Clean Brushes Quotes

I believe that there is one story in the world, and only one. . . . Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. . . . There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

Maybe you’ll understand my point of view if I put it this way. You brush your teeth, right? Well, suppose your favorite toothpaste is Aquafresh. But the store is out. All they have is Colgate. What are you going to do? You’re going to use the Colgate, right? You may want to brush with Aquafresh, but when all is said and done, you use what you have to keep those pearly whites clean. See my way of thinking? Good.

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught - in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too - in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well - or ill?

Do you remember the woman I told you about?" I knew we would get back around to this. I'd been dying to know more. "The one who used your body then threw you away like a toothbrush you had to use to clean the toilet because you couldn't find your scrub brush?" "Well, yeah." "And then you saw her out a year later and she'd had a baby who just happened to have your eyes?" "That's the one." "No. I don't remember you mentioning her.

A man, after he has brushed off the dust and chips of his life, will have only the hard, clean questions: Was it good or was it evil? Have I done well--or ill?

Brushing dirt from his coat, Sam ignored the wild-eyed looks the other three gave him. Surely a house like this had enough staff to clean up a little dirt? “And who is this young man?” the old lady demanded. Sam opened his mouth to reply, but froze when he saw just who the old woman was. “May I present Sam Morgan, Your Highness,” Griffin said. Bloody hell. It was Queen Victoria. They’d just burrowed their way into Buckingham Palace.

Mommy says I have to brush each night before prayers, so I can talk to God with a clean mouth.

My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?

Nobody touches you, Amara, or I’ll spend a lot of time cleaning up a lot of blood.” “And same goes for you?” she asked, just wanting to confirm. “I’m not a hypocrite, baby,” he brushed her hair back from her face. “I’m not asking you to do anything I won’t be doing myself. Nobody touches me either, just you.

I kept this to remind me of you trying to brush away the Villa Rossa from your teeth in the morning, swearing and eating aspirin and cursing harlots. Every time I see that glass I think of you trying to clean your conscience with a toothbrush.

Switters was actually quite fond of Seattle's weather, and not merely because of it's ambivalence. He liked it's subtle, muted qualities and the landscape that those qualities encouraged if not engendered: vistas that seemed to have been sketched with a sumi brush dipped in quicksilver and green tea. It was fresh, it was clean, it was gently primal, and mystically suggestive.

To put it lightly, I don’t enjoy showering. Being clean, yes. The act of being in the shower, also yes. But everything about having to brush out my tangled hair beforehand, stepping out onto a ratty bath mat or tile floors, getting dry, combing my hair out again—I hate all of that, which means I’m a three-shower-a-week person to Alex’s one to two showers a day.

But can’t you just wave your hand and make all the dirt fly away, then?" [...] "That works, but only if you wave them about on the floor with a scrubbing brush.

The most work he did on [the urinals] was to run a brush once or twice apiece, singing some song as loud as he could in time to the swishing brush; then he'd splash in some Clorox and he'd be through. ... And when the Big Nurse...came in to check McMurphy's cleaning assignment personally, she brought a little compact mirror and she held it under the rim of the bowls. She walked along shaking her head and saying, "Why, this is an outrage... an outrage..." at every bowl. McMurphy sidled right along beside her, winking down his nose and saying in answer, "No; that's a toilet bowl...a TOILET bowl.

Ritual he liked, but compulsory routine he hated. Thus, he resented every minute that he now had to surrender to showering, shampooing, shaving, and flossing and brushing his teeth. If mere men could devise self-defrosting refrigerators and self-cleaning ovens, why couldn't nature, in all its complex, inventive magnificence, have managed to come up with self-cleaning teeth? "There's birth," he grumbled, "there's death, and in between there's maintenance.

Now you've a clean start... you've brushed three or four ornaments down, and in a fit of pique knocked off the rest of them. The thing now is to collect some new ones, and the farther you look ahead in the collecting, the better, but remember, do the next thing.

Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.

There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

Fifteen Ways to Stay Alive 1. Offer the wolves your arm only from the elbow down. Leave tourniquet space. Do not offer them your calves. Do not offer them your side. Do not let them near your femoral artery, your jugular. Give them only your arm. 2. Wear chapstick when kissing the bomb. 3. Pretend you don’t know English. 4. Pretend you never met her. 5. Offer the bomb to the wolves. Offer the wolves to the zombies. 6. Only insert a clean knife into your chest. Rusty ones will cause tetanus. Or infection. 7. Don’t inhale. 8. Realize that this love was not your trainwreck, was not the truck that flattened you, was not your Waterloo, did not cause massive haemorrhaging from a rusty knife. That love is still to come. 9. Use a rusty knife to cut through most of the noose in a strategic place so that it breaks when your weight is on it. 10. Practice desperate pleas for attention, louder calls for help. Learn them in English, French, Spanish: May Day, Aidez-Moi, Ayúdame. 11. Don’t kiss trainwrecks. Don’t kiss knives. Don’t kiss. 12. Pretend you made up the zombies, and only superheroes exist. 13. Pretend there is no kryptonite. 14. Pretend there was no love so sweet that you would have died for it, pretend that it does not belong to someone else now, pretend like your heart depends on it because it does. Pretend there is no wreck — you watched the train go by and felt the air brush your face and that was it. Another train passing. You do not need trains. You can fly. You are a superhero. And there is no kryptonite. 15. Forget her name.

They climbed back into the dish with brooms and scrubbing brushes and carefully swept it clean of what they referred to in a later paper as “white dielectric material,” or what is known more commonly as bird shit.

Have you ever had one of those days where you give up on being really clean, and settle for being largely clean? Where you don't have time for the entire scrubbing and exfoliating regime, so you settle for the basics? Where brushing your teeth becomes the most rigorous part of your cleaning ritual? Yeah, welcome to Monday morning at St. Sophia's School for (Slightly Grimy) Girls.

I woke up this morning for three minutes. I rolled out of bed, put on my slippers, and stared at myself in the bathroom mirror. That was all I could take. I went back to sleep. I didn’t go back to bed. I just went back to sleep. I slept all day. I sleep most days. I’m asleep when I go to school, asleep when I’m telling the barista which form of caffeine I prefer. It never wakes me up, but I spend $3.50 on it anyway. I’m asleep when my professors are talking, asleep when I go to the store to pick up milk. Sometimes I wake up, but it’s terrifying so I go back to sleep right away. I want to wake up. I want to have a reason to wake up. I brush my teeth every night before bed and wonder how many times I will brush my teeth before they are clean enough to never brush again. I eat lunch and wonder how much more I will have to eat until I’m full enough to never eat again. It’s easy to sleep through routine; I guess that’s why I stay here. I wish I could be done with this life so I could finally sleep properly.

It was always the same for her when she arrived to meet the body. After she unbuckled her seat belt, after she pulled a stick pen from the rubber band on the sun visor, after her long fingers brushed her hip to feel the comfort of her service piece, what she always did was pause. Not long. Just the length of a slow deep breath. That's all it took for her to remember the one thing she will never forget. Another body waited. She drew the breath. And when she could feel the raw edges of the hole that had been blown in her life, Detective Nikki Heat was ready. She opened the car door and went to work . . . Heat could have made it easier on herself by parking closer, but this was another of her rituals: the walk up. Every crime scene was a flavor of chaos, and these two hundred feet afforded the detective her only chance to fill the clean slate with her own impressions.

In these days Melissa's absorbed and provoking gentleness had all the qualities of a rediscovered youth. Her long uncertain fingers - I used to feel them moving over my face when she thought I slept, as if to memorize the happiness we had shared. In her there was a pliancy, a resilience which was Oriental - a passion to serve. My shabby clothes - the way she picked up a dirty shirt seemed to engulf it with an overflowing solicitude; in the morning I found my razor beautifully cleaned and even the toothpaste laid upon the brush in readiness. Her care for me was a goad, provoking me to give my life some sort of shape and style that might match the simplicity of hers. Of her experiences in love she would never speak, turning from them with a weariness and distaste which suggested that they had been born of necessity rather than desire. She paid me the comlpiment of saying: "For the first time I am not afraid to be light-headed or foolish with a man".

They had Rembrandt on the calendar that year, a rather smeary self-portrait due to imperfectly registered color plate. It showed him holding a smeared palette with a dirty thumb and wearing a tam-o’-shanter which wasn’t any too clean either. His other hand held a brush poised in the air, as if he might be going to do a little work after a while, if somebody made a down payment. His face was aging, saggy, full of the disgust of life and the thickening effects of liquor. But it had a hard cheerfulness that I liked, and the eyes were as bright as drops of dew. I was looking at him across my office desk at about four-thirty when the phone rang and I heard a cool, supercilious voice that sounded as if it thought it was pretty good. It said drawlingly, after I had answered: “You are Philip Marlowe, a private detective?

A Roman came to Rabbi Gimzo the Water Carrier, and asked, "What is this study of the law that you Jews engage in?" and Gimzo replied, "I shall explain. There were two men on a roof, and they climbed down the chimney. One's face became sooty. The other's not. Which one washed his face?" The Roman said, "That's easy, the sooty one, of course." Gimzo said, "No. The man without the soot looked at his friend, saw that the man's face was dirty, assumed that his was too, and washed it." Cried the Roman, "Ah ha! So that's the study of law. Sound reasoning." But Gimzo said, "You foolish man, you don't understand. Let me explain again. Two men on a roof. They climb down a chimney. One's face is sooty, the other's not. Which one washes?" The Roman said, "As you just explained, the man without the soot." Gimzo cried,"No, you foolish one! There was a mirror on the wall and the man with the dirty face saw how sooty it was and washed it." The Roman said, "Ah ha! So that's the study of law! Conforming to the logical." But Rabbi Gimzo said, "No, you foolish one. Two men climbed down the chimney. One's face became sooty? The other's not? That's impossible. You're wasting my time with such a proposition." And the Roman said, "So that's the law! Common sense." And Gimzo said, "You foolish man! Of course it was possible. When the first man climbed down the chimney he brushed the soot away. So the man who followed found none to mar him." And the Roman cried, "That's brilliant, Rabbi Gimzo. Law is getting at the basic facts." And for the last time Gimzo said, "No, you foolish man. Who could brush all the soot from a chimney? Who could ever understand all the facts?" Humbly the Roman asked, "Then what is the law?" And Gimzo said quietly, "It's doing the best we can to ascertain God's intention, for there were indeed two men on a roof, and they did climb down the same chimney. The first man emerged completely clean while it was the second who was covered with soot, and neither man washed his face, because you forgot to ask me whether there was any water in the basin. There was none.

My pet-sitting day ends around sunset, and it's very satisfying to know that I've made several living beings happy that day. That I left their food bowls sparkling clean and fresh water in their water bowls. That I brushed them so their coats shined, and played with them until all our hearts were beating faster. That I kissed them goodbye and left them with their tails wagging or flipping or at least raised in a happy kind of way. That's a heck of a lot more than any president, pope, prime minister, or potentate can say, and I wouldn't switch places with any of them.

Humans are caught--in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too--in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well--or ill?

He handed the dust pan and brush over. I knew they wouldn’t be much use in cleaning the floor. I also knew the real reason he had given them to me: so he could look furtively at me, as I bent over. That idea turned me on. I welcomed it, and decided to give him a good look at what he wanted.

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill? [...] In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world. We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.

It was small wonder, then, that he suddenly flung down his brush on the floor, said 'Bother!' and 'O blow!' and also 'Hang spring-cleaning!' and bolted out of the house without even waiting to put on his coat.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.

2:74-75 FUMES Clean clothes and expensive accessories will not cover a blackened core. The smoldering sends out smoke through the crevices. You brush the fumes away, but they keep coming. As his criminal actions have built walls around a prisoner, so your forgetfulness and refusal to let light in keep your soul from traveling.

I used to flirt with fundamentalism, and I had this idea that creation was something that happened. Now I see creation as something that is happening. Hundreds of millions of stars are still being born every day. Creation is an ongoing process. The Artist has not yet cleaned out the brushes. The paint is still wet. Human beings are the small clumps of clay and breath, and we have been handed brushes of our own, like young artist apprentices. The brushes aren't ours, nor the paint or canvas, but here they are in our hands, on loan. What shall we make?

I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I? Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge. But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.

The soldiers chuckled. One of them, a grizzled veteran, rose and walked over to where Duncan and his two senior officers were standing. He made a show of inspecting the ground, brushing aside a few twigs and rocks, then spread out a none-too-clean neckerchief and gestured for the King to sit. “There you go, my lord. Your royal bum should be comfortable there.” The

I think perhaps Liza accepted the world as she accepted the Bible, with all of its paradoxes and its reverses. She did not like death but she knew it existed, and when it came it did not surprise her. Samuel may have thought and played and philosophized about death, hut he did not really believe in it. His world did not have death as a member. He, and all around him, was immortal. When real death came it was an outrage, a denial of the immortality he deeply felt, and the one crack in his wall caused the whole structure to crash. I think he had always thought he could argue himself out of death. It was a personal opponent and one he could lick. To Liza it was simply death—the thing promised and expected. She could go on and in her sorrow put a pot of beans in the oven, bake six pies, and plan to exactness how much food would be necessary properly to feed the funeral guests. And she could in her sorrow see that Samuel had a clean white shirt and that his black broadcloth was brushed and free of spots and his shoes blacked. Perhaps it takes these two kinds to make a good marriage, riveted with several kinds of strengths.

I was a soldier, executing a series of physical actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes. Wipe up the floor. Are you listening? Brush teeth. Find Benny the Bunny. Put on pajamas. Nurse. A story. Another story. Keep going, keep going, keep going.

A child may ask, “What is the world’s story about?” And a grown man or woman may wonder, “What way will the world go? How does it end and, while we’re at it, what’s the story about?” I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms.

Anna?" Someone knocks on my door, and it startles me out of my seat. No.Not someone. St. Clair. I'm wearing an old Mayfield Dairy T-shirt, complete with yellow-and-brown cow logo,and hot pink flannel pajama bottoms covered in giant strawberries. I am not even wearing a bra. "Anna,I know you're in there. I can see your light." "Hold on a sec!" I blurt. "I'll be right there." I grab my black hoodie and zip it up over the cow's face before wrenching open the door. "Hisorryaboutthat. Come in." I open the door wide but he stands there for a moment, just staring at me. I can't read the expression on his face. Then he breaks into a mischievous smile and brushes past me. "Nice strawberries." "Shut up." "No,I mean it. Cute." And even though he doesn't mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute,something flickers inside of me. The "force of strength and destruction" Tita de la Garza knew so well.St. Clair stands in the center of my room.He scratches his head, and his T-shirt lifts up on one side, exposing a slice of bare stomach. Foomp! My inner fire ignites. "It's really...er...clean," he says. Fizz. Flames extinguished.

Cooking is an art to me. A clean kitchen is my canvas. Fresh fruits, vegetables, herbs, spices, grains & meats are my paints. And my hands are my brushes.

I’ll be back out here tomorrow to brush her clean. And if she’s too warm after working, then I’ll hose her down. Rinse, repeat. It’s like I’m her bitch, if you think about it.

His clothing, analogous, with due allowance, to that of Mistigris, consisted of a shabby surtout coat, American-green in color, much worn, but clean and well-brushed;

He felt as if he had been washed from top to bottom, like a sheet scrubbed by a brush. He felt all white and full of new life. He walked the earth with a clean heart.

They have to be born, you know," the Third Rail says. "They don't come from nowhere! When a child sits in her chair with a clean suzuri and her long brush, she believes she is writing, but she is simply calling to these poor lambs, calling them to attend her, to pass through her. We can hardy keep up with the demand; the pollination season is intense. And yet, they learn fewer and fewer kanji as the years go by, and more and more English, more katakana, more foreign things. The graveyard is on another train, where turtles set incense on the stones of words no one learns in your world anymore, words passed out of reach of any mouth. It is important work we do. We hope you agree, of course, but we are willing to admit it foolish if you call it so.

It's not about fear. It's about never feeling clean, spending years scrubbing your soul raw so you can eat without feeling nauseous, can look in the mirror and meet your own eyes when you put on makeup, brush your hair. To learn to be strong, to run your life and not be a victim of it, knowing in your heart that everything you've built is sitting on a foundation that can sink at any time. And you build it anyway, on faith alone that it won't be shattered, when everything in your life tells you that faith is a fucking joke, but you do it anyway. You do it anyway.(...)

In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual «There!» yet at the brink of this story he has as yet gone no further than the conscious stage. As you first see him he wonders frequently whether he is not without honor and slightly mad, a shameful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well adjusted to his environment, and somewhat more significant than any one else he knows.

I am a Negro:     Black as the night is black,     Black like the depths of my Africa. I’ve been a slave:     Cæsar told me to keep his door-steps clean.     I brushed the boots of Washington. I’ve been a worker:     Under my hand the pyramids arose.     I made mortar for the Woolworth Building. I’ve been a singer:     All the way from Africa to Georgia     I carried my sorrow songs.     I made ragtime. I’ve been a victim:     The Belgians cut off my hands in the Congo.     They lynch me now in Texas. I am a Negro:     Black as the night is black,     Black like the depths of my Africa.

A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper

They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind. Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard, and the little distant Martian bone town was all enclosed, and no one drifted out their doors, you could see Mr. K himself in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp.

I'll stay if you want," he offered. "No, of course not," Amy said quickly, her hand flying to her temples as they resumed their throbbing. "You've been great, Ty. Go home." "Everything's done. The horses are all watered and the stalls are clean." He stepped toward her, his eyes anxious. "Now, you're sure you'll be OK?" "Sure." Looking up into his worried face, she smiled, words leaping impulsively out of her. "Thanks for everything, Ty," she said. "You've been a real friend." There was a pause. Ty's eyes searched hers and then suddenly, without warning, he reached out and brushed his hand against her cheek. At the tender touch of his warm hand, Amy felt a shock run through her. It was over in a couple of seconds, and Ty stepped back. "See you tomorrow," he muttered as he strode quickly away. Amy stared after him for a few seconds, not knowing how to react.

Your dress is perfectly clean,” he said. “Or are you brushing off the contamination? If so, you’re working on the wrong place. I never touched your skirts.” “They touched your legs,” she said. “You put your hand on my trouser front,” he said. “You don’t see me brushing it in that deranged manner.” “It is not deranged!” “What is it, then?” “I am keeping my hands busy because I want to slap you.” “That is patently unfair,” he said. “You started it.

Charity gave him a disapproving look. “Inciting a member of our head family to steal one of our core secrets is a grave offense. Especially for a Sage. You might say that with great power comes great responsib—” Charity shuddered as though she’d sensed something. Lindon frowned. “What’s wrong?” “I don’t know…I just suddenly got the feeling that if I completed that sentence, I would immediately die.” “You could phrase it differently,” Lindon suggested. “I’ll try.” Charity straightened her spine and spoke again. “Power like yours carries heavy responsibility.” She paused, waiting for something, and neither of them sensed anything ominous this time. Charity let out a breath of relief. “That was very strange,” she said. Lindon slapped his forearm. “Now what was that?” Charity asked. “Oh, it’s nothing. A spider tried to bite me, but I got it in time.” Lindon brushed his arm clean. “Now, what were you saying?

Tania, why don’t you take off your shoes? You’ll be more comfortable.” “I’m fine,” she said. How did he know her feet were killing her? Was it that obvious? “Go on,” he prodded gently. “It will be easier for you to walk on the grass.” He was right. Breathing a sigh of relief, she bent, unstrapped the sandals, and slipped them off. Straightening up and raising her eyes to him, she said, “That is a little better.” Alexander was silent. “Now you’re really tiny,” he said at last. “I’m not tiny,” she returned. “You’re just outsized.” Blushing, she lowered her gaze. “How old are you, Tania?” “Older than you think,” Tatiana said, wanting to sound old and mature. The warm Leningrad breeze blew her blonde hair over her face. Holding her shoes with one hand, she attempted to sort out her hair with the other. She wished she had a rubber band for her ponytail. Standing in front of her, Alexander reached out and brushed the hair away. His eyes traveled from her hair to her eyes to her mouth where they stopped. Did she have ice cream all around her lips? Yes, that must be it. How awkward. She licked her lips, trying to clean the corners. “What?” she said. “Do I have ice cream—” “How do you know how old I think you are?” he asked. “Tell me, how old are you?” “I’m going to be seventeen soon,” she said. “When?” “Tomorrow.” “You’re not even seventeen,” Alexander echoed. “Seventeen tomorrow!” she repeated indignantly. “Seventeen, right. Very grown up.” His eyes were dancing. “How old are you?” “Twenty-two,” he said. “Twenty-two, just.” “Oh,” she said, and couldn’t hide the disappointment in her voice. “What? Is that very old?” Alexander asked, failing to keep the smile off his face. “Ancient,” Tatiana replied, failing to keep the smile off her face. Slowly they walked across the Field of Mars, Tatiana barefoot and carrying the red sandals in her slightly swinging hands.

Not that she did in fact run or hurry; she went indeed rather slowly. She felt rather inclined just for a moment to stand still after all that chatter, and pick out one particular thing; the thing that mattered; to detach it; separate it off; clean it of all the emotions and odds and ends of things, and so hold it before her, and bring it to the tribunal where, ranged about in conclave, sat the judges she had set up to decide these things. Is it good, is it bad, is it right or wrong? Where are we all going to? and so on. She righted herself after the shock of the event, and quite unconsciously and incongruously, used the branches of the elm trees outside to help her to stabilise her position. Her world was changing: they were still. The event had given her a sense of movement. All must be in order. She must get that right and that right, she thought, insensibly approving of the dignity of the trees’ stillness, and now again of the superb upward rise (like the beak of a ship up a wave) of the elm branches as the wind raised them. For it was windy (she stood a moment to look out). It was windy, so that the leaves now and then brushed open a star, and the stars themselves seemed to be shaking and darting light trying to flash out between the edges of the leaves. Yes, that was done then, accomplished; and as with all things done, became solemn. Now one thought of it, cleared of chatter and emotion, it seemed always to have been, only was shown now and so being shown, struck everything into stability. They would, she thought, going on again, however long they lived, come back to this night; this moon; this wind; this house: and to her too.

...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country. He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts. If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.

We can't ask our mothers. It's hard to imagine them without clothes, to think of them as having bodies at all, under their dresses. There's a great deal they don't say. Between us and them is a gulf, an abyss, that goes down and down. It's filled with wordlessness. They wrap up the garbage in several layers of newspaper and tie it with string, and even so it drips onto the freshly waxed floor. Their clotheslines are strung with underpants, nighties, socks, a display of soiled intimacy, which they have washed and rinsed, plunging their hands into the gray curdled water. They know about toilet brushes, about toilet seats, about germs. The world is dirty, no matter how much they clean, and we know they will not welcome our grubby little questions. So instead a long whisper runs among us, from child to child, gathering horror.

I went to my room and put some water on my hair, but you can't really comb a crew cut or anything. Then I tested to see if my breath stank from so many cigarettes and the Scotch and sodas I drank at Ernie's. All you do is hold your hand under your mouth and blow your breath up toward the old nostrils. It didn't seem to stink much, but I brushed my teeth anyway. Then I put on another clean shirt. I knew I didn't have to get all dolled up for a prostitute or anything, but it sort of gave me something to do. I was a little nervous. I was starting to feel pretty sexy and all, but I was a little nervous anyway. If you want to know the truth, I'm a virgin. I really am. I've had quite a few opportunities to lose my virginity and all, but I've never got around to it yet. Something always happens. For instance, if you're at a girl's house, her parents always come home at the wrong time – or you're afraid they will. Or if you're in the back seat of somebody's car, there's always somebody's date in the front seat – some girl, I mean – that always wants to know what's going on all over the whole goddam car. I mean some girl in front keeps turning around to see what the hell's going on. Anyway, something always happens. I came quite close to doing it a couple of times, though. One time in particular, I remember. Something went wrong, though – I don't even remember what any more. The thing is, most of the time when you're coming pretty close to doing it with a girl – a girl that isn't a prostitute or anything, I mean – she keeps telling you to stop. The trouble with me is, I stop. Most guys don't. I can't help it. You never know whether they really want you to stop, or whether they're just scared as hell, or whether they're just telling you to stop so that if you do go through with it, the blame'll be on you not them. Anyway, I keep stopping. The trouble is, I get to feeling sorry for them. I mean most girls are so dumb and all. After you neck them for a while, you can really watch them losing their brains. You take a girl when she really gets passionate, she just hasn't any brains. I don't know. They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I keep doing it anyway.

But much more often I have seen the marriage and the family grow closer, better. Everybody learns to deal, has to help, has to be honest and say it sucks. Everybody has to laugh, everybody has to feel grateful when whatever else the child can’t do he can kiss the hand that brushes his hair.

Standing in the hallway, I imagine the smell settling like snow on my hair and my skin, breathing it like smoke into my nose and mouth; how it curls its way into the fibers of my clothing and the hollows of my ears. Like death, it is an old smell; so fundamentally human that it can only be disavowed. You avoid this smell each time you take a shower and each time you wash your hands. Each time you brush your teeth or flush the toilet, or launder your sheets and towels. With every plate you scrub clean, every spill you mop up and every bag of trash you tie up and throw out. Every time you open a window or walk outside, breathing deeply, to stretch your legs and stand in sunlight. This smell is the lingering presence of all the physical things we put into and wash off ourselves. But it is equally the ineffable smell of defeat, of isolation, of self-hate. Or, more simply, it is the smell of pain.

You are already part of a family," Desari reminded him,her body brushing his, her arms circling his waist from behind. She had materialized out of nowhere,her presence filling the healing chamber. She was there.Completing him. His air. His heart.The part of his soul that really lived and loved and mattered. Without conscious thought he sent up a quick prayer of thanks that he had been granted such a priceless treasure when he felt so undeserving of her. Julian loved the way she smelled. He inhaled, and her scent washed over him, clean and sexy. "This mess? With all these males?" Julian allowed a low, rumbling growl to escape. "This is no family. This is a man's nightmare." Desari deliberately moved against him, her body soft and pliant with invitation. "Is that what you think?" "What I think is"-Julian circled her slender throat with his large hand in mock threat- "you are deliberately tempting me when I have important, pressing business to atttend to.

The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels. A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you—daft as a brush, but very very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head. Her grandmother had told her to beware the wolves that prowled in the wood, but the little girl knew the little boy was not dangerous, even if he was the king of the goblins. Will you marry me, Elisabeth? the little boy asked, and the little girl did not wonder at how he knew her name. Oh, she replied, but I am too young to marry. Then I will wait, the little boy said. I will wait as long as you remember. And the little girl laughed as she danced with the Goblin King, the little boy who was always just a little older, a little out of reach. As the seasons turned and the years passed, the little girl grew older but the Goblin King remained the same. She washed the dishes, cleaned the floors, brushed her sister’s hair, yet still ran to the forest to meet her old friend in the grove. Their games were different now, truth and forfeit and challenges and dares. Will you marry me, Elisabeth? the little boy asked, and the little girl did not yet understand his question was not part of a game. Oh, she replied, but you have not yet won my hand. Then I will win, the little boy said. I will win until you surrender. And the little girl laughed as she played against the Goblin King, losing every hand and every round. Winter turned to spring, spring to summer, summer into autumn, autumn back into winter, but each turning of the year grew harder and harder as the little girl grew up while the Goblin King remained the same. She washed the dishes, cleaned the floors, brushed her sister’s hair, soothed her brother’s fears, hid her father’s purse, counted the coins, and no longer went into the woods to see her old friend. Will you marry me, Elisabeth? the Goblin King asked. But the little girl did not reply.

Humans are caught -- in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too -- in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any chances we may impose of field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I don well -- or ill?

Look, Mr. Cop. I’m going easy on you because I don’t think you’re trying to be discriminatory or a jerk about this. I’m normal. I’m as normal as you. I cook, I clean, I talk on the phone, I even use a computer. I can read, I can tell time, I can pay for my own stuff with real money, I dress myself every morning and manage to color coordinate my clothes with the help of Braille labels. I can play specialized board games and figure out what socks go with which, except if the dryer monster eats them like it always seems to somehow. I’m just like you, Quint. I eat the same, brush my teeth the same, make love the same, orgasm the same, cry, smile, and get pissed…just like you.” “Will

But like he said, it was clean, and it was very, very cool. I told him so.He beamed. Then ordered, "Seat belt!" as he stowed our bags in the backseat. I was trying. I'd already scanned the duct-tape-patched roof in vain. The clip was where I expected it to be, next to my left hip on the bench seat.Not so the other half. "Oh,yeah.I forgot to mention it's a lap belt." He reached over me, his arm brushing against my chest, his hair just grazing my cheekbone as he pulled the belt from the crevive between the seat and the door. I caught my breath. And jumped a little when he shoved the pieces together with a loud click. "Old parts," he apologized. Quivery parts,I thought as my insides settled.Kinda.

His hair brushed his shoulders, multiple shades of gold and not a single strand of silver. His face was clean-shaven and smooth. Tiny lines had taken up residence at the corners of his eyes, but other than looking more tired than usual, he looked like the same heartbreakingly beautiful man she’d fallen in love with. Just a little older, if not any wiser.

Mark’s horror came from the fact that Christopher proposed to eschew comfort. An Englishman’s duty is to secure for himself for ever, reasonable clothing, a clean shirt a day, a couple of mutton chops grilled without condiments, two floury potatoes, an apple pie with a piece of Stilton and pulled bread, a pint of Club Médoc, a clean room, in the winter a good fire in the grate, a comfortable arm-chair, a comfortable woman to see that all these were prepared for you, and to keep you warm in bed and to brush your bowler and fold your umbrella in the morning. When you had that secure for life you could do what you liked provided that what you did never endangered that security. What was to be said against that?

Rick, the only connection between your unquestionable intelligence and the sickness destroying your family is that everyone in your family, you included, use intelligence to justify sickness. You seem to alternate between viewing your own mind as an unstoppable force and as an inescapable curse, and I think its because the only truly unapproachable concept for you is that it's your mind within your control. You chose to come here you chose to talk, to belittle my vocation, just as you chose to become a pickle. You are the master of your universe, and yet you are dripping in rat blood and feces. Your enormous mind literally vegetating by your own hand. I have no doubt that you would be bored senseless by therapy. The same way i'm bored when I brush my teeth and wipe my ass. Because the thing about repairing, maintaining and cleaning is... it's not an adventure. There's no way to do it so wrong you might die. It's just... Work; and the bottom line is some people are OK going to work, and some people... well some people would rather die. Each of us gets to choose.

Jay insisted on carrying her up the back steps and into the kitchen, and this time Violet didn’t complain when he lifted her. He set her down gently on the kitchen counter, and then he rummaged through the cupboard while Violet told him where the Band-Aids were. He came with bandages, gauze, cotton balls, antibacterial wash, and two tubes of ointment. It seemed like overkill to Violet, but she didn’t say anything. She wanted to see what he planned to do. “Okay, this is probably gonna sting,” he warned as he leaned over and began cleaning her wounds. It did sting, more than Violet let on, and she had to bite her lip as the tears came back all over again. But she let him keep working without even flinching, which was no small feat as he stripped away the layers of dirt from her skin. The wounds were big, and round, and raw. She thought she looked like a little kid with the giant scrapes on her knees, and she imagined that they were going to scab over and possibly even scar. She felt like such an idiot for falling over her own two clumsy feet. But Jay was gentle, and he took his time, being careful not to hurt her. She admired his patience and took perverse pleasure in his touch. He didn’t look up to see how she was doing; he just kept working until he was satisfied that her scrapes were cleaned out. And then he picked up the antibacterial wash and some cotton balls. Violet sucked in her breath when he brushed the soaked cotton ball against the angry red abrasions. Jay looked up at her but didn’t stop dabbing at them. Instead he blew on her knees as he labored over them, just like her mother used to do when Violet was a little girl. She thought it was sweet, and she swore that she was even more attracted to him than ever in that tender moment. When he finished with the wash, he gingerly patted an antibiotic ointment on her knees before covering them with bandages. “There,” he said, admiring his own handiwork. “Good as new.” Violent glanced at the ridiculously huge Band-Aids on her knees and looking at him doubtfully. “You really think so? ‘Good as new’?” He smiled. “I think I did pretty good. It’s not my fault you can’t walk.

Bathing is not negotiable! So is brushing your teeth and washing your underwear, so that you always have a fresh inviting scent around you. People should want to be around you, not avoid you because of unfriendly odours coming out of your mouth, shoes or armpits. Do the best with what you have; even the old can be made clean and hygienic to improve your image.

Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells. He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair. He sat across from me and said, “Good evening, Kells. Did you sleep well?” “Uh, yes. Did you?” He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression. “Nope. I’ve got it all under control.” I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?” He smiled. “They’re completely fine. Thank you for asking.” “Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?” He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.” “Would they still be torn and bloody?” “No. When I reappear, they’re clean and whole again.” “Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.” I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles. He grinned. “Yes. Lucky for me.” I tugged the brush through my hair and winced. “That brings up another question.” Ren rose and took the brush out of my hand. “What…what are you doing?” I stammered. “Relax. You’re too edgy.” He had no idea. Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back. After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?” I jumped. “Umm…what?” I mumbled disconcertingly. “You wanted to ask me a question.” “Oh, right. It was, uh-that feels nice.” Did I say that out loud? Ren laughed softly. “That’s not a question.” Apparently, I did. “Was it something about me changing into a tiger?” “Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?” “No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?

Did I...' 'Ser the curtains on fire?' He lifts a brow. 'Yes.' 'Oh.' I can't find it in me to be embarrassed, so I brush the backs of my fingers across the stubble along his jaw. 'And you put it out.' 'Yes. Right before I destroyed your throwing target.' He grimaces. 'I'll get you a new one.' I glance over at the armoire. 'And we...' 'Yep.' He lifts his brows. 'and I'm pretty sure you need a new chair, too.' 'That was...' I didn't even get the man's pants entirely off, and my dressing gown is haphazardly hanging from one shoulder. 'Frighteningly perfect.' He cups the side of my face. ' We should get you cleaned up and to sleep. We can worry about... your room tomorrow. Ironically, your bed is the only thing we didn't wreck.

Vi, are you all right?” Jay asked, right beside her now, pulling her off the ground. Tears burned her eyes, and it wasn’t just from the painful sting radiating up through her hands and knees. Humiliation threatened to overcome the hurt. Jay hauled her up. She could smell his musky scent in his sweatshirt, and she tried to hold her breath against it. This was bad . . . this was a bad, bad place for her to be. “Are you hurt?” He pulled her away just enough so he could look down at her. She bit her lip, trying to will the tears away. She blinked and looked back at him. “I’m okay,” she responded, but her voice broke, making her words sound puny, pathetic even. He cringed as he bent down and looked at the angry red scrapes on both her knees. He reached out to lightly brush away some of the dirt from them, but she knew that he was afraid of hurting her, so he barely touched them. “We’d better get you back so we can clean those up.” He straightened, and then surprised her by picking her up as he started to carry her along the trail. She struggled against him. “I can walk!” she protested, feeling even more like a baby as he held her in his arms. He looked down at her in disbelief. “Are you sure? ‘Cause I think I just saw you trying, and it didn’t work out so well for you.” He didn’t seem inclined to let her down just yet; he just kept walking. She laughed but insisted again through her teary giggles, “Seriously, put me down! I feel stupid enough already—I don’t need you treating me like an invalid.” He slowed down unsurely before setting Violet on her own two feet. Internally she cursed herself for being so stubborn, and she wished that he’d put up more of a fight. Why couldn’t he have insisted on carrying her all the way home? Instead, he reached out and grabbed her hand. “If it’s all right with you, I think I’ll keep ahold of you anyway. I don’t want to be responsible for letting you fall again.

His head bent over hers; she could feel the rush of his unsettled exhalations. The hairs on his chest were not flat and straight, but softly curling. She wanted to brush her nose and lips across them. He smelled of soap, male skin, clean earth and meadow grass, and every breath of him made her feel warm in places that hadn't been warm in years. When the placket was finally unfastened, Mr. Ravenel raised his arms and let the shirt settle over his head, wincing as the neat row of stitches at his side was strained. Phoebe reached up to tug at the hem of the garment. Her knuckles inadvertently grazed the dark fleece on his chest, and her stomach did an odd little flip. From the surface of her skin down to the marrow of her bones, her entire body was alive with sensation.

Hustle was an unknown word; people thought more slowly, moved more slowly, lived more slowly. Women knew how to listen, how to be motionless; they had not yet learnt stridency nor restlessness; and their skins were clean. Nails were not dipped then in coloured varnish, nor dresses saturated with scent. Women took pains with their toilet. Their hair was brushed for twenty minutes at a time.

How easy it is for life to become tiny. How cleanly the world falls away. The subway platform in Toronto. That was the first. Will was a toddler then. Even today, "safe" in her bedroom, Diane still couldn't summon the incident in her mind without panic spreading in her like laughter in a crowd. She knew she'd brushed against true madness that day because it was huge and blunt and screaming.

I believe that there is only one story in the world... Humans are caught in their lives, in their thoughts, in their hunger and ambitions in their avarice and cruelty and in their kindness and generosity too-- in a net of good and evil. A man after he has brushed off the dust and chips of life, will have left only the hard clean questions: was it good or was it evil? Have I done well or ill?

What I can make people do . . . it’s not what they want to do. It may sound corny, but I want people to like me for me, not because I can force them to or because of who my mom is or who I am in the Family. You know?” He raised his green gaze to my blue one. “That’s one of the things I like about you, Lila. You don’t care about any of that.” “Just one of the things?” I teased, trying to make him laugh a little, just so he’d forget his guilt and grief, if only for a few moments. “Just one.” His voice took on a low, husky note. “I could list all the others, if you want.” My gaze locked with his and my soulsight kicked in, showing me all of his emotions. And I felt them, too—more intensely than I ever had before. His heart still ached with that soul-crushing guilt, and it always would. But that hot spark I’d seen inside him that first day at the Razzle Dazzle had finally ignited into a roaring fire, burning as hot and bright as my own emotions were right now. Devon hesitated, then leaned in, just a little. My breath caught in my throat. He inched forward a little more. I wet my lips. He came even closer, so close that his warm breath brushed my cheek and his scent flooded my nose, that sharp, fresh tang of pine. Clean and crisp, just like he was, inside and out. I sighed. Suddenly, my hands itched to touch him, to trace my fingers over the sharp planes of his face, and then slide them lower, over all of his warm, delicious muscles . . . “Lila,” he whispered. I shivered, loving the sound of my name on his lips—lips that were heartbreakingly close to mine—

Skylar laughed a lot in these scenes. He was happy. He was always helping people too—a whole section depicted him playing hero to the art majors as they gazed at him adoringly, and Xander glowered jealously on the sidelines. That made Skylar laugh in real life. There were so many scenes of him helping people. He was Mr. Friendly, according to Xander. This was such a better painting. This was how Xander saw him? This was beautiful. This is who I want to be instead. “I love this,” Skylar said as Xander cleaned his brush. “Oh, I’m not done.” Xander got out a small round brush and reached for the pink. He began to paint delicate, beautiful cherry blossoms all over Skylar’s body. There was writing too—Xander explained each kanji to him, that they meant he was magnificent, sensitive, sensual, artistic, charming, loyal, steadfast—he lost track of the words because while they were wonderful and the script breathtaking, it was the blossoms that did him in. He sees me as a cherry tree. A blooming, beautiful cherry tree. Skylar sobbed. “I love you,” Skylar cried, trying not to spill tears because Xander was painting cherry blossoms across his face. “I love you too, my sakura.

She took a powder container and brush and was about to use it on my face, but I stopped her. “Is it clean?” I asked. “The brush?” Giselle sighed. “Yes, Molly. It’s clean. You’re not the only person in the world who sanitizes things, you know.” This pleased me immensely because it confirmed what I knew in my heart. Giselle and I are so different, and yet, fundamentally, we are very much alike.

But they soon found out that Robert just wasn’t personable, which isn’t surprising since Robert isn’t a person. While Robert was always clean and presentable, brushed nickel just doesn’t have the same warmth as a flush of skin from a person genuinely showing interest. And no matter what Robot’s manufacturer says, blinking red lights on the cheeks are not a suitable substitute for a coy blush.

When I finally calmed down, I handed her the Ewok. "Can you go back and give it to him" I said. "Oh, honey," she answered. "That's so sweet of you. But Isabel can clean the Lego set. It'll be good as new for Auggie, don't worry." "No, for the other kid," I answered. She looked at me a second, like she didn't know what to say. "Via said he doesn't speak any English," I sai. "It must be really scary for him, being in the hospital." She nodded slowly. "Yeah," she whispered. "It must be." She closed her eyes and hugged me again. And then she took me over to the security desk, where I waited until she went back up the elevator and, after about five minutes, came back down again. "Did he like it?" I asked. "Honeyboy," she said softly, brushing the hair out of my eyes. "You made his day.

An inhale caught in her throat at the sight awaiting her—the tops of autumn-brushed trees like a quilt of fall colors, giving way to sand and grass and water-edged rock. And then, the sea—turbulent and yet somehow tranquil, waves of cobalt and azure, frothy white at the edges. “If I lived in this house, I’d clean out this attic and turn it into a bedroom so I could wake up to this view every day

They tested every electrical system. They rebuilt instruments, checked circuits, wiggled wires, dusted plugs. They climbed into the dish and placed duct tape over every seam and rivet. They climbed back into the dish with brooms and scrubbing brushes and carefully swept it clean5 of what they referred to in a later paper as ‘white dielectric material’, or what is known more commonly as bird shit.

In Yellowstone National Park, human-imposed stability thwarted for many years the natural process of small fires, which regularly clean out brush and dead trees. The result was a fragile equilibrium completely vulnerable to the cataclysm of fire that destroyed large areas of the park. The attempt to manage for stability and to enforce an unnatural equilibrium always leads to far-reaching destruction. The

Clean and Healthy Teeth   Apple cider vinegar is also known to clean and remove stains from your teeth.  Before you try to use bleach to whiten your teeth, first try apple cider vinegar.  You can apply some apple cider vinegar directly to your toothbrush and brush the stains.  Rinse and you should have nice white teeth.  Apple cider vinegar will also break down plaque and fight bacteria in your gums and teeth.

She sat back again, a gentle loosening that made her straight spine seem effortless and restful. Again she did nothing. She simply sat across from me and unfurled herself. I felt her life brush up against me and flow around me. It was but the faintest touching, and had I not experienced both the Skill and the Wit, I do not think I would have sensed it. Cautiously, as softly as if I assayed a bridge made of cobweb, I overlay my senses on hers. She quested. Not as I did, toward a specific beast, or to read what might be close by. I discarded the word I had always given to my sensing. Kettricken did not seek after anything with her Wit. It was as she said, simply a being, but it was being a part of the whole. She composed herself and considered all the ways the great web touched her, and was content. It was a delicate and tenuous thing and I marveled at it. For an instant I, too, relaxed. I breathed out. I opened myself, Wit wide to all. I discarded all caution, all worry that Burrich would sense me. I had never done anything to compare it with before. Kettricken's reaching was as delicate as droplets of dew sliding down a strand of spiderweb. I was like a dammed flood, suddenly released, to rush out to fill old channels to overflowing and to send fingers of water investigating the lowlands. Let us hunt! The Wolf, joyfully. In the stables, Burrich straightened from cleaning a hoof, to frown at no one. Sooty stamped in her stall. Molly shrugged away and shook out her hair. Across from me, Kettricken started and looked at me as if I had spoken aloud. A moment more I was held, seized from a thousand sides, stretched and expanded, illuminated pitilessly. I felt it all, not just the human folk with their comings and goings, but every pigeon that fluttered in the eaves, every mouse that crept unnoticed behind the wine kegs, every speck of life, that was not and never had been a speck, but had always been a node on the web of life. Nothing alone, nothing forsaken, nothing without meaning, nothing of no significance, and nothing of importance.

The very fact that something is important to us can make our children feel less like doing it. The more we pressure our children into eating their veggies, cleaning their rooms, brushing their teeth, doing their homework, minding their manners, or getting along with their siblings, the less inclined they are to comply. The more insistently we command them not to eat junk food, the more inclined they are to do it.

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

We complained but without overindulging, speaking bluntly, then brushing our troubles aside, concentrated on doing the things we enjoyed. She loved collecting shells to make tables decorated with shell tops, so together we would comb the beach, then take them back to the house to clean, lining them up out in the sun. It is surprising how such activities can have a calming effect and divert attention from any difficulties.

It was towards the end of February, in that year, and a bitter black frost had lasted for many weeks. The keen east wind had long since swept the streets clean, though in a gusty day the dust would rise like pounded ice, and make people's faces quite smart with the cold force with which it blew against them. Houses, sky, people, and everything looked as if a gigantic brush had washed them all over with a dark shade of Indian ink.

Home is where I take up such a tiny portion of the memory foam; home is a splintered word. His pillow is a sweat-stained map of an escape plot, also a map of love’s dear abandon. (When did he give way, at which breath?) Forgiveness may mean retrospectively abandoning the pillow and abandoning the photograph of someone with curious eyes, kissing my toes, poolside. I paint my toes Big Apple Red. I don’t know what to do about the shock of red nails on clean, white tiles except get used to it. (And when he gave way, was there room for feelings or the words for feeling?) While I brush my teeth, I can see him in my periphery at the other sink. The outline of him lulls and stings. (And when he gave way, was it the end of the beginning of suffering?) I draw his profile near, I make him brush his teeth with me, he spits and makes a mess. I could love another face, but why?

I imagined her poised, a humerus in one hand, a toothbrush in the other, as she gently brushed away the last remnants of the person who had once used that arm to shake hands, open doors, lift a mug of tea. I wondered if it was so very different from how I myself looked when I sat on the floor of my finds room, perhaps sitting cross-legged, at the centre of a circle of newly cleaned bones, a tibia in one hand, a toothbrush in the other …

He wet his hair and combed it back. He brushed his teeth. Then he washed the last traces of the soap and the toothpaste from his face with lukewarm water. Stared back at his reflection: clean-shaven, but his eyes were still red and puffy. He looked older than he remembered. He wondered what Laura would say when she saw him, and then he remembered that Laura wouldn’t say anything ever again and he saw his face, in the mirror, tremble, but only for a moment

I amazed myself, above all, with how well I was able to manage. Michel got to school on time, his teeth brushed and his clothes clean. More or less clean: I was less critical of a few spots on his trousers than Claire would have been, but then I was his father. I’ve never tried to be ‘both father and mother’ to him, the way some half-assed, home-made-sweater-wearing head of a single-parent household put it once in some bullshit programme I saw on afternoon TV.

Josh and Rashmi are making out-I can actually see tongue-so I turn to my bread and grapes.How biblical of me. The grapes are smaller than I'm used to, and the skin is slightly textured. Is that dirt? I dip my napkin in water and dab at the tiny purple globes. It helps, but they're still sort of rough. Hmm. St. Clair and Meredith stop talking. I glance up to find them staring at me in matching bemusement. "What?" "Nothing," he says. "Continue your grape bath." "They were dirty." "Have you tried one?" she asks. "No,they've still got these little mud flecks." I hold one up to show them. St. Clair plucks it from my fingers and pops it into his mouth.I'm hypnotized by his lips, his throat, as he swallows. I hesitate. Would I rather have clean food or his good opinion? He picks up another and smiles. "Open up." I open up. The grape brushes my lower lip as he slides it in. It explodes in my mouth, and I'm so startled by the juice that I nearly spit it out. The flavor is intense, more like grape candy than actual fruit. To say I've tasted nothing like it before is an understatement. Meredith and St. Clair laugh. "Wait until you try them as wine," she says. St. Clair twirls a forkful of pasta. "So. How was French class?" The abrupt subject change makes me shudder. "Professeur Gillet is scary. She's all frown lines." I tear off a piece of baguette. The crust crackles, and the inside is light and springy. Oh,man. I shove another hunk into my mouth.

I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

When I got home at night, and delivered this message for Joe, my sister “went on the Rampage,” in a more alarming degree than at any previous period. She asked me and Joe whether we supposed she was door-mats under our feet, and how we dared to use her so, and what company we graciously thought she was fit for? When she had exhausted a torrent of such inquiries, she threw a candlestick at Joe, burst into a loud sobbing, got out the dustpan—which was always a very bad sign—put on her coarse apron, and began cleaning up to a terrible extent. Not satisfied with a dry cleaning, she took to a pail and scrubbing-brush, and cleaned us out of house and home, so that we stood shivering in the back-yard. It was ten o’clock at night before we ventured to creep in again, and then she asked Joe why he hadn’t married a Negress Slave at once? Joe offered no answer, poor fellow, but stood feeling his whisker and looking dejectedly at me, as if he thought it really might have been a better speculation.

His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.

He was able to sleep on bare boards; he drank plain hot water with neither tea nor sugar; he ate stale bread; he wore footcloths rather than socks. He had no bed linen, but she noticed that his shirt collar was always clean, even though the shirt had been washed so many times that it had gone yellow. And in the mornings he always took out a chipped, battered little box that had once contained fruit drops and that now contained his washing things; he would brush his teeth and carefully soap his face, his neck, and his arms up to his elbows.

Lorelai pulls me in closer and I feel her hair brush the side of my face. Huh, she smells like bubblegum and oranges. Wait. What the hell? Oh great! I’m actually sniffing her hair now. Yeah, that’s not super creepy at all! Time to dial back the crazy. It would be wrong to make a move, remember? The song ends and suddenly The Ronettes’ ‘Be My Baby’ starts to play. “Ah! I loooove thissss!” Lorelai declares as she grabs me and starts gyrating up and down. It’s wrong to make a move. It’s wrong to make a move. It’s wrong to make a move. Oh God …

When I was maybe five or six years old, a woman down the street...got flattened by a train. When I got older I realized it probably wasn't an accident. It was a late train and she was so sick and swollen with age she could barely move, so what the hell was she doing crossing the tracks at midnight on a Tuesday? But at the time my mom only said that God works in mysterious ways. AKA, God will make a pancake of a sick old woman who never did harm to anybody, so what do you think he'll do to you if you don't clean your room and brush your teeth and mind your gospel?

You can tell a lot about a person by their feet,” he mused. “Some men come in here, smiling and laughing, shoes all clean and brushed, socks all powdered up. But when the shoes are off, their feet smell just fearsome. Those are the people that hide things. They’ve got bad smelling secrets and they try to hide ’em, just like they try to hide their feet.” He turned to look at me. “It never works though. Only way to stop your feet from smelling is to let them air out a bit. Could be the same thing with secrets. I don’t know about that, though. I just know about shoes.

You can tell a lot about a person by their feet,' he mused. 'Some men come in here, smiling and laughing, shoes all clean and brushed, socks all powdered up. But when the shoes are off, their feet smell just fearsome. Those are the people that hide things. They've got bad smelling secrets and they try to hide 'em, just like they try to hide their feet.' He turned to look at me. 'It never works though. Only way to stop your feet from smelling is to let them air out a bit. Could be the same thing with secrets. I don't know about that, though. I just know about shoes.

I followed him down the hall and into his room. He closed the door and tossed my dirty clothes into his hamper. “Don’t do that! I’ll take them home and wash them,” I tried to grab for them but Caeden grabbed my hands instead. “It’s fine,” he kissed the side of my mouth while I squirmed in his grasp. “Caeden, your mom doesn’t need to clean my dirty clothes.” “It’s not a problem. Besides,” he said huskily in my ear, “my mom doesn’t do my laundry. I do my own, just like a big boy.” I laughed. “And you know what else?” his lips brushed my ear. “What?” “I even make my own bed.

An Englishman’s duty is to secure for himself for ever reasonable clothing, a clean shirt a day, a couple of mutton-chops grilled without condiments, two floury potatoes, an apple-pie with a piece of Stilton and pulled bread, a pint of Club Medoc, a clean room, in the winter a good fire in the grate, a comfortable armchair, a comfortable woman to see that all these were prepared for you, to keep you warm in bed and to brush your bowler and fold your umbrella in the morning. When you had that secure for life, you could do what you liked provided that what you did never endangered that security. What was to be said against that?

I had better come clean now and say that I do not believe that art (all art) and beauty are ever separate, nor do I believe that either art or beauty are optional in a sane society." "That puts me on the side of what Harold Bloom calls 'the ecstasy of the privileged moment. Art, all art, as insight, as transformation, as joy. Unlike Harold Bloom, I really believe that human beings can be taught to love what they do not love already and that the privileged moment exists for all of us, if we let it. Letting art is the paradox of active surrender. I have to work for art if I want art to work on me." (...) We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the tragic paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector's item. Art objects. "The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of a Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that is pointless and mean. The message colored through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die." "Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and my staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed. If, in the comfortable West, we have chosen to treat such energies with scepticism and contempt, then so much the worse for us. "Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. Odd then, that when routine physical threats to ourselves and our kind are no longer a reality, we say we have no time for art. "If we say that art, all art is no longer relevant to our lives, then we might at least risk the question 'What has happened to our lives?

The Nurse's Song This mighty man of whom I sing, The greatest of them all, Was once a teeny little thing, Just eighteen inches tall. I knew him as a tiny tot, I nursed him on my knee. I used to sit him on the pot And wait for him to wee. I always washed between his toes, And cut his little nails. I brushed his hair and wiped his nose And weighed him on the scales. Through happy childhood days he strayed, As all nice children should. I smacked him when he disobeyed, And stopped when he was good. It soon began to dawn on me He wasn't very bright, Because when he was twenty-three He couldn't read or write. "What shall we do?" his parents sob. "The boy has got the vapors! He couldn't even get a job Delivering the papers!" "Ah-ha," I said, "this little clot Could be a politician." "Nanny," he cried, "Oh Nanny, what A super proposition!" "Okay," I said, "let's learn and note The art of politics. Let's teach you how to miss the boat And how to drop some bricks, And how to win the people's vote And lots of other tricks. Let's learn to make a speech a day Upon the T.V. screen, In which you never never say Exactly what you mean. And most important, by the way, In not to let your teeth decay, And keep your fingers clean." And now that I am eighty nine, It's too late to repent. The fault was mine the little swine Became the President.

John Isidore said, “I found a spider.” The three androids glanced up, momentarily moving their attention from the TV screen to him. “Let’s see it,” Pris said. She held out her hand. Roy Baty said, “Don’t talk while Buster is on.” “I’ve never seen a spider,” Pris said. She cupped the medicine bottle in her palms, surveying the creature within. “All those legs. Why’s it need so many legs, J. R.?” “That’s the way spiders are,” Isidore said, his heart pounding; he had difficulty breathing. “Eight legs.” Rising to her feet, Pris said, “You know what I think, J. R.? I think it doesn’t need all those legs.” “Eight?” Irmgard Baty said. “Why couldn’t it get by on four? Cut four off and see.” Impulsively opening her purse, she produced a pair of clean, sharp cuticle scissors, which she passed to Pris. A weird terror struck at J. R. Isidore. Carrying the medicine bottle into the kitchen, Pris seated herself at J. R. Isidore’s breakfast table. She removed the lid from the bottle and dumped the spider out. “It probably won’t be able to run as fast,” she said, “but there’s nothing for it to catch around here anyhow. It’ll die anyway.” She reached for the scissors. “Please,” Isidore said. Pris glanced up inquiringly. “Is it worth something?” “Don’t mutilate it,” he said wheezingly. Imploringly. With the scissors, Pris snipped off one of the spider’s legs. In the living room Buster Friendly on the TV screen said, “Take a look at this enlargement of a section of background. This is the sky you usually see. Wait, I’ll have Earl Parameter, head of my research staff, explain their virtually world-shaking discovery to you.” Pris clipped off another leg, restraining the spider with the edge of her hand. She was smiling. “Blowups of the video pictures,” a new voice from the TV said, “when subjected to rigorous laboratory scrutiny, reveal that the gray backdrop of sky and daytime moon against which Mercer moves is not only not Terran—it is artificial.” “You’re missing it!” Irmgard called anxiously to Pris; she rushed to the kitchen door, saw what Pris had begun doing. “Oh, do that afterward,” she said coaxingly. “This is so important, what they’re saying; it proves that everything we believed—” “Be quiet,” Roy Baty said. “—is true,” Irmgard finished. The TV set continued, “The ‘moon’ is painted; in the enlargements, one of which you see now on your screen, brush strokes show. And there is even some evidence that the scraggly weeds and dismal, sterile soil—perhaps even the stones hurled at Mercer by unseen alleged parties—are equally faked. It is quite possible in fact that the ‘stones’ are made of soft plastic, causing no authentic wounds.” “In other words,” Buster Friendly broke in, “Wilbur Mercer is not suffering at all.” The research chief said, “We at last managed, Mr. Friendly, to track down a former Hollywood special-effects man, a Mr. Wade Cortot, who flatly states, from his years of experience, that the figure of ‘Mercer’ could well be merely some bit player marching across a sound stage. Cortot has gone so far as to declare that he recognizes the stage as one used by a now out-of-business minor moviemaker with whom Cortot had various dealings several decades ago.” “So according to Cortot,” Buster Friendly said, “there can be virtually no doubt.” Pris had now cut three legs from the spider, which crept about miserably on the kitchen table, seeking a way out, a path to freedom. It found none.

Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.

The homely young woman had kept to herself all through their journey, spending most of her time with the horses, brushing out their coats and pulling stones from their shoes. She had helped Shadd cook and clean game as well, and soon proved that she could hunt as well as any. Any task Catelyn asked her to turn her hand to, Brienne had performed deftly and without complaint, and when she was spoken to she answered politely, but she never chattered, nor wept, nor laughed. She had ridden with them every day and slept among them every night without ever truly becoming one of them. It was the same when she was with Renly, Catelyn thought. At the feast, in the melee, even in Renly’s pavilion with her brothers of the Rainbow Guard. There are walls around this one higher than Winterfell’s.

Built into the box were compartments and sleeves and holders, all full of brushes and paints and charcoal and sheets of paper. A travelling painting kit. Red- the red paint inside the glass vial was so bright, the blue as stunning as the eyes of that faerie woman I'd slaughtered- 'I thought you might want it to take around the grounds with you, rather than lug all those bags like you always do.' The brushes were fresh, gleaming- the bristles soft and clean. Looking at the box, at what was inside, felt like examining a crow-picked corpse. I tried to smile. Tried to will some brightness to my eyes. He said. 'You don't like it.' 'No,' I managed to say. 'No- it's wonderful.' And it was. It really was. I thought if you started painting again...' I waited for him to finish. He didn't. My face heated.

Like the bear who went over the mountain, I went out to see what I could see. And, I might as well warn you, like the bear, all I could see was the other side of the mountain: more of same. I propose to keep here what Thoreau called ‘a meteorological journal of the mind,’ telling some tales and describing some of the sights of this rather tamed valley, and exploring, in fear and trembling, some of the unmapped dim reaches and unholy fastnesses to which those tales and sights dizzyingly lead. I am no scientist. I explore the neighborhood. Some unwonted, taught pride diverts us from our original intent, which is to explore the neighborhood, view the landscape, to discover at least where it is that we have been set down, if we can’t learn why. So I think about the valley. It is my leisure as well as my work, a game. It is a fierce game I have joined because it is being played anyway, a game of both skill and chance, played against an unseen adversary- the conditions of time-in which the payoffs, which may suddenly arrive in a blast of light at any moment, might as well come to me as anyone else. I risk getting stuck on the board, so to speak, unable to move in any direction, which happens enough; and I risk the searing, exhausting nightmares that plunder rest and force me face down all night long in some muddy ditch seething with hatching insects and crustaceans. But if I can bear the nights, the days are a pleasure. I walk out; I see something, some event that would otherwise have been utterly missed and lost; or something sees me, some enormous power brushes me with its clean wing and I resound like a beaten bell.

Marie Forleo Many of us think that in order to find our passion, we have to look outside of ourselves. But I’ve learned that the secret, ironically, to finding your passion is to start bringing passion to everything you do. And I do mean everything. So no matter what task is in front of you, bring as much enthusiasm and energy to it as you possibly can. Whether you’re making the bed, brushing your teeth, or cleaning the cat box, do it like you really want to do it. This one habit can change everything, because we humans are creatures of habit. You can’t be complainy and miserable ninety percent of your day and expect to feel passionate the other ten percent. The willingness to take responsibility for your experience on a moment-to-moment basis is what we’re missing. Most of us don’t realize that passion is an inside job. It’s a muscle that gets stronger the more you use it.

Paint,' I said, barely more than a breath. He cocked his head and I swallowed, squaring my shoulders. 'If- if it's not too much to ask, I'd like some paint. And some brushes.' Tamlin blinked. 'You like- art? You like to paint?' His stumbling words weren't unkind. It was enough for me to say, 'Yes, I'm not- not any good, but if it's not too much trouble... I'll paint outside, so I don't make a mess, but-' 'Outside, inside, on the roof- paint wherever you want. I don't care,' he said. 'But if you need paint and brushes, you'll also need paper and canvas.' 'I can work- help around the kitchen or in the garden- to pay for it.' 'You'd be more of a hindrance. It might take a few days to track them down, but the paint, the brushes, the canvas, and the space are yours. Work wherever you want. The house is too clean, anyway.' 'Thank you- I mean it, truly. Thank you.' 'Of course.

We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall. I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”. Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world. “Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real” And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student. Which is, I sometimes think, the way it was meant to be. ~~~~~ art is always real. all of it. even the stuff you don’t understand. even the stuff you don’t like. even the stuff that you made that you would be embarrassed to show your best friend that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder? still art. the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death? it’s art. the story you are holding in your heart and so desperately want to tell the world? definitely art. the scarf you knit for your son with the funky messed up rows? art. art. art. the poem scrawled on your dry cleaning receipt at the red light. the dress you want to sew. the song you want to sing. the clay you’ve not yet molded. everything you have made or will one day make or imagine making in your wildest dreams. it’s all real, every last bit. because there is no such thing as art that is not real.

drink it had been put on hold. Reverend Joe, it turned out, had to leave the office earlier than usual. Mrs. Staples, who was supposed to clean the Church, had gotten an emergency call from her pet sitter. One of her cats was stuck in a wall again. The Church would be empty. “How did you hear him?” Matt asked, keeping an eye on the Church office. The Reverend’s car idled in its parking spot. Their religious leader would leave at any moment. “It was last night,” Carlton said. “I was helping my mom clean up after youth group. She was pretty upset about something and was talking to Dan’s mom. When I passed by the Rev’s office, I heard him on the phone.” “What did he say exactly?” Matt asked, looking away from the Church, for a moment, and at his friend. Carlton brushed a stray lock of blonde hair out of his eyes and said, “The Rev said, ‘I’ve got a headless ghost running around the Church.

Just ask me how to get bloodstains out of a fur coat. No, really, go ahead. Ask me. The secret is cornmeal and brushing the fur the wrong way. The tricky part is keeping your mouth shut. To get blood off of piano keys, polish them with talcum powder or powdered milk. This isn’t the most marketable job skill, but to get bloodstains out of wallpaper, put on a paste of cornstarch and cold water. This will work just as well to get blood out of a mattress or a davenport. The trick is to forget how fast these things can happen. Suicides. Accidents. Crimes of passion. Just concentrate on the stain until your memory is completely erased. Practice really does make perfect. If you could call it that. Ignore how it feels when the only real talent you have is for hiding the truth. You have a God-given knack for committing a terrible sin. It’s your calling. You have a natural gift for denial. A blessing. If you could call it that. Even after sixteen years of cleaning people’s houses, I want to think the world is getting better and better, but really I know it’s not. You want there to be some improvement in people, but there won’t be. And you want to think there’s something you can get done. Cleaning this same house every day, all that gets better is my skill at denying what’s wrong. God forbid I should ever meet who I work for in person. Please don’t get the idea I don’t like my employers. The caseworker has gotten me lots worse postings. I don’t hate them. I don’t love them, but I don’t hate them. I’ve worked for lots worse. Just ask me how to get urine stains out of drapes and a tablecloth. Ask me what’s the fastest way to hide bullet holes in a living-room wall. The answer is toothpaste. For larger calibers, mix a paste of equal parts starch and salt. Call me the voice of experience.

I thought about my father in 1959, brush-cut and clean-shaven, taking the elevator up to the editorial offices in the CBS building to meet my sad, solitary, lovely young mother. She was tall, she had a nice figure. She had pretty red hair. And she was a real lost soul. It was time for Dick to find a wife. It was time for Jerry to find his next victim. Woody needed a muse. Henry needed to be understood. Spade was on his sacred mission to find the mythical Her. And we, the pretty, bright girls coming up through prep schools and the Ivy League, loaded up with Sylvia Plath and the Romantic poets, were prepped to be the just deserts of genius. We were milk-fed and impressionable. Privileged and heedless. We were disposable and interchangeable. We were only supposed to last for one incandescent moment, like mayflies, then flutter off into oblivion so that the men might be free to work, to publish, and to pursue their next great passion.

It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.

Up to this moment in her life, Audrey had never evinced the slightest sentimentality about children. Insofar as she had recognized them as an independent category of personhood, she had tended to think of them as trainee humans. Inadequate adults. She loved her own daughters well enough - wanted them to be happy and so forth - but they had failed to inspire in her that mad, lioness passion to which other mothers so preeningly testified. She was still in some shock regarding the servility of motherhood - the sheer, thankless drudgery of it. All the cleaning up of messes she had made and preparing meals she did not want to eat. She fed her girls regularly and diligently brushed their teeth twice a day and made sure they were more or less appropriately dressed for the weather, but beyond a dull sense of satisfaction at having fulfilled her maternal duties, she received no pleasure from performing these tasks. Try as she might, she she could not feel her daughters' happiness and sorrows as her own.

He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. “Evie,” he said, his voice containing a bladelike ferocity that frightened her. “Did you think I was about to…Christ. Someone hit you. Someone hit you in the past—who the hell was it?” He reached for her suddenly—too suddenly—and she stumbled backward, coming up hard against the wall. Sebastian went very still. “Goddamn,” he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. “I would never strike a woman. I would never harm you. You know that, don’t you?” Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn’t move or make a sound. She started as he approached her slowly. “It’s all right,” he murmured. “Let me come to you. It’s all right. Easy.” One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. “Who was it?” he asked. “M-my uncle,” she managed to say. The motion of his hand on her back paused as he heard her stammer. “Maybrick?” he asked patiently. “No, th-the other one.” “Stubbins.” “Yes.” Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian’s hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. “How often?” she heard him ask. “More than once?” “I…i-it’s not important now.” “How often, Evie?” Realizing that he was going to persist until she answered, Evie muttered, “Not t-terribly often, but…sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip.” “Did he?” Sebastian was silent for a long moment, and then he spoke with chilling softness. “I’m going to tear him limb from limb.” “I don’t want that,” Evie said earnestly. “I-I just want to be safe from him. From all of them.” Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.

Time for a break.” He thrusts the newspaper into my line of vision. “Have a look.” Setting aside my brush and wiping my hands on a clean rag, I take it from him and unfurl it. Staring back at me from the front page is a black-and-white photograph of Will. He’s laughing at something past the camera. No blood. No bits of brain matter or shards of bone. Wilburt Harris Jr., Son of Governor Wilburt Harris, Dies of Influenza at Eighteen. The headline is bold and stark, and I have to read it three times before the words register. “I always love to see headlines like that,” Vincent says. I look up at him in horror. When he catches sight of my face, his eyebrows shoot upward. “No, I don’t mean that I love to see it when people die of influenza. Heavens no.” He shakes his head brusquely. “I only meant that the headline is proof is my autopsy reports were well done. People believed them. That’s all.” He rubs the back of his neck, clearly ruffled. “Would you like a drink? I’ll get us a bottle of wine.” He rushes away.

Rick, the only connection between your unquestionable intelligence and the sickness destroying your family is that everyone in your family, you included, use intelligence to justify sickness. You seem to alternate between viewing your own mind as an unstoppable force and as an inescapable curse, and I think it's because the only truly unapproachable concept for you is that it's your mind within your control. You chose to come here you chose to talk, to belittle my vocation, just as you chose to become a pickle. You are the master of your universe, and yet you are dripping in rat blood and feces. Your enormous mind literally vegetating by your own hand. I have no doubt that you would be bored senseless by therapy. The same way I'm bored when I brush my teeth and wipe my ass. Because the thing about repairing, maintaining and cleaning is... it's not an adventure. There's no way to do it so wrong you might die. It's just... Work; and the bottom line is some people are OK going to work, and some people... well some people would rather die. Each of us gets to choose.

Do you always wake up so sweet?” I ask. She’s like cotton candy in my arms. She smells soft and clean, and she’s not shoving me away. “I’m not awake yet,” she says. She spins over in my arms, facing away from me. My forearm is under her head and her bottom is tucked against my groin. Her head is beneath my chin, and I can’t see her face anymore. But I doubt she’s talking. She’s soft in my arms, and her breath rushes out of her open mouth with every exhale, searing my forearm with every breath. The bottoms of her feet are cold against the tops of mine, so I pull the blanket over us both, tucking it around her and throwing it over our feet. I don’t want to let her go, but I know I need to get up. I need to go back to the couch. I close my eyes and brush her hair down between us. She lets me wrap around her, and I’m willing to pretend she’s still asleep. Will it hurt to stay there? I keep holding her. I’ve never had a girl sleep the whole night in my bed before. Ever. I’ve never woken up with someone. I’ve never wanted to. Until now. I settle my arm around her waist. I’ll just stay a few more minutes.

Isn't it surprising what an array of things a woman can drag forth, burrowing into attics, rooms and nooks! Things long out of mind; an old thing; a worn-out thing; but it has lain in that room, nook or bag until just such a riot of soap and scrubbing brush brings it out. And, as I think of it, a human mind could, and should go through just such a ransacking, occasionally; for you don’t know half of what an accumulation of rubbish is kicking about, in its dark, musty corridors. Old fashions in thoughts; bigotry; vanity; all lying stagnant. So why not drag out and sort all that stuff, discarding all which is of no valuation? About half of us will find, in our minds, a room, having on its door a card, saying: “It Was Not So In My Day.” Go at that room, right off. That “My Day” is long past. “Today” is boss, now. If that “My Day” could crawl up on “Today,” what a mix-up in World affairs would occur! Ox cart against aircraft; oil lamps against arc lights! Slow, mail information against radio! But, as all this stuff is laid out, what will you do with it? Nobody wants it. So I say, burn it, and tomorrow morning, how happy you will find that musty old mind!

Unamused, Ushara went to pull the kettle from the stove and pour the tea. “That’s beside the point. And you forget that we’re Andarion. We don’t like scars on our males. They’re hideous and gross.” As she turned back, she caught the hurt and stricken expression on Jullien’s face. Too late, she remembered how many scars lined his body. “Jules…” Completely somber, he moved away from her. “I should be going. I have an early shift.” “Jullien?” But it was too late. He was out of her home before she could apologize. “Mum? What happened?” Furious at herself for being so thoughtless, she cupped her son’s chin and sighed. “I accidentally hurt his feelings. I forgot that Jullien has a lot of scars that bother him.” “How could you forget?” “’Cause I don’t see them, Vas. They don’t matter to me.” She brushed the hair back to look at his brow and was about to take him to the doctor to have it stitched when she realized that Jullien had already done it. “He stitched you?” Vas nodded. “He did it so fast, I barely felt it.” She should have known that Jullien wouldn’t have left with it unfinished. Sighing, she kissed Vas’s bandage and hated that she’d hurt Jullien’s feelings. “Come on, honey. Let’s get you cleaned up and ready for bed.

You feel so overwritten you're like a palimpsest; the original girl almost lost under years of scrawling yet you nurture an illusion of beauty, brush your hair in the dark so when your reflection finally catches up with you you stare straight past that older woman to the skateboard dancers behind hitting the frosty air with exuberant grace. On the loose in the morning city reminds you of lovers, catching the tram to work in last night's laddered stockings, the sharp-edged day already intruding like a hangover. It's not the sex you miss or the hotel mornings but the reassurance of strangers and that wild card. Now everything's played out the same, no surprises in the pack except those dealt by disaster. Early this morning such certainty dragged on your thoughts they stumbled flat-footed through the breakfast silence and you knew neither the apples orchard fresh, crisp as snow nor the blue bowl they posed in were enough. People disappear all the time, emerge like summer snakes newly marked and glittering into a clean desert. Without the photo of a child you carry in your wallet which reminds you who you have become you'd catch a train to Musk or Mollymook, some place your fingers have strayed over. Even thinking that, you turn your face into the wind, keep walking that same old line in your new flamboyant shoes. Oh my treacherous heart.

Outside, the night was soft and fresh. There was a half-moon shining brightly in a field of stars, a glowing ring of light surrounding it, and it had made a trail across the bay that showed in places through the darker screen of trees. They walked in silence, and she breathed the mingled scents of wildflowers sleeping in the shadows, and the salt air of the sea. He had not let go of her hand. She did not want him to. They did not leave the clearing but at length they reached its edge, where rustling branches stretched above them and the light and noise and music of the barn seemed far away. One heart-shaped leaf fell from a nearby tree and landed on his shoulder and unthinkingly she lifted her free hand to brush it off before it marked the white coat she had worked so hard and long to clean. She felt him looking down at her, and glancing up self-consciously she started to explain. And lost the words. And then he bent his head and kissed her. Everything around her seemed to stop, and still, and cease to matter. She could not have said how long it lasted. Not long, probably. It was a gentle kiss but at the same time fierce and sure and full of all the pent-up feelings she herself had fought these past months, and now she knew he had felt them just as she had, and had fought them, too. It was a great release to give up fighting. Give up everything, and float in the sensation.

Subject of Thought Number of Times Thought Occurred per Year (in descending order) L. 580.0 Family 400.0 Brushing tongue 150.0 Earplugs 100.0 Bill-paying 52.0 Panasonic three-wheeled vacuum cleaner, greatness of 45.0 Sunlight makes you cheerful 40.0 Traffic frustration 38.0 Penguin books, all 35.0 Job, should I quit? 34.0 Friends, don't have any 33.0 Marriage, a possibility? 32.0 Vending machines 31.0 Straws don't unsheath well 28.0 Shine on moving objects 25.0 McCartney more talented than Lennon? 23.0 Friends smarter, more capable than I am 19.0 Paper-towel dispensers 19.0 "What oft was thought, but ne'er" etc. 18.0 People are very dissimilar 16.0 Trees, beauty of 15.0 Sidewalks 15.0 Friends are unworthy of me 15.0 Indentical twins separated at birth, studies of traits 14.0 Intelligence, going fast 14.0 Wheelchair ramps, their insane danger 14.0 Urge to kill 13.0 Escalator invention 12.0 People are very similar 12.0 "Not in my backyard" 11.0 Straws float now 10.0 DJ, would I be happy as one? 9.0 "If you can't get out of it, get into it" 9.0 Pen, felt-tip 9.0 Gasoline, nice smell of 8.0 Pen, ballpoint 8.0 Stereo systems 8.0 Fear of getting mugged again 7.0 Staplers 7.0 "Roaches check in, but they don't check out" 6.0 Dinner roll, image of 6.0 Shoes 6.0 Bags 5.0 Butz, Earl 4.0 Sweeping, brooms 4.0 Whistling, yodel trick 4.0 "You can taste it with your eyes" 4.0 Dry-cleaning fluid, smell of 3.0 Zip-lock tops 2.0 Popcorn 1.0 Birds regurgitate food and feed young with it 0.5 Kant, Immanuel 0.5

Sometimes the elite green gospel has proved catastrophic—especially for the middle classes. In August and September 2020, high winds, lightning strikes, and scorching temperatures caused hundreds of forest fires throughout California. Past “more natural” policies had discouraged controlled burning, removal of brush from forest floors, cattle grazing on hillsides of dead undergrowth, and the logging of tens of millions of dead trees lost during recent droughts. Even the emasculated timber industry might have managed if it had been permitted to hire thousands to harvest the dead trees of the last six years, thus providing jobs, timber, and forest safety. Instead, the summer perfect storm created a sort of green napalm—a combustible fuel of unharvested timber that would turn a traditional wildfire into an uncontrollable inferno, burn over four million acres, and send one hundred million metric tons of carbon emissions into the air. Due to the tremendous temperatures created by the infernos, eerie pyrocumulus clouds for weeks dotted the Sierra Nevada skyline, in apocalyptical fashion emulating the mushroom clouds that billow up after nuclear blasts. The ensuing smoke clouds soon covered much of the state and overwhelmed the efficacy of public and private solar farms, which in turn led to rolling scheduled power outages. And the power crisis had been made worse by the voluntary state shutdown of clean-burning natural gas and nuclear power plants—all exacerbated by near-record temperatures in some areas of the state reaching 110 degrees.

But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)

Mama made the coach stop at a barber shop around the corner from their house. 'Go in there,' she told Francie, 'and get your father’s cup.' Francie didn't know what she meant. 'What cup?' she asked. 'Just ask for his cup.' Francie went in. There were two barbers but no customers. One of the barbers sat on one of the chairs in a row against the wall. His left ankle rested on his right knee and he cradled a mandolin. He was playing 'O, Sole Mio.' Francie knew the song. Mr. Morton had taught it to them saying the title was 'Sunshine.' The other barber was sitting in one of the barber chairs looking at himself in the long mirror. He got down from the chair as the girl came in. 'Yes?' he asked. 'I want my father’s cup.' 'The name?' 'John Nolan.' 'Ah, yes. Too bad.' He sighed as he took a mug from the row of them on a shelf. It was a thick white mug with 'John Nolan' written on it in gold and fancy block letters. There was a worn-down cake of white soap at the bottom of it and a tired-looking brush. He pried out the soap and put it and the brush in a bigger unlettered cup. He washed Johnny’s cup. While Francie waited, she looked around. She had never been inside a barber shop. It smelled of soap and clean towels and bay rum. There was a gas heater which hissed companionably. The barber had finished the song and started it over again. The thin tinkle of the mandolin made a sad sound in the warm shop. Francie sang Mr. Morton’s words to the song in her mind. Oh, what’s so fine, dear, As a day of sunshine. The storm is past at last. The sky is blue and clear. Everyone has a secret life, she mused.

Spinach Quiche Preheat oven to 375 degrees F., rack in the middle position   This is my recipe. It can be served as an appetizer if you cut it into thin slices and arrange them on a platter. It can also be served as an entrée.   One 9-inch unbaked pastry shell 1 beaten egg yolk (reserve the white in a small dish) 10-ounce package frozen chopped spinach ½ teaspoon salt ½ teaspoon pepper (freshly ground is best) 3 Tablespoons horseradish sauce 2 ounces shredded Jarlsberg (or good Swiss cheese) 4 eggs 1½ cups Half & Half (or light cream) 1/8 teaspoon salt 1/8 teaspoon cayenne pepper 1/8 teaspoon nutmeg (freshly ground is best)   Beat the egg yolk in a glass with a fork. Brush the inside of the unbaked pastry shell with the yolk. Set the shell aside to dry. Cook and drain the spinach. Squeeze out as much moisture as you can and then blot with a paper towel. In a bowl, combine the spinach with the salt, pepper, and horseradish sauce. Spread it in the bottom of the pastry shell. Sprinkle the top with the grated cheese. Beat the 4 whole eggs with the reserved egg white. Add the Half & Half, salt, and cayenne pepper. Mix well and pour on top of cheese. Sprinkle the top with nutmeg. Bake at 375 degrees F. for 40 minutes, or until a knife inserted one inch from the center comes out clean. Let cool for ten minutes and then cut into wedges and serve. This quiche can be served warm or at room temperature. I’ve even been known to eat it cold, straight out of the refrigerator. It’s perfect for a fancy brunch or a lazy, relaxed breakfast on the weekend. Yield: Serves from 12 to 18 as an appetizer. Serves six as an entrée if they only have one piece.

Stockholm, May 1943 I am on a stake, thought eighteen-year-old Tatiana, waking up one cold summer morning. I cannot live like this anymore. She got up from the bed, washed, brushed her hair, collected her books and her few clothes, and then left the hotel room as clean as if she had not been in it for over two months. The white curtains blowing a breeze into the room were unrelenting. Inside herself was unrelenting. Over the desk there was an oval mirror. Before Tatiana tied up her hair she stared at her face. What stared back at her was a face she no longer recognized. Gone was the round baby shape; a gaunt oval remained over her drawn cheekbones and her high forehead and her squared jaw and her clenched lips. If she had dimples still, they did not show; it had been a long time since her mouth bared teeth or dimples. The scar on her cheek from the piece of the broken windshield had healed and was fading into a thin pink line. The freckles were fading too, but it was the eyes Tatiana recognized least of all. Her once twinkling green eyes set deep into the pale features looked as if they were the only ghastly crystal barriers between strangers and her soul. She couldn’t lift them to anyone. She could not lift them to herself. One look into the green sea, and it was clear what raged on behind the frail façade. Tatiana brushed her shoulder blade-length platinum hair. She didn’t hate her hair anymore. How could she, for Alexander had loved it so much. She would not think of it. She wanted to cut it all off, shear herself like a lamb before the slaughter, she wanted to cut her hair and take the whites out of her eyes and the teeth out of her mouth and tear the arteries out of her throat.

Our streets have days, and even hours. Where I was born, and where my baby will be born, you look down the street and you can almost see what's happening in the house: like, say, Saturday, at three in the afternoon, is a very bad hour. The kids are home from school. The men are home from work. You'd think that this might be a very happy get together, but it isn't. The kids see the men. The men see the kids. And this drives the women, who are cooking and cleaning and straightening hair and who see what men won't see, almost crazy. You can see it in the streets, you can hear it in the way the women yell for their children. You can see it in the way they come down out of the house - in a rush, like a storm - and slap the children and drag them upstairs, you can hear it in the child, you can see it in the way the men, ignoring all this, stand together in front of a railing, sit together in the barbershop, pass a bottle between them, walk to the corner to the bar, tease the girl behind the bar, fight with each other, and get very busy, later, with their vines. Saturday afternoon is like a cloud hanging over, it's like waiting for a storm to break. But, on Sunday mornings the clouds have lifted, the storm has done its damage and gone. No matter what the damage was, everybody's clean now. The women have somehow managed to get it all together, to hold everything together. So, here everybody is, cleaned, scrubbed, brushed, and greased. Later, they're going to eat ham hocks or chitterlings or fried or roasted chicken, with yams and rice and greens or combread or biscuits. They're going to come home and fall out and be friendly: and some men wash their cars, on Sundays, more carefully than they wash their fo­reskins.

There now,” she said to the flowers in an encouraging tone, “you have food and air. You’ll be very happy and pretty in no time.” “Are you talking to the flowers?” Ian asked from behind her. Elizabeth started and turned around on an embarrassed laugh. “They like it when I talk to them.” Knowing how peculiar that sounded, she reinforced it by adding, “Our gardener used to say all living things need affection, and that includes flowers.” Turning back to the garden, she shoveled the last of the compost around the flowers, then she stood up and brushed off her hands. Her earlier ruminations about him had abolished so much of her antagonism that as she looked at him now she was able to regard him with perfect equanimity. It occurred to her, though, that it must seem odd to him that a guest was rooting about in his garden like a menial. “I hope you don’t mind,” she said, nodding toward the garden, “but the flowers couldn’t breathe with so many weeds choking them. They were crying out for a little room and sustenance.” An indescribable expression flashed across his face. “You heard them?” “Of course not,” Elizabeth said with a chuckle. “But I did take the liberty of fixing a special meal-well, compost, actually-for them. It won’t help them very much this year, but next year I think they’ll be much happier…” She trailed off, belatedly noticing the worried look he gave the flowers when she mentioned fixing them “a meal.” “You needn’t look as if you expect them to collapse at my feet,” she admonished, laughing. “They’ll fare far better with their meal than we did with ours. I am a much better gardener than I am a cook.” Ian jerked his gaze from the flowers, then looked at her with an odd, contemplative expression. “I think I’ll go inside and clean up.” She walked away without looking back, and so she did not see Ian Thornton turn halfway around to watch her.

CAKE whole black peppercorns whole cloves whole cardamom 1 cinnamon stick 2 cups flour 1 teaspoon baking powder 1 teaspoon baking soda ½ teaspoon salt 3 large eggs 1 large egg yolk 1 cup sour cream 1½ sticks (6 ounces) unsalted butter, at room temperature 1 cup sugar 2 large pieces fresh ginger root (¼ cup, tightly packed, when finely grated) zest from 2 to 3 oranges (1½ teaspoons finely grated) Preheat oven to 350°F. Butter and flour a 6-cup Bundt pan. Grind your peppercorns, cloves, and cardamom and measure out ¼ teaspoon of each. (You can use pre-ground spices, but the cake won’t taste as good.) Grind your cinnamon stick and measure out 1 teaspoon. (Again, you can use ground cinnamon if you must.) Whisk the flour with the baking powder, baking soda, spices, and salt in a small bowl. In another small bowl, whisk the eggs and egg yolk into the sour cream. Set aside. Cream the butter and sugar in a stand mixer until the mixture is light, fluffy, and almost white. This should take about 3 minutes. Grate the ginger root—this is a lot of ginger—and the orange zest. Add them to the butter/sugar mixture. Beat the flour mixture and the egg mixture, alternating between the two, into the butter until each addition is incorporated. The batter should be as luxurious as mousse. Spoon batter into the prepared pan and bake for about 40 minutes, until cake is golden and a wooden skewer comes out clean. Remove to a rack and cool in the pan for 10 minutes. SOAK ½ cup bourbon 1½ tablespoons sugar While the cake cools in its pan, simmer the bourbon and the sugar in a small pot for about 4 minutes. It should reduce to about ⅓ cup. While the cake is still in the pan, brush half the bourbon mixture onto its exposed surface (the bottom of the cake) with a pastry brush. Let the syrup soak in for a few minutes, then turn the cake out onto a rack. Gently brush the remaining mixture all over the cake.

...He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively is he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cool his own meals, mend his own clothes, and fix his own hurts. ...He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life- or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we even have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.

Baines told his son that children always got in the way of a marriage. Finding a state boarding school in England for Roland was good for everyone ‘all round’. Rosalind Baines, neé Morley, army wife, child of her times, did not chafe or rage against her powerlessness or sulk about it. She and Robert had left school at fourteen. He became a butcher’s boy in Glasgow, she was a chambermaid in a middle-class house near Farnham. A clean and ordered home remained her passion. Robert and Rosalind wanted for Roland the education they had been denied. This was the story she told herself. That he might have attended a day school and stayed with her was an idea she must have dutifully banished. She was a small nervous woman, a worrier, very pretty, everyone agreed. Easily intimidated, fearful of Robert when he drank, which was every day. She was at her best, her most relaxed, in a long heart-to-heart with a close friend. Then she told stories and laughed easily, a light and liquid sound that Captain Baines himself rarely heard. Roland was one of her close friends. In the holidays, when they did the housework together, she told stories of her childhood in the village of Ash, near the garrison town of Aldershot. She and her brothers and sisters used to brush their teeth with twigs. Her employer gave her her first toothbrush. Like so many of her generation she lost all her teeth in her early twenties. In newspaper cartoons people in bed were often shown with their false teeth in a glass of water on the bedside table. She was the oldest of five and spent much of her childhood minding her sisters and brothers. She was closest to her sister Joy who still lived near Ash. Where was their mother when Rosalind was minding the children? Her reply was always the same, a child’s view unrevised in adulthood: your granny would take the bus to Aldershot and spend the day window-shopping. Rosalind’s mother fiercely disapproved of make-up. In her teens, on rare nights out, Rosalind would meet her friend Sybil and together they

The unhappy priest was breathing hard; sincere horror at the foreseen dispersal of Church property was linked with regret at his having lost control of himself again, with fear of offending the Prince, whom he genuinely liked and whose blustering rages as well as disinterested kindness he knew well. So he sat down warily, glancing every now and again at Don Fabrizio, who had taken up a little brush and was cleaning the knobs of a telescope, apparently absorbed. A little later he got up and cleaned his hands thoroughly with a rag; his face was quite expressionless, his light eyes seemed intent only on finding any remaining stain of oil in the cuticles of his nails. Down below, around the villa, all was luminous and grandiose silence, emphasised rather than disturbed by the distant barking of Bendicò baiting the gardener’s dog at the far end of the lemon-grove, and by the dull rhythmic beat from the kitchen of a cook’s knife chopping meat for the approaching meal. The sun had absorbed the turbulence of men as well as the harshness of earth. The Prince moved towards the priest’s table, sat down and began drawing pointed little Bourbon lilies with a carefully sharpened pencil which the Jesuit had left behind in his anger. He looked serious but so serene that Father Pirrone no longer felt on tenterhooks. “We’re not blind, my dear Father, we’re just human beings. We live in a changing reality to which we try to adapt ourselves like seaweed bending under the pressure of water. Holy Church has been granted an explicit promise of immortality; we, as a social class, have not. Any palliative which may give us another hundred years of life is like eternity to us. We may worry about our children and perhaps our grandchildren; but beyond what we can hope to stroke with these hands of ours we have no obligations. I cannot worry myself about what will happen to any possible descendants in the year 1960. The Church, yes, She must worry for She is destined not to die. Solace is implicit in Her desperation. Don’t you think that if now or in the future She could save herself by sacrificing us She wouldn’t do so? Of course She would, and rightly.

He loved to tell his students a story which summarized his attitudes on this matter of intellectual inspection: “A Roman came to Rabbi Gimzo the Water Carrier, and asked, ‘What is this study of the law that you Jews engage in?’ and Gimzo replied, ‘I shall explain. There were two men on a roof, and they climbed down the chimney. One’s face became sooty. The other’s not. Which one washed his face?’ The Roman said, ‘That’s easy, the sooty one, of course.’ Gimzo said, ‘No. The man without the soot looked at his friend, saw that the man’s face was dirty, assumed that his was too, and washed it.’ Cried the Roman, ‘Ah ha! So that’s the study of law. Sound reasoning.’ But Gimzo said, ‘You foolish man, you don’t understand. Let me explain again. Two men on a roof. They climb down a chimney. One’s face is sooty, the other’s not. Which one washes?’ The Roman said, ‘As you just explained, the man without the soot.’ Gimzo cried, ‘No, you foolish one! There was a mirror on the wall and the man with the dirty face saw how sooty it was and washed it.’ The Roman said, ‘Ah ha! So that’s the study of law! Conforming to the logical.’ But Rabbi Gimzo said, ‘No, you foolish one. Two men climbed down the chimney. One’s face became sooty? The other’s not? That’s impossible. You’re wasting my time with such a proposition.’ And the Roman said, ‘So that’s the law! Common sense.’ And Gimzo said, ‘You foolish man! Of course it was possible. When the first man climbed down the chimney he brushed the soot away. So the man who followed found none to mar him.’ And the Roman cried, ‘That’s brilliant, Rabbi Gimzo. Law is getting at the basic facts.’ And for the last time Gimzo said, ‘No, you foolish man. Who could brush all the soot from a chimney? Who can ever understand all the facts?’ Humbly the Roman asked, ‘Then what is the law?’ And Gimzo said quietly, ‘It’s doing the best we can to ascertain God’s intention, for there were indeed two men on a roof, and they did climb down the same chimney. The first man emerged completely clean while it was the second who was covered with soot, and neither man washed his face, because you forgot to ask me whether there was any water in the basin. There was none.’ 

The first thing I see when I get home from the hospital after midnight is the glint of the stainless steel oven in the semidarkness of the kitchen. The air smells sweet and eggy. I walk to the oven and pull open the door. Six white ramekins hold six perfect-looking crème caramels, and I wonder if they're safe to eat. It's been more than three hours since I turned off the oven. I remember a Swedish chef telling me years ago when I worked as a prep cook that unrefrigerated food will keep for four hours, but he also cleaned his fingernails with the tip of his chef's knife, so who knows. I pick up one of the dishes and sniff it. It smells fine. Without taking off my coat, I dig into a drawer for a spoon and eat the crème caramel in five seconds flat. The texture is silky and it tastes sweet and custardy, if not perfect. I pull the rest of the dishes from the oven to put in the fridge, telling myself one was enough. An extra treat at the end of a hard day. I've put three ramekins into the refrigerator when I can't stand it and dig into the second, eating more slowly this time, slipping out of my coat, savoring the custard on my tongue. Two is definitely enough, I'm thinking as I lick the inside of the cup, two is perfect. I'm picking up the remaining cup to put in the fridge but I turn instead, head for the bedroom with ramekin in hand. At least wait until you've gotten undressed and in bed, I told myself, surely you can wait. I make it as far as the doorway and I'm digging my spoon into a third caramel. Don't beat yourself up, I think when I'm done, it's just fake eggs and skim milk, a little sugar. It's for Cooking for Life, for God's sake, it can't be bad for you, but I feel bad somehow as I finish off the third ramekin. Okay, I'm satisfied now, I tell myself, and I can go to sleep. I get undressed , pull on my T-shirt and flannel boxers, head for the bathroom to brush my teeth, but suddenly I'm taking a detour to the kitchen, opening the fridge, staring at the three remaining custards. If I eat just one more, there'll be two left and I can take them to share with Benny tomorrow. That won't be so bad. I pick up the fourth ramekin, close the fridge, and eat as slowly as I can to truly appreciate the flavor. Restaurant desserts are easily as big as four of these little things.

Boy Lost Picture a sunset in a small port town by the sea. Two teenaged boys sitting on the docks watching the ships as they fly across the water. One reaches out and takes the other’s hand. In this brush of skin for skin, a thousand unspoken promises erupt between them, and both are determined to keep them. This is what youth is. The sheer belief that you will be able to keep every promise you made to someone else. That you will be able to love someone into a forever when you do not even understand what forever means. An evening spent in the headiness of love, they go back to their respective homes. One boy helps his mother with cooking and cleaning and looking after his little sister. His father is a good man, a sailor who brings home with him meagre wages, but a heart full of love and a quicksilver tongue that tells stories of faraway lands to enthral them all. But this boy, despite his blessings, is not happy. He may have been blessed with a loving family, but that faraway look is made of unrest and wanderlust, something about him says fae, changeling, wearing the skin of a boy who was always destined to fly, to leave.   The other boy returns home to a father who drinks and a mother who works so hard that she is never there. He is the unwanted creature in this home, a beating waiting for him at every corner. His father’s temper is a beast so powerful that a boy made of paper bones barely held together cannot fight him. He hides in his room. He lives for a boy at sunset, hope made into a human being. Now picture this. This boy of paper bones alone at the docks the next sunset. And this boy alone on the docks again on a rainy day. And this boy alone on the docks every day after, waiting for someone who promised him forevers he never intended to keep. This boy becoming a man, a heart wounded so young in youth that it never quite healed right. Imagine him becoming a sailor, searching land after land for a boy he once loved, thinking he was hurt, or stolen, just needing to know what happened to him. Now see him finally finding out that the boy he loved in his boyhood ran away to a magical land where he never grew up. That without a second glance, he just forgot every promise of forever. Imagine his rage, that ancient pain turning to a terrible anger and escaping from the forgotten attic of his mangled heart. Think of what happens when immense love turns into immense hate. An anger so intense it cannot be controlled. What he would give up to avenge the boy he once was, paper-boned, standing on the docks, broken without a single person to love him, simply all alone. A hand is a small price to pay for a magical ship that will take him to Neverland, a place that lives on a star. Becoming a villain called Captain Hook is a small exchange to show Peter Pan that you cannot throw away love and think you will get away unscarred.

Chicago, Illinois 1896 Opening Night Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago. She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down. Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint. Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.” “No time.” A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry. She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call. But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame. Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching. The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face. Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands. A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.

Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….

He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. "Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?" Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked. "M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer. "Maybrick?" he asked patiently. "No, th-the other one." "Stubbins." "Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. "How often?" she heard him ask. "More than once?" "I... i-it's not important now." "How often, Evie?" Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip." "Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb." "I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them." Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that." The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---" There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.

Jelly Bean Toes Preparation and Instructions: This is a wonderful game to play while taking off children’s shoes and socks. Sit with the child comfortably in front of you or in a chair. The Game: Grasp one of the child’s feet and begin to feel around inside the shoe. As you come to the toes, say, “I think there are jelly beans in here. I love jelly beans. Yum, Yum!” Proceed to take off the child’s shoes while you continue to talk about jelly beans and how you can’t wait to see them, taste them, and so on. After you get the shoes off, continue the same process with the socks. You may say, “Now I know they are jelly beans. But wait, they are moving. Maybe they are jumping beans instead of jelly beans.” Be sure your facial expressions are exaggerated. Pull off the socks and say with surprise and delight, “Well, they are toes! Wonderful, beautiful, perfect toes!” Pretend to nibble the “jelly beans.” Many children have sand or dirt in their shoes. You may use this time to brush and clean the feet. Yes and No Game Preparation and Instructions: This is a wonderful game to play with a child who is a bit grumpy.

Today I sat next to a man who immediately informed me he was on his way to Europe to work with the Christian embassy, spreading the good will of the Lord. Before the plane was off the ground, he asked me if I had a girlfriend. I took this line of inquiry to mean that he thought I was a clean-cut young man, and therefore possessed a soul worth saving. I told him the truth; I did have a girlfriend, and no, we were not married yet, and yes, we were indeed living together and yes, I was aware that we were living in sin. I smiled inside at the time as just how much sin he didn’t realize we were actually living in, and pondered telling him I was not as nice, young, or male as he appeared to think I was. Then I realized how much fun it was to listen to a fundamentalist Christian lecture me on how God wanted me to marry my girlfriend, how the family unit in this country was depending on me, and how not fun it might immediately become if he were to find out he was brushing thighs with a full-blown sodomite disguised as a harmless wayward Catholic boy in a crisp shirt and tie. I knew there was as much chance of me changing his mind about anything as there was that he would ever lead me back to the path of righteousness, so I told him he was right, and that I was going to propose to my girlfriend as soon as I had enough money saved up to buy her a decent conflict-free diamond ring. He took this to mean that he had helped me see the light, and continued the Lord’s work all the way up to Toronto. When the plane finally landed, he shook my hand and told me that I seemed like a good person, and that if I were ever in Guelph, I should look up his son, who had strayed from God’s path a little and had pierced his eyebrow, and was pursuing an art degree. “I’d like him to meet some friends with ambition. People who realize their appearances matter. I pray that he grows up to be just like you. “I hope God answers that prayer,” I told him. “I really do.

If there was such a thing as terminal literalism, you’d have died in childhood,” said Jace, brushing dust off the windowsill and eyeing it as if considering whether it was clean enough to sit on. “Gray is short for ‘Gramarye.’ It means ‘magic, hidden wisdom.’ In it is copied every rune the Angel Raziel wrote in the original Book of the Covenant. There aren’t many copies because each one has to be specially made. Some of the runes are so powerful they’d burn through regular pages.

Cèpes aux Lardons (WILD MUSHROOMS WITH LARDONS) YIELD: 4 SERVINGS I OFTEN MAKE this type of recipe in the summer when wild mushrooms are plentiful. I must emphasize that you should pick only those mushrooms that you can identify with certainty. Join a mycological society in your area if you want to learn about them. A reminder: wild mushrooms should be well cooked—some may cause intestinal problems unless well done—so be sure to cook them for a minimum of 15 minutes. If cèpes are unavailable, large white mushrooms from the supermarket will work well in this recipe. 4 ounces pancetta, lean cured pork, or salt pork, cut into ½-inch pieces (¾ cup) 2 cups water 3 tablespoons good olive oil 1 pound fresh cèpes, cleaned and cut into 1-inch pieces ⅓ cup minced scallions 1 teaspoon chopped fresh thyme Salt and freshly ground black pepper to taste 2 tablespoons chopped fresh chives 1 tablespoon unsalted butter 4 slices French bread, brushed with olive oil and toasted Place the pancetta or cured or salt pork in a skillet with the water. Bring to a boil, boil for 10 minutes, then drain and rinse under cool water. Return these lardons to the skillet with the olive oil, and sauté them for about 1 minute. Add the cèpes to the skillet, and cook them, covered, over high heat for about 15 minutes, stirring occasionally, until they are nicely browned on all sides and have a leathery, chewy texture. Add the scallions, thyme, salt, and pepper, and cook over high heat, uncovered, for 2 to 3 minutes. Add the chives and butter, toss to combine them with the other ingredients, and serve immediately on the toasted bread.

you want the house to stay clean for all eternity you hate it when people pass by they ruin your work when the cleaning is done it instantly goes back to dirtiness if someone even dares to eat a baguette brush their hair leave wrappers on the floor chew jaad leave orange peels that does it it’s doom for them or for you

Livery and blankets were cleaned, perfumed, aired, brushed, shaken and draped. Sugar, honey, almonds, fruits and sweetened bread were pounded, mixed, shaped, baked, and sliced.

In 1955, the year my mom was pregnant with me, Bertolt Brecht voted Mao Zedong’s essay “On Contradiction” the “best book” he had read in the past twelve months, a period of time that saw the publication of William Golding’s Lord of the Flies, Kingsley Amis’s Lucky Jim, Sloan Wilson’s The Man in the Gray Flannel Suit, J.R.R. Tolkien’s The Lord of the Rings, and Dr. Seuss’s Horton Hears a Who! Mao…a guy who never brushed his teeth, who just rinsed his mouth out with tea when he woke up…who, according to his personal physician, Li Zhisui, never cleaned his genitals. Instead, Mao said, “I wash myself inside the bodies of my women.” The Imaginary Intern and I were great admirers of Mao’s Talks at the Yan’an Forum on Literature and Art and we diligently tried to apply his dictum “Discard what is backward and develop what is revolutionary” to the production of Gone with the Mind, and although I agree with Mao that one should bathe infrequently, and that when one does, one should use the vaginal flora of other creatures instead of soap, I subscribe unswervingly to the conviction that a gentleman should never go out in public at night without pomaded hair and heavy cologne…

She was. The book said she helped clean the body up and brush her hair every day. And then—” “How can there be an ‘and then’?” “Juan and Isabel kept her in their dining room for a few years. People could come over for dinner parties and, you know, there she’d be.

Firuzeh threw a flower at him. They ran from tree to tree, all the way down the street, flinging sticky blue flowers at each other and laughing. The sky purpled and dimmed. When they reached their flat, all of them covered in flowers, Abay unlocked the door, turned on the porch light, and brushed each of them clean before letting them in. And then they were home.

AGES 4 TO 5: IMPORTANT NAMES AND NUMBERS. When your child reaches this age, safety skills are high on the list. She should: • know her full name, address, and phone number • know how to make an emergency call She should also be able to: • perform simple cleaning chores such as dusting in easy-to-reach places and clearing the table after meals • feed pets • identify monetary denominations, and understand the very basic concept of how money is used • brush her teeth, comb her hair, and wash her face without assistance • help with basic laundry chores, such as putting her clothes away and bringing her dirty clothes to the laundry area • choose her own clothes to wear

You can tell a lot about a person by their feet,” he mused. “Some men come in here, smiling and laughing, shoes all clean and brushed, socks all powdered up. But when the shoes are off, their feet smell just fearsome. Those are the people that hide things. They’ve got bad smelling secrets and they try to hide ’em, just like they try to hide their feet.

A Clean Egg She is washing eggs at the kitchen sink when she feels it. It feels like a little pulse between her palms. She looks down at the egg she is holding, which has a large green smear across it. Eggs must be washed carefully. Eggs come out of their chickens covered in slime, and then they roll around in their nests and always wind up covered in chicken shit before she can come out to collect them, so the washing is important. She has a special brush for washing eggs. She’s using it now, against this smear, when she feels the pulse again. She sets down the brush. There is something moving inside the egg. It is not, of course, a baby chicken. She has no rooster, and so all of the eggs her chickens lay are merely eggs, unfertilized. They were never going to be baby chickens. It is not even a tragedy. Besides, the thing moving inside the egg does not feel to her like a chick. Don’t ask her how she knows that. She cups the egg in two hands. It is warm, and whatever is inside is tapping at the curved walls rhythmically, steadily, like the egg is not an egg but a heart, or a room. Could it be a little naked fairy, like the ones in the pictures her aging aunts send her, the ones they seem to think she’d like to hang on her clean walls? Could it be something more extravagant, like a little giraffe, its neck all curled up inside the egg like a fiddlehead, or a miniature tiger with wet fur and sharp, tiny claws? Could it be the other thing, the thing she has been waiting for, alone in this white house, with her chickens and her one goat and her resistance to the society of others? A crack appears in the smooth white wall of the egg. The thing inside is trying to get out. She will, in a moment or two, finally find out what it is, how many legs, what it looks like, if it looks like her, if it looks like him. The crack becomes a dark slice. The slice becomes a dark hole. She closes her eyes. She tips her hands apart. She stomps the egg into the carpet.

had always felt as though she was an imposter in her own home. A temporary tenant getting in the way of her parents’ lives. They did not neglect her in the sense that she had enough food, clean clothes, her shoes always replaced as soon as they started to pinch. She had brushed hair and brushed teeth; dental check-ups and birthday presents. But it always felt like they lived their lives in a virtual departure lounge, killing time until Louise was old enough to board the plane and take off, leaving

A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

For some, writing a simple list of goals works well. For others, it is much more effective to have a visual picture of their goal to refer to. For instance, a disorganized kid who wants to keep a clean desk might take a picture of his desk when it’s straightened up. He labels the picture, noting where the pens, pencils, paper, and homework go. When he next needs to clean his desk, he can look at the picture and match it. The same thing goes for getting ready for school. If he agrees that he wants to make getting ready for school a less painful process, he can refer to a picture of himself fully ready for the day with his coat on, hair brushed, holding his backpack and his lunchbox. If he can see what he’s after, he is more likely to make it happen. This technique can also be useful for teens who don’t organize themselves well because matching a picture places fewer demands on working memory than reading from a checklist.

While Lisa prepared lunch, I took it upon myself to smell each and every truffle we'd found that morning. Some were sweet and firm, and some smelled more of vinegar--- maybe they were under-ripe. Some were grassy, herblike. There were mineral elements--- quartz and slate. As I went through the pile, the associations mounted. Did I smell pine needles? Blueberries? The more I sniffed, the weirder it became. What did that sweet starchy smell remind me of? That's it--- the beginning of a good rice pudding. Lisa was cleaning the truffles with what looked like a boot brush, and as she massaged gently, the chocolate-colored soil gave way to cratered geological black; the truffle looked like a tiny meteor.

Wait—is that . . . is that your DNA? she asked, trying not to grimace. Actually, it’s Biana’s DNA. I refused to give you a vial of cotton soaked with my spit. Sophie appreciated that immensely—not that it was much better knowing it was Biana’s. But it helped a little. So I guess that means Biana knows you’re doing this, she said, not feeling ready to reach out and take the spit vial yet. I told her last night—and she wanted me to tell you she swabbed her cheek for the sample right after she brushed her teeth. So it’s clean. Well, as clean as it can be—it’s still cotton soaked with spit, so . . . Yeah . . . Sophie had to squirm a little.

The Joy of Self-Care It can be a joy to take care of yourself and you deserve it. You already know that you deserve to take a shower and brush your teeth. In fact, more self-care is deserved than that. You need to pay attention to your body, mind, and spirit. If you take time out every day to take care of yourself, you will be more productive, a brighter light and a support in the world. Gradual Morning Movement Get up early enough to have time to do a routine in the morning. At least, take a moment to rest before getting out of bed. Grab a couple of takes. Allow yourself in bed to wake up. Perform a few simple laps. Make sure you have time to eat a good breakfast when you get out of bed, clean and floss your teeth, and go out for a breath of fresh air before getting on with your busy day. Enjoying yourself before you prepare your day is good for you. It is said you are blocked from enlightened bliss by discontent and too much seriousness and are signals that you are attached to your physical body and the world's cares. Lightening is healthy for body, mind, and spirit all around. You can still participate in the world with more lightness and non-attachment to the results, and care about the state of affairs. In other words, do your world's best job without incentive aspirations. Let the job be where you find happiness. Let self-care be the same. Please take care of yourself. Eating the Rainbow When shopping for food, pick up food in all the rainbow colors. Look for recipes online if there's a food of a certain color and it's new to you. Ask friends and colleagues if they have any season and swap favorite recipes. Please try new things and see how many different colors in one day you can eat. For the Good of All You help yourself and those around you when you take care of yourself. You are a light for others by being healthy, and a model of how good health might look and feel. As you get healthy, others will wonder how you've done that. Taking pleasure in taking care of yourself makes it possible for others to see that it is possible and feel good doing the same thing. And, you have the energy and ability to give back when you're healthy.

Dr Hussein Elrawy is a highly qualified dentist. ( "Cleaning with dogs in the house is like brushing your teeth with Oreos." )

What can be worse than rough hair which is split at the ends?Split ends and breakage of hair come off as one of the most annoying and chronic hair issues ever faced; their occurrence always comes off regardless of hair types and orientation. Achieving healthy hair after split ends may end up being tiring and a long process. The required solution may range the right way of detangling to many advanced levels of clinical operations. Before things go out of hand, keep in mind the following in your consciousness to carry out the most anticipated scalp as well as hair care. GENTLE MOTIONS A hairbrush with a soft ergonomic shape is the ideal solution for damaged and rough hairs. The NuWay C Brush takes the required care of the delicate hair follicles and puts firm and controlled pressure on the scalp while gently and smoothly. It ensures the intactness of the hair strands which further prevents them from breakage. HEAT REDUCTION Heat is considered as one of the most harmful and destructive causes for damaged scalp and hair. A brush with a proper venting scheme can be stated as a good brush since it possesses the capacity of absorbing heat and distributing heat evenly, thus preventing your hair or scalp from burning. EVERYDAY DETANGLING Detangling is the best way to prevent split ends and breakage as it helps the hair strands from colliding and getting trapped with each other, which inevitably ruins the strength of the hair. HYDRATION Moisturisation and hydration might be some of the forgotten steps which are most of the time taken for granted. The scalp skin is more delicate than the skin on other body parts. Just like the facial skin requires hydration, the scalp demands it too! When your hair is fully moisturized it allows your scalp and hair to rejuvenate and prevent drying out which in turn helps to prevent hair breakage. Therefore, it doesn't matter what hair care products you use, but you need to take care of the scalp and provide moisturisation in all cases. NUWAY BEING THE PRO SPLIT ENDS AND BREAKAGE HANDLER Ever thought of a brush that could properly promote blood circulation? The C Brush from NuWay does it all, just for you. There are millions of underlying reasons for our superior acclamations. NuWay is one of the reliable hair product companies that believes in providing a one-stop solution for every hair issue of yours NuWay's Double C shape brush has all the amenities one can ever think of. Besides being the pro brush for detangling, it is a vent brush that absorbs heat. So what are you waiting for? Hurry up! Shop your own C brush and see your tresses shinning and healthy!

Do you have gorgeous, lustrous curly hair? Well, you may wonder about different hairstyles or even complain about the magnificent curls. However, opting for a French braid on the curly mane can change your whole outlook. French braid, also known as French plait, is undoubtedly a timeless classic. It has the ability to give an air of sophistication and grace. The conventional French braid doesn’t strain the hair and causes few breakages, leading to healthy hair. How to French Braid Curly Hair Steps to French braid the curly hair? Follow these steps to French braid the curly hair. • Part the hair from the middle. • Now start a regular braid on the side. • Before crossing, get a little bit of the main hair and add it to the small section that is now taken to the middle area. • Repeat this addition till all the main hair gets used. • After that, proceed with the traditional braiding style and finish it off with a hairband. How to French Braid Curly Hair Can the right hairbrush aid in making the perfect French braid? Do you desire the perfect French braid on your curly tresses? Well, with the best styling brush, attaining that illustrious French braid is easy and manageable. If you are looking for the best brush for your hair, stop! Check out NuWay DoubleC Brush! It is a patented brush that comes with a multitude of features. Here, you will find a speedy dry, ergonomic shape to circular venting scheme. Why choosing NuWay DoubleC Brush is the best choice for a French braid? NuWay DoubleC Brush offers different features that inevitably make it the best scalp brush. • DoubleC Curve The Double C shape brush aids in offering depth and helps in lifting added volumes. • Carries hair care products With a broad curve, the NuWay DoubleC Brush can carry hair products with ease. It is indeed the best brush for applying hair care products. • Circular venting scheme The circular venting scheme decreases the drying time, thus offering speed dry. Moreover, it also protects against heat. • Ergonomic shape With an ergonomic shape, the brush assists in scalp care. Now, you can get the perfect braid with ease! • Non-slip grip The NuWay DoubleC Brush comes with a TPR handle. It indicates a non-slip grip and aids in detangling hairs. No wonder it is credited as the best brush for detangling tresses. • Easy to clean The brush is exceptionally easy to clean. You only need some detergent and water to wash off the dirt. Then, air dries it in a cool place for further use. • Tips diffused with argan oil The tips of the bristles are smeared with argan oil, maintaining the softness and shine of the hair. These also promote blood circulation and stimulate the hair follicles. These spectacular features definitely make the NuWay DoubleC Brush even more appealing. Magnificent, right? Get this impressive hairbrush on Amazon here!

When I finally hear his key in the door I wriggle my way out from underneath the sofa and brush down my gigantic cleaning-day sweatshirt. It’s a Buffy one: the front is a big picture of her face, doing her best kick-ass expression. (Most of my clothes that aren’t suits are gigantic nerdy jumpers. I may not have much time to indulge in cult telly shows these days, but I can still show my loyalties – and frankly it’s the only kind of fashion I consider worth spending money on.)

Never judge why someone wants to clean. All you can do is to help them the only way you can; do your job.” His father had raised the brush, glistening with dregs like dark, misshapen pearls, and offered them to him. “Touch it. Touch it so you know how to share in someone’s pain without being overwhelmed by it. Be careful. This may burn.

Having spent the morning weeding, pruning and bringing the garden to near perfection, I took a moment to sit on the old garden bench to catch my breath, brush the dirt from my hands, and wipe the sweat from my brow. And scanning my handiwork, I realized that I did not make the garden beautiful. Rather, I just cleared away everything that had kept the beauty from being seen. And I thought, should we not do the same with our souls?

I’m burning a bunch of little pinecones now that I gathered on the walk. One of the joys of life, I think, is trying to decipher the name on a gravestone as it is transmitted through the dense foliage of blue-green gravestone lichen. Some people clean off the grave-growths with chemicals and wire brushes, a mistake.

Embrace Efficiency, Elevate Flavor: Smart Kitchen Tools for Culinary Adventurers The kitchen, once a realm of necessity, has morphed into a playground of possibility. Gone are the days of clunky appliances and tedious prep work. Enter the age of the smart kitchen tool, a revolution that whispers efficiency and shouts culinary liberation. For the modern gastronome, these tech-infused gadgets are not mere conveniences, but allies in crafting delectable adventures, freeing us to savor the journey as much as the destination. Imagine mornings when your smart coffee maker greets you with the perfect brew, prepped by the whispers of your phone while you dream. Your fridge, stocked like a digital oracle, suggests recipes based on its ever-evolving inventory, and even automatically orders groceries you've run low on. The multi-cooker, your multitasking superhero, whips up a gourmet chili while you conquer emails, and by dinnertime, your smart oven roasts a succulent chicken to golden perfection, its progress monitored remotely as you sip a glass of wine. But efficiency is merely the prologue. Smart kitchen tools unlock a pandora's box of culinary precision. Smart scales, meticulous to the milligram, banish recipe guesswork and ensure perfect balance in every dish. Food processors and blenders, armed with pre-programmed settings and self-cleaning prowess, transform tedious chopping into a mere blip on the culinary radar. And for the aspiring chef, a sous vide machine becomes a magic wand, coaxing impossible tenderness from the toughest cuts of meat. Yet, technology alone is not the recipe for culinary bliss. For those who yearn to paint with flavors, smart kitchen tools are the brushes on their canvas. A connected recipe platform becomes your digital sous chef, guiding you through each step with expert instructions and voice-activated ease. Spice racks, infused with artificial intelligence, suggest unexpected pairings, urging you to venture beyond the familiar. And for the ultimate expression of your inner master chef, a custom knife, forged from heirloom steel and lovingly honed, becomes an extension of your hand, slicing through ingredients with laser focus and lyrical grace. But amidst the symphony of gadgets and apps, let us not forget the heart of the kitchen: the human touch. Smart tools are not meant to replace our intuition but to augment it. They free us from the drudgery, allowing us to focus on the artistry, the love, the joy of creation. Imagine kneading dough, the rhythm of your hands mirroring the gentle whirring of a smart bread machine, then shaping a loaf that holds the warmth of both technology and your own spirit. Or picture yourself plating a dish, using smart portion scales for precision but garnishing with edible flowers chosen simply because they spark joy. This, my friends, is the symphony of the smart kitchen: a harmonious blend of tech and humanity, where efficiency becomes the brushstroke that illuminates the vibrant canvas of culinary passion. Of course, every adventure, even one fueled by smart tools, has its caveats. Interoperability between gadgets can be a tangled web, and data privacy concerns linger like unwanted guests. But these challenges are mere bumps on the culinary road, hurdles to be overcome by informed choices and responsible data management. After all, we wouldn't embark on a mountain trek without checking the weather, would we? So, embrace the smart kitchen, dear foodies! Let technology be your sous chef, your precision tool, your culinary muse. But never forget the magic of your own hands, the wisdom of your palate, and the joy of a meal shared with loved ones. For in the end, it's not about the gadgets, but the memories we create around them, the stories whispered over simmering pots, and the laughter echoing through a kitchen filled with the aroma of possibility.

eye combination my mother always made a fuss about. Maybe that’s why my skin crawled every time someone commented on how attractive a couple we were. It was more a reflection on me than us. He lifts his hand and moves my hair off my forehead. The gesture is intimate, but I’m too stunned to stop him. He brushes his thumb over the scar on my temple. “I was worried about you. You wouldn’t let me see you in the hospital. Or after?” A sigh escapes before I can school my features into something a little more… regretful. “Well, I was embarrassed.” That’s a lie. I just didn’t want to face whatever the fuck emotional roller coaster I was riding the last six months. Seriously. My life went from normal to shit in a split second. Adding Jack—and the life that I thought I had, the one that seemed to go up in a puff of smoke when I woke up in the hospital—would’ve been more pain than I was ready to accept. “Violet!” I step away from Jack, ignoring his wounded expression, and turn to my other friends. Half the dance team is here, and they all crowd around me. Someone pulls at my coffee-stained blouse, and another swoops in to clean the floor where my cup dropped. I had forgotten, in my Jack-shock. “Lucky it wasn’t hot.” Willow nudges me. “Luck and I aren’t on speaking terms.” She visited faithfully every day while I was stuck in the hospital. Kept me sane, kept me looped in to the gossip. She’s the only one who knows what I went through, and I’m keeping it that way. I’m not in the habit of airing my dirty laundry—or my newfound nightmares. I’ve been plagued by bright lights, crunching metal, and snapping bones. She rolls her eyes at my luck comment. “You need to change. We’re taking you out.” Oh boy. My first instinct is to say no, but honestly? I could use a bit of normalcy. My therapist—the talk one, not the physical one—said something about getting back into a routine. Well, for the last two years, I’ve gone out with my girls on Friday nights. There’s nothing more normal than that. I’m actually looking forward to it. She leads the way to the bedroom I haven’t been in since… before. She steps aside and lets me do the honors. Opening the door is like cracking into a time capsule. Fucking devastating. Willow stands behind me, her hand on my shoulder, as I stare around at the remnants of the person I used to be. If I wasn’t aware of how different I was after six months away, I am now. Mentally, physically. There are still clothes that I left on the floor. My chair is pulled out and covered in clothes. There’s a pile of books that I had planned to conquer over the summer in the center of the desk. My bed is made. “I kept the door open

Lasting - 1926-2009 “Fish oils,” my doctor snorted, “and oily fish are actually good for you. What’s actually wrong for anyone your age are all those dishes with thick sauce that we all pined for so long as we were young and poor. Now we can afford to order such things, just not to digest them; we find what bills we’ve run up in the stored plaque and fat cells of our next stress test.” My own last test scored in the top 10 percent of males in my age bracket. Which defies all consequences or justice—I’ve spent years shackled to my desk, saved from all exercise. My dentist, next: “Your teeth seem quite good for someone your age, better than we’d expect with so few checkups or cleanings. Teeth should repay you with more grief for such neglect”— echoing how my mother always nagged, “Brush a full 100 strokes,” and would jam cod liver oil down our throats till we’d go gagging off to flu-filled classrooms, crammed with vegetables and vitamins. By now, I’ve outlasted both parents whose plain food and firm ordinance must have endowed this heart’s tough muscle—weak still in gratitude.

In a villa in Ephesus, forty-six children were lying clean and bathed in comfortable beds. Although their life had been terrible, it had held a sort of routine. Now everything had changed. The change had given them hope. And with hope came fear that their hope might be in vain. Then the music began, lyre and flute blending together, rising up from the courtyard below and filling the rooms with a wordless song of comfort. The children had never heard such music before. It took them from their dark places and transported them to sun-dappled glades, with warm sunshine, cool breezes and birdsong. The notes were like a mother’s fingers, gently brushing the hair from the forehead, soft and infinitely loving. And soon all the children were asleep.

Well—you will wake up to them everywhere, and yet they will not be there anymore. They are gone and you are here, alone with yourself again. But this is what you do. You brush them out of your hair. You wash them off of your skin. You cough their name out of your lungs, sweep the ash of their goodbye outside of the home that is your body. Let the wind blow them away. Close the door softly and cry. Wildly, like you are a storm, and remember—though the rain and the sadness may seem like terrible things right now, they are always cleaning you. They are always cleaning you.

Having passed on the information she had gleaned, Julia had no further distractions to delay the inevitable and unenviable task of cleaning Jake. While she had been on the phone, the mud had dried, and she was hopeful that it might be brushed off, so she wouldn’t have to get a hosepipe or a bucket of warm water and dog shampoo. It all seemed rather exhausting, and she found herself gazing around the kitchen looking for a task to further delay the dog cleaning. If she left him outside long enough, maybe the mud would fall off on its own. He would be a self-cleaning dog, like those mysterious self-cleaning ovens.

He gave a sudden broad grin. ‘Her footprints’ll be distinctive enough,’ he said. ‘Those sandals she wears. The size of elephants’ feet. The CSI won’t confuse them.’ ‘They won’t find any footprints!’ She didn’t mean to be defiant, but realized that was how she sounded and she couldn’t stop. ‘That’s what I was doing when I found the ring. I was cleaning. I brushed and mopped all the floors, scrubbed the work surfaces. It’s not worth bringing in your experts.

I loved gesso. I loved its thick whiteness and how it was so forgiving. I loved brushing it on heavily over my marred canvas. It made the canvas look new and clean, without a single blemish. I wish they made gesso for the soul, because if they did, I would slather it on thick. I would create a new me. I, too, would be new and clean, without a single blemish.

restriction, Maverick's knuckles brush against my clit and I let out an involuntary moan. His eyes never leave mine as he smiles at me and I feel the head of his cock slap my cleanly shaven mound. His hands move under my ass and he lifts

You are not leaving.” “I will not argue the matter with you when Winnie can walk into the kitchen at any minute.” “Fair enough, but you will listen to what I say, Emmie Farnum. You are too damned skinny, you aren’t getting enough rest, your temper is short, and I don’t care if your menses are going to start this afternoon, you have no call to be treating me like I’m your enemy.” “Do not,” she hissed, “mention my bodily functions outside of a locked bedroom door.” St. Just ran a hand through his hair in exasperation. “I want to help, all right? All I’m saying is you seem frazzled, and if Winnie is part of the problem, I’ll tackle that, but we need to find a way to talk that doesn’t leave us at daggers drawn.” His tone was reasonable, almost pleading, and when he saw her shoulders relax, he knew he was making some progress—not much, but some. “If you would keep Winnie occupied today, I’d appreciate it.” “Done. And when you are through here, please just take a nap, Em.” He glanced around the kitchen. “Leave the mess. I’ve got staff, and they can clean up for once. Don’t come down to dinner if you don’t want to, either. Val understands—he plays his piano for hours most days, and if we see him at meals, it’s a coincidence. Just…” He looked her up and down, trying to keep the worry from his expression. “Just get some rest,” he finished with a tentative smile. “Please?” She nodded, able to return a small smile of her own. Taking his chances, St. Just stepped over to her, brushed a kiss to her forehead, and took his leave. He was more alarmed that she merely bore the kiss silently rather than swat him again with her towel. He

He remembered, though, that his favorite servant had been sacked for kitchen misdemeanors; once for making toast by lying on his back and suspending bread from between his toes over a flame, and on a second occasion for cleaning celery with a toothbrush--his own brush, as it happened, not the Master's, but that was no excuse.

This green place in which I stood with James turned slowly around us like a music box. All my memories returning, and all his. I could see and feel each of his days and he mine. Childhood songs, books read, hearts broken, arguments forgiven.The sweetness of these imperfections far outshining the regrets. Our lives overlapped as naturally as two blades of grass brushing together. My pain forgotten, my clothes dry and clean, I pulled James close to me. As he lifted my chin, I felt no sensation of falling as when I had been Light touching one who is Quick. It wasn't the mere heat of a stolen moment in borrowed flesh. We touched now soul to soul, both of us Light. And when we kissed, the garden rocked, floating upstream.

I have a fabulous idea." "Oh, I don't like this. Last time you had a fabulous idea, I wore a cast for six weeks. I still can't straighten my arm completely." "That was years ago," I said, brushing aside her concern. "This one will work. Do you have any exceptionally handsome men friends, willing to be my fiancé?

Are you all right?” Arin glanced up at Roshar, then returned his attention to the horse. He ran a hand down the inside of its front left leg and picked up the hoof, cupping its front. With his free hand, he cleaned the hoof with a pick, brushed it off, and used a knife to probe the outer edges of the hoof, looking for the source of the problem. Steam rose from a nearby bucket of hot, salted water. It was near noon. “Arin.” “Just thinking.” Kestrel’s written words still radiated through him, making him feel larger inside than he had been before, as if he’d swallowed the sun and it somehow fit, and blazed and ached and left him dazzled: half-blind but still seeing things more clearly than before. “Well, stop it,” Roshar said. “You’ve been looking either dour or dreamy and neither really suits the victorious leader of his free people.” Arin snorted. The horse, feeling his knife touch a sore spot, tried to pull her hoof away. He held it fast, supporting it from below with his knee. “You could at least make a rousing speech,” Roshar said. “Can’t. I’m riding to Sythiah.” Roshar made a strangled sound. “Not on this horse,” Arin said. “She’s lame.” “What are you doing?” “She was limping. It hurt to look at her. An abscess, I think. She must have stepped on something sharp.” “Arin, you’re not a damn farrier. Someone else can do this.” “Tssah,” Arin hissed in sympathy when he found the abscess. The horse tried again to tug away, but he punctured the sealed wound, which instantly dribbled black pus. He worked on opening the abscess, then pressed the rest of the pus out. “Bring that bucket closer, will you?” “Oh, certainly. I live to please.

Are you all right?” Arin glanced up at Roshar, then returned his attention to the horse. He ran a hand down the inside of its front left leg and picked up the hoof, cupping its front. With his free hand, he cleaned the hoof with a pick, brushed it off, and used a knife to probe the outer edges of the hoof, looking for the source of the problem. Steam rose from a nearby bucket of hot, salted water. It was near noon. “Arin.” “Just thinking.” Kestrel’s written words still radiated through him, making him feel larger inside than he had been before, as if he’d swallowed the sun and it somehow fit, and blazed and ached and left him dazzled: half-blind but still seeing things more clearly than before. “Well, stop it,” Roshar said. “You’ve been looking either dour or dreamy and neither really suits the victorious leader of his free people.” Arin snorted.

Batteries, Bug repellent, Belts, Bags , Barbecue equipment, Boots, Bath towels. Bikes, Bike rack. C - Cash and credit cards, Cell phones & chargers, Camera and film/memory cards, Coffee pot, Can opener, Cups, Cutlery, Computer, Clock, Cleaning utensils, Clothes and coats, Camping Guides, Condiments (salt, sugar, pepper). D - Dishes, Drainers, Disinfectant. F - First Aid kit, Fire Extinguishers G - Glasses, (drinking, reading, sun), Games. H -Herbs, Hair brushes, Headphones. K -Keys (house, RV, Lockers), Kindle & cable, Kitchen Gadgets. M - Medication. Money belts, Measuring implements, Maps, P - PERSONAL DOCUMENTS: Passports, Health Certificates, Insurance, Driving License, RV documents, Power adapters, Pens, Pets:

These teachers could through long practice constantly keep their minds buoyant, casting aside useless encumbrances of idle thoughts; bright, driving off the dark cloud of melancholy; tranquil, putting down turbulent waves of passion; pure, cleaning away the dust and ashes of illusion; and serene, brushing off the cobwebs of doubt and fear. The only means of securing all this is to realize the conscious union with the Universal Life through the Enlightened Consciousness, which can be awakened by dint of Dhyana. 5.

Finn looked up at Megan and suddenly she felt totally self-conscious. But she meant everything she had said. She knew she was right. But something about the way he was looking at her was making her feel like he could see under her skin. “Can I paint you?” Finn asked. Megan blinked. “Okay, that’s basically the last thing I ever thought you were gonna say.” Finn was on his feet and removing Kayla’s painting from the easel before the rush of heat had eased from Megan’s face. Suddenly he was a flurry of motion, cleaning brushes, squirting paint onto his palette, crumpling paper towels and launching them toward an overflowing trash can in the corner. “So, can I?” he asked. “Uh…I guess,” Megan said, already feeling awkward. If there was one thing Megan wasn’t, it was a model. She had never seen a freckle-faced, broad-shouldered, thick-calved girl in the pages of Tracy’s fashion mags. Not once. Finn was busily arranging his easel, which faced the back wall. Megan started to push herself off her stool. “Should I--?” “No! No. Stay right there,” Finn said. He picked up his easel and turned it so that the back of the contraption was facing her and her stool. “That’s good. I like the light right there.” Megan glanced up at the skylight and the blue sky beyond. “Am I gonna have to sit still for this?” she asked. “’Cuz I’m not very good at that.” Finn grinned and peeked at her over the top of his clean canvas. “Don’t worry. We’ll figure it out.” Megan sat and watched Finn as he worked, sketching her outline, the pencil scraping lightly against the cloth. He was riveted, concentrating, but his arms and hands seemed to move of their own volition. Watching him was mesmerizing. Even when he looked up at her, she found that she couldn’t tear her eyes away. She kept catching his glance, looking directly into his eyes. Megan’s skin grew warm under his intense scrutiny. She lifted her ponytail off the back of her neck to get some air and the ends of her hair tickled her skin. Her breath came quick and shallow. “You okay?” he asked. Megan instantly blushed and averted her gaze. “Yeah, fine.” “’Cuz we can stop if you don’t want to do this,” Finn replied. “No, I’m…I’m okay,” Megan said. Truth be told, everything inside her and around her felt charged. She could have sat there all day. “Good,” Finn said. Megan’s whole body felt a pleasant, tingling warmth. For a split second, neither of them moved.

There are large and stately studios, panelled and high, in strong stone houses filled with gleaming brass and polished oak. There are workaday studios – summer perching-places rather than settled homes – where a good north light and a litter of brushes and canvas form the whole of the artistic stock-in-trade. There are little homely studios, gay with blue and red and yellow curtains and odd scraps of pottery, tucked away down narrow closes and adorned with gardens, where old-fashioned flowers riot in the rich and friendly soil. There are studios that are simply and solely barns, made beautiful by ample proportions and high-pitched rafters, and habitable by the addition of a tortoise stove and a gas-ring. There are artists who have large families and keep domestics in cap and apron; artists who engage rooms, and are taken care of by landladies; artists who live in couples or alone, with a woman who comes in to clean; artists who live hermit-like and do their own charing. There are painters in oils, painters in water-colours, painters in pastel, etchers and illustrators, workers in metal; artists of every variety, having this one thing in common – that they take their work seriously and have no time for amateurs.

For seventy years we have been brushing our teeth and yet they have not become clean, so is that thing for real or is it a falsity?

He brushed her hair until it was nearly dry. He had to reach forward to catch the brandy glass. Lazy delight swirled through her at the glance of his hand over hers. Each stroke of the brush leached away another layer of resistance. After all the fear and anger, she slid into a fog of languorous docility. Perhaps soon he'd take her to bed. Surely he hadn't meant it when he said she'd sleep alone. He set the brush aside and lifted her into his arms. She murmured sleepily and nestled into his chest. She was warm. He was warm. Everything was delicious warmth. She smothered a yawn and shut her eyes. Jonas... She might have spoken his name aloud. She nuzzled his chest, drawing in more rain-fresh scent. She thought he growled softly in his throat. She wasn't sure. She was so tired, she wasn't sure about much. He set her down on the bed, the mattress sagging beneath her, and pulled up the covers. His arms slipped away with what felt like reluctance and the loss pierced her drowsiness. She whimpered in protest and waited for him to slide in beside her. She kept her eyes shut. Looking at him veered too near to admitting she'd stopped fighting. She heard him sigh. His clean scent flooded her senses when he pressed his lips to her forehead then briefly kissed her mouth.

I am having the Princess of Eyllwe questioned in my council room tomorrow night,” the king said quietly enough that only Chaol could hear, turning his stallion to follow after the pack of hounds that rushed through the thawing woods. “I want six men outside the room. Make sure there are no complications or interruptions.” The look the king gave him suggested exactly the sort of complication he had in mind—Celaena. Chaol knew it was risky to ask questions, but he said, “Is there anything specific that I should prepare my men for?” “No,” the king said, nocking an arrow to his bow and firing at a pheasant that surged up from the brush. A clean shot—right through the eye. “That will be all.

Brushing her hands clean on her skirt, Loretta stared dismally at the fire. Light. Merciful heaven, why had she asked for a fire? He’d be able to see her, which somehow made the thought of undressing in front of him all the more horrid. Her skin prickled. He was staring at her, waiting, like a man expecting his supper to be served. And what was even more awful, she felt like his supper. A hundred thoughts raced through her mind, running away from him foremost, but her sense of honor forestalled her. She had promised him, and a promise was a promise. She wouldn’t break her word. She’d see this through, with her head held high. She would. With trembling hands, Loretta tackled the long line of tiny buttons on her bodice. With each flick of her fingers, her cheeks grew hotter. The firelight cast too few shadows, making the interior of the lodge seem as bright as day. She tried to draw comfort from the fact that he had seen her nude the night of her fever, but that was a century ago and did little to ease her embarrassment as she slid the sleeves of her dress down her arms. If only he were a white man. He would at lease douse the fire. Or maybe have an attack of conscience and realize how barbaric it was to force a virtuous young woman into marriage. But he wasn’t a white man, and conscience wasn’t a word in his vocabulary. He owned her. Now they were married, even in the eyes of her people. For forever.

Brushing her hands clean on her skirt, Loretta stared dismally at the fire. Light. Merciful heaven, why had she asked for a fire? He’d be able to see her, which somehow made the thought of undressing in front of him all the more horrid.

Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.