Cindy Sherman Quotes

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I’m disgusted with how people get themselves to look beautiful; I’m much more fascinated with the other side.
Cindy Sherman
Cindy Sherman, Frida Kahlo, Georgia O’Keeffe, Judy Chicago, and Barbara Kruger are just some of the many women who broke old conventions and altered norms in modern art.
Iris Lavy (Leadership Framed by Art: Business & Management Skills)
I haven’t been disingenuous in what I’ve said describing my perception of “truth” and “reality.” Certainly, I understand what is generally meant to be the “truth,” I understand this notion, but it’s not something I trust in, OK? The only answer that feels true (I said feels, not is) is that yes, the character Minnie is me, but she is not me. She is a projection of some tumult which originates within me, but she is not me. I use elements of myself, including my likeness, for the character, perhaps as Cindy Sherman uses herself in her work, but like Sherman’s photographs, the work itself is not any more about the creator than it is about everyone. I won’t deny that Minnie does things I have done, and that things happen to her that have happened to me, but she, unlike me, having been created, is who she is and will remain so, unchanged now. I make no attempt to create “documentary.” There is a process of dissociation that takes place when I make a story, I make creative decisions in a fugue state that I could hardly describe to you, but the end result is, I hope, a story with some meaning or resonance, something created, with a beginning, a middle and an end, an encapsulation of feeling and impression, but in no way a documentary of anything other than an “emotional truth.” If I told most interviewers that my work is “true” and that it is based on real events that occurred in my life, they would more readily accept this than they do the explanation I try to give. Sadly, what they would believe feels to me like a lie and a simplification of a process that is for me as complex and vague as life itself…
Phoebe Gloeckner
seems I have been elected to the American Academy of Arts and Letters. It’s a lifelong appointment and there are no dues, just glory and hobnobbery. I look at the list of current members and feel woozy. In the department of literature, there’s Ann Beattie, Michael Cunningham, Jeffrey Eugenides, Jonathan Franzen, Amy Hempel, Jamaica Kincaid, David Mamet, Lorrie Moore, Joyce Carol Oates, Sharon Olds, Ann Patchett, Jayne Anne Phillips, Francine Prose, Marilynne Robinson, George Saunders, Wallace Shawn, Anne Tyler, Edmund White, Joy Williams, and Tobias Wolff. Really? I think. These people are gods to me. It’s like I’ve been allowed onto Mount Olympus. Then there are the departments of art (Bruce Nauman, Cindy Sherman, Jenny Holzer, Susan Rothenberg), music, and architecture. Honorary members—people whose work falls outside these categories—include Bob Dylan, Meryl Streep, Frederick Wiseman, and Martin Scorsese.
David Sedaris (A Carnival of Snackery: Diaries (2003-2020))