Clever Graduation Quotes

[She] knew there were women who worked successfully out of the home. They ran businesses, created empires and managed to raise happy, healthy, well-adjusted children who went on to graduate magna cum laude from Harvard or became world-renowned concert pianists. Possibly both. These women accomplished all this while cooking gourmet meals, furnishing their homes with Italian antiques, giving clever, intelligent interviews with Money magazine and People, and maintaining a brilliant marriage with an active enviable sex life and never tipping the scale at an ounce over their ideal weight... She knew those women were out there. If she'd had a gun, she'd have hunted every last one of them down and shot them like rabid dogs for the good of womankind.

Another time somebody gave a talk about poetry. He talked about the structure of the poem and the emotions that come with it; he divided everything up into certain kinds of classes. In the discussion that came afterwards, he said, “Isn’t that the same as in mathematics, Dr. Eisenhart?” Dr. Eisenhart was the dean of the graduate school and a great professor of mathematics. He was also very clever. He said, “I’d like to know what Dick Feynman thinks about it in reference to theoretical physics.” He was always putting me on in this kind of situation. I got up and said, “Yes, it’s very closely related. In theoretical physics, the analog of the word is the mathematical formula, the analog of the structure of the poem is the interrelationship of the theoretical bling-bling with the so-andso”–and I went through the whole thing, making a perfect analogy. The speaker’s eyes were _beaming_ with happiness. Then I said, “It seems to me that no matter _what_ you say about poetry, I could find a way of making up an analog with _any_ subject, just as I did for theoretical physics. I don’t consider such analogs meaningful.

Lewis, anything but dull, suffered from an excess of misguided cleverness: he could disparage himself brilliantly in a matter of seconds. He knew literature, art, the theater, history; and his knowledge surpassed what a college normally provides. His knowledge led nowhere, certainly not into the world where he was supposed to earn a living. Lewis had once gone to work in the bookstore of his school because he loved handling books and looked forward to being immersed in them. He was then instructed to keep careful accounts of merchandise that might as well have been canned beans. He soon lost interest in his simple task, failed to master it, and quit after three days. Eight years later, he was still convinced of his practical incompetence. College friends familiar with his tastes would suggest modest ways for him to get started: they knew of jobs as readers in publishing houses, as gofers in theatrical productions, as caretakers at galleries. Lewis rejected them all. While he saw that they might lead to greater things, they sounded both beneath and beyond him--the bookstore again. Other chums who had gone on to graduate school urged their choice on him. Lewis harbored an uneasy scorn for the corporation of scholars, who seemed as unfit for the world as he. He remained desperate, lonely, and spoiled.

A thesis should take no more than three years because, if the student has failed to delimit his topic and find the necessary sources after this period, he has one of the following problems: 1. The student has chosen an overwhelming topic that is beyond his skill level. 2. The student is one of those insatiable persons who would like to write about everything, and who will continue to work on his thesis for 20 years. (A clever scholar will instead set limits, however modest, and produce something definitive within those limits.) 3. The “thesis neurosis” has begun: the student abandons the thesis, returns to it, feels unfulfilled, loses focus, and uses his thesis as an alibi to avoid other challenges in his life that he is too cowardly to address. This student will never graduate.

Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I'm crushed when the day ends and I haven't said anything to you that isn't coated in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if this were an essay, here's the thesis statement: I'm in love with you, Rowan Roth. Please don't make too much fun of me at graduation? Yours, Neil P. McNair

Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I"m crushed when the day ends and I haven't said anything to you that isn't cloaked in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here's the thesis statement. I am in love with you, Rowan Roth Please don't make too much fun of me at graduation? Yours, Neil P. McNair

University?" Mr Wormwood shouted, bouncing up in his chair. "Who wants to go to university, for heaven's sake! All they learn there is bad habits!" "That's not true," Miss Honey said. "If you had a heart attack this minute and had to call a doctor, that doctor would be a university graduate. If you got sued for selling someone a rotten second-hand car, you'd have to get a lawyer and he'd be a university graduate, too. Do not despise clever people, Mr Wormwood.

So, are you going to tell me what I did to piss you off that year? Because I’m coming up totally blank.” I turn on him. “Seriously? You’re coming up blank?” “Why don’t you help me out here?” I just stare at him uncomprehendingly. “C’mon, Jemma,” he taunts. “Use your words.” I rise, my hands curled into fists by my sides. “Oh, I’ll use my words all right, douchebucket. Remember the eighth-grade dance? Is that ringing any bells for you?” He scratches his head, looking thoughtful for a moment. And then…“You mean the graduation dance? If I remember correctly, you didn’t even show up.” “Is that what you think? That I didn’t show up?” I almost want to laugh at the absurdity of it--Ryder trying to act like the injured party, as if I’d stood him up. “You got a better explanation?” he asks. “I shouldn’t have to explain it to you. Jerk,” I add under my breath. And then, “I’m going for a walk.” He rises, towering over me now. “So you’re just going to storm off? Really, Jem?” “Yes,” I say, nodding furiously. “That’s exactly what I’m going to do. How clever of you to figure it out.” I can feel Ryder’s eyes boring a hole in my back as I flounce down the stairs and hurry down the drive with as much dignity as I can muster.

In other words, you have been hypnotized or conditioned by an educational processing-system arranged in grades or steps, supposedly leading to some ultimate Success. First nursery school or kindergarten, then the grades or forms of elementary school, preparing you for the great moment of secondary school! But then more steps, up and up to the coveted goal of the university. Here, if you are clever, you can stay on indefinitely by getting into graduate school and becoming a permanent student. Otherwise, you are headed step by step for the great Outside World of family-raising, business, and profession. Yet graduation day is a very temporary fulfillment, for with your first sales-promotion meeting you are back in the same old system, being urged to make that quota (and if you do, they’ll give you a higher quota) and so progress up the ladder to sales manager, vice-president, and, at last, president of your own show (about forty to forty-five years old). In the meantime, the insurance and investment people have been interesting you in plans for Retirement—that really ultimate goal of being able to sit back and enjoy the fruits of all your labors. But when that day comes, your anxieties and exertions will have left you with a weak heart, false teeth, prostate trouble, sexual impotence, fuzzy eyesight, and a vile digestion.

The fascist leaders were outsiders of a new type. New people had forced their way into national leadership before. There had long been hard-bitten soldiers who fought better than aristocratic officers and became indispensable to kings. A later form of political recruitment came from young men of modest background who made good when electoral politics broadened in the late nineteenth century. One thinks of the aforementioned French politician Léon Gambetta, the grocer’s son, or the beer wholesaler’s son Gustav Stresemann, who became the preeminent statesman of Weimar Germany. A third kind of successful outsider in modern times has been clever mechanics in new industries (consider those entrepreneurial bicycle makers Henry Ford, William Morris, and the Wrights). But many of the fascist leaders were marginal in a new way. They did not resemble the interlopers of earlier eras: the soldiers of fortune, the first upwardly mobile parliamentary politicians, or the clever mechanics. Some were bohemians, lumpen-intellectuals, dilettantes, experts in nothing except the manipulation of crowds and the fanning of resentments: Hitler, the failed art student; Mussolini, a schoolteacher by trade but mostly a restless revolutionary, expelled for subversion from Switzerland and the Trentino; Joseph Goebbels, the jobless college graduate with literary ambitions; Hermann Goering, the drifting World War I fighter ace; Heinrich Himmler, the agronomy student who failed at selling fertilizer and raising chickens. Yet the early fascist cadres were far too diverse in social origins and education to fit the common label of marginal outsiders. Alongside street-brawlers with criminal records like Amerigo Dumini or Martin Bormann one could find a professor of philosophy like Giovanni Gentile or even, briefly, a musician like Arturo Toscanini. What united them was, after all, values rather than a social profile: scorn for tired bourgeois politics, opposition to the Left, fervent nationalism, a tolerance for violence when needed.

Ilost my left eye during blades training at assassin school. My twin brother did the deed using a clever feint and a quick crosswise cut that caught me by surprise. “Well, Carmen, that’ll leave a scar,” Corwin had said. Then he’d laughed that snorty, snotty laugh that had grated on my nerves a thousand times since childhood. My vision had been too blurry to aim a cutting blow at him, and I wasn’t certain if I even wanted to. He was the only family I had. And despite his laughter, he may not have known how deep the wound was. He often made a silly joke when he’d done something stupid. But when I stumbled and fell toward the floor, Corwin dropped his blade and caught me. “Aw, sorry, sis,” he said, holding me against his chest. Then the healers rushed in with their bandages and salves and led me to the healing room. Maestru Alesius—my master—soon followed them, bringing the bad news: “You will lose that eye, Carmen.” I was thirteen. I’d been ahead of my brother on the honor roll—the top of the class. I often wondered if a bout of jealousy inspired my blinding. The blades were sharp, but we students weren’t supposed to cut each other—the idea was to keep the mind sharp as well. And I’d love to know where he’d learned the move. I’d never seen it before, and I was better with the sword than him. Did he have a secret teacher? Everything was harder with only one eye—the sword fights, the dagger throws, learning to avoid traps; even the poisons and potions were more difficult to pour. A half-blind assassin was a joke. I was pretty certain my fellow students had chuckled and celebrated as my position on the honor roll slipped. I had the knowledge and the skill. But the patch over my eye meant I had a weakness, and the school trained assassins to exploit weaknesses. I’d have quit, perhaps to be a scullery maid or to work in the massive wheat fields of the Akkad Empire, if only to get away from the other apprentice assassins who had once been beneath me and who now scorned me. I especially wanted to flee from the kinder ones who looked at me with pity. But Maestru Alesius had insisted I stay. “Adversity will toughen your mental bones,” he’d promised. His support and my perseverance had kept me in school. Three years had passed since the incident. Three years of struggling to keep my spot. I was finally sixteen, in my final week of classes. Corwin would graduate at the top of the honor roll. He was the best with bladed weapons, the best at hiding in shadows, the best assassin the school had seen in many years. He may even be better than the legendary Banderius. All the kings, queens, and archons would seek to hire Corwin. Maybe even Emperor Rima himself. I’d be lucky to get hired at all.

What Lempert is saying is that by the only measure that a law school really ought to care about — how well its graduates do in the real world — minority students aren’t less qualified. They’re just as successful as white students. And why? Because even though the academic credentials of minority students at Michigan aren’t as good as those of white students, the quality of students at the law school is high enough that they’re still above the threshold. They are smart enough. Knowledge of a law student’s test scores is of little help if you are faced with a classroom of clever law students.

The radical acceptance of the accumulations of our lives is born in the giving up, the acknowledgment of the artifice. It is what journalist Ken Fuson exudes in his self-penned obituary. Having been unshackled from pretense by a public struggle with addiction and freed from performance by impending bodily death, Fuson delivered a remarkable eulogy for himself: He attended the university’s famous School of Journalism, which is a clever way of saying, “almost graduated but didn’t.” . . . In 1996, Ken took the principled stand of leaving the Register because The Sun in Baltimore offered him more money. Three years later, having blown most of that money at Pimlico Race Track, he returned to the Register, where he remained until 2008. For most of his life, Ken suffered from a compulsive gambling addiction that nearly destroyed him. But his church friends, and the loving people at Gamblers Anonymous, never gave up on him. Ken last placed a bet on Sept. 5, 2009. He died clean. He hopes that anyone who needs help will seek it, which is hard, and accept it, which is even harder. Miracles abound.9 Fuson evinces true authenticity, something close to real freedom, and it is beautiful. His prose is not a parade of accomplishments but a catalog of embarrassing details and defeats—the kind that makes a reader’s heart beam with appreciation, identification, laughter, and hope.

The spread of semiconductors was enabled as much by clever manufacturing techniques as academic physics. Universities like MIT and Stanford played a crucial role in developing knowledge about semiconductors, but the chip industry only took off because graduates of these institutions spent years tweaking production processes to make mass manufacturing possible. It was engineering and intuition, as much as scientific theorizing, that turned a Bell Labs patent into a world-changing industry

What is a wife for if not to produce sons? Why are you so obsessed with having a son? It's so feudal! Don;t you know that men and women are equal now? My brother has no sons, so it's my responsibility to continue the family line. Our daughters will join their husband's family when they marry, and their names won't be recorded in the Kong register. So they serve no purpose to us. Still clinging to those outmoded Confucian beliefs! I warn you the modern world will leave you behind. Huh! Just a few days on the road and already you've become worldly-wise! Don't forget, you left school at eight while I graduated at sixteen, so I'll always be cleverer than you. Stop being so patronising. We're both fugitives now. Let's see how far your male chauvinism gets you here.

Artoo, I’m switching back to regular handwriting. Calligraphy is hard, and I didn’t bring my good pens. Or I need more practice. Right now you’re sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I’m just going to do it. First of all, I need you to know I’m not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It’s the last day of school, and therefore my last chance. “Crush” is too weak a word to describe how I feel. It doesn’t do you justice, but maybe it works for me. I am the one who is crushed. I’m crushed that we have only ever regarded each other as enemies. I’m crushed when the day ends and I haven’t said anything to you that isn’t cloaked in five layers of sarcasm. I’m crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you’re nervous, as though you’re worried they look bad. (They never do.) You’re ambitious, clever, interesting, and beautiful. I put “beautiful” last because for some reason, I have a feeling you’d roll your eyes if I wrote it first. But you are. You’re beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You’re looking at me like you can’t believe I’m not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here’s the thesis statement: I am in love with you, Rowan Roth. Please don’t make too much fun of me at graduation? Yours, Neil P. McNair