“
I don't like ass kissers, flag wavers or team players. I like people who buck the system. Individualists. I often warn people: "Somewhere along the way, someone is going to tell you, 'There is no "I" in team.' What you should tell them is, 'Maybe not. But there is an "I" in independence, individuality and integrity.'" Avoid teams at all cost. Keep your circle small. Never join a group that has a name. If they say, "We're the So-and-Sos," take a walk. And if, somehow, you must join, if it's unavoidable, such as a union or a trade association, go ahead and join. But don't participate; it will be your death. And if they tell you you're not a team player, congratulate them on being observant.
”
”
George Carlin
“
A person shows signs of clutching on too fast, of being needy, of not hearing the word "no," of jealousy, of guarding you and your freedom. But the signs can be so small they skitter right past you. Sometimes they dance past, looking satiny, something you should applaud. Someone's jealousy can make you feel good. Special. But it's not even about you. It's about a hand that is already gripping. It's about their need, circling around your throat
”
”
Deb Caletti (Stay)
“
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth.
Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star.
But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell.
How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars.
Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?'
Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction.
The truth, as always, will be far stranger.
”
”
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
“
Heavy misfortunes have befallen us, but let us only cling closer to what remains, and transfer our love for those whom we have lost to those who yet live. Our circle will be small, but bound close by the ties of affection and mutual misfortune. And when time shall have softened your despair, new and dear objects of care will be born to replace those of whom we have been so cruelly deprived.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
So we see that even when Fortuna spins us downward, the wheel sometimes halts for a moment and we find ourselves in a good, small cycle within the larger bad cycle. The universe, of course, is based upon the principle of the circle within the circle. At the moment, I am in an inner circle. Of course, smaller circles within this circle are also possible.
”
”
John Kennedy Toole (A Confederacy of Dunces)
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.
He was exasperated because he didn't know what that look meant. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.
So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.
”
”
Arundhati Roy (The God of Small Things)
“
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
”
”
China Miéville
“
Consider a small child sitting on his mother's lap while she reads him a picture book. The picture book opens to a width that effectively places the child at the center of a closed circle - that of mother's body, arms, and the picture book... That circle, so private and intimate, is a place apart form the demands and stresses of daily life, a sanctuary in and from which the child can explore the many worlds offered in picture books. Despite all of our society's technological advances, it still just takes one child, one book, and one reader, to create this unique space, to work this everyday magic.
”
”
Martha V. Parravano
“
We need be careful how we deal with those about us, when every death carries to some small circle of survivors, thoughts of so much omitted, and so little done- of so many things forgotten, and so many more which might have been repaired! There is no remorse so deep as that which is unavailing; if we would be spared its tortures, let us remember this, in time.
”
”
Charles Dickens (Oliver Twist)
“
Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it."
Showing her teeth, she began to roll up her sleeves.
"What," Roarke asked from the doorway that connected their work areas, "is that?"
"The former bane of my existence. The Antichrist of technology. Do we have a hammer?"
Studying the pile on the floor, he walked in. "Several, I imagine, of various types."
"I want all of them. Tiny little hammers, big, wallbangers, and everything in between."
"Might one ask why?"
"I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip."
"Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?"
"Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good."
Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open.
"Hey! Hey! What're you doing?"
"I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired."
When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it."
"Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research."
"No. Uh-uh. I have to bust it apart. What if it breeds?
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
The circle of life on Ceres was so small you could see the curve.
”
”
James S.A. Corey (Leviathan Wakes (Expanse, #1))
“
When we can't find my sister, we know / she is under the kitchen table, a book in her hand, / a glass of milk and a small bowl of peanuts beside her. / We know we can call Odella's name out loud, / slap the table hard with our hands, / dance around it singing 'She'll Be Coming 'Round the Mountain' / so many times the song makes us sick / and the circling makes us dizzy / and still / my sister will do nothing more / than slowly turn the page.
”
”
Jacqueline Woodson (Brown Girl Dreaming)
“
Normally, when you challenge the conventional wisdom—that the current economic and political system is the only possible one—the first reaction you are likely to get is a demand for a detailed architectural blueprint of how an alternative system would work, down to the nature of its financial instruments, energy supplies, and policies of sewer maintenance. Next, you are likely to be asked for a detailed program of how this system will be brought into existence. Historically, this is ridiculous. When has social change ever happened according to someone’s blueprint? It’s not as if a small circle of visionaries in Renaissance Florence conceived of something they called “capitalism,” figured out the details of how the stock exchange and factories would someday work, and then put in place a program to bring their visions into reality. In fact, the idea is so absurd we might well ask ourselves how it ever occurred to us to imagine this is how change happens to begin.
”
”
David Graeber
“
I've remembered that most of life is about small, essential connections, so unobtrusive, so elastic, that you scarcely realize they're actually holding you together. The big ones-the great, grand emotional bonds-those are the ones that break, the ones that fail you, the ones that give way and send you careening toward the foot of the bleak and jagged canyon. It's the tough, gnarled, unadorned ties that really do bind, that never let you fall all the way down into darkness.
”
”
Sharon Shinn (The Shape of Desire (Shifting Circle, #1))
“
All money is imaginary," answered the Calcatrix simply. "Money is magic everyone agrees to pretend is not magic. Observe! You treat it like magic, wield it like magic, fear it like magic! Why should a body with more small circles of copper or silver or gold than anyone else have an easy life full of treats every day and sleeping in and other people bowing down? The little circles can't get up and fight a battle or make a supper so splendid you get full just by looking at it or build a house of a thousand gables. They can do those things because everyone agrees to give them power. If everyone agreed to stop giving power to pretty metals and started giving it to thumbnails or mushroom caps or roof shingles or first kisses or tears or hours or puffin feathers, those little circles would just lay there tarnishing in the rain and not making anyone bow their noses down to the ground or stick them up in the air.
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
Julia had a friend, a man named Dennys, who was as a boy a tremendously gifted artist. They had been friends since they were small, and she once showed me some of the drawings he made when he was ten or twelve: little sketches of birds pecking at the ground, of his face, round and blank, of his father, the local veterinarian, his hand smoothing the fur of a grimacing terrier. Dennys’s father didn’t see the point of drawing lessons, however, and so he was never formally schooled. But when they were older, and Julia went to university, Dennys went to art school to learn how to draw. For the first week, he said, they were allowed to draw whatever they wanted, and it was always Dennys’s sketches that the professor selected to pin up on the wall for praise and critique.
But then they were made to learn how to draw: to re-draw, in essence. Week two, they only drew ellipses. Wide ellipses, fat ellipses, skinny ellipses. Week three, they drew circles: three-dimensional circles, two-dimensional circles. Then it was a flower. Then a vase. Then a hand. Then a head. Then a body. And with each week of proper training, Dennys got worse and worse. By the time the term had ended, his pictures were never displayed on the wall. He had grown too self-conscious to draw. When he saw a dog now, its long fur whisking the ground beneath it, he saw not a dog but a circle on a box, and when he tried to draw it, he worried about proportion, not about recording its doggy-ness.
”
”
Hanya Yanagihara (A Little Life)
“
Then she understood that what she needed was the motion to a purpose, no matter how small or in what form, the sense of an activity going step by step to some chosen end across a span of time. The work of cooking a meal was like a closed circle, completed and gone, leading nowhere. But the work of building a path was a living sum, so that no day was left to die behind her, but each day contained all those that preceded it, each day acquired its immortality on every succeeding tomorrow. A circle, she thought, is the movement proper to physical nature, they say that there's nothing but circular motion in the inanimate universe around us, but the straight line is the badge of man, the straight line of a geometrical abstraction that makes roads, rails and bridges, the straight line that cuts the curving aimlessness of nature by a purposeful motion from a start to an end. The cooking of meals, she thought, is like the feeding of coal to an engine for the sake of a great run, but what would be the imbecile torture of coaling an engine that had no run to make? It is not proper for man's life to be a circle, she thought, or a string of circles dropping off like zeros behind him--man's life must be a straight line of motion from goal to farther goal, each leading to the next and to a single growing sum, like a journey down the track of a railroad, from station to station to--oh, stop it!
”
”
Ayn Rand (Atlas Shrugged)
“
Finding where exactly the outside world ends and I begin—is not so easy.
”
”
Nora Bateson (Small Arcs of Larger Circles: Framing through Other Patterns)
“
The circle of life on Ceres was so small you could see the curve. He liked it that way.
”
”
James S.A. Corey (Leviathan Wakes (Expanse, #1))
“
It wasn't what lay at the end of her road that frightened Ammu as much as the nature of the road itself. No milestones marked its progress. No trees grew along it. No dappled shadows shaded it. No mists rolled over it. No birds circled it. No twists, no turns or hairpin bends obscured even momentarily, her clear view of the end. This filled Ammu with an awful dread, because she was not the kind of woman who wanted her future told. She dreaded it too much. So if she were granted one small wish perhaps it would have been Not to Know, Not to know what each day had in store for her. Not to know where she might be, next month, next year. Ten years on. Not to know which way her road might turn and what lay beyond the bend.
”
”
Arundhati Roy (The God of Small Things)
“
I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver."
Halt regarded him, eyebrow arched once more. "Anyone?"
"Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now."
Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner.
Will didn't notice the momentary change of mood. He was loosening Tug
saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now."
Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy.
"Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach.
"All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment.
"Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully.
The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder.
"He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded.
"He's standing behind me, isn't he?" Will continued and Halt nodded once more.
"Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer.
"Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post."
Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away.
The younger man's eyes dropped.
"Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that."
Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face.
"No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones."
Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.
”
”
John Flanagan (The Sorcerer in the North (Ranger's Apprentice, #5))
“
None were good enough for her, so I held them in contempt and hated them. They in turn hated and feared me.
But we were pleasant to each other. Always pleasant. It was a game of sorts. He would invite me to sit, and I would buy him a drink. The three of us would talk, and his eyes would slowly grow dark as he watched her smile toward me. His mouth would narrow as he listened to the laughter that leapt from her as I joked, spun stories, sang. . . .
They would always react the same way, trying to prove ownership of her in small ways. Holding her hand, a kiss, a too-casual touch along her shoulder.
They clung to her with desperate determination. Some of them merely resented my presence, saw me as a rival. But others had a frightened knowledge buried deep behind their eyes from the beginning. They knew she was leaving, and they didn't know why. So they clutched at her like shipwrecked sailors, clinging to the rocks despite the fact that they are being battered to death against them. I almost felt sorry for them. Almost.
So they hated me, and it shone in their eyes when Denna wasn't looking. I would offer to buy another round of drinks, but he would insist, and I would graciously accept, and thank him, and smile.
I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Have you ever thought,” he said after a moment, “that perhaps … all of this could have happened before? That the people of the Time Before, no matter how weak we think them, that they were only making the mistakes of their ancestors, and that we, in turn, are only making the same mistakes as them? Technology or no? That the time changes but people do not, and so we are never really moving forward, only around a bend? That the world only ever turns in circles. Do you think that could be so?”
She met his gaze, fascinated. “I don’t know,” she said. “But even if that’s true, then don’t you think there is always someone who can change it? Who could break the pattern? Or who could try? If they chose to. Don’t you think that has to be true as well?”
“Yes,” he said, “I do think that.” The tiny fire went out, leaving only the candles. “And I would help you.”
“You are helping me,” she said, voice small. “Isn’t that our agreement?”
“You know that is not what I mean. I would help you.
”
”
Sharon Cameron (Rook)
“
I would by all means have men beware, lest Aesop's pretty fable of the fly that sate on the pole of a chariot at the Olympic races and said, 'What a dust do I raise,' be verified in them. For so it is that some small observation, and that disturbed sometimes by the instrument, sometimes by the eye, sometimes by the calculation, and which may be owing to some real change in the sky, raises new skies and new spheres and circles.
”
”
Francis Bacon (The Collected Works of Sir Francis Bacon (Unexpurgated Edition) (Halcyon Classics))
“
You are fond of history! And so are Mr. Allen and my father; and I have two brothers who do not dislike it. So many instances within my small circle of friends is remarkable! At this rate, I shall not pity the writers of history any longer. If people like to read their books, it is all very well, but to be at so much trouble in filling great volumes, which, as I used to think, nobody would willingly ever look into, to be labouring only for the torment of little boys and girls, always struck me as a hard fate; and though I know it is all very right and necessary, I have often wondered at the person's courage that could sit down on purpose to do it.
”
”
Jane Austen
“
And so we have come full circle, and return to the essential question: who are you? From a scientific perspective, you are miraculous. You are stardust. You contain the same energy and matter that created the universe 13 billion years ago. You were once that energy—inside the infinitesimally small point of light that began all of life. Everything around you, everything you can see, touch, and taste, is made of this matter, this same universal energy: the water that shines, the tree that reaches, the bird in flight, the grass that grows. The saints and sages across the ages said it this way: you are brothers and sisters with all of creation. If who you are and how things work are one and the same, then who you are is love.
”
”
Tom Shadyac (Life's Operating Manual: With the Fear and Truth Dialogues)
“
Why?" Owen whispered. "Because it might be true? I'm tired of pretending like my heart isn't bleeding inside my chest because I want to be with you so badly. I don't want to fight it anymore. I want to be happy.
”
”
Megan Duke (Small Circles)
“
A hedgehog flies from the safety of a bush, startling me. It darts past us in a terrible hurry. Kartik nods toward the furry little thing. "Don't mind him. He's off to meet his lady friend."
"How can you be sure?"
"He has on his best hedgehog suit."
"Ah, I should have noticed." I say, happy to be playing this game-any game-with him. I put my hand on the tree's trunk and swing myself around it slowly, letting my body feel gravity's pull. "And why has he worn his best?"
"He's been away in London, you see, and now he has returned to her," Kartik continues.
"And what if she is angry with him for being away so long?"
Kartik circles just behind me. "She will forgive him."
"Will she?" I say pointedly.
"It is his hope that she will, for he didn't mean to upset her." Kartik answers, and I am no longer sure we speak of the hedgehog.
"And is he happy to see her again?"
"Yes," Kartik says. "He should like to stay longer, but he cannot."
The bark chafes against my hand. "Why is that?"
"He has his reasons, and hopes his lady will understand them one day." Kartik has changed direction. He comes around the other side of the tree. We are face to face. A palm of moonglow reaches through the branches to caress his face.
"Oh," I say, heart beating fast.
"And what would the lady hedgehog say to that?" he asks. His voice soft and low.
"She would say..." I swallow hard.
Kartik steps closer. "Yes?"
"She would say," I whisper, "'If you please, I am not a hedgehog. I am a woodchuck.'"
A small smile plays at Kartik's lips.
"He is fortunate to have so witty a lady friend," he says, and I wish I could have the moment back again to play differently.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
You haven’t finished the key, but not because you are afraid to finish. You’re afraid of finding you can’t finish. You’re afraid to go down to where the stones stand, but not because you’re afraid of what may come once you enter the circle. You’re afraid of what may not come. You’re not afraid of the great world, Eddie, but of the small one inside yourself. You have forgotten the face of your father. So
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
The Age Of Reason
1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’
2. “ I’m not so much interested in myself as all that’ he said simply.
‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’
3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’
4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’
5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’
6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’
‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’
‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’
7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’
8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’
9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
”
”
Jean-Paul Sartre
“
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A.
The last words I ever carved into myself, sixteen years after I started: vanish.
Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck.
Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist.
Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.
For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
”
”
Gillian Flynn (Sharp Objects)
“
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this:
But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur.
And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth.
I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth.
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something.
I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Men, Kellhus had once told her, were like coins: they had two sides. Where one side of them saw, the other side of them was seen, and though all men were both at once, men could only truly know the side of themselves that saw and the side of others that was seen—they could only truly know the inner half of themselves and the outer half of others.
At first Esmenet thought this foolish. Was not the inner half the whole, what was only imperfectly apprehended by others? But Kellhus bid her to think of everything she’d witnessed in others. How many unwitting mistakes? How many flaws of character? Conceits couched in passing remarks. Fears posed as judgements …
The shortcomings of men—their limits—were written in the eyes of those who watched them. And this was why everyone seemed so desperate to secure the good opinion of others—why everyone played the mummer. They knew without knowing that what they saw of themselves was only half of who they were. And they were desperate to be whole.
The measure of wisdom, Kellhus had said, was found in the distance between these two selves.
Only afterward had she thought of Kellhus in these terms. With a kind of surpriseless shock, she realized that not once—not once!—had she glimpsed shortcomings in his words or actions. And this, she understood, was why he seemed limitless, like the ground, which extended from the small circle about her feet to the great circle about the sky. He had become her horizon.
For Kellhus, there was no distance between seeing and being seen. He alone was whole. And what was more, he somehow stood from without and saw from within. He made whole …
”
”
R. Scott Bakker (The Warrior Prophet (The Prince of Nothing, #2))
“
Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God.
Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.
The greatest tragedy in life is the prayers that go unanswered because they go unasked.
God does not answer vague prayers. The more specific your prayers are, the more glory God receives.
Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens.
If you don’t take the risk, you forfeit the miracle.
Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means.
We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you.
If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed.
Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems.
Because you know He can, you can pray with holy confidence.
Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered.
Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability.
What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did.
You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other.
Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers.
The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard.
It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer.
The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets.
I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes.
Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.
”
”
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
“
I see you, flawed and humble and road weary and proud and still in spite of the deep ache, somehow sure you’ve done all you can.
I see all you feel but cannot speak. I see the way the words grow and swell, expanding your chest and pressing against the confines in your throat until they form the most unbearable pain, and the air around you so heavy with the weight of words unsaid.
I see the way your chest caves in and your shoulders curl around and your arms hold your knees so tight that you circle in upon yourself.
I see how in spite of this you are expanding, even though others wish you small and in spite of your own efforts to keep peace. I see that you are a wild thing, not meant for containment.
”
”
Jeanette LeBlanc
“
But you’re so much stronger than he was. He wasn’t able to get up after being knocked down. You’re different. I’ve never even seen you fall.” - Jade, Small Circles
”
”
Megan Duke (Small Circles)
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
He had no cause for self-reproach on the score of neglect, or want of thought, for he had been devoted to her service; and yet a hundret little occasions rose up before him on which he fancied he might have been more zealous, and more earnest, and wished he had been. We need be careful how we deal with those about us; when every death carries to some small circle of survivors, thoughts of so much omitted, and so little done; of so many things forgotten, and so many more which might have been repaired. There is no remorse so deep, as that which is unavailing; if we would be spared its tortures, let us remember this, in time.
”
”
Charles Dickens (Oliver Twist)
“
He ended his tour next to the small bed. Then, just like that, he jumped onto her lap and circled, his large white paws finding soft purchase on her thighs. Kya sat frozen, her arms slightly raised, so as not to interfere with his maneuvering. Finally, he settled as though he had nested here every night of his life. He looked at her. Gently she touched his head, then scratched his neck. A loud purr erupted like a current. She closed her eyes at such easy acceptance. A deep pause in a lifetime of longing.
”
”
Delia Owens (Where the Crawdads Sing)
“
Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing.
All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral.
To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.
”
”
Fernando Pessoa (The Book of Disquiet)
“
I want to see the Parthenon by moonlight.'
I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills.
"Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas."
We crammed into Burns's small car, and went back to our hotel. ("The Chamois")
”
”
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
“
Viewed from above, on the mainmast shroud, they seemed suddenly so small, this little circle, making music, clustered on a floating stage, with the ocean darkening all around and the land behind dissolving into memory. Most of the faces of the people below were in shadow, individual features fading, chins and hair and noses lit by the red glimmer like heads around a hearth.
”
”
Harvey Oxenhorn (Tuning the Rig: A Journey to the Arctic)
“
Mother’s estate—our estate—a thousand acres centered in a million more. Lawns the size of small prairies with grass so perfect it beckoned a body to lie on it, to nap on its soft perfection. Noble shade trees making sundials of the Earth, their shadows circling in stately procession; now mingling, now contracting to midday, finally stretching eastward with the dying of the day. Royal oak. Giant elms. Cottonwood and cypress and redwood and bonsai. Banyan trees lowering new trunks like smooth-sided columns in a temple roofed by sky. Willows lining carefully laid canals and haphazard streams, their hanging branches singing ancient dirges to the wind.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
Sometimes I want to quit - not performing, but being a woman altogether. I want to throw my hands in the air after reading a mean Twitter comment and say, "All right, you got me. You figured me out. I'm not pretty. I'm not thin. I don't deserve love. I have no right to use my voice. I will start wearing a burka and move to a small town upstate and wait tables at a pancake house."
So much has changed about me since I was that confident, happy girl in high school. In the years since then, I've experienced a lot of desperation and self-doubt, but in a way, I've come full circle. I know my worth. I embrace my power. I say if I'm beautiful. I say if I'm strong. You will not determine my story. I will. I'll speak and share and fuck and love, and I will never apologise for it. I am amazing for you, not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. And I am all of you.
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
What are you terrible at?" I asked, running my hand across his starched shirt. Encouraged by the touch, Maxon drew circles on my shoulder with the hand he had wrapped behind my back.
"Why would you want to know that?" He asked in mock irritation.
"Becaue I still know so little about you. And you seem perfect all the time.It's nice to have proof you aren't.
He propped himself up on an elbow, focusing on my face.
"You know I'm not."
"Pretty close,' I countered. Little flickers of touch ran betwen us. Knees, arms, fingers.
He shook his head, a small smile on his face. "Okay then. I can't plan wars. I'm rotten at it. And I'm guessing I'd be a terrible cook. I've never tried, so-"
"Never?"
"You might have noticed the teams of people keeping you up to your neck in pastries? They happen to feed me as well.
”
”
Kiera Cass
“
I never knew the difference between loving someone and being in love,” he began. “I don’t know why, because now it seems so obvious. I mean, it’s in the name: in love. When you love someone that just means you care; but when you’re in love, that means you’re a part of it.” He scanned the audience and landed on Paxton and Jade holding hands in the third row. “The feeling consumes you,” he continued. “And when you’re surrounded by that want and that need to make that other person happy, you can’t see anything else. You’re blind to all of the hate and the hurt that’s waiting on the outside. None of it matters, because in here – in love – nothing hurts.” Larson watched as a drop of his own tears fell onto the surface in front of him. “I don’t care if I’m blind for the rest of my life. I loved Owen. I’m in love with him. And even though he’s gone, I’ll never leave this place we made.
”
”
Megan Duke (Small Circles)
“
When you show people a picture of a circle with a small wedge cut out of it, their eyes first go to the missing piece every time. It is easy among the doctors, the needles, and the tubes to lose sight of the beauty that was. Despite our pain, our fear, and our very real loses, we would do well to think about our many past blessing with our loved one who is now diminished. There is so much more to who we were and who we are than just the missing piece.
”
”
Steve Leder (The Beauty of What Remains: How Our Greatest Fear Becomes Our Greatest Gift)
“
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star. But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many—perhaps most—of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-size heaven—or hell.
”
”
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
“
But for now, I would be the happiest of men if I could just swallow the overflow of saliva that endlessly floods my mouth. Even before first light, I am already practicing sliding my tongue toward the rear of my palate in order to provoke a swallowing reaction. What is more, I have dedicated to my larynx the little packets of incense hanging on the wall, amulets brought back from Japan by pious globe-trotting friends. Just one of the stones in the thanksgiving monument erected by my circle of friends during their wanderings. In every corner of the world, the most diverse deities have been solicited in my name. I try to organize all this spiritual energy. If they tell me that candles have been burned for my sake in a Breton chapel, or that a mantra has been chanted in a Nepalese temple, I at once give each of the spirits invoked a precise task. A woman I know enlisted a Cameroon holy man to procure me the goodwill of Africa's gods: I have assigned him my right eye. For my hearing problems I rely on the relationship between my devout mother-in-law and the monks of a Bordeaux brotherhood. They regularly dedicate their prayers to me, and I occasionally steal into their abbey to hear their chants fly heavenward. So far the results have been unremarkable. But when seven brothers of the same order had their throats cut by Islamic fanatics, my ears hurt for several days. Yet all these lofty protections are merely clay ramparts, walls of sand, Maginot lines, compared to the small prayer my daughter, Céleste, sends up to her Lord every evening before she closes her eyes. Since we fall asleep at roughly the same hour, I set out for the kingdom of slumber with this wonderful talisman, which shields me from all harm.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
I’ll be honest with you. The variables that construct my existence are confusing. Like handwritten math equations jammed together on a sloppy page of homework. They don’t make any sense. One math problem leads to another, and then another and so it goes.
One day you realize that your life is one whole page of problems and nothing ever gets solved.
One ongoing equation with no equal sign at the end. But it occurred to me, beneath the canopy of a starlight heaven, that I’d been looking at my life all wrong.
It wasn’t a math equation. Things weren’t supposed to add up. There was no solution.
In fact, there was no problem. Life’s variables and numbers and pages of chicken scratch weren’t mathematical marks. They were art. A drawing. An abstract painting. It was meant to be beautiful, not sensical. And embedded within the mess of it all were miracles. Small ones. I’d never paid attention to them because I was too busy, but it didn’t make them less real.
”
”
Sean Dietrich (Will the Circle Be Unbroken?: A Memoir of Learning to Believe You’re Gonna Be Okay)
“
Oregon October, when the fields of timothy and rye-grass stubble are being burned, the sky itself catches fire. Flocks of wrens rush up from the red alder thickets like sparks kicked from a campfire, the salmon jumps again, and the river rolls molten and slow . . . Down river, from Andy’s Landing, a burned-off cedar snag held the sun spitted like an apple, hissing and dripping juices against a grill of Indian Summer clouds. All the hillside, all the drying Himalaya vine that lined the big river, and the sugar-maple trees farther up, burned a dark brick and over-lit red. The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying “Kleek! Kleek!” as though the thin reeds were as hot as the pokers they resembled. Canvasback and brant flew south in small, fiery, faraway flocks. And in the shabby ruin of broken cornfields rooster ringnecks clashed together in battle so bright, so gleaming polished-copper bright, that the fields seemed to ring with their fighting. This is Hank’s bell.
”
”
Ken Kesey (Sometimes a Great Notion)
“
Gregori stared with dismay at the small, two-story house enclosed in wrought-iron latticework and sandwiched between two smaller, rather rundown properties in the crowded French Quarter of New Orleans. He inserted the key in the lock and turned to look at Savannah's face. It was lit up with expectation, her blue eyes shining.
"I have definitely lost all good sense," he muttered as he pushed open the door.
The interior was dark, but he could see everything easily. The room was layered with dust, old sheets covered the furniture, and the wallpaper was peeling in small curls from the walls.
"Isn't it beautiful?" Savannah flung out her hands and turned in a circle. Jumping into Gregori's arms, she hugged him tightly. "It's so perfect!"
He couldn't help himself; he kissed her inviting mouth. "Perfect for torching. Savannah,did you even look at this place before you bought it?"
She laughed and ruffled his thick mane of hair. "Don't be such a pessimist. Can't you see its potential?"
"It is a firetrap," he groused.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
The villagers were speeding up the circling of events because she was too shortsighted to see that her infidelity had already harmed the village, the waves of consequences would return unpredictably, sometimes in disguise, as now, to hurt her. This roundness had to be made coin-sized so that she would see is circumference: punish her at the birth of her baby. Awaken her to the inexorable. People who refused fatalism because they could invent small resources insisted on culpability. Deny accidents and wrest fault from the stars.
”
”
Maxine Hong Kingston (The Woman Warrior: Memoirs of a Girlhood Among Ghosts)
“
How small I felt, how meager my actions seemed, and how inconsequential. How tiny were all the actions of man against that blank and uncaring universe? How could any of it matter? How could any of us? I know better now. The universe has no center, they say . . . and yet the universe is infinite. Is not then every point the center of the universe, surrounded on all sides by infinite space? Copernicus was as wrong as he was right. The Earth of old was as much the center of the universe as the sun she circled. So too were Mars, and Jupiter beyond.
”
”
Christopher Ruocchio (Demon in White (The Sun Eater, #3))
“
MURRAY (with a cynical laugh). Interesting? On a small town rag? A month of it, perhaps, when you're a kid and new to the game. But ten years. Think of it! With only a raise of a couple of dollars every blue moon or so, and a weekly spree on Saturday night to vary the monotony. (He laughs again.) Interesting, eh? Getting the dope on the Social of the Queen Esther Circle in the basement of the Methodist Episcopal Church, unable to sleep through a meeting of the Common Council on account of the noisy oratory caused by John Smith's application for a permit to build a house; making a note that a tugboat towed two barges loaded with coal up the river, that Mrs. Perkins spent a week-end with relatives in Hickville, that John Jones Oh help! Why go on? Ten years of it! I'm a broken man. God, how I used to pray that our Congressman would commit suicide, or the Mayor murder his wife just to be able to write a real story!
”
”
Eugene O'Neill (Plays by Eugene O'Neill)
“
The frame of the mirror was a deep mahogany and carved with an intricate design of what appeared in the dim light to be leaves and vines. The mirror’s surface was clouded with dust and age, so much that Quinn could not even see his own reflection. On impulse, he rubbed a small circle with the back of his wrist but beneath the dust the glass was still milky and unclear. ~ "The Mirror
”
”
Cassie McCown (Christmas Lites)
“
The whole issue was almost unbelievably meaningless and small. He thought about the word “meaning” and tried to summon up his baby’s face without looking at the photo, but all he could get was the heft of a full diaper and the plastic mobile over his crib turning in the breeze that the box fan in the doorway made. He imagined that the clock’s second hand possessed awareness and knew that it was a second hand and that its job was to go around and around inside a circle of numbers forever at the same slow, unvarying machinelike rate, going no place it hadn’t already been a million times before, and imagining the second hand was so awful it made his breath catch in his throat, and he looked quickly around to see if any of the examiners near him had heard it or were looking at him.
”
”
David Foster Wallace
“
It is like a drinking straw. The surface of a straw is two-dimensional. However, one direction is curled up into a small circle, so that from a distance the straw looks like a one-dimensional line.
”
”
Stephen W. Hawking (Brief Answers to the Big Questions)
“
Screens of tumbling water, breaking the world beyond them into glittering lines and smeared shadows. Kellhus had ceased trying to penetrate them.
“Power,” Anasûrimbor Moënghus said, “is always power over. When an infant may be either, what is the difference between a Fanim and an Inrithi? Or between a Nansur and a Scylvendi? What could be so malleable in Men that anyone, split between circumstances, could be his own murderer?
“You learned this lesson quickly. You looked across Wilderness and you saw thousands upon thousands of them, their backs bent to the field, their legs spread to the ceiling, their mouths reciting scripture, their arms hammering steel … Thousands upon thousands of them, each one a small circle of repeating actions, each one a wheel in the great machine of nations …
“You understood that when men stop bowing, the emperor ceases to rule, that when the whips are thrown into the river, the slave ceases to serve. For an infant to be an emperor or a slave or a merchant or a whore or a general or whatever, those about him must act accordingly. And Men act as they believe.
“You saw them, in their thousands, spread across the world in great hierarchies, the actions of each exquisitely attuned to the expectations of others. The identity of Men, you discovered, was determined by the beliefs, the assumptions, of others. This is what makes them emperors or slaves … Not their gods. Not their blood.
“Nations live as Men act,” Moënghus said, his voice refracted through the ambient rush of waters. “Men act as they believe. And Men believe as they are conditioned. Since they are blind to their conditioning, they do not doubt their intuitions …”
Kellhus nodded in wary assent. “They believe absolutely,” he said.
”
”
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
“
Often we can get caught in our own struggles, our own small stories, that we forget our place in the larger story arc – the way that our actions, our choices, our achievements can and will blaze trails for that who come after us, so that they do not have to spend their time and energy re-fighting the same battles.
For sure we walk a spiral path, but for generations of women the spirals were so tightly packed that it seemed they were going round in circles – let us blaze trails so that the path we walk takes in wider and wider sweeps of human experience.
Trail blazing is what we do when we find ourselves in the wilderness, with no path to guide us but our own intuitive understanding of nature and our destination. At times we must walk through the night, guided only by the stars. We know when to sit and rest, to shelter from storms, when to gather water, and what on the trail will sustain us and what will do us harm. We are courageous and cautious in equal measure, but we are driven forward, not only by our own desire to reach our destination, but also by the desire to leave a viable way for others who follow.
Trail blazing is an art-form. It is how we find paths through what before was wilderness. We push aside braches, or cut them back, we tramp down nettles and long grasses, ford rivers and streams, through the inner and outer landscapes.
”
”
Lucy H. Pearce (Burning Woman)
“
However, when those inside the bureaucracy work primarily to protect themselves, progress slows and the entire organization becomes more susceptible to external threats and pressures. Only when the Circle of Safety surrounds everyone in the organization, and not just a few people or a department or two, are the benefits fully realized. Weak leaders are the ones who only extend the benefits of the Circle of Safety to their fellow senior executives and a chosen few others. They look out for each other, but they do not offer the same considerations to those outside their “inner circle.” Without the protection of our leaders, everyone outside the inner circle is forced to work alone or in small tribes to protect and advance their own interests. And in so doing, silos form, politics entrench, mistakes are covered up instead of exposed, the spread of information slows and unease soon replaces any sense of cooperation and security.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
So Captain Jack’s come a-courtin’.” Her hands stilled on the basket. “Who?” “The tall Shawnee who come by your cabin.” The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. “He come by, but I don’t know why.” “Best take a long look in the mirror, then.” Lael’s eyes roamed the dark walls. Ma Horn didn’t own one. “Beads and a blanket, was it?” She nodded and looked back down. “I still can’t figure out why some Shawnee would pay any mind to a white girl like me.” Ma Horn chuckled, her face alight in the dimness. “Why, Captain Jack’s as white as you are.” “What?” she blurted, eyes wide as a child’s. Ma Horn’s smile turned sober. “He’s no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name—Jack.
”
”
Laura Frantz (The Frontiersman's Daughter)
“
Triton’s trident, they put the Royals on trial!
But as much as Galen would love to throw that in their faces, he won’t. This is his one chance, however small it is, to turn things around for him and Emma. And he’s not about to toss that chance to sea with both hands.
Rachel has pulled more chairs out to accommodate the gathering. The table they circle is shinier than Emma’s lip gloss. Unlike the human meetings Galen has attended with Rachel to sell his underwater finds, there is no paperwork on the table, no cups of coffee, no cell phones. Also unlike human meetings, most participants are either dressed in bathing suits or bathrobes. Leave it to Rachel’s creative hospitality. It is a sight Galen will never forget, seeing the elderly council of Archives sit uncomfortably in human chairs. If the situation weren’t so dire, he’d have to laugh. Especially since Tandel’s bathrobe has the human symbol of peace all over it in fluorescent colors.
“Thank you for coming,” Galen says. He takes his place next to Grom, who sits at the head of the table. Appropriately, Antonis sits at the head of the other end, accompanied by Rayna and Toraf. Emma is at Galen’s left side. He doesn’t need to look at her to know she’s scowling at him.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Make then your forecasts, my lords Astrologers, with your slavish physicians, by means of those astrolabes with which you seek to discern the fantastic nine moving spheres; in these you finally imprison your own minds, so that you appear to me but as parrots in a cage, while I watch you dancing up and down, turning and hopping within those circles. We know that the Supreme Ruler cannot have a seat so narrow, so miserable a throne, so straight a tribunal, so scanty a court, so small and feeble a simulacrum that a phantasm can bring to birth, a dream shatter, a delusion restore, a chimera disperse, a calamity diminish, a misdeed abolish and a thought renew it again, so that indeed with a puff of air it were brimful and with a single gulp it were emptied. On the contrary we recognize a noble image, a marvellous conception, a supreme figure, an exalted shadow, an infinite representation of the represented infinity, a spectacle worthy of the excellence and supremacy of Him who transcendeth understanding, comprehension or grasp. Thus is the excellence of God magnified and the greatness of his kingdom made manifest; he is glorified not in one, but in countless suns; not in a single earth, a single world, but in a thousand thousand, I say in an infinity of worlds.
”
”
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
“
I used to read three newspapers every morning. Three.” Her voice was softer now so as not to disturb the baby. “You know where I get all my news now? Fucking Oprah.” Her expression was rueful, but also resigned, her fingers making small circles on the baby’s
”
”
Cynthia D'Aprix Sweeney (The Nest)
“
Osama bin Laden’s ideas were neither new nor compelling outside his relatively small circle of followers. They belonged to an ugly cul-de-sac of history, an era where witches and heretics were burned in town squares. They were adolescent ideas, in that they remained willfully ignorant of all that had come before. There are many who choose to believe that certain ancient texts are literally the word of one God or the other, but not many who would go so far as to regard as a sacred duty the slaughter of those who disagree with them, or to kill in order to advance their aims. This was a philosophy that would never appeal to more than a few dedicated fanatics. But one of the peculiarities of the modern world is that, because of telecommunications, small groups of like-minded people, even if widely scattered, can form a community of belief. They can feed off of each other, and can come to wield influence far beyond their actual numbers or appeal. Bin Laden’s was the first to use these tools to build his network into a deadly force.
”
”
Mark Bowden (The Finish: The Killing of Osama Bin Laden)
“
I’ve been queen for ages and ages,” Sunny went on. She strutted across the cave floor. “No one dares challenge me for my throne! I am the strongest SandWing queen who ever lived!” “Don’t forget the treasure,” Tsunami hissed, pointing at a pile of loose rocks. “Oh, right,” Sunny said. “It’s probably because of all my treasure! I have so much treasure because I’m such an important queen!” She swept the rocks toward her and gathered them between her talons. “Did someone say treasure?” Clay bellowed, leaping out from behind a large rock formation. Sunny yelped with fright. “No!” Tsunami called. “You’re not scared! You’re Queen Oasis, the big, bad queen of the sand dragons.” “R-right,” Sunny said. “Rargh! What is this tiny scavenger doing in the Kingdom of Sand? I am not afraid of tiny scavengers! I shall go out there and eat him in one bite!” Glory started giggling so hard she had to lie down and cover her face with her wings. Even Tsunami was making faces like she was trying not to laugh. Clay swung his stalagmite in a circle. “Squeak squeak squeak!” he shouted. “And other annoying scavenger noises! I’m here to steal treasure away from a magnificent dragon!” “Not from me, you won’t,” Sunny said, bristling. She stamped forward, spread her wings, and raised her tail threateningly. Without the poisonous barb other SandWings had, Sunny’s tail was not very menacing. But nobody pointed that out. “Yaaaaaaah!” Clay shouted, lunging forward with his rock claw. Sunny darted out of the way, and they circled each other, feinting and jabbing. This was Clay’s favorite part. When Sunny forgot about trying to act queenly and focused on the battle, she was fun to fight. Her small size made it easy for her to dodge and slip under his defenses. But in the end Queen Oasis had to lose — that was how the story went. Clay drove Sunny back against the wall of the cave and thrust the fake claw between her neck and her wing, pretending it went right through her heart. “Aaaaaaaargh,” Sunny howled. “Impossible! A queen defeated by a lowly scavenger! The kingdom will fall apart! Oh, my treasure … my lovely treasure . . .” She collapsed to the ground and let her wings flop lifelessly on either side of her. “Ha ha ha!” Clay said. “And squeak squeak! The treasure is mine!” He scooped up all the rocks and paraded away, lashing his tail proudly.
”
”
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
“
Sometimes,’ croaked Margaret in a voice bent ragged from two days’ crying, ‘when God sees a particularly pretty flower, He’ll take it up from Earth, and put it in his own garden.’ Margaret held me in the sort of tight, worried grip usually reserved for heaving lambs up a ladder. As she clenched my hand and told me God had specially marked my mother for death, a tear-damp thumb traced small circles on my temple. She stroked my hair. It was nice to think that Mammy was so well-liked by God, since she was a massive fan. She went to all his gigs – Mass, prayer groups, marriage guidance meetings; and had all the action figures – small Infant of Prague statuettes, much larger Infant of Prague statuettes, little blue plastic flasks of holy water in the shape of God’s own Mammy herself.
”
”
Séamas O'Reilly (Did Ye Hear Mammy Died?)
“
The farmers, who rent out their house so they can stay afloat, and sleep all together in a studio, but spend their days off outside on a picnic blanket, living the lives they want to live. Drew and Melanie, with their two homes and their horses and their love story. And Rene, traveling across the world, painting temporary masterpieces. Even my uncle Pete has something good worked out with Melinda and his day trips and his best friend, my dad, who has a small nice house in San Francisco and a dozen neighborhood vendors who know him by name.
All of these different ways of living. Even Sophie, with her baby in that apartment, with her record store job and her record collection. I imagine her twirling with her baby across her red carpet with Diana Ross crooning, the baby laughing, the two of them getting older in that apartment, eating meals on red vinyl chairs. Walt, too, as pathetic as his situation is, seems happy in his basement, providing entertainment to Fort Bragg's inner circle. All of them, in their own ways, manage to make their lives work.
”
”
Nina LaCour (The Disenchantments)
“
Moths fly toward burning bulbs not because they’re drunk
with love or exhausted from flight, wanting to wait out
the pain in their wings, as if waiting was something warm
they could wrap themselves around. They fly and die
simply because they cannot see what we see.
Instead they see stars off in the distance, the same stars
we long ago used to navigate the darkness
we still know nothing about. It’s hard to imagine
what we once needed to know to know where we were.
Without depth, with color, the moths look to the light
until it calls to them. We are good at thinking we can stay.
We are good at finding hurt. I live in a mapped city
that keeps expanding like regret. When I look out the window
I see a house so close I can hear a toilet flush.
At night we take black lights and hunt scorpions
stuck to our stucco walls. I walk around darkening rooms
not in use, but I cannot stop the sun
or streetlights from shining in. We are all aglow.
I don’t want to think about the sun burning
out or the billion small deaths I continue to cause.
Even in the desert, a place whose name I learned
to spell by the sweet treat of its opposite, the extra s
demanding more, even after all these years of genetics,
of rock slides, of canyons cut deep and persistent
as a heart, moths spin in circles toward their stars.
”
”
Josh Rathkamp
“
Recycled air that had passed through a million lungs. Water from the tap so clean it could be used for lab work, but it had been piss and shit and tears and blood and would be again. The circle of life on Ceres was so small you could see the curve. He liked it that way.
”
”
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
“
(...) The floor itself was inscribed with a mosaic in the data-pattern mode, representing the entire body of the Curia case law. At the center, small icons representing constitutional principles sent out lines to each case in which they were quoted; bright lines for controlling precedent, dim lines for dissenting opinions or dicta. Each case quoted in a later case sent out additional lines, till the concentric circles of floor-icons were meshed in a complex network.
The jest of the architect was clear to Phaethon. The floor mosaic was meant to represent the fixed immutability of the law; but the play of light from the pool above made it seem to ripple and sway and change with each little breeze.
Above the floor, not touching it, without sound or motion, hovered three massive cubes of black material.
These cubes were the manifestations of the Judges. The cube shape symbolized the solidity and implacable majesty of the law. Their high position showed they were above emotionalism or earthly appeals. The crown of each cube bore a thick-armed double helix of heavy gold.
The gold spirals atop the black cubes were symbols of life, motion, and energy. Perhaps they represented the active intellects of the Curia. Or perhaps they represented that life and civilization rested on the solid foundations of the law. If so, this was another jest of the architect. The law, it seemed, rested on nothing.
”
”
John C. Wright (The Golden Age (Golden Age, #1))
“
In a small town, unexplained tragedy can only go so long before it grows teeth, sprouts sharp claws, and turns, snarling, on its own self. Before fragments of gossip become rumors, and the rumors become suspicions. Before neighbors start eyeing each other with the mistrustful narrowness of oft-kicked dogs. Inside the safe shelter of their homes, husbands and wives draw the blinds tight and turn to each other, worrying at small bits of information and wondering who, who among their shrinking circle of trusted friends, might still know something he isn’t telling.
”
”
Kat Rosenfield (Amelia Anne Is Dead and Gone)
“
I guess what concerned me most about the small lie was the danger of it becoming a habit. I’ve seen many times over the years how liars get so good at lying, they lose the ability to distinguish between what’s true and what’s not. They surround themselves with other liars. The circle becomes closer and smaller, with those unwilling to surrender their moral compasses pushed out and those willing to tolerate deceit brought closer to the center of power. Perks and access are given to those willing to lie and tolerate lies. This creates a culture, which becomes an entire way of life.
”
”
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
In the living room Derek sprawled on the floor on a blanket, his eyes closed, his body human, corded with hard muscle, and covered only with a strategically placed towel. Julie knelt by him, long tweezers in her hand.
“What’s going on?”
“Quills,” she said. “Very thin quills. There was a magic plant and he decided it would be a good idea to give it a hug. Because he is smart that way.”
So they had taken Julie with them. Considering where I’d gone and what I did while there, I didn’t have room to talk.
Derek didn’t bother opening his eyes. “I wasn’t giving it a hug. I was shielding Ella.”
“Mm-hm.” Julie plucked a thin needle from his stomach. “You shielded her really well. Because it’s not like we didn’t have Carlos with us.”
Carlos was a firebug. The plant must’ve gotten torched.
“We’ll need to work on mixed-unit tactics,” Curran said. He looked tired. It must’ve been hell. “So what did you do in Mishmar?”
Umm. Ehh. In my head I had somehow expected Erra to stay in Mishmar.
“I saw my father,” I said. Start small.
“How was that?” Curran asked.
“He’s a little upset with me.”
“Aha.”
“I broke Mishmar a little bit.”
The three of them looked at me.
“But it was mostly my grandmother who did it.”
“How much is a little bit?” Derek asked.
“There might be a crack. About maybe seven feet at the widest point.”
Derek laughed.
“And what else?” Curran asked.
Perceptive bastard.
“And this.” I pulled out the dagger and showed it to him.
“You made a magic knife?” he asked.
“Yes. In a manner of speaking.”
“But you still have to get close enough to stab Roland with it,” Derek said.
“That’s not how it works.” Help me, somebody.
Curran was looking right at me. “Kate?”
“It’s more of an advising kind of knife.”
“You should come clean,” he said. “Whatever it is, it’s done and we can handle it.”
My aunt tore into existence in the center of the room. “Hello, half-breed.”
Curran exploded into a leap. Unfortunately, Derek also exploded at exactly the same time but from the opposite direction. They collided in Erra’s translucent body with a loud thud. Derek fell back and Curran stumbled a few steps.
Erra pointed at Curran with her thumb. “You want to marry this? Is there a shortage of men?”
Curran leapt forward and swiped at her head. His hand passed through my aunt’s face. Derek jumped to his feet and circled Erra, his eyes glowing.
“I fear for my grandnephew,” Erra said. “He will be an idiot.
”
”
Ilona Andrews (Magic Binds (Kate Daniels, #9))
“
A small boy searches for a way to explain life with all its complexities. His Cherokee grandfather smiles and explains life in all its simplicities. Many years later, another small boy talks about the simple things of life, while his father describes how complex life is today. Inside, the father feels the not-so-distant words of his grandfather speaking softly: You are not just alive, you are part of all life itself. You are kin to all things, and everything has life . . . and memory. Things have a way of coming full circle—as a way of completing the Circle, and creating opportunities for life, love, growth, feeling, and learning.
”
”
J.T. Garrett (Medicine of the Cherokee: The Way of Right Relationship (Folk wisdom series))
“
Finally, let me share a feeling of mine, I hope it will not be misinterpreted as pride. I am seventy four now. But still, if they give me a duty in the wooden hut where I used to stay when I was a mentor long years ago, I will gladly run there and try to fulfill that duty. Perhaps, some of our friends can see that task as a simple and trivial one. But I have not underestimated this duty and would never do so. Even today, some people may consider our having lessons with the small circle of young scholars here as a simple and trivial job. However, in my opinion, this is the most important occupation that can take human to the highest levels.
”
”
M. Fethullah Gülen (Mefkure Yolculuğu (Kırık Testi, #13))
“
But that doesn’t mean I can’t watch you touch yourself,” I whisper.
A small gasp leaves her plush lips. She stops the little circles she’s been inadvertently moving her hips in. I take one step back, watching with fascination as a blush travels up to her neck.
So fucking pretty.
“Do I get to watch you, too, or are you a selfish lover?
”
”
H.D. Carlton (Shallow River)
“
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.”
“OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.”
Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes.
“But why six stamps?”
“Just wait and see.”
A few seconds later, I understood.
As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout.
One of Nick’s ended up on his nose.
And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur.
Finally, when we both had one stamp left, I stopped giggling. I had to win this.
So I swallowed, wiped my eyes and took a few deep breaths.
Then I reached out my hand.
“Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head.
So I promptly leapt off too.
Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be.
Nick, in the meantime, had ended up flat on his back on the grass next to me.
With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open.
“I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox.
A few seconds later, I wobbled after him.
And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize.
Finally, he picked me up and, without any effort, popped me on top of a high wall.
Like Humpty Dumpty.
Or some kind of really unathletic cat.
“Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!”
“Course it is,” he shouted back. “All’s fair in love and war.”
And Nick kissed the envelope then put it in the postbox with a flourish.
I had to wait three days.
Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there.
Finally, the letter arrived: crumpled and stained with grass.
Ha. Told you I was faster.
LBxx
”
”
Holly Smale (Picture Perfect (Geek Girl, #3))
“
Heavy misfortunes have befallen us, but let us only cling closer to what remains and transfer our love for those whom we have lost to those who yet live. Our circle will be small but bound close by the ties of affection and mutual misfortune. And when time shall have softened your despair, new and dear objects of care will be born to replace those of whom we have been so cruelly deprived.
”
”
Mary Wollstonecraft Shelley (Frankenstein; Or, The Modern Prometheus: Mary Shelley's 1831 Edition)
“
All my life I have wondered about the possibility of life elsewhere. What would it be like? Of what would it be made? All living things on our planet are constructed of organic molecules—complex microscopic architectures in which the carbon atom plays a central role. There was once a time before life, when the Earth was barren and utterly desolate. Our world is now overflowing with life. How did it come about? How, in the absence of life, were carbon-based organic molecules made? How did the first living things arise? How did life evolve to produce beings as elaborate and complex as we, able to explore the mystery of our own origins? And on the countless other planets that may circle other suns, is there life also? Is extraterrestrial life, if it exists, based on the same organic molecules as life on Earth? Do the beings of other worlds look much like life on Earth? Or are they stunningly different—other adaptations to other environments? What else is possible? The nature of life on Earth and the search for life elsewhere are two sides of the same question—the search for who we are. In the great dark between the stars there are clouds of gas and dust and organic matter. Dozens of different kinds of organic molecules have been found there by radio telescopes. The abundance of these molecules suggests that the stuff of life is everywhere. Perhaps the origin and evolution of life is, given enough time, a cosmic inevitability. On some of the billions of planets in the Milky Way Galaxy, life may never arise. On others, it may arise and die out, or never evolve beyond its simplest forms. And on some small fraction of worlds there may develop intelligences and civilizations more advanced than our own. Occasionally someone remarks on what a lucky coincidence it is that the Earth is perfectly suitable for life—moderate temperatures, liquid water, oxygen atmosphere, and so on. But this is, at least in part, a confusion of cause and effect. We earthlings are supremely well adapted to the environment of the Earth because we grew up here. Those earlier forms of life that were not well adapted died. We are descended from the organisms that did well. Organisms that evolve on a quite different world will doubtless sing its praises too. All life on Earth is closely related. We have a common organic chemistry and a common evolutionary heritage. As a result, our biologists are profoundly limited. They study only a single kind of biology, one lonely theme in the music of life. Is this faint and reedy tune the only voice for thousands of light-years? Or is there a kind of cosmic fugue, with themes and counterpoints, dissonances and harmonies, a billion different voices playing the life music of the Galaxy? Let
”
”
Carl Sagan (Cosmos)
“
A Night Piece
The sky is overcast
With a continuous cloud of texture close,
Heavy and wan, all whitened by the Moon,
Which through that veil is indistinctly seen,
A dull, contracted circle, yielding light
So feebly spread, that not a shadow falls,
Chequering the ground--from rock, plant, tree, or tower.
At length a pleasant instantaneous gleam
Startles the pensive traveller while he treads
His lonesome path, with unobserving eye
Bent earthwards; he looks up--the clouds are split
Asunder,--and above his head he sees
The clear Moon, and the glory of the heavens.
There, in a black-blue vault she sails along,
Followed by multitudes of stars, that, small
And sharp, and bright, along the dark abyss
Drive as she drives: how fast they wheel away,
Yet vanish not!--the wind is in the tree,
But they are silent;--still they roll along
Immeasurably distant; and the vault,
Built round by those white clouds, enormous clouds,
Still deepens its unfathomable depth.
At length the Vision closes; and the mind,
Not undisturbed by the delight it feels,
Which slowly settles into peaceful calm,
Is left to muse upon the solemn scene
”
”
William Wordsworth
“
My dear Victor, do not speak thus. Heavy misfortunes have befallen us; but let us only cling closer to what remains, and transfer our love for those whom we have lost to those who yet live. Our circle will be small, but bound close by the ties of affection and mutual misfortune. And when time shall
have softened your despair, new and dear objects of care will be born to replace those of whom we have been so cruelly deprived.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
My dear Victor, do not speak thus. Heavy misfortunes have befallen us; but let us only cling closer to what remains, and transfer our love for those whom we have lost to those who yet live. Our circle will be small, but bound close by the ties of affection and mutual misfortune. And when time shall have softened your despair, new and dear objects of care will be born to replace those of whom we have been so cruelly deprived.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
There is nothing God loves more than keeping promises, answering prayers, performing miracles, and fulfilling dreams. That is who He is. That is what He does. And the bigger the circle we draw, the better, because God gets more glory. The greatest moments in life are the miraculous moments when human impotence and divine omnipotence intersect – and they intersect when we draw a circle around the impossible situations in our lives and invite God to intervene.
I promise you this: God is ready and waiting. So while I have no idea what circumstances you find yourself in, I’m confident that you are only a prayer away from a dream fulfilled, a promise kept, or a miracle performed.
It is absolutely imperative at the outset that you come to terms with this simple yet life-changing truth: God is for you. If you don’t believe that, then you’ll pray small timid prayers; if you do believe it, then you’ll pray big audacious prayers. And one way or another, your small timid prayers or bid audacious prayers will change the trajectory of your life and turn you into two totally different people. Prayers are prophecies. They are best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.
”
”
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
“
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
”
”
Émile Zola
“
Why is he using so many identities?” Sarah asks what I’m wondering out loud, her voice barely audible. “Why did you tell me about a Robbie and not a Robert?” “Robert is Robbie and Bo,” Caleb clarifies, as if we haven’t put that together. “Cora insisted on calling him Robert. My dad started calling him Robbie, so I did too. I think he mostly goes by Bo these days.” “So this is Robert who left his fiancée out of the blue? That Robert?” Sarah asks, pacing in small circles.
”
”
Hannah Bonam-Young (Out on a Limb)
“
I slid my thigh between her warm ones. Damp heat ground into my muscle as she clamped down and rolled her hips with a small helpless groan.
"That feel good, honey?" She was mostly shadows, and I itched to turn on a lamp so I could see her properly. But that would mean stopping, and I wasn't willing to let her go. I relied on touch, running my fingers along her arm, up to her neck, where sweat dewed on her skin. "You like riding my thigh?"
"Yes. Yes." That word again. Best word ever.
Her lips tickled mine as she panted, her sweet sex working in a little circle. I cupped her cheek and ate at her mouth as she took her pleasure. I'd been wanting to give it to her for so long. So fucking long. Her hands found my chest and slid down, mapping their way along my torso. It was nothing in the scheme of things, but that simple exploration, the way she whimpered and gasped into my mouth, sent licks of heat over my skin.
When her slim hand reached my cock and squeezed me through the barrier of my boxers, a groan tore from me. I shuddered, so close to coming from a furtive grope in the dark it would almost be funny if I weren't so worked up.
"Take it out," I rasped, flexing my thigh, knowing she'd feel it. I needed her hand on my bare skin. "Please."
Deftly she stole beneath the waistband and wrapped her fingers around my needy dick, giving it a firm tug. Then I was the one whimpering and gasping, fucking into the clasp of her hand because it felt so good. Sweet relief, hot pleasure.
”
”
Kristen Callihan (Make It Sweet)
“
I wanted that autumn, in my fervor, to state publicly that the whole system of book publishing and bookselling in the West did not foster the development of a spiritual culture. In past centuries writers wrote for a small circle of connoisseurs who in turn guided artistic taste, and high literature was created. But today publishers have their eye on mass sales, which so often entails the most indiscriminate taste; publishers make gifts to booksellers to please them; authors, in turn, depend on the mercy of their publishing houses.
”
”
Aleksandr Solzhenitsyn (Between Two Millstones, Book 1: Sketches of Exile, 1974–1978 (The Center for Ethics and Culture Solzhenitsyn Series))
“
The practice of faith and courage begins with the small details of daily life. The first step is to notice where and when one loses faith, to look through the rationalizations which are used to cover up this loss of faith, to recognize where one acts in a cowardly way, and again how one rationalizes it. To recognize how every betrayal of faith weakens one, and how increased weakness leads to new betrayal, and so on, in a vicious circle. Then one will also recognize that while one is consciously afraid of not being loved, the real, though usually unconscious fear is that of loving. To love means to commit oneself without guarantee, to give oneself completely in the hope that our love will produce love in the loved person. Love is an act of faith, and whoever is of little faith is also of little love. Can one say more about the practice of faith? Someone else might; if I were a poet or a preacher, I might try. But since I am not either of these, I cannot even try to say more about the practice of faith, but am sure that anyone who is really concerned can learn to have faith as a child learns to walk.
”
”
Erich Fromm (The Art of Loving)
“
why is space three-dimensional? Why isn’t it two, or four, or some other number of dimensions, like in science fiction? In fact, in M-theory space has ten dimensions (as well as the theory having one dimension of time), but it is thought that seven of the ten spatial directions are curled up very small, leaving three directions that are large and nearly flat. It is like a drinking straw. The surface of a straw is two-dimensional. However, one direction is curled up into a small circle, so that from a distance the straw looks like a one-dimensional line.
”
”
Stephen W. Hawking (Brief Answers to the Big Questions)
“
The Legend of Rainbow Bridge by William N. Britton
Just this side of heaven is a place called Rainbow Bridge
When a pet dies who has been especially close to a person here on earth, that pet goes to a Rainbow Bridge.
There are beautiful meadows and grassy hills there for all our special friends so they can run and play together.
There is always plenty of their favorite food to eat, plenty of fresh spring water for them to drink, and every day is filled with sunshine so our little friends are warm and comfortable.
All the pets that had been ill or old are now restored to health and youth.
Those that had been hurt or maimed are now whole and strong again, just as we remember them in our dreams of days gone by.
The pets we loved are happy and content except for one small thing.
Each one misses someone very special who was left behind.
They all run and play together, but the day comes when one of them suddenly stops and looks off into the distant hills.
It is as if they heard a whistle or were given a signal of some kind.
Their eyes are bright and intent.
Their body beings to quiver.
All at once they break away from the group, flying like a deer over the grass, their little legs carrying them faster and faster.
You have been spotted, and when you and your special friend finally meet, you hug and cling to them in joyous reunion, never to be parted again.
Happy kisses rain upon your face.
Your hands once again caress the beloved head.
You look once more into the trusting eyes of your pet so long gone from your life, but never gone from your heart.
Then with your beloved pet by your side, you will cross the Rainbow Bridge together.
Your Sacred Circle is now complete again.
”
”
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
“
Daniel had been inside the Bethel police station only once, when he'd chaperoned Trixie's second-grade class there on a field trip. He remembered the quilt that hung in the lobby, stars sewn to spell out "PROTECT AND SERVE" and the booking room where the whole class had taken a collective grinning mug shot.
He had not seen the conference room until this morning-a small, gray cubicle with a reverse mirrored window that some idiot contractor had put in backward so that from inside, Daniel could see the traffic of cops in the hallway checking their reflections.
”
”
Jodi Picoult (The Tenth Circle)
“
Then the waves increased in strength, and sought to improve his understanding, reconciling him to the multiform entity of which his present fragment was an infinitesimal part. They told him that every figure of space is but the result of the intersection by a plane of some corresponding figure of one more dimension—as a square is cut from a cube or a circle from a sphere. The cube and sphere, of three dimensions, are thus cut from corresponding forms of four dimensions that men know only through guesses and dreams; and these in turn are cut from forms of five dimensions, and so on up to the dizzy and reachless heights of archetypal infinity. The world of men and of the gods of men is merely an infinitesimal phase of an infinitesimal thing—the three-dimensional phase of that small wholeness reached by the First Gate, where ’Umr at-Tawil dictates dreams to the Ancient Ones. Though men hail it as reality and brand thoughts of its many-dimensioned original as unreality, it is in truth the very opposite. That which we call substance and reality is shadow and illusion, and that which we call shadow and illusion is substance and reality.
”
”
H.P. Lovecraft (The Dreams in the Witch House and Other Weird Stories)
“
Roz,” he said, and his thumb brushed her bottom lip. She shivered. “When I was up north and felt I would lose my mind among the dead... When I thought I would be the next to die, and on the worst days, when I hoped I would be... I thought of home. I thought of midnights beside the river, and the way the houses in Ombrazia are so close together, it makes the world feel small. I thought of running through the alleys, of sneaking out to the Mercato, of treading water in the summers. Those memories kept me sane. And you know what?” His eyes were endlessly sad. Dark and infinite. “You were in every single one of them. Everything that reminded me of home—everything that reminded me of happiness—centered around you. Every time I looked up at the moon, I remembered when we were nine and I asked what would happen if it fell from the sky. How you laughed yourself silly at me, and said that although space was infinite, the moon never stopped circling earth. How it couldn’t stop even if it wanted to. And even back then, I knew which one of us was the earth.”
[...]
“I wanted to be your earth,” Damian said, more softly now. “Just once. Just for a moment.
”
”
M.K. Lobb (Seven Faceless Saints (Seven Faceless Saints, #1))
“
When an independent company undertakes to travel across the plains, they are generally too independent for their own safety and good. There never was and never will be a people in heaven nor on earth, in time nor in eternity, that can be considered truly and entirely independent of counsel and direction. Our independent companies entertain the same mistaken views of independence as people generally do of the independence of a Republican Government. Man in his ignorance is impatient of control, and when he finds himself from under its influence he supposes that he is then independent, or, in other words, that he is a free man. Independence so viewed and so employed, either individually or collectively, religiously or politically, must open a wide arena of action for all the evil, selfish and malignant qualities of depraved men, introducing distraction into every ramification of society, destroying confidence, checking the onward progress of industry and universal prosperity, and bringing in famine, pestilence and destruction everywhere. . . . Individual self-government lies at the root of all true and effective government, whether in heaven or on earth. Those who govern should be wiser and better than the governed, that the lesser may be blessed of the greater. Were this so, then the people would willingly repose their dearest interests to the trusts of their rulers or leaders, and with a feeling of pleasure bow to and carry out to the letter their instructions and conclusions on all matters that pertained to the general good. This will apply to great kingdoms and mighty nations, to small companies of immigrants crossing the plains, or to the home circle. A Republican Government in the hands of a wicked people must terminate in woe to that people, but in the hands of the righteous it is everlasting, while its power reaches to heaven.
”
”
Brigham Young
“
We’re walking to our cars when Gabe says, “Hey, Lara Jean, did you know that if you say your name really fast, it sounds like Large? Try it! LaraJean.”
Dutifully I repeat, “LaraJean. Larjean. Largy. Actually I think it sounds more like Largy, not Large.”
Gabe nods to himself and announces, “I’m going to start calling you Large. You’re so little it’s funny. Right? Like those big guys who go by the name Tiny?”
I shrug. “Sure.”
Gabe turns to Darrell. “She’s so little she could be our mascot.”
“Hey, I’m not that small,” I protest.
“How tall are you?” Darrell asks me.
“Five two,” I fib. It’s more like five one and a quarter.
Tossing his spoon in the trash, Gabe says, “You’re so little you could fit in my pocket!” All the guys laugh. Peter’s smiling in a bemused way. Then Gabe suddenly grabs me and throws me over his shoulder like I’m a kid and he’s my dad.
“Gabe! Put me down!” I shriek, kicking my legs and pounding on his chest.
He starts spinning around in a circle, and all the guys are cracking up. “I’m going to adopt you, Large! You’re going to be my pet. I’ll put you in my old hamster cage!”
I’m giggling so hard I can’t catch my breath and I’m starting to feel dizzy. “Put me down!”
“Put her down, man,” Peter says, but he’s laughing too.
Gabe runs toward somebody’s pickup truck and sets me down in the back. “Get me out of here!” I yell. Gabe’s already running away. All the guys start getting into their cars. “Bye, Large!” they call out. Peter jogs over to me and extends his hand so I can hop down.
“Your friends are crazy,” I say, jumping onto the pavement.
“They like you,” he says.
“Really?”
“Sure. They used to hate when I would bring Gen places. They don’t mind if you hang out with us.” Peter slings his arm around me. “Come on, Large. I’ll take you home.”
As we walk to his car, I let my hair fall in my face so he doesn’t see me smiling. It sure is nice being part of a group, feeling like I belong.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes.
Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news.
When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction.
“No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.”
Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.”
“’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision.
“Look, I’m doing this. I was just asking you to come along with me.”
“You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.”
She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.”
Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes.
“Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her.
She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did.
His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going.
“So, how is this going to work?” he demanded roughly against the top of her head.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
At the beginning we have to learn the art of listening, the art of being present, attentive, and empty. We have to learn to catch the still, small voice of our Beloved, and not interrupt, not ask too many questions. We have to learn to be silent, because listening is born from silence. But the listening of the heart is always an act of love, a coming together, even when nothing is heard. Listening is a wisdom so easily overlooked, because it is feminine, receptive, hidden, and our culture values only what is visible. But Rûmî knew how central a part it plays in our loving, in our wordless relationship with our Beloved:
'Make everything in you an ear, each atom of your being, and you will hear at every moment what the Source is whispering to you, just to you and for you, without any need for my words or anyone else’s. You are--we all are--the beloved of the Beloved, and in every moment, in every event of your life, the Beloved is whispering to you exactly what you need to hear and know. Who can ever explain this miracle? It simply is. Listen and you will discover it every passing moment. Listen, and your whole life will become a conversation in thought and act between you and Him, directly, wordlessly, now and always.'
How can we learn this art of listening? How can we learn to hear what He says? How can we learn to be a part of His silence when nothing is said? How does the heart listen?
”
”
Llewellyn Vaughan-Lee (The Circle of Love)
“
The Never Unfriended Promise
I promise I will never unfriend you.
Not with the swipe of my finger, not with the roll of my eyes, not with a mean word said behind your back, or a circle too small to pull up one more chair.
I choose to like you.
I choose to choose you. To include you. To invite you.
Even on the days we hit road bumps. I don’t want another friendship break up. I want a friendship that won’t give up.
So, I give you my too-loud laughter and my awkward tears.
I give you my sofa for the days you just can’t even. And the nights you need a safe place to feel heard without saying a word.
Let there be coffee and long conversations.
Let there be messy, ordinary Tuesdays where neither of us is embarrassed by our dust bunnies.
I won't try to force our friendship into jeans that won't fit.
I won't treat you like a quick fix.
I will like you just the way you are.
Because I believe in guilt-free friendship.
And on the days we’re tangled up in our own insecurities let’s agree to give each other the gift of the benefit of the doubt. Wrapped up with the giant bow of believing the best about each other, even when we don’t feel like it.
I'm sure I won't always get it right.
But I'll keep showing up.
With encouragement instead of competition. With Kleenex, big news or sad news on the bad hair days and the Mondays and all the in between days with their ordinary news too.
Friendship on purpose.
Here's to me and you.
”
”
Lisa-Jo Baker (Never Unfriended: The Secret to Finding and Keeping Lasting Friendships)
“
Clearly historical events have varying degrees of intensity. Some may almost fail to impinge on true reality, that is, on the central, most personal part of a person's life. Others can wreak such havoc there that nothing is left standing. The usual way in which history is written fails to reveal this. '1890: Wilhelm II dismisses Bismark.' Certainly a key event in German history, but scarcely an event at all in the biography of any German outside its small circle of protagonists. Life went on as before. No family was torn apart, no friendship broke up, no one fled their country. Not even a rendezvous was missed or an opera performance cancelled. Those in love, whether happily or not, remained so; the poor remained poor and the rich rich. Now compare that with '1933: Hindenburg sends for Hitler.' An earthquake shatters sixty - six million lives.
Official academic history has nothing to tell us about the differences in intensity of historical occurrences. To learn about that, you must read biographies, not those of statesmen but the all too rare ones of unknown individuals. There you will see that one historical event passes over the private (real) lives of people like a cloud over a lake. Nothing stirs, there is only a fleeting shadow. Another event whips up the lake as if in a thunderstorm. For a while it is scarcely recognisable. A third may, perhaps, drain the lake completely. I believe history is misunderstood if this aspect is forgotton (and it is usually forgotton).
”
”
Sebastian Haffner (Defying Hitler)
“
I guess what concerned me most about the small lie was the danger of it becoming a habit. I’ve seen many times over the years how liars get so good at lying, they lose the ability to distinguish between what’s true and what’s not. They surround themselves with other liars. The circle becomes closer and smaller, with those unwilling to surrender their moral compasses pushed out and those willing to tolerate deceit brought closer to the center of power. Perks and access are given to those willing to lie and tolerate lies. This creates a culture, which becomes an entire way of life. The easy, casual lies—those are a very dangerous thing. They open up the path to the bigger lies, in more important places, where the consequences aren’t so harmless.
”
”
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
Most people-all, in fact, who regard the whole heaven as finite-say it lies at the centre. But the Italian philosophers known as Pythagoreans take the contrary view. At the centre, they say, is fire, and the earth is one of the stars, creating night and day by its circular motion about the centre. They further construct another earth in opposition to ours to which they give the name counterearth. In all this they are not seeking for theories and causes to account for observed facts, but rather forcing their observations and trying to accommodate them to certain theories and opinions of their own. But there are many others who would agree that it is wrong to give the earth the central position, looking for confirmation rather to theory than to the facts of observation. Their view is that the most precious place befits the most precious thing: but fire, they say, is more precious than earth, and the limit than the intermediate, and the circumference and the centre are limits. Reasoning on this basis they take the view that it is not earth that lies at the centre of the sphere, but rather fire. The Pythagoreans have a further reason. They hold that the most important part of the world, which is the centre, should be most strictly guarded, and name it, or rather the fire which occupies that place, the 'Guardhouse of Zeus', as if the word 'centre' were quite unequivocal, and the centre of the mathematical figure were always the same with that of the thing or the natural centre. But it is better to conceive of the case of the whole heaven as analogous to that of animals, in which the centre of the animal and that of the body are different. For this reason they have no need to be so disturbed about the world, or to call in a guard for its centre: rather let them look for the centre in the other sense and tell us what it is like and where nature has set it. That centre will be something primary and precious; but to the mere position we should give the last place rather than the first. For the middle is what is defined, and what defines it is the limit, and that which contains or limits is more precious than that which is limited, see ing that the latter is the matter and the former the essence of the system. (2-13-1)
There are similar disputes about the shape of the earth. Some think it is spherical, others that it is flat and drum-shaped. For evidence they bring the fact that, as the sun rises and sets, the part concealed by the earth shows a straight and not a curved edge, whereas if the earth were spherical the line of section would have to be circular. In this they leave out of account the great distance of the sun from the earth and the great size of the circumference, which, seen from a distance on these apparently small circles appears straight. Such an appearance ought not to make them doubt the circular shape of the earth. But they have another argument. They say that because it is at rest, the earth must necessarily have this shape. For there are many different ways in which the movement or rest of the earth has been conceived. (2-13-3)
”
”
Aristotle (The Works of Aristotle, Vol. 7: On the Heavens)
“
In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.
”
”
C.S. Lewis (The Screwtape Letters)
“
We started this book talking about moths. Moths navigate using moonlight, and in the world they were programmed to live in, that system worked fine. The issue for today’s moths is that their environment has changed but their programming has not, so now they spend their nights doing pointless circles around your porch light. I’m pretty sure this is our situation too. Human nature is a specific software program optimized for a specific purpose: survival in a small tribe, a long time ago. The modern world is nothing like the environment we were made for. This is why we made liberal democracies. Remember this? The liberal democracy is an artificial environment, carefully crafted to both contain human nature and convert it into an engine of progress. Like all environments, it’s a behavior-shaping mechanism.
”
”
Tim Urban (What's Our Problem?: A Self-Help Book for Societies)
“
I want to be married,” I blurted. “I want you to marry me.”
Fuuuuuuuck.
And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated.
In the circle of my arms, Chloe grew very still. “What did you just say?”
I had completely botched the plan, but it was too late to turn back now.
“I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.”
She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth.
“I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.”
Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.”
Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—”
She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face.
I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked.
“You tell me, genius.”
“Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.”
“It’s a ring, dummy. For you.”
My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?”
She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle.
“You were going to propose to me?” I asked, still completely confused. “Do women even do that?”
She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.”
“So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?”
“You tell me!” she yelled, but she was smiling.
“Technically you haven’t asked yet.”
“Goddamnit, Bennett! You haven’t, either!”
“Will you marry me?” I asked, laughing.
“Will you marry me?”
With a growl, I took the box and dropped it on the floor, flipping her onto her back.
”
”
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
“
You can sit,” Maggot said in a small, shy voice.
Mia did as she was bid, holding her throbbing hand to her chest. Maggot toddled across the room, fishing about in a series of chests. She returned with a handful of wooden splints and a ball of woven brown cotton.
“Hold out your hand,” the girl commanded.
Mia’s shadow swelled, Mister Kindly drinking her fear at the thought of what was to come. Maggot looked her digits over, stroking her chin. And gentle as falling leaves, she took hold of Mia’s smallest finger.
“It won’t hurt,” she promised. “I’m very good at this.”
“All riiiiiaaaaaaaaaaaaAAAGHH!” Mia howled as Maggot popped her finger back into place, quick as silver. She rose from the slab and bent double, clutching her hand.
“That HURT!” she yelled.
Maggot gave a solemn nod. “Yes.”
“You promised it wouldn’t!”
“And you believed me.” The girl smiled sweet as sugarfloss. “I told you, I’m very good at this.” She motioned to the slab again. “Sit back down.”
Mia blinked back hot tears, hand throbbing in agony. But looking at her finger, she could see Maggot had worked it right, popping the dislocated joint back into place neat as could be. Breathing deep, she sat back down and dutifully proffered her hand.
The little girl took hold of Mia’s ring finger, looked up at her with big, dark eyes.
“I’m going to count three,” she said.
“All riiiiiaaaaaaaaaaaaFUCK!” Mia roared as Maggot snapped the joint back into place. She rose and half-danced, half-hopped about the room, wounded hand between her legs. “Shit cock twat fucking fuckitall!”
“You swear an awful lot,” Maggot frowned.
“You said you were going to count three!”
Maggot nodded sadly. “You believed me again, didn’t you?”
Mia winced, teeth gritted, looking the girl up and down.
“ . . . You are very good at this,” she realized.
Maggot smiled, patted the bench. “Last one.”
Sighing, Mia sat back down, hand shaking with pain as Maggot gently took hold of her middle finger. She looked at Mia solemnly.
“Now this one is really going to hurt,” she warned.
“Wa—” The Blade flinched as Maggot popped the finger back in.
Mia blinked.
“Ow?” she said.
“All done,” Maggot smiled.
“But that was the easiest of the lot?” Mia protested.
“I know,” Maggot replied. “I’m—”
“—very good at this,” they both finished.
Maggot began splinting Mia’s fingers, binding them tight to limit their movement. The three circles branded into the little girl’s cheek weren’t so much of a mystery anymore . . .
”
”
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
“
A starling sits on a wire on the busy street, and I watch him as I wait at a red light. He flies down to a spot in the middle of the road, walks around with that curious, potbellied strut, neck craned at something that lies in the road. Food? The traffic thickens and roars up, and the bird rises back up to the wire, only to drop down again, walking tight circles around the object. My car nears, and my heart sinks to see that the bundle in the road is another starling, just killed. Fearless, the starling dodges trucks and cars to be near the lifeless mess that was its mate. An hour later, the bird still sits on the wire, watching the little spot of feathers. I wonder whether anyone else passing noticed this small tragedy, and I remember a fragment of verse about swatting a mosquito: a life so small, but to itself, so dear.
”
”
Julie Zickefoose (Letters From Eden: A Year at Home, in the Woods)
“
At that time I was still naive enough to try to make clear to them the madness of their ideas; in my small circle I talked until my tongue was weary and till my throat was hoarse, and I thought I could succeed in convincing them of the destructiveness of their Marxist doctrine of irrationality; but the result was contrary. It seemed as though the increasing realization of the destructive influence of Social Democratic theories would serve only to strengthen their determination.
The more I argued with them, the more I got to know their dialectics. First they counted on the ignorance of their adversary; then, when there was no way out, they themselves pretended stupidity. If all this was of no avail, they refused to understand or they changed the subject
when driven into a corner; they brought up truisms, but they immediately transferred their acceptance to quite
different subjects, and, if attacked again, they gave way and pretended to know nothing exactly. Wherever one attacked one of these prophets, one's hands seized slimy jelly; it slipped through one's fingers only to collect again in the next moment. If one smote one of them so thoroughly that, with the bystanders watching, he could but agree, and if one thus thought he had advanced at least one step, one was greatly astonished the following day. The Jew did not in the least remember the day before, he continued to talk in the same old strain as if nothing had happened, and if indignantly confronted, he pretended to be astonished and could not remember anything except that his assertions
had already been proved true the day before.
Often I was stunned. One did not know what to admire more: their glibness of
tongue or their skill in lying.
I gradually began to hate them.
”
”
Adolf Hitler (Mein Kampf)
“
One pioneer remembered seeing “an open bleak prairie, the cold wind howling overhead…a new-made grave, a woman and three children sitting near by, a girl of 14 summers walking round and round in a circle, wringing her hands and calling upon her dead parent.” Janette Riker was only a young girl when she headed for Oregon with her father and two brothers in 1849. Late in September they camped in a valley in Montana, and the men went out to hunt. They never returned. While she waited, Janette built a small shelter, moved the wagon stove in with all the provisions and blankets, and hunkered down. She killed the fattest ox from her family’s herd, salted down the meat, and lived alone through the winter, amid howling wolves and mountain lions. She was discovered in April by Indians who were so impressed by her story that they took her to a fort in Washington. She never found out what happened to her family.
”
”
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
“
It might be useful here to say a word about Beckett, as a link between the two stages, and as illustrating the shift towards schism. He wrote for transition, an apocalyptic magazine (renovation out of decadence, a Joachite indication in the title), and has often shown a flair for apocalyptic variations, the funniest of which is the frustrated millennialism of the Lynch family in Watt, and the most telling, perhaps, the conclusion of Comment c'est. He is the perverse theologian of a world which has suffered a Fall, experienced an Incarnation which changes all relations of past, present, and future, but which will not be redeemed. Time is an endless transition from one condition of misery to another, 'a passion without form or stations,' to be ended by no parousia. It is a world crying out for forms and stations, and for apocalypse; all it gets is vain temporality, mad, multiform antithetical influx.
It would be wrong to think that the negatives of Beckett are a denial of the paradigm in favour of reality in all its poverty. In Proust, whom Beckett so admires, the order, the forms of the passion, all derive from the last book; they are positive. In Beckett, the signs of order and form are more or less continuously presented, but always with a sign of cancellation; they are resources not to be believed in, cheques which will bounce. Order, the Christian paradigm, he suggests, is no longer usable except as an irony; that is why the Rooneys collapse in laughter when they read on the Wayside Pulpit that the Lord will uphold all that fall.
But of course it is this order, however ironized, this continuously transmitted idea of order, that makes Beckett's point, and provides his books with the structural and linguistic features which enable us to make sense of them. In his progress he has presumed upon our familiarity with his habits of language and structure to make the relation between the occulted forms and the narrative surface more and more tenuous; in Comment c'est he mimes a virtually schismatic breakdown of this relation, and of his language. This is perfectly possible to reach a point along this line where nothing whatever is communicated, but of course Beckett has not reached it by a long way; and whatever preserves intelligibility is what prevents schism.
This is, I think, a point to be remembered whenever one considers extremely novel, avant-garde writing. Schism is meaningless without reference to some prior condition; the absolutely New is simply unintelligible, even as novelty. It may, of course, be asked: unintelligible to whom? --the inference being that a minority public, perhaps very small--members of a circle in a square world--do understand the terms in which the new thing speaks. And certainly the minority public is a recognized feature of modern literature, and certainly conditions are such that there may be many small minorities instead of one large one; and certainly this is in itself schismatic. The history of European literature, from the time the imagination's Latin first made an accommodation with the lingua franca, is in part the history of the education of a public--cultivated but not necessarily learned, as Auerbach says, made up of what he calls la cour et la ville. That this public should break up into specialized schools, and their language grow scholastic, would only be surprising if one thought that the existence of excellent mechanical means of communication implied excellent communications, and we know it does not, McLuhan's 'the medium is the message' notwithstanding. But it is still true that novelty of itself implies the existence of what is not novel, a past. The smaller the circle, and the more ambitious its schemes of renovation, the less useful, on the whole, its past will be. And the shorter. I will return to these points in a moment.
”
”
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
“
When she finally reached it, she bent forward and looked through the peephole.
Jay was grinning back at her from outside.
Her heart leaped for a completely different reason.
She set aside her crutches and quickly unbolted the door to open it.
"What took you so long?"
Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here."
"Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her.
She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow."
"I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly.
"What is it?" she asked breathlessly.
He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there.
And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of.
"Whose is it?" she asked admiringly. It was way better than her crappy little Honda.
Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance."
"Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time.
"I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?"
Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child."
"I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him.
He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness.
At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her.
It was the safest she'd felt in days...maybe weeks...
And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
The Peloponnesians arranged their ships in such a manner as to make the largest possible circle without leaving space to break through, turning their prows outwards and their sterns inwards; within the circle they placed the smaller craft which accompanied them, and five of their swiftest ships that they might be close at hand and row out at whatever point the enemy charged them.
The Athenians ranged their ships in a single line and sailed round and round the Peloponnesian fleet, which they drove into a narrower and narrower space, almost touching as they passed, and leading the crews to suppose that they were on the point of charging.
But they had been warned by Phormio not to begin until he gave the signal, for he was hoping that the enemy's ships, not having the steadiness of an army on land, would soon fall into disorder and run foul of one another; they would be embarrassed by the small craft, and if the usual morning breeze, for which he continued waiting as he sailed round them, came down from the gulf, they would not be able to keep still for a moment. He could attack whenever he pleased, because his ships were better sailers; and he knew that this would be the right time. When the breeze began to blow, the ships, which were by this time crowded into a narrow space and were distressed at once by the force of the wind and by the small craft which were knocking up against them, fell into confusion; ship dashed against ship, and they kept pushing one another away with long poles; there were cries of 'keep off' and noisy abuse, so that nothing could be heard either of the word of command or of the coxswains' giving the time; and the difficulty which unpractised rowers had in clearing the water in a heavy sea made the vessels disobedient to the helm.At that moment Phormio gave the signal; the Athenians, falling upon the enemy, began by sinking one of the admirals' vessels, and then wherever they went made havoc of them.
(Book 2 Chapter 83.5-84.3)
”
”
Thucydides (History of the Peloponnesian War: Books 1-2)
“
So how does a woman know how to fight man to man?" another boy sniggered, loud enough so that he was heard. Shazad's eyebrows went up. I stepped back.
...
"I'll tell you what," Shazad turned toward him. "Why don't you come and face me? Anyone who can land a blow can take over this training." A small audience was gathering by now. Everyone who'd ever seen Shazad fight knew exactly where this was going. The rebels were elbowing one another slyly as the boy stepped forward, looking all too confident.
...
"Doesn't seem like a fair fight to me," the boy said, too lightly. The boy was at least twice Shazad's weight, broad where she was slim--slimmer still, after her time in Eremot.
...
"It's not even close to a fair fight," Jin commented from the sidelines. We'd all formed a circle now, watching.
...
"Oh, my friend," Sam clapped the boy on his back. "I'm sorry for your loss."
"My loss?" The young idiot said.
"Of your dignity." He gave him a rueful smile before stepping back to stand next to me.
”
”
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
“
It was one of those rare moments where one has a vision of the scope of the wild ocean. Not just small cylinders firing to keep a tiny engine running, but rather the giant, massive gears of nature, each one with its own reasoning, its own meta-logic, spinning in its particular circle in competition or in confluence with the gear below it. We zeroed in on the school, but our progress was painfully slow, It would have been foolish to speed into the tumult-we would have ruined our baits in the process and doomed our chances of hooking a tuna.
But luckily, the commotion did not subside. If anything it only grew more frantic and exhuberant on our approach. Beneath the birds, beneath the dolphins, beneath the menhaden, there should have been an equally vast school of giant bluefin tuna, collaborating with vertebrates of the so-called higher orders of life to form the floor of the prey trap, sealing the baitfish in from below, while the dolphins and birds made up the trap's walls and ceiling. A strike from a giant tuna seemed inevitable.....as the boat moved forward, I saw seabirds gathering up ahead into a cloud, the size and violence of which I had never seen before. Gannets - big, albatross-like pelagic birds - flew hundreds of feet above the churning surface of the water. In a flock of many thousands, they whirled in unison and then, as if on command from some brigadier general of bird life, dropped in an arc, bird after bird, into the water beneath. The gyre of gannets turned in a clockwise direction, and down below, spinning counterclockwise, was the largest school of dolphins I'd ever seen. There in the angry blue-green sea, the dolphins had corralled a vast school of menhaden-small herringlike creatures that, when bitten, release globules of oil that float on the surface. Oil slicks flattened the water everywhere as the dolphins swirled around, using their exceptional intelligence and wolf-pack cooperation to befuddle and surround the fish, which in turn whirled in a clockwise direction.
”
”
Paul Greenberg (Four Fish: The Future of the Last Wild Food)
“
Camera
You want this instant:
nearly spring, both of us walking,
wind blowing
walking
sunlight knitting the leaves before our eyes
the wind empty as Sunday
rain drying
in the wormy sidewalk puddles
the vestiges of night on our
lightscratched eyelids, our breezy fingers
you want to have it and so
you arrange us:
in front of a church, for perspective,
you make me stop walking
and compose me on the lawn;
you insist
that the clouds stop moving
the wind stop swaying the church
on its boggy foundations
the sun hold still in the sky
for your organized instant.
Camera man
how can I love your glass eye?
Wherever you partly are
now, look again
at your souvenir,
your glossy square of paper
before it dissolves completely:
it is the last of autumn
the leaves have unravelled
the pile of muddy rubble
in the foreground, is the church
the clothes I wore
are scattered over the lawn
my coat flaps in a bare tree
there has been a hurricane
that small black speck
travelling towards the horizon
at almost the speed of light
is me
”
”
Margaret Atwood (The Circle Game: Poems)
“
And . . . I owe you.” Selene didn’t explain because she knew he’d think she was referring to when Meghan saved her life. That was fine with her. Telling him exactly how she owed him would strip her open too bare and she wasn’t willing to let anyone see that vulnerable side of her.
“Telling the truth again.” He frowned now, true confusion in his gaze. Whether from her words or the fact that she was letting him in on this op. “You plan to try to bring me in after the op?”
“No.” That was actually the truth. Wesley, however, was a different story. But she refused to let her mind go there, knowing Levi would pick up on it.
Levi started to respond when a burst of gunfire from the pool area made them both turn at the noise. Selene automatically moved off the bench, crouching down behind it and to her surprise Levi moved in front of her, blocking her even though they were too far away to be in any danger from what she could hear.
“This is what happens when you get a bunch of criminals under the same roof,” he muttered.
She snorted in agreement. “I’m leaving using the beach. You’re free to join me.” There hadn’t been any more gunfire so likely the guards had the situation under control but she wasn’t heading back up there. She’d already had her meeting so she had no reason to return.
Now he snorted as he turned to face her, still crouching low. He slid his long, callused hands down her bare arms. This time she couldn’t hide the shiver. “Oh, I’m joining you,” he murmured, a seductive note in his voice.
But the timing was all wrong. For once she wished she understood the opposite sex more. What was he doing? She’d already told him he could come on the op with her. Her nipples tightened and her body hummed with a strange anticipation as he lightly held her wrists in both hands, his thumbs rubbing her inner wrist in small circles. She started to pull back and he let go of one of her wrists. As she pushed out a sigh of relief, the feel of cold steel skimmed her skin just as the soft snick of handcuffs clicked into place.
”
”
Katie Reus (Shattered Duty (Deadly Ops, #3))
“
She’s trying to coax me away from him, speaking in a gentle voice, the way you’d speak to a child or to a frightened animal, not condescending, just gently, respectfully coaxing me to rise and come away and leave my brother here, and I know what this coaxing means, somewhere inside I do in the small, small place where I’m still sane, the small, small place where I’m not casting ancient spells of prophylaxis and reversal according to the ur-control scenario, where is where I am right now, in the magic kingdom that I’m the king and only god of, where nothing ever happens except as I command it, and nothing can ever hurt me so long as I stay inside the magic circle, and maybe that’s why something inside me larger than I am bids me to go back now to that awful scene upon that awful highway to suffer now what I didn’t suffer then because I wasn’t really there the first time. And though I’m not really there, I know what her expression means, this stranger’s, and I’m not having it, not from her or anyone, I don’t want to be awakened
”
”
David Payne (Barefoot to Avalon: A Brother's Story)
“
Rhys looked them each in the eye, even my sisters, his hand brushing the back of my own.
'Do you want the inspiring talk or the bleak one?' he asked.
'We want the real one,' Amren said.
Rhys pushed his shoulders back, elegantly folding his wings behind him. 'I believe everything happens for a reason. Whether it is decided by the Mother, of the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as the price we're going to face today. If I had not met an Illyrian warrior-in-training,' he said to Cassian, 'I would not have known the true depth of strength, of resilience, of honour and loyalty.' Cassian's eyes gleamed bright. Rhys said to Azriel, 'If I had not met a shadowsinger, I would not have known that it is the family you make not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair.' Azriel bowed his head in thanks.
Mor was already crying when Rhys spoke to her. 'If I had not met my cousin, I would never have learned that light can be found in even the darkest of hells. That kindness can thrive even amongst cruelty.' She wiped away her tears as she nodded.
I waited for Amren to offer a retort. But she was only waiting.
Rhys bowed his head to her. 'If I had not met a tiny monster who hoards jewels more fiercely than a firedrake...' A quiet laugh from all of us at that. Rhys smiled softly. 'My own power would have consumed me long ago.'
Rhys squeezed my hand as he looked to me at last. 'And if I had not met my mate...' His words failed him as silver lined his eyes.
He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it.
He wiped away the tears sliding down my face. 'I believe that everything happened, exactly the way it had to... so I could find you.' He kissed another tear away.
And then he said to my sisters, 'We have not known each other for long. But I have to believe that you were brought here, into our family, for a reason, too. And maybe today we'll find out why.'
He surveyed them all again- and held out his hand to Cassian. Cassian took it, and held out his other for Mor. Then Mor extended her other to Azriel. Azriel to Amren. Amren to Nesta. Nesta to Elain. And Elain to me. Until we were all linked, all bound together.
Rhys said, 'We will walk out onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today...' His chin lifted. 'The great joy and honour of my life has been to know you. To call you my family. And I am grateful- more than I can possibly say- that I was given this time with you all.'
'We are grateful, Rhysand,' Amren said quietly. 'More than you know.'
Rhys gave her a small smile as the others murmured their agreement.
He squeezed my hand again as he said, 'Then let's go make Hybern very ungrateful to have known us, too.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Okay," she said, breathless. "But just be quick about it. Please."
He looked up from her breasts to her face. "Stamina is usually considered a good thing in a man."
She tried to catch her breath. "It's... uncomfortable. I'm not good at this," she confessed. "I don't like to drag things out.:
His eyebrows slid up a fraction, his voice deepening to a silky smoothness. "Is that so?" And then ever so slowly, ever so carefully, he licked a lazy circle around her nipple.
A small moan escaped her throat, taking her by surprise and embarrassing her.
His lips twitched. Then he licked the nipple itself.
She moaned again, started by the pleasure.
Then he took her nipple into his mouth, sucked hard suddenly, and she felt moisture gather between her legs. When he moved to the other nipple while rubbing the first between his thumb and index fingers, she reached down to run her hands over his back and wide shoulders, over his hot, smooth skin, wanting to touch him as much as wanting to hold him in place.
He looked up. "For someone who's not good at this, you're amazingly responsive.
”
”
Dana Marton (Broslin Bride: Gone and Done it (Broslin Creek, #5))
“
Cassian said it might be... good if I came.'
Elain's eyes flickered. 'Did Feyre pay you, like last year?'
'No.' Shame washed through her.
Elain sighed, glancing over Nesta's shoulder to the open doorway across the entry. The party within, only for their small inner circle. 'Please don't upset Feyre. It's her birthday, first of all. And in her state-'
'Oh, fuck you,' Nesta snapped, and then choked.
Elain blinked. Nesta blinked back, horror lurching through her.
And then Elain burst out laughing.
Howling, half-sobbing laughs that sent her bending over at the waist, gasping for breath. Nesta just stared, torn between questions and wanting to throw herself into the icy Sidra. 'I- I'm so sorry-'
Elain held up a hand, wiping her eyes with the other. 'You've never said such a thing to me!' She laughed again. 'I think that's a good sign, isn't it?'
Nesta shook her head slowly, not understanding. Elain just linked her arm through Nesta's and led her toward the family room, where Azriel stood in the doorway, monitoring them. As if he'd heard Elain's sharp laugh and wondered what had caused it.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
Arthur tried to gauge the speed at which they were traveling, but the blackness outside was absolute and he was denied any reference points. The sense of motion was so soft and slight he could almost believe they were hardly moving at all. Then a tiny glow of light appeared in the far distance and within seconds had grown so much in size that Arthur realized it was traveling toward them at a colossal speed, and he tried to make out what sort of craft it might be. He peered at it, but was unable to discern any clear shape, and suddenly gasped in alarm as the aircar dipped sharply and headed downward in what seemed certain to be a collision course. Their relative velocity seemed unbelievable, and Arthur had hardly time to draw breath before it was all over. The next thing he was aware of was an insane silver blur that seemed to surround him. He twisted his head sharply round and saw a small black point dwindling rapidly in the distance behind them, and it took him several seconds to realize what had happened. They had plunged into a tunnel in the ground. The colossal speed had been their own, relative to the glow of light which was a stationary hole in the ground, the mouth of the tunnel. The insane blur of silver was the circular wall of the tunnel down which they were shooting, apparently at several hundred miles an hour. He closed his eyes in terror. After a length of time which he made no attempt to judge, he sensed a slight subsidence in their speed and some while later became aware that they were gradually gliding to a gentle halt. He opened his eyes again. They were still in the silver tunnel, threading and weaving their way through what appeared to be a crisscross warren of converging tunnels. When they finally stopped it was in a small chamber of curved steel. Several tunnels also had their termini here, and at the farther end of the chamber Arthur could see a large circle of dim irritating light. It was irritating because it played tricks with the eyes, it was impossible to focus on it properly or tell how near or far it was. Arthur guessed (quite wrongly) that it might be ultraviolet. Slartibartfast turned and regarded Arthur with his solemn old eyes. “Earthman,” he said, “we are now deep in the heart of Magrathea.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
And she loved you with all her heart."
He sprang to his feet and walked up and down the small room.
"I don't want love. I haven't time for it. It's weakness. I am a man, and sometimes I want a woman. When I’ve satisfied my passion I'm ready for other things.I can't overcome my desire, but I hate it; it imprisons my spirit; I look forward to the time when I shall be free from all desire and can give myself without hindrance to my work. Because women can do nothing except love, they've given it a ridiculous importance. They want to persuade us that it's the whole of life. It's an insignificant part. I know lust. That's normal and healthy. Love is a disease. Women are the instruments of my pleasure; I have no patience with their claim to be helpmates, partners, companions. “
I had never heard Strickland speak so much at one time. He spoke with a passion of indignation. But neither here nor elsewhere do I pretend to give his exact words; his vocabulary was small, and he had no gift for framing sentences, so that one had to piece his meaning together out of interjections, the expression of his face, gestures and hackneyed phrases.
"You should have lived at a time when women were chattels and men the masters of slaves, “ I said.
"It just happens that I am a completely normal man."
I could not help laughing at this remark, made in all seriousness; but he went on, walking up and down the room like a caged beast, intent on expressing what he felt, but found such difficulty in putting coherently.
"When a woman loves you she's not satisfied until she possesses your soul. Because she's weak, she has a rage for domination, and nothing less will satisfy her.She has a small mind and she resents the abstract which she is unable to grasp. She is occupied with material things, and she is jealous of the ideal. The soul of man wanders through the uttermost regions of the universe, and she seeks to imprison it in the circle of her account-book. Do you remember my wife? I saw Blanche little by little trying all her tricks. With infinite patience she prepared to snare me and bind me. She wanted to bring me down to her level; she cared nothing for me, she only wanted me to be hers. She was willing to do everything in the world for me except the one thing I wanted: to leave me alone.
”
”
W. Somerset Maugham
“
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her.
I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere.
I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again.
I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly.
I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad.
“I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either.
The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi.
The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.'
When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
”
”
Ashley Woodfolk (When You Were Everything)
“
If the global pie stayed the same size, there was no margin for credit. Credit is the difference between today’s pie and tomorrow’s pie. If the pie stays the same, why extend credit? It would be an unacceptable risk unless you believed that the baker or king asking for your money might be able to steal a slice from a competitor. So it was hard to get a loan in the premodern world, and when you got one it was usually small, short-term, and subject to high interest rates. Upstart entrepreneurs thus found it difficult to open new bakeries and great kings who wanted to build palaces or wage wars had no choice but to raise the necessary funds through high taxes and tariffs. That was fine for kings (as long as their subjects remained docile), but a scullery maid who had a great idea for a bakery and wanted to move up in the world generally could only dream of wealth while scrubbing down the royal kitchen’s floors. The Magic Circle of the Modern Economy It was lose-lose. Because credit was limited, people had trouble financing new businesses. Because there were few new businesses, the economy did not grow. Because it did not grow, people assumed it never would, and those who had capital were wary of extending credit. The expectation of stagnation fulfilled itself.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.
”
”
David Epstein (Range: Why Generalists Triumph in a Specialized World)
“
I’m afraid to go back,” she admitted. “I feel as if something bad will happen. It doesn’t seem real that we can truly be together now.” “We can’t hide here forever,” Kev murmured, stroking her hair. “Nothing will happen, love. We’ve gone too far to turn back. You’re mine now, and no one can change that. Are you afraid of Harrow? Is that it?” “Not afraid, exactly. But I’m not looking forward to facing him.” “Of course not,” Kev said quietly. “I’ll help you through it. I’ll talk to him first.” “I don’t think that would be wise,” she said uncertainly. “I insist on it. I won’t lose my temper. But I’m going to take responsibility for what I’ve done. I would hardly leave you to handle the consequences without me.” Win lowered her cheek to his shoulder. “Are you certain nothing will happen to change your mind about marrying me?” “Nothing in the world could do that.” Feeling the tension in her body, he ran his hands over her, lingering on her chest, where every heartbeat was a hard, anxious collision. He rubbed a circle to soothe her. “What can I do to make you feel better?” he asked tenderly. “I already told you, and you wouldn’t,” she said in a small, sullen voice, and that drew a smothered laugh from him. “Then you’ll have your way,” he whispered. “But slowly, so I won’t hurt you.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
Fortnite has taken the world by storm and everyone is playing it from young kids to their parents! With so many people playing the game, everyone wants to be the best among their friends. You want to have an edge over your opponents and get wins so that you can have some bragging rights over your friends! After putting countless hours into the game myself as well as watching many streamers for a long time, I have come up with this guide to help you maximize your chances of achieving a victory royale. The big difference between this guide and many other guides out there is that I have actually written this guide myself rather than outsourcing it to a 3rd party that has never even played Fortnite. I have personally tested and used all these strategies myself and they have all helped me to improve my game. When starting out at the game like many others, I was constantly getting frustrated and rarely even getting to the top 10. Even if I did get that, then it was by playing too safe and never even seeing anyone until the circle got small enough. By learning from my mistakes and learning how to play the game properly, I was able to learn how to come out on top consistently. In this guide I will outline what you may be doing wrong and how to correct it. Many of these will be relatable and fixing some of these simple mistakes will allow you to start performing much better with more
”
”
Sebastian Dark (Fortnite Battle Royale: The Ultimate Guide On How I Went From Noob To Pro)
“
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon.
As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal.
On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks.
Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
”
”
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
“
At the sight of Ruth, singing and crying in the moonlight, they say Jacob Wyld crouched wordlessly and planted seeds at her feet, in the earth between the roots of the gum tree. What grew from that night, where Ruth's tears fell to the earth, was a heath of wild vanilla lilies, and an equally heady love affair between Ruth and Jacob.
They met at the river whenever Ruth could get away. He brought her flower seeds and she brought him whatever meager food scraps she could sneak from the house.
Soon Ruth had enough seeds to till a small, shaded corner of dirt near the house, where a nearly dead, lone wattle tree stood. The dirt was so dry it took her a month to soften it with whatever water she could carry from the river. Eventually, the wattle tree exploded into flower, a winter blaze of sweet yellow. Ruth fell to her knees at the sight. The scent floated all the way into town. Bees droned around the tree, drunk on its nectar. Beneath the wattle were circles of green shoots. Ruth sketched each one in her small notebook. As they bloomed, so different to the foxgloves and snowdrops of her mother's songs, Ruth noted down what they meant to her, adapting the Victorian language of flowers. The strange and beautiful native flowers, able to flourish in the harshest conditions, enchanted Ruth; none more so than the deep scarlet flowers with red centres the color of the darkest blood. Meaning, Ruth wrote in her notebook, have courage, take heart.
”
”
Holly Ringland (The Lost Flowers of Alice Hart)
“
The belief in the magical power of language is not unusual, both in mystical
and academic literature. The Kabbalists -- Jewish mystics of Spain and
Palestine -- believed that super-normal insight and power could be derived from
properly combining the letters of the Divine Name. For example, Abu Aharon, an
early Kabbalist who emigrated from Baghdad to Italy, was said to perform
miracles through the power of the Sacred Names."
"What kind of power are we talking about here?"
"Most Kabbalists were theorists who were interested only in pure meditation.
But there were so-called 'practical Kabbalists' who tried to apply the power of
the Kabbalah in everyday life."
"In other words, sorcerers."
"Yes. These practical Kabbalists used a so-called 'archangelic alphabet,'
derived from first-century Greek and Aramaic theurgic alphabets, which resembled
cuneiform. The Kabbalists referred to this alphabet as 'eye writing,' because
the letters were composed of lines and small circles, which resembled eyes."
"Ones and zeroes."
"Some Kabbalists divided up the letters of the alphabet according to where they
were produced inside the mouth."
"Okay. So as we would think of it, they were drawing a connection between the
printed letter on the page and the neural connections that had to be invoked in
order to pronounce it."
"Yes. By analyzing the spelling of various words, they were able to draw what
they thought were profound conclusions about their true, inner meaning and
significance.
”
”
Neal Stephenson (Snow Crash)
“
The group is a concept of uncommunicable shared suffering, a concept that ultimately rejects the agency of words.
For shared suffering, more than anything else, is the ultimate opponent of verbal expression. Not even the mightiest Weltschmerz in the heart of the solitary writer, billowing upwards to the starry heavens like some great circus tent, can create a community of shared suffering. For though verbal expression may convey pleasure or grief, it cannot convey shared pain; though pleasure may be readily fired by ideas, only bodies, placed under the same circumstances, can experience a common suffering.
Only through the group, I realised—through sharing the suffering of the group—could the body reach that height of existence that the individual alone could never attain. And for the body to reach that level at which the divine might be glimpsed, a dissolution of the individuality was necessary. The tragic quality of the group was also necessary—the quality that constantly raised the group out of the abandon and torpor into which it was prone to lapse, leading it on to ever-mounting shared suffering and so to death, which was the ultimate suffering. The group must be open to death, which meant, of course, that it must be a community of warriors… .
In the dim light of early morning I was running, one of a group. A cotton towel with the symbol of a red sun on it was tied about my forehead, and I was stripped to the waist in the freezing air. Through the common suffering, the shared cries of encouragement, the shared pace, and the chorus of voices, I felt the slow emergence, like the sweat that gradually beaded my skin, of that “tragic” quality that is the affirmation of identity. It was a flame of the flesh, flickering up faintly beneath the biting breeze—a flame, one might almost say, of nobility. The sense of surrendering one’s body to a cause gave new life to the muscles. We were united in seeking death and glory; it was not merely my personal quest.
The pounding of the heart communicated itself to the group; we shared the same swift pulse. Self-awareness by now was as remote as the distant rumour of the town. I belonged to them, they belonged to me; the two formed an unmistakable “us.” To belong—what more intense form of existence could there be? Our small circle of oneness was a means to a vision of that vast, dimly gleaming circle of oneness. And—all the while foreseeing that this imitation of tragedy was, in the same way as my own narrow happiness, condemned to vanish with the wind, to resolve itself into nothing more than muscles that simply existed—I had a vision where something that, if I were alone, would have resolved back into muscles and words, was held fast by the power of the group and led me away to a far land, whence there would be no return. It was, perhaps, the beginning of my placing reliance on others, a reliance that was mutual; and each of us, by committing himself to this immeasurable power, belonged to the whole.
”
”
Yukio Mishima (Sun & Steel)
“
..in existence everything moves eternally -- the summer comes, the rains come, the winter comes, and the summer again; everything moves like a wheel -- life is not an exception.
Death is the end of one wheel and the beginning of another. Again you will be a child, and again you will be young, and again you will be old. It has been so since the beginning, and it is going to be so to the very end -- until you become so enlightened that you can jump out of the vicious circle and can enter into a totally different law. From individuality, you can jump into the universal. So there was no hurry, and there was no clinging.
..you have lived many times, and you will live many times more.
Hence, live each moment as totally as possible; there is no hurry to jump to another moment. Time is not money, time is inexhaustible; it is available to the poor as much as to the rich. The rich are not richer as far as time is concerned, and the poor are not poorer.
Life is an eternal incarnation.
..there is nothing to be afraid of in death. It is a beautiful sleep, a sleep that is needed for you to move into another body, silently and peacefully. It is a surgical phenomenon; it is almost like anesthesia.
Death is a friend, not a foe.
Once you understand death as a friend, and start living life without any fear that it is only a very small time span of seventy years -- if your perspective opens to the eternity of your life -- then everything will slow down; then there is no need to be speedy.
”
”
Osho
“
Muggles have garden gnomes, too, you know,” Harry told Ron as they crossed the lawn. “Yeah, I’ve seen those things they think are gnomes,” said Ron, bent double with his head in a peony bush, “like fat little Santa Clauses with fishing rods. . . .” There was a violent scuffling noise, the peony bush shuddered, and Ron straightened up. “This is a gnome,” he said grimly. “Gerroff me! Gerroff me!” squealed the gnome. It was certainly nothing like Santa Claus. It was small and leathery looking, with a large, knobby, bald head exactly like a potato. Ron held it at arm’s length as it kicked out at him with its horny little feet; he grasped it around the ankles and turned it upside down. “This is what you have to do,” he said. He raised the gnome above his head (“Gerroff me!”) and started to swing it in great circles like a lasso. Seeing the shocked look on Harry’s face, Ron added, “It doesn’t hurt them — you’ve just got to make them really dizzy so they can’t find their way back to the gnomeholes.” He let go of the gnome’s ankles: It flew twenty feet into the air and landed with a thud in the field over the hedge. “Pitiful,” said Fred. “I bet I can get mine beyond that stump.” Harry learned quickly not to feel too sorry for the gnomes. He decided just to drop the first one he caught over the hedge, but the gnome, sensing weakness, sank its razor-sharp teeth into Harry’s finger and he had a hard job shaking it off — until — “Wow, Harry — that must’ve been fifty feet. . . .” The air was soon thick with flying gnomes.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air.
“What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus.
“Go and find out,” he said.
Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey.
“Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.”
Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy.
Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp.
“I can’t breathe.”
Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask.
“Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.”
Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
This section of our study is a most solemn one. So many disciples in name have ceased to be taught of Jesus, and we are all in such perpetual danger of slipping out of the real circle of discipleship, that we ought to ask ourselves the questions suggested by these three points on the subject of advancement. These questions should be asked regularly and always in the hour of loneliness with the Master. I. Am I in right relationship with the Teacher today? Do I still live at the Cross and know the power of its cleansing moment by moment, and so am I walking in the light, without which all the words of Jesus are dark sayings, and His testings crosses, burdens out of which I can only gather reasons for murmuring? II. If I am not in this place of maintained fellowship, where did I depart therefrom? What word of His have I disobeyed? To that point let me return, whether it be but an hour ago, or years, and there let me absolutely surrender, at whatever cost, and do what He requires, however small, or however irksome it appears to be. III. Am I content to wait when His voice does not speak—and I cannot find the reason in myself—until He has accomplished His present purpose in me, even though I understand it not just now? With matchless patience and pity, and tender love beyond all attempts at explanation, this Teacher waits, and stoops, and woos us, and ever for our highest good and deepest peace. Let us then, by consecrated watching, maintain the attitude of advancement, and so, line upon line, precept upon precept, here a little and there a little, as we are able to bear, He will lead us on, until we come to the perfect light and life and love of God.
”
”
G. Campbell Morgan (The Works of G. Campbell Morgan (25-in-1). Discipleship, Hidden Years, Life Problems, Evangelism, Parables of the Kingdom, Crises of Christ and more!)
“
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door.
Wendy was so delighted tears sprang to her eyes.
It was her Imaginary House!
They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself.
She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off.
Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut.
She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter.
"Luna!" Wendy cried in joy.
The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face.
"Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp.
Although...
"You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy."
Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used.
You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!"
As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home.
The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior.
Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket.
"This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside.
"Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
”
”
Liz Braswell (Straight On Till Morning)
“
Hymn to Mercury : Continued
71.
Sudden he changed his plan, and with strange skill
Subdued the strong Latonian, by the might
Of winning music, to his mightier will;
His left hand held the lyre, and in his right
The plectrum struck the chords—unconquerable
Up from beneath his hand in circling flight
The gathering music rose—and sweet as Love
The penetrating notes did live and move
72.
Within the heart of great Apollo—he
Listened with all his soul, and laughed for pleasure.
Close to his side stood harping fearlessly
The unabashed boy; and to the measure
Of the sweet lyre, there followed loud and free
His joyous voice; for he unlocked the treasure
Of his deep song, illustrating the birth
Of the bright Gods, and the dark desert Earth:
73.
And how to the Immortals every one
A portion was assigned of all that is;
But chief Mnemosyne did Maia's son
Clothe in the light of his loud melodies;—
And, as each God was born or had begun,
He in their order due and fit degrees
Sung of his birth and being—and did move
Apollo to unutterable love.
74.
These words were winged with his swift delight:
'You heifer-stealing schemer, well do you
Deserve that fifty oxen should requite
Such minstrelsies as I have heard even now.
Comrade of feasts, little contriving wight,
One of your secrets I would gladly know,
Whether the glorious power you now show forth
Was folded up within you at your birth,
75.
'Or whether mortal taught or God inspired
The power of unpremeditated song?
Many divinest sounds have I admired,
The Olympian Gods and mortal men among;
But such a strain of wondrous, strange, untired,
And soul-awakening music, sweet and strong,
Yet did I never hear except from thee,
Offspring of May, impostor Mercury!
76.
'What Muse, what skill, what unimagined use,
What exercise of subtlest art, has given
Thy songs such power?—for those who hear may choose
From three, the choicest of the gifts of Heaven,
Delight, and love, and sleep,—sweet sleep, whose dews
Are sweeter than the balmy tears of even:—
And I, who speak this praise, am that Apollo
Whom the Olympian Muses ever follow:
77.
'And their delight is dance, and the blithe noise
Of song and overflowing poesy;
And sweet, even as desire, the liquid voice
Of pipes, that fills the clear air thrillingly;
But never did my inmost soul rejoice
In this dear work of youthful revelry
As now. I wonder at thee, son of Jove;
Thy harpings and thy song are soft as love.
78.
'Now since thou hast, although so very small,
Science of arts so glorious, thus I swear,—
And let this cornel javelin, keen and tall,
Witness between us what I promise here,—
That I will lead thee to the Olympian Hall,
Honoured and mighty, with thy mother dear,
And many glorious gifts in joy will give thee,
And even at the end will ne'er deceive thee.'
79.
To whom thus Mercury with prudent speech:—
'Wisely hast thou inquired of my skill:
I envy thee no thing I know to teach
Even this day:—for both in word and will
I would be gentle with thee; thou canst reach
All things in thy wise spirit, and thy sill
Is highest in Heaven among the sons of Jove,
Who loves thee in the fulness of his love.
80.
'The Counsellor Supreme has given to thee
Divinest gifts, out of the amplitude
Of his profuse exhaustless treasury;
By thee, 'tis said, the depths are understood
Of his far voice; by thee the mystery
Of all oracular fates,—and the dread mood
Of the diviner is breathed up; even I—
A child—perceive thy might and majesty.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
Of course L has not been reading the Odyssey the whole time. The pushchair is also loaded with White Fang, VIKING!, Tar-Kutu: Dog of the Frozen North, Marduk: Dog of the Mongolian Steppes, Pete: Black Dog of the Dakota, THE CARNIVORES, THE PREDATORS, THE BIG CATS and The House at Pooh Corner. For the past few days he has also been reading White Fang for the third time. Sometimes we get off the train and he runs up and down the platform. Sometimes he counts up to 100 or so in one or more languages while eyes glaze up and down the car. Still he has been reading the Odyssey enough for a straw poll of Circle Line opinion on the subject of small children & Greek.
Amazing: 7
Far too young: 10
Only pretending to read it: 6
Excellent idea as etymology so helpful for spelling: 19
Excellent idea as inflected languages so helpful for computer programming: 8
Excellent idea as classics indispensable for understanding of English literature: 7
Excellent idea as Greek so helpful for reading New Testament, camel through eye of needle for example mistranslation of very similar word for rope: 3
Terrible idea as study of classical languages embedded in educational system productive of divisive society: 5
Terrible idea as overemphasis on study of dead languages directly responsible for neglect of sciences and industrial decline and uncompetitiveness of Britain: 10
Stupid idea as he should be playing football: 1
Stupid idea as he should be studying Hebrew & learning about his Jewish heritage: 1
Marvellous idea as spelling and grammar not taught in schools: 24
(Respondents: 35; Abstentions: 1,000?)
Oh, & almost forgot:
Marvellous idea as Homer so marvellous in Greek: 0
Marvellous idea as Greek such as marvellous language: 0
Oh & also:
Marvellous idea but how did you teach it to a child that young: 8
”
”
Helen DeWitt (The Last Samurai)
“
When Diana returned to work on Monday, September 16, she came directly to my bedroom and announced, “Mrs. Robertson, I have something important to tell you.” I could see out of the corner of my eye that she had a slight, mischievous grin on her face.
“Go right ahead,” I said as I continued to blow-dry my hair in front of the mirror above the dresser.
“No, Mrs. Robertson, I’d like your full attention.” I switched off my hair dryer and faced her as she stood in the doorway. “When you leave for work this morning, you’ll notice a lot of reporters and photographers at the entrance to the mews.”
I wondered aloud if the press were following either Lord Vestey, a notorious international financier, or John Browne, a bright young M.P. known as one of “Maggie’s boys,” both of whom lived on our small street.
“No, actually, Mrs. Robertson, they’re waiting for me,” Diana said with a great deal of blushing, staring at the floor, and throat clearing.
“Good heavens, Diana, why?”
“Well . . . I spent last weekend at Balmoral.”
“With Prince Andrew?” I asked, remembering my friend Lee’s comment on the way to Glyndebourne.
“No, actually, I was there to see Prince Charles.” More blushes and throat clearing, quickly followed by her disclaimer, “But he didn’t invite me. His mother did.” Hearing Diana speak of Her Majesty the Queen as “his mother” certainly gave me a clear picture of the circles in which Diana moved.
I gasped and asked, probably rather tactlessly, “Gosh, do you think there’s any chance of a romance developing?”
“Not really,” she said with noticeable regret. “After all, he’s thirty-one and I’m only nineteen. He’d never look seriously at me.” So modest, so appealing. I couldn’t imagine him not learning to love her. We certainly had.
“Well, Diana, I wouldn’t be so sure,” I replied, thinking of my prediction from July.
”
”
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
“
Then something moved on the hall floor, just outside the bars. Her eyes swung there. Sunday Justice sat on his haunches staring at her dark eyes with his green ones.
Her heart raced. Locked up alone all these weeks, and now this creature could step wizardlike between the bars. Be with her. Sunday Justice broke the stare and looked down the hall, toward the inmates' talk. Kya was terrified that he would leave her and walk to them. But he looked back at her, blinked in obligatory boredom, and squeezed easily between the bars. Inside.
Kya breathed out. Whispered, "Please stay."
Taking his time, he sniffed his way around the cell, researching the damp cement walls, the exposed pipes, and the sink, all the while compelled to ignore her. A small crack in the wall was the most interesting to him. She knew because he flicked his thoughts on his tail. He ended his tour next to the small bed. Then, just like that, he jumped onto her lap and circled, his large white paws finding soft purchase on her thighs. Kya sat frozen, her arms slightly raised, so as not to interfere with his maneuvering. Finally, he settled as though he had nested here every night of his life. He looked at her. Gently she touched his head, then scratched his neck. A loud purr erupted like a current. She closed her eyes at such easy acceptance. A deep pause in a lifetime of longing.
Afraid to move, she sat stiff until her leg cramped, then shifted slightly to stretch her muscles. Sunday Justice, without opening his eyes, slid off her lap and curled up next to her side. She lay down fully clothed, and they both nestled in. She watched him sleep, then followed. Not falling toward a jolt, but a drifting, finally, into an empty calm.
Once during the night, she opened her eyes and watched him sleeping on his back, forepaws stretched one way, hind paws the other.
”
”
Delia Owens (Where the Crawdads Sing)
“
She had grown. Kate's vicious friend, once so elevated, was taller by little more than a head. She drew her brows together, and studied the circles under his eyes. He said lightly, 'My dear girl; it's Almoner's Saturday. With six frails of figs and a sackful of almonds, I am offering you my name.'
Philippa's lips parted. The smith in her chest, changing a wooden mallet for a small charge of gunpowder, pulverized brain, lungs and stomach and left her standing, wan as a blown egg. She said shakily, 'How would that help?'
Round his mouth, the curled lines deepened, and his eyes, very blue, lit suddenly with something like the flame she had seen struck in them at other times, by other things and other people. 'Stout Philippa,' he said. 'Sit down and hear... There is no guarantee for you now except marriage. Do it now, and you go home a respectable matron of fifteen...sixteen--'
'Nearly seventeen,' said Philippa.
'Yes. Well: with no money but a good many friends and enough property to keep a roof over your head and Kuzum's. Then, as you choose, you may divorce me.'
She cleared her throat. 'On what grounds?'
He looked at her directly, his voice level. 'On very obvious grounds. We shall find another Kislar Agha, if you like, to give you a guarantee... You must have no fears that this will be anything but a marriage on paper. But I want it done now. Tomorrow, if the Embassy's chaplain can do it.'
Philippa's gaze was also direct. 'You think there is a chance we may not all get home?'
'There is a chance some of us may not,' he said quietly. 'I want to do this very much. I have very little to offer you... an irresponsible past, and a name which is .... in some places questionable. But it will shelter you until you can do better.'
'And you?' said Philippa. 'With a fifteen- ... sixteen- ... seventeen-year-old titular wife? What will Sybilla say? It isn't a practical methos of founding a dynasty.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Reaching into his sporran, he pulled out a small bundle wrapped in fine linen. “I want to give ye somethin’, somethin’I want ye to wear this day.”Carefully, he unfolded the linen and held his hand out to her.
Josephine’s eyes widened with curiosity and joy. “’Tis beautiful, Graeme!”
“It be a brooch that each MacAulay lad receives when he turns six and ten. I want ye to have it.”
Josephine carefully took it and studied it closely. Made of pewter, in the center of the brooch were two hands, one decidedly masculine, the other feminine. The masculine hand held the feminine hand in his palm. In the center of her palm was a tiny ruby. To one side, the circle had been engraved to look like stars twinkling near a crescent moon. On the other were the words aeterna devotione. Eternal devotion.
Tears filled her eyes as she looked into his. “Ye want me to have this?”
“Aye, I do, Joie,”he said as he placed a kiss on her forehead. “Me great-great-great grandfather presented a brooch just like this to his wife, me great-great-great grandmum. But no’until the first anniversary of their weddin’day. ’Twas a symbol of the great love they had found with one another. ’Tis tradition for the MacAulay men to only give their brooch to a woman who has stolen their heart, a woman they love and trust above all else.”
Tears trailed down her cheeks, her heart beating so rapidly she was certain it would burst through her breastbone at any moment.
“I do no’quite understand how it happened, or how it happened so quickly, Joie, but it has. Amorem in corde meo ut arctius coccino colloeandus arctius ideo astra,”Graeme said first in Latin and then again in Gaelic, “Toisc go bhfuil do ghrá eitseáilte isteach i mo chroí i corcairdhearg, mar sin tá sé eitseáilte amonst na réaltaí.”He placed a tender kiss on her cheek. “As yer love be etched into me heart in crimson, so it be etched amongst the stars,”he told her. “As me grandda said those words to me grandmum all those many years ago, I say them to ye.
”
”
Suzan Tisdale (Isle of the Blessed)
“
MATHEMATICAL MIRACLE Some years ago, I heard a story which has been making the rounds in Midwest A.A. circles for years. I don’t have any names to back up this story, but I have heard it from many sources, and the circumstances sound believable. A man in a small Wisconsin city had been on the program for about three years and had enjoyed contented sobriety through that period. Then bad luck began to hit him in bunches. The firm for which he had worked for some fifteen years was sold; his particular job was phased out of existence, and the plant moved to another city. For several months, he struggled along at odd jobs while looking for a company that needed his specialized experience. Then another blow hit him. His wife was forced to enter a hospital for major surgery, and his company insurance had expired. At this point he cracked, and decided to go on an all-out binge. He didn’t want to stage this in the small city, where everyone knew his sobriety record. So he went to Chicago, checked in at a North Side hotel, and set forth on his project. It was Friday night, and the bars were filled with a swinging crowd. But he was in no mood for swinging—he just wanted to get quietly, miserably drunk. Finally, he found a basement bar on a quiet side street, practically deserted. He sat down on a bar stool and ordered a double bourbon on the rocks. The bartender said, “Yes, sir,” and reached for a bottle. Then the bartender stopped in his tracks, took a long, hard look at the customer, leaned over the bar, and said in a low tone, “I was in Milwaukee about four months ago, and one night I attended an open meeting. You were on the speaking platform, and you gave one of the finest A.A. talks I ever heard.” The bartender turned and walked to the end of the bar. For a few minutes, the customer sat there—probably in a state of shock. Then he picked his money off the bar with trembling hands and walked out, all desire for a drink drained out of him. It is estimated that there are about 8,000 saloons in Chicago, employing some 25,000 bartenders. This man had entered the one saloon in 8,000 where he would encounter the one man in 25,000 who knew that he was a member of A.A. and didn’t belong there. Chicago, Illinois
”
”
Alcoholics Anonymous (Came to Believe)
“
Yet one thing vexed the more prosperous workers just because they were prosperous. In their capacity as wage earners they had no definite standing in German society. Their new caste lacked recognition by the old established castes. The petty bourgeois, the small traders, shopkeepers, and craftsmen, and the numerous class of people holding minor offices in the service of the Reich, of the individual states, and of the municipalities turned up their noses at them. The incomes of these petty bourgeois were no higher than the workers’; their jobs indeed were often more tedious than the average worker’s; but they were haughty and priggish and disdained the wage earners. They were not prepared to admit workers to their bowling circles, to permit them to dance with their daughters, or to meet them socially. Worst of all, the burghers would not let the workers join their ex-warriors’ associations.17 On Sundays and on state occasions these ex-warriors, clad in correct black frock coats, with tall silk hats and black ties, paraded gravely through the main streets, strictly observing the rules of military marching. It distressed the workers very much that they could not participate. They felt ashamed and humiliated.
For such grievances the Social Democratic organization provided an efficacious remedy. The Social Democrats gave the workers bowling clubs, dances, and outdoor gatherings of their own. There were associations of class-conscious proletarian canary breeders, philatelists, chess-players, friends of Esperanto, and so on. There were independent workers’ athletics, with labor championships. And there were proletarian parades with bands and flags. There were countless committees and conferences; there were chairmen and deputy chairmen, honorary secretaries, honorary treasurers, committee members, shop stewards, wardens, and other party officers. The workers lost their feeling of inferiority and sense of loneliness. They were no longer society’s stepchildren; they were firmly integrated into a large community; they were important people burdened with responsibilities and duties. And their official speakers, spectacled scholars with academic degrees, convinced them that they were not only as good but better than the petty bourgeois, a class that was in any event doomed to disappear.
”
”
Ludwig von Mises (Omnipotent Government: The Rise of the Total State and Total War (Lib Works Ludwig Von Mises PB) [Paperback] [2011] (Author) Ludwig von Mises)
“
The other problem with empathy is that it is too parochial to serve as a force for a universal consideration of people’s interests. Mirror neurons notwithstanding, empathy is not a reflex that makes us sympathetic to everyone we lay eyes upon. It can be switched on and off, or thrown into reverse, by our construal of the relationship we have with a person. Its head is turned by cuteness, good looks, kinship, friendship, similarity, and communal solidarity. Though empathy can be spread outward by taking other people’s perspectives, the increments are small, Batson warns, and they may be ephemeral.71 To hope that the human empathy gradient can be flattened so much that strangers would mean as much to us as family and friends is utopian in the worst 20th-century sense, requiring an unattainable and dubiously desirable quashing of human nature.72 Nor is it necessary. The ideal of the expanding circle does not mean that we must feel the pain of everyone else on earth. No one has the time or energy, and trying to spread our empathy that thinly would be an invitation to emotional burnout and compassion fatigue.73 The Old Testament tells us to love our neighbors, the New Testament to love our enemies. The moral rationale seems to be: Love your neighbors and enemies; that way you won’t kill them. But frankly, I don’t love my neighbors, to say nothing of my enemies. Better, then, is the following ideal: Don’t kill your neighbors or enemies, even if you don’t love them. What really has expanded is not so much a circle of empathy as a circle of rights—a commitment that other living things, no matter how distant or dissimilar, be safe from harm and exploitation. Empathy has surely been historically important in setting off epiphanies of concern for members of overlooked groups. But the epiphanies are not enough. For empathy to matter, it must goad changes in policies and norms that determine how the people in those groups are treated. At these critical moments, a newfound sensitivity to the human costs of a practice may tip the decisions of elites and the conventional wisdom of the masses. But as we shall see in the section on reason, abstract moral argumentation is also necessary to overcome the built-in strictures on empathy. The ultimate goal should be policies and norms that become second nature and render empathy unnecessary. Empathy, like love, is in fact not all you need. SELF-CONTROL
”
”
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
“
Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot.
“My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.”
He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!”
“I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam.
There was a loud splash and a splatter of water drops.
Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away.
“My lord?” she asked gingerly. “Did you… did you just fall into the fountain?”
“No,” came his sour reply. “You pushed me into the fountain.”
“It was entirely unintentional, I assure you.” Daisy forced herself to look at him.
Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably.
He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk.
Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes.
The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.”
Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips.
His eyes widened at the gesture.
“You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer.
“Nope,” I tell him. “Found it.”
“Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns.
“I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no.
“Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt.
“You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom.
“I gave you an orgasm.” He seems confused by my accusation.
I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt.
He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.”
“Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.”
He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’”
“I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting.
I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs.
I turn and nod, sadly. “I know. You’re kind of a menace.”
“It’s good of you to put up with me.”
I shrug. “Someone’s got to.”
“I’m not going to be able to rip those underwear off of you.”
“Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
”
”
Jana Aston (Right (Cafe, #2))
“
Those minutes were the beginning of his abandoning himself to a very strange kind of devotion, such a reeling, intoxicated sensation that the proud and portentous word ‘love’ is not quite right for it. It was that faithful, dog-like devotion without desire that those in mid-life seldom feel, and is known only to the very young and the very old. A love devoid of any deliberation, not thinking but only dreaming. He entirely forgot the unjust yet ineradicable disdain that even the clever and considerate show to those who wear a waiter’s tailcoat, he did not look for
opportunities
and chance meetings, but nurtured this strange affection in his blood until its secret fervour was beyond all mockery and criticism. His love was not a matter of secret winks and lurking glances, the sudden boldness of audacious gestures, the senseless ardour of salivating lips and trembling hands; it was quiet toil, the performance of those small services that are all the more sacred and sublime in their humility because they are intended to go unnoticed. After the evening meal he smoothed out the crumpled folds of the tablecloth where she had been
sitting
with tender, caressing fingers, as one would stroke a beloved woman’s soft hands at rest; he adjusted everything close to her with devout symmetry, as if he were preparing it for a special occasion. He carefully carried the glasses that her lips had touched up to his own small, musty attic
bedroom, and watched them sparkle like precious jewellery by night when the moonlight streamed in. He was always to be found in some corner, secretly attentive to her as she strolled and walked about. He drank in what she said as you might relish a sweet, fragrantly intoxicating wine on the tongue, and responded to every one of her words and orders as eagerly as children run to catch a ball flying through the air. So his intoxicated soul brought an
ever-changing
, rich glow into his dull, ordinary life. The wise folly of clothing the whole experience in the cold,
destructive
words of reality was an idea that never entered his mind: the poor waiter François was in love with an exotic Baroness who would be for ever unattainable. For he did not think of her as reality, but as something very distant, very high above him, sufficient in its mere reflection of life. He loved the imperious pride of her orders, the
commanding
arch of her black eyebrows that almost touched one another, the wilful lines around her small mouth, the confident grace of her bearing. Subservience seemed to him quite natural, and he felt the humiliating intimacy of menial labour as good fortune, because it enabled him to step so often into the magic circle that surrounded her.
”
”
Stefan Zweig
“
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed.
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.
In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang:
Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
My bisnonno is such a man...Fine, you laugh again. Not so handsome,I think,but just as proud. He struts through the square with his new shoes. He buys a carriage. But he gives to the poor,too, to the Church.He is kind to his siters; he is a friend to many.He is raffinato, a gentleman. And the girl he chooses? Hmm? Hmm?"
"I don't know, Nonna. Elizabeth Benedetto?"
"Hah!" Nonna slapped her hand hard against her knee. It bounced soundlessly off the leopard plush. "Elisabetta. Elisabetta, daughter of a man who works on another's boat. Elisabetta who has many sisters and who is intended for the Church if she does not marry. I don't remember her family name, if I ever knew. Maybe Benedetto.Why not? It does not matter.What matters is that no one understands why Michelangelo Costa chooses this girl. No one can...oh,the word...to say a picture of: descrivere."
"Describe?"
"Si. Describe.No one can describe her.Small,they think. Brown, maybe. Maybe not so pretty, not so ugly. Just a girl. She sits by the seawall mending nets her family does not own. She is odd,too,her neighbors think.They think it is she who leaves little bit of shell and rock when she is done with the nets, little mosaico on the wall. So why? the piu bella girls ask, the ones with long,long necks, and long black hair, and noses that turn up at the end. Why this odd, nobody girl in her ugly dresses, with her dirty feet?
"Michelangelo sends his cousins to her with gifts. A cameo, silk handkerchiefs, a fine pair of gloves. Again,the laugh.Then, you would not have laughed at a gift of gloves, piccola. Oh,you girls now. You want what? E-mails and ePods?"
"That's iPods,Nonna."
"Whatever. See,that word I know. Now, Elisabetta sends back the little girst. So my bisnonno sends bigger: pearls, meters of silk cloth, a horse. These,too,she will not take. And the people begin to look,and ask: Who is she, this nobody girl,to refuse him? No money,no beauty,no family name.You are a fool,they tell her. Accept. Accept!
"And my proud bisnonno does not understand. He can have any girl in the town.So again,he gathers the gifts, he carries them himself, leads the horse. But Elisabetta is not to be found. She is not at her papa's house or in the square or at the seawall. Michelangelo fears she has gone to the convent. But no. As he stands at the seawall, a seabird,a gull, lands on his shoulder and says-"
"Nonna-"
"Shh! The girl tells him to follow the delfino....delfin? Dolphin! So he looks, and there, a dolphin with its head above the water says, 'Follow!' So he follows,the sack with gifts for Elisabetta on his back,like a peddler, the horse trailing behind.The dolphin leads him around the bay to a beach, and there is Elisabetta, old dress covered in sand,feet bare, just drawing circles in the sand. She starts to run, but Michelangelo calls to her. 'Why,' he asks her. 'Why do you hide? Why will you not take my gifts?' And she says..."
I'd been fighting a losing battle with yawning for a while. I was failing fast. "I have no idea. 'I'm in love with someone else.'?
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist.
Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back
fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on.
Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground.
En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet.
'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.'
Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit.
They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard.
Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.
”
”
Jeff Rice (The Night Stalker)
“
I was in a copse of pine trees, and the pine was overpowering my scent. The pheromones of the big cat mingled with the pine and I spun around. I was smelling and looking for the flash of white, but I couldn’t see it. I grew angry and I pawed at the earth. The aroma of the soil cleansed my nose as I leaned down and sniffed deeply. I slowly closed and opened my eyes. As I looked ahead I saw something.
There, further on, I had another glimpse of the large white cat. She was stopped and her hindquarters were in the air. I stared, trying to figure out what she was doing. Her forepaws and head were on the ground, but her hind was wiggling. She was next to a tree, marking it, so I slowly paced in a zigzag pattern as I walked close to her. I was being cautious because poachers had been known to employ shifters to entice real animals in the wild. She turned her head and growled at me. I took it as an invite to come closer.
I ran up to her and started circling. She was an albino panther as I thought. I paced closer, breathing deep. I was in the middle of Ohio, outside of a lost cougar and a few bobcats there were no big cats here, at least not counting lycanthropes, and this creature didn’t smell like one of those. Her rump almost wagged in anticipation, and I felt my tiger body respond.
I circled her, taking a swipe in her direction to see if she was going to respond negatively to me. The pink eyes followed me and she growled. I walked up to her, sniffed her face and neckline. I didn’t smell any other male on her, and I walked to her raised rump. Burying my nose in her groin I smelled deeper, and she shifted her body.
I felt it before I could see it. She was shifting, changing from albino panther to human. I sat on my hindquarters as I watched.
Her white fur seemed to melt from her, sliding upwards, starting with her back legs. The flesh and fur on her feet slid forward, leaving human feet and calves. It was fully fleshed, unlike some lycanthrope changes when they’re younger. The calves of her legs appeared, and slowly slid up. The panther flesh was sliding forward, slowly and methodically. Across her ass and groin, now lower back and stomach. The pheromones I smelled earlier were coming from her, the human form. I stood and started pacing behind her, and her panther head shook in a very human gesture. I stopped, fighting the desire to lean forward and lick her wetness with my large tongue. The flesh was sliding forward and as her teats turned into breasts, I growled in need. Next were her shoulders and arms, then her head and hands. As the transformation ended, there was a pile of fur and flesh lying in front of her.
Her human form was beautiful; a full figured woman with long white hair, that was perfectly natural. She looked to be in her early forties, but didn’t have a line on her face that she didn’t want. In the corners of her eyes were small, but beautiful, crow’s feet, laugh lines surrounded her mouth. She laid out with her former form under her, laying on it, propped up by her elbows. She smiled with the confidence of someone who was used to being in charge. Her long hair flowed around her shoulders, framing her body. She reminded me of someone, but I couldn’t figure out who.
”
”
Todd Misura (Divergence: Erotica from a Different Angle)
“
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!"
The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight.
But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it.
Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
”
”
Herman Melville
“
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t.
She smiled.
Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?”
Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures.
“By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.”
His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes.
“It doesn’t suit you anyway,” she said, loading her brush with paint.
He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…”
“The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.”
“Why not? Is the color wrong?” The sudden seriousness in his tone surprised her.
“No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.”
“Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?”
“Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.”
“Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?”
“No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?”
“If I had my way…I wouldn’t.”
A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.”
He blinked. “He painted a nude study of you?”
“No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.”
Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
THE DIET-GO-ROUND LOW-CALORIE DIETS Diets began by limiting the number of calories consumed in a day. But restricting calories depleted energy, so people craved high-calorie fat and sugar as energizing emergency fuel. LOW-FAT DIETS High-calorie fats were targeted. Restricting fat left people hungry, however, and they again craved more fats and sugars. FAKE FAT Synthetic low-cal fats were invented. People could now replace butter with margarine, but without calories it didn’t deliver the energy and satisfaction people needed. They still craved real fat and sugar. THE DIET GO-ROUND GRAPEFRUIT DIETS Banking on the antioxidant and fat-emulsifying properties of grapefruit, dieters could eat real fat again, as long as they ate a grapefruit first. But even grapefruits were no match for the high-fat American diet. SUGAR BLUES The more America restricted fat in any way to lose weight, the more the body rebounded by storing fat, and craving and bingeing on fats and sugars. Sugar was now to blame! SUGAR FREE High-calorie sugars were replaced with no-calorie synthetic sweeteners. The mind was happy but the body was starving as diet drinks replaced meals. People eventually binged on excess calories from other sources, such as protein. HIGH-PROTEIN DIETS The new diet let people eat all the protein they wanted without noticing the restriction of carbs and sugar. Energy came from fat stores and dieters lost weight. But without carbs, they soon experienced low energy and craved and binged on carbs. HIGH-CARB DIETS Carb-craving America was ripe for high-carb diets. You could now lose weight and eat up to 80 percent carbs—but they had to be slow-burning, complex carbs. Fast-paced America was addicted to fast energy, however, and high-carb diets soon became high-sugar diets. LOW CHOLESTEROL The combination of sugar, fat, and stress raised cholesterol to dangerous levels. The solution: Reemphasize complex carbs and reduce all animal fats. Once again, dieters felt restricted and began craving and bingeing on fats and sugars. EXERCISE Diets weren’t working, so exercise became the cholesterol cure-all. It worked for a time, but people didn’t like to “work out.” Within 25 years, no more than 20 percent of Americans would do it regularly. VEGETARIANISM With heart disease and cancers on the rise, red meat was targeted. Vegetarianism came into fashion but was rarely followed correctly. People lived on pasta and bread, and blood sugars and energy levels went out of control. GRAZING High-carb diets were causing energy and blood sugar problems. If you ate every 2 hours, energy was propped up and fast-paced America could keep speeding. Fatigue became chronic fatigue, however, with depression and anxiety to follow. FOOD COMBINING By eating fats, proteins, and carbs separately, digestion improved and a host of digestive, energy, and weight problems were helped temporarily. But the rules for what you could eat together led to more frequent small meals. People eventually slipped back to their old ways and old problems. THE ZONE Aimed at fixing blood sugar levels, this diet balanced intake of proteins, fats, and carbs. It worked, but again restricted certain kinds of carbs, so it didn’t last, and America was again craving emergency fuel. COFFEE TO THE RESCUE Exhausted and with a million things to do, America turned to legal stimulants like coffee for energy. But borrowed energy must be paid back, and many are still living in debt. FULL CIRCLE Frustrated, America is turning to new crash diets and a wave of high-protein diets. It is time to break this man-made cycle with the simplicity of nature’s own 3-Season Diet. If you let nature feed you, you will not starve or crave anything.
”
”
John Douillard (The 3-Season Diet: Eat the Way Nature Intended: Lose Weight, Beat Food Cravings, and Get Fit)
“
Dear KDP Author,
Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year.
With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion.
Well… history doesn’t repeat itself, but it does rhyme.
Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive.
Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers.
The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books.
Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive.
Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We've quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.
”
”
Amazon Kdp
“
Through the breach, they heard the waters pour, as mountain torrents down a flume.
"The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!"
Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent.
"I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!"
The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight.
But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it.
Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
”
”
Herman Melville
“
HOW TO USE THIS BOOK
WHAT TO DO FIRST
1.
Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says
For Mom and Dad for having me
and for Jeannie (or Jack or Debra or Donnie or …) for
putting up with me so supportively
and for my nine children for not interrupting me
and for my Publisher for not discouraging me
and for my Writers’ Circle for listening to me
and for Barbie and Greta and Albert Einstein and Aunty May
and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog.
This will be followed by a short piece of prose that says
When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn.
Ka’a Orto’o,
Gnomic Utterances
Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick
section). Find the Map.
2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell.
These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.”
This is mostly it.
No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places.
In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule.
3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible.
4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword.
5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.
”
”
Diana Wynne Jones
“
Why the us government Should Maintain students Healthcare
Claims education and learning is probably the finest ventures in ensuring the people stay a greater existence from the contemporary setting. Over time, education and learning methods have transformed to guarantee individuals gain access to it in the very best ways. Besides, the adjustment can be a purposeful relocate making sure that learning meets pupils distinct needs nowadays.
Consequently, any country that is focused on establishing in the current technical period must be ready to devote in schooling no matter what. We appreciate that lots of claims have was able to meet the most affordable threshold in offering secondary and basic education. It is actually commendable for schooling is focused and attends on the needs in the present environment. In addition to, we certainly have observed reduced rates of dropouts due to correct education and learning systems into position.
Nevertheless, it is not enough because there are many other factors that, in turn, lower the superiority of education. We appreciate the reality that educational costs is mainly purchased and virtually totally given through the express or low-successful businesses.
Sadly, small is defined in range to be sure the unique treatment of learners. It has led to the indiscriminate govt accountability. Apart from putting everything in place, the government must also provide the proper healthcare of a learner because it' s the foundation of excellent learning. The arranged provision of health care to students is defined around the periphery, plus it is amongst the essential things that degrade the grade of training.
Standard attendance is actually a necessity for pupils to acquire much more and carry out greater. For that reason, government entities need to ensure an original set up of arranged healthcare to pupils to ensure they are certainly not stored away from university because of health care problems.
Re-Analyzing the goal of Government in mastering
It can be only by re-dealing with government entitiesAnd#039; s role in supplying primary and secondary education and learning that people can completely set up the skewed the outdoors of learner’s health care and the desire to influence the state to reconsider it.
The cause of why the government must pay for the student’s healthcare is that its responsibility is unbalanced. It provides maintained to purchase basic training effectively but has did not shield the health-related requirements of any learner.
Aside from, it is suitably interested in increasing the size of young menAnd#039; s and ladiesAnd#039; s chances in obtaining technical and professional education. But it has not searched for has and aims unacceptable method of achieving the medical care requirements of any learner. As a result, education require is not met because its services are skewed.
The possible lack of equilibrium in government activities replicates the malfunction to discrete primarily sharply amid the steps right for authorities financing and activities to become implemented.
Financing healthcare for students, which is equally essential, is neglected, though
Financing education is largely accepted. For that reason, this is a deliberate demand government entities to perform the circle by paying for student' s health care. When there is stability in federal government commitments in education and learning, its requirements will probably be fulfilled.
So, the state should pay for pupil' s medical care. If they are healthful, they find out better. In addition to, a large stress will probably be lifted, and will also unquestionably raise enrolment in professional coachingcenters and colleges, along with other studying companies.
”
”
Sandy Miles
“
He allows our small plans to fail so that His big dream for us can prevail. So keep planning like it depends on you, but make sure you pray like it depends on God. Prayer is the alpha and omega of planning. Don’t just brainstorm; praystorm.
”
”
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
“
Go ahead, Headmistress. Walk away, but don’t kid yourself because that has nothing to do with me,” I said, and she stopped walking. She didn’t turn to face me at all, but she stopped, and by God, I was going to say everything I had to say even if it fucking killed me. So, while I laughed like a lunatic, I started pacing in a small circle, just to give my body something to do. “I get it, though. I understand why you’d want to blame me for all of it—I point out everything you already know is wrong, but you pretend you don’t because you’re too cowardly to do anything about it. You just wear your secrets like a fucking armor, and you act like you know what you’re doing, and what you’re doing is the right way, the only way, and I remind you that it’s not. I make you look at yourself—and you know what? You can’t fucking stand that!
”
”
D.N. Hoxa (The Elysean Academy of Darkness and Secrets (The Holy Bloodlines, #2))
“
This can’t be a regular thing because you don’t fuck employees.” I nodded, firm on that. Or… firmish, considering the position we were currently in. But he hadn’t technically started work for 7th yet, so… Lucas gave a small shrug. “Tuesday is two days away, Hayden. Maybe I’ll get a nice barista job at the new Starbucks across town instead.” I couldn’t fight my grin. “And waste all your god-given talent for a fraction of the pay? Wash your mouth out, Lucas.
”
”
Tate James (7th Circle (Hades, #1))
“
Is this okay?" he asked me, looking around at the stacks of beer cases and cleaning supplies with a small frown, like he’d just realized where we were and what we were about to do and was having second thoughts. His back was against the door, so I reached past him and flipped the lock on the inside. Now no one could walk in and catch us, and as an added bonus, it didn't smell like shit. "It's fine by me," I told
”
”
Tate James (7th Circle (Hades, #1))
“
I’ll be damned,” the captain murmured, leaning toward the screen, the light illuminating her angular face. “Those are lead blocks.” He suppressed a shiver. The River Queen had been right. Down to the last detail. “Circle them.” But … Chains draped from the block onto the seafloor. They were empty. The captain observed, “Whoever those chains held is long gone. They either got eaten or they exploded from the pressure.” Tharion marked the chains, nodding. But his gaze snagged on something. He glanced at the captain to see if she’d noticed the anomaly, but her face revealed no sign of surprise. So Tharion kept silent, letting her bring the small submersible back up to the surface, where the first mate hauled it onto the deck. Two hours later, back on land—soggy and muddy from the rain—Tharion calmed his chattering teeth long enough to call his queen. The River Queen answered after the first ring. “Talk.” Used to the curt, yet ethereal voice, Tharion said, “I found the lead blocks. The chains were still attached.” “So?” “There was no body.” A sigh of disappointment. He shivered yet again—not entirely from the cold. “But the shackles had been unlocked.” The sigh paused. He’d learn to read her pauses, as varied as the life in her river. “You’re sure of this?” He refrained from asking why the currents hadn’t told her about this particularly vital detail. Maybe they were as capricious as she. Tharion said mildly, “No signs of damage. At least as far as I could tell on the crappy screen.” “You think Sofie Renast freed herself?
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
Those who judge you are blind to their own errors, or have drawn a circle of comfort so small that they are doomed to a life of stagnation.
”
”
Jay D'Cee
“
the early 1970s, integration was beginning to filter into everyday life in Monroe. So, after visiting the graves of his mother and father and his big brother Madison, Robert decided to walk into a diner that used to be only for white people. It was a place he could only have dreamed of entering as a young man. He sat down without incident, ordered and ate, and nobody commented on it one way or the other. It was nothing special and, in fact, underwhelming after all those years of being denied entrance and dreaming of being inside. How could it be that people were fighting to the death over something that was, in the end, so very ordinary? He had crossed into territory forbidden him growing up, and now the circle was complete. It was much like returning to a building that had seemed so imposing when you were a child but was, in fact, small and forgettable when seen through the eyes of an adult.
”
”
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
“
He raised his hands and I tensed, sure that if he kissed me again, I’d crumble. But he didn’t cup my face and lean in like he had on Halloween. He rested the heel of his palms on my cheekbones so that his fingers could rub small circles on my temples. It was heaven. And hell.
”
”
Devney Perry (Juniper Hill (The Edens, #2))
“
The Cook arrived sometime in the small hours of the morning. The moon was high but falling, and the air had taken to chill. Our lamps were out. Clement snored.
The front door creaked. I didn’t move.
The Cook crept in. His yellow cloak hung in threads, trail-worn, his apron smeared in dark brown and crimson stains—I hoped it was not Edwin’s blood. Dark circles under his eyes, a scratchy, unshaved beard, dirt under his nails so black it was opaque, and flaked skin made him more creature than man.
”
”
D.C. McNeill (The Retrievers of Windsor: A Maynard Trigg Story)
“
The plate the waiter now set before her looked like an abstract painting: vivid green shot through with bright-coral slashes.
"Taste!" he urged.
It was clearly a fish but so sweet she did not recognize it. Looking at the color, she hazarded a guess. "Salmon? Or maybe not. It doesn't taste like salmon."
Troisgros looked very pleased. "That is because it was caught just this morning in the Allier, our local river. But also because we preserve the color by slicing the fish very thinly and searing it for just a few seconds."
"So it's almost raw?" She wasn't sure about this.
"In Japan they eat their fish raw."
She took another bite; the herbal sauce flirted with bitterness. "The flavor is so green I feel I'm eating color."
"Sorrel." He gestured to the waiter, who removed the plates and then set a single small bird surrounded by sliced fruit in front of each of them. "Sarcelle aux abricots," he announced.
"Sarcelle?" Stella did not recognize the word.
"It's a freshwater duck," said Jules. "I can't remember the word in English."
"Teal," Troisgros supplied.
Stella closed her eyes and tried describing the flavor. "It tastes wild." She began to dream herself into the dish as if it were a painting, imagining a golden field in the sunshine, feeling the air rush past, hearing the sound of her own wings. Circling in a great joyous arc, she spotted a tree covered in tawny fruits, breathed their perfume in the air.
"I wanted---" the chef was watching her--- "to give you the essence of the animal. To let you taste what the duck ate on her flight through life.
”
”
Ruth Reichl (The Paris Novel)
“
In the thousands of years before European colonists landed in the West, the area that would come to be occupied by the United States and Canada produced only a handful of lasting foods---strawberries, pecans, blueberries, and some squashes---that had the durability to survive millennia. Mexico and South America had a respectable collection, including corn, peppers, beans, tomatoes, potatoes, pineapples, and peanuts. But the list is quaint when compared to what the other side of the world was up to. Early civilizations in Asia and Africa yielded an incalculable bounty: rice, sugar, apples, soy, onions, bananas, wheat, citrus, coconuts, mangoes, and thousands more that endure today.
If domesticating crops was an earth-changing advance, figuring out how to reproduce them came a close second. Edible plants tend to reproduce sexually. A seed produces a plant. The plant produces flowers. The flowers find some form of sperm (i.e., pollen) from other plants. This is nature beautifully at work. But it was inconvenient for long-ago humans who wanted to replicate a specific food they liked. The stroke of genius from early farmers was to realize they could bypass the sexual dance and produce plants vegetatively instead, which is to say, without seeds. Take a small cutting from a mature apple tree, graft it onto mature rootstock, and it'll produce perfectly identical apples. Millenia before humans learned how to clone a sheep, they discovered how to clone plants, and every Granny Smith apple, Bartlett pear, and Cavendish banana you've ever eaten leaves you further indebted to the people who figured that out.
Still, even on the same planet, there were two worlds for almost all of human time. People are believed to have dug the first roots of agriculture in the Middle East, in the so-called Fertile Crescent, which had all the qualities of a farmer's dream: warm climate; rich, airy soil; and two flowing rivers, the Tigris and Euphrates. Around ten thousand years before Jesus walked the earth, humans taught themselves how to grow grains like barley and wheat, and soon after, dates, figs, and pomegranates.
”
”
Daniel Stone (The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats)
“
When I turned it over, I realized there were dozens of teeny little spell circles and symbols engraved onto the back of the stone. They were so small you’d need a magnifying glass just to see them.
”
”
Nicole Conway (Mad Magic (Mad Magic Saga #1))
“
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623
When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
”
”
James A. Michener (Hawaii)
“
On Ceres, the circle of life was so small you could see the curve.
”
”
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
“
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
”
”
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
“
Why should I write to the newspapers instead of to the machines themselves, why not summon a monster meeting of machines, place the steam engine in the chair, and hold a council of war?” asked the anonymous “mad correspondent.” “I answer, the time is not yet ripe for this. . . . Our plan is to turn man’s besotted enthusiasm to our own advantage, to make him develop us to the utmost, and find himself enslaved unawares. “My object is to do my humble share towards pointing out what is the ultimatum, the ne plus ultra of perfection in mechanized development,” the writer continued, “even though that end be so far off that only a Darwinian posterity can arrive at it. I therefore venture to suggest that we declare machinery and the general development of the human race to be well and effectually completed when—when—when—Like the woman in white, I had almost committed myself of my secret. Nay, this is telling too much. I must content myself with disclosing something less than the whole. I will give a great step, but not the last. We will say then that a considerable advance has been made in mechanical development, when all men, in all places, without any loss of time, are cognizant through their senses, of all that they desire to be cognizant of in all other places, at a low rate of charge, so that the back country squatter may hear his wool sold in London and deal with the buyer himself—may sit in his own chair in a back country hut and hear the performance of Israel in Ægypt at Exeter Hall—may taste an ice on the Rakaia, which he is paying for and receiving in the Italian opera house Covent garden. Multiply instance ad libitum—this is the grand annihilation of time and place which we are all striving for, and which in one small part we have been permitted to see actually realised.”67 This letter, bearing the stamp of Samuel Butler in style if not in name, was signed “Lunaticus.” One hundred years after Erasmus Darwin gathered his circle of Lunaticks in the English Midlands, a strand of telegraph wire was uncoiled at the antipodes of the earth. Sparked by the transit of a few pulses of electromagnetic code over this embryonic fragment of a net, Samuel Butler foresaw the evolution, perhaps not so far off as he imagined, of that phenomenon, somewhere between mechanism and organism, now manifested as the World Wide Web.
”
”
George Dyson (Darwin Among The Machines: The Evolution Of Global Intelligence (Helix Books))
“
By Wednesday evening, the trust was vanishing even inside the small circle of effective altruists. Caroline remained almost upbeat, and even tried to explain to Sam why. “I just had an increasing dread of this day that was weighing on me for a long time and now that it’s actually happening it just feels great to get it over with one way or another,” she’d written to him on Sunday. In the wee hours of Tuesday, Bahamas time, she followed it up with another message: “Feel weirdly good to get it over with. I’ve been dreading this for a long time so feels like a big weight off my shoulders.
”
”
Michael Lewis (Going Infinite: The Rise and Fall of a New Tycoon)
“
I'm just not a glitter person," I was telling her as she led me back out into the main space, but the words stopped short when she shoved me in front of the mirrors and there I was, glittering at angle after angle.
I almost didn't recognize myself. The dress was another simple A-line in shape, gathered at the bust and flowing past my waist to the floor. Its sleeves were loops that circled around my upper arms, baring my shoulders so that my hair could tumble over them or be tied up high to showcase the elegant flow of my throat into my clavicle, which I'd only just now realized was elegant. The dress was black--- my favorite color--- and covered with tiny chips of what must have been rhinestones, small and subtle and scattered enough where I didn't glow like a disco ball under the lights but instead shimmered whenever I moved.
I looked like a princess of the night sky.
”
”
Amanda Elliot (Love You a Latke)
“
The time-honored understanding that we are microcosms of the macrocosm means that when we heal ourselves, we have a healing effect on the planet. When we change our lives, we inspire others to follow our example and, in doing so, blaze new pathways and create chain reactions that transform the world. When we take small steps to care for our own health and well-being, we not only prevent illness and disease, but we also raise our game to maximize our human potential and those of others around us. When we do the right thing for ourselves, for our loved ones, and for the environment, we reinforce nature’s potential to nurture and sustain life. This reverberates back to us so that bigger things can come our way, allowing us to flourish and thrive in a reciprocal network of giving and receiving. Like the roots of a forest, we are all intertwined, so everyone has a role to play in healing this beautiful planet of ours. We have all the tools we need for transformation; all it takes is one good thought, one positive choice, one right action to begin a virtuous circle.
”
”
Dr. Andrea Revell
“
FV: Annandale defines 'definition' as "an explanation of the signification of a term." Yet Oxford, on the other hand, defines it as "a statement of the precise meaning of a word." A small, perhaps negligible difference you might think. And neither, would you say, is necessarily more correct than the other? But now look up each of the words comprising each definition, and then the definitions of those definitions, and so on. Some still may only differ slightly, while others may differ quite a lot. Yet any discrepancy, large or small, only compounds that initial difference further and further, pushing each 'definition' farther apart. How similar are they then at the end of this process...assuming it ever would end? Could we possibly even be referring to the same word by this point? And we still haven't considered what Collins here...or Gage, or Funk and Wagnalls might have to say about it. Off on enough tangents and you're eventually led completely off track.
ML: Or around in circles.
FV: Precisely!
ML: Oxford, though, is generally considered the authority, isn't it?
FV: Well, it's certainly the biggest...the most complete. But then, that truly is your vicious circle - every word defined...every word in every definition defined...around and around in an infinite loop. Truly a book that never ends. A concise or abridged dictionary may, at least, have an out...
ML: I wonder, then, what the smallest possible "complete dictionary" would be? Completely self-contained, that is, with every word in every definition accounted for. How many would that be, do you suppose? Or, I guess more importantly, which ones?
FV: Well, that brings to mind another problem. You know that Russell riddle about naming numbers?
”
”
Mort W. Lumsden (Citations: A Brief Anthology)
“
riendship is a treasure. If you possess even one nugget of the real thing-you're rich! So celebrate! Give your friend a book or an item with a note explaining its importance. Or set up a spa day.
Why not add to her collection-or even start one for her! A bell, a miniature animal, an antique ...something in line with her interests. Personalized notepads are always great and practical!
You could get her a monogrammed Bible or a hymnbook for her devotional times. Or one of those wonderful little rosebush trees if she's into gardening.
Express your care and love for her friendship.
by not widen your circle of friends? Don't miss the joy of sharing your Christian life
through hospitality. Bible studies and small-group meetings are great ways to open your home and your heart. Fill a basket with food and take it to neighbors. What a surprise it will be for them!
Host a neighborhood barbecue, potluck, theme dinner (ask everyone to bring something related to the theme), or even start a dinner club and meet somewhere different each month.
Throw an "all girls" party for you and your friends.
Volunteer at a homeless shelter or hospital.
What do you enjoy most? Let that be the focus of your hospitality to others.
”
”
Emilie Barnes (365 Things Every Woman Should Know)
“
***What reasons made you to found the Dragon Rouge? When the idea to found it for the first time in your head appeared?***
It was several reasons, and its a long story so I can’t tell the whole story here, but three reasons were most important: 1) it was a need for a new practical oriented order, 2) it was a need for a new order working with the LHP, Draconian Current and Nightside Tradition, 3) I got the impulse from older draconian magicians both in Sweden and Marocco to found a new magical order based upon a practical oriented version of the LHP, Draconian Current and the Nightside Tradition.
***I`m not sure do I remember well, but somone told this was not your idea, but it was the decision of the secret association derived from Yezidian and Tyfonic traditions? Is it true? Can you say something about that association?***
Yes, you are right. As I said above I got the idea from a secret group of Swedish magicians. I got a lot of magical texts from them and their work was partly based upon the typhonian tradition and there interpretation of yezidism. They claimed that their founder was inititated in a yezidi circle in Kurdistan. Much of their concept reminds me of what you find in the writings of Kenneth Grant and I think they were inspired by him, although they made a lot of new interpretations and inventions. I also recieved small but important magical things on a journey to Marocco in the days when Dragon Rouge was about to be founded, and one of our earliest members was a pupil to a american magician who gave us a lot of unique material about LHP Egyptian magic and dark Egyptian deities.
interview - Therion.Metal.Pl and for e-zine Rock4eveR both on 16th of September 2003.
”
”
Thomas Karlsson
“
When I rode away from Jock’s farm a week later, I took nothing that I couldn’t tie onto the back of my saddle—pyjamas, a toothbrush and comb, a second pair of slacks, a man’s shirt in heavy cotton. For Pegasus I carried a thick rug and brush, several pounds of crushed oats, and a small, tarnished blacksmith’s knife. It felt wonderful to be riding out in the bush and travelling so lightly, but I was also leaving much unsettled behind me. It was a devil’s bargain I had struck with Jock.
”
”
Paula McLain (Circling the Sun)
“
I love you,” Val began, wondering where in the nine circles of hell that had come from. He sat forward, elbows on his knees, and scrubbed a hand over his face. “I’m sorry; that came out… wrong. Still…” He glanced at her over his shoulder. “It’s the truth.” Ellen’s fingers settled on his nape, massaging in the small, soothing circles Val had come to expect when her hands were on him. “If you love me,” she said after a long, fraught silence, “you’ll tell me the truth.” Val tried to see that response as positive—she hadn’t stomped off, railed at him, or tossed his words back in his face. Yet. But neither had she reciprocated. “My name is Valentine Windham,” he said slowly, “but you’ve asked about my family, and in that regard—and that regard only—I have not been entirely forthcoming.” “Come forth now,” she commanded softly, her hand going still. “My father is the Duke of Moreland. That’s all. I’m a commoner, my title only a courtesy, and I’m not even technically the spare anymore, a situation that should improve further, because my brother Gayle is deeply enamored of his wife.” “Improve?” Ellen’s voice was soft, preoccupied. “I don’t want the title, Ellen.” Val sat up, needing to see her eyes. “I don’t ever want it, not for me, not for my son or grandson. I make pianos, and it’s a good income. I can provide well for you, if you’ll let me.” “As your mistress?” “Bloody, blazing… no!” Val rose and paced across the porch, turning to face her when he could go no farther. “As my wife, as my beloved, dearest wife.” A few heartbeats of silence went by, and with each one, Val felt the ringing of a death knell over his hopes. “I would be your mistress. I care for you, too, but I cannot be your wife.” Val frowned at that. It wasn’t what he’d been expecting. A conditional rejection, that’s what it was. She’d give him time, he supposed, to get over his feelings and move along with his life. “Why not marry me?” he asked, crossing his arms over his chest. She crossed her arms too. “What else haven’t you told me?” “Fair enough.” Val came back to sit beside her and searched his mind. “I play the piano. I don’t just mess about with it for polite entertainment. Playing the piano used to be who I was.” “You were a musician?” Val snorted. “I was a coward, but yes, I was a musician, a virtuoso of the keyboard. Then my hand”—he held up his perfectly unremarkable left hand—“rebelled against all the wear and tear, or came a cropper somehow. I could not play anymore, not without either damaging it beyond all repair or risking a laudanum addiction, maybe both.” “So you came out here?” Ellen guessed. “You took on the monumental task of setting to rights what I had put wrong on this estate and thought that would be… what?” “A way to feel useful or maybe just a way to get tired enough each day that I didn’t miss the music so much, and then…” “Then?” She took his hand in hers, but Val wasn’t reassured. His mistress, indeed. “Then I became enamored of my neighbor. She beguiled me—she’s lovely and dear and patient. She’s a virtuoso of the flower garden. She cared about my hand and about me without once hearing me play the piano, and this intrigued me.” “You intrigued me,” Ellen admitted, pressing the back of his hand to her cheek. “You still do.” “My Ellen loves to make beauty, as do I.” Val turned and used his free hand to trace the line of Ellen’s jaw. “She is as independent as I am and values her privacy, as I do.” “You are merely lonely, Val.
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Without the protection of our leaders, everyone outside the inner circle is forced to work alone or in small tribes to protect and advance their own interests. And in so doing, silos form, politics entrench, mistakes are covered up instead of exposed, the spread of information slows and unease soon replaces any sense of cooperation and security.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
I work my fingertips in small, tight, purposeful circles over her clit. She’s staring at me, beautiful, so turned on I can see it in her eyes, when I lift my fingers to my own mouth and slide them inside. She tastes so fucking good. Guys say that about girls all the time,
”
”
Callie Hart (Violent Things (Chaos & Ruin, #1))
“
Like sculpture at first. Then, as if the sun rose in her, long
gesture.
A small smile; then very much so.
The beauty
of the rite shone; whirling.
She whirled and whirled,
flaming.
Only the body spoke. The body carried her
language.
Her dance a spell
swirling the air, a spiral she was
and
her shawl, the half circle around her,
the curve of the sea-shore and
girl,
the dancer and the dance apart…
”
”
Kinga Fabo (Racun (Poison))
“
I didn’t even know you looked at him like that.”
“Well, things feel more forbidden when you keep them secret, don’t they, Pippa?”
I laugh and roll my eyes.
“What other secrets do you have these days?” She leans in super close to her computer with a devious smile. “Do you have an Italian lover I should know about? Or lovers?”
“What?” My cheeks flame.
“There is someone!” Morgan slaps her palm on the desk. “What’s his name? Wait! Is it that Bruno guy? The one who kissed you? What aren’t you telling me?”
“Settle,” I say, turning down the volume to keep her shrill voice from waking up the whole building. “Uh, Bruno’s…well…”
“Yes?” She moves her hand in a small circle, urging me to continue.
“There’s this other guy, he’s American. But there hasn’t--”
“American?” She scrunches her nose. “We have those over here.”
“Morgan!”
“I’m just kidding! How cute is he?”
Darren’s insane hair curls around my heart and I warm all over. “He’s really cute.”
“Has he kissed you? What’s he like?”
“No kissing,” I say with a shake of my head, “but he, like, saved me. I hurt my ankle and he carried me.”
Her eyes widen more than I remember ever seeing them. “That’s how you met? Did you die? I would have died! That’s so romantic!”
“It didn’t feel romantic at the time.
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
Yet Kantarō felt that he himself was an obedient animal, no longer capable of effective resistance. To him it seemed that his father’s prolonged detention, the homes left defenseless while factories were being so solidly protected, and the repeated beatings of starving workers who were simply demanding to be paid, all stemmed from a single principle: only the great grow fat—and at the sacrifice of all the countless ones who are small. Long ago, Father had tried to unmask the village assemblymen who had diverted the funds intended for the construction of a school into playing with geishas. For that he had been shoved off the plank and his fall began. He had to keep falling until he could fall no further. It had nothing to do with fate. The little people fall to protect the big. For their sake we must all fall down all the way to rock bottom! But the time will come when the whole gigantic structure itself will be shaken from its foundation stones and collapse. It most certainly will.
”
”
Kuroshima Denji (A Flock of Circling Crows)
“
Hunter spread his hand under the cloth of the woman’s gown and stared at the clear outline of his fingers. As incredible as it seemed, the sun had gone right through the thin material and cooked her fair skin. Comanches sometimes got sunburned, but never like this. With a snort of disgust, he wadded the gown into a ball and tossed the useless thing on the fire. From now on he would dress the girl in leathers.
The material ignited explosively, and the light from the heightened flames played upon her body, flickering on her small breasts, shadowing her curves. He stared down at her, more angry than he had ever been, with himself. No matter how he tried not to think of it, his mind circled back to his behavior tonight, immediately after stopping to make camp, then later down at the river. How could he have treated a White-Eyes so kindly?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
You must also remember the yellow-hair may give you many more children than a Comanche woman. Take care or you could father more children than you can feed. I’ve never seen a white woman yet who wasn’t a good breeder.”
A slow grin spread across Hunter’s mouth. “You will tell her this, yes? So far she isn’t showing the proper enthusiasm.”
“She’ll come around. Give her time. Be patient. The rewards will be worth the wait.”
Hunter tossed aside the poker and rose. “I will think long on your words.”
“You sound like a man with eyes going two different directions. What maiden in the village entices you?”
“There is no one.”
“Hmmph. Bullheaded, just as I suspected. I used to hope you might outgrow it. I see you never will.”
“I have the strongest arm in my lodge circle. Her pouting will not sway me. If that’s being bullheaded, then I sure enough am.”
Many Horses rolled his eyes.
“You think my arm is not the strongest?”
“I think you should fight your battles with men on the battlefield, my son, where you have a chance of winning. That is what I think. But when have you ever listened to me?” He reached for the bow he was so skillfully crafting. “I suppose you must learn life’s lessons your own way.”
Choosing to ignore his father’s digs, Hunter said, “It’s a very small bow. Who is it for?”
“Turtle,” Many Horses replied with a mischievous smile. “At my age, there is little pleasure in life. It is time I watched my grandson learn to shoot. I and my friends are placing bets. I have two horses that say he will shoot Warrior in the thigh. Old Man thinks it will be in the rump. Want to wager?”
Hunter’s smile turned wry. “I don’t think so. If I recall, I told Warrior that I would teach Turtle how to shoot.”
Many Horses nodded, then quirked an eyebrow. “So it’s your thigh I’m wagering on, eh? Hmm. Sometime today, bring your yellow-hair by to meet me.”
“Why?”
“She may want to bet with us.”
“My yellow-hair?”
Many Horses grinned. “If Turtle aims a little high, think of all the grief he might save her.”
Hunter gave a snort of disgust and left the lodge.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
I want words which are scalpel sharp
and shiny; poems keen enough to gut a fish
and clean it. Poems labelled not for domestic use.
The kind you keep on the top shelf
away from the thieving hands of children.
And I want to feed you warmly scented words;
small loaves of wholemeal bread
so you will remember the kitchens where you stood
in a slant of sunlight and listened to the radio
crooning somewhere above.
I want to rock you with my mothering songs.
I want my poems to fly out of your pockets---
a troupe of magician's doves, somersaulting in the air,
a perfect explosion of soft fireworks.
I want them to follow you;
like Valentine's cards or bad cheques
constantly re-addressed.
These poems are birthed from some deep place.
They wear that bruised look of the newborn.
They will find their way into your sleep
with their naked hands and greed.
They will come to you like a lover, saying:
let me bring you inside
into the circle
made by my tongues of fire.
”
”
Catherine Bateson (The Vigilant Heart)
“
Helicopters
Nothing has done more to change the face of wilderness rescue than helicopters. They land in remote areas that were inaccessible to aircraft only a few years ago. If the spot isn’t flat enough, helicopters have been known to land on one skid while a patient is quickly loaded. When there is no spot to land, they have hovered with a rescuer hanging from a rope or cable, a rescuer equipped to attach the patient to the hauling system for evacuation.
Helicopters go where the pilot wants because of the rapid spinning of two sets of blades. The large overhead blades create air by forcing air down. The pilot can vary the angle at which the blades attack the air and the speed at which they rotate to vary the amount of lift. The entire rotor can be tilted forward, backward, or sideways to determine the direction of travel. Without a second set of blades spinning in an opposite direction, the helicopter would turn circles helplessly in the air. Some large helicopters have two large sets of blades spinning in opposite directions, one fore and one aft, but most helicopters used in the wilderness maintain stability with one small tail rotor.
When they are close to the ground, the spinning blades build a cushion of air that helps support the helicopter. This cushion of air varies in its ability to work, depending on its density. Rising air temperatures and increasing altitude reduce air density. So trying to land a helicopter on a mountaintop on a hot day is dangerous, and the weight of one person may prevent liftoff.
Air density also is altered by the nearness of a mountainside. The downward shove of air by the blades can recirculate off the mountainside and reduce lift.
One of the greatest fears of mountain flying is a sudden downdraft of air that can slam a helicopter toward the ground. Downdrafts are not only dangerous but also unpredictable.
Add to air density and downdrafts the possibility of darkness and fog and wind, and you can understand that even if a helicopter is available it may not be able to come to your rescue.
”
”
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
“
I guess what concerned me most about the small lie was the danger of it becoming a habit. I’ve seen many times over the years how liars get so good at lying, they lose the ability to distinguish between what’s true and what’s not. They surround themselves with other liars. The circle becomes closer and smaller, with those unwilling to surrender their moral compasses pushed out and those willing to tolerate deceit brought closer to the center of power. Perks and access are given to those willing to lie and tolerate lies. This creates a culture, which becomes an entire way of life. The easy, casual lies—those are a very dangerous thing. They open up the path to the bigger lies, in more important places, where the consequences aren’t so harmless. * * *
”
”
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
It was my wish to make your fear small, not big. To become your good friend, not your enemy.”
“Oh, Hunter, I wish we could be friends again. Remember our journey to my wooden walls? Sometimes--I think about those times, and--” She broke off and gave an exasperated groan. “I felt so close to you then, and I was so sad to say good-bye.”
“And now your heart does not sing friendship for me?”
“You’re my husband.”
“I wish to be your friend.” He leaned back to see her face. “Can I not be both? You have stolen my heart from me, Blue Eyes.”
“Oh, Hunter…”
“You will be my friend again?” he asked huskily. “We will make laughter together, yes? And you will lie beside me when we sleep, with no fear, because my hand upon you is the hand of your good friend.”
“I’d like to be friends again--truly I would.”
“Then it will be so.” He nuzzled her ear.
“But Hunter, don’t you see? We’re married.”
“Ah, yes, married.” Hunter’s mind circled the word, trying to imagine what images it conjured for her. “And good friends, yes? Trust. This last time. My hand upon you has brought pain?”
“No,” she whispered hoarsely.
“I have beaten you?”
“No.” She pressed closer to him and encircled his neck with her arms. “Oh, Hunter, what must you think of me?”
“I think there is big fear inside you.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
She has touched me. My hatred for her has gone the way of the wind. She saved my life.” He quickly related the tale about the rattlesnake and how she had broken her silence to warn him.
“You would prefer that she live for always away from you?”
Hunter’s gut contracted. In that instant he realized how much he wanted the woman beside him. “I would prefer that my eyes never again fall upon her than to see her die.” His mouth twisted. “She has great heart for one so small. She makes war with nothing, and wins.”
Many Horses nodded. “Huh, yes, Warrior and Swift Antelope have already told me.”
“I would take my woman back to her land,” Hunter said. “I know the words of the prophecy, eh? And I would not displease the Great Ones, but I see no other path I might walk.”
Hunter’s mother rose to her knees. “My husband, I request permission to speak.”
Many Horses squinted into the shadows. “Then do it, woman.”
She moved forward into the light, her brown eyes fathomless in the flickering amber. “I would but sing part of the song, so we might hear the words and listen.” She tipped her head back and clasped her hands before her. In a singsong voice, she recited, “‘When his hatred for the White Eyes is hot like the summer sun and cold like the winter snow, there will come to him a gentle maiden from tosi tivo land.’”
“Yes, wife, I know the words,” Many Horses said impatiently.
“But do you listen?” Woman with Many Robes fixed her all-seeing gaze on her eldest son. “Hunter, she did not come to you, as the prophecy foretold. You took her by force.”
“Pia, what is it you’re saying? That she would have come freely?” A breath of laughter escaped Hunter’s lips. “The little blue-eyes? Never.”
His mother held up a hand. “I say she would have, and that she shall. You must take her to her wooden walls. The Great Ones will lead her in a circle back to you.”
Hunter glanced at his father. Many Horses set his pipe aside and gazed for a long while into the flames. “Your mother may be right. Perhaps we have acted wrongly, sending you to fetch her. Perhaps it was meant for her to come of her own free will.”
Hunter swallowed back an argument. Though he didn’t believe his little blue-eyes would ever return to Comancheria freely, his parents had agreed that he should take her home, and that was enough. “What will lead her back to me, pia?”
Woman with Many Robes smiled. “Fate, Hunter. It guides our footsteps. It will guide hers.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Your heart holds great love for her.”
“Yes. Those terrible men-- She’s just a little girl. They’ve already had her for eight days. I can think of nothing else. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.”
He grasped her chin, his touch deceptively gentle, as it had always been. “This night, you will sleep without dreams. I have said I will find her. Suvate, it is finished.”
With that, he left the lodge.
A few minutes later he returned. After donning a pair of buckskin pants, which he pulled on while still wearing his breechcloth, he gathered his weapons, making several trips outside to his horse. When he had collected everything he needed, he sat on a fur pallet, propped a small shaving mirror on his knees, and painted his face, outlining his eyes with black graphite and striping his chin thrice with crimson.
Loretta sat on the edge of the bed watching him. When he finished he glanced over at her. She was seeing Hunter the killer for the first time. On the one hand, he looked so fierce that he terrified her; on the other, she felt strangely reassured. Such a brutal, grimly determined man would be able to find and rescue Amy when another might fail.
“What does the paint say?” she asked.
“That this Comanche rides for war.”
“War?” she whispered.
“Santos will know by the paint that I come in anger.”
“Will there be a fight? Amy might get hurt.”
“Your Aye-mee will suffer no harm.” He rose and put away his paints, cleaning his hands on a swatch of cloth. Turning to face her, he said, “My brother, Warrior, and my good friend Swift Antelope will remain beside you. Their strong arms are yours.” He motioned for her to stand. “I take you to Warrior now. You will sleep in his lodge circle. No harm, eh?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Warrior beckoned to her. “Loh-rhett-ah, you come, eh?”
Loretta glanced uneasily at Red Buffalo. To her surprise, he moved closer to Maiden of the Tall Grass to make room for her. Blackbird dashed across the room and seized Loretta’s hand.
“Keemah!” she cried.
Loretta rose and let the child lead her to the circle. She shot a glance at Red Buffalo. He caught the look and smiled. She had the uneasy feeling he did so only for the benefit of Warrior and Maiden of the Tall Grass, and that he had a motive for this sudden turnabout. Oh, God. Did he hope that Warrior might leave him alone with her?
“This Comanche will not eat you,” he said. “Be easy.”
Not sure what to make of his mood, Loretta arranged her skirt around her and sat down, folding her hands in her lap. With Warrior sitting so close, she felt fairly safe. These last five days he had proven himself to be an even-tempered and kind man. Maiden of the Tall Grass, in her sweet, quiet way, ruled the roost. Loretta felt confident no one would harm her with Warrior close at hand.
After the corn finished popping, Maiden removed the kettle from over the flames and set it in the center of their circle. When she whisked away the lid, the smell itself was almost good enough to eat. Once everyone else had helped themselves, Loretta shyly scooped a small handful, trying not to think about Amy and failing miserably. Red Buffalo snorted and dipped his hands into the fluffed kernels, his palms forming a sizable bowl. The next instant he dumped the mountain of corn onto Loretta’s skirt where it stretched across her lap.
“Oh, my! I--” Loretta was about to say she couldn’t possibly eat so much. She swallowed the words and forced a smile. These people didn’t know Amy. She couldn’t expect them to understand her somber mood--or even to care. “Thank you.”
Blackbird snitched a piece of popcorn from Loretta’s mound, and everyone laughed. Not to be outdone, Pony Girl, always on the move, toddled over and helped herself as well.
“You see? It is good you have so much,” Red Buffalo said.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
range viewer mounted near our ship’s console. Jafar steered for Lucas. After a few more minutes, Lucas signed off and turned to us. “We have a carrier strike group nearby, guys. Denny says they launched two 60H Seahawk helicopters with Seal Teams aboard. We get to clear the Mother Ship’s deck for safe boarding of the Seal teams. I’ll circle the wagons and you guys go rain some death down on the Mother Ship deck until ain’t nothin’ livin’ there. Then we hold shadow position until the Seahawks get here, maintaining a safe landing zone.” Casey and I just smile at each other. Oh yeah! And it’s my turn on the XM307. We jog back into position with Casey manning our Browning fifty while I slipped behind the XM307. We started taking small arms fire from the pirate ship as Lucas passed them to the port side before giving us a clear field of fire. Casey tilted and fired short bursts with tracers. Soon, anything stupid enough to get near the railing was cut in half. I fired 25mm bursts stem to stern. Airburst shells exploded all along the pirate deck, blowing out the view windows on their bridge, and leaving no inch of the vessel untouched above deck. Lucas sped up, passed the pirate bow and angled out on the starboard side. We repeated our dual assault although there really wasn’t anyone alive anyway. Twenty minutes later, we heard the Seahawk helicopters approaching. I fired one more burst as Lucas passed once again on the port side. With the helicopters in sight, Lucas headed for the open sea. Shortly after Casey and I closed up shop, Jafar came to summon us to the bridge. Denny was on speaker. “We’re all here, Captain Blood,” Lucas told him. “The Seals found twenty-six mangled pirates above deck and took no fire from the vessel. Below decks, fourteen more pirates were taken prisoner and eleven of the original ship’s crew rescued. No one spotted you guys so steam for our next baiting area. Once things get wrapped up with the rescued ship the carrier group will get orders to take up a support position within striking distance in case we get this lucky again. Great job! Man, we fucked them up today!” We did our ‘pirate talk’ for a few minutes, including Jafar. Denny cracked up. Who says pirate warfare and cold blooded murder can’t be fun. I had to ask though. “What was the cover story for no live pirates on deck to the carrier group?” “Don’t ask, don’t tell,” Denny adlibbed for our amusement. “The Seals didn’t mind. The official news coverage will be a pirate falling out. The mysterious crater where the pirate den used to be near Mogadishu will be rumored a munitions accident. Those
”
”
Bernard Lee DeLeo (Hard Case (John Harding: Hard Case, #1))