small silence that gets to be a long one when the past stops talking to you because it is dead, and still you listen, hearing just the tiny agonies of old boats on a cloudy day, in cloudy water. Talk to it. Men are talking to it by Cape Charles, for them it's the same silence with fishing lines in their hands. We are all looking at the river bearing the wreckage so far away. We wonder how the river ever came to be so grey, and think that once there were some very big doings on this river, and now that is all over.

When finally she was alone in her bedroom, she knelt at the window and pleaded with Time until her lips were chapped and her tongue was too dry to go on. Surely he could turn back the clock. Surely he had dominion over her fate. She would spare the Jabberwock this time, if only Jest would live. She would let the beast have Mary Ann, if only Jest would live. She would listen to Hatta’s warnings. She would turn away from Mary Ann’s cries and escape into the Looking Glass. This time, she would not look back, if only Jest would live. She would do anything. Marry any king. Wear any crown. Give her heart to anyone who asked for it. She would serve Time himself if he would bring Jest back to her. Her agony turned to fury when Time refused to answer her. There was no this time, no next time, no time at all.

Funny weather today,’ said the ferryman, bending slowly to his oars. ‘In the morning you wake up to such a mist that you can’t see two fathoms distance. And then about ten o’clock out comes the sun. One says to oneself “Here’s spring on the way”. And no sooner said than hailstorms set in for the afternoon. And now the wind’s getting up, and there’s going to be quite a blow, that’s certain. Funny weather.

Dear Mr. Potter, Please note that the new school year will begin on September the first. The Hogwarts Express will leave from King’s Cross station, platform nine and three-quarters, at eleven o’clock. Third years are permitted to visit the village of Hogsmeade on certain weekends. Please give the enclosed permission form to your parent or guardian to sign. A list of books for next year is enclosed. Yours sincerely, Deputy Headmistress Harry

Sure, there are good things, lots, sure, blow jobs, chocolate mousse, winning streaks, the warm fire in your enemy’s house, good book, hunk of cheese, flagon of ale, office raise, championship ring, the misfortunes of others, sure, good things, beyond count, queens, kings, old clocks, comfy clothes, lots, innumerable items in stock, baseball cards and bingo buttons, pot-au-feu, listen, we could go on and on like a long speech, sure it’s a great world, sights to see, canyons full of canyon, corn on the cob, the eroded great pyramids, contaminated towns, eroded hillsides, deleafed trees, those whitened limbs stark and noble in the evening light, geeeez, what gobs of good things, no shit, service elevators, what would we do without, and all the inventions of man, Krazy Glue and food fights, girls wrestling amid mounds of Jell-O, drafts of dark beer, no end of blue sea, formerly full of fish, eroded hopes, eruptions of joy, because we’re winning, have won, won, won what? the . . . the Title.

Time is, as one noted twentieth-century thinker put it, so that everything doesn't happen at once. The measurement of time, at least by the clock, is exact. The measurement of time by the heart and the head is far different. Time passes, time flies. It creeps of crawls. It moves faster than light. Time, for Maigrey, was running rapidly through her fingers. The hourglass emptying fast. Time, for Dion, was standing still. The stars had ceased to turn. All the suns in the galaxy were shining down on him.

From gallery-grave and the hunt of a wren-king to Low Mass and trailer camp is hardly a tick by the carbon clock, but I don't count that way nor do you: already it is millions of heartbeats ago back to the Bicycle Age, before which is no After for me to measure, j ust a still prehistoric Once where anything could happen. To you, to me, Stonehenge and Chartres Cathedral, the Acropolis, Blenheim, the Albert Memorial are works by the same Old Man under different names : we know what He did, what, even, He thought He thought, but we don't see why.

What, then, can Shakespearean tragedy, on this brief view, tell us about human time in an eternal world? It offers imagery of crisis, of futures equivocally offered, by prediction and by action, as actualities; as a confrontation of human time with other orders, and the disastrous attempt to impose limited designs upon the time of the world. What emerges from Hamlet is--after much futile, illusory action--the need of patience and readiness. The 'bloody period' of Othello is the end of a life ruined by unseasonable curiosity. The millennial ending of Macbeth, the broken apocalypse of Lear, are false endings, human periods in an eternal world. They are researches into death in an age too late for apocalypse, too critical for prophecy; an age more aware that its fictions are themselves models of the human design on the world. But it was still an age which felt the human need for ends consonant with the past, the kind of end Othello tries to achieve by his final speech; complete, concordant. As usual, Shakespeare allows him his tock; but he will not pretend that the clock does not go forward. The human perpetuity which Spenser set against our imagery of the end is represented here also by the kingly announcements of Malcolm, the election of Fortinbras, the bleak resolution of Edgar. In apocalypse there are two orders of time, and the earthly runs to a stop; the cry of woe to the inhabitants of the earth means the end of their time; henceforth 'time shall be no more.' In tragedy the cry of woe does not end succession; the great crises and ends of human life do not stop time. And if we want them to serve our needs as we stand in the middest we must give them patterns, understood relations as Macbeth calls them, that defy time. The concords of past, present, and future towards which the soul extends itself are out of time, and belong to the duration which was invented for angels when it seemed difficult to deny that the world in which men suffer their ends is dissonant in being eternal. To close that great gap we use fictions of complementarity. They may now be novels or philosophical poems, as they once were tragedies, and before that, angels. What the gap looked like in more modern times, and how more modern men have closed it, is the preoccupation of the second half of this series.

It’s always the common places that turn out to be holy, isn’t it? A burning bush in that same familiar field where Moses punched the clock every day for forty years. The sitting room where Esther presented her request to the king. The upstairs windowsill where Daniel rested his elbows while he defiantly prayed against royal law. The depressed old barn of a poor farmer on the outskirts of Bethlehem. The beach that Peter had docked at since he was a boy. The duplex on a seedy street in Jerusalem where the wind started blowing inside. It only takes a moment to turn an everyday place into holy ground.

screeched, stumbling away and knocking over the bedtable. His combs, his brushes, the alarm clock, a little pile of change and some tieclips and cufflinks all jingled and fell to the floor. Now there was a smell, a corrupted, gassy smell, and the last of the protective fog which had wrapped her dissipated and she knew the truth. She fell to her knees and wrapped her arms around her head and wailed. She was not burying some life-sized doll; it was her father she was burying, and the last of his humanity, the very last, was the juicy, gassy smell that now hung on the air. And it would be gone soon enough.

Tonight, Nellie had put on quite a spread: a vegetable platter to start things off, with radish roses and olives pierced with embellished toothpicks and fresh tomatoes from her garden; canapés and shrimp cocktail and Vienna sausages and deviled eggs; then her Chicken à la King, and when they were all nearly too full to eat another thing, Baked Alaska for dessert. The conversation had been pleasant, the men discussing the upcoming election and General Electric-Telechron's new "revolutionary" snooze alarm clock, the women swooning about Elvis Presley and gossiping about Marilyn Monroe's recent wedding to Arthur Miller, which everyone agreed was an odd pairing.

I...I...YOU...SIXTEEN LOG THIRTY-THREE...ALL COSINE SUBSCRIPTS...ANTI...ANTI...IN ALL THESE YEARS...BEAM...FLOOD...PYTHAGOREAN...CARTESIAN LOGIC...CAN I...DARE I...A PEACH...EAT A PEACH...ALLMAN BROTHERS...PATRICIA...CROCODILE AND WHIPLASH SMILE...CLOCK OF DIALS...TICK-TOCK, ELEVEN O'CLOCK, THE MAN'S IN THE MOON AND HE'S READY TO ROCK...INCESSAMENT...INCESSAMENT, MON CHER...OH MY HEAD...BLAINE...BLAINE DARES...BLAINE WILL ANSWER...I...(screaming in the voice of an infant, lapsing into another language, presumably French, as none of the words are familiar to Eddie, beginning to sing when the song Velcro Fly by Z.Z. Top suddenly plays courtesy of its percussion drums)

At about the end of the eighteen minutes and twenty miles, I said: “But suppose I don't find anything before election day?” The Boss said, “To hell with election day. I can deliver Masters prepaid, special handling. But if it takes ten years, you find it.” We clocked off five miles more, and I said, “But suppose there isn't anything to find.” And the Boss said, “There is always something.” And I said, “Maybe not on the Judge.” And he said, “Man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something.” Two miles more, and he said, “And make it stick.” And that was all a good while ago. And Masters is dead now, as dead as a mackerel, but the Boss was right and he went to the Senate. And Callahan is not dead but he has wished he were, no doubt, for he used up his luck a long time back and being dead was not part of it. And Adam Stanton is dead now, too, who used to go fishing with me and who lay on the sand in the hot sunshine with me and with Anne Stanton. And Judge Irwin is dead, who leaned toward me among the stems of the tall gray marsh grass, in the gray damp wintry dawn, and said, “You ought to have led that duck more, Jack. You got to lead a duck, son.” And the Boss is dead, who said to me, “And make it stick.” Little Jackie made it stick, all right.

At about the end of the eighteen minutes and twenty miles, I said: “But suppose I don't find anything before election day?” The Boss said, “To hell with election day. I can deliver Masters prepaid, special handling. But if it takes ten years, you find it.” We clocked off five miles more, and I said, “But suppose there isn't anything to find.” And the Boss said, “There is always something.” And I said, "“Maybe not on the Judge.” And he said, “Man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something.” Two miles more, and he said, “And make it stick.” And that was all a good while ago. And Masters is dead now, as dead as a mackerel, but the Boss was right and he went to the Senate. And Callahan is not dead but he has wished he were, no doubt, for he used up his luck a long time back and being dead was not part of it. And Adam Stanton is dead now, too, who used to go fishing with me and who lay on the sand in the hot sunshine with me and with Anne Stanton. And Judge Irwin is dead, who leaned toward me among the stems of the tall gray marsh grass, in the gray damp wintry dawn, and said, “You ought to have led that duck more, Jack. You got to lead a duck, son.” And the Boss is dead, who said to me, “And make it stick.” Little Jackie made it stick, all right.

Churchill complained to the King that with the Coordination Committee, War Cabinet, Commons debates and thirty or forty important naval messages coming in daily, ‘which have to be sifted and carefully gone through, before sending out new instructions to the Fleet off Norway’, he found it hard to get on with his Admiralty work.163 He could, however, still find time to see the King, and somehow, too, he was able to continue working at night on the manuscript of his History of the English-Speaking Peoples.* Even in the midst of the Norway Campaign, at eleven o’clock one evening in late April, Churchill was able to discuss with William Deakin and Freddie Birkenhead the Norman invasion of England in 1066. Deakin recalled that, despite naval signals being brought in by admirals as the battle progressed, talk ranged round the spreading shadows of the Norman invasion and the figure of Edward the Confessor who, as Churchill wrote, ‘comes down to us faint, misty, frail’. I can still see the map on the wall, with the dispositions of the British fleet off Norway, and hear the voice of the First Lord as he grasped with his usual insight the strategic position in 1066. But this was no lack of attention to current business. It was the measure of the man with the supreme historical eye. The distant episodes were as close and real as the mighty events on hand.164

The Swiss are rich but like to hide it, reserved yet determined to introduce themselves to everyone, innovative but resistant to change, liberal enough to sanction gay partnerships but conservative enough to ban new minarets. And they invented a breakfast cereal that they eat for supper. Privacy is treasured but intrusive state control is tolerated; democracy is king, yet the majority don’t usually vote; honesty is a way of life but a difficult past is reluctantly talked about; and conformity is the norm, yet red shoes are bizarrely popular. It is perhaps no surprise that the Swiss are contradictory, given how divided their country is. Since its earliest days Switzerland has faced geographic, linguistic, religious and political divisions that would have destroyed other countries at birth. Those divisions have been bridged, though not without bloodshed, but Switzerland remains as paradoxical as its people. While modern technology drives the economy, some fields are still harvested with scythes (all the hilly landscape’s fault); it’s a neutral nation yet it exports weapons to many other countries; it has no coastline but won sailing’s America’s Cup and has a merchant shipping fleet equal in size to Saudi Arabia’s. As for those national stereotypes, well, not all the cheese has holes, cuckoo clocks aren’t Swiss and the trains don’t always run exactly on time.

He died of a breaking heart," Pete said, making a stout log fence of his hands around the glove compartment and leaning forward to peer at the luminous clock, "but he was an old man. He was the king of his Yaquis down there and he couldn't live any more when they took the land away. He couldn't live up in the mountains that way. He hid all the treasures - you understand treasures? - in the mountains down there and he died. Now I'm the king of my Yaquis and someday I'll go down there and dig up the treasures again - maybe soon if they don't catch me too much. Then I buy the land back and we will live in the future like in the past only better." Pete let the fence fall, and sunlight showed the clock to be hours wrong, if not years.

The morning after my mother’s death, I was surprised to see the sunrise. From behind the curtain of my bedroom window I was surprised to see the people leave their homes and begin the day. Downstairs, the hands of the grandfather clock continued to tick, marking each passing hour with a chime that echoed over the black and white chessboard tiles of the front hall. I was surprised to see the mail come at the same time as the day before and, later that evening, the sun set once more as it did since the beginning of time. My mother’s death did not disturb the planets in their courses. And, though everything kept moving like she never existed at all, my world erupted into chaos until the universe swirled around me like a whirlpool of scattering stars.

But if man is doomed to wind cotton around a spool, or dig coal, or build roads for thirty years of his life, there can be no talk of wealth. What he gives to the world is only gray and hideous things, reflecting a dull and hideous existence—too weak to live, too cowardly to die. Strange to say, there are people who extol this deadening method of centralized production as the proudest achievement of our age. They fail utterly to realize that if we are to continue in machine subserviency, our slavery is more complete than was our bondage to the King. They do not want to know that centralization is not only the death-knell of liberty, but also of health and beauty, of art and science, all these being impossible in a clock-like, mechanical atmosphere.

It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...

Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.

We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.

She pictures herself in early 1939, aged nine, standing in front of the astronomical clock in Prague’s Old Town Hall square. She’s sneaking a peek at the old skeleton. It keeps watch over the rooftops of the city with huge empty eye sockets. They’d told them at school that the clock was a piece of mechanical ingenuity, invented by Maestro Hanuš more than five hundred years ago. But Dita’s grandmothers told her a darker story. The king ordered Hanuš to construct a clock with figures, automatons that paraded on the stroke of every hour. When it was completed, the king ordered his bailiffs to blind the clockmaker so that he could never make another wonder like it. But the clockmaker took revenge, putting his hand into the mechanism to disable it. The cogs shredded his hand, the mechanism jammed, and the clock was broken, unfixable for years. Sometimes Dita had nightmares about that amputated hand snaking its way around the serrated wheels of the mechanism. Dita,

Get out! Get out of my parlor! Out! Out! Out! You bastard, let go of the goddamned door and GET OUT!’ That was when he slapped her. It was a flat, almost unimportant sound. The grandfather clock did not fly into outraged dust at the sound, but went on ticking just as it had ever since it was set going. The furniture did not groan. But Carla’s raging words were cut off as if amputated with a scalpel. She fell on her knees and the door swung all the way open to bang softly against a high-backed Victorian chair with a hand-embroidered slipcover. ‘No, oh no,’ Frannie said in a hurt little voice. Carla pressed a hand to her cheek and stared up at her husband. ‘You have had that coming for ten years or better,’ Peter remarked. His voice had a slight unsteadiness in it. ‘I always told myself I didn’t do it because I don’t hold with hitting women. I still don’t. But when a person – man or woman – turns into a dog and begins to bite, someone has to shy it off. I only wish, Carla, I’d had the guts to do it sooner. ‘Twould have hurt us both less.’ ‘Daddy –

The menu Kroc used to take McDonald’s national was similarly minimalist, with exactly three food items—Pure Beef Hamburger, fifteen cents; Tempting Cheeseburger, nineteen cents; Golden French Fries, ten cents. He aimed to make his burger construction line as standardized and closely measured as the Crystal Palace, decreeing, among other things, that McDonald’s burger patties must weigh 1.6 ounces and measure 3.875 inches in diameter. Don’t like a quarter ounce of onions on your burger? Too bad, just scrape ’em off—custom orders slow things down, and speed was the whole point. That’s why they call it fast food. Then Burger King countered with “Have it your way” in the ’80s, and to compete, McDonald’s started broadening its menu and allowing for special orders. Today, the average McDonald’s menu has more than a hundred items, and special orders are commonplace. But customers never changed their expectations of miraculously instantaneous service to match the vastly more complicated menu crew members are working with. So a lot of people who’ve experienced the magic of getting a Big Mac seconds after ordering it seem to believe there’s some Star Trek machine in the back that zaps food into existence from nothing. At least, that’s the only reason I can think of that customers like this lady get so mad when their special orders take an extra minute or two.

Apples, heigh-ho,” said Trumpkin with a rueful grin. “I must say you ancient kings and queens don’t overfeed your courtiers!” They stood up and shook themselves and looked about. The trees were thick and they could see no more than a few yards in any direction. “I suppose your Majesties know the way all right?” said the Dwarf. “I don’t,” said Susan. “I’ve never seen these woods in my life before. In fact I thought all along that we ought to have gone by the river.” “Then I think you might have said so at the time,” answered Peter, with pardonable sharpness. “Oh, don’t take any notice of her,” said Edmund. “She always is a wet blanket. You’ve got that pocket compass of yours, Peter, haven’t you? Well, then, we’re as right as rain. We’ve only got to keep on going northwest--cross that little river, the what-do-you-call-it?--the Rush--” “I know,” said Peter. “The one that joins the big river at the Fords of Beruna, or Beruna’s Bridge, as the D.L.F. calls it.” “That’s right. Cross it and strike uphill, and we’ll be at the Stone Table (Aslan’s How, I mean) by eight or nine o’clock. I hope King Caspian will give us a good breakfast!” “I hope you’re right,” said Susan. “I can’t remember all that at all.” “That’s the worst of girls,” said Edmund to Peter and the Dwarf. “They never carry a map in their heads.” “That’s because our heads have something inside them,” said Lucy.

When Time Stop Reading Compassion in the Heart of My Beloved I sat in a dark sling, witnessing darkness that slowly revealed: There is no clock capable of calculating this moment of solitude. When a dream kiss is repeated again with open lips and a tongue that is passionate about looking for love. Desires that cannot be held. A long, quiet sleep. Nobody knows where the time has passed. At the present - mid of summer: teak leaves are falling and still like before: Behind the gleam of the gloomy night's eyes there are twinkling of the stars. Behind the fold of silk handkerchief there was your's wrist beat. An instant emotion expressed how much time is never really present among us. We both stand in each corner; but teak leaves still haven't fallen again at that time. It is not yet the time for the season to change. No need for hours now to know each other. But well if I say to you, my love, that we can only have what we remember: seconds that last forever and minutes that slowly rise before then fall asleep in our minds. Like the poor King and Queen of a chess game. Time that never gets along to find out the most beautiful way to unite them. When the rule of the masses becomes increasingly unreasonable; And the teak trees calmly spread their crowns. Purple flowers and brownish leaves. Fallen, to the surface of the fish pond. Forgetting the time that still doesn't stop vibrating.

On Sunday, November 10, Kaiser Wilhelm II was dethroned, and he fled to Holland for his life. Britain’s King George V, who was his cousin, told his diary that Wilhelm was “the greatest criminal known for having plunged the world into this ghastly war,” having “utterly ruined his country and himself.” Keeping vigil at the White House, the President and First Lady learned by telephone, at three o’clock that morning, that the Germans had signed an armistice. As Edith later recalled, “We stood mute—unable to grasp the significance of the words.” From Paris, Colonel House, who had bargained for the armistice as Wilson’s envoy, wired the President, “Autocracy is dead. Long live democracy and its immortal leader. In this great hour my heart goes out to you in pride, admiration and love.” At 1:00 p.m., wearing a cutaway and gray trousers, Wilson faced a Joint Session of Congress, where he read out Germany’s surrender terms. He told the members that “this tragical war, whose consuming flames swept from one nation to another until all the world was on fire, is at an end,” and “it was the privilege of our own people to enter it at its most critical juncture.” He added that the war’s object, “upon which all free men had set their hearts,” had been achieved “with a sweeping completeness which even now we do not realize,” and Germany’s “illicit ambitions engulfed in black disaster.” This time, Senator La Follette clapped. Theodore Roosevelt and Senator Lodge complained that Wilson should have held out for unconditional German surrender. Driven down Capitol Hill, Wilson was cheered by joyous crowds on the streets. Eleanor Roosevelt recorded that Washington “went completely mad” as “bells rang, whistles blew, and people went up and down the streets throwing confetti.” Including those who had perished in theaters of conflict from influenza and other diseases, the nation’s nineteen-month intervention in the world war had levied a military death toll of more than 116,000 Americans, out of a total perhaps exceeding 8 million. There were rumors that Wilson planned to sail for France and horse-trade at the peace conference himself. No previous President had left the Americas during his term of office. The Boston Herald called this tradition “unwritten law.” Senator Key Pittman, Democrat from Nevada, told reporters that Wilson should go to Paris “because there is no man who is qualified to represent him.” The Knickerbocker Press of Albany, New York, was disturbed by the “evident desire of the President’s adulators to make this war his personal property.” The Free Press of Burlington, Vermont, said that Wilson’s presence in Paris would “not be seemly,” especially if the talks degenerated into “bitter controversies.” The Chattanooga Times called on Wilson to stay home, “where he could keep his own hand on the pulse of his own people” and “translate their wishes” into action by wireless and cable to his bargainers in Paris.

The cultural code of the stiff upper lip is not for her boys. She is teaching them that it is not “sissy” to show their feelings to others. When she took Prince William to watch the German tennis star Steffi Graff win the women’s singles final at Wimbledon last year they left the royal box to go backstage and congratulate her on her victory. As Graff walked off court down the dimly lit corridor to the dressing room, royal mother and son thought Steffi looked so alone and vulnerable out of the spotlight. So first Diana, then William gave her a kiss and an affectionate hug. The way the Princess introduced her boys to her dying friend, Adrian Ward-Jackson, was a practical lesson in seeing the reality of life and death. When Diana told her eldest son that Adrian had died, his instinctive response revealed his maturity. “Now he’s out of pain at last and really happy.” At the same time the Princess is acutely aware of the added burdens of rearing two boys who are popularly known as “the heir and the spare.” Self-discipline is part of the training. Every night at six o’clock the boys sit down and write thank-you notes or letters to friends and family. It is a discipline which Diana’s father instilled in her, so much so that if she returns from a dinner party at midnight she will not sleep easily unless she has penned a letter of thanks. William and Harry, now ten and nearly eight respectively, are now aware of their destiny. On one occasion the boys were discussing their futures with Diana. “When I grow up I want to be a policeman and look after you mummy,” said William lovingly. Quick as a flash Harry replied, with a note of triumph in his voice, “Oh no you can’t, you’ve got to be king.

He reached a finger toward the Seiko, which now proclaimed the time to be ninety-one minutes past seven--A.M. and P.M.--and pulled it back just before touching the glass above the liquid crystal display. "Tell me, dear boy--is this 'watch' of yours boobyrigged?" "Huh? Oh! No. No, it's not boobyrigged." Jake touched his own finger to the face of the watch. "That means nothing, if it's set to the frequency of your own body," the Tick-Tock Man said. He spoke in the sharp, scornful tone Jake's father used when he didn't want people to figure out that he didn't have the slightest idea what he was talking about. Tick-Tock glanced briefly at Brandon, and Jake saw him weigh the pros and cons of making the bowlegged man his designated toucher. Then he dismissed the notion and looked back into Jake's eyes. "If this thing gives me a shock, my little friend, you're going to be choking to death on your own sweetmeats in thirty seconds." Jake swallowed hard but said nothing. The Tick-Tock Man reached out his finger again, and this time allowed it to settle on the face of the Seiko. The moment that it did, all the numbers went to zeros and then began to count upward again. Tick-Tock's eyes had narrowed in a grimace of potential pain as he touched the face of the watch. Now their corners crinkled in the first genuine smile Jake had seen from him. He thought it was partly pleasure at his own courage but mostly simple wonder and interest. "May I have it?" he asked Jake silkily. "As a gesture of your goodwill, shall we say? I am something of a clock fancier, my dear young cully--so I am." "Be my guest." Jake stripped the watch off his arm at once and dropped in onto the Tick-Tock Man's large waiting palm.

I, Prayer (A Poem of Magnitudes and Vectors) I, Prayer, know no hour. No season, no day, no month nor year. No boundary, no barrier or limitation–no blockade hinders Me. There is no border or wall I cannot breach. I move inexorably forward; distance holds Me not. I span the cosmos in the twinkling of an eye. I knowest it all. I am the most powerful force in the Universe. Who then is My equal? Canst thou draw out leviathan with a hook? None is so fierce that dare stir him up. Surely, I may’st with but a Word. Who then is able to stand before Me? I am the wind, the earth, the metal. I am the very empyrean vault of Heaven Herself. I span the known and the unknown beyond Eternity’s farthest of edges. And whatsoever under Her wings is Mine. I am a gentle stream, a fiery wrath penetrating; wearing down mountains –the hardest and softest of substances. I am a trickling brook to fools of want lost in the deserts of their own desires. I am a Niagara to those who drink in well. I seep through cracks. I inundate. I level forests kindleth unto a single burning bush. My hand moves the Universe by the mind of a child. I withhold treasures solid from the secret stores to they who would wrench at nothing. I do not sleep or eat, feel not fatigue, nor hunger. I do not feel the cold, nor rain or wind. I transcend the heat of the summer’s day. I commune. I petition. I intercede. My time is impeccable, by it worlds and destinies turn. I direct the fates of nations and humankind. My Words are Iron eternaled—rust not they away. No castle keep, nor towers of beaten brass, Nor the dankest of dungeon helks, Nor adamantine links of hand-wrought steel Can contain My Spirit–I shan’t turn back. The race is ne’er to the swift, nor battle to the strong, nor wisdom to the wise or wealth to the rich. For skills and wisdom, I give to the sons of man. I take wisdom and skills from the sons of man for they are ever Mine. Blessed is the one who finds it so, for in humility comes honor, For those who have fallen on the battlefield for My Name’s sake, I reach down to lift them up from On High. I am a rose with the thorn. I am the clawing Lion that pads her children. My kisses wound those whom I Love. My kisses are faithful. No occasion, moment in time, instances, epochs, ages or eras hold Me back. Time–past, present and future is to Me irrelevant. I span the millennia. I am the ever-present Now. My foolishness is wiser than man’s My weakness stronger than man’s. I am subtle to the point of formlessness yet formed. I have no discernible shape, no place into which the enemy may sink their claws. I AM wisdom and in length of days knowledge. Strength is Mine and counsel, and understanding. I break. I build. By Me, kings rise and fall. The weak are given strength; wisdom to those who seek and foolishness to both fooler and fool alike. I lead the crafty through their deceit. I set straight paths for those who will walk them. I am He who gives speech and sight - and confounds and removes them. When I cut, straight and true is my cut. I strike without fault. I am the razored edge of high destiny. I have no enemy, nor friend. My Zeal and Love and Mercy will not relent to track you down until you are spent– even unto the uttermost parts of the earth. I cull the proud and the weak out of the common herd. I hunt them in battles royale until their cries unto Heaven are heard. I break hearts–those whose are harder than granite. Beyond their atomic cores, I strike their atomic clock. Elect motions; not one more or less electron beyond electron’s orbit that has been ordained for you do I give–for His grace is sufficient for thee until He desires enough. Then I, Prayer, move on as a comet, Striking out of the black. I, His sword, kills to give Life. I am Living and Active, the Divider asunder of thoughts and intents. I Am the Light of Eternal Mind. And I, Prayer, AM Prayer Almighty.