Classical Dance Love Quotes

Dance less in motion and more in spirit; awaken the dreamer within.

Music does not need language of words for it has movements of dance to do its translation.

Soar like an eagle beyond skies of heavens reach; as wings of dreams dance with winds of reality.

Dance resides within us all. Some find it when joy conquers sorrow, others express it through celebration of movements; and then there are those... whose existence is dance,

When the melody plays, footsteps move, heart sings and spirit begin to dance.

You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.

Aaron snorted "That's so cheesy." "Well yeah. I am cheesy. I'm the king of cheese. You should know that by now. Aaron's eyes were dancing with amusement. "I prefer to call you classically romantic.

...but the air's flat and stale and the people half-hearted. There's nothing to do there. You can make love without trouble or meaning, or get mildly drunk, or extract second-hand emotions from the cinema, or put your mind to sleep on a dance-floor, or play bridge, or throw yourself in front of a train on the Underground. There are forty ways of escaping from consciousness. But I want something more exciting than that.

In the dim kingdom there is a great abundance of all excellent things. There is more love there than upon the earth; there is more dancing there than upon the earth; and there is more treasure there than upon the earth. In the beginning the earth was perhaps made to fulfill the desire of man, but now it has got old and fallen into decay. What wonder if we try and pilfer the treasures of that other kingdom! ("The Three O'Byrnes and the Evil Faeries")

Like a lot of gym teachers, Coach Babcock loved to torture his students. He felt he had failed as a teacher if his students didn't cry out for mercy. He often bragged that he held the school district's record for causing the most hysterical breakdowns in one afternoon. He used such classic forms of torture as weight training, wrestling, long-distance running, rope climing, wind spirits, chin-ups, and the occasional game of wet dodgeball (the wet ball was superloud when it hit a kid, and it left a huge red welt). But his favorite device of torment was so horrible, so truly evil, that it would drive most children to the brink of madness. It was the square dance. For six weeks of the school year, his students suffered through the Star Promenade, the Slip the Clutch, and the Ferris Wheel. As Babcock saw it, square dancing was the most embarrassing and uncomfortable form of dancing ever created, and a perfect way to prepare his students for the crushing heartbreak of life. Square dancing was a metaphor for like- you got swung around and just when you thought you were free, you got dragged back into the dance. He really thought he was doing the kids a favor.

Like Nietzsche once said: 'And those who were seen dancing were thought to be insane by those who could not hear the music.' We writers were always like that. The damned, dancing like fools around the world - feeling everything around as if it were an ocean wave.

To be so at one with one's own destiny that no one will be able to tell the dancer from the dance, that the answer to the question, Who are you? will be the Cardinal's answer, "Allow me ... to answer you in the classic manner, and to tell you a story," is the only aspiration worthy of the fact that life has been given us. This is also called pride, and the true dividing line between people is whether they are capable of being"in love with {their} destiny" or whether they "accept as success what others warrant to be so ... at the quotation of the day. They tremble, with reason, before their fate.

I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.

At the time, I paid no heed to the emblem above the door of a compass crossed with a square; the library had been founded by Masons. There, in the quiet shadows, I read for hours from the books that the kind librarian allowed me to take from the shelves: fairy tales, adventure stories, adaptations of classics for children, and dictionaries of symbols. One day while browsing among the shelves I ran across a yellowed volume: Les Tarots by Eteilla. All my efforts to read it were in vain. The letters looked strange and the words were incomprehensible. I began to worry that I had forgotten how to read. When I communicated my anguish to the librarian, he began to laugh. “But how could you understand it; it’s written in French, my young friend! I can’t understand it either!” Oh, how I felt drawn to those mysterious pages! I flipped through them, seeing many numbers, sums, the frequent occurrence of the word Thot, some geometric shapes . . . but what fascinated me most was a rectangle inside which a princess, wearing a three-pointed crown and seated on a throne, was caressing a lion that was resting its head on her knees. The animal had an expression of profound intelligence combined with an extreme gentleness. Such a placid creature! I liked the image so much that I committed a transgression that I still have not repented: I tore out the page and brought it home to my room. Concealed beneath a floorboard, the card “STRENGTH” became my secret treasure. In the strength of my innocence, I fell in love with the princess.

The living world is not the harsh domain of classical Darwinism, where each struggle against all, with every species, every organism and every gene competing for advantage against every other. Organisms are not skin-enclosed selfish entities, and competition is never unfettered. Life evolves, as does the universe itself, in a 'sacred dance' with an underlying field. This makes living beings into elements in a vast network of intimate relations that embraces the entire biosphere itself an interconnected element within the wider connections that reach into the cosmos.

Young sisters, be modest. Modesty in dress and language and deportment is a true mark of refinement and a hallmark of a virtuous Latter-day Saint woman. Shun the low and the vulgar and the suggestive. . . . Don’t see R-rated movies or vulgar videos or participate in any entertainment that is immoral, suggestive, or pornographic. And don’t accept dates from young men who would take you to such entertainment. . . . Also, don’t listen to music that is degrading. . . . Instead, we encourage you to listen to uplifting music, both popular and classical, that builds the spirit. Learn some favorite hymns from our new hymnbook that build faith and spirituality. Attend dances where the music and the lighting and the dance movements are conducive to the Spirit. Watch those shows and entertainment that lift the spirit and promote clean thoughts and actions. Read books and magazines that do the same. Remember, young women, the importance of proper dating. President Kimball gave some wise counsel on this subject: “Clearly, right marriage begins with right dating. . . . Therefore, this warning comes with great emphasis. Do not take the chance of dating nonmembers, or members who are untrained and faithless. A girl may say, ‘Oh, I do not intend to marry this person. It is just a “fun” date.’ But one cannot afford to take a chance on falling in love with someone who may never accept the gospel” (The Miracle of Forgiveness, pp. 241–42). Our Heavenly Father wants you to date young men who are faithful members of the Church, who will be worthy to take you to the temple and be married the Lord’s way. There will be a new spirit in Zion when the young women will say to their boyfriends, “If you cannot get a temple recommend, then I am not about to tie my life to you, even for mortality!” And the young returned missionary will say to his girlfriend, “I am sorry, but as much as I love you, I will not marry out of the holy temple.

In proportion as the ideas and sentiments succeed one another and as the mind and heart are trained, the human race continues to be tamed, relationships spread, and bonds tightened. People grew accustomed to gather in front of their huts or around a large tree; song and dance, true children of love and leisure, became the amusement or rather the occupation of idle men and women who had flocked together. Each one began to look at the others and to want to be looked at himself, and public esteem had a value. The one who sang or danced the best, the handsomest, the strongest, the most adroit, or the most eloquent became the most highly regarded. And this was the first step towards inequality and, at the same time, toward vice. From these first preferences were born vanity and contempt on the one hand, and shame and envy on the other. And the fermentation caused by these new leavens eventually produced compounds fatal to happiness and innocence.

The devil took hold of her tongue. There was no other explanation for it. "Behoove," she said. The angle of his mouth leveled out, and his voice turned exceedingly, dangerously soft. "Yes. Behoove." She opened her mouth. Shut it. Opened it again. "Don't say it." Gray-green eyes narrowed, daring her to cross the line. --- A sense of peace and contentment filled him. He loved music, and he loved to dance. Teaching Tess to waltz was going to be a pleasure. A half an hour later, he had revised his opinion drastically, as she stepped on his foot again. Instantly, they both stopped moving and glared at each other. "Young lady, you are not an elephant," he told her. "Kindly refrain from imitating one." --- "We can work it all out over time. Agreed?" She might not know where they were going, but it was definitely a step to the right direction. Taking a deep breath, she nodded. "Agreed." His expression turned serious, and he eased away from the wall. Without his body weight pinning her into place, she had to force her own shaky limbs to support her. Sliding his fingers lightly down her arm, he took her hand. "Come make love with me," he said. After all of that - after taking the time to create an understanding that was filled with respect and that gave her a sense of safety - how like him to make everything so classic and direct, and simple. She tightened her hand in his. "Yes." --- "What's she like?" Gavin's tone was elaborately non-chalant. Defiant. Devious. Delicious. He didn't say any of those adjectives aloud. Instead, as his silence grew too long and Gavin lifted up his head to look at him curiously, he finally settled on "Unforgettable.

Comus. The Star that bids the Shepherd fold, Now the top of Heav'n doth hold, And the gilded Car of Day, [ 95 ] His glowing Axle doth allay In the steep Atlantick stream, And the slope Sun his upward beam Shoots against the dusky Pole, Pacing toward the other gole [ 100 ] Of his Chamber in the East. Mean while welcom Joy, and Feast, Midnight shout, and revelry, Tipsie dance and Jollity. Braid your Locks with rosie Twine [ 105 ] Dropping odours, dropping Wine. Rigor now is gone to bed, And Advice with scrupulous head, Strict Age, and sowre Severity, With their grave Saws in slumber ly. [ 110 ] We that are of purer fire Imitate the Starry Quire, Who in their nightly watchfull Sphears, Lead in swift round the Months and Years. The Sounds, and Seas with all their finny drove [ 115 ] Now to the Moon in wavering Morrice move, And on the Tawny Sands and Shelves, Trip the pert Fairies and the dapper Elves; By dimpled Brook, and Fountain brim, The Wood-Nymphs deckt with Daisies trim, [ 120 ] Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove, Venus now wakes, and wak'ns Love. Com let us our rights begin, [ 125 ] Tis onely day-light that makes Sin, Which these dun shades will ne're report. Hail Goddesse of Nocturnal sport Dark vaild Cotytto, t' whom the secret flame Of mid-night Torches burns; mysterious Dame [ 130 ] That ne're art call'd, but when the Dragon woom Of Stygian darknes spets her thickest gloom, And makes one blot of all the ayr, Stay thy cloudy Ebon chair, Wherin thou rid'st with Hecat', and befriend [ 135 ] Us thy vow'd Priests, till utmost end Of all thy dues be done, and none left out, Ere the blabbing Eastern scout, The nice Morn on th' Indian steep From her cabin'd loop hole peep, [ 140 ] And to the tel-tale Sun discry Our conceal'd Solemnity. Com, knit hands, and beat the ground, In a light fantastick round.

Everybody’s Free (To Wear Sunscreen)” Ladies and Gentlemen of the class of '99: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours. Floss. Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself. Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how. Keep your old love letters; throw away your old bank statements. Stretch. Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees; you’ll miss them when they’re gone. Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s. Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own. Dance. even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do not read beauty magazines; they will only make you feel ugly. Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out. Don’t mess too much with your hair, or by the time you're 40, it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth. But trust me on the sunscreen. Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)

Moon River” started to flow gracefully out of the violin. The notes crept over to me and danced along the goosebumps on my skin.

Dipping my bare brush into your garish gold eyes, I draw your dreams close. They dance divinely within, sparking silhouettes alight. (Harboured Love)

This word “meditation” means many different things to different people. It has been applied to dancing and to listening to music and even to letting the mind wander, which is just the opposite of meditation. I want to explain right from the outset that when I talk about meditation, I mean only one thing: systematically training the mind to focus completely on a lofty ideal until that ideal absorbs our every faculty and passion.

The results are consistent with the worldview divide. The fluid reported that they love rap and hip-hop, along with a remarkable range of other favorites that include both widely popular genres (such as pop, rock, and classic rock) and a lot of niche interests. For example, a smattering of people identified world music, Korean pop, and electronic dance music, all of which have their roots outside the United States, as their favorites.

On what basis do we humans possess this stunning ability to affirm graciousness and love as the heart of reality when the here and now demands the opposite affirmation? The answer to that can only be that somehow we apprehend in the here and now - despite its often brutal suggestion that death and darkness are the final answer - a gracious absolute that lies beyond. Like the classical theist who looks at a rose and is able to perceive the creator and sustainer who gives it existence at that precise moment, so too do we sense the gracious Dancer who is Lord over all dances, including the horrible one that now threatens us, and who will bring us all to a new day and a new loving dance.

Remember, the essence of a great story transcends language—it's about the human condition, the ebb and flow of love and loss, the thrill of the unexpected, and the eternal dance of hope and despair.

You asked me who I’d been seeing? The mystery guy?” “Ohhhhhh.” Emily’s eyes lit up at the promise of early morning gossip. “Why, yes. I do remember that.” Emily rested her chin on her hands, settling in for my story. “I don’t think you need me for this.” Simon threw up defensive hands and went into the kitchen in search of coffee. I gave him a thin smile of appreciation that he didn’t see, then I turned back to Emily and, for the first time, spilled the whole story. Of being so lonely I couldn’t handle it anymore. Of drinking one glass of wine too many and sending that first message to Dex. His response. Our emails. Texts. And realizing last night that it had all been a lie. “So . . .” While I’d been talking Emily refilled our coffee mugs, and now she sat down again, staring hard at my laptop. “All this time you thought it was Dex, but it was Daniel writing to you instead?” “Exactly.” I nodded emphatically. “Are you kidding me?” I jumped at Simon’s voice, harsher, angrier than I was used to hearing him. He was back, leaning against the archway again, his own mug of coffee in his hands. “What kind of Cyrano de Bergerac bullshit is that?” Emily clucked her tongue and turned in her chair. “I don’t know about that,” she said. “Of course it is!” He gestured to my laptop. “Look, I’ve known the Dueling Kilts for years. They’ve played the Faire since . . . well, I think since the first year we started hiring outside acts. And they’re great guys. But there’s no way that Dex MacLean could string together a coherent sentence, much less an elaborate email.” “Hey.” I felt a lick of defensive anger for the hottie I’d hooked up with. But then I thought about it and, well, Simon wasn’t wrong. Hadn’t I thought something similar when I’d first started hearing from Dex? Daniel? Who-the-hell-ever? “Okay, yeah,” I said. “That’s fair.” Simon’s smile wasn’t unkind as he finished his point. “Which means he got Daniel to write those emails for him. And that’s classic Cyrano.” “Yeah, but what about the texts?” Emily picked up my phone and waved it at him. “Daniel was using his own phone number. You think Dex was standing over his shoulder, telling him what to say?” “He could have been.” “I don’t think so. Besides, in the original play, Cyrano and Christian were both in love with Roxane, but Cyrano sacrificed his chance to be with her because he thought she loved Christian more. But we don’t know if that’s the case here. Maybe Daniel . . .” “What the hell is wrong with you two?” I closed my laptop with a snap and took my phone back from Emily. “You’re both nerds, you know that? In this century we don’t go straight for a Cyrano reference. We call it catfishing.” Simon snorted, and Emily bit down on her bottom lip, but amusement danced in her eyes. “Well, yeah. That’s true. But Simon does have a point.” “Of course I do.” He blew across the top of his mug before taking a sip. I narrowed my eyes at him. “Don’t you have sets to finish painting?

Jonathon, who has the Kung Chow act—always good to have another of the company about—” “Kung Chow?” Wolf said in dismay. “I am not going to substitute for one of his wretched doves again! Really, Nigel, this is going too far—” “No one is asking you to substitute for a dove, Wolf,” Nigel said, pacing faster. “We should make this a real Arabian Nights story. Shipwreck our girl in Arabia, have her taken to a harem, that way we can bring in all the variety acts as things to entertain the sultan! And have an excuse to put her in as little as we can convince her to wear. And there are plenty of girls in our chorus who wouldn’t blanch at doing a harem dance. Have her escape with the Court Magician’s help—” “Oh good lord, why don’t you just steal the plot and music from my Abduction from the Seraglio and have done with it?” Wolf said in disgust. “Why don’t I—Wolf! That’s brilliant!” Nigel turned towards the parrot and conductor with a smile lighting up his face. “Perfect! You adapt the music for our show, we can tout it as ‘Based on Abduction from the Seraglio by Wolfgang Amadeus Mozart.’ Make the print just large enough that the punters won’t notice and the high-minded will. The punters will get their nautch dances, and the high-toned will tell each other how fine it is to listen to classical music while they gawk at the nautch dances from behind their pince-nezes. It’s brilliant! I love you!” As Wolf growled in startlement, Nigel swooped him up, kissed his beak, and put him back down on his stand again. “Brilliant! Brilliant! I’m going to go look up the libretto of this opera of yours and see what I can keep out of it. Arthur, help Wolf with some catchy lyrics. We’ll need at least one love song, of course, and one song about being homesick. And one from the sultan about making the beauty his slave for all time—” Nigel strode off, heading for the music library. Behind him, Wolf sighed. “Well,” the parrot said in resignation. “At least I won’t have to make up any little tinkly tunes this time.” 5 NINETTE sat up in the bed, curled her arms around her knees, and listened in astonishment to the cat.