“
Human beings are so destructive. I sometimes think we're a kind of plague, that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that's our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and lets evolution proceed to its next phase.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
Productivity is a trap. Becoming more efficient just makes you more rushed, and trying to clear the decks simply makes them fill up again faster. Nobody in the history of humanity has ever achieved “work-life balance,” whatever that might be, and you certainly won’t get there by copying the “six things successful people do before 7:00 a.m.” The day will never arrive when you finally have everything under control—when the flood of emails has been contained; when your to-do lists have stopped getting longer; when you’re meeting all your obligations at work and in your home life; when nobody’s angry with you for missing a deadline or dropping the ball; and when the fully optimized person you’ve become can turn, at long last, to the things life is really supposed to be about. Let’s start by admitting defeat: none of this is ever going to happen. But you know what? That’s excellent news.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
No one likes the feeling that other people are waiting— impatiently—for a response. At the beginning of the day, faced with an overflowing inbox, an array of voice mail messages, and the list of next steps from your last meeting, it’s tempting to “clear the decks” before starting your own work . When you’re up-to-date, you tell yourself, it will be easier to focus.
The trouble with this approach is it means spending the best part of the day on other people’s priorities.
”
”
Jocelyn K. Glei (Manage Your Day-to-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind (99U))
“
As long as Kline doesn't kiss you." The warning was clear in his voice. "Same goes." "If he kisses me, he's getting decked." I laughed. "You know what I meant.
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
There are two categories of friendship: those in which people enliven one another and those in which people must be enlivened to be with one another. In the first category one clears the decks to be together; in the second one looks for an empty space in the schedule.
”
”
Vivian Gornick (The Odd Woman and the City: A Memoir)
“
As difficult as it is to endure, depression has elements that can be helpful in grief. It slows us down and allows us to take real stock of the loss. It makes us rebuild ourselves from the ground up. It clears the deck for growth. It takes us to a deeper place in our soul that we would not normally explore.
”
”
Elisabeth Kübler-Ross (On Grief and Grieving: Finding the Meaning of Grief Through the Five Stages of Loss)
“
Nico hung his head almost as low as a katobleps. "I, uh... used to play this stupid card game when I was younger. Mythomagic. The katobleps was one of the monster cards."
Frank blinked. "I played Mythomagic. I never saw that card"
"It was in the Africanus Extreme expansion deck."
"Oh."
Their host cleared his throat. "Are you two done, ah, geek-ing out, as they say?
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
The boat has become supreme isolation, chosen isolation, holding myself apart from the world, which I only dimly understand anyway. I can sit on the aft deck and never be surprised by anything again- no phone will ever ring, no one will knock that I haven't seen coming for a quarter mile. that I can go to sleep any night and wake up having broken loose- a failed knot, a line frayed, the anchor dragged- that I can drift out of sight of land makes a twisted sense, in line with my internal weather. When everything has proven tenuous one can either move toward permanence or toward impermanence. The boat's sublimely impermanent. Some mornings the fog's so thick that I exist only in a tight globe of clearing, beyond which is all foghorn and unknown.
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
No wife ever cleared a man’s character, not without a great deal of trouble on the lower decks. So
”
”
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
“
give thanks for my whirlwind success. I sweep all before me, for I work with the Spirit and follow the Divine Plan of my life. The decks are cleared for Divine action.
”
”
Florence Scovel Shinn (The Magic Path of Intuition)
“
She wondered, wondered, shuffling back through a fat deckful of days which seemed (wouldn't she be first to admit it?) more or less identical, or all pointing the same way subtly like a conjurer's deck, any odd one readily clear to a trained eye.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
The truth is that writing is simply not reliable. You can't count on it to be there just because you've made some space for it. In fact, making space might make it disappear. You tell yourself you can't write in the middle of your daily life, with all its distractions and commitments, and when you finally clear the decks, light off for someplace scenic or at least private, you sit there completely paralyzed. You have devoted yourself to writing, but it has not returned your devotion. If writing were a person, you would be in an abusive relationship. The healthy thing to do would be to get a restraining order and shut it right out of your heart.
”
”
Kim Addonizio (Bukowski in a Sundress: Confessions from a Writing Life)
“
At present, the successful office-seeker is a good deal like the center of the earth; he weighs nothing himself, but draws everything else to him. There are so many societies, so many churches, so many isms, that it is almost impossible for an independent man to succeed in a political career. Candidates are forced to pretend that they are catholics with protestant proclivities, or christians with liberal tendencies, or temperance men who now and then take a glass of wine, or, that although not members of any church their wives are, and that they subscribe liberally to all. The result of all this is that we reward hypocrisy and elect men entirely destitute of real principle; and this will never change until the people become grand enough to allow each other to do their own thinking.
Our government should be entirely and purely secular. The religious views of a candidate should be kept entirely out of sight. He should not be compelled to give his opinion as to the inspiration of the bible, the propriety of infant baptism, or the immaculate conception. All these things are private and personal. The people ought to be wise enough to select as their officers men who know something of political affairs, who comprehend the present greatness, and clearly perceive the future grandeur of our country. If we were in a storm at sea, with deck wave-washed and masts strained and bent with storm, and it was necessary to reef the top sail, we certainly would not ask the brave sailor who volunteered to go aloft, what his opinion was on the five points of Calvinism. Our government has nothing to do with religion. It is neither christian nor pagan; it is secular. But as long as the people persist in voting for or against men on account of their religious views, just so long will hypocrisy hold place and power. Just so long will the candidates crawl in the dust—hide their opinions, flatter those with whom they differ, pretend to agree with those whom they despise; and just so long will honest men be trampled under foot.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
There’s never a reason to apologize for tears, love. You can press things down only so long before yer heart decides to clear the deck.
”
”
Patricia Evans (Windswept)
“
If the weather isn't bad and it's a clear night, I spend fifteen or twenty minutes before bedtime out on the deck looking skyward, or, using a flashlight, I pick my way along the dirt road to the open pasture at the peak of my hill, from where I can see, from above the treeline, the whole heavenly inventory, stars unfurled in every direction, and, just this week, the planets Jupiter in the east and Mars in the west. It is beyond belief and also a fact, a plain and indisputable face: that we are born, that this is here. I can think of worse ways to end my day.
”
”
Philip Roth (I Married a Communist (The American Trilogy, #2))
“
Human beings are so destructive,” Malcolm said. “I sometimes think we’re a kind of plague, that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that’s our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and lets evolution proceed to its next phase.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
Clear night, thumb-top of a moon, a back-lit sky.
Moon-fingers lay down their same routine
On the side deck and the threshold, the white keys and the black keys.
Bird hush and bird song. A cassia flower falls.
I want to be bruised by God.
I want to be strung up in a strong light and singled out.
I want to be stretched, like music wrung from a dropped seed.
I want to be entered and picked clean.
And the wind says “What?” to me.
And the castor beans, with their little earrings of death, say “What?” to me.
And the stars start out on their cold slide through the dark.
And the gears notch and the engines wheel.
”
”
Charles Wright
“
Like so many other would-be students of the mind, I had gone to sea to see the world, only to discover that all I was seeing was sea. Not even that: I was down below decks, studying the engine room of mental life, with no clear sense of where the ship was steering.
”
”
Nicholas Humphrey (The Inner Eye)
“
The grenade hit him in the chest and bounced onto the deck [here, the Navy term for floor]. He immediately leapt to his feet and yelled “grenade” to alert his teammates of impending danger, but they could not evacuate the sniper hide-sight in time to escape harm. Without hesitation and showing no regard for his own life, he threw himself onto the grenade, smothering it to protect his teammates who were lying in close proximity. The grenade detonated as he came down on top of it, mortally wounding him. Petty Officer Monsoor’s actions could not have been more selfless or clearly intentional. Of the three SEALs on that rooftop corner, he had the only avenue of escape away from the blast, and if he had so chosen, he could have easily escaped. Instead, Monsoor chose to protect his comrades by the sacrifice of his own life. By his courageous and selfless actions, he saved the lives of his two fellow SEALs.
”
”
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
“
1. Where in your life or your work are you currently pursuing comfort, when what’s called for is a little discomfort? Pursuing the life projects that matter to you the most will almost always entail not feeling fully in control of your time, immune to the painful assaults of reality, or confident about the future. It means embarking on ventures that might fail, perhaps because you’ll find you lacked sufficient talent; it means risking embarrassment, holding difficult conversations, disappointing others, and getting so deep into relationships that additional suffering—when bad things happen to those you care about—is all but guaranteed. And so we naturally tend to make decisions about our daily use of time that prioritize anxiety-avoidance instead. Procrastination, distraction, commitment-phobia, clearing the decks, and taking on too many projects at once are all ways of trying to maintain the illusion that you’re in charge of things. In a subtler way, so too is compulsive worrying, which offers its own gloomy but comforting sense that you’re doing something constructive to try to stay in control. James Hollis recommends asking of every significant decision in life: “Does this choice diminish me, or enlarge me?” The question circumvents the urge to make decisions in the service of alleviating anxiety and instead helps you make contact with your deeper intentions for your time. If you’re trying to decide whether to leave a given job or relationship, say, or to redouble your commitment to it, asking what would make you happiest is likely to lure you toward the most comfortable option, or else leave you paralyzed by indecision. But you usually know, intuitively, whether remaining in a relationship or job would present the kind of challenges that will help you grow as a person (enlargement) or the kind that will cause your soul to shrivel with every passing week (diminishment). Choose uncomfortable enlargement over comfortable diminishment whenever you can.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
in English and Arabic. Clearly, even personal shoppers had him pegged as a complete geek. The shopper also managed to find some supplies for our magic bags—blocks of wax, twine, even some papyrus and ink—though I doubt Bes explained to her what they were for. After she left, Bes, Carter and I ordered more food from room service. We sat on the deck and watched the afternoon go by. The breeze from the Mediterranean was cool and pleasant. Modern Alexandria stretched out to our left—an odd mix of gleaming high-rises, shabby, crumbling buildings, and ancient ruins. The shoreline highway was dotted with palm trees and crowded with every sort of vehicle from BMWs to donkeys. From our penthouse suite, it all seemed a bit unreal—the raw energy of the city, the bustle and congestion below —while we sat on our veranda in the sky eating fresh fruit and the last melting bits of Lenin’s head.
”
”
Rick Riordan (The Throne of Fire (Kane Chronicles, #2))
“
It was an operation that Dr. Maturin had carried out at sea before, always in the fullest possible light and therefore on deck, and many of them had seen him do so.
Now they and all their mates saw him do it again: they saw Joe Plaice's scalp taken off, his skull bared, a disc of bone audibly sawn out, the handle turning solemnly; a three-shilling piece, hammered into a flattened dome by the armourer, screwed on over the hole; and the scalp replaced, neatly sewn up by the parson.
It was extremely gratifying - the Captain had been seen to go pale, and Barret Bonden too, the patient's cousin - blood running down Joe's neck regardless - brains clearly to be seen - something not to be missed for a mint of money - instructive, too - and they made the most of it.
”
”
Patrick O'Brian
“
Where the hell was she? Grant knew he'd go mad if he asked himself the question one more time.
Where the hell was she?
From the lookout deck of his lighthouse he could see for miles. But he couldn't see Gennie.The wind slapped at his face as he stared out to sea and wondered what in God's name he was going to do.
Forget her? He might occasionally forget to eat or to sleep,but he couldn't forget Gennie. Unfortunately, his memory was just as clear on the last ten minutes they had been together. How could he have been such a fool! Oh,it was easy,Grant thought in disgust.He'd had lots of practice.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Wake up O dear,
Into the glory of another morn,
The night has ended, darkness has shredded.
Bathed in the delight of heavenly shower,
The earth is decked by sparkling dews.
Fly high upon the celestial spheres, for
The skies are clear, horizons boundless
Devoid of the clouds of deadly grief.
March ahead O dearest life,
Towards the road that appears endless
Follow the paces of invisible time -
Until its dusk, yet another night!
”
”
Preeth Padmanabhan Nambiar (The Solitary Shores)
“
To the Nameless Saints who soothe the winds and still the restless sea...
Lenos turned his grandmother's talisman between his hands as he prayed.
I beg protection for this vessel--
A sound shuddered through the ship, followed by a swell of cursing. Lenos looked up as Lila got to her feet, steam rising from her hands.
-- and those who sail aboard it. I beg kind waters and clear skies as we make our way--
"If you break my ship, I will kill you all," shouted Jasta.
His fingers tightened around the pendant.
-- our way into danger and darkness.
"Damned Antari," muttered Alucard, storming up the steps to the landing where Lenos stood, elbows on the rail.
The captain slumped down against a crate and produced a flask. "This is why I drink."
Lenos pressed on.
I beg this as a humble servant, with faith in the vast world, in all its power.
He straightened, tucking the necklace back under his collar.
"Did I interrupt?" asked Alucard.
Lenos looked from the singe marks on the deck to Jasta bellowing from the wheel as the ship tepped suddenly sideways under the force of whatever magic the three Antari were working, and at last to the man who sat drinking on the floor.
"Not really,
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
The ships themselves were extremely vulnerable, but they could inflict heavy punishment on an enemy from long range, if they could find him and strike him first. The tactical imperatives were to keep moving; to keep your scouts in the air, flying wide search patterns; and to hide your flight decks in weather fronts while pinning your enemy down in zones of clear visibility. “If they can’t find you they can’t hit you,” said Captain Sherman of the Lexington. “The carrier is a weapon that can dash in, hit hard and disappear.
”
”
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
“
If the weather isn't bad and it's a clear night, I spend fifteen or twenty minutes before bedtime out on the deck looking skyward, or, using a flashlight, I pick my way along the dirt road to the open pasture at the peak of my hill, from where I can see, from above the treeline, the whole heavenly inventory, stars unfurled in every direction, and, just this week, the planets Jupiter in the east and Mars in the west. It is beyond belief and also a fact, a plain and indisputable fact: that we are born, that this is here. I can think of worse ways to end my day.
”
”
Philip Roth (I Married a Communist (The American Trilogy, #2))
“
Through rain...then through dreaming glass, green with the evening. And herself in chair, old-fashioned, bonneted, looking west over the deck of Earth, inferno red at its edges, and further in the brown and gold clouds...
Then, suddenly, night: The empty rocking chair lit staring chalk blue by--is it the moon, or some other light in the sky? just the hard chair, empty now, in the very clear night, and this cold light coming down...
The images go, flowering, in and out, some lovely, some just awful...but she's snuggled in here with her lamb, her Roger, and how she loves the line of his neck all at once so---why there it is right there, the back of his bumpy head like a boy of ten's. She kisses him up and down the sour salt reach of skin that's taken her so, taken her nightlit along this high tendoning, kisses him like kisses were flowing breath itself, and never ending.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
How long Archibald slept he could not have said. He woke some hours later with a vague feeling that a thunderstorm of unusual violence had broken out in his immediate neighborhood. But this, he realized as the mists of slumber cleared away, was an error. The noise which had disturbed him was not thunder but the sound of someone snoring. Snoring like the dickens. The walls seemed to be vibrating like the deck of an ocean liner....
His spirit was not so completely broken as to make him lie supinely down beneath that snoring. The sound filled him, as snoring fills every right-thinking man, with a seething resentment and a passionate yearning for justice, and he climbed out of bed with the intention of taking the proper steps through the recognized channels. It is the custom nowadays to disparage the educational methods of the English public school and to maintain that they are not practical and of a kind to fit the growing boy for the problems of afterlife. But you do learn one thing at a public school, and that is how to act when somebody starts snoring.
You jolly well grab a cake of soap and pop in and stuff it down the blighter's throat. And this is what Archibald proposed - God willing - to do.
”
”
P.G. Wodehouse
“
From my bed I can see the moon tonight, so bright and ripe and salmon pink it looks as if it might drop from the sky. I imagine pirates on deck just before sunrise with the wood groaning and the moonlight streaking across the water in a straight line from the horizon. Did Caesar see the moon exactly so as he strode down the Roman Forum on the way to some debaucherous celebration? And what about Moses and Galileo and some wretched young Londoner pulling a cart full of corpses during the plague? or an American Indian crouched by a fire in a small clearing surrounded by huge primeval trees that glow orange from the flame?
”
”
Jonathan Hull (Losing Julia)
“
he wins success, And dying foes his power confess. Tall and broad-shouldered, strong of limb, Fortune has set her mark on him. Graced with a conch-shell's triple line, His throat displays the auspicious sign.16 [pg 003] High destiny is clear impressed On massive jaw and ample chest, His mighty shafts he truly aims, And foemen in the battle tames. Deep in the muscle, scarcely shown, Embedded lies his collar-bone. His lordly steps are firm and free, His strong arms reach below his knee;17 All fairest graces join to deck His head, his brow, his stately neck, And limbs in fair proportion set: The manliest form e'er fashioned yet.
”
”
Vālmīki (The Rámáyan of Válmíki)
“
Every time I yelled my orders through the resurrected wind that howled in the rigging, the Kanaks replied with the only words I ever heard them say in English - "Aye, aye, sir!" - like a chorus responding to a solo. It might sound strange - even reckless - to say that we sailed into the storm with exhilaration, but there's no other word to describe our mood as, utterly drenched, we watched the waves toss around us, sending up huge sheets of flying foam that merged sea and sky. We'd double-robed the flying jib, but soon we had to drop all but the foresail to prevent the mast and rigging from going overboard. I lashed myself to the wheel as the vast waves thundered over us, clearing the deck, from bow to stern, of anything that wasn't strapped down. I stayed there for two days. I could have ordered one of the Kanaks to relieve me every four hours, but I didn't. Not because I didn't trust them, but because I had something to prove to myself. I think they understood that.
”
”
Carsten Jensen (We, the Drowned)
“
Human beings are so destructive,' Malcolm said. 'I sometimes think we're a kind of plague that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that's our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and let's evolution proceed to its next phase.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
Soon it becomes clear that we are not, after all, in control, not a high-functioning sailor standing stably on a nice calm deck, a deck that we have created through our virtue. The ship is pitching, and the deck is covered in ice, and we’re wearing special headphones that distort what our crewmates are shouting and special mouthpieces that distort what we’re shouting back in return.
”
”
George Saunders (A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life)
“
Sure, you can stay home and work towards the day when you have the perfect boat, perfectly outfitted, as most people try to do. You might even wait and do your cruising as a retired person clutching a fistful of platinum credit cards on a finely fitted boat filled with expensive gadgets needed to maintain your increased demands for comfort and security. But by that time you are somewhat lacking in the robust health and enthusiasm to fully engage in your long-postponed adventure. If I chose to sail as a young adventurer, poorly equipped in the material sense, I make no apologies. I was well-fitted out in health and spirit. As all sailors ultimately learn, it is easier to prepare a boat for sea than to clear the decks of your life for a voyage into unknown waters.
”
”
James Baldwin (Across Islands and Oceans)
“
Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
One story clearly illustrates Anne Bonny's particular mix of comedy and ingenuity. She'd heard of a French Merchantman, loaded down with silks and satins, and decided to attack it. Her plan was quite nuts. She got the crew to smear the sails and the deck of the ship with turtle blood, covered most of the crew with the same blood, dressed one of Bouspeut’s dressmaker dummies in women’s clothing and stood it in the bow of the ship, likewise splashed with blood, and positioned the crew around it like corpses.
She then lobbed her tits out and, brandishing a blood-soaked boarding axe, stood quite still over this horrific scene as they sailed out to meet the Merchantman.
Sailors are profoundly superstitious and once the Frenchmen caught sight of this demonic ship with the bare-breasted maniac lit by a raging moon, the Frenchmen were so repelled that they gave up without a fight.
What theatre!
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
Allow me to introduce you to two men, Alan and Ben. Without thinking about it too long, decide who you prefer. Alan is smart, hard-working, impulsive, critical, stubborn and jealous. Ben, however, is jealous, stubborn, critical, impulsive, hard-working and smart. Who would you prefer to get stuck in an elevator with? Most people choose Alan, even though the descriptions are exactly the same. Your brain pays more attention to the first adjectives in the lists, causing you to identify two different personalities. Alan is smart and hard-working. Ben is jealous and stubborn. The first traits outshine the rest. This is called the primacy effect. If it were not for the primacy effect, people would refrain from decking out their headquarters with luxuriously appointed entrance halls. Your lawyer would feel happy turning up to meet you in worn-out sneakers rather than beautifully polished designer Oxfords. The
”
”
Rolf Dobelli (The Art of Thinking Clearly: The Secrets of Perfect Decision-Making)
“
In other words, too much of our attention is devoted to things that don’t matter... things that consume valuable resources (time, money and skill) yet don’t contribute in any meaningful way to fulfilling the system’s mission. In fact, without a clear understanding of the vertical dependency between action and outcome, many of the formal activities that take place in most systems are akin to rearranging the deck chairs on the RMS Titanic after it stuck the iceberg.
”
”
H. William Dettmer (The Logical Thinking Process: An Executive Summary)
“
{T}here are millions of books published every year exposing the world's corruption, and the corruption of the world only increases. Each book, in its own way, has teeth but nothing to bite into. No clear way to attack. There are also millions of books pushing for things to remain the same, or teaching you how to make money at the expense of others. Everything balances out, but the balance is so deeply imperfect, always tilting further and further towards the worst.
”
”
Jacob Wren (Rich and Poor)
“
An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.
”
”
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
“
I stood on the cedar deck for quite a spell, eye fuckin' the night sky, trying to stare down the stars. Blood had crusted on my neck, back, in my hair, down the legs of my jeans, to where i was as spattered as a thumbless beef packer. I kept on with my close study of the higher reaches, fantasizing that a comet was due to streak by trailing a message only for me, spelled out clearly and printed huge. Some epigram from far away out there that'd clue me in on how to feel after killing a man
”
”
Daniel Woodrell
“
I could not help weeping with him - not over my own fate which, however clearly laid out, was just as sad as his, but over the injustices, the iniquities, and the crimes to which the exploited poor are always and everywhere subjected to, by a mob of scoundrels and trash who deck themselves out in many-colored robes, in helmet and plumed hats, in gold and silver embroideries, and take themselves titles of majesty, holiness, eminence, lordship, in order to fleece, bleed, and slaughter the poor.
”
”
Jean-Marie Déguignet
“
Boiled down to its essence, only battlefield harmony could summon the speed I was looking for in order to shatter the enemy. This harmony demanded clearly articulated intentions from senior levels, reinterpreted at each echelon to make it relevant to their part of the effort. With a commander’s aim clearly understood down through the ranks, synergy of effort can be constantly maintained, from the senior ranks—where it is no less needed—down to the youngest troops on the front lines and deck plates. In the framework
”
”
Jim Mattis (Call Sign Chaos)
“
A week of blue water that grew clearer and more tranquil daily, of sun that grew warmer, radiating the ship and her passengers, filling them with good humour and ease; blue water that caught the sun in a thousand brilliant points, dazzling the eyes as they searched for porpoises and flying fish; clear blue water in the shallows revealing its bed of silver sand and smooth pebble, fathoms down; soft warm shade on deck under the awnings; the ship moved amid unbroken horizons on a vast blue disc of blue, sparkling with sunlight.
”
”
Evelyn Waugh (A Handful of Dust)
“
He prepared to attack us again, and we to defend ourselves; but laying us on board the next time upon our other quarter, he entered sixty men upon our decks, who immediately fell to cutting and hacking the decks and rigging. We plied them with small-shot, half-pikes, powder-chests, and such like, and cleared our deck of them twice. However, to cut short this melancholy part of our story, our ship being disabled, and three of our men killed and eight wounded, we were obliged to yield, and were carried all prisoners into Sallee, a port belonging to the Moors.
”
”
Walter Scott (The Greatest Sea Novels and Tales of All Time)
“
Cheating in a game of cards can involve “stacking the deck”—arranging the cards in a way that advantages yourself while ensuring your opponent loses. It is almost certain that this is the way special counsel Robert Mueller approached his investigation. He chose to hire for his staff a group of lawyers who are Democrats and others, like Strzok and Page, who vented in their messages their hostility toward Trump. Factor into the equation Mueller and Rosenstein’s own disqualifying conflicts of interest, and you have an investigation that bears no resemblance to fairness.
”
”
Gregg Jarrett (The Russia Hoax: The Illicit Scheme to Clear Hillary Clinton and Frame Donald Trump)
“
On New Year's Eve, when the children had gone up the hill to be with their father, I went to a Mensa party in San Francisco, but returned home relatively early, wanting to face the first few hours of the new year away from the noise and lurching of people who had drunk too much. I stood outside on the deck, in darkness, looking up at the star-frosted sky, letting myself feel without censoring the ache and hope that belonged to that night, and I sent out prayer for connection with someone who would be --finally -- the person I'd needed to be with all my life, someone who would have gone through his own changes and wars of the spirit and emerged a true adult. A grown-up man. Who wouldn't mind my being a grandmother, for Pete's sake. A man somewhat like Shura Borodin -- or what Shura seemed to be.
I cried a bit because the wanting was so very intense and the clear night sky so very indifferent, and everything I was in body and soul might yet grow old without a lover and friend who could be to me what I was capable of being to him. I toasted myself, hope, the new year and the magnificent cold stars with a bit of wine, then went to bed.
”
”
Ann Shulgin (Pihkal: A Chemical Love Story)
“
Boiled down to its essence, only battlefield harmony could summon the speed I was looking for in order to shatter the enemy. This harmony demanded clearly articulated intentions from senior levels, reinterpreted at each echelon to make it relevant to their part of the effort. With a commander’s aim clearly understood down through the ranks, synergy of effort can be constantly maintained, from the senior ranks—where it is no less needed—down to the youngest troops on the front lines and deck plates. In the framework of this book, that means from the direct or tactical level all the way to the strategic.
”
”
Jim Mattis (Call Sign Chaos)
“
They really haven’t told you anything about the future, have they? This is my phone.” “A phone. You use it as a phone. You carry around a device that’s the size of a deck of cards and is more powerful than a Cray supercomputer, and you use it as a phone?” “I also play games on it, and watch a movie occasionally.” “You can watch movies on that?” “Not many. I mean, I only have a sixteen-gig memory card in it.” Phillip muttered, almost to himself, “My Commodore has sixty-four kilobytes of memory and a floppy drive that stores one hundred and seventy K. You can double that, but you have to cut a notch in the disk.” Then, loud and clear, Phillip said, “I kind of hate you right now.
”
”
Scott Meyer (Off to Be the Wizard (Magic 2.0, #1))
“
It was sinister, overpowering; it was like a troubled dream conjured by the evil thoughts of a past day. There was no suggestion of ultimate hope, and no possibility of escape. It was a terrible place. I sat up on the deck with my chin in my hands, looking in front of me thinking of nothing, my heart heavy, longing for some nameless thing that I could not explain even to myself. I did not want to feel depressed like this. I wanted to laugh, and not to care about a thought, and to be with people who did not matter, and to have some fun taking that girl ashore. I did not want to be in a lost mood, wretched and distressed. I wished Gudvangen was different, and the mountains wider apart, and the sun shining in a clear sky, and the blue water warm and shallow.
”
”
Daphne du Maurier (I'll Never Be Young Again)
“
And then now a very strange argument indeed ensues, me v. the Lebanese porter, because it turns out I am putting this guy, who barely speaks English, in a terrible kind of sedulous-service double-bind, a paradox of pampering: viz. the The-Passenger’s-Always-Right-versus-Never-Let-A-Passenger-Carry-His-Own-Bag paradox. Clueless at the time about what this poor little Lebanese man is going through, I wave off both his high-pitched protests and his agonized expression as mere servile courtesy, and I extract the duffel and lug it up the hall to 1009 and slather the old beak with ZnO and go outside to watch the coast of Florida recede cinematically à la F. Conroy. Only later did I understand what I’d done. Only later did I learn that that little Lebanese Deck 10 porter had his head just about chewed off by the (also Lebanese) Deck 10 Head Porter, who’d had his own head chewed off by the Austrian Chief Steward, who’d received confirmed reports that a Deck 10 passenger had been seen carrying his own luggage up the Port hallway of Deck 10 and now demanded rolling Lebanese heads for this clear indication of porterly dereliction, and had reported (the Austrian Chief Steward did) the incident (as is apparently SOP) to an officer in the Guest Relations Dept., a Greek officer with Revo shades and a walkie-talkie and officerial epaulets so complex I never did figure out what his rank was; and this high-ranking Greek guy actually came around to 1009 after Saturday’s supper to apologize on behalf of practically the entire Chandris shipping line and to assure me that ragged-necked Lebanese heads were even at that moment rolling down various corridors in piacular recompense for my having had to carry my own bag.
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
My skin feels too tight, like I might rupture. My mother must have read the end, the cards Enola keeps reading, the same thing Verona Bonn read, all the way back to Ryzhkova. They passed the cards to each other creating history, fingers touching paper, imbuing it with hope and fears, fear like a curse. Of course they wouldn’t clear their cards, they were talking to their mothers, and isn’t that part of why I’ve stayed here? The book noted a falling out between Ryzhkova and her apprentice, a falling out over the mermaid. Enola said that cards build history—what a perfect way to wound someone. The cards were hers, Ryzhkova’s, then Amos and Evangeline’s on down the line, each leaving themselves in the ink, each pulling from the deck, pulling in fears that work like poison. The wind blows a sheet of paper across a split board. The only paper of consequence was never in my possession—it was in Enola’s.
”
”
Erika Swyler (The Book of Speculation)
“
I’m not a coward.” He didn’t speak loud, but his voice carried. His father turned slowly to the challenging words. “I’m not a coward,” Wintrow repeated more slowly. “I’m not big. I don’t claim to be strong. But I’m neither a weakling nor a coward. I can accept pain. When it’s necessary.”
A strange odd light had come into Kyle’s eyes. The beginnings of a smile hovered at the corners of his mouth. “You are a Haven,” he pointed out with a quiet pride.
Wintrow met his gaze. There was neither defiance nor the will to injure but the words were clear. “I’m a Vestrit.” He looked down to the bloody handprint on Vivacia’s deck, to the severed forefinger that still rested there. “You’ve made me a Vestrit.” He smiled without joy or mirth. “What did my grandmother say to me? ‘Blood will tell.’ Yes.” He stooped to the deck and picked up his own severed finger. He considered it carefully for a moment, then held it out to his father. “This finger will never wear a priest’s signet,” he said. To some he might have sounded drunken, but to Vivacia his voice was broken with sorrow. “Will you take it, sir? As a token of your victory?”
Captain Kyle’s fair face darkened with the blood of anger. Vivacia suspected he was close to hating his own flesh and blood at that moment. Wintrow stepped lightly toward him, a very strange light in his eyes. Vivacia tried to understand what was happening to the boy. Something was changing inside him, an uncoiling of strength was filling him. He met his father’s gaze squarely, yet his own voice was nothing of anger, nor even pain as he stepped forward boldly, to a place close enough to invite his father to strike him. Or embrace him.
But Kyle Haven moved not at all. His stillness was a denial, of all the boy was, of all he did. Wintrow knew in that instant that he would never please his father, that his father had never even desired to be pleased by him. He had only wanted to master him. And now he would not.
”
”
Robin Hobb (Ship of Magic (Liveship Traders, #1))
“
Then I realised that our Tiger too had cut out, and I tried to restart our motor frantically with the hand switch. I could hear that groaning voice from our turret still, and muttered dialogue between Wilf and Helmann, something about the gun. Then I saw our 88mm barrel swing around and depress in elevation, coming down over my head and pointing straight into the Stalin’s upper deck. I could actually see into the JS driver’s position through his vision slit – his lights were still on inside, and men were moving around in there, maybe struggling to restart their engine. In the next moment, we fired. I clearly saw our armour-piercing round burst through their upper armour, and enter inside the compartment. Through the Russian’s vision slit, I saw our warhead ricochet again and again inside there, flying chaotically around the confined space and bouncing off the steel walls, glowing bright red. Finally, the explosive charge in the rear of the shell detonated, in a plume of sparks.
”
”
Wolfgang Faust (Tiger Tracks - The Classic Panzer Memoir (Wolfgang Faust's Panzer Books))
“
With the lessons learned from the Mike SSN disaster in the North Sea off Norway, the Typhoon’s captain decided to remain where he was to await rescue. Mack knew the Russian captain had lost his cool; he was now in the South China Sea, where no Russian ships could come to his rescue. What’s more, Cheyenne had finally picked up the last Akula, whose captain had elected to pull off to be able to fight another day and which had managed to distance itself from the fray. Cheyenne was there as the Typhoon reached the surface. The Russian submarine had been severely damaged, but Mack ordered four more torpedoes into the defenseless Typhoon. There was seldom mercy in wartime, and Cheyenne’s and Mack’s orders were clear. If he had allowed the Typhoon to survive, its crew would have cut the missile hatches open with blow torches and completed their launch against Taiwan. The result of the additional four torpedoes exploding beneath the Typhoon caused major seawater system flooding. The ensuing scene was similar to the devastation experienced by the Yankee class SSBN southeast of the Bermudas years before. Only this time there was no capability to protect and remove the crew. Life rafts were put over the side, only to be attacked by the South China Sea shark population, so the crew watched helplessly from the huge, flat missile-tube deck. The oversized submarine started settling slowly deeper, the water level rising to within meters of the missile- tube deck, with the crew topside. The captain—the admiral-to-be-had already sent a message to his North Fleet Headquarters concerning the impending demise of his capital ship and the lack of help from his Akula escorts by name, two of which had been sunk. He had not been given any means to communicate with the Chinese, so he resorted to calling home. After that he went topside to be with his men, sat down, and held hands in a circle as their submarine slid beneath the surface of the sea, sailors to the end, for eternity.
”
”
Tom Clancy (SSN: A Strategy Guide to Submarine Warfare)
“
bad leak is an inhuman thing. "One would think that the sole purpose of that fiend- ish gale had been to make a lunatic of that poor devil of a mulatto. It eased before morning, and next day the sky cleared, and as the sea went down the leak took up. When it came to bending a fresh set of sails the crew demanded to put back--and really there was nothing else to do. Boats gone, decks swept clean, cabin gutted, men without a stitch but what they stood in, stores spoiled, ship strained. We put her head for home, and--would you believe it? The wind came east right in our teeth. It blew fresh, it blew continuously. We had to beat up every inch of the way, but she did not leak so badly, the water keeping comparatively smooth. Two hours' pumping in every four is no joke--but it kept her afloat as far as Falmouth. "The good people there live on casualties of the sea, and no doubt were glad to see us. A hungry crowd of shipwrights sharpened their chisels at the sight of that carcass of a ship. And, by Jove! they had pretty pick- ings off
”
”
Joseph Conrad (Works of Joseph Conrad)
“
IN ADDITION TO having become a distinctly Christian party, the GOP is more than ever America’s self-consciously white party. The nationalization of its Southern Strategy from the 1960s worked partly because it rode demographic change. In 1960, 90 percent of Americans were white and non-Hispanic. Only a few states had white populations of less than 70 percent—specifically Mississippi, South Carolina, Louisiana, and Alabama. Today the white majority in the whole country is down nearly to 60 percent; in other words, America’s racial makeup is now more “Southern” than the Deep South’s was in the 1960s. For a while, the party’s leaders were careful to clear their deck of explicit racism. It was reasonable, wasn’t it, to be concerned about violent crime spiraling upward from the 1960s through the ’80s? We don’t want social welfare programs to encourage cultures of poverty and dependency, do we? Although the dog-whistled resentment of new policies disfavoring or seeming to disfavor white people became more audible, Republican leaders publicly stuck to not-entirely-unreasonable arguments: affirmative action is an imperfect solution; too much multiculturalism might Balkanize America; we shouldn’t let immigrants pour into the U.S. helter-skelter. But in this century, more Republican leaders started cozying up to the ugliest fantasists, unapologetic racists. When Congressman Ron Paul ran for the 2008 GOP nomination, he appeared repeatedly with the neo-Nazi Richard Spencer, who was just coining the term “alt-right” for his movement. Senator Rand Paul employed as an aide and wrote a book with a former leader of the League of the South, an organization devoted to a twenty-first-century do-over of Confederate secession. After we elected a black president, more regular whistles joined the kind only dogs can hear. Even thoughtful Ross Douthat, one of the Times’s conservative columnists, admitted to a weakness for the Old South fantasy. During the debate about governments displaying Confederate symbols after nine black people were shot dead by a white supremacist in Charleston, he discussed “the temptation…to regard the Confederate States of America as the political and historical champion of all…attractive Southern distinctives….Even a secession-hating Yankee like myself has felt, at certain moments the pull of that idea, the lure of that fantasy.
”
”
Kurt Andersen (Fantasyland: How America Went Haywire: A 500-Year History)
“
We feel, mostly, that our actions matter, and that earnest communication is happening, that we are real and permanent and in control of our fate. And under normal circumstances, these things are (mostly) true: we are sane sailors on a sturdy ship in a calm harbor. But every now and then the scrim drops (there’s a scrim in this metaphorical harbor) and out there: the open ocean, huge waves, fierce winds. And we find ourselves heading out. Soon it becomes clear that we are not, after all, in control, not a high-functioning sailor standing stably on a nice calm deck, a deck that we have created through our virtue. The ship is pitching, and the deck is covered in ice, and we’re wearing special headphones that distort what our crewmates are shouting and special mouthpieces that distort what we’re shouting back in return. And now the ship is going down and some action is required, some cooperation, some compassion. And we intend to be compassionate, we really do, but the intended compassion, passing out through those distorting mouthpieces and being received through those distorting headphones, is off; it doesn’t help, and may even hurt, or, worst of all, may make no difference at all.
”
”
George Saunders (A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life)
“
Clearings opened on either side. Familiar smells drifted in the air: fennel, skirrets and alexanders, then wild garlic, radishes and broom. John looked about while his mother tramped ahead. Then a new scent rose from the wild harvest, strong in John's nostrils. He had smelt it the night the villagers had driven them up the slope. Now, as his mother pushed through a screen of undergrowth, he saw its origin.
Ranks of fruit trees rose before him, their trunks shaggy with lichen, their branches decked with pink and white blossom. John and his mother walked forward into an orchard. Soon apple trees surrounded them, the sweet scent heavy in the air. Pears succeeded them, then cherries, then apples again. But surely the blossom was too late, John thought. Only the trees' arrangement was familiar for the trunks were planted in diamonds, five to a side. He knew it from the book.
The heavy volume bumped against his mother's leg. He gave her a curious look but she seemed unsurprised by the orchards. As the scent of blossom faded, another teased his nostrils, remembered from the same night. Lilies and pitch. Looking ahead, John saw only a stand of chestnuts overwhelmed by ivy, the glossy leaves blurring the trunks and boughs into a screen.
”
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Lawrence Norfolk (John Saturnall's Feast)
“
With his sharp nose, red at the tip, and his thin pinched lips, he always looked as though he were raging inwardly; and he was concise in his speech to the point of rudeness. All his time off duty he spent in his cabin with the door shut, keeping so still in there that he was supposed to fall asleep as soon as he had disappeared; but the man who came in to wake him for his watch on deck would invariably find him with his eyes wide open, flat on his back in the bunk, and glaring irritably from a soiled pillow. He never wrote any letters, did not seem to hope for news from anywhere; and though he had been heard once to mention West Hartlepool, it was with extreme bitterness, and only in connection with the extortionate charges of a boarding-house. He was one of those men who are picked up at need in the ports of the world. They are competent enough, appear hopelessly hard up, show no evidence of any sort of vice, and carry about them all the signs of manifest failure. They come aboard on an emergency, care for no ship afloat, live in their own atmosphere of casual connection amongst their shipmates who know nothing of them, and make up their minds to leave at inconvenient times. They clear out with no words of leavetaking in some God-forsaken port other men would fear to be stranded in, and go ashore in company of a shabby sea-chest, corded like a treasure-box, and with an air of shaking the ship’s dust off their feet.
”
”
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
“
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.”
“What makes you think I don’t know how to play cribbage?” Sage asked.
“You do?” Ben sounded surprised.
“I happen to be an excellent cribbage player,” Sage said.
“Really…because I’m what one might call a cribbage master,” Ben said.
“I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something?
“I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.”
“Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said.
“Deal ‘em,” Ben said.
Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy.
“Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?”
“European history. In Europe,” Sage said. “Small college. They taught me a lot.”
Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?”
“I would say that. In fact, I believe I just did.”
Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions.
“So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles.
“Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?”
“Nice…very nice.” Ben nodded. “Well done.”
It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird.
After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them.
For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
If we were still eighteen I should say “What’s wrong with Jack Aubrey?” ’ ‘And perhaps I should reply “Everything, since he has a command and I have not,” ’ said James, smiling. ‘But come, now, I can hardly criticize your friend to your face.’ ‘Oh, he has faults, sure. I know he is intensely ambitious where his profession is at issue and impatient of any restraint. My concern was to know just what it was that offended you in him. Or is it merely non amo te, Sabidi?’ ‘Perhaps so: it is hard to say. He can be a very agreeable companion, of course, but there are times when he shows that particular beefy arrogant English insensibility … and there is certainly one thing that jars on me – his great eagerness for prizes. The sloop’s discipline and training is more like that of a starving privateer than a King’s ship. When we were chasing that miserable polacre he could not bring himself to leave the deck all night long – anyone would have thought we were after a man-of-war, with some honour at the end of the chase. And this prize here was scarcely clear of the Sophie before he was exercising the great guns again, roaring away with both broadsides.’ ‘Is a privateer a discreditable thing? I ask in pure ignorance.’ ‘Well, a privateer is there for a different motive altogether. A privateer does not fight for honour, but for gain. It is a mercenary. Profit is its raison d’être.’ ‘May not the exercising of the great guns have a more honourable end in view?’ ‘Oh, certainly. I may very well be unjust – jealous – wanting in generosity. I beg your pardon if I have offended you. And I willingly confess he is an excellent seaman.’ ‘Lord, James, we have known one another
”
”
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
“
They streamed aboard over three gangways, they streamed in urged by faith and the hope of paradise, they streamed in with a continuous tramp and shuffle of bare feet, without a word, a murmur, or a look back; and when clear of confining rails spread on all sides over the deck, flowed forward and aft, overflowed down the yawning hatchways, filled the inner recesses of the ship—like water filling a cistern, like water flowing into crevices and crannies, like water rising silently even with the rim. Eight hundred men and women with faith and hopes, with affections and memories, they had collected there, coming from north and south and from the outskirts of the East, after treading the jungle paths, descending the rivers, coasting in praus along the shallows, crossing in small canoes from island to island, passing through suffering, meeting strange sights, beset by strange fears, upheld by one desire. They came from solitary huts in the wilderness, from populous campongs, from villages by the sea. At the call of an idea they had left their forests, their clearings, the protection of their rulers, their prosperity, their poverty, the surroundings of their youth and the graves of their fathers. They came covered with dust, with sweat, with grime, with rags—the strong men at the head of family parties, the lean old men pressing forward without hope of return; young boys with fearless eyes glancing curiously, shy little girls with tumbled long hair; the timid women muffled up and clasping to their breasts, wrapped in loose ends of soiled head-cloths, their sleeping babies, the unconscious pilgrims of an exacting belief. 'Look at dese cattle,' said the German skipper to his new chief mate.
”
”
Joseph Conrad (Lord Jim)
“
The girl circled in my arm was clean and fresh, and her sleeping breath was humid against the base of my throat. Something stirred in me in response to her helplessness, and yet at the same time I resented her. I had seen too damn many of these brisk and shining girls, so lovely, so gracious, and so inflexibly ambitious. They had counted their stock in trade and burnished it and spread it right out there on the counter. It was all yours for the asking. All you had to do was give her all the rest of your life, and come through with the backyard pool, cookouts, Eames chairs, mortgage, picture windows, two cars, and all the rest of the setting they required for themselves. These gorgeous girls, with steel behind their eyes, were the highest paid whores in the history of the world. All they offered was their poised, half-educated selves, one hundred and twenty pounds of healthy, unblemished, arrogant meat, in return for the eventual occupational ulcer, the suburban coronary. Nor did they bother to sweeten the bargain with their virginity. Before you could, in your hypnoid state, slip the ring on her imperious finger, that old-fashioned prize was long gone, and even its departure celebrated many times, on house parties and ski weekends, in becalmed sailboats and on cruise ships. This acknowledged and excused promiscuity was, in fact, to her advantage. Having learned her way through the jungly province of sex, she was less likely to be bedazzled by body hunger to the extent that she might make a bad match with an unpromising young man. Her decks were efficiently cleared, guns rolled out, fuses alight, cannonballs stacked, all sails set. She stood on the bridge, braced and ready, scanning the horizon with eyes as cold as winter pebbles. One
”
”
John D. MacDonald (The End of the Night (Murder Room Book 629))
“
And yet, I can’t believe it’s been only a month that I’ve known you. I can’t decide whether it’s been the longest month of my life, or the shortest.”
His eyebrows gathered in an exaggerated frown. “I can’t decide which pays me the fainter compliment.”
“Neither,” she teased, linking her arm in his. “To compliment you, I should tell you it has been the best month of my life. And it has.” Truer words, she’d never spoken.
“Oh, nicely managed. My pride is rescued.” Despite his air of nonchalance, his eyes held genuine emotion. They were fully blue today-a rich, azure blue, clear and inviting and endless. Just like the sea.
Sophia laughed at herself. How had she missed the obvious? All this time, she’d been puzzling out the color of his eyes. They were always shifting and changing, from green to blue to gray. And now she knew why. They always reflected the sea.
“Do you know,” he said, “if you keep gazing at me like that much longer, I shall be forced to pack you off belowdecks.”
“Am I truly gazing?” She fluttered her lashes at him. “I am making a trip to the storeroom soon, you know. But mind-this is the last good frock I’ve got.”
“Siren.” He gave her a surreptitious pinch on the hip. “No, it’s the cabin I have in mind for you, and you’re going there alone. You need to rest.” He walked her toward the hatch.
“You won’t come rest with me?”
“If I come with you, neither of us will rest.”
A current of pleasure shot straight to her center. Then a more practical thought intruded. “But what of the noon meal? It won’t make itself.”
At that instant, a flying fish as long as her arm sailed over the rail of the boat and flopped on the deck at their feet.
Gray looked at the thrashing fish, then raised his eyebrows at her. “Somehow I think we’ll manage.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!"
Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent.
"I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!"
The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
”
”
Herman Melville (Moby Dick or The Whale)
“
Millions of us daily take advantage of [Skype], delighted to carry the severed heads of family members under our arms as we move from the deck to the cool of inside, or steering them around our new homes, bobbing them like babies on a seasickening tour. Skype can be a wonderful consolation prize in the ongoing tournament of globalization, though typically the first place it transforms us is to ourselves. How often are the initial seconds of a video's call takeoff occupied by two wary, diagonal glances, with a quick muss or flick of the hair, or a more generous tilt of the screen in respect to the chin? Please attend to your own mask first. Yet, despite the obvious cheer of seeing a faraway face, lonesomeness surely persists in the impossibility of eye contact. You can offer up your eyes to the other person, but your own view will be of the webcam's unwarm aperture. ... The problem lies in the fact that we can't bring our silence with us through walls. In phone conversations, while silence can be both awkward and intimate, there is no doubt that each of you inhabits the same darkness, breathing the same dead air. Perversely, a phone silence is a thick rope tying two speakers together in the private void of their suspended conversation. This binding may be unpleasant and to be avoided, but it isn't as estranging as its visual counterpart. When talk runs to ground on Skype, and if the purpose of the call is to chat, I can quickly sense that my silence isn't their silence. For some reason silence can't cross the membrane of the computer screen as it can uncoil down phone lines. While we may be lulled into thinking that a Skype call, being visual, is more akin to a hang-out than a phone conversation, it is in many ways more demanding than its aural predecessor. Not until Skype has it become clear how much companionable quiet has depended on co-inhabiting an atmosphere, with a simple act of sharing the particulars of a place -- the objects in the room, the light through the window -- offering a lovely alternative to talk.
”
”
Laurence Scott (The Four-Dimensional Human: Ways of Being in the Digital World)
“
The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it.
She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them.
‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused.
Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.
”
”
Margrét Helgadóttir (The Stars Seem so Far Away)
“
In a typical crash, for example, the weather is poor—not terrible, necessarily, but bad enough that the pilot feels a little bit more stressed than usual. In an overwhelming number of crashes, the plane is behind schedule, so the pilots are hurrying. In 52 percent of crashes, the pilot at the time of the accident has been awake for twelve hours or more, meaning that he is tired and not thinking sharply. And 44 percent of the time, the two pilots have never flown together before, so they’re not comfortable with each other. Then the errors start—and it’s not just one error. The typical accident involves seven consecutive human errors. One of the pilots does something wrong that by itself is not a problem. Then one of them makes another error on top of that, which combined with the first error still does not amount to catastrophe. But then they make a third error on top of that, and then another and another and another and another, and it is the combination of all those errors that leads to disaster. These seven errors, furthermore, are rarely problems of knowledge or flying skill. It’s not that the pilot has to negotiate some critical technical maneuver and fails. The kinds of errors that cause plane crashes are invariably errors of teamwork and communication. One pilot knows something important and somehow doesn’t tell the other pilot. One pilot does something wrong, and the other pilot doesn’t catch the error. A tricky situation needs to be resolved through a complex series of steps—and somehow the pilots fail to coordinate and miss one of them. “The whole flight-deck design is intended to be operated by two people, and that operation works best when you have one person checking the other, or both people willing to participate,” says Earl Weener, who was for many years chief engineer for safety at Boeing. “Airplanes are very unforgiving if you don’t do things right. And for a long time it’s been clear that if you have two people operating the airplane cooperatively, you will have a safer operation than if you have a single pilot flying the plane and another person who is simply there to take over if the pilot is incapacitated.
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
In the very midst of this panic came the news that the steamer Central America, formerly the George Law, with six hundred passengers and about sixteen hundred thousand dollars of treasure, coming from Aspinwall, had foundered at sea, off the coast of Georgia, and that about sixty of the passengers had been providentially picked up by a Swedish bark, and brought into Savannah. The absolute loss of this treasure went to swell the confusion and panic of the day. A few days after, I was standing in the vestibule of the Metropolitan Hotel, and heard the captain of the Swedish bark tell his singular story of the rescue of these passengers. He was a short, sailor-like-looking man, with a strong German or Swedish accent. He said that he was sailing from some port in Honduras for Sweden, running down the Gulf Stream off Savannah. The weather had been heavy for some days, and, about nightfall, as he paced his deck, he observed a man-of-war hawk circle about his vessel, gradually lowering, until the bird was as it were aiming at him. He jerked out a belaying pin, struck at the bird, missed it, when the hawk again rose high in the air, and a second time began to descend, contract his circle, and make at him again. The second time he hit the bird, and struck it to the deck. . . . This strange fact made him uneasy, and he thought it betokened danger; he went to the binnacle, saw the course he was steering, and without any particular reason he ordered the steersman to alter the course one point to the east. After this it became quite dark, and he continued to promenade the deck, and had settled into a drowsy state, when as in a dream he thought he heard voices all round his ship. Waking up, he ran to the side of the ship, saw something struggling in the water, and heard clearly cries for help. Instantly heaving his ship to, and lowering all his boats, he managed to pick up sixty or more persons who were floating about on skylights, doors, spare, and whatever fragments remained of the Central America. Had he not changed the course of his vessel by reason of the mysterious conduct of that man-of-war hawk, not a soul would probably have survived the night.
”
”
William T. Sherman (The Memoirs Of General William T. Sherman)
“
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
”
”
Ernest Cline (Ready Player One)
“
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree.
As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts.
And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain.
Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.”
Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones.
These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
”
”
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
“
On the deck was a skeleton. Some of the bugs seemed to be fighting for the last scraps of flesh but pretty much everything but bone and some scraps of skin and hair were gone. Bugs were even crawling in and out of the eye sockets, cleaning out the brains.
“Holy crap,” Woodman said, “I don’t want those getting on me!”
“I just figured out what they are,” Gardner said, stepping through the hatch after a flash around with her light. Every step caused a crunch. “And they won’t bite.”
“They stripped that guy to the bone!” Woodman said.
“That’s what they do,” Gardner said, bending down and picking up one of the beetles. It skittered along her arm and she shook it off. “They’re carrion beetles.”
“Carrion?” Woodman said. “So they eat people?”
“They eat dead flesh,” Gardner said. “I’d heard Wolf say he’d ‘seeded’ the boat. I didn’t know it was with these.”
“Wolf did this?” Woodman said angrily. “To our people?”
“Six of us came off, Woodie,” Gardner said softly. “Ninety-four and twenty-six refugees didn’t. You’ve carried bodies. You know how heavy they are. Now . . . they’re not.”
“That’s horrible,” Woodman said.
“No,” Gardner said, flashing her light around. “It’s efficient, simple and brutal. It’s Wolf all over if you think about it. These things only eat dead flesh. They may get into some of the electronics but those are mostly thrashed by the infecteds, anyway. It cleans the boat out of the main issue, the dead meat on the dead people. If we ever get around to clearing this out, all we’ll have to do is bag the bones.”
“We won’t know who’s who,” Woodman said.
“Does it matter?” Gardner said. “There’s a big thing, it’s called an ossuary, in France. All the guys who died in a certain battle in World War One. They buried them, waited for bugs like this to do their work, then dug them back up. All of certain bones are on the left, all the others are on the right and the skulls are in the middle.”
She picked up the skull of the former Coast Guard crewman and looked at it as beetles poured out.
“I don’t know who you were but you were my brother,” Gardner said. “This way, I know I can give you a decent burial. And I will remember you. Now, we’ve got a mission to complete, Woodman, and people waiting on us. Live people. Let the dead bury the dead.
”
”
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
“
The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air.
‘We are out in the gulf now,’ said the calm voice of Nostromo. A moment after he added, ‘Señor Mitchell has lowered the light.’
‘Yes,’ said Decoud; ‘nobody can find us now.’
A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek.
It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black ponho.
The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. ‘On your left as you look forward, señor,’ said Nostromo suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud’s senses like a powerful drug. He didn’t even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.
”
”
Joseph Conrad (Nostromo)
“
The worst was to come, then — and if the books were right this worst would be very bad. The experience of the last six hours had enlarged his conception of what heavy weather could be like. “It’ll be terrific,” he pronounced, mentally. He had not consciously looked at anything by the light of the matches except at the barometer; and yet somehow he had seen that his water-bottle and the two tumblers had been flung out of their stand. It seemed to give him a more intimate knowledge of the tossing the ship had gone through. “I wouldn’t have believed it,” he thought. And his table had been cleared, too; his rulers, his pencils, the inkstand — all the things that had their safe appointed places — they were gone, as if a mischievous hand had plucked them out one by one and flung them on the wet floor. The hurricane had broken in upon the orderly arrangements of his privacy. This had never happened before, and the feeling of dismay reached the very seat of his composure. And the worst was to come yet! He was glad the trouble in the ‘tween-deck had been discovered in time. If the ship had to go after all, then, at least, she wouldn’t be going to the bottom with a lot of people in her fighting teeth and claw. That would have been odious. And in that feeling there was a humane intention and a vague sense of the fitness of things. These instantaneous thoughts were yet in their essence heavy and slow, partaking of the nature of the man. He extended his hand to put back the matchbox in its corner of the shelf. There were always matches there — by his order. The steward had his instructions impressed upon him long before. “A box . . . just there, see? Not so very full . . . where I can put my hand on it, steward. Might want a light in a hurry. Can’t tell on board ship what you might want in a hurry. Mind, now.” And of course on his side he would be careful to put it back in its place scrupulously. He did so now, but before he removed his hand it occurred to him that perhaps he would never have occasion to use that box any more. The vividness of the thought checked him and for an infinitesimal fraction of a second his fingers closed again on the small object as though it had been the symbol of all these little habits that chain us to the weary round of life. He released it at last, and letting himself fall on the settee, listened for the first sounds of returning wind.
”
”
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
“
A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.
”
”
Roland Barthes (Mythologies)
“
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!"
The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight.
But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it.
Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
”
”
Herman Melville
“
Through the breach, they heard the waters pour, as mountain torrents down a flume.
"The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!"
Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent.
"I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!"
The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight.
But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it.
Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
”
”
Herman Melville
“
The lesson to be drawn from X's fatal fall after leaving a moronic show: only go to shows where you would not mind dying immediately after seeing them.
One cannot reasonably trust in the will, that 'rational' strategy that works only one time in ten. One has, rather, to clear the decks around a decision, leave it hanging, then let oneself slide into it, as though being sucked in, with no thought for causes and effects. To be willed by the decision itself; in a sense, to give in to it. The decision then becomes a self-fulfilling prophecy.
”
”
Jean Baudrillard (Cool Memories V: 2000 - 2004)
“
It is worth noting here that, at Amazon, even the most senior executives review the full WBR deck of metrics, including all the inputs and outputs. Metrics—as well as anecdotes about the customer experience—are the area where the leadership principle Dive Deep is most clearly demonstrated by senior leaders. They carefully examine the trends and changes in the metrics; audit incidents, failures, and customer anecdotes; and consider whether the input metrics should be updated in some way to improve the outputs.
”
”
Colin Bryar (Working Backwards: Insights, Stories, and Secrets from Inside Amazon)
“
The water harmed him. Soon after Anyanwu had revealed herself, he began to grow ill. He became dizzy. His head hurt him. He said he thought he would vomit if he did not leave the confinement of the small room. Anyanwu took him out on deck where the air was fresh and cooler. But even there, the gentle rocking of the ship seemed to bother him— and began to bother her. She began to feel ill. She seized on the feeling at once, examining it. There was drowsiness, dizziness, and a sudden cold sweat. She closed her eyes, and while Okoye vomited into the water, she went over her body carefully. She discovered that there was a wrongness, a kind of imbalance deep within her ears. It was a tiny disturbance, but she knew her body well enough to notice the smallest change. For a moment, she observed this change with interest. Clearly, if she did nothing to correct it, her sickness would grow worse; she would join Okoye, vomiting over the rail. But no. She focused on her inner ears and remembered perfection there, remembered organs and fluids and pressures in balance, their wrongness righted. Remembering and correcting were one gesture; balance was restored. It had taken her much practice— and much pain— to learn such ease of control. Every change she made in her body had to be understood and visualized. If she was sick or injured, she could not simply wish to be well. She could be killed as easily as anyone else if her body was damaged in some way she could not understand quickly enough to repair. Thus, she had spent much of her long life learning the diseases, disorders, and injuries that she could suffer— learning them often by inflicting mild versions of them on herself, then slowly, painfully, by trial and error, coming to understand exactly what was wrong and how to impress healing. Thus, when her enemies came to kill her, she knew more about surviving than they did about killing.
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Octavia E. Butler (Wild Seed (Patternmaster, #1))
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One can waste years this way, systematically postponing precisely the things one cares about the most. What’s needed instead in such situations, I gradually came to understand, is a kind of anti-skill: not the counterproductive strategy of trying to make yourself more efficient, but rather a willingness to resist such urges—to learn to stay with the anxiety of feeling overwhelmed, of not being on top of everything, without automatically responding by trying to fit more in. To approach your days in this fashion means, instead of clearing the decks, declining to clear the decks, focusing instead on what’s truly of greatest consequence while tolerating the discomfort of knowing that, as you do so, the decks will be filling up further, with emails and errands and other to-dos, many of which you may never get around to at all.
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Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
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Human beings are so destructive," Malcolm said. "I sometimes think we're a kind of plague, that will scrub the earth clean. We destroy things so well that I sometimes think, maybe that's our function. Maybe every few eons, some animal comes along that kills off the rest of the world, clears the decks, and lets evolution proceed to its next phase.
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Michael Crichton (The Lost World (Jurassic Park, #2))
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The captain walked the deck at a rapid stride, looked aloft at the sails, and then to windward; the mate stood in the gangway, rubbing his hands, and talking aloud to the ship—“Hurrah, old bucket! the Boston girls have got hold of the tow-rope!” and the like; and we were on the forecastle, looking to see how the spars stood it, and guessing the rate at which she was going,—when the captain called out—“Mr. Brown, get up the topmast studding-sail! What she can’t carry she may drag!” The mate looked a moment; but he would let no one be before him in daring. He sprang forward—“Hurrah, men! rig out the topmast studding-sail boom! Lay aloft, and I’ll send the rigging up to you!”—We sprang aloft into the top; lowered a girt-line down, by which we hauled up the rigging; rove the tacks and halyards; ran out the boom and lashed it fast, and sent down the lower halyards, as a preventer. It was a clear starlight night, cold and blowing; but everybody worked with a will. Some indeed, looked as though they thought the “old man” was mad, but no one said a word.
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Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
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as we could tell by the washing of the water over our heads, and the heavy breaking of the seas against her bows, (with a sound as though she were striking against a rock,) only the thickness of the plank from our heads, as we lay in our berths, which are directly against the bows. At eight bells, the watch was called, and we came on deck, one hand going aft to take the wheel, and another going to the galley to get the grub for dinner. I stood on the forecastle, looking at the seas, which were rolling high, as far as the eye could reach, their tops white with foam, and the body of them of a deep indigo blue, reflecting the bright rays of the sun. Our ship rose slowly over a few of the largest of them, until one immense fellow came rolling on, threatening to cover her, and which I was sailor enough to know, by “the feeling of her” under my feet, she would not rise over. I sprang upon the knight-heads, and seizing hold of the fore-stay with my hands, drew myself upon it. My feet were just off the stanchion, when she struck fairly into the middle of the sea, and it washed her fore and aft, burying her in the water. As soon as she rose out of it, I looked aft, and everything forward of the main-mast, except the long-boat, which was griped and double-lashed down to the ring-bolts, was swept off clear. The
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Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
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as we could tell by the washing of the water over our heads, and the heavy breaking of the seas against her bows, (with a sound as though she were striking against a rock,) only the thickness of the plank from our heads, as we lay in our berths, which are directly against the bows. At eight bells, the watch was called, and we came on deck, one hand going aft to take the wheel, and another going to the galley to get the grub for dinner. I stood on the forecastle, looking at the seas, which were rolling high, as far as the eye could reach, their tops white with foam, and the body of them of a deep indigo blue, reflecting the bright rays of the sun. Our ship rose slowly over a few of the largest of them, until one immense fellow came rolling on, threatening to cover her, and which I was sailor enough to know, by “the feeling of her” under my feet, she would not rise over. I sprang upon the knight-heads, and seizing hold of the fore-stay with my hands, drew myself upon it. My feet were just off the stanchion, when she struck fairly into the middle of the sea, and it washed her fore and aft, burying her in the water. As soon as she rose out of it, I looked aft, and everything forward of the main-mast, except the long-boat, which was griped and double-lashed down to the ring-bolts, was swept off clear. The galley, the pig-sty, the hen-coop, and a large sheep-pen which had been built upon the forehatch, were all gone, in the twinkling of an eye-leaving the deck as clean as a chin new reaped—and not a stick left, to show where they had stood. In the scuppers lay the galley, bottom up, and a few boards floating about, the wreck of the sheep-pen,—and half a dozen miserable sheep floating among them, wet through, and not a little frightened at the sudden change that had come upon them.
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Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
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in Arnold Bennett’s phrase, “into proper working order.” Once you’ve cleared the decks, you tell yourself; or once you’ve implemented a better system of personal organization, or got your degree, or invested a sufficient number of years in honing your craft;
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Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
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1. Opportunity. What is the best opportunity for a new entrepreneur to build a successful business? Why is now the time to do it? How does the new landscape of e-commerce and social media create an environment of opportunity? And how do you fit into it all? You will discover why now is the perfect time to create your pie, and why there are others who are ready and willing to buy a slice. 2. Mindset. There’s a reason not every wantrepreneur becomes a successful entrepreneur, and psychology is a big piece of the puzzle. I’ll take you through the development of the right mindset to take a business from zero to one million in a year. 3. Getting customers. A million-dollar business doesn’t start with a product; it starts with a person. Your first step in building your business must be identifying your customer, and then answering his or her need. This builds a real brand, not just a revenue stream. If you get this piece right, you will have droves of repeat buyers who will eagerly “overpay” for your products, thank you for it, and tell all of their friends about you. 4. Product. Choosing your first product will be the biggest hurdle you face. It will take research, patience, and determination. Most importantly, it will require listening to what your customer is saying. I’ll take you through the whole process, from ideation to prototyping and refinement, helping you clear this hurdle in no time flat. 5. Funding. Sure, you’ve got a great product, and you know to whom you’re selling—but how do you fund your inventory? Here’s how to bootstrap, borrow, and build your way to a self-sustaining revenue machine, without stressing about money. 6. Stacking the deck. How do you nearly guarantee that your first product is successful, right out of the gate? Once you’ve decided what business you’re in, we will work to ensure that you don’t get stuck holding a product no one wants; this is where you stack the deck so your launch day is set up to blast off. 7. Launch. Your first product is ready to launch. What do you do now? Do you just let it ride? No. Here’s where building relationships and a few strategic marketing tips will take your business from a single product to a world-class brand, as we cover what you need to do to reach the key growth point of twenty-five sales per day.
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Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
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Perhaps her most arresting feature was her watertight construction. She had a double bottom and was divided into 16 watertight compartments. These were formed by 15 watertight bulkheads running clear across the ship. Curiously, they didn’t extend very far up. The first two and the last five went only as high as D Deck, while the middle eight were carried only up to E Deck. Nevertheless, she could float with any two compartments flooded, and since no one could imagine anything worse than a collision at the juncture of two compartments, she was labeled “unsinkable.
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Walter Lord (A Night to Remember)
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Tennessee was moored inboard of West Virginia and became wedged hard against the forward quay as the latter ship settled and finally sank to the bottom. Arizona's oil fire engulfed the stern of the vessel and caused serious fires aft, especially in the officers' quarters on the second deck. The explosion of the magazines aboard Arizona showered Tennessee with burning powder and debris. The forward magazines were purposely flooded as a precaution against the many fires on the ship. These fires were ominous for a long period and were so intense as to warp the stern plates and cause some pulling out of hull rivets. In order to minimize fires the vessel played several water hoses over the stern to keep the burning oil on the water at a distance. Also the engines were turned over to make five knots and the wake was effective in keeping the oil clear of the ship. There was no movement of the ship even when the engines were run at ten knots. This shows how securely the ship was wedged between West Virginia and the quay.
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Homer N. Wallin (Why, How, Fleet Salvage And Final Appraisal [Illustrated Edition])
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Raleigh was struck by a torpedo early in the attack. Like Utah, she occupied a berth usually used by an aircraft carrier. At 0756 the two torpedoes were dropped about 300 yards from the ship. One hit the ship below the eighty pound armor belt and another passed about twenty-five yards ahead of the ship. The one which hit the ship caused immediate flooding of the two forward boiler rooms and the forward engine room. General Quarters was sounded at once, and the anti-aircraft battery went into action promptly. Men not at the guns were ordered to jettison weights on the port side, especially those high up on the ship. About 0900 the ship received a bomb hit from a dive-bomber. This was dropped from about 800 feet and passed through three decks and out the side of the ship. It exploded clear of the vessel at frame 112 and caused damage typical of a near-miss. Luckily the compartment, which held 3,500 gallons of aviation gasoline, was left intact. The ship counterflooded, but the construction of the ship was not favorable to a great deal of counterflooding as loss of buoyancy was more important than list. Due to defective hatches the main deck had some free water surface, which, added to that produced by the damage, was almost fatal. The jettisoning of topside weights and the reduction of free surface by pumping water from the main deck saved the ship. It certainly would have been lost in a seaway, as it developed negative stability. This was gradually overcome, partly by lashing an available barge alongside. 80-G-32448 USS Raleigh after taking one torpedo hit amidships and one bomb hit aft.
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Homer N. Wallin (Why, How, Fleet Salvage And Final Appraisal [Illustrated Edition])
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From late afternoon into the evening on September 4, we tugged Angus over Titanic’s bow five times, cameras snapping away. I was still being cautious, keeping Angus 20 to 30 feet above Titanic’s decks. I knew that the pictures were likely to be fuzzy. After midnight on September 5, word came from our onboard lab that the photos weren’t clear enough.
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Robert D. Ballard (Into the Deep: A Memoir from the Man Who Found the Titanic)
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I figured Angus would need to get within 12 or 13 feet of Titanic’s deck for sharp images. Even that close, the reds would dissipate, and the photos would be a ghostly mix of shades of blue. But at least they would be clear. I hobbled over and pulled up a chair right behind Earl. Leaning over his shoulder, I gave the order to take Angus down to 13 feet.
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Robert D. Ballard (Into the Deep: A Memoir from the Man Who Found the Titanic)
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It was Rogers who hurried to the carpenter shop beneath the forecastle and reappeared triumphantly, holding a hacksaw. He insisted on taking the first turn at cutting through the forged steel link. Soon, he tired of the task and handed the saw to a seaman. Then he wandered off, whistling to himself. Psychiatrists who later examined Rogers or studied his own account of these events have been struck by the marked disturbance of his thinking. A disturbed or psychotic personality suffering from this “thought disorder” has tremendous difficulty separating the relevant from the irrelevant, recalls and remembers everything, describes events in almost incredible detail. Rogers’ description of what happened to him when he left the bridge clearly displays this condition: “There had been a canary down in the hold of the ship. It belonged to the boatswain. I had seen the canary there. I was looking for a pair of shoes. I had lost mine overboard. “I got the canary and put a towel around the bird and came up. He was the only living thing down there. I got halfway up and the heat was terrific. I went all the way with the flashlight and I noticed there was a space of about four feet on the bulkhead that was beginning to glow, turning red.” Clutching the canary, he shuffled back to the deck and delivered the “news that the place was glowing hot down there and it’s a shame to use a five-and-ten-cent method to saw through the chain.” Suddenly the steel link snapped. In all, five hours had passed since the Tampa first offered help.
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Gordon Thomas (Shipwreck: The Strange Fate of the Morro Castle)
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Productivity is a trap. Becoming more efficient just makes you more rushed, and trying to clear the decks simply makes them fill up again faster.
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Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
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Kennedy turned towards his officers on the bridge. ‘We’ll fight them both, they’ll sink us – and that will be that. Goodbye.’ He shook the Chief’s hand, turned on his heel and cleared the decks for action.
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Michael Tamelander (Bismarck: The Final Days of Germany's Greatest Battleship)
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And so, instead, like the dutiful and efficient worker I was, I’d put my energy into clearing the decks, cranking through the smaller stuff to get it out of the way—only to discover that doing so took the whole day, that the decks filled up again overnight anyway, and that the moment for responding to the New Delhi email or for researching the milestone article never arrived.
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Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
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Nature was to him in October, and not in spring, poignantly suggestive, deeply mysterious, in her intense and visible occupation. She was enormously busy; but she was serenely busy. She was stripping her house of its deckings, dismantling her habitation to the last and uttermost leaf; but she stripped, dismantled, extinguished, broke away, not in despair, defeat, but in ordered preparation and with exquisite certitude of glory anew. That, in October, was her voice to him, stirring tremendously that faculty of his of seeing more clearly, visioning life more poignantly, with his mind than with his eye. She spoke to him of preparation for winter, and beyond winter with ineffable assurance for spring, bring winter what it might. He saw her dismantling all her house solely to build her house again. She packed down. She did not pack up, which is confusion, flight, abandonment. She packed down, which is resolve, resistance, husbandry of power to build and burst again; and burst again,—in stout affairs of outposts in sheltered banks and secret nooks; in swift, amazing sallies of violet and daffodil and primrose; in multitudinous clamour of all her buds in May; and last in her resistless tide and
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A.S.M. Hutchinson (If Winter Comes: The Bestseller of 1922)