Claude Quotes

I must have flowers, always, and always.

The scientist is not a person who gives the right answers, he's one who asks the right questions.

If a man is not faithful to his own individuality, he cannot be loyal to anything.

I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality. -Claude Frollo

Love is a battle," said Marie-Claude, still smiling. "And I plan to go on fighting. To the end." Love is a battle?" said Franz. "Well, I don't feel at all like fighting." And he left.

Color is my daylong obsession, joy, and torment.

Why is everything always my decision?" I asked. Because you will not tolerate anything else." Oh, I remembered now. "Great", I whispered. - Anita to Jean-Claude

I knew from the moment I heard you, the moment I saw the gun and realized that this lovely, petit woman was the executioner, that you would never die waiting for me to save you - that you would save yourself.

Jesus, are all vampires over two hundred perverts?" "I am over two hundred," Jean-Claude said. "I rest my case.

Every day I discover more and more beautiful things. It’s enough to drive one mad. I have such a desire to do everything, my head is bursting with it.

Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.

To prohibit the reading of certain books is to declare the inhabitants to be either fools or slaves.

I would like to paint the way a bird sings.

My garden is my most beautiful masterpiece

I will bathe in your warmth ma petite. Roll you around me until my heart beats only for you. My breath will grow warm from your kiss.

What keeps my heart awake is colorful silence.

the more I live, the more I regret how little i know

It's what we think we know that keeps us from learning.

You are an irritating son of a bitch.” “Ah, ma petite, how can I resist you when you whisper such sweet endearments to me?

Pam: "Claude, the mouthwateringly beautiful asshole?

It's on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly.

You don't ask nobody to give what they can't give, or be what they can't be. You've learnt that, you got a headstart on heartbreak.

When once we quit the basis of sensation, all is in the wind. To talk of immaterial existences is to talk of nothings. To say that the human soul, angels, god, are immaterial, is to say they are nothings, or that there is no god, no angels, no soul. I cannot reason otherwise: but I believe I am supported in my creed of materialism by Locke, Tracy, and Stewart. {Letter to John Adams, from Monticello, 15 August 1820}

To limit the press is to insult a nation; to prohibit reading of certain books is to declare the inhabitants to be either fools or slaves: such a prohibition ought to fill them with disdain.

Who hit you?" "Why, so you can go beat him up?" "One of the fringe benefits of being my human servant is my protection." "I don't need your protection, Jean-Claude." "He hurt you." "And I shoved a gun into his groin and made him tell me everything he knew," I said.

Everyday I discover more and more beautiful things. It’s enough to drive one mad. I have such a desire to do everything, my head is bursting with it.

There was a time when you would have taken my heart with stake or gun. Now you have taken it with these delicate hands and the scent of your body." - Jean-Claude

I'm not performing miracles, I'm using up and wasting a lot of paint...

Asking Jean-Claude not to be a pain in the ass was like asking rain not to be wet. Why try?

The richness I achieve comes from nature, the source of my inspiration.

I didn't know what to think about first: me seeing Claude naked, Claude seeing me naked, or the whole fact that we were related and naked in the same room. (Sookie Stackhouse, Dead in the Family)

He ordered food with a childlike glee and watched me eat, tasting it as I did. In private he'd roll on his back like a cat, hands pressed to his mouth as if trying to drain every taste. It was the only thing he did that was cute. He was gorgeous, sensual, but rarely cute. - Anita Blake about Jean-Claude

I perhaps owe having become a painter to flowers.

I have lived for over three hundred years. In that time, the ideal of beauty has changed many times. Large breasts, small, thin, curved, tall, short, they have all been the height of beauty at one time or another. But in all that time, ma petite, I have never desired anyone the way I desire you." - Jean-Claude

Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic

I stared at Jean-Claude and it wasn't the beauty of him that made me love him, it was just him. It was love made up of a thousand touches, a million conversations, a trillion shared looks. A love made up of danger shared, enemies conquered, a determination to neither of us would change the other, even if we could. I love Jean-Claude, all of him, because if I took away the Machiavellian plottings, the labyrinth of his mind, it would lessen him, make him someone else.

You smell of other peoples blood, ma petite. It was no one you know. -Jean Claude and Anita

I want nothing more than to climb between the silk sheets and wrap our nude bodies around one another. I want to hold and be held. Sex is a wondrous thing, but tonight I wish to be comforted more than pleasured. I feel like a child in the dark who knows the monsters are under the bed. I want to be told it will be alright, but I am far too old to believe such comforting lies." - Jean-Claude

He's no more human than I am, ma petite." At least I'm not dead." That can be remedied.

You're up to something," I said. He turned, eyes wide, long fingers pressed to his heart. "Moi?" "Yeah, you,

I am always sincere, ma petite, even when I lie." - Jean Claude

Oui , but if all the men in your life are happy, you are happier, and it makes my life easier." - Jean-Claude

I did not run to him, but I did wrap my arms around him, press my ear to his chest, hold on to him as if he were the last solid thing in the world. He stroked my hair and murmured to me in French. I understood enough to know he was glad to see me and that he thought I looked beautiful. But beyond that it was just pretty noise. It wasn't until I felt Zerbrowski behind me that I pulled away, but when Jean-Claude's hand found mine, I welcomed it. Zerbrowski was looking at me as if he'd never seen me before. "What?" It came out hostile. "I've never seen you be that ... soft with anyone before." It startled me. "You've seen me kiss Richard before." He nodded. "That was lust. This is ..." He shook his head, glancing up at Jean-Claude, then back to me. "He makes you feel safe.

Are you a prude?' He seemed genuinely curious. 'No!' But after a second, I said, 'But may be compared to you, yes! I like my privacy. I get to decide who sees me naked. Do you get my point?' 'Yes. Objectively speaking, you have beautiful points.' I thought the top of my head would pop off... (Sookie Stackhouse & Claude, Dead in the Family)

I am the place in which something has occurred.

Oh, ma petite, you are growing gargantuan." I looked at him and it was not a friendly look. "Never tease a woman about her weight, Jean-Claude. At least not an American twentieth-century one." He Spread his hands wide. "My deepest apologies." "When you apologize, try not to smile at the same time. It ruins the effect.

I'm not sure there are enough white roses in the world to make me forget Richard." I held up my hand before she could interrupt. "But I'm not sure there are enough cozy afternoons in all eternity to make me forget Jean-Claude.

I don’t think I’m made for any earthly kind of pleasure.

I'll need you to get a leash for my monkey, Claude, and also a hat." "Of course, monsieur" "Do you think he needs a little coat as well?" "Perhaps not in this weather, monsieur." "You are right," Magnus said with a sight. "Make it a simple dressing gown, just like mine." "Which one, monsieur?" "The one in rose and silver." "Excellent choice, monsieur.

No one but myself knows the anxiety I go through and the trouble I give myself…

Nothing is certain, ma petite, not even death." - Jean-Claude

He’s a senior in high school Bernardo. Jean-Claude is his legal guardian and had to enroll him in school. He comes home with homework and shit and then he wants to cuddle and have sex. It weirds me the fuck out.

I can only draw what I see.

…Every day I discover even more beautiful things. It is intoxicating me, and I want to paint it all - my head is bursting…

Why are you putting on lip gloss, my daughter?" Dad asked ." Trip to the library? Trip to the nunnery? I hear the nunneries are nice this time of year." "Not a date; I still remember Claud," Rusty said, and grabbed her ankle. " I forbid it." "You introduced me to Claud," Kami pointed out. "I'm a bad person," Rusty mumbled. "I do bad things." "Is this true, Kami? Are you going out on a date?" Dad asked tragically. "wearing that? Wouldn't you fancy a shapeless cardigan instead? You rock a shapeless cardigan honey.

Do you practice the laugh, or is it a natural talent? Naw, I’m betting you practice.” Jean-Claude’s face twisted. I couldn’t decide if he was trying not to laugh, or not to frown. Maybe both. I affected some people that way. The laughter seeped out of her face, very human, until only her eyes sparkled. There was nothing funny about the look in those twinkling eyes. It was the sort of look a cat gives a small bird. Her voice lifted at the end of each word, a Shirley Temple affectation. “You are either very brave, or very stupid.” “You really need at least one dimple to go with the laugh.” Jean-Claude said softly, “I’m betting on stupid.

music is the arithmetic of sounds as optics is the geometry of light

Under this mask, another mask. I will never be finished removing all these faces.

Thought is the original source of all wealth, all success, all material gain, all great discoveries and inventions, and all acheivement.

Claude rubs the back of his neck and wrinkles his nose, about to tell me he was never sad. I believe this is called bravado and is not limited to lawyers, or even men, although that combination makes it almost unavoidable.

His dark blue shirt was plastered to his chest, covered with werewolf goop and tears. "Now we both need a bath," I said. "That can be arranged." "Please, Jean-Claude, no sexual innuendo until after I'm clean." "Of course, MA PETITE. It was crude of me tonight. My apologies." I stared at him. He was being far too nice. Jean-Claude was a lot of things, but nice wasn't one of them. "If you're up to something, I don't want to know about it. I can't handle any deep, dark plots tonight, okay?" He smiled and gave a low, sweeping bow, never taking his eyes off me. The way you bow on the judo mat when you're afraid the person may pound you if you look away. I shook my head. He WAS up to something. Nice to know that not everyone had suddenly become something else. One thing I could always depend on what Jean-Claude. Pain in the ass that he was, he always seemed to be there. Dependable in his own twisted way. Jean-Claude dependable? I must have been more tired than I thought.

If the world really looks like that I will paint no more!

No 'Good evening, Jean-Claude, how are you doing?' Just down to business. How terribly rude,ma petite ." - Jean-Claude

Risk more than others think is safe. Care more than others think is wise. Dream more than others think is practical. Expect more than others think is possible

People don't very much like things that are beautiful.. they are so far from their nasty little minds.

How much has to be explored and discarded before reaching the naked flesh of feeling.

I want to paint the way a bird sings.

Water Lilies' is an extension of my life. Without the woter the lilies cannot live, as I am without art.

When a man does wrong, he should do all the wrong he can; it is madness to stop half-way in crime!

When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever. Merely think here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape.

I have no personal stake in these people, Jean-Claude, but they are people. Good, bad, or indifferent, they are alive, and no one has the right to just arbitrarily snuff them out.” "So it is the sanctity of life you cling to?" I nodded. “That and the fact that every human being is special. Every death is a loss of something precious and irreplaceable.

Listen to no one's advice except that of the wind in the trees. That can recount the whole history of mankind...

I get madder and madder on giving back what I feel.

A beautiful sunset that was mistaken for a dawn.

Anita can speak for herself," Richard said. Jean-Claude's attention flicked back to me. "That is certainly true. But I came to see how the two of you enjoyed the play." "And pigs fly," I said. "You don't believe me?" "Not hardly," I said.

I must have flowers. Always and always.

The further I get, the more I regret how little I know…

Art is I; Science is We.

To spend your days in the company of naked men - that was the life for me. 'Turn a bit to the left, Jean-Claude. I long to capture the playful quality of your buttocks.

the colour of my soul is iron-grey and sad bats wheel about the steeple of my dreams.

Sometimes, all it takes is one gesture, one word, to change the course of someone's life. Even if you know it won't last forever.

The more we claim to discriminate between cultures and customs as good and bad, the more completely do we identify ourselves with those we would condemn. By refusing to consider as human those who seem to us to be the most “savage” or “barbarous” of their representatives, we merely adopt one of their own characteristic attitudes. The barbarian is, first and foremost, the man who believes in barbarism.

Previously, when I began to write this tale, I set out by saying that Mlle. Claude was a whore. She is a whore, of course, and I'm not trying to deny it, but what I say now is--if Mlle. Claude is a whore then what name shall I find for the other women I know?

For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.

I perhaps owe having become a painter to flowers

Not all poisonous juices are burning or bitter nor is everything which is burning and bitter poisonous.

A fall from such a height is rarely straight downwards.

Claude Shannon, the father of information theory, once declared, “I visualize a time when we will be to robots what dogs are to humans, and I’m rooting for the machines.

There is nothing more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.

Music is the space between the notes.

The first thing we see as we travel round the world is our own filth, thrown into the face of mankind.

Sometimes a majority simply means that all the fools are on the same side.

Undoubtedly, we become what we envisage.

One must be very naïve or dishonest to imagine that men choose their beliefs independently of their situation.

Impression — I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape.

I let Richard walk out on me. I think he’d have gone anyway, but I just sat on the floor and watched him go. I didn’t stand in his way. I figured it was his choice, and you cant hold someone if they don’t want to be held. If someone really wants to be free of you, you have to let them go. Well, fuck that, fuck that all to hell. Don’t go, Asher, please, don’t go. I love the way your hair shines in the light. I love that way you smile when you’re not trying to hide or impress anyone. I love your laughter. I love the way your voice can hold sorrow like the taste of rain. I love the way you watch Jean-Claude when he moves through a room, when you don’t think anyone’s watching, because its exactly the way I watch him. I love your eyes. I love your pain. I love you.

It is only through difference that progress can be made. What threatens us right now is probably what we may call over-communication--that is, the tendency to know exactly in one point of the world what is going on in all other parts of the world. In order for a culture to be really itself and to produce something, the culture and its members must be convinced of their originality and even, to some extent, of their superiority over the others; it is only under conditions of under-communication that it can produce anything. We are now threatened with the prospect of our being only consumers, able to consume anything from any point in the world and from any culture, but of losing all originality.

After she has gone back to sleep, after Etienne has blown out his candle, he kneels for a long time beside his bed. The bony figure of Death rides the streets below, stopping his mount now and then to peer into windows. Horns of fire on his head and smoke leaking from his nostrils and, in his skeletal hands, a list newly charged with addresses. Gazing first at the crew of officers unloading from their limousines into the chateau. Then at the flowing rooms of the perfumer Claude Levitte. Then at the dark tall house of Etienne LeBlanc. Pass us by, Horseman. Pass this house by.

We want to climb in with you,' Dermot said. 'We'll all sleep better.' That seemed incredibly weird and creepy to me - or maybe I only thought it should have. I was simply too tired to argue. I climbed in the bed. Claude got in on one side of me, Dermot on the other. Just when I was thinking, I would never be able to sleep, that this situation was too odd and too wrong, I felt a kind of blissful relaxation roll through my body, a kind of unfamiliar comfort. I was with family. I was with blood. And I slept.

It is the wee hours of the morning, ma petite. The room service menu is somewhat limited. Jason has donated blood twice to me tonight; he needed protein." Jean-Claude smiled. "It was either take-out, or he could eat Larry. I thought you'd prefer take-out.

The world is full of fools, and he who would not see it should live alone and smash his mirror.

The crises of modern man are to a large extent religious ones, insofar as they are an awakening of his awareness to an absence of meaning.

To see, we must forget the name of the things we are looking at

Jean-Claude gave a low theatrical bow, never taking his eyes from her. "After you, my sweet. A lady should always walk before a gentleman, never behind.

There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it. It is a free art gushing forth — an open-air art, boundless as the elements, the wind, the sky, the sea. It must never be shut in and become an academic art.

She doesn't understand what she's asking, Jean-Claude said. No, but she asks, and if we do not do it, we will always wonder. I would rather thy and fail than regret having never tried at all.

I hate travelling and explorers. Yet here I am proposing to tell the story of my expeditions.

It is what we think we know already that often prevents us from learning.

Man can learn nothing except by going from the known to the unknown.

We all know what to do, but we don’t know how to get re-elected once we have done it.

The anthropologist Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.

If there is horror, it is for those who speak indifferently of the next war. If there is hate, it is for hateful qualities, not nations. If there is love, it is because this alone kept me alive.

your constant affirmations until belief in your goal becomes a vital part of you and you feel it in your blood, your bones, and in every tissue of your body.

Art is a lie that tells the truth

I know the dark delight of being strange, The penalty of difference in the crowd, The loneliness of wisdom among fools...

But music, don't you know, is a dream from which the veils have been lifted. It's not even the expression of a feeling, it's the feeling itself

Να τα βρεις με τη ζωή σημαίνει να τα βρεις με τις αναμνήσεις σου... Ν' αναρωτιέσαι για το παρελθόν δε χρησιμεύει πουθενά. Τις ερωτήσεις πρέπει να τις απευθύνουμε στο μέλλον.

The light constantly changes, and that alters the atmosphere and beauty of things every minute.

You should be careful with opening doors to secrets, says Claude. Sometimes secrets are secrets because that's the best way.

That's just not right," Sam muttered. "Claude needs to keep his pants on.

I have good news and bad news. The good news is there is life (of a kind) after this life. The bad news is that Jean-Claude Villeneuve is a necrophiliac.

76. David Hume – Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding 77. Jean-Jacques Rousseau – On the Origin of Inequality; On the Political Economy; Emile – or, On Education, The Social Contract 78. Laurence Sterne – Tristram Shandy; A Sentimental Journey through France and Italy 79. Adam Smith – The Theory of Moral Sentiments; The Wealth of Nations 80. Immanuel Kant – Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace 81. Edward Gibbon – The Decline and Fall of the Roman Empire; Autobiography 82. James Boswell – Journal; Life of Samuel Johnson, Ll.D. 83. Antoine Laurent Lavoisier – Traité Élémentaire de Chimie (Elements of Chemistry) 84. Alexander Hamilton, John Jay, and James Madison – Federalist Papers 85. Jeremy Bentham – Introduction to the Principles of Morals and Legislation; Theory of Fictions 86. Johann Wolfgang von Goethe – Faust; Poetry and Truth 87. Jean Baptiste Joseph Fourier – Analytical Theory of Heat 88. Georg Wilhelm Friedrich Hegel – Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History 89. William Wordsworth – Poems 90. Samuel Taylor Coleridge – Poems; Biographia Literaria 91. Jane Austen – Pride and Prejudice; Emma 92. Carl von Clausewitz – On War 93. Stendhal – The Red and the Black; The Charterhouse of Parma; On Love 94. Lord Byron – Don Juan 95. Arthur Schopenhauer – Studies in Pessimism 96. Michael Faraday – Chemical History of a Candle; Experimental Researches in Electricity 97. Charles Lyell – Principles of Geology 98. Auguste Comte – The Positive Philosophy 99. Honoré de Balzac – Père Goriot; Eugenie Grandet 100. Ralph Waldo Emerson – Representative Men; Essays; Journal 101. Nathaniel Hawthorne – The Scarlet Letter 102. Alexis de Tocqueville – Democracy in America 103. John Stuart Mill – A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography 104. Charles Darwin – The Origin of Species; The Descent of Man; Autobiography 105. Charles Dickens – Pickwick Papers; David Copperfield; Hard Times 106. Claude Bernard – Introduction to the Study of Experimental Medicine 107. Henry David Thoreau – Civil Disobedience; Walden 108. Karl Marx – Capital; Communist Manifesto 109. George Eliot – Adam Bede; Middlemarch 110. Herman Melville – Moby-Dick; Billy Budd 111. Fyodor Dostoevsky – Crime and Punishment; The Idiot; The Brothers Karamazov 112. Gustave Flaubert – Madame Bovary; Three Stories 113. Henrik Ibsen – Plays 114. Leo Tolstoy – War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales 115. Mark Twain – The Adventures of Huckleberry Finn; The Mysterious Stranger 116. William James – The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism 117. Henry James – The American; The Ambassadors 118. Friedrich Wilhelm Nietzsche – Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power 119. Jules Henri Poincaré – Science and Hypothesis; Science and Method 120. Sigmund Freud – The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis 121. George Bernard Shaw – Plays and Prefaces

It’s hard to trust the world like that, to show it your belly. There’s something deep within me, something intensely fragile, that is terrified of turning itself to the world. I think I’m just scared that if I show the world my belly, it will devour me. And so I wear the armor of cynicism, and hide behind the great walls of irony, and only glimpse beauty with my back turned to it, through the Claude glass. But I want to be earnest, even if it’s embarrassing. The photographer Alec Soth has said, “To me, the most beautiful thing is vulnerability.” I would go a step further and argue that you cannot see the beauty which is enough unless you make yourself vulnerable to it. And so I try to turn toward that scattered light, belly out, and I tell myself: This doesn’t look like a picture. And it doesn’t look like a god. It is a sunset, and it is beautiful, and this whole thing you’ve been doing where nothing gets five stars because nothing is perfect? That’s bullshit. So much is perfect. Starting with this. I give sunsets five stars.

He laughed, and it raised goose-bumps on my arms. "Oh,ma petite ,ma petite , you are precious." Just what I wanted to hear. "So how are you getting here?" "My private jet." Of course, he had a private jet. "When can you be here?" "I will be there as soon as I can, my impatient flower." "I prefer ma petite to flower.

I walked towards her. Jean-Claude grabbed my arm. "Do not harm her, Anita. She is under our protection." "I swear to you that I will not lay a finger on her tonight. I just want to tell her something." He released my arm, slowly, like he wasn't sure it was a good idea. I stepped next to Monica, until our bodies almost touched. I whispered into her face, "If anything happens to Catherine, I will see you dead." She smirked at me, confident in her protectors. "They will bring me back as one of them." I felt my head shake, a little to the right, a little to the left, a slow precise movement. "I will cut out your heart." I was still smiling, I couldn'tseem to stop. "Then I will burn it and scatter the ashes in the river. Do you understand me?" She swallowed audibly. Her health-club tan looked a little green. She nodded, staring at me like I was the bogey man. I think she believed I'd do it. Peachy keen. I hate to waste a really good threat

Believe nothing until it has been officially denied.

The wise man is not he who gives the right answers; he is the one who asks the right questions.

The true worth of a researcher lies in pursuing what he did not seek in his experiment as well as what he sought.

He smiled and extended a hand. "I knew you would do it, ma petite." "You arrogant son of a bitch." I smashed the shotgun butt into his stomach. He doubled over just enough. I hit him in the jaw. . He rocked back. "Get out of my mind!

When you are famous it is hard to work on small problems. This is what did Shannon in. After information theory, what do you do for an encore? The great scientists often make this error. They fail to continue to plant the little acorns from which the mighty oak trees grow. They try to get the big thing right off. And that isn't the way things go. So that is another reason why you find that when you get early recognition it seems to sterilize you.

If We Must Die If we must die, let it not be like hogs Hunted and penned in an inglorious spot, While round us bark the mad and hungry dogs, Making their mock at our accursèd lot. If we must die, O let us nobly die, So that our precious blood may not be shed In vain; then even the monsters we defy Shall be constrained to honor us though dead! O kinsmen! we must meet the common foe! Though far outnumbered let us show us brave, And for their thousand blows deal one death-blow! What though before us lies the open grave? Like men we'll face the murderous, cowardly pack, Pressed to the wall, dying, but fighting back!

Auggie said you were too sentimental for your own good sometimes." Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing." I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach. He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me." "I love you," I said, and touched his hand where it lay against my face.

HANNAH: ....English landscape was invented by gardeners imitating foreign painters who were evoking classical authors. The whole thing was brought home in the luggage from the Grand Tour. Here, look -- Capability Brown doing Claude, who was doing Virgil. Arcadia! And here, superimposed by Richard Noakes, untamed nature in the style of Salvator Rosa. It's the Gothic novel expressed in landscape. Everything but vampires.

Realities disguised as symbols are, for me, new realities that are immeasurably preferable. I make an effort to take them at their word. To grasp, to carry out the diktat of images to the letter.

Our students wanted to know everything: but only the newest theory seemed to them worth bothering with. Knowing nothing of the intellectual achievements of the past, they kept fresh and intact their enthusiasm for 'the latest thing'. Fashion dominated their interest: they valued ideas not for themselves but for the prestige that they could wring from them.

if she had not been a gypsy, and if he had not been a priest

Unlike my father, who blindly churned out one canvas after another, I had real ideas about the artistic life. Seated at my desk, my beret as tight as an acorn’s cap, I projected myself into the world represented in the art books I’d borrowed from the public library. Leafing past the paintings, I would admire the photographs of the artists seated in their garrets, dressed in tattered smocks and frowning in the direction of their beefy nude models. To spend your days in the company of naked men – that was the life for me. ‘Turn a bit to the left, Jean-Claude. I long to capture the playful quality of your buttocks.

creative forces comes only when there is a completely rounded-out thought, when there is a fully developed mental picture, or when the imagination can visualize the fulfillment of our ambition and see in our mind a picture of the object we desire...

Il ne peut y avoir une civilisation mondiale puisque la civilisation implique la coexistence de cultures offrant entre elles le maximum de diversité.

love everyone,trust a few and rely on nobody

The sensuality of desperate lives. Only poets talk like that. But poetry has never had an answer for anything. All it does it bear witness. To despair. And desperate lives.

Adventure-seasoned and storm-buffeted, I shun all signs of anchorage, because The zest of life exceeds the bound of laws.

What you exhibit outwardly, you are inwardly. You are the product of your own thought. What you believe yourself to be, you are.

The degree of intellect necessary to please us is a fairly accurate measure of the degree of our own intellect.

The essence of the motif is the mirror of water, whose appearance alters at every moment.

Tell me not, sweet, I am unkind,” he said, “That from the nunnery, Of they chaste breast and quiet mind.” I looked up at him, and said the next line, “To war and arms I fly.” “True, a new mistress now I chase,” he said. “The first foe in the field,” I said, and let him draw me closer. “And with a stronger faith embrace,” he said. “A sword, a horse, a shield.” And the last word was whispered against his chest, still looking up into those eyes, searching his face. “Yet this inconstancy is such, As thou too shalt adore,” he whispered against my hair. I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. “I could not love thee, dear, so much, Loved I not honor more.

But when on shore, & wandering in the sublime forests, surrounded by views more gorgeous than even Claude ever imagined, I enjoy a delight which none but those who have experienced it can understand - If it is to be done, it must be by studying Humboldt.

It wasn't just my beast's hunger, but Jean-Claude's blood thirst and Richard's craving for flesh. It was all that and the ardeur running through all of it, so that one hunger fed into the next in an endless chain, a snake eating it's own tail, an Ouroboros of desires.

One who has lost confidence can lose nothing more.

Thought attracts that upon which it is directed.

Life is like riding a bicycle, you don't fall off unless you stop pedaling.

There's never one sunrise the same or one sunset the same.

beyond the tilled plain, beyond the toy roofs, there would be a low suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peach tinge pervading the upper edge of a two-dimensional, dove-grey cloud fusing with the distant amorous mist. there might be a line of spaced trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and claude lorrain clouds inscribed remotely into misty azure with only their cumulus part conscpicuous against the neutral swoon of the background. or again, it might be a stern el greco horizon, pregnant with inky rain, and a passing glimpse of some mummy-necked farmer, and all around alternating strips of quick-silverish water and harsh green corn, the whole arrangement opening like a fan, somewhere in kansas.

There is not much talk about the clouds that are visible up here. No one seems to think it remarkable that somewhere above an ocean we are flying past a vast white candy-floss island that would have made a perfect seat for an angel or even God himself in a painting by Piero della Francesca. In the cabin, no one stands up to announce with requisite emphasis that if we look out the window, we will see that we are flying over a cloud, a matter that would have detained Leonardo and Poussin, Claude and Constable.

Every person is the creation of himself, the image of his own thinking and believing. As King Solomon put it, “For as he thinketh in his heart, so is he.” Recall

Pleasure involves respect, and respect starts with words.

At the very last moment, just before its lips claimed hers, its grip on her face relaxed slightly and she did the only thing she could think of: She head-butted it. Snapped her head back, then forward again, and bashed it square in the face as hard as she could. So hard, in fact, that it made her woozy and gave her an instant migraine, making her wonder how Jean-Claude Van Damme always managed to coolly continue fighting after such a stunt. Obviously, movies lied.

If I don't say it enough, Jean-Claude, I love you, I love seeing your face across the table while we eat, and watching you root at Cynric's football games, and watching you read bedtime stories to Matthew when he stays with us, and a thousand surprising things, all of it, its you, and I love you." "You will make me cry." "A smart friend told me that it's okay to cry, sometimes you're so happy it spills out your eyes.

I don't ask you - fribble!' snapped his lordship, rounding on him, with the speed of a whiplash. 'You may keep your tongue between your teeth!' "Yes, sir - happy to!' uttered Claud, dismayed. 'No wish to offend you! Thought you might like to be set right!' 'Thought I might like to be set right?' 'No, no! Spoke without thinking!' said Claud hastily. ' I know you don't!

I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality.

The man who wins out and survives does so only because of superior science and strategy.

Honor women! They strew celestial roses on the pathway of our terrestrial life.

If I vibrate with vibrations other than yours, must you conclude that my flesh is insensitive?

When we meet a fact which contradicts a prevailing theory, we must accept the fact and abandon the theory, even when the theory is supported by great names and generally accepted.

Someone, and no matter where, collects the pieces of my shadow.

N'ayons pas peur des mots. Ils n'ont pas peur de nous.

I plucked my soul out of its secret place, And held it to the mirror of my eye, To see it like a star against the sky, A twitching body quivering in space, A spark of passion shining on my face. And I explored it to determine why This awful key to my infinity Conspires to rob me of sweet joy and grace. And if the sign may not be fully read, If I can comprehend but not control, I need not gloom my days with futile dread, Because I see a part and not the whole. Contemplating the strange, I’m comforted By this narcotic thought: I know my soul.

It was a little like Into the Sands, with Claude Barron, which she'd seen a couple of weeks ago. In that picture Claude Barron enlists in the Foreign Legion because Rita Carrol marries another guy. The other guy turns out to be a cheater and drinker, and so Rita Carrol leaves him and travels out to the desert where Claude Barron if fighting the Arabs. By the time Rita Carrol gets there he’s in the hospital, wounded, or not a hospital really but just a tent and she tells him she loves him and Claude Barron says, “I went into the desert to forget about you. But the sand was the color of your hair. The desert sky was the color of your eyes. There was nowhere I could go that wouldn’t be you.” And then he dies. Tessie cried buckets. Her mascara ran, staining the collar of her blouse something awful.

It would have been difficult to say what was the nature of this look, and whence proceeded the flame that flashed from it. It was a fixed gaze, which was, nevertheless, full of trouble and tumult. And, from the profound immobility of his whole body, barely agitated at intervals by an involuntary shiver, as a tree is moved by the wind; from the stiffness of his elbows, more marble than the balustrade on which they leaned; or the sight of the petrified smile which contracted his face,— one would have said that nothing living was left about Claude Frollo except his eyes.

The landscape of Turin, the monumental squares, the promenades along the Po river, were bathed in a kind of 'Claude Lorraine' luminosity (Dostoyevsky's golden age), a diaphonousness that removed the weight of things and made them recede into a infinite distance. The stream of light here became a stream of laughter - the laughter from which truth emerges, the laughter in which identities explode, including Nietzsche's. What also exploded is the meaning that things can have or lose for other things, not in terms of limited linkage or narrow context, but in terms of variations of light

However, I would like to point out that hard work alone will not bring success. The world is filled with people who have worked hard but have little to show for it. Something more than hard work is necessary: It is creative thinking and firm belief in your ability to execute your ideas. The successful people in history have succeeded through their thinking. Their hands were merely helpers to their brains.

La tolérance n'est pas une position contemplative, dispensant les indulgences à ce qui fut ou à ce qui est. C'est une attitude dynamique, qui consiste à prévoir, à comprendre et à promouvoir ce qui veut être.

Two revolutions coincided in the 1950s. Mathematicians, including Claude Shannon and Alan Turing, showed that all information could be encoded by binary digits, known as bits. This led to a digital revolution powered by circuits with on-off switches that processed information. Simultaneously, Watson and Crick discovered how instructions for building every cell in every form of life were encoded by the four-letter sequences of DNA. Thus was born an information age based on digital coding (0100110111001…) and genetic coding (ACTGGTAGATTACA…). The flow of history is accelerated when two rivers converge.

while I complain of being able to glimpse no more than the shadow of the past, I may be insensitive to reality as it is taking shape at this very moment, since I have not reached the stage of development at which I would be capable of perceiving it.

Jean-Claude’s eyes widened just a bit. ‘Ma petite, you have had a busy night, I see.’ His French accent was as thick as I’d heard it in a while, which meant he was feeling strong emotions that he couldn’t quite hide, but he was trying. I appreciated the effort, because the accent alone meant that what he wanted to say was his version of, You are covered in blood and worse, which means you were in horrible danger and probably nearly died … again! How can you keep risking yourself like that when I love you so much?

• “To us today, it is tempting to ask why societies with early writing systems accepted the ambiguities that restricted writing to a few functions and a few scribes. But even to pose that question is illustrate the gap between ancient perspectives and our own expectations of mass literacy. The intended restricted uses of early writing provided a positive disincentive for devising less ambiguous writing systems. The kings and priests of ancient Sumer wanted writing to be used by professional scribes to recorded numbers of sheep owed in taxes, not by the masses to write poetry and hatch plots. As the anthropologist Claude Levi-Strauss put it, ancients writing’s main function was “to facilitate the enslavement of other human beings.” Personal uses of writing by nonprofessionals came only much later, as writing systems grew simpler and more expressive

Every effort to understand destroys the object studied in favor of another object of a different nature; this second object requires from us a new effort which destroys it in favor of a third, and so on and so forth until we reach the one lasting presence, the point at which the distinction between meaning and the absence of meaning disappears: the same point from which we began.

So I can understand the mad passion for travel books and their deceptiveness. They create the illusion of something which no longer exists but still should exist, if we were to have any hope of avoiding the overwhelming conclusion that the history of the past twenty thousand years is irrevocable.

Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight.

From time to time, too, and for the space of two or three paces, an image or an echo would rise up from the recesses of time: in the little streets of the beaters of silver and gold, for instance, there was a clear, unhurried tinkling, as if a djinn with a thousand arms was absent-mindedly practising on a xylophone.

We would never go shopping together or eat an entire cake while we complained about men. He'd never invite me over to his house for dinner or a barbecue. We'd never be lovers. But there was a very good chance that one of us would be the last person the other saw before we died. It wasn't friendship the way most people understood it, but it was friendship. There were several people I'd trust with my life, but there is no one else I'd trust with my death. Jean-Claude and even Richard would try to hold me alive out of love or something that passed for it. Even my family and other friends would fight to keep me alive. If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.

Πυγμαχία δεν είναι μόνο να χτυπάς. Το πρώτο που πρέπει να μάθεις είναι να δέχεσαι χτυπήματα. Να τα αντέχεις. Και να φροντίζεις ώστε να σου κάνουν το μικρότερο δυνατό κακό. Η ζωή τίποτε άλλο δεν είναι από μια σειρά γύρων, ο ένας μετά τον άλλο. Να τρως και να δίνεις γροθιές, ξανά και ξανά. Να τις αντέχεις. Να μη λυγίζεις. Και να βαράς εκεί που πρέπει , τη στιγμή που πρέπει.

The following day, July 18, there was a small paragraph at the bottom of an inside page of Le Figaro. It announced that in Paris the Deputy Chief of the Brigade Criminelle of the Police Judiciaire, Commissaire Hippolyte Dupuy, had suffered a severe stroke in his office at the Quai des Orfevres and had died on his way to hospital. A successor had been named. He was Commissaire Claude Lebel, Chief of the Homicide Division, and in view of the pressure of work on all the departments of the Brigade during the summer months, he would take up his new duties forthwith. The Jackal, who read every French newspaper available in London each day, read the paragraph after his eye had been caught by the word 'Criminelle' in the headline, but thought nothing of it.

The fervor and single-mindedness of this deification probably have no precedent in history. It's not like Duvalier or Assad passing the torch to the son and heir. It surpasses anything I have read about the Roman or Babylonian or even Pharaonic excesses. An estimated $2.68 billion was spent on ceremonies and monuments in the aftermath of Kim Il Sung's death. The concept is not that his son is his successor, but that his son is his reincarnation. North Korea has an equivalent of Mount Fuji—a mountain sacred to all Koreans. It's called Mount Paekdu, a beautiful peak with a deep blue lake, on the Chinese border. Here, according to the new mythology, Kim Jong Il was born on February 16, 1942. His birth was attended by a double rainbow and by songs of praise (in human voice) uttered by the local birds. In fact, in February 1942 his father and mother were hiding under Stalin's protection in the dank Russian city of Khabarovsk, but as with all miraculous births it's considered best not to allow the facts to get in the way of a good story.

Double Indemnity, Gaslight, Saboteur, The Big Clock . . . We lived in monochrome those nights. For me, it was a chance to revisit old friends; for Ed, it was an opportunity to make new ones. And we’d make lists. The Thin Man franchise, ranked from best (the original) to worst (Song of the Thin Man). Top movies from the bumper crop of 1944. Joseph Cotten’s finest moments. I can do lists on my own, of course. For instance: best Hitchcock films not made by Hitchcock. Here we go: Le Boucher, the early Claude Chabrol that Hitch, according to lore, wished he’d directed. Dark Passage, with Humphrey Bogart and Lauren Bacall—a San Francisco valentine, all velveteen with fog, and antecedent to any movie in which a character goes under the knife to disguise himself. Niagara, starring Marilyn Monroe; Charade, starring Audrey Hepburn; Sudden Fear!, starring Joan Crawford’s eyebrows. Wait Until Dark: Hepburn again, a blind woman stranded in her basement apartment. I’d go berserk in a basement apartment.

Mi vergognavo ad essere affascinato da quella storia e da quel criminale mostruoso, Jean-Claude Romand. A distanza di tempo, credo che ciò che avevo tanta paura di condividere con lui lo condivido, lo condividiamo lui e io, con la maggior parte della gente, anche se per fortuna la maggior parte della gente non arriva al punto di mentire per vent’anni e poi sterminare tutta la famiglia. Penso che anche le persone più sicure di sé percepiscano con angoscia lo scarto che esiste fra l’immagine di sé che bene o male cercano di dare agli altri e quella che hanno di loro stesse nei momenti d’insonnia, o di depressione, quando tutto vacilla e si prendono la testa fra le mani, sedute sulla tazza del cesso. In ciascuno di noi c’è una finestra spalancata sull’inferno; cerchiamo di starne alla larga il più possibile, e io, per una mia precisa scelta, ho passato a quella finestra, ipnotizzato, sette anni della mia vita.

I felt suffocated. And alone. More alone than ever. Every year, I ostentatiously crossed out of my address book any friend who'd made a racist remark, neglected those whose only ambition was a new car and a Club Med vacation, and forgot all those who played the Lottery. I loved fishing and silence. Walking the hills. Drinking cold Cassis, Lagavulin, or Oban late into the night. I didn't talk much. Had opinions about everything. Life and death. Good and evil. I was a film buff. Loved music. I'd stopped reading contemporary novels. More than anything, I loathed half-hearted, spineless people.

I have to clean up first. I’m still all sweaty and stuff from the crime scene.” I realized he was wearing a white shirt and I might have dried blood on me. It made me draw back and look at the front of him. “What is wrong, ma petite?” “I may have dried blood and things on me, and you’re wearing white.” He drew me back into his arms. “I would rather hold you close than worry about my clothes. The shirt will wash, or we can throw it away. I do not care.” I pushed back just enough to turn my face up, resting my chin on his chest so that I gazed up the line of his body, and he looked down so that our eyes met down the line of his chest. “I know you love me, but when you don’t care about your clothes, I know it’s true love for you.” I grinned as I said it. He laughed, abrupt, surprised, and for a moment I got to see what he must have looked like centuries ago before being a vampire had taught him to control his face and show nothing for fear it would be used against him by those more powerful than him. I smiled up at him, held as close to him as I could with clothes and weapons still on, and loved him. I loved that I could make him laugh like that, loved that he felt safe enough to show me this part of him, loved that even when we were ass-deep in alligators, being with each other made it better. The alligators would be chewing on our asses either way, but with each other it was more fun, and we were more likely to be able to make a matching set of alligator luggage out of our enemies rather than end up as their dinner. I gazed up at him as the laughter filled his face, and just loved him. The day had sucked, but Jean-Claude made it suck a lot less, and that was what love was supposed to do. It was supposed to make things better, not worse, which made me wonder if Asher truly loved anyone. I pushed the thought away, and enjoyed the man in my arms, and the fact that I had made him laugh.

If love is what the world thinks it is," she went on with passionate emphasis, "then I am incapable of it. It is monotony, and I loathe monotony more than anything else in the universe. To live with a person, year in, year out; to see that person at nearly every meal; to hear his opinions again and again! My God, is that what they call love? I call it death! I need passion, colour, the unexpected—the romance of the unknown!

Even though the decision you make may not be the best one, the mere deciding gives you strength and raises your morale. It’s the fear of doing the wrong thing that attracts the wrong thing. Decide and act, and the chances are that your troubles will fade into thin air --whether you make a mistake or not. All great men are men of quick decision which flows from their intuition, their accumulated knowledge, and previous experience. So learn to be quick in making decisions and audacious in your actions.

She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.

The first [method] I might speak about is simplification. Suppose that you are given a problem to solve, I don't care what kind of problem-a machine to design, or a physical theory to develop, or a mathematical theorem to prove or something of that kind-probably a very powerful approach to this is to attempt to eliminate everything from the problem except the essentials; that is, cut is down to size. Almost every problem that you come across is befuddled with all kinds of extraneous data of one sort or another; and if you can bring this problem down into the main issues, you can see more clearly what you are trying to do an perhaps find a solution. Now in so doing you may have stripped away the problem you're after. You may have simplified it to the point that it doesn't even resemble the problem that you started with; but very often if you can solve this simple problem, you can add refinements to the solution of this until you get back to the solution of the one you started with.

According to one scholar, the “ideal victim” in the Troubles was someone who was not a combatant, but a passive civilian. To many, Jean McConville was the perfect victim: a widow, a mother of ten. To others, she was not a victim at all, but a combatant by proxy, who courted her own fate. Of course, even if one were to concede, for the sake of argument, that McConville was an informer, there is no moral universe in which her murder and disappearance should be justified. Must it be the case that how one perceives a tragedy will forever depend on where one sits? The anthropologist Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.” When it came to the Troubles, a phenomenon known as “whataboutery” took hold. Utter the name Jean McConville and someone would say, What about Bloody Sunday? To which you could say, What about Bloody Friday? To which they could say, What about Pat Finucane? What about the La Mon bombing? What about the Ballymurphy massacre? What about Enniskillen? What about McGurk’s bar? What about. What about. What about.

People retreated behind their front doors into the hidden zone of their private, family worlds and when outsiders asked how things were they answered, Oh, everything’s going along just fine, not much to report, situation normal. But everyone secretly knew that behind that door things were rarely humdrum. More typically, all hell was breaking loose, as people dealt with their angry fathers, drunken mothers, resentful siblings, mad aunts, lecherous uncles and crumbling grandparents. The family was not the firm foundation upon which society rested, but stood at the dark chaotic heart of everything that ailed us. It was not normal, but surreal; not humdrum, but filled with event; not ordinary, but bizarre. He remembered with what excitement he had listened, at the age of twenty, to the Reith Lectures delivered on BBC Radio by Edmund Leach, the great anthropologist and interpreter of Claude Lévi-Strauss who, a year earlier, had succeeded Noel Annan as provost of King’s. “Far from being the basis of the good society,” Leach had said, “the family, with its narrow privacy and tawdry secrets, is the source of all our discontents.” Yes! he thought. Yes! That is a thing I also know. The families in the novels he later wrote would be explosive, operatic, arm-waving, exclamatory, wild. People who did not like his books would sometimes criticize these fictional families for being unrealistic—not “ordinary” enough. However, readers who did like his books said to him, “Those families are exactly like my family.

I am scared to even say this out loud, because I worry that having confessed this fragility, you now know where to punch. I know that if I am hit where I am earnest, I will never recover. It can sometimes feel like loving the beauty that surrounds us is somehow disrespectful to the many horrors that also surround us. But mostly, I think I'm just scared that if I show the world my belly, it will devour me. And so I wear the armor of cynicism and hide behind the great walls of irony and only glimpse beauty with my back turned to it through the claude glass. But I want to be earnest, even if it's embarrassing. The photographer Alec Soth has said, "to me, the most beautiful thing is vulnerability. I would go a step further and argue that you cannot see the beauty which is enough unless you make yourself vulnerable to it." So I try to turn toward that scattered light, belly out and I tell myself, "this doesn't look like a picture, and it doesn't look like a god. It is a sunset, and it is beautiful." And this whole thing you've been doing where nothing gets five stars because nothing is perfect, that's bullshit. So much is perfect. Starting with this.

- ¿Ha visto usted los periódicos? Los conformistas nos la están preparando buena, ¿no? - ¿Eh...? Sí..., sí, señor -murmuró Claude. - Esos cerdos... Ha llegado el momento de espabilarse... Como usted sabe, están todos armados. - Oh... -dijo Claude. - Claramente se vio durante el Liberacionamiento. Llevaban armas para llenar camiones. Y, naturalmente, las personas decentes, como usted o como yo, no tenemos armas. - Muy cierto. - Usted, ¿no tiene? - No, señor Saknussem. - ¿Podría usted agenciarme un revólver? -preguntó Saknussem a quemarropa. - Es que... -dijo Claude-. Quizás el cuñado de la señora que me alquila la habitación... No sé... - Perfecto -dijo su jefe-. Cuento con usted, ¿eh? Que tampoco resulte demasiado caro; y con cartuchos, eh. Esos cerdos conformistas... No queda más remedio que ser precavido, ¿eh? - Indudablemente -dijo Claude. - Gracias, Léon. Cuento con usted. ¿Cuándo podría traérmelo? - Tengo que preguntar. - Por supuesto. Tómese el tiempo que necesite. Si quiere salir un poco antes... - Oh, no. No merece la pena. - Perfectamente. Y, por otra parte, cuidado con los borrones, ¿eh? Preocúpese de su trabajo. Qué diablos, no se le paga para no hacer nada. - Tendré cuidado señor Saknussem -prometió Claude. - Y llegue a su hora -concluyó el jefe-. Ayer llegó usted con seis minutos de retraso. - Sin embargo, hoy estaba aquí nueve minutos antes... -dijo Claude. - Sí -dijo Saknussem-, pero habitualmente llega usted con cuarto de hora de adelanto.

For mile after mile the same melodic phrase rose up in my memory. I simply couldn’t get free of it. Each time it had a new fascination for me. Initially imprecise in outline, it seemed to become more and more intricately woven, as if to conceal from the listener how eventually it would end. This weaving and re-weaving became so complicated that one wondered how it could possibly be unravelled; and then suddenly one note would resolve the whole problem, and the solution would seem yet more audacious than the procedures which had preceded, called for, and made possible its arrival; when it was heard, all that had gone before took on a new meaning, and the quest, which had seemed arbitrary, was seen to have prepared the way for this undreamed-of solution.

Just as the individual is not alone in the group, nor any one society alone among the others, so man is not alone in the universe. When the spectrum or rainbow of human cultures has finally sunk into the void created by our frenzy; as long as we continue to exist and there is a world, that tenuous arch linking us to the inaccessible will still remain, to show us the opposite course to that leading to enslavement; many may be unable to follow it, but its contemplation affords him the only privilege of which he can make himself worthy; that of arresting the process, of controlling the impulse which forces him to block up the cracks in the wall of necessity one by one and to complete his work at the same time as he shuts himself up within his prison; this is a privilege coveted by every society, whatever its beliefs, its political system or its level of civilization; a privilege to which it attaches its leisure, its pleasure, its peace of mind and its freedom; the possibility, vital for life, of unhitching, which consists - Oh! fond farewell to savages and explorations! - in grasping, during the brief intervals in which our species can bring itself to interrupt its hive-like activity, the essence of what it was and continues to be, below the threshold of thought and over and above society: in the contemplation of a mineral more beautiful than all our creations; in the scent that can be smelt at the heart of a lily and is more imbued with learning than all our books; or in the brief glance, heavy with patience, serenity and mutual forgiveness, that, through some involuntary understanding, one can sometimes exchange with a cat.

The problem is that the pressure to disprove a stereotype changes what you are about in a situation. It gives you an additional task. In addition to learning new skills, knowledge, and ways of thinking in a schooling situation, or in addition to trying to perform well in a workplace like the women in the high-tech firms, you are also trying to slay a ghost in the room, the negative stereotype and its allegation about you and your group. You are multitasking, and because the stakes involved are high--survival and success versus failure in an area that is important to you--this multitasking is stressful and distracting. ...And when you realize that this stressful experience is probably a chronic feature of the stetting for you, it can be difficult for you to stay in the setting, to sustain your motivation to succeed there. Disproving a stereotype is a Sisyphean task; something you have to do over and over again as long as your are in the domain where the stereotype applies. Jeff seemed to feel this way about Berkeley, that he couldn't find a place there where he could be seen as belonging. When men drop out of quantitative majors in college, it is usually because they have bad grades. But when women drop out of quantitative majors in college it usually has nothing to do with their grades. The culprit, in their case, is not their quantitative skills but, more likely, the prospect of living a significant portion of their lives in a domain where they may forever have to prove themselves--and with the chronic stress that goes with that. This is not an argument against trying hard, or against choosing the stressful path. There is no development without effort; and there is seldom great achievement, or boundary breaking, without stress. And to the benefit of us all, many people have stood up to these pressures...The focus here, instead, is on what has to be gotten out of he way to make these playing fields mere level. People experiencing stereotype threat are already trying hard. They're identified with their performance. They have motivation. It's the extra ghost slaying that is in their way.

Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect