“
You think the dead we loved ever truly leave us? You think that we don’t recall them more clearly than ever in times of great trouble? Your father is alive in you, Harry, and shows himself plainly when you have need of him.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
I'd come to realize that all our troubles spring from our failure to use plain, clear-cut language.
”
”
Jean-Paul Sartre
“
Do you realize how hard it is to keep your mind clear when somebody’s telling you to keep your mind clear?
”
”
Tom Upton (Just Plain Weird)
“
The greatest thing a human soul ever does in this world is to see something and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy and religion, all in one.
”
”
John Ruskin (Modern Painters: Volume 3. Of Many Things)
“
We all have things that come back to haunt us. Some of us just see them more clearly than others.
”
”
Jodi Picoult (Plain Truth)
“
Landscape
Isn't it plain the sheets of moss, except that
they have no tongues, could lecture
all day if they wanted about
spiritual patience? Isn't it clear
the black oaks along the path are standing
as though they were the most fragile of flowers?
Every morning I walk like this around
the pond, thinking: if the doors of my heart
ever close, I am as good as dead.
Every morning, so far, I'm alive. And now
the crows break off from the rest of the darkness
and burst up into the sky—as though
all night they had thought of what they would like
their lives to be, and imagined
their strong, thick wings.
”
”
Mary Oliver (Dream Work)
“
The world is swirling with so many mysteries and secrets that nobody will ever track down all of them. But with a book you can stay up very late, reading until all the secrets are clear to you. The questions of the world are hidden forever, but the answers in a book are hiding in plain sight.
”
”
Lemony Snicket (Shouldn't You Be in School? (All the Wrong Questions, #3))
“
He saw clearly how plain and simple - how narrow, even - it all was; but clearly, too, how much it all meant to him, and the special value of some such anchorage in one's existence. He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to, this place which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome.
”
”
Kenneth Grahame (The Wind in the Willows)
“
anything which we are taught by allegory or emblem affects and pleases us more, and is more highly esteemed by us, than it would be if most clearly stated in plain terms.
”
”
Augustine of Hippo (The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ... (50 Books With Active Table of Contents))
“
when confronted with a destructive outcome that is clearly their doing, they will say, plain and simple, “I never did that,” and will to all appearances believe their own direct lie.
”
”
Martha Stout (The Sociopath Next Door)
“
The greatest thing a human soul ever does in this world is to see something and what it saw in a plain way. To see clearly is poetry, prophecy and religion--all in one.
”
”
John Ruskin
“
How could you have guessed?” Miserable though Will was, he felt free, as if a heavy burden had been displaced from him. “I did all I could to hide and deny it. You—you never hid your feelings. Looking back, it was clear and plain, and yet I never saw it. I was astonished when Tessa told me that you were engaged. You’ve always been the source in my life of such good things, James. I never thought you would be the source of pain, and so, wrongly, I never thought of your feelings at all. And that is why I was so blind.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
—The good not done, the love not given, time
Torn off unused—nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear—no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.
And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
”
”
Philip Larkin (Collected Poems)
“
Say she rail; why, I'll tell her plain
She sings as sweetly as a nightingale.
Say that she frown; I'll say she looks as clear
As morning roses newly wash'd with dew.
Say she be mute and will not speak a word;
Then I'll commend her volubility,
and say she uttereth piercing eloquence.
”
”
William Shakespeare (The Taming of the Shrew)
“
All that was left was the voice inside, and I could hear it clearly. It didn’t have to yell- it whispered, and said to me briefly, plainly, and kindly- what it had to say.
”
”
Gerard Way
“
All that what left was the voice inside, and I could hear it clearly. It didn’t have to yell- it whispered, and said to me briefly, plainly, and kindly- what it had to say.
”
”
Gerard Way
“
All the same, I should like it all plain and clear," said he obstinately, putting on his business manner (usually reserved for people who tried to borrow money off him), and doing his best to appear wise and prudent and professional and live up to Gandalf's recommendation. "Also I should like to know about risks, out-of-pocket expenses, time required and remuneration, and so forth"--by which he meant: "What am I going to get out of it ? and am I going to come back alive?
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
I turned back and tried again, and once more I was sure that I was understanding, and all of it made perfect sense - better than perfect sense, even; it had the feeling of truth, of something that I'd always known and just hadn't ever put into words, or of explaining clearly and plainly something I'd never understood.
”
”
Naomi Novik (Uprooted)
“
The logic of the Bible says: Act according to God's "will of command," not according to his "will of decree." God's "will of decree" is whatever comes to pass. "If the Lord wills, we will live and do this or that" (James 4:15). God's "will of decree" ordained that his Son be betrayed (Luke 22:22), ridiculed (Isaiah 53:3), mocked (Luke 18:32), flogged (Matthew 20:19), forsaken (Matthew 26:31), pierced (John 19:37), and killed (Mark 9:31). But the Bible teaches us plainly that we should not betray, ridicule, mock, flog, forsake, pierce, or kill innocent people. That is God's "will of command." We do not look at the death of Jesus, clearly willed by God, and conclude that killing Jesus is good and that we should join the mockers.
”
”
John Piper
“
The truth must be quite plain, if one could just clear away the litter.
”
”
Agatha Christie (A Caribbean Mystery (Miss Marple, #9))
“
In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves.
”
”
Ernest Hemingway (A Farewell to Arms)
“
She was clearly rich. Her handbag was too plain to be anything but incredibly expensive.
”
”
Gillian Flynn (The Grownup)
“
You see my state, and still increase my pain
I see your face, the need for union regain.
For my welfare, you have no care, I complain
Why do you heal me not from the sickness I disdain?
You bring me down and leave me on the earthly plane;
Return me to my home, by your side let me remain.
Only when I’m dust, your mercy can entertain;
Your flowing spirit stirs up dust of the slain.
Heartbroken of your love, from breathing I abstain
My life you destroy, yet my breathing you sustain.
In the dark night of the soul, I was growing insane,
Drinking from the cups that your features contain.
Suddenly in my arms, you appeared, clear, plain;
With my lips on your lips, my life and soul gain and drain.
Be joyful with Hafiz, with love enemies detain,
With such potent love, impotent foes self-restrain.
مرا میبینی و هر دم زیادت میکـنی دردم
تو را میبینـم و میلـم زیادت میشود هر دم
بـه سامانم نمیپرسی نمیدانم چه سر داری
بـه درمانـم نـمیکوشی نمیدانی مگر دردم
نه راه است این که بگذاری مرا بر خاک و بگریزی
گذاری آر و بازم پرس تا خاک رهـت گردم
ندارم دستت از دامن بجز در خاک و آن دم هـم
کـه بر خاکـم روان گردی به گرد دامنـت گردم
فرورفـت از غم عشقت دمم دم میدهی تا کی
دمار از مـن برآوردی نـمیگویی برآوردم
شـبی دل را به تاریکی ز زلفت باز میجستـم
رخـت میدیدم و جامی هـلالی باز میخوردم
کـشیدم در برت ناگاه و شد در تاب گیسویت
نـهادم بر لـبـت لـب را و جان و دل فدا کردم
تو خوش میباش با حافظ برو گو خصم جان میده
چو گرمی از تو میبینم چه باک از خصم دم سردم
”
”
null
“
His daughters watched in the rain. The prettiest, shyest one hid far back in the field to watch and she had good reason because she was absolutely the most beautiful girl Dean and I ever saw in all our lives. She was about sixteen, and had Plains complexion like wild roses, and the bluest eyes, the most lovely hair, and the modesty and quickness of a wild antelope. At every look from us she flinched. She stood there with the immense winds that blew clear down from Saskatchewan knocking her hair about her lovely head like shrouds, living curls of them. She blushed and blushed... 'Oh a girl like that scares me,' I said. 'I'd give up everything and throw myself on her mercy and if she didn't want me I'd just as simply go and throw myself off the edge of the world'.
”
”
Jack Kerouac
“
No, Katie never fumbled. When she used her beautifully shaped but worn-looking hands, she used them with surety, whether it was to put a broken flower into a tumbler of water with one true gesture, or to wring out a scrub cloth with one decisive motion--the right hand turning in, and the left out, simultaneously. When she spoke, she spoke truly with the plain right words. And her thoughts walked in a clear uncompromising line.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
Oh, Jesus,” he said, wheezing with the effort it took to control
himself. He wiped his eyes with the back of his hand. “You little
innocent. I’m fluent in French, but it isn’t my first language.” It
was plain by the mortified expression in those green eyes that she
didn’t understand, so he explained. “Baby , if I can still think
clearly enough to speak French, then I’m not totally involved in
what I’m doing. It may sound pretty , but it doesn’t mean
any thing. Men are different from women; the more excited we are,
the more like cavemen we sound. I could barely speak English with
you, much less French. As I remember, my vocabulary
deteriorated to a few short, explicit words, ‘fuck’ being the most
prominent.”
To his amazement, she blushed, and he smiled at this further
evidence of her charming prudery. “Go to sleep,” he said gently.
“Lindsey didn’t even rate a replay.
”
”
Linda Howard (After the Night)
“
The readiest way which God takes to draw a man to himself is, to afflict him in that he loves most, and with good reason; and to cause this affliction to arise from some good action done with a single eye; because nothing can more clearly show him the emptiness of what is most lovely and desirable in all the world.
”
”
John Wesley (A Plain Account of Christian Perfection)
“
He is too intelligent. He sees too clearly and speaks too plainly.
”
”
George Orwell (1984)
“
Try as I like to find the way, I never can get back by day, Nor can remember plain and clear The curious music that I hear.
”
”
Robert Louis Stevenson (A Child's Garden of Verses)
“
And so their spirits soared
as they took positions own the passageways of battle
all night long, and the watchfires blazed among them.
Hundreds strong, as stars in the night sky glittering
round the moon's brilliance blaze in all their glory
when the air falls to a sudden, windless calm...
all the lookout peaks stand out and the jutting cliffs
and the steep ravines and down from the high heavens bursts
the boundless bright air and all the stars shine clear
and the shepherd's heart exults - so many fires burned
between the ships and the Xanthus' whirling rapids
set by the men of Troy, bright against their walls.
A thousand fires were burning there on the plain
and beside each fire sat fifty fighting men
poised in the leaping blaze, and champing oats
and glistening barley, stationed by their chariots,
stallions waited for Dawn to mount her glowing throne.
”
”
Homer (The Iliad)
“
But more wonderful than the lore of old men and the lore of books is the secret lore of ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days have I watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and in time. Sometimes at twilight the grey vapours of the horizon have parted to grant me glimpses of the ways beyond; and sometimes at night the deep waters of the sea have grown clear and phosphorescent, to grant me glimpses of the ways beneath. And these glimpses have been as often of the ways that were and the ways that might be, as of the ways that are; for ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
”
”
H.P. Lovecraft (The Transition of H. P. Lovecraft: The Road to Madness)
“
It was a whole world, his mouth, a whole unsuspected world, and kissing him occasioned the same sense of discovery as sliding a clear drop of plain tap water under a microscope and divining whole schools of fantastic fibrillose creatures, or pointing a telescope at a patch of sky pitch-dark to the naked eye and lo, it is spattered with stars.
”
”
Lionel Shriver (The Post-Birthday World)
“
although we very clearly see the sun, we ought not therefore to determine that it is only of the size which our sense of sight presents; and we may very distinctly imagine the head of a lion joined to the body of a goat, without being therefore shut up to the conclusion that a chimaera exists; for it is not a dictate of reason that what we thus see or imagine is in reality existent; but it plainly tells us that all our ideas or notions contain in them some truth.
”
”
René Descartes (Discourse on Method)
“
In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it."
This paradox rests on the most elementary common sense. The gate or fence did not grow there. It was not set up by somnambulists who built it in their sleep. It is highly improbable that it was put there by escaped lunatics who were for some reason loose in the street. Some person had some reason for thinking it would be a good thing for somebody. And until we know what the reason was, we really cannot judge whether the reason was reasonable. It is extremely probable that we have overlooked some whole aspect of the question, if something set up by human beings like ourselves seems to be entirely meaningless and mysterious. There are reformers who get over this difficulty by assuming that all their fathers were fools; but if that be so, we can only say that folly appears to be a hereditary disease. But the truth is that nobody has any business to destroy a social institution until he has really seen it as an historical institution. If he knows how it arose, and what purposes it was supposed to serve, he may really be able to say that they were bad purposes, that they have since become bad purposes, or that they are purposes which are no longer served. But if he simply stares at the thing as a senseless monstrosity that has somehow sprung up in his path, it is he and not the traditionalist who is suffering from an illusion.
”
”
G.K. Chesterton
“
For many years I have been asking myself why intelligent children act unintelligently at school. The simple answer is, "Because they're scared." I used to suspect that children's defeatism had something to do with their bad work in school, but I thought I could clear it away with hearty cries of "Onward! You can do it!" What I now see for the first time is the mechanism by which fear destroys intelligence, the way it affects a child's whole way of looking at, thinking about, and dealing with life. So we have two problems, not one: to stop children from being afraid, and then to break them of the bad thinking habits into which their fears have driven them.
What is most surprising of all is how much fear there is in school. Why is so little said about it. Perhaps most people do not recognize fear in children when they see it. They can read the grossest signs of fear; they know what the trouble is when a child clings howling to his mother; but the subtler signs of fear escaping them. It is these signs, in children's faces, voices, and gestures, in their movements and ways of working, that tell me plainly that most children in school are scared most of the time, many of them very scared. Like good soldiers, they control their fears, live with them, and adjust themselves to them. But the trouble is, and here is a vital difference between school and war, that the adjustments children make to their fears are almost wholly bad, destructive of their intelligence and capacity. The scared fighter may be the best fighter, but the scared learner is always a poor learner.
”
”
John C. Holt (How Children Fail (Classics in Child Development))
“
…in joy he will invariably dance; when he is in love he will dance, for the czardas helps him to explain to the girl he loves exactly what he feels for her. And she understands. One czardas will reveal to a Hungarian village maid the state of her lover’s heart far more clearly than do all the whisperings behind hedges in more civilized lands.
”
”
Emmuska Orczy (A Bride of the Plains)
“
We may not know what lies ahead of us in the future years, nor even in the days or hours immediately beyond. But for a few yards, or possibly only a few feet, the track is clear, our duty is plain, our course is illumined. For that short distance, for the next step, lighted by the inspiration of God, go on! ("Three Parables—The Unwise Bee, the Owl Express, and Two Lamps", Ensign, Feb. 2003, 8 - https://new.lds.org/ensign/2003/02/th...)
”
”
James E. Talmage
“
Only--but this is rare--
When a beloved hand is laid in ours,
When, jaded with the rush and glare
Of the interminable hours,
Our eyes can in another's eyes read clear,
When our world-deafen'd ear
Is by the tones of a loved voice caress'd--
A bolt is shot back somewhere in our breast,
And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain,
And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow,
And hears its winding murmur; and he sees
The meadows where it glides, the sun, the breeze.
”
”
Matthew Arnold (The Poems of Matthew Arnold 1849 - 1867)
“
I know not whence I came,
I know not whither I go;
But the fact stands clear that I am here
In this world of pleasure and woe.
And out of the mist and murk,
Another truth shines plain.
It is in my power each day and hour
To add to its joy or its pain.
I know that the earth exists,
It is none of my business why.
I cannot find out what it's all about,
I would but waste time to try.
My life is a brief, brief thing,
I am here for a little space.
And while I stay I would like, if I may,
To brighten and better the place.
”
”
Ella Wheeler Wilcox (Poems of Power)
“
Above all, I hope I have dispelled the bleak and imbecilic idea that the aim of writing is to express yourself clearly in plain, simple English using as few words as possible. This is a fiction, a fib, a fallacy, a fantasy, and a falsehood. To write for mere utility is as foolish as to dress for mere utility. ... Clothes and language can be things of beauty, I would no more write without art because I didn't need to than I would wander outdoors naked just because it was warm enough.
”
”
Mark Forsyth (The Elements of Eloquence: How to Turn the Perfect English Phrase)
“
Alex saw very clearly how dangerous a book like Mary’s could become in the hands of such impressionable girls, such privileged girls: girls who kissed and fondled and laughed as they read each other passages out in the woods; girls whose parents' social standing had taught them that there was nothing at all in the world they could not subjugate, purchase, or ignore; girls who set fires only to watch as others tried, and failed, to put them out.
”
”
Emily M. Danforth (Plain Bad Heroines)
“
The spiritual disconnection many feel today stems precisely from expecting (or being told to expect) the Bible to be holy, perfect, and clear, when in fact after reading it they find it to be morally suspect, out of touch, confusing, and just plain weird.
”
”
Peter Enns (How the Bible Actually Works: In Which I Explain How An Ancient, Ambiguous, and Diverse Book Leads Us to Wisdom Rather Than Answers—and Why That's Great News)
“
you can think back on your life and almost believe it was laid out for you in advance, like this plain clear path you were destined to take even if it looked like nothing but brambles and stobs at the time. You know?
”
”
Anne Tyler (Redhead by the Side of the Road)
“
When the plain sense of Scripture makes common sense, seek no other sense, but take every word at its primary, literal meaning unless the facts of the immediate context clearly indicate otherwise. —David L. Cooper, PhD
”
”
Tim LaHaye (Are We Living in the End Times?: Curretn Events Foretold in Scripture... and What They Mean)
“
Events can seem random while you’re living them, but when you look back, what do you see? A chain of coincidences? Plain old luck? Or something more? I’ll tell you what I see, Peter. A clear path. More than that. A true path.
”
”
Justin Cronin (The Twelve (The Passage, #2))
“
How many times his (Port's) friends, envying him his life, had said to him: "Your life is so simple." "Your life seems always to go in a straight line." Whenever they had said the words he heard in them an implicit reproach: it is not difficult to build a straight road on a treeless plain. He felt that what they really meant to say was: "You have chosen the easiest terrain." But if they elected to place obstacles in their own way-which they clearly did, encumbering themselves with every sort of unnecessary allegiance-that was no reason why they should object to his having simplified his life. So it was with a certain annoyance that he would say: "Everyone makes the life he wants. Right?" as though there were nothing further to be said.
”
”
Paul Bowles
“
The next real literary "rebels" in this country might well emerge as some weird bunch of anti-rebels, born oglers who dare somehow to back away from ironic watching, who have the childish gall actually to endorse and instantiate single-entendre principles. Who treat of plain old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and hip fatigue. These anti-rebels would be outdated, of course, before they even started. Dead on the page. Too sincere. Clearly repressed. Backward, quaint, naive, anachronistic. Maybe that'll be the point. Maybe that's why they'll be the next real rebels. Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today's risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the "Oh how banal". To risk accusations of sentimentality, melodrama. Of overcredulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
Philosophy being nothing else but the study of wisdom and truth, it may with reason be expected that those who have spent most time and pains in it should enjoy a greater calm and serenity of mind, a greater clearness and evidence of knowledge, and be less disturbed with doubts and difficulties than other men. Yet so it is, we see the illiterate bulk of mankind that walk the high-road of plain common sense, and are governed by the dictates of nature, for the most part easy and undisturbed. To them nothing that is familiar appears unaccountable or difficult to comprehend. They complain not of any want of evidence in their senses, and are out of all danger of becoming Sceptics. But no sooner do we depart from sense and instinct to follow the light of a superior principle, to reason, meditate, and reflect on the nature of things, but a thousand scruples spring up in our minds concerning those things which before we seemed fully to comprehend. Prejudices and errors of sense do from all parts discover themselves to our view; and, endeavouring to correct these by reason, we are insensibly drawn into uncouth paradoxes, difficulties, and inconsistencies, which multiply and grow upon us as we advance in speculation, till at length, having wandered through many intricate mazes, we find ourselves just where we were, or, which is worse, sit down in a forlorn Scepticism.
”
”
George Berkeley
“
We begin well, sir," the fat man purred … "I distrust a man that says when. If he's got to be careful not to drink too much it's because he's not to be trusted when he does. … Well, sir, here's to plain speaking and clear understanding. … You're a close-mouthed man?"
Spade shook his head. "I like to talk."
"Better and better!" the fat man exclaimed. "I distrust a close-mouthed man. He generally picks the wrong time to talk and says the wrong things. Talking's something you can't do judiciously unless you keep in practice.
”
”
Dashiell Hammett (The Maltese Falcon)
“
He could understand that the creatures, the fish and the owls, should feed and frolic at moon-rise, at moon-down and at south-moon-over, for these were all plain marks to go by, direct and visible. He marvelled, padding on bare feet past the slat-fence of the clearing, that the moon was so strong that when it lay the other side of the earth, the creatures felt it and stirred by the hour it struck. The moon was far away, unseen, and it had power to move them.
”
”
Marjorie Kinnan Rawlings (South Moon Under)
“
Now it is all clear, and as plain as a pikestaff. Formerly—I don't know why—everything seemed veiled in a kind of mist. That is, I believe, because people think that the human brain is in the head. Nothing of the sort; it is carried by the wind from the Caspian Sea.
”
”
Nikolai Gogol (Diary of a Madman and Other Stories)
“
Men are made in God's image, or so I am told. Likewise that we differ from the animals in having reason. Reason, therefore, must plainly be a characteristic of the Almighty, quod erat demonstrandum. Is it reasonable, then, to create men whose very nature— clearly constructed and defined by yourself— is inimical to your own laws and must lead inevitably to destruction? Whatever would be the point of that? Does it not strike you as a most capricious notion— to say nothing of being wasteful?
”
”
Diana Gabaldon (Lord John and the Brotherhood of the Blade (Lord John Grey, #2))
“
There's an old saying that great writing is simple but not easy, and so it is. The search for that one plain but inobvious [SIC] word that will do the work of five, the agony of untangling a complex idea that has become a mess of phrases in the writer's mind, the willingness to keep doing it over and over again until it is right--all of that plus some luck yields prose so clear that it seems a child could have written it.
”
”
William Souder
“
I looked at my hands. I was holding onto the steering wheel so tightly, all my knuckles where shiny points of white, and my blinker was on, CLICK-click CLICK-click CLICK-click, so certain, so plain, so clear, and yet for all its mechanical conviction, blinking me in the wrong direction.
”
”
Mark Z. Danielewski (House of Leaves)
“
And woo her with some spirit when she comes. Say that she rail; why, then, I'll tell her plain, she sings as sweetly as a nightingail: Say that she frown; I'll say she looks as clear As morning roses newly washt with dew: Say she be mute and will not speak a word; Then I'll commend her volubility, And say she uttereth piercing eloquence: If she do bid me pack, I'll give her thanks, As though she bid me stay by her a week: If she deny to be wed, I'll crave the day When I shall ask the banns, and when be married.
”
”
William Shakespeare (The Taming of the Shrew)
“
Having a mental illness is like riding a really fast merry-go-round that never stops. There's no escape. You're stuck. But once in a while, you can give the operator some good drugs and he'll slow it down a little; just enough for you to see the trees and the normal people as they stroll by. But that ride operator needs to be supplied often. And sometimes, like any typical junkie, he's just plain unreliable. He stops showing up and you're spinning again. You can't see clearly.
”
”
Cassia Leo (Black Box)
“
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.
”
”
Leo Tolstoy (A Confession)
“
My,don't you have pretty eyes," he says. "It's a shame the rest of you is so plain."
My heart pounds. I tug my hand back, but his grip tightens. I smell something acrid and unpleasant on his breath.
"You look a little young to be walking around by yourself,dear," he says.
I stop tugging, and stand up straighter. I know I look young; I don't need to be reminded. "I'm older than I look," I retort. "I'm sixteen."
His lips spread wide, revealing a gray molar with a dark pit in the side. I can't tell if he's smiling or grimacing. "Then isn't today a special day for you? The day before you choose?"
"Let go of me," I say. I hear rining in my ears. My voice sounds clear and stern-not what I expected to hear. I feel like it doesn't belong to me.
I am ready.I know what to do. I picture myself bringing my elbow back and hitting him. I see the bag of apples flying away from me. I hear my running footsteps. I am prepared to act.
But then he releases my wrist, takes the apples,and says, "Choose wisely, little girl.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
When the School of Resentment becomes as dominant among art historians and critics as it is among literary academics, will Matisse go unattended while we all flock to view the daubings of the Guerrilla Girls? The lunacy of these questions is plain enough when it comes to the eminence of Matisse, while Stravinsky is clearly in no danger of being replaced by politically correct music for the ballet companies of the world. Why then is literature so vulnerable to the onrush of our contemporary social idealists?
”
”
Harold Bloom (The Western Canon: The Books and School of the Ages)
“
You asked him to go to bed with you?”
“I did, and you’d think I’d smashed him in the balls with my wrench. So that’s the end of that.”
Jude folded her hands, leaned forward. “I’m going to pry.”
Brenna’s lips twitched. “Oh, you haven’t started that yet?”
“Not nearly. What exactly did you say to him?”
“I said, plain enough, that I thought we should have sex. And what’s wrong with that?” she demanded, gesturing with her spoon. “You’d think a man would appreciate clear, honest speaking.
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
Ordering drinks always floored me. I didn't know whisky from gin and
never managed to get anything I really liked the taste of. Buddy Willard and
the other college boys I knew were usually too poor to buy hard liquor or
they scorned drinking altogether. It's amazing how many college boys don't
drink or smoke. I seemed to know them all. The farthest Buddy Willard ever
went was buying us a bottle of Dubonnet, which he only did because he was
trying to prove he could be aesthetic in spite of being a medical student.
"I'll have a vodka," I said.
The man looked at me more closely. "With anything?"
"Just plain," I said. "I always have it plain."
I thought I might make a fool of myself by saying I'd have it with ice
or gin or anything. I'd seen a vodka ad once, just a glass full of vodka
standing in the middle of a snowdrift in a blue light, and the vodka looked
clear and pure as water, so I thought having vodka plain must be all right.
My dream was someday ordering a drink and finding out it tasted wonderful.
”
”
Sylvia Plath (The Bell Jar)
“
If the weather isn't bad and it's a clear night, I spend fifteen or twenty minutes before bedtime out on the deck looking skyward, or, using a flashlight, I pick my way along the dirt road to the open pasture at the peak of my hill, from where I can see, from above the treeline, the whole heavenly inventory, stars unfurled in every direction, and, just this week, the planets Jupiter in the east and Mars in the west. It is beyond belief and also a fact, a plain and indisputable face: that we are born, that this is here. I can think of worse ways to end my day.
”
”
Philip Roth (I Married a Communist (The American Trilogy, #2))
“
Let us go somewhere and talk,” Kopano said to Kaidan.
“We can talk here. She never uses her senses.”
Whoops. I was officially eavesdropping, but I didn't feel guilty. I was too desperate for insight into Kaidan's mind. They spoke in low tones, hard to hear with the rush of rainwater.
“Do not be upset, Kai. I feel only concern for her.”
“I'll bet you do.”
Kaidan's clipped, harsh response was in direct contrast to Kopano's tranquil words.
“Even you are willing to risk yourself for her, brother.”
“That's because I actually know her. What's your reason? I suppose you'd like to get to know her, too?”
“You have made it very clear that she is not available in that way. Be reasonable. There is plainly more at stake here. I only wished to help.”
“There's nothing you can do, Kope!”
They got quiet and I could hear Kaidan's ragged breaths through his nose.
“Please trust me, brother,” Kopano said. "There is no stronger weapon for Pharzuph to use than your concern for each other. If he learns that you were here to console her, you will lose all leverage with him. Do not fool yourself into thinking he will not discard you.”
“Yes, some of us have to worry about such things. Thank you for the reminder.”
The sounds that came next iced my blood: heavy footfalls crashing into puddles, and the metallic zing of a switchblade. I stood up with a hand to my heart. Then there was a deep, gruff chuckle. My father's.
“Put it away, boy. Sorry to break up the testosterone party.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
There is no such thing as a plain fact of murder. Murder springs, nine times out of ten, out of the character and circumstances of the murdered person. Because the victim was the kind of person he or she was, therefore was he or she murdered! Until we can understand fully and completely exactly what kind of a person [she] was, we shall not be able to see clearly exactly the kind of person who murdered her. From that spring the necessity of our questions.
”
”
Agatha Christie (Evil Under the Sun (Hercule Poirot, #24))
“
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from ever corner of the world, but no matter where it is told, it is always the same story,
A boy on horseback, wandering at night, in the woods or on the plains or along the shores. The sound of a lute drifts in the evening air. Over head are the stars of a clear sky, a sheet of light so bright that he reaches up, trying to touch them. He stops and descends from his horse. Then he waits. He waits until exactly midnight, when the newest constellation in the sky blinks into existence.
If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and it its place is a girl.
Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silks and a necklace of sapphire. Some say that, once upon a time, she had a prince, a father, a society of friends. Other say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.
She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.
--"The Midnight Star", a folktale
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
Marcus’s appearance the
day before had been discussed, dissected, analyzed, and—by Lady
Sarah Pleinsworth, Honoria’s cousin and one of her closest friends
—rendered into poetry.
“He came in the rain,” Sarah intoned. “The day had been plain.”
Honoria nearly spit out her tea.
“It was muddy, this lane—”
Cecily Royle smiled slyly over her teacup. “Have you
considered free verse?”
“—our heroine, in pain—”
“I was cold,” Honoria put in.
Iris Smythe-Smith, another of Honoria’s cousins, looked up with
her signature dry expression. “I am in pain,” she stated.
“Specifically, my ears.”
Honoria shot Iris a look that said clearly, Be polite. Iris just
shrugged.
“—her distress, she did feign—”
“Not true!” Honoria protested.
“You can’t interfere with genius,” Iris said sweetly.
“—her schemes, not in vain—”
“This poem is devolving rapidly,” Honoria stated.
“I am beginning to enjoy it,” said Cecily.
“—her existence, a bane . . .”
Honoria let out a snort. “Oh, come now!”
“I think she’s doing an admirable job,” Iris said, “given the
limitations of the rhyming structure.” She looked over at Sarah, who
had gone quite suddenly silent. Iris cocked her head to the side; so
did Honoria and Sarah.
Sarah’s lips were parted, and her left hand was still outstretched
with great drama, but she appeared to have run out of words.
“Cane?” Cecily suggested. “Main?”
“Insane?” offered Iris.
“Any moment now,” Honoria said tartly, “if I’m trapped here
much longer with you lot.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
If Shirley were not an indolent, a reckless, an ignorant being, she would take a pen at such moments, or at least while the recollection of such moments was yet fresh on her spirit. She would seize, she would fix the apparition, tell the vision revealed. Had she a little more of the organ of acquisitiveness in her head, a little more of the love of property in her nature, she would take a good-sized sheet of paper and write plainly out, in her own queer but clear and legible hand, the story that has been narrated, the song that has been sung to her, and thus possess what she was enabled to create. But indolent she is, reckless she is, and most ignorant; for she does not know her dreams are rare, her feelings peculiar. She does not know, has never known, and will die without knowing, the full value of that spring whose bright fresh bubbling in her heart keeps it green.
”
”
Charlotte Brontë (Shirley)
“
Jack was led out of the dark room into the strong light, and as they guided him up the steps he could see nothing for the glare. 'Your head here sir, if you please,' said the sheriff's man in a low, nervous, conciliating voice, 'and your hands just here.'
The man was slowly fumbling with the bolt, hinge and staple, and as Jack stood there with his hands in the lower half-rounds, his sight cleared: he saw that the broad street was filled with silent, attentive men, some in long togs, some in shore-going rig, some in plain frocks, but all perfectly recognizable as seamen. And officers, by the dozen, by the score: midshipmen and officers. Babbington was there, immediately in front of the pillory, facing him with his hat off, and Pullings, Stephen of course, Mowett, Dundas . . . He nodded to them, with almost no change in his iron expression, and his eye moved on: Parker, Rowan, Williamson, Hervey . . . and men from long, long ago, men he could scarcely name, lieutenants and commanders putting their promotion at risk, midshipmen and master's mates their commissions, warrant-officers their advancement.
'The head a trifle forward, if you please, sir,' murmured the sheriff's man, and the upper half of the wooden frame came down, imprisoning his defenceless face. He heard the click of the bolt and then in the dead silence a strong voice cry 'Off hats'. With one movement hundreds of broad-brimmed tarpaulin-covered hats flew off and the cheering began, the fierce full-throated cheering he had so often heard in battle.
”
”
Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
“
I had this thought a while ago,
"My darling cannot understand
What I have done, or what would do
In this blind bitter land.'
And I grew weary of the sun
Until my thoughts cleared up again,
Remembering that the best I have done
Was done to make it plain;
That every year I have cried, "At length
My darling understands it all,
Because I have come into my strength,
And words obey my call';
That had she done so who can say
What would have shaken from the sieve?
I might have thrown poor words away
And been content to live.
”
”
W.B. Yeats
“
It turned out plant collecting was a solitary occupation. In the past Robert had enjoyed being alone, or so he thought. Actually he had rarely been alone for long: working in hotels, in stables, on ranches and farms, and as a miner, he had always been around others. Now, out in the woods or up in the hills or out on the flat central plain, he could go for days without speaking to anyone. His throat seemed to close up and he had to keep clearing it, singing songs aloud or reciting the Latin names of plants, just to check that he still had a voice. 'Araucaria imbricata. Sequoia sempervirens. Pinus lambertiana. Abies magnifica'. He was surprised at how much he missed people..
”
”
Tracy Chevalier (At the Edge of the Orchard)
“
In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.
”
”
G.K. Chesterton (The Thing: Why I am a Catholic)
“
So often, environmentalists and others working to slow the destruction are capable of plainly describing the problems (Who wouldn’t be? The problems are neither subtle nor cognitively challenging), yet when faced with the emotionally daunting task of fashioning a response to these clear and clearly insoluble problems, we generally suffer a failure of nerve and imagination. Gandhi wrote a letter to Hitler asking him to stop committing atrocities, and was mystified that it didn’t work. I continue to write letters to the editor pointing out untruths, and continue to be surprised each time the newspaper publishes its next absurdity. At least I’ve stopped writing to politicians.
”
”
Derrick Jensen (A Language Older Than Words)
“
At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:
Arise, arise, Riders of Theoden!
Fell deeds awake: fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!
With that he seized a great horn from Guthlaf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains.
Ride now, ride now! Ride to Gondor!
Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Eomer rode there, the white horsetail on his helm floating in his speed, and the front of the first eored roared like a breaker foaming to the shore, but Theoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Orome the Great in the battle of the Valar when the world was young. his golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Just four or five hours later we begin to see a country whose beauty penetrates our bones. I say beauty I mean beauty. Oftentimes in America you could go stark mad from the ugliness of things. Grass that goes for a thousand miles and never a hill to break it. I ain't saying there ain't beauty on the plains when well there is. But you ain't long travelling on the plains when you begin to feel clear loco. You can rise up out of your saddle and sort of look down on yourself riding, it's as if the stern and relentless monotony makes you die, come back to life, and die again. Your brain is molten in its bowl of bones and you just seeing atrocious wonders everywhere. The mosquitoes have your hide for supper and you are one hallucinating lunatic then. But now in the far distance we see a land begin to be suggested as if maybe a man was out there painting with a huge brush.
”
”
Sebastian Barry (Days Without End (Days Without End, #1))
“
Let me be very clear. I am headed north to escape everything you are, and everything you represent. You are all I loathe about the aristocracy – arrogant, vapid, without purpose, and altogether too reliant on your title and your fortune, which you have come by without any effort of your own. You haven’t a thought in your head worth thinking – as all of your intelligence is used up in planning seductions and winning silly carriage races. In case you have not noticed, I was perfectly fine in the stables until you came along and revealed me to be a woman. And when I left, with every intention of finding my own way north, it was you who followed me! And somehow I am looking to trap you into marriage?” She paused. “I do not know how I can put it more plainly. Go away.
”
”
Sarah MacLean (The Rogue Not Taken (Scandal & Scoundrel #1))
“
Paper: Some inexpensive plain bond paper A pad of Strathmore Drawing Paper, 80 lb., 11" × 14" Pencils: A #2 ordinary yellow writing pencil with an eraser at the top A #4 drawing pencil—Faber-Castell, Prismacolor Turquoise, or other brand Marking pens: Sharpie (or other brand) fine point non-permanent black A second marker, fine point permanent black Graphite stick: #4 General’s is a good brand, or other brand Pencil sharpener: A small handheld sharpener is fine Erasers: A Pink Pearl eraser A Staedtler Mars white plastic eraser A kneaded eraser—Lyra, Design, or other brand Masking tape: 3M Scotch Low Tack Artist Tape Clips: Two 1-inch-wide black clips Drawing board: A firm surface large enough to hold your 11" × 14" drawing paper—about 15" × 18" is a good size. This can be improvised from a kitchen cutting board, a piece of foam board, a piece of Masonite, or thick cardboard. Picture plane: This too can be improvised using an 8" × 10" piece of glass (you will need to tape the edges), or an 8" × 10" piece of clear plastic, about 1⁄16" thick. Viewfinders: You will make these from black paper—“construction” paper is a good thickness, or you could use thin black cardboard. You will find instructions for making the viewfinders here A small mirror: About 5" × 7" that can be taped to a wall, or any available wall mirror.
”
”
Betty Edwards (Drawing on the Right Side of the Brain: The Definitive Edition)
“
PRAYER IS AN EGG
On Resurrection Day God will say, "What did you do with the strength and energy
your food gave you on earth? How did you use your eyes?
What did you make with
your five senses while they were dimming and playing out?
I gave you hands and feet
as tools for preparing the ground for planting. Did you, in the health I gave,
do the plowing?" You will not be able to stand when you hear those questions. You
will bend double, and finally acknowledge the glory. God will say, "Lift
your head and answer the questions." Your head will rise a little, then slump
again. "Look at me! Tell what you've done." You try, but you fall back flat
as a snake. "I want every detail. Say!" Eventually you will be able to get to
a sitting position. "Be plain and clear. I have given you such gifts. What did
you do with them?" You turn to the right looking to the prophet for help, as
though to say, I am stuck in the mud of my life. Help me out of this! They
will answer, those kings, "The time for helping is past. The plow stands there in
the field. You should have used it. "Then you turn to the left, where your family
is, and they will say, "Don't look at us! This conversation is between you and your
creator." Then you pray the prayer that is the essence of every ritual: God,
I have no hope. I am torn to shreds. You are my first and last and only refuge.
Don't do daily prayers like a bird pecking, moving its head up and down. Prayer is an egg.
Hatch out the total helplessness inside.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
My Last Duchess
That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fra Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Fra Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek: perhaps
Fra Pandolf chanced to say “Her mantle laps
Over my lady’s wrist too much,” or “Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat”: such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech—(which I have not)—to make your will
Quite clear to such an one, and say, “Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark”—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
—E’en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
”
”
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
“
I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.
”
”
Alfred Bruce Douglas
“
What has happened to me is extreme; however, it is not that different from what everyone deals with. I am a sort of microcosm for what we all feel. I can barely walk, even with a cane, but who feels free even if they can? My face is paralyzed, but who feels beautiful even when they look normal? I have no coordination in my right hand, so I can’t hold things, even my child, but who feels like a competent parent even if all their faculties are intact? For months I could not eat, and even today I have difficulty swallowing, but who feels fully satisfied even if they can enjoy every delectable treat they desire? I am tired almost all the time now, but who always feels energized to engage fully in their life? My voice is messed up, but who feels understood even if they can speak plainly? I have double vision, but who sees everything clearly even if they can see normally? My future is uncertain, but whose isn’t? So
”
”
Katherine Wolf (Hope Heals)
“
When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.
”
”
Jun'ichirō Tanizaki (In Praise of Shadows)
“
To that point, he had always found the vicomtesse overflowing with friendly politeness, that sweet-flowing grace conferred by an aristocratic education, and which is never truly there unless it comes, automatically and unthinkingly, straight from the heart.
[...]
For anyone who had learned the social code, and Rastignac had absorbed it all in a flash, these words, that gesture, that look, that inflection in her voice, summed up all there was to know about the nature and the ways of men and women of her class. He was vividly aware of the iron hand underneath the velvet glove; the personality, and especially the self-centeredness, under the polished manners; the plain hard wood, under all the varnish. [...] Eugène had been entirely too quick to take this woman's word for her own kindness. Like all those who cannot help themselves, he had signed on the dotted line, accepting the delightful contract binding both benefactor and recipient, the very first clause of which makes clear that, as between noble souls, perfect equality must be forever maintained. Beneficience, which ties people together, is a heavenly passion, but a thoroughly misunderstood one, and quite as scarce as true love. Both stem from the lavish nature of great souls.
”
”
Honoré de Balzac (Père Goriot)
“
The very concept of trying to “teach” a lover things feels patronizing, incongruous, and plain sinister. If we truly loved someone, there could be no talk of wanting him or her to change. Romanticism is clear on this score: true love should involve an acceptance of a partner’s whole being. It is this fundamental commitment to benevolence that makes the early months of love so moving. Within the new relationship, our vulnerabilities are treated with generosity. Our shyness, awkwardness, and confusion endear (as they did when we were children) rather than generate sarcasm or complaint; the trickier sides of us are interpreted solely through the filter of compassion. From these moments, a beautiful yet challenging and even reckless conviction develops: that to be properly loved must always mean being endorsed for all that one is. Marriage
”
”
Alain de Botton (The Course of Love)
“
Q. Would you repeat, Dr. Seldon, your thoughts concerning the future of Trantor?
A. I have said, and I say again, that Trantor will lie in ruins within the next three centuries.
Q. You do not consider your statement a disloyal one?
A. No, sir. Scientific truth is beyond loyalty and disloyalty."
Q. You are sure that your statement represents scientific truth?
A. I am.
Q. On what basis?
A. On the basis of the mathematics of psychohistory.
Q. Can you prove that this mathematics is valid?
A. Only to another mathematician.
Q. ( with a smile) Your claim then is that your truth is of so esoteric a nature that it is beyond the understanding of a plain man. It seems to me that truth should be clearer than that, less mysterious, more open to the mind.
A. It presents no difficulties to some minds. The physics of energy transfer, which we know as thermodynamics, has been clear and true through all the history of man since the mythical ages, yet there may be people present who would find it impossible to design a power engine. People of high intelligence, too. I doubt if the learned Commissioners—
At this point, one of the Commissioners leaned toward the Advocate. His words were not heard but the hissing of the voice carried a certain asperity. The Advocate flushed and interrupted Seldon.
Q. We are not here to listen to speeches, Dr. Seldon. Let us assume that you have made your point. Let me suggest to you that your predictions of disaster might be intended to destroy public confidence in the Imperial Government for purposes of your own!
A. That is not so.
Q. Let me suggest that you intend to claim that a period of time preceding the so-called ruin of Trantor will be filled with unrest of various types.
A. That is correct.
Q. And that by the mere prediction thereof, you hope to bring it about, and to have then an army of a hundred thousand available.
A. In the first place, that is not so. And if it were, investigation will show you that barely ten thousand are men of military age, and none of these has training in arms.
Q. Are you acting as an agent for another?
A. I am not in the pay of any man, Mr. Advocate.
Q. You are entirely disinterested? You are serving science?
A. I am.
”
”
Isaac Asimov (Foundation (Foundation, #1))
“
The first was never to accept anything as true that I did not plainly know to be such; that is to say, carefully to avoid hasty judgment and prejudice; and to include nothing more in my judgments than what presented itself to my mind so clearly and so distinctly that I had no occasion to call it in doubt. The second, to divide each of the difficulties I would examine into as many parts as possible and as was required in order better to resolve them. The third, to conduct my thoughts in an orderly fashion, by commencing with those objects that are simplest and easiest to know, in order to ascend little by little, as by degrees, to the knowledge of the most composite things, and by supposing an order even among those things that do not [19] naturally precede one another. And the last, everywhere to make enumerations so complete and reviews so general that I was assured of having omitted nothing.
”
”
René Descartes (Discourse on Method and Meditations on First Philosophy (Hackett Classics))
“
Now the many are plainly quite slavish, choosing a life like that of brute animals: yet they obtain some consideration, because many of the great share the tastes of Sardanapalus. The refined and active again conceive it to be honour: for this may be said to be the end of the life in society: yet it is plainly too superficial for the object of our search, because it is thought to rest with those who pay rather than with him who receives it, whereas the Chief Good we feel instinctively must be something which is our own, and not easily to be taken from us. And besides, men seem to pursue honour, that they may *[Sidenote: 1096a] believe themselves to be good: for instance, they seek to be honoured by the wise, and by those among whom they are known, and for virtue: clearly then, in the opinion at least of these men, virtue is higher than honour. In truth, one would be much more inclined to think this to be the end of the life in society; yet this itself is plainly not sufficiently final: for it is conceived possible, that a man possessed of virtue might sleep or be inactive all through his life, or, as a third case, suffer the greatest evils and misfortunes: and the man who should live thus no one would call happy, except for mere disputation's sake. And for these let thus much suffice, for they have been treated of at sufficient length in my Encyclia.
”
”
Aristotle (Ethics)
“
If you asked me whether what I have done in my life defines my life, I would answer, "No." That's not to diminish my sins or humble-bumble my successes. It is simply to affirm a grace often realized only in the winter of life. The winter is stark but also comforting. I am, and have always been, more than the sum of my deeds. Thank God.
If asked whether I have fulfilled my calling as an evangelist, I would answer, "No." That answer is not guilt-ridden or shame-faced. It is to witness to a larger truth, again more clearly seen in my later days. My calling is, and always has been, to a life filled with family and friends and alcohol and Jesus and Roslyn and notoriously good sinners.
If asked whether I am going gently into old age, I would answer, "No." That's just plain honest. It is true that when you are old, you are often led where you would rather not go. In a wisdom that some days I admit feels foolish, God has ordained the later days of our lives to look shockingly similar to that of our earliest: as dependent children.
If asked whether I am finally letting God love me, just as I am, I would answer, "No, but I'm trying.
”
”
Brennan Manning (All Is Grace: A Ragamuffin Memoir)
“
Come on!' he muttered, staring about. 'Where are you? Dad, come on--"
But no one came. Harry raised his head to look at the circle of dementors across the lake. One of them was lowering its hood. It was time for the rescuer to appear--but no one was coming to help this time--
And then it hit him--he understood. He hadn't seen his father--he had seen himself--
...
'It was stupid, thinking it was him,' he (Harry) muttered. 'I mean, I knew he was dead.'
'You think the dead we loved ever truly leave us? You think that we don't recall them more clearly than ever in times of great trouble? Your father is alive in you, Harry, and shows himself most plainly when you have need of him. How else could you produce that particular Patronus? Prongs rode again last night.'
...
'You know, Harry, in a way, you did see your father last night...You found him inside yourself.'
And Dumbledore left the office, leaving Harry to his very confused thoughts.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
I have now traveled so far south that I find myself come to a place where our common expression “white as snow” has no useful meaning. Here, one who wishes his words to make plain sense had better say “white as cotton.” I will not say that I find the landscape lovely. We go on through Nature to God, and my Northern eye misses the grandeur that eases that ascent. I yearn for mountains, or at least for the gentle ridges of Massachusetts; the sweet folds and furrows that offer the refreshment of a new vista as each gap or summit is obtained. Here all is obvious, a song upon a single note. One wakes and falls asleep to a green sameness, the sun like a pale egg yolk, peering down from a white sky.
And the river! Water as unlike our clear fast-flowing freshets as a fat broody hen to a hummingbird. Brown as treacle, wider than a harbor, this is water sans sparkle or shimmer. In places, it roils as if heated below by a hidden furnace. In others, it sucks the light down and gives back naught but an inscrutable sheen that conceals both depth and shallows. It is a mountebank, this river. It feigns a gentle lassitude, yet coiled beneath are currents that have crushed the trunks of mighty trees, and swept men to swift drownings…
”
”
Geraldine Brooks (March)
“
To many persons around him, he appears too much the academic. There may be some things about him that recall his beginnings—his shabby clothes; his persistent poverty; or his dark skin (in those cases when it symbolizes his parents’ disadvantaged condition)—but they only make clear how far he has moved from his past. He has used education to remake himself. They expect—they want—a student less changed by his schooling. If the scholarship boy, from a past so distant from the classroom, could remain in some basic way unchanged, he would be able to prove that it is possible for anyone to become educated without basically changing from the person one was. The scholarship boy does not straddle, cannot reconcile, the two great opposing cultures of his life. His success is unromantic and plain. He sits in the classroom and offers those sitting beside him no calming reassurance about their own lives. He sits in the seminar room—a man with brown skin, the son of working-class Mexican immigrant parents.
”
”
Richard Rodríguez (Hunger of Memory)
“
“Was one of those college boys with you your boyfriend?”
A slight bit of heat creeps onto my cheeks. Not from panic this time, but from...from... “No, I don’t have a boyfriend.”
And the answer makes me shy, and the shyness gives me the power to look away. To think he called me brave. I wish I was brave. I wish that every person I’d meet would think of me that way. Not as the coward I really am.
“Good. Those guys were losers. Stay clear of them.”
“You’re sort of bossy.” I’m teasing. Isaiah’s way too serious to find time to be bossy. But the main point is that he’s totally unlike my brothers, who demand everything from me by plain bullying.
“I’m not bossy,” he says and I get a little thrill that he’s playing along.
This isn’t me. In my day-to-day life, I could never find the courage to talk to guys, much less tease them, yet here I am. “No, I have four older brothers. Technically three older brothers and a twin, but Ethan claims he’s older by a minute. The point is I know what bossy is—and you’re it.”
“Think of it as strongly encouraged tips for survival.”
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
Government is a plain, simple, intelligent thing, founded in nature and reason, quite comprehensible by common sense [the Dissertation continued]. . . . The true source of our suffering has been our timidity. We have been afraid to think. . . . Let us dare to read, think, speak, and write. . . . Let it be known that British liberties are not the grants of princes or parliaments . . . that many of our rights are inherent and essential, agreed on as maxims and established as preliminaries, even before Parliament existed. . . . Let us read and recollect and impress upon our souls the views and ends of our more immediate forefathers, in exchanging their native country for a dreary, inhospitable wilderness. . . . Recollect their amazing fortitude, their bitter sufferings—the hunger, the nakedness, the cold, which they patiently endured—the severe labors of clearing their grounds, building their houses, raising their provisions, amidst dangers from wild beasts and savage men, before they had time or money or materials for commerce. Recollect the civil and religious principles and hopes and expectations which constantly supported and carried them through all hardships with patience and resignation. Let us recollect it was liberty, the hope of liberty, for themselves and us and ours, which conquered all discouragements, dangers, and trials.
”
”
David McCullough (John Adams)
“
BOWLS OF FOOD
Moon and evening star do their
slow tambourine dance to praise
this universe. The purpose of
every gathering is discovered:
to recognize beauty and love
what’s beautiful. “Once it was
like that, now it’s like this,”
the saying goes around town, and
serious consequences too. Men
and women turn their faces to the
wall in grief. They lose appetite.
Then they start eating the fire of
pleasure, as camels chew pungent
grass for the sake of their souls.
Winter blocks the road. Flowers
are taken prisoner underground.
Then green justice tenders a spear.
Go outside to the orchard. These
visitors came a long way, past all
the houses of the zodiac, learning
Something new at each stop. And
they’re here for such a short time,
sitting at these tables set on the
prow of the wind. Bowls of food
are brought out as answers, but
still no one knows the answer.
Food for the soul stays secret.
Body food gets put out in the open
like us. Those who work at a bakery
don’t know the taste of bread like
the hungry beggars do. Because the
beloved wants to know, unseen things
become manifest. Hiding is the
hidden purpose of creation: bury
your seed and wait. After you die,
All the thoughts you had will throng
around like children. The heart
is the secret inside the secret.
Call the secret language, and never
be sure what you conceal. It’s
unsure people who get the blessing.
Climbing cypress, opening rose,
Nightingale song, fruit, these are
inside the chill November wind.
They are its secret. We climb and
fall so often. Plants have an inner
Being, and separate ways of talking
and feeling. An ear of corn bends
in thought. Tulip, so embarrassed.
Pink rose deciding to open a
competing store. A bunch of grapes
sits with its feet stuck out.
Narcissus gossiping about iris.
Willow, what do you learn from running
water? Humility. Red apple, what has
the Friend taught you? To be sour.
Peach tree, why so low? To let you
reach. Look at the poplar, tall but
without fruit or flower. Yes, if
I had those, I’d be self-absorbed
like you. I gave up self to watch
the enlightened ones. Pomegranate
questions quince, Why so pale? For
the pearl you hid inside me. How did
you discover my secret? Your laugh.
The core of the seen and unseen
universes smiles, but remember,
smiles come best from those who weep.
Lightning, then the rain-laughter.
Dark earth receives that clear and
grows a trunk. Melon and cucumber
come dragging along on pilgrimage.
You have to be to be blessed!
Pumpkin begins climbing a rope!
Where did he learn that? Grass,
thorns, a hundred thousand ants and
snakes, everything is looking for
food. Don’t you hear the noise?
Every herb cures some illness.
Camels delight to eat thorns. We
prefer the inside of a walnut, not
the shell. The inside of an egg,
the outside of a date. What about
your inside and outside? The same
way a branch draws water up many
feet, God is pulling your soul
along. Wind carries pollen from
blossom to ground. Wings and
Arabian stallions gallop toward
the warmth of spring. They visit;
they sing and tell what they think
they know: so-and-so will travel
to such-and-such. The hoopoe
carries a letter to Solomon. The
wise stork says lek-lek. Please
translate. It’s time to go to
the high plain, to leave the winter
house. Be your own watchman as
birds are. Let the remembering
beads encircle you. I make promises
to myself and break them. Words are
coins: the vein of ore and the
mine shaft, what they speak of. Now
consider the sun. It’s neither
oriental nor occidental. Only the
soul knows what love is. This
moment in time and space is an
eggshell with an embryo crumpled
inside, soaked in belief-yolk,
under the wing of grace, until it
breaks free of mind to become the
song of an actual bird, and God.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
I walked awhile among the rocks: the sky was perfectly clear, and the sun so hot, that I was forced to turn my face from it: when all on a sudden it became obscure, as I thought, in a manner very different from what happens by the interposition of a cloud. I turned back, and perceived a vast opaque body between me and the sun moving forwards towards the island: it seemed to be about two miles high, and hid the sun six or seven minutes; but I did not observe the air to be much colder, or the sky more darkened, than if I had stood under the shade of a mountain. As it approached nearer over the place where I was, it appeared to be a firm substance, the bottom flat, smooth, and shining very bright, from the reflection of the sea below. I stood upon a height about two hundred yards from the shore, and saw this vast body descending almost to a parallel with me, at less than an English mile distance. I took out my pocket perspective, and could plainly discover numbers of people moving up and down the sides of it, which appeared to be sloping; but what those people where doing I was not able to distinguish.
”
”
Jonathan Swift (Gulliver's Travels)
“
Brentwood stands on that fine and wealthy slope of country, one of the richest in Scotland, which lies between the Pentland Hills and the Firth. In clear weather you could see the blue gleam-like a bent bow, embracing the wealthy fields and scattered houses of the great estuary on one side of you; and on the other the blue heights, not gigantic like those we had been used to, but just high enough for all the glories of the atmosphere, the play of clouds, and sweet reflections, which give to a hilly country an interest and a charm which nothing else can emulate. Edinburgh, with its two lesser heights - the Castle and the Calton Hill - its spires and towers piercing through the smoke, and Arthur's Seat lying crouched behind, like a guardian no longer very needful, taking his repose beside the well-beloved charge, which is now, so to speak, able to take care of itself without him - lay at our right hand. From the lawn and drawing-room windows we could see all these varieties of landscape. The colour was sometimes a little chilly, but sometimes, also, as animated and full of vicissitude as a drama. I was never tired of it. Its colour and freshness revived the eyes which had grown weary of arid plains and blazing skies. It was always cheery, and fresh, and full of repose. ("The Open Door")
”
”
Mrs. Oliphant (The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies)
“
You’d better marry her before she reaches eighteen and the spell wears off,” I said.
“Spell?”
“Yes. The one that’s hiding her fangs and pincers from plain sight.”
“I don’t find them especially hidden,” he said mildly.
“Then perhaps you’re a pair.”
His brows lifted. “Now, that’s the cruelest thing you’ve said so far.”
Mrs. Fredericks cleared off, and Chloe took her place before the piano. A beam of sunlight was just beginning its slide into the chamber, capturing her in light. She was a glowing girl with a glowing face, and Joplin at her fingertips.
“Give me time,” I muttered, dropping my gaze to my plate. “I’ll come up with something worse.”
“No doubt.” Armand pulled a flask from his jacket and shook it in front of my nose. “Whiskey. Conveniently the same color as tea. Are you game, waif?” I glanced around, but no one was looking. I lifted my cup, drained it to the dregs, and set it before him.
He was right. It did look like tea. But it tasted like vile burning fire, all the way down my throat.
“Sip it,” he hissed, as I began to cough. His voice lifted over my sputtering. “Dear me, Miss Jones, I do beg your pardon. The tea’s rather hot; I should have mentioned it.”
“Quite all right,” I gasped, as the whiskey swirled an evil amber in my teacup.
Chloe’s song grew bouncier, with lyrics about a girl with strawberries in a wagon. Several of the men had begun to cluster near, drawn to her soprano or perchance her bosom. Two were vying to turn the pages of her music. She had to crane her head to keep Armand in view.
He sent her another smile from his chair, lifting his cup in salute.
“I’m going to kiss you, Eleanore,” he said quietly, still looking at her. “Not now. Later.” His eyes cut back to mine. “I thought it fair to tell you first.”
I stilled. “If you think you can do so without me biting your lip, feel free to try.”
His gaze shone wicked blue. “I don’t mind if you bite.”
“Biting your lip off, I should have said.”
“Ah. Let’s see how it goes, shall we?
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
BOOK I 1 [184a] When the objects of an inquiry, in any department, have principles, (10) conditions, or elements, it is through acquaintance with these that knowledge, that is to say scientific knowledge, is attained. For we do not think that we know a thing until we are acquainted with its primary conditions or first principles, and have carried our analysis as far as its simplest elements. Plainly therefore in the science of Nature, (15) as in other branches of study, our first task will be to try to determine what relates to its principles. The natural way of doing this is to start from the things which are more knowable and obvious to us and proceed towards those which are clearer and more knowable by nature; for the same things are not ‘knowable relatively to us’ and ‘knowable’ without qualification. So in the present inquiry we must follow this method and advance from what is more obscure by nature, (20) but clearer to us, towards what is more clear and more knowable by nature. Now what is to us plain and obvious at first is rather confused masses, the elements and principles of which become known to us later by analysis. Thus we must advance from generalities to particulars; for it is a whole that is best known to sense-perception, (25) and a generality is a kind of whole, comprehending many things within it, like parts. [184b] Much the same thing happens in the relation of the name to the formula. (10) A name, e. g. ‘round’, means vaguely a sort of whole: its definition analyses this into its particular senses. Similarly a child begins by calling all men ‘father’, and all women ‘mother’, but later on distinguishes each of them.
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Aristotle (The Basic Works of Aristotle)
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Think for a moment about the Agricultural Revolution from the viewpoint of wheat. Ten thousand years ago wheat was just a wild grass, one of many, confined to a small range in the Middle East. Suddenly, within just a few short millennia, it was growing all over the world. According to the basic evolutionary criteria of survival and reproduction, wheat has become one of the most successful plants in the history of the earth. In areas such as the Great Plains of North America, where not a single wheat stalk grew 10,000 years ago, you can today walk for hundreds upon hundreds of miles without encountering any other plant. Worldwide, wheat covers about 870,000 square miles of the globe’s surface, almost ten times the size of Britain. How did this grass turn from insignificant to ubiquitous? Wheat did it by manipulating Homo sapiens to its advantage. This ape had been living a fairly comfortable life hunting and gathering until about 10,000 years ago, but then began to invest more and more effort in cultivating wheat. Within a couple of millennia, humans in many parts of the world were doing little from dawn to dusk other than taking care of wheat plants. It wasn’t easy. Wheat demanded a lot of them. Wheat didn’t like rocks and pebbles, so Sapiens broke their backs clearing fields. Wheat didn’t like sharing its space, water and nutrients with other plants, so men and women laboured long days weeding under the scorching sun. Wheat got sick, so Sapiens had to keep a watch out for worms and blight. Wheat was attacked by rabbits and locust swarms, so the farmers built fences and stood guard over the fields. Wheat was thirsty, so humans dug irrigation canals or lugged heavy buckets from the well to water it. Sapiens even collected animal faeces to nourish the ground in which wheat grew.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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In roughly that same time period, while General George Armstrong Custer achieved world fame in failure and catastrophe, Mackenzie would become obscure in victory. But it was Mackenzie, not Custer, who would teach the rest of the army how to fight Indians. As he moved his men across the broken, stream-crossed country, past immense herds of buffalo and prairie-dog towns that stretched to the horizon, Colonel Mackenzie did not have a clear idea of what he was doing, where precisely he was going, or how to fight Plains Indians in their homelands. Neither did he have the faintest idea that he would be the one largely responsible for defeating the last of the hostile Indians. He was new to this sort of Indian fighting, and would make many mistakes in the coming weeks. He would learn from them. For now, Mackenzie was the instrument of retribution. He had been dispatched to kill Comanches in their Great Plains fastness because, six years after the end of the Civil War, the western frontier was an open and bleeding wound, a smoking ruin littered with corpses and charred chimneys, a place where anarchy and torture killings had replaced the rule of law, where Indians and especially Comanches raided at will. Victorious in war, unchallenged by foreign foes in North America for the first time in its history, the Union now found itself unable to deal with the handful of remaining Indian tribes that had not been destroyed, assimilated, or forced to retreat meekly onto reservations where they quickly learned the meaning of abject subjugation and starvation. The hostiles were all residents of the Great Plains; all were mounted, well armed, and driven now by a mixture of vengeance and political desperation. They were Comanches, Kiowas, Arapahoes, Cheyennes, and Western Sioux. For Mackenzie on the southern plains, Comanches were the obvious target: No tribe in the history of the Spanish, French, Mexican, Texan, and American occupations of this land had ever caused so much havoc and death. None was even a close second.
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S.C. Gwynne (Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History)