Claiming What's Mine Quotes

We've searched our database for all the quotes and captions related to Claiming What's Mine. Here they are! All 100 of them:

I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same. I’m sorry, please forgive me. You once asked me who I loved most in this world. It’s you. — Hardin ( Movie- "After" - Hardin's letter to Tessa )
Anna Todd
There’s not much in the world I want to claim as mine. I’ve seen and done too much shit in my life to believe in forever. But you…” He grasped my chin with his free hand. “You belong to me. I don’t give a fuck what a law or anyone else says. You are mine.
Ana Huang (Twisted Games (Twisted, #2))
I've read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we need to survive. From Darcy to Heathcliff I tought they were fools. That love was something fictional, only found in worn pages of a book. But all that has changed since I met my Elizabeth Bennet. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and lead me out of the darkness and showed me that, whatever our souls are made for hers and mine are the same. You once asked me who I loved most in this world, it's you.
Hardin Scott
I stood Sentinel of Cadogan House, by God. He was mine, and he knew it, and I would claim what was mine.
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
What do you care?" I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure. "What do I care?" he breathed, wrath twisting his features. Wings - those membranous, glorious wings - flared from his back, crafted from the shadows behind him. "What do I care?" But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and trashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming me - The door was flung wide, and Amarantha's curved figure filled its space. Tamlin - Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips still crushed mine. Amarantha laughed, and a mask of stone slammed down on Tamlin's face. void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The thing was, I needed to be owned. I needed someone to say, This girl is mine. That´s what family is for, but mine was almost gone. There was no one to claim me but Eden and my sickness. So I gave myself to both.
Meg Haston (Paperweight)
She was mine. She just didn’t know it yet. I hadn’t known it myself until I saw her in Colton’s arms and every instinct raged at me to tear her away. To claim what belonged to me.
Ana Huang (Twisted Love (Twisted, #1))
Cinder flexed her tongue, testing it, and raised her voice."I am princess Selene." Levana leaned forward. "Your are an impostor!" "And I am ready to claim what's mine. People of Artemisia, this is your chance. Renounce Levana as your queen and swear fealty to me, or I swear that when I wear that crown, very person in this room will be punished for their betrayal.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
You should’ve thought about that before you picked up that whip,” the Primal growled. “And touched what is mine.” What is mine? Another laugh tickled the back of my throat. Now he claimed me?
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
A Book “Now” - said a good book unto me - “Open my pages and you shall see Jewels of wisdom and treasures fine, Gold and silver in every line, And you may claim them if you but will Open my pages and take your fill. “Open my pages and run them o’er, Take what you choose of my golden store. Be you greedy, I shall not care - All that you seize I shall gladly spare; There is never a lock on my treasure doors, Come - here are my jewels, make them yours! “I am just a book on your mantel shelf, But I can be part of your living self; If only you’ll travel my pages through, Then I will travel the world with you. As two wines blended make better wine, Blend your mind with these truths of mine. “I’ll make you fitter to talk with men, I’ll touch with silver the lines you pen, I’ll lead you nearer the truth you seek, I’ll strengthen you when your faith grows weak - This place on your shelf is a prison cell, Let me come into your mind to dwell!
Edgar A. Guest (Collected Verse)
I, Horus, son of Osiris, claim the throne of the heavens as my birthright!" he shouted."What was once mine shall be mine again.Is there anyone who would challenge me?" The gods flickered and glowed. A few scowled. One muttered something that sounded like "Cheese", although that could've been my imagination.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You haven't gotten the dynamics of our relationship down yet, have you? Let me explain it to you: we're involved, very involved. You're mine, and your problems are also mine. No one messes with what belongs to me. Don't fight me on that, because you'll lose baby. and be aware next time you hide something like that from me, I'll turn you over my knee and spank your ass red. Do we understand each other?
Elle Aycart (More than Meets the Ink (Bowen Boys, #1))
Then what are you doing here, Luce?" he asked, his voice elevating. "You want time? You want space? Fine. I gave that to you. But then you keep throwing yourself back into my life whenever the hell you choose. No warning. No apology, No permanence. You show up at my front door and sneak out the back without so much as a goodbye," he continued, never taking his eyes off of me. "You couldn't take the up and down. The roller coaster was going to kill you. You know what I can't take? You in and back out of my life before I even knew you were there in the first place. You looking at me the way you are now and then able to turn your back and walk away five minutes later." His hands clenched over my cheek before he lowered it. "That is what will kill me. I can't live wondering if you're still mine to claim.
Nicole Williams (Clash (Crash, #2))
I continue to wonder,' he said, glancing down at Min, 'why you all assume that I am too dense to see what you find so obvious. Yes, Nynaeve. Yes, this hardness will destroy me. I know.' ... You all claim that I have grown too hard, that I will inevitably shatter and break if I continue on. But you assume that there needs to be something left of me to continue on. ... That's the key, Nynaeve. I see it now. I will not live through this, and so I don't need to worry about what might happen to me after the Last Battle. I don't need to hold back, don't need to salvage anything of this beaten up soul of mine.
Brandon Sanderson (The Gathering Storm (The Wheel of Time, #12))
He's not, he thinks, upset people know. He's always been pretty unapologetic when it came to things like who he dates and what he's into, although those were never anything like this. Still, the cocky shithead part of him is slightly pleased to finally have a claim on Henry. Yep, the prince? Most eligible bachelor in the world? British accent, face like a Greek god, legs for days? Mine.
Casey McQuiston (Red, White & Royal Blue)
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap." "I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?" "Am i gonna have to beat the shit out o' him? Is that what it's gonna take?" "He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
I love you, Holder. So much," she says firmly. "And just so you know...so did Hope." As soon as the words leave her mouth, I'm completely consumed by a sense of peace. For the first time since the second she was taken from me, I finally know what forgiveness feels like. "I wish you could feel what that just did to me." I claim her mouth with mine at the same time she completely consumes my heart.
Colleen Hoover (Losing Hope (Hopeless, #2))
Maybe I'm missing something, but I don't rightly see how somebody who claims to have had -What'd you say? One partner?-can be welled trained." He had a point. Her brain clicked away. "I was referring to the instructional videotapes my agency has all its new employees watch." "They train you by watching videos?" His eyes narrowed reminding her of a hunter looking down a gun sight,"Now, ain't that interesting." She felt a little surge of pleasure as her child lost another few points on the Iowa Test of Basic Skills. Even a computer couldn't have picked a more perfect match.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
I’m going to claim her by the end of the night.” He flashed his fangs. “I’ll take her home, mount her, fuck her until she screams my name and keep doing it until she swells with what’s mine.” -Brawn
Laurann Dohner (Justice (New Species, #4))
Do not say I use what is mine: you use what is alien to you; the indulgent, selfish use makes what is yours something alien; that is why I call it alien good, because you use it with a hardened heart and claim that it is right, that you alone live from what is yours.
John Chrysostom
I once knew an Episcopalian lady in Newport, Rhode Island who asked me to design and build a doghouse for her Great Dane. The lady claimed to understand God and His Ways of Working perfectly. She could not understand why anyone should be puzzled about what had been or about what was going to be. And yet, when I showed her a blueprint of the doghouse I proposed to build, she said to me, "I'm sorry, but I never could read one of those things." Give it to your husband or your minister to pass on to God," I said, "and, when God finds a minute, I'm sure he'll explain this doghouse of mine in a way that even YOU can understand.
Kurt Vonnegut Jr. (Cat’s Cradle)
His lips brushed my ear. “Tonight you beg me to spare you, but one day you’re going to beg me to fuck you.” No. Never, I swore to myself. His breath was hot against my skin and I closed my eyes. “Don’t think because I don’t claim my rights tonight that you aren’t mine, Aria. No other man will ever have what belongs to me. You are mine.
Cora Reilly (Bound by Honor (Born in Blood Mafia Chronicles, #1))
Dating takes too much time. I wanted you. I took you. You’re mine.” She shivered. Women’s lib could say what it wanted. Being claimed by a sexy male still held loads of seductive charm.
Eve Langlais (A Tiger's Bride (A Lion's Pride, #4))
I have lived this life, and no matter what others may decide about it, I must claim each decision as mine. I have caused harm, failed in the expectations and obligations of love. I have loved well. What I do each day is carried within me until I die.
Meredith Hall (Without a Map)
You're perfect- beautiful, intelligent, intractable in a kind of... attractive way. Headstrong, but a good strategist. An amazing fighter." "But that's not enough?" "It's too much. You think I haven't thought about what it might be like to return to my rooms at the end of the night and find you there- to find you in my bed, to have your body and your laugh and your mind? To look across a room and know that you were mine- that *I'd* claimed you. *Me.* Ethan Sullivan. Not the four-hundred-year-old vampire, not the child of Balthasar or the Novitiate of Peter Cadogan. Me. Just me. Just you and me.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
You, uh, you like to choke people?” “No, but there’s something so sexy, so possessive, about being able to hold your girl at the nape of her neck.” “Possessive, are we?” I ask, trying to feel this man out. “I prefer to claim what’s mine.
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.
Ovid (Metamorphoses)
You looked like a fucking queen,” he murmurs, his voice full of pride. “That’s why I claimed you, Savage. I didn’t want anyone else taking what was mine. My queen. You belong to me.
Monica Murphy (Things I Wanted to Say, But Never Did (Lancaster Prep, #1))
Rilla," Raoul said, and at the sound of my childhood nickname, my heart gave a pang. "Don't I have the right to claim what is mine?" "Of course you do," I said..."But surely not at any cost.
Cameron Dokey (Before Midnight)
Because what I admired most about Ava was also what I hated about her. Darkness craves light as much as it wants to destroy it, and here, in this ballroom, with her in my arms and my cock straining against my zipper, that had never been more clear. I hated how much I wanted her, and I hated that she wasn’t smart enough to run away from me while she still had a chance. Though let’s be honest, it was already too late. She was mine. She just didn’t know it yet. I hadn’t known it myself until I saw her in Colton’s arms and every instinct raged at me to tear her away. To claim what belonged to me.
Ana Huang (Twisted Love (Twisted, #1))
Once a book falls into our possession, it is ours, the same way children lay their claim: 'That's my book.' As if it were organically part of them. That must be why we have so much trouble returning borrowed books. It's not exactly theft (of course not, we're not thieves, what are you implying?); it's simply a slippage in ownership or, better still, a transfer of substance. That which belonged to someone else becomes mine when I look at it. And if I like what I read, naturally I'll have difficulty giving it back.
Daniel Pennac (Better Than Life)
No one touches what’s mine. No one hurts the people I claim
Meghan March (Deal with the Devil (Forge Trilogy, #1))
My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me. At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering. At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful. It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy (American Hunger))
One reader of an early draft of this chapter complained at this point, saying that by treating the hypothesis of God as just one more scientific hypothesis, to be evaluated by the standards of science in particular and rational thought in general, Dawkins and I are ignoring the very widespread claim by believers in God that their faith is quite beyond reason, not a matter to which such mundane methods of testing applies. It is not just unsympathetic, he claimed, but strictly unwarranted for me simply to assume that the scientific method continues to apply with full force in this domain of truth. Very well, let's consider the objection. I doubt that the defender of religion will find it attractive, once we explore it carefully. The philosopher Ronaldo de Souza once memorably described philosophical theology as "intellectual tennis without a net," and I readily allow that I have indeed been assuming without comment or question up to now that the net of rational judgement was up. But we can lower it if you really want to. It's your serve. Whatever you serve, suppose I return service rudely as follows: "What you say implies that God is a ham sandwich wrapped in tin foil. That's not much of a God to worship!". If you then volley back, demanding to know how I can logically justify my claim that your serve has such a preposterous implication, I will reply: "oh, do you want the net up for my returns, but not for your serves? Either way the net stays up, or it stays down. If the net is down there are no rules and anybody can say anything, a mug's game if there ever was one. I have been giving you the benefit of the assumption that you would not waste your own time or mine by playing with the net down.
Daniel C. Dennett (Darwin's Dangerous Idea: Evolution and the Meanings of Life)
If you don’t know what you want, and you won’t tell me specifics, then I’ll tell you what I think you need. You’re mine now, Ashleigh. I’m claiming you. I’m claiming Kate too. If you want to be with me then I call the shots. And I’ve made my first decision.
J.A. Huss (Taut: The Ford Book (Rook and Ronin Spinoff, #2))
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close." I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine." "This isn't going to work. It never would have." "Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us." "God Noah..." Her voice broke. "I'm a mess." A mess? "You 're beautiful." "I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability." "Not true. My brothers will love you and you 'll love them. You are not a liability." "But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?" Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open. "Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked. I forced my head straight and narrowed my eyes. "I love you." She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours." To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together." Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose." She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me. I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair. She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
8. "For who would trust the seeming sighs Of wife or paramour? Fresh feres will dry the bright blue eyes We late saw streaming o'er. For pleasures past I do not grieve, Nor perils gathering near; My greatest grief is that I leave No thing that claims a tear. 9. "And now I'm in the world alone, Upon the wide, wide sea: But why should I for others groan, When none will sigh for me? Perchance my dog will whine in vain, Till fed by stranger hands; But long ere I come back again, He'd tear me where he stands. 10. "With thee, my bark, I'll swiftly go Athwart the foaming brine; Nor care what land thou bear'st me to, So not again to mine. Welcome, welcome, ye dark blue waves! And when you fail my sight, Welcome, ye deserts, and ye caves! My native Land — Good Night!
Lord Byron (Lord Byron: Childe Harold’s Pilgrimage (Annotated))
I've read hundreds of novels in my life. most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it is what we need to survive. From Darcy to Heathcliff. I thought they were fools. That love was something_fictional, only found in worn pages of a book. But that has all changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and lead me out of the darkness and showed me that whatever our souls are made of, hers and mine are the same. You once asked me who I loved most in the world, It's you.
Anna Todd (After (After, #1))
What do you envision for your future, Anna?” His abrupt question struck a nerve in me. It was the same question I'd been asking myself for months. “I don't know,” I said. “I used to know what I wanted, but not anymore.” He considered this, watching me with curiosity. “What did you want?” I reached down and touched the water. “A family, mostly.” “And you no longer want that?” I dried my hands on my jeans, trying not to get emotional. At one time, I wanted a loving husband and a houseful of kids more than anything in the world. But I'd let go of those dreams. I couldn't even adopt a child. What would the Dukes say if they caught me playing house? “I can't have those things,” I told him, still avoiding his stare. “And I'm tired of wanting things I can't have.” His voice was low when he responded. “Perhaps children are out of the question, but you could still have a husband, in secret.” My eyes flew up to his, and my skin sizzled as his words settled over me. I opened my mouth, but couldn't speak. His light eyes played chicken with mine, not backing down from his claim. “It's too dangerous,” I said. “You are young.” He didn't state it in a condescending way, but I still bristled. “Someday you may agree that there are dangers worth facing.” I swallowed, wishing my crazy heart would stop trying to break out of my rib cage.
Wendy Higgins (Sweet Evil (Sweet, #1))
There’s a price for not taking care of yourself as you claim you do so well.” His eyes lift to mine and there is mischief in their depths. “I’ll have to punish you.” I glower at his reference to how well I take care of myself. “Don’t be a smart-ass. I can take care of myself.” “So you say.” His lips quirk, his eyes twinkle, and his dark mood has lightened in a flash as it often does. “I’m just looking out for us both. I need you alive and well if I’m going to fuck you until you can’t forget my name.” I feel myself heat from the inside out and I seize the opportunity to say what I had not earlier. “You’ve already done that, but if you want to be an overachiever, feel free.” “Your wish is my command,” he assures me. “I somehow doubt that.” “Don’t doubt, baby,” he says, and the laughter between us fades as we stare at each other with the promise of dark, erotic pleasure between us and so much more.
Lisa Renee Jones (Being Me (Inside Out, #2))
It is not written that great men shall be happy men. It is nowhere recorded that the rewards of public office include a quiet mind. He sits in Whitehall, the year folding around him, aware of the shadow of his hand as it moves across the paper, his own inconcealable fist; and in the quiet of the house, he can hear the soft whispering of his quill, as if his writing is talking back to him. Can you make a new England? You can write a new story. You can write new texts and destroy the old ones, set the torn leaves of Duns Scotus sailing about the quadrangles, and place the gospels in every church. You can write on England, but what was written before keeps showing through, inscribed on the rocks and carried on floodwater, surfacing from deep cold wells. It’s not just the saints and martyrs who claim the country, it’s those who came before them: the dwarves dug into ditches, the sprites who sing in the breeze, the demons bricked into culverts and buried under bridges; the bones under your floor. You cannot tax them or count them. They have lasted ten thousand years and ten thousand before that. They are not easily dispossessed by farmers with fresh leases and law clerks who adduce proof of title. They bubble out of the ground, wear away the shoreline, sow weeds among the crops and erode the workings of mines.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
They are a lie, as our-no, your peole are a lie!" "Your skin is as dark as mine"' Malice reminded him. "You are a drow, though you have never learned what that means!" "Oh, I do know what it menas." "Then act by the rules!" Matron Malcius demanded. "Your rules? Drizzt growled back. "But your rules are a damned lie as well, as great as lie as that filthy spider you claim as a deity!" "A ture god damn you all!" "And damn that Spider Qyeen as well!
R.A. Salvatore (Homeland (Forgotten Realms: The Dark Elf Trilogy, #1; Legend of Drizzt, #1))
I grip Colin harder, kissing him longer, unwilling to let him go. This is what I want; this is what I’ve wanted since his damn phone interrupted us this morning, his mouth, his body claiming mine. I’m on fire, every muscle in my body attuned to his, my groin clenching with delicious need. When the voices grow louder his hold loosens. “Don’t stop, please,” I beg into his mouth. Diving into me once more his tongue slays me, erases every thought of the outside world until the passion has left us breathless and we have to break away if only to live. His forehead presses to mine as we gasp together, the cold air barely cooling the heat raging between us. -Midnight, A McKenna Chronicle
Elizabeth Miller (Midnight (McKenna Chronicles, #1))
And just to see what he’d do, she palmed him through his pants. Rowan barked a curse. She laughed quietly, kissed his newest scar again, and dragged a finger down lazily, indolently, holding his gaze for every single inch she touched. And when Aelin laid her palm flat on him again, she said, “You are mine.” Rowan’s breathing started again, jagged and savage as the waves breaking around them. She flicked open the top button of his pants. “I’m yours,” he ground out. Another button popped free. “And you love me,” she said. Not a question. “To whatever end,” he breathed. She popped the third and final button free, and he let go of her to toss his pants into the sand nearby, taking his undershorts with them. Her mouth went dry as she took in the sight of him. Rowan had been bred and honed for battle, and every inch of him was pure-blooded warrior. He was the most beautiful thing she’d ever seen. Hers—he was hers, and— “You are mine,” Rowan breathed, and she felt the claiming in her bones, her soul. “I am yours,” she answered. “And you love me.” Such hope and quiet joy in his eyes, beneath all that fierceness. “To whatever end.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Little girl," Cain begins, moving in close and speaking deliberately. "I know exactly what I want, but as long as you insist on continuing this charade, I will not claim you as mine again until you beg to hear those words from me." I stare at him, stunned at how the same cocksure attitude that floods my mind with contempt floods my body with excitement as he leans back, a satisfied smirk on his face. "I don't beg," I hiss. "Not yet," is all he says.
Lilly Black (A Jade's Trick)
It was stupid, reckless. But I didn’t give a fuck. I bit down, sucking on her throat like I was eighteen again and wanted my girlfriend to bear my mark. I knew my brothers would give me shit about it, I knew they’d know what it meant. I was a possessive motherfucker. And I’d just claimed her as mine in front of them.
Serena Akeroyd (Filthy Rich (The Five Points' Mob Collection, #2))
What?” Lucien laughed. “Yes—all those female faeries around you were females for Tamlin to pick. It’s an honor to be chosen, but it’s his instincts that select her.” “But you were there—and other male faeries.” My face burned so hot that I began sweating. That was why those three horrible faeries had been there—and they’d thought that just by my presence, I was happy to comply with their plans. “Ah.” Lucien chuckled. “Well, Tam’s not the only one who gets to perform the rite tonight. Once he makes his choice, we’re free to mingle. Though it’s not the Great Rite, our own dalliances tonight will help the land, too.” He shrugged off that invisible hand a second time, and his eyes fell upon the hills. “You’re lucky I found you when I did, though,” he said. “Because he would have smelled you, and claimed you, but it wouldn’t have been Tamlin who brought you into that cave.” His eyes met mine, and a chill went over me. “And I don’t think you would have liked it. Tonight is not for lovemaking.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I knew you were a good animal, but felt myself to be standing before an enormous mountain, a lifetime of unwillingness to claim what I wanted, to ask for it. Now here you were, your face close to mine, waiting. The words I eventually found may have been Argo, but now I know: there's no substitute for saying them with one's own mouth.
Maggie Nelson (The Argonauts)
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
And then there was me, sitting across from them, with my fake name and life built inside my organization. I was an uneducated preacher posing as an English teacher, my presence here not what I claimed it was. I was out to change the course of other people’s lives, and their children’s lives, and their children’s children’s lives. I somehow had the effrontery to try to alter the course of their history, to urge these people to make over their lives into the shape of mine, when I had never even considered how my own life had come to look as it did.
Amber Scorah (Leaving the Witness: Exiting a Religion and Finding a Life)
Tell us your secrets.’ [23] ‘I refuse, as this is up to me.’ ‘I will put you in chains.’ ‘What’s that you say, friend? It’s only my leg you will chain, not even God can conquer my will.’ [24] ‘I will throw you into prison.’ ‘Correction – it is my body you will throw there.’ ‘I will behead you.’ ‘Well, when did I ever claim that mine was the only neck that couldn’t be severed?
Epictetus (Of Human Freedom (Penguin Great Ideas))
No sane paleontologist would ever claim that he or she had discovered "The Ancestor." Think about it this way: What is the chance that while walking through any random cemetery on our planet I would discover an actual ancestor of mine? Diminishingly small. What I would discover is that all people buried in these cemeteries-- no mater whether that cemetery is in China, Botswana, or Italy-- are related to me to different degrees. I can find this out by looking at their DNA with many of the forensic techniques in use in crime labs today. I'd see that some of the denizens of the cemeteries are distantly related to me, others are related more closely. This tree would be a very powerful window into my past and my family history. It would also have a practical application because I could use this tree to understand my predilection to get certain diseases and other facts of my biology. The same is true when we infer relationship among species.
Neil Shubin (Your Inner Fish: a Journey into the 3.5-Billion-Year History of the Human Body)
I’m tired of only being able to talk to you on the phone, Alyssa...”Silence. “I need to see you...” His voice was strained.  “I need to fuck you...”“Thoreau...” “No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.”A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear. “I’ve been very patient with you...” His voice trailed off. “Don’t you think?”“No...”“I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.”I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple.“I’m giving you two weeks to come to your fucking senses...”“What?”“Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.”“I can’t...I can’t agree to...that.”“You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
A step further. Creationism. If you want to go in so deep as to ignore all of the advances and hard facts that SCIENCE and LEARNING have provided us in the field of biological evolution and instead profess that the creation story, written by men from their holy visions, about how the Christian deity spinning the world together out of the void in the magic of Genesis describes the true origin of the universe, that is your business. Terrific. It’s a cool story, don’t get me wrong; I love magic. Check out Madeleine L’Engle’s A Wrinkle in Time, which won a Newbery Medal. For the record, I don’t believe the book of Genesis ever won one of those. You and your fellow creationists profess belief in a magical story. You are welcome to do so. Sing and chant, and eat crackers and drink wine that you claim are magically infused with the blood and flesh of your church’s original grand wizard, the Prince of Peace. I personally think that’s just a touch squirrelly, but that’s your business, not mine. You will not be punished for those beliefs in our nation of individual freedoms. But I do think the vast majority of your fellow Americans would appreciate it, kind creationists, if you silly motherfuckers would keep that bullshit out of our schools. Your preferred fairy tales have no place in a children’s classroom or textbook that professes to be teaching our youngsters what is REAL. Jesus Christ, it’s irrefutably un-American, people!
Nick Offerman (Paddle Your Own Canoe: One Man's Principles for Delicious Living)
Dearest Reece, I know you think it improper, or at the very least imprudent, for us to write to one another, but I don't care.There are too many rules as it is and they would choke me if I let them. Between corsets and lessons and curtsies and etiquette, I am hardly myself, and that is how they want it. They would prefer we all dress and talk and think (or not think) alike, like paper dolls. I do not wish to be a paper doll. Surely you can see that I am stronger than that.I don't give a fig for the scandalbroth or the gossipmongers. Let us remove to Paris, where no one knows us to care and where they dine on scandal with eclairs every morning. You will say again that it is impossible but I refuse to believe it. I know with every touch of your hand on mine, with every stolen kiss, that nothing is impossible. Perhaps love isn't meant to be simple. Perhaps this is merely a test, such as Psyche went through to prove herself to Cupid. Would you have me count lentils, beloved? And as you claim I have the most to lose, I pray you will let me decide for myself what it is I want and need. Which is you. Not silks or lobster soup in crystal bowls or diamonds around my neck. Just you. You say again and again that you love me. Prove it.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
Things happen in life to get our attention, to make us wake up. What does it say that I had to lose so much before I had to break down enough to rebuild? I think it says that the thing that got me here—this incredible toughness—was almost the thing that did me in. I got to a place where I could no longer just muscle through; I could either bend, or break. I got here because I needed all of this to become who I am now. I had been holding on to so many misconceptions about myself all my life: that I wasn't valuable, that I didn't deserve to be anywhere good, whether that meant in a loving relationship on my own terms, or in a great film with actors I respected who knew what they were doing. The narrative I believed was that I was unworthy and contaminated. And it wasn't true. There are two reasons I wanted to tell this story, the story of how I learned to surrender. First, because it's mine. It doesn't belong to the tabloids, or my mom, or the men I've married, or the people who've loved or hated my movies, or even my children. My story is mine alone. I'm the only one who was there for all of it, and I decided to claim the power to tell it on my own terms. The second reason is that even though it's mine, maybe some part of this story is yours too. I've had extraordinary luck in this life, both bad and good. Putting it all down in writing makes me realize how crazy a lot of it has been, how improbable. But we all suffer and we all triumph and we all get to choose how we hold both.
Demi Moore (Inside Out)
I cannot forgive myself for what I did. It has long been one of my strictest principles not to interfere with the life of any individual, let alone attempt to shorten it. If an exception were to be made, Dr. Helvitius would surely qualify. It might be argued that, having neither scruples nor conscience, he had no claim upon the conscience of someone else—least of all, his intended victims. But that is a question to be resolved by a judgment higher than mine. In the event, my responsibility toward Vesper outweighed every other consideration. I can state in all honesty: I meant only to wound him. I cannot forgive myself—for missing the villain completely.
Lloyd Alexander (The El Dorado Adventure)
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down… All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does. Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough. Don’t be afraid, says Yeshua. Far more can be mended than you know. She is weeping. The executee helps her to stand up.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
Where is your brother, he asked, and cain responded with another question. Am I my brother's keeper, You killed him, Yes, I did, but you are the one who is really to blame, I would have given my life for him if you had not destroyed mine, It was a question of putting you to the test, But why put to the test the very thing you yourself created, Because I am the sovereign lord of all things, And of all beings you will say, but not of me and my freedom, What, the freedom to kill, Just as you had the freedom to stop me killing abel, which was perfectly within your capabilities, all you had to do, just for a moment, was to abandon that pride in your infallibility that you share with all the other gods, and, again just for a moment, to be truly merciful and accept my offering with humility, because you shouldn't have refused it, you gods, you and all the others, have a duty to those you claim to have created, This is seditious talk, Yes, possibly, but I can guarantee you that if I were god, I would repeat every day Blessed are those who choose sedition because theirs is the kingdom of the earth, That's sacrilege, Maybe, but no more sacrilegious than you allowing abel to die…
José Saramago
I feel as if it were not for me to record, even though this manuscript is intended for no eyes but mine, how hard I worked at that tremendous short-hand, and all improvement appertaining to it, in my sense of responsibility to Dora and her aunts. I will only add, to what I have already written of my perseverance at this time of my life, and of a patient and continuous energy which then began to be matured within me, and which I know to be the strong part of my character, if it have any strength at all, that there, on looking back, I find the source of my success. I have been very fortunate in worldly matters; many men have worked much harder, and not succeeded half so well; but I never could have done what I have done, without the habits of punctuality, order, and diligence, without the determination to concentrate myself on one object at a time, no matter how quickly its successor should come upon its heels, which I then formed. Heaven knows I write this, in no spirit of self-laudation. The man who reviews his own life, as I do mine, in going on here, from page to page, had need to have been a good man indeed, if he would be spared the sharp consciousness of many talents neglected, many opportunities wasted, many erratic and perverted feelings constantly at war within his breast, and defeating him. I do not hold one natural gift, I dare say, that I have not abused. My meaning simply is, that whatever I have tried to do in life, I have tried with all my heart to do well; that whatever I have devoted myself to, I have devoted myself to completely; that in great aims and in small, I have always been thoroughly in earnest. I have never believed it possible that any natural or improved ability can claim immunity from the companionship of the steady, plain, hard-working qualities, and hope to gain its end. There is no such thing as such fulfilment on this earth. Some happy talent, and some fortunate opportunity, may form the two sides of the ladder on which some men mount, but the rounds of that ladder must be made of stuff to stand wear and tear; and there is no substitute for thorough-going, ardent, and sincere earnestness. Never to put one hand to anything, on which I could throw my whole self; and never to affect depreciation of my work, whatever it was; I find, now, to have been my golden rules.
Charles Dickens (David Copperfield)
I let my sword slip to the ground, and for the second time I stood unarmed in the presence of werewolves. Kresh put his lips to my forehead, and my skin burned beneath his kiss. When his hands repositioned to take me by the waist, my breathing—already shallow—ceased entirely. Then his lips fell on mine and I was suddenly everything he claimed me to be—his mate, his wife, his world. The taste of him seemed mysteriously new and old at the same time. Every bit of tension eased as if internally I had come home again, and yet a sense of foreignness made our connection a sweet venture. My breast was afire as he continued to grasp my hips, keeping me close. I burned for him as if vampire venom were coursing through every inch of me. The man was a constellation of suns in my desire, unlike Thaddeus who hardly equaled a speck of stardust. The thought of that coward reminded me of grim news. It took every bit of willpower I possessed to tear my lips away from what they craved, and yet I remained a submissive puddle in this werewolf’s arms.
Richelle E. Goodrich (The Tarishe Curse)
You're mine now, Harry thought at the walls of Diagon Alley, and all the shops and items, and all the shopkeepers and customers; and all the lands and people of wizarding Britain, and all the wider wizarding world; and the entire greater universe of which Muggle scientists understood so much less than they believed. I, Harry James Potter-Evans-Verres, do now claim this territory in the name of Science. Lightning and thunder completely failed to flash and boom in the cloudless skies. "What are you smiling about?" inquired Professor McGonagall, warily and wearily. "I'm wondering if there's a spell to make lightning flash in the background whenever I make an ominous resolution," explained Harry. He was carefully memorising the exact words of his ominous resolution so that future history books would get it right.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
This was true enough, though it did not throw any light upon my perplexity. If we had heard of it to start with, it is possible that all the family would have considered the possession of a ghost a distinct advantage. It is the fashion of the times. We never think what a risk it is to play with young imaginations, but cry out, in the fashionable jargon, 'A ghost! - nothing else was wanted to make it perfect.' I should not have been above this myself. I should have smiled, of course, at the idea of the ghost at all, but then to feel that it was mine would have pleased my vanity. Oh, yes, I claim no exemption. The girls would have been delighted. I could fancy their eagerness, their interest, and excitement. No; if we had been told, it would have done no good - we should have made the bargain all the more eagerly, the fools that we are. ("The Open Door")
Mrs. Oliphant (The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies)
What if I were to tell you a secret?” I ask. “What if you were?” “It would change how you saw me.” Elian shrugs. “Then don’t tell me.” I roll my eyes. “What if you need to know?” “People don’t tell secrets because someone needs to know them. They do it because they need someone to tell.” I swallow. My heart feels loud enough to hear. “I’ll ask you something instead, then.” “To keep a secret?” “To keep a favor.” Elian nods, and I forget that we’re murderers and enemies and when my identity is revealed, he might very well try to kill me. I don’t think of Yukiko claiming him like a prize she doesn’t know the value of. And I don’t think of the Sea Queen or the notion of betrayal. I think of my human heart, suddenly beating so fast – too fast – and the crease between Elian’s eyebrows as he waits for my answer. “Are you ever going to kiss me?” Slowly, Elian says, “That’s not a favor.” His hand moves from beside mine, and I feel a sudden absence. And then it’s on my cheek, cupping my face, thumb stroking my lip. It feels like the worst thing I’ve ever done and the best thing I could ever do and how strange that the two are suddenly the same.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
I dined with Legrandin on the terrace of his house, by moonlight. “There is a charming quality, is there not,” he said to me, “in this silence; for hearts that are wounded, as mine is, a novelist, whom you will read in time to come, claims that there is no remedy but silence and shadow. And see you this, my boy, there comes in all lives a time, towards which you still have far to go, when the weary eyes can endure but one kind of light, the light which a fine evening like this prepares for us in the stillroom of darkness, when the ears can listen to no music save what the moonlight breathes through the flute of silence.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Just let me grab my thinking cap,” she told him, heading for her locker. The long floppy hat was required during midterms, designed to restrict Telepaths and preserve the integrity of the tests—not that anything could block Sophie’s enhanced abilities. But after the exams, the hats became present sacks, and everyone filled them with treats and trinkets and treasures. “I’ll need to inspect your presents before you open them,” Sandor warned as he helped Sophie lift her overstuffed hat. “That’s perfect,” Fitz said. “While he does that, you can open mine.” He pulled a small box from the pocket of his waist-length cape and handed it to Sophie. The opalescent wrapping paper had flecks of teal glitter dusted across it, and he’d tied it with a silky teal bow, making her wonder if he’d guessed her favorite color. She really hoped he couldn’t guess why. . . . “Hopefully I did better this year,” Fitz said. “Biana claimed the riddler was a total fail.” The riddle-writing pen he’d given her last time had been a disappointment, but . . . “I’m sure I’ll love it,” Sophie promised. “Besides. My gift is boring.” Sandor had declared an Atlantis shopping trip to be far too risky, so Sophie had spent the previous day baking her friends’ presents. She handed Fitz a round silver tin and he popped the lid off immediately. “Ripplefluffs?” he asked, smiling his first real smile in days. The silver-wrapped treats were what might happen if a brownie and a cupcake had a fudgey, buttery baby, with a candy surprise sunken into the center. Sophie’s adoptive mother, Edaline, had taught her the recipe
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
You own me, Jocelyn. You have had the claim on my heart since the first moment I saw you." After a long second he grinned, "You may have to share that claim with Olivia because she has it, too." He kissed me soft and slow, then pressed his forehead to mine. "You are my best friend, but I want you to be more." He pulled away and looked deep into my eyes and my breath caught at the sincerity I saw in his. "I need you to be more, because… I-I don't think I can handle another minute of not being able to touch you the way I want to touch you. And I know that I can't handle you thinking that what I do is none of your business." -Andrew
Jessica Wilde (Our Time)
While altering the saga of Odysseus’s Return to make my Elyman suitors serve as Penelope’s lovers, I had to protect myself against scandal. What if someone recognized the story and supposed that I, Nausicaa the irreproachable, had played the promiscuous harlot in my father’s absence? So, according to my poem, Penelope must have remained faithful to Odysseus throughout those twenty years. And because this change meant that Aphrodite had failed to take her traditional revenge, I must make Poseidon, not her, the enemy who delayed him on his homeward voyage after the Fall of Troy. I should therefore have to omit the stories of Penelope’s banishment and the oar mistaken for a flail, and Odysseus’s death from Telemachus’s sting-ray spear. When I told Phemius of these decisions, he pointed out, rather nastily, that since Poseidon had fought for the Greeks against the Trojans, and since Odysseus had never failed to honour him, I must justify this enmity by some anecdote. “Very well,” I answered. “Odysseus blinded a Cyclops who, happening to be Poseidon’s son, prayed to him for vengeance.” “My dear Princess, every Cyclops in the smithies of Etna was born to Uranus, Poseidon’s grandfather, by Mother Earth.” “Mine was an exceptional Cyclops,” I snapped. “He claimed Poseidon as his father and kept sheep in a Sican cave, like Conturanus. I shall call him Polyphemus—that is, ‘famous’—to make my hearers think him a more important character than he really was.” “Such deceptions tangle the web of poetry.” “But if I offer Penelope as a shining example for wives to follow when their husbands are absent on long journeys, that will excuse the deception.
Robert Graves (Homer's Daughter)
You see that God deems it right to take from me any claim to merit for what you call my devotion to you. I have promised to remain forever with you, and now I could not break my promise if I would. The treasure will be no more mine than yours, and neither of us will quit this prison. But my real treasure is not that, my dear friend, which awaits me beneath the somber rocks of Monte Cristo, it is your presence, our living together five or six hours a day, in spite of our jailers; it is the rays of intelligence you have elicited from my brain, the languages you have implanted in my memory, and which have taken root there with all of their philological ramifications. These different sciences that you have made so easy to me by the depth of the knowledge you possess of them, and the clearness of the principles to which you have reduced them – this is my treasure, my beloved friend, and with this you have made me rich and happy. Believe me, and take comfort, this is better for me than tons of gold and cases of diamonds, even were they not as problematical as the clouds we see in the morning floating over the sea, which we take for terra firma, and which evaporate and vanish as we draw near to them. To have you as long as possible near me, to hear your eloquent speech, -- which embellishes my mind, strengthens my soul, and makes my whole frame capable of great and terrible things, if I should ever be free, -- so fills my whole existence, that the despair to which I was just on the point of yielding when I knew you, has no longer any hold over me; this – this is my fortune – not chimerical, but actual. I owe you my real good, my present happiness; and all the sovereigns of the earth, even Caesar Borgia himself, could not deprive me of this.
Alexandre Dumas (The Count of Monte Cristo)
Arrive before your Husband. Not that I can See quite what good arriving first will do; But still arrive before him. When he's taken His place upon the couch and you go too To sit beside him, on your best behavior Stealthily touch my foot, and look at me, Watching my nods, my eyes, my face's language; Catch and return my signals secretly. I'll send a wordless message with my eyebrows; You'll read my fingers' words, words traced in wine. When you recall our games of love together, Your finger on rosy cheeks must trace a line. If in your silent thoughts you wish to chide me, Let your hand hold the lobe of your soft ear; When, darling, what I do or say gives pleasure, Keep turning to an fro the ring you wear. When you wish well-earned curses on your husband, Lay your hand on the table, as in prayer. If he pours you wine, watch out, tell him to drink it; Ask for what you want from the waiter there. I shall take next the glass you hand the waiter And I'll drink from the place you took your sips; If he should offer anything he's tasted, Refuse whatever food has touch his lips. Don't let him plant his arms upon your shoulders, Don't let him rest your gentle head on his hard chest, Don't let your dress, your breasts, admit his fingers, And--most of all--no kisses to be pressed! You kiss--and I'll reveal myself your lover; I'll say 'they're mine'; my legal claim I'll stake. All this, of course I'll see, But what's well hidden under your dress--blind terror makes me quake.
Ovid (The Love Poems)
Is anyone else coming?” I asked him when he didn’t say anything after setting his glass back down on the table. I’d overheard a couple of the guys talking about Rip’s half-hearted invitation when I had taken a bathroom break, but I hadn’t heard more than that. His gaze hadn’t left mine from the moment he had spotted me, and it didn’t go anywhere as he shrugged and said, “Doubt it.” I must have made a face because he added, casually, “I’m not exactly anybody’s favorite, Luna.” The smile fell right off my mouth, and I couldn’t help but frown at him. At the harshness of his words. At the… fact-like nature of them. That wasn’t very nice for him to assume. That wasn’t very nice to assume at all, and it bothered me… even if it was true that Mr. Cooper was my favorite person at the shop. And I was his. And Miguel’s— Crap. “I’m sure—“ I started before getting cut off. “I’m not,” he told me, tapping his short fingernails against the glass. Rip tipped his chin up a millimeter, giving me a slightly better view of the shading tucked up against his jawline. He swallowed, everything about his body language saying that he was telling me these words in this way because it wasn’t a big deal to him. He didn’t care. Why should he? His body said. His next words confirmed it. “I’m not around to be anybody’s friend.” All righty then. I wanted to tell him something that would make it seem that it wasn’t like anyone hated him or disliked him. Most of the guys were just… wary. Even I was wary, and he didn’t scare or intimidate me… unless I screwed up. But I didn’t know what to say to that comment. I hated liars as much as I hated aggressive drunk people and cooked carrots. So I did the only thing I could think of: I smiled at him and shrugged. He didn’t look even a little put out or hurt by what he’d been saying. Who was I to make it a big deal if he claimed he didn’t care? “Did you like your cake?
Mariana Zapata (Luna and the Lie)
And now, dear Emma, I'll show you just what you have to be wary of," he said, and his head moved down, blotting out the light. This was no slow, sensuous caress of mouth and lip. This was no chaste salute, nor was it the wet awkwardness of an untried boy or a randy old man. He opened his mouth over hers and kissed her, using his tongue, his teeth, and all the clever weapons he had in his arsenal. She told herself she was being kissed by a practiced rake. She told herself it meant nothing, it was a trick, an act, a small skill that anyone could acquire. She told herself that as her body trembled and melted beneath him, as her mouth opened to his skillful insistence. She told herself it meant absolutely nothing as his tongue pushed into her mouth, and the moan that came from deep inside her had to be one of displeasure, didn't it? It wasn't one kiss, it was twenty, it was a long series of unending kisses, leading one into another, so that she barely had time to begin to regain her sanity when he stripped it away once more. He kissed her eyelids, the side of her mouth, the beating pulse at the base of her neck. He kissed her nose and her chin, he bit her earlobe, and then he covered her mouth once more, kissing her with a devastating thoroughness that had her damp and trembling in his arms. His hands were on her petticoats, slowly drawing them up her long legs, and her hips cradled him. He was hard against her, she belatedly recognized that fact, and the knowledge panicked her.e wanted her, his body wanted to claim hers, and there was no way she could stop him. No way, God help her, that she wanted to stop him. He broke the kiss, rising up over her as she lay on the bed, staring down at her with a hooded expression in his eyes. His mouth was wet from hers, and his breathing was slightly labored. It would have been the only sign of his arousal, had it not been for the heat pressing against her hips. "Do you want me, Emma?" he murmured, his voice low and insistent. "You don't have to say a word. Just put your mouth against mine." Oh, God, she did want him, as terrifying as that notion was. She wanted to touch him, to feel his skin against hers, and she felt a dark burning deep inside her that she knew only he could assuage. She wanted his mouth, she wanted his heart, she wanted his soul.
Anne Stuart (To Love a Dark Lord)
This is part of the reason why I feel weird about introducing pronouns when people meet each other in groups; it creates this expectation that each of our genders should be mapped and appropriately invoked at any time, that I'm safer if someone can say exactly what I am, and that I would be harmed if my gender ever confused anyone (or confused me). I'd rather be misgendered than be "accepted" by an establishment that's making some kind of ominous bio/political truth claim about what my transness is. I don't want a trans utopia where there's 200 genders on the census box. I don't want a trans utopia where instagram asks me my pronouns and my sex assigned at birth and then targets marketing at me. I don't want cis people to make money using images of bodies like mine.
Hannah Baer (trans girl suicide museum)
Don’t test me right now, Olivia. You don’t know what it did to me—seeing you with those other males, seeing that Tranq’s hands on you—” He broke off with a deep sound of frustration and came toward her again. “I didn’t want him to,” Liv said, still backing away. Her voice was coming out much more breathy than she wanted it to. “He just—” “He just assumed you were available because I hadn’t marked you. But you’re mine Lilenta. Can’t stand another male’s scent anywhere near you. Have to mark you. Now.” The last word was a muted roar. Liv took another step back and something hit the backs of her thighs. Turning her head she saw it was the bed—Baird had backed her into the bedroom. “Please,” she whispered. “What are you going to do to me?” “Whatever I have to, to make you mine.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
The way I feel about you, Jacinda...I know you feel it, too." He stares at me so starkly, so hungrily that I can only nod. Agree. Of course, I feel it. "I do," I admit. But I don't understand him. Don't get why he should feel this way about me. Why should he want me so much? What do I offer him? Why did he save me that day in the mountains? And why does he pursue me now? When no girl spiked his interest before? "Good," he says. "Then how about a date?" "A date?" I repeat, like I've never heard the word. "Yeah. A real date. Something official. You. Me. Tonight. We're long overdue." His smile deepens, revealing the deep grooves on the sides of his cheeks. "Dinner. Movie. Popcorn." "Yes." The word slips past. For a moment I forget. Forget that I'm not an ordinary girl. That he's not an ordinary boy. For the first time, I understand Tamra. And the appeal of normal. "Yes." It feels good to say it. To pretend. To drink in the sight of him and forget there's an ulterior reason I need to go out with him. A reason that's going to tear us apart forever. Stupid. Did you think you might have a future with him? Mom's right. Time to grow up. He smiles. Then he's gone. Out the door. For a second, I'm confused. Then he's at my door, opening it, helping me out. Together we walk through the parking lot. Side by side. We move only a few feet before he slips his hand around mine. As we near the front of the building, I see several kids hanging out around the flagpole. Tamra with her usual crowd. Brooklyn at the head. I try to tug my hand free. His fingers tighten on mine. I glance at him, see the resolve in his eyes. His hazel eyes glint brightly in the already too hot morning. "Coward." "Oh." The single sound escapes me. Outrage. Indignation. I stop. Turn and face him. Feel something slip, give way, and crumble loose inside me. Set free, it propels me. Standing on my tiptoes, I circle my hand around his neck and pull his face down to mine. Kiss him. Right there in front of the school. Reckless. Stupid. I stake a claim on him like I've got something to prove, like a drake standing before the pride in a bonding ceremony. But then I forget our audience. Forget everything but the dry heat of our lips. My lungs tighten, contract. I feel my skin shimmer, warm as my lungs catch. Crackling heat works its way up my chest. Not the smartest move I've ever made.
Sophie Jordan (Firelight (Firelight, #1))
The photographer was installed in the back of an inconspicurous dry-goods store in the poorer neighbourhood of Warsaw. He seemed to know all about me. His job was to prepare a picture of me which resembled me sufficiently to be claimed as mine, but in which the features were so vague that I could disown it if the need should arise. He was a bold, spry little man who hardly replied to my few remarks. His deliberate taciturnity was not lost on me and I remained quiet while he concentrated on the task of turning out what proved to be a miniature masterpiece of photographic ambiguity. When it was finished he handed it to me with a pleased smile. I glanced at it and marveled aloud at his skill. 'It's incredible,' I said. 'It makes me feel as though I had met myself before but can't quite remember where.
Jan Karski (Story of a Secret State)
It’s usually used for scientists or inventors. The phenomenon of two people discovering something in different places at essentially the same time,” I say. “You’d be surprised how often it happens. Calculus, oxygen, the blast furnace . . . all multiple discoveries. Even Darwin’s Theory of Evolution was postulated at the same time by someone else.” Zo lifts his brows, silently asking what my nerd talk has to do with the price of tacos in Mexico. “I think that’s what happened to us,” I continue. “We both met Banner at the same time in her life, and we saw something in her no one else saw yet. We made a spectacular discovery, and the rest of the world didn’t recognize it. Couldn’t see it when we could. It’s like we shared a secret, the two of us.” “I get that,” he says quietly, lifting a speculative gaze to mine. “And how is it resolved? When two discover something at the same time?” I shrug, shove my hands into the pocket of my pants. “It becomes a matter of who tells the secret first,” I explain. “A rush to claim.” “So are you saying if I had met Banner first, she would have chosen me?” Dark humor fills his eyes. “No, I don’t think so,” I answer. “Banner is my opposite, but she’s my match.” My equinox. “The only way Banner would have chosen you,” I tell him frankly, honestly, “is if she’d never met me.
Kennedy Ryan (Block Shot (Hoops, #2))
I’m tired of only being able to talk to you on the phone, Alyssa...” Silence. “I need to see you...” His voice was strained.  “I need to fuck you...” “Thoreau...” “No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.” A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear. “I’ve been very patient with you...” His voice trailed off. “Don’t you think?” “No...” “I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.” I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple. “I’m giving you two weeks to come to your fucking senses...” “What?” “Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.” “I can’t...I can’t agree to...that.” “You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
I once knew an Episcopalian lady in Newport, Rhode Island, who asked me to design and build a doghouse for her Great Dane. The lady claimed to understand God and His Ways of Working perfectly. She could not understand why anyone should be puzzled about what had been or about what was going to be. And yet, when I showed her a blueprint of the doghouse I proposed to build, she said to me, “I’m sorry, but I never could read one of those things.” “Give it to your husband or your minister to pass on to God,” I said, “and, when God finds a minute, I’m sure he’ll explain this doghouse of mine in a way that even you can understand.” She fired me. I shall never forget her. She believed that God liked people in sailboats much better than He liked people in motorboats. She could not bear to look at a worm. When she saw a worm, she screamed. She was a fool, and so am I, and so is anyone who thinks he sees what God is Doing, [writes Bokonon].
Kurt Vonnegut Jr. (Cat’s Cradle)
Given the complexity of the chore, “escapees,” as free-floating fecal material is known in astronautical circles, plagued the crews. Below is an excerpt from the Apollo 10 mission transcript, starring Mission Commander Thomas Stafford, Lunar Module Pilot Gene Cernan, and Command Module Pilot John Young, orbiting the moon 200,000-plus miles from the nearest bathroom. CERNAN:…You know once you get out of lunar orbit, you can do a lot of things. You can power down…And what’s happening is— STAFFORD: Oh—who did it? YOUNG: Who did what? CERNAN: What? STAFFORD: Who did it? [laughter] CERNAN: Where did that come from? STAFFORD: Give me a napkin quick. There’s a turd floating through the air. YOUNG: I didn’t do it. It ain’t one of mine. CERNAN: I don’t think it’s one of mine. STAFFORD: Mine was a little more sticky than that. Throw that away. YOUNG: God almighty. [And again eight minutes later, while discussing the timing of a waste-water dump.] YOUNG: Did they say we could do it anytime? CERNAN: They said on 135. They told us that—Here’s another goddam turd. What’s the matter with you guys? Here, give me a— YOUNG/STAFFORD: [laughter]… STAFFORD: It was just floating around? CERNAN: Yes. STAFFORD: [laughter] Mine was stickier than that. YOUNG: Mine was too. It hit that bag— CERNAN: [laughter] I don’t know whose that is. I can neither claim it nor disclaim it. [laughter] YOUNG: What the hell is going on here?
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
Never in my life had I even contemplated making love on a motorcycle, but there was no way Gareth would let me fall. I understood this on a primal level. He would keep me from harm, protect me... No matter how much I distracted and pleasured him. He pulled gently at the sensitive tip of my breast with his lips, soothing and teasing all at once. I reached behind to brace myself on the handlebars, my back arching toward him, offering myself as I watched his mouth on my skin, his tongue circling my nipple. He moved his other hand lower, pushing the bottom of my dress up. Moving his fingers up the soft skin of my inner thigh, he rubbed and teased me through the thin fabric of my thong underwear. "I need you," I gasped. "Now." He ripped my thong like it'd been made of tissue paper, and slid his fingers deep inside of me. His growl made me shiver with desire as he discovered just how ready I was for him. I gripped the handlebars tighter and leaned back a little, breaking the kiss as I stared into his eyes. Gareth took hold of my hips and pulled me closer, guiding me onto him. Every rock hard inch slid into me so slowly, my entire body shuddered with pleasure. He reached forward, taking my hands from the grips and putting them around his neck. Nose to nose, his dark eyes locked on mine as he thrust deeper inside of me. "You're mine. I'm yours." I wasn't sure what was happening, but my wolf came alive in my soul and I whispered, "I claim my mate.
Lisa Kessler (Blood Moon (Moon, #3))
Parallel to the idea of the US Constitution as covenant, politicians, journalists, teachers, and even professional historians chant like a mantra that the United States is a “nation of immigrants.” From its beginning, the United States has welcomed—indeed, often solicited, even bribed—immigrants to repopulate conquered territories “cleansed” of their Indigenous inhabitants. From the mid-nineteenth century, immigrants were recruited to work mines, raze forests, construct canals and railroads, and labor in sweatshops, factories, and commercial farm fields. In the late twentieth century, technical and medical workers were recruited. The requirements for their formal citizenship were simple: adhere to the sacred covenant through taking the Citizenship Oath, pledging loyalty to the flag, and regarding those outside the covenant as enemies or potential enemies of the exceptional country that has adopted them, often after they escaped hunger, war, or repression, which in turn were often caused by US militarism or economic sanctions. Yet no matter how much immigrants might strive to prove themselves to be as hardworking and patriotic as descendants of the original settlers, and despite the rhetoric of E pluribus unum, they are suspect. The old stock against which they are judged inferior includes not only those who fought in the fifteen-year war for independence from Britain but also, and perhaps more important, those who fought and shed (Indian) blood, before and after independence, in order to acquire the land. These are the descendants of English Pilgrims, Scots, Scots-Irish, and Huguenot French—Calvinists all—who took the land bequeathed to them in the sacred covenant that predated the creation of the independent United States. These were the settlers who fought their way over the Appalachians into the fertile Ohio Valley region, and it is they who claimed blood sacrifice for their country. Immigrants, to be accepted, must prove their fidelity to the covenant and what it stands for.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
At the age of twelve, before I had had one full year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering. At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful. It made me want to drive coldly to the heart of every question and lay it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men’s souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy: Englische Lektüre für das 3. und 4. Lernjahr. Gekürzt, mit Annotationen und Aufgaben)
Sleep claimed her eventually. She slept heavily, welcoming the escape. But some time later, while it was still very dark, she found herself struggling upward through layers of dreams. Someone or something was in the room. Her first thought was that it might be Beatrix's ferret, who sometimes slipped past the door to collect objects that intrigued him. Rubbing her eyes, Win began to sit up, when there was a movement beside the bed. A large shadow crossed over her. Before bewilderment could give way to fear, she heard a familiar murmur, and felt a man's warm fingers press across her lips. "It's me." Her lips moved soundlessly against his hand. "Kev." Win's stomach constricted with an ache of pleasure, and her heartbeat hammered in her throat. But she was still angry with him, she was done with him, and if he had come here for a midnight talk, he was sadly mistaken. She started to tell him so, but to her astonishment, she felt a thick piece of cloth descend over her mouth, and then he was tying it deftly behind her head. In a few more seconds, he had bound her wrists in front of her. Win was rigid with shock. Merripen would never do something like this. And yet it was him; she would know him if only by the touch of his hands. What did he want? What was going through his mind? His breath was faster than usual as it brushed against her hair. Now that her vision had adjusted to the darkness, she saw that his face was hard and austere. Merripen drew the ruby ring off her finger and set it off the bedside table. Taking her head in his hands, he stared into her wide eyes. He said only two words. But they explained everything he was doing, and everything he intended to do. "You're mine." He picked her up easily, draping her over one powerful shoulder, and he carried her from the room. Win closed her eyes, yielding, trembling. She pressed a few sobs against the gag covering her mouth, not of unhappiness or fear, but of wild relief. This was not an impulsive act. This was ritual. This was an ancient Romany courtship rite, and there would be nothing half-hearted about it. She was going to be kidnapped and ravished. Finally.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Colby’s resourceful, I’ll give him that.” “You used to be good friends.” “We were, until he started hanging around Cecily,” came the short reply. “I’m not as angry at him as I was. But it seems that he has to have a woman to prop him up.” “Not necessarily,” Matt replied. “Sometimes a good woman can save a bad man. It’s an old saying, but fairly true from time to time. Colby was headed straight to hell until Cecily put him on the right track. It’s gratitude, but I don’t think he can see that just yet. He’s in between mourning his ex-wife and finding someone to replace her.” He leaned back again. “I feel sorry for him. He’s basically a one-woman man, but he lost the woman.” Tate packed back to the wing chair and sat down on the edge. “He’s not getting Cecily. She’s mine, even if she doesn’t want to admit it.” Matt stared at him. “Don’t you know anything about women in love?” “Not a lot,” the younger man confessed. “I’ve spent the better part of my life avoiding them.” “Especially Cecily,” Matt agreed. “She’s been like a shadow. You didn’t miss her until you couldn’t see her behind you anymore.” “She’s grown away from me,” Tate said. “I don’t know how to close the gap. I know she still feels something for me, but she wouldn’t stay and fight for me.” He lifted his gaze to Matt’s hard face. “She’s carrying my child. I want both of them, regardless of the adjustments I have to make. Cecily’s the only woman I’ve ever truly wanted.” Matt spread his hands helplessly. “This is one mess I can’t help you sort out,” he said at last. “If Cecily loves you, she’ll give in sooner or later. If it were me, I’d go find her and tell her how I really felt. I imagine she’ll listen.” Tate stared at his shoes. He couldn’t find the right words to express what he felt. “Tate,” his father said gently, “you’ve had a lot to get used to lately. Give it time. Don’t rush things. I’ve found that life sorts itself out, given the opportunity.” Tate’s dark eyes lifted. “Maybe it does.” He searched the other man’s quiet gaze. “It’s not as bad as I thought it was, having a foot in two worlds. I’m getting used to it.” “You still have a unique heritage,” Matt pointed out. “Not many men can claim Berber revolutionaries and Lakota warriors as relatives.
Diana Palmer (Paper Rose (Hutton & Co. #2))
You’ll get all dusty.” He made a sound deep in his throat. “You can brush me off.” She grinned wickedly. “Now that’s what I call incentive!” He chuckled. “Cut it out. We’ve got a serious and sensitive situation here.” “So you intimated on the phone.” She glanced around the airport. “Where’s baggage claim? I brought some tools and electronic equipment, too.” “How about clothes?” She stared at him blankly. “What do I need with a lot of clothes cluttering up my equipment case? These are wash-and-wear.” He made another sound. “You can’t expect to go to a restaurant in that!” “Why not? And who’s taking me to any restaurant?” she demanded. “You never do.” He shrugged. “I’m going to do penance while we’re out here.” Her eyes sparkled. “Great! Your bed or mine?” He laughed in spite of himself. She was the only person in his life who’d ever been able to make him feel carefree, even briefly. She lit fires inside him, although he was careful not to let them show too much. “You never give up, do you?” “Someday you’ll weaken,” she assured him. “And I’m prepared. I have a week’s supply of Trojans in my fanny pack…” He managed to look shocked. “Cecily!” She shrugged. “Women have to think about these things. I’m twenty-three, you know.” She added, “You came into my life at a formative time and rescued me from something terrible. Can I help it if you make other potential lovers look like fried sea bass by comparison?” “I didn’t bring you out here to discuss your lack of lovers,” he pointed out. “And here I hoped you were offering yourself up as an educational experience,” she sighed. He glared down at her as they walked toward baggage claim. “Okay,” she said glumly. “I’ll give up, for now.
Diana Palmer (Paper Rose (Hutton & Co. #2))
She also taught me to write, by which I mean not simply organizing a set of sentences into a series of paragraphs, but organizing them as a means of investigation. When I was in trouble at school (which was quite often) she would make me write about it. The writing had to answer a series of questions: Why did I feel the need to talk at the same time as my teacher? Why did I not believe that my teacher was entitled to respect? How would I want someone to behave while I was talking? What would I do the next time I felt the urge to talk to my friends during a lesson? I have given you these same assignments. I gave them to you not because I thought they would curb your behavior—they certainly did not curb mine—but because these were the earliest acts of interrogation, of drawing myself into consciousness. Your grandmother was not teaching me how to behave in class. She was teaching me how to ruthlessly interrogate the subject that elicited the most sympathy and rationalizing—myself. Here was the lesson: I was not an innocent. My impulses were not filled with unfailing virtue. And feeling that I was as human as anyone, this must be true for other humans. If I was not innocent, then they were not innocent. Could this mix of motivation also affect the stories they tell? The cities they built? The country they claimed as given to them by God?
Ta-Nehisi Coates (Between the World and Me)
No. It couldn’t be. I shook my head, still disbelieving. Maybe the poison had warped my brain and I was delusional after all. I pulled myself to my feet, swaying against Drake, allowing his warm, hard body to prop me up. “You know what that means.” “I do.” His jaw tightened, his eyes flashing with intermingled anger and passion. My heart, leaden and sick, suddenly was enveloped in a gentle warmth that did much to dispel the ills that had possessed it. “Are you sure? Really sure? It’s not something else? Maybe you’re sick.” His face grew harder. “Do you think I’m a fool that I could mistake it?” “No, but you don’t look very happy about it.” “I’m not,” he snapped, irritation rampant on his handsome features. A smile curved my lips as I kissed the corners of his mouth, ignoring the presence of those around us. “Are you going to say it?” “No.” “Come on. I want to hear it.” “No!” I allowed all the love I had for him to show in my eyes as I rubbed my nose on his. “Please?” His face took on the most martyred expression I’d ever seen. “If I say it once, do I have to say it again?” “Yes. With increasing frequency. It gets easier with time, honest.” He sighed again. “I knew this would not come to a good end. Very well, I’ll say it. But I reserve the right to refer you to this conversation on occasions when you wish me to say it again. Aisling, I love you.” I fought hard to keep the smile off my face. Drake’s declaration of love was delivered in such a brusque tone, I knew it had to be costing him a lot to admit the truth. “I love you, too,” I answered, and welcomed his mouth when it came to claim mine, my heart singing a joyous song of happiness and fulfillment.
Katie MacAlister (Light My Fire (Aisling Grey, #3))
Whatever exists, he said. Whatever in creation exists without my knowledge exists without my consent. He looked about at the dark forest in which they were bivouacked. He nodded toward the specimens he’d collected. These anonymous creatures, he said, may seem little or nothing in the world. Yet the smallest crumb can devour us. Any smallest thing beneath yon rock out of men’s knowing. Only nature can enslave man and only when the existence of each last entity is routed out and made to stand naked before him will he be properly suzerain of the earth. What’s a suzerain? A keeper. A keeper or overlord. Why not say keeper then? Because he is a special kind of keeper. A suzerain rules even where there are other rulers. His authority countermands local judgements. Toadvine spat. The judge placed his hands on the ground. He looked at his inquisitor. This is my claim, he said. And yet everywhere upon it are pockets of autonomous life. Autonomous. In order for it to be mine nothing must be permitted to occur upon it save by my dispensation. Toadvine sat with his boots crossed before the fire. No man can acquaint himself with everthing on this earth, he said. The judge tilted his great head. The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate. I dont see what that has to do with catchin birds. The freedom of birds is an insult to me. I’d have them all in zoos. That would be a hell of a zoo. The judge smiled. Yes, he said. Even so.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
One may readily concede that the historical factuality of the resurrection cannot be affirmed with the same level of confidence as the historical factuality of the crucifixion. All historical judgments can be made only with relative certainty, and the judgment that Jesus rose from the dead can be offered—from the historian’s point of view—only with great caution. The character of the event itself hardly falls within ordinary categories of experience.28 Still, something extraordinary happened shortly after Jesus’ death that rallied the dispirited disciples and sent them out proclaiming to the world that Jesus had risen and had appeared to them. Reductive psychological explanations fail to do justice to the widespread testimony to this event within the original community and to the moral seriousness of the movement that resulted from it. The best explanation is to say that God did something beyond all power of human imagining by raising Jesus from the dead. To make such a claim is to make an assertion that redefines reality.29 If such an event has happened in history, then history is not a closed system of immanent causes and effects. God is powerfully at work in the world in ways that defy common sense, redeeming the creation from its bondage to necessity and decay. That, of course, is precisely what the early Christians believed and proclaimed: I pray that the God of our Lord Jesus Christ, the Father of glory, may give you a spirit of wisdom and revelation as you come to know him, so that, with the eyes of your heart enlightened, you may know what is the hope to which he has called you, what are the riches of his glorious inheritance among the saints, and what is the immeasurable greatness of his power for us who believe, according to the working of his great power. God put this power to work in Christ when he raised him from the dead and seated him at his right hand in the heavenly places, far above all rule and authority and power and dominion, and above every name that is named, not only in this age but also in the age to come. (EPH. 1:17–21. emphasis mine)
Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.
Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
DAY 10 Finding Contentment But godliness with contentment is a great gain. 1 Timothy 6:6 HCSB Everywhere we turn, or so it seems, the world promises us contentment and happiness. We are bombarded by messages offering us the “good life” if only we will purchase products and services that are designed to provide happiness, success, and contentment. But the contentment that the world offers is fleeting and incomplete. Thankfully, the contentment that God offers is all encompassing and everlasting. Happiness depends less upon our circumstances than upon our thoughts. When we turn our thoughts to God, to His gifts, and to His glorious creation, we experience the joy that God intends for His children. But, when we focus on the negative aspects of life—or when we disobey God’s commandments—we cause ourselves needless suffering. Do you sincerely want to be a contented Christian? Then set your mind and your heart upon God’s love and His grace. Seek first the salvation that is available through a personal relationship with Jesus Christ, and then claim the joy, the contentment, and the spiritual abundance that God offers His children. When you accept rather than fight your circumstances, even though you don’t understand them, you open your heart’s gate to God’s love, peace, joy, and contentment. Amy Carmichael Oh, what a happy soul I am, although I cannot see! I am resolved that in this world, contented I will be. Fanny Crosby If I could just hang in there, being faithful to my own tasks, God would make me joyful and content. The responsibility is mine, but the power is His. Peg Rankin The key to contentment is to consider. Consider who you are and be satisfied with that. Consider what you have and be satisfied with that. Consider what God’s doing and be satisfied with that. Luci Swindoll Jesus Christ is the One by Whom, for Whom, through Whom everything was made. Therefore, He knows what’s wrong in your life and how to fix it. Anne Graham Lotz God is everything that is good and comfortable for us. He is our clothing that for love wraps us, clasps us, and all surrounds us for tender love. Juliana of Norwich
Freeman Smith (Fifty Shades of Grace: Devotions Celebrating God's Unlimited Gift)
You make me afraid,” she murmured one morning when he came back to sit beside her on the bed. “The thought plagues me that I will see you slain and, like your mother, will have to flee to find a haven for our babe.” “By the grace of God, madam, I will prove wiser than my enemy.” He lay back across the bed, resting his head in her lap while he reached up a hand to caress softly her smooth, flat belly through the light fabric of her nightgown. “I have a fancy to see our offspring and plant other seeds where this one grows, so you needn’t fret that I’ll be foolhardy, my love.” Erienne ran her fingers through his hair. “I hope the hour quickly approaches when you may give up the mask and guise. I want to tell the world and all the women in it that you’re mine.” She shrugged lightly. “ ’Twould not overburden me to tell my father of our marriage, either.” Christopher chuckled. “He’ll croak.” Erienne giggled and leaned over him. “Aye, that he will. Louder than any wily toad that e’er’s been born. He’ll stamp and snort and claim injustice, but with your babe growing in me, I doubt that anyone will lend an ear to the question of annulment.” Her eyes gleamed with twinkling humor. “Besides, what suitor would look twice at me when I’ve grown fat with child?” Christopher raised up on an elbow and leered at her. “Madam, if you think your father or any suitor could get past me to try to separate us, then let me assure you that the highwaymen have not yet seen such a wrath that I would display should that happen.” His brow raised in question. “Do you doubt what I say?” Erienne gave a flirtatious shrug, then rolled to the edge of the bed and bounced to her feet with light, lilting laughter floating behind her. Before she could catch up her robe, however, Christopher swung around the end of the bed and caught her close against him, slipping his arms around her waist and holding her tightly to him. Their lips met in a long, slow kiss of love, and after he drew away it was a full moment or more before Erienne opened her eyes to find the grayish-green ones smiling into hers, and her arms tightly clasped about his neck. “I believe you,” she breathed unsteadily. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Once a renowned skirt-chaser, now an exceptionally devoted husband, St. Vincent knew as much about these matters as any man alive. When Cam had asked glumly if a decrease in physical urges was something that naturally occurred as a man approached his thirties, St. Vincent had choked on his drink. “Good God, no,” the viscount had said, coughing slightly as a swallow of brandy seared his throat. They had been in the manager’s office of the club, going over account books in the early hours of the morning. St. Vincent was a handsome man with wheat-colored hair and pale blue eyes. Some claimed he had the most perfect form and features of any man alive. The looks of a saint, the soul of a scoundrel. “If I may ask, what kind of women have you been taking to bed?” “What do you mean, what kind?” Cam had asked warily. “Beautiful or plain?” “Beautiful, I suppose.” “Well, there’s your problem,” St. Vincent said in a matter-of-fact tone. “Plain women are far more enjoyable. There’s no better aphrodisiac than gratitude.” “Yet you married a beautiful woman.” A slow smile had curved St. Vincent’s lips. “Wives are a different case altogether. They require a great deal of effort, but the rewards are substantial. I highly recommend wives. Especially one’s own.” Cam had stared at his employer with annoyance, reflecting that serious conversation with St. Vincent was often hampered by the viscount’s fondness for turning it into an exercise of wit. “If I understand you, my lord,” he said curtly, “your recommendation for a lack of desire is to start seducing unattractive women?” Picking up a silver pen holder, St. Vincent deftly fitted a nib into the end and made a project of dipping it precisely into an ink bottle. “Rohan, I’m doing my best to understand your problem. However, a lack of desire is something I’ve never experienced. I’d have to be on my deathbed before I stopped wanting—no, never mind, I was on my deathbed in the not-too-distant past, and even then I had the devil’s own itch for my wife.” “Congratulations,” Cam muttered, abandoning any hope of prying an earnest answer out of the man. “Let’s attend to the account books. There are more important matters to discuss than sexual habits.” St. Vincent scratched out a figure and set the pen back on its stand. “No, I insist on discussing sexual habits. It’s so much more entertaining than work.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
And then now a very strange argument indeed ensues, me v. the Lebanese porter, because it turns out I am putting this guy, who barely speaks English, in a terrible kind of sedulous-service double-bind, a paradox of pampering: viz. the The-Passenger’s-Always-Right-versus-Never-Let-A-Passenger-Carry-His-Own-Bag paradox. Clueless at the time about what this poor little Lebanese man is going through, I wave off both his high-pitched protests and his agonized expression as mere servile courtesy, and I extract the duffel and lug it up the hall to 1009 and slather the old beak with ZnO and go outside to watch the coast of Florida recede cinematically à la F. Conroy. Only later did I understand what I’d done. Only later did I learn that that little Lebanese Deck 10 porter had his head just about chewed off by the (also Lebanese) Deck 10 Head Porter, who’d had his own head chewed off by the Austrian Chief Steward, who’d received confirmed reports that a Deck 10 passenger had been seen carrying his own luggage up the Port hallway of Deck 10 and now demanded rolling Lebanese heads for this clear indication of porterly dereliction, and had reported (the Austrian Chief Steward did) the incident (as is apparently SOP) to an officer in the Guest Relations Dept., a Greek officer with Revo shades and a walkie-talkie and officerial epaulets so complex I never did figure out what his rank was; and this high-ranking Greek guy actually came around to 1009 after Saturday’s supper to apologize on behalf of practically the entire Chandris shipping line and to assure me that ragged-necked Lebanese heads were even at that moment rolling down various corridors in piacular recompense for my having had to carry my own bag. And even though this Greek officer’s English was in lots of ways better than mine, it took me no less than ten minutes to express my own horror and to claim responsibility and to detail the double-bind I’d put the porter in—brandishing at relevant moments the actual tube of ZnO that had caused the whole snafu—ten or more minutes before I could get enough of a promise from the Greek officer that various chewed-off heads would be reattached and employee records unbesmirched to feel comfortable enough to allow the officer to leave; 42 and the whole incident was incredibly frazzling and angst-fraught and filled almost a whole Mead notebook and is here recounted in only its barest psychoskeletal outline.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure. But there she was. His mate. She was nothing like Jesminda. Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him. Elain had been... thrown at him. He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her. 'Do you mind if I held myself to the other?' He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication. Rhysand was many things, but he certainly had good taste. The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness. He didn't want to admit he liked it. Didn't want to admit he found the city beautiful. That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be. An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one. 'There's a plate of biscuits. Would you like one?' He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return. But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window. He had not seen her entire face since that day in Hybern. Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock. Looking at her now... She was pale, yes. The vacancy still glazing her features. But he couldn't breathe as she faced him fully. She was the most beautiful female he'd ever seen. Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once. But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
For Aristotle the literary plot was analogous to the plot of the world in that both were eductions from the potency of matter. Sartre denies this for the world, and specifically denies, in the passage just referred to, that without potentiality there is no change. He reverts to the Megaric view of the matter, which Aristotle took such trouble to correct. But this is not our affair. The fact is that even if you believe in a Megaric world there is no such thing as a Megaric novel; not even Paterson. Change without potentiality in a novel is impossible, quite simply; though it is the hopeless aim of the cut-out writers, and the card-shuffle writers. A novel which really implemented this policy would properly be a chaos. No novel can avoid being in some sense what Aristotle calls 'a completed action.' This being so, all novels imitate a world of potentiality, even if this implies a philosophy disclaimed by their authors. They have a fixation on the eidetic imagery of beginning, middle, and end, potency and cause. Novels, then, have beginnings, ends, and potentiality, even if the world has not. In the same way it can be said that whereas there may be, in the world, no such thing as character, since a man is what he does and chooses freely what he does--and in so far as he claims that his acts are determined by psychological or other predisposition he is a fraud, lâche, or salaud--in the novel there can be no just representation of this, for if the man were entirely free he might simply walk out of the story, and if he had no character we should not recognize him. This is true in spite of the claims of the doctrinaire nouveau roman school to have abolished character. And Sartre himself has a powerful commitment to it, though he could not accept the Aristotelian position that it is through character that plot is actualized. In short, novels have characters, even if the world has not. What about time? It is, effectively, a human creation, according to Sartre, and he likes novels because they concern themselves only with human time, a faring forward irreversibly into a virgin future from ecstasy to ecstasy, in his word, from kairos to kairos in mine. The future is a fluid medium in which I try to actualize my potency, though the end is unattainable; the present is simply the pour-soi., 'human consciousness in its flight out of the past into the future.' The past is bundled into the en-soi, and has no relevance. 'What I was is not the foundation of what I am, any more than what I am is the foundation of what I shall be.' Now this is not novel-time. The faring forward is all right, and fits the old desire to know what happens next; but the denial of all causal relation between disparate kairoi, which is after all basic to Sartre's treatment of time, makes form impossible, and it would never occur to us that a book written to such a recipe, a set of discontinuous epiphanies, should be called a novel. Perhaps we could not even read it thus: the making of a novel is partly the achievement of readers as well as writers, and readers would constantly attempt to supply the very connections that the writer's programme suppresses. In all these ways, then, the novel falsifies the philosophy.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)