Chubby Face Quotes

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She was knitting a sweater and enjoying the calm atmosphere of her living room when her chubby, beer-drinking, sports-watching husband woke from a nap on the couch screaming, “Touchdown!” At the moment her serenity had been broken, she unconsciously reacted by swinging around and plunging a knitting needle into her husband’s throat. While blood squirted from his throat and his shocked face produced gurgling sounds, she lifted from her chair and drove the other knitting needle into his beer-ballooned stomach over and over again. Blood and beer gushed out of his belly like a punctured fish tank. As her husband gurgled and deflated, she stared down at him with a beaming smile. She had found her new hobby—annihilating assholes. She had cut up her husband into nice little pieces and used him as fertilizer for her backyard garden. Never again did her cozy house get raped by blaring sounds of sports emanating from a television set. The TV went into the garbage and the living room was converted into a tea room.
Jasun Ether (The Beasts of Success)
There is a picture of me in their heads, a picture of someone I don't know yet. She is not the chubby girl with the braces and bad perm. She is not the girl hiding in the bathroom at recess. She is someone new, a blank slate they have named beautiful. That is what I am now: beautiful, with this new body and face and hair and clothes. Beautiful, with this erasing of history.
Amy Reed (Beautiful)
With his chubby face and his grumpy expression, he looked like a Buddha who’d achieved enlightenment and wasn’t thrilled about it.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
And times there are when you feel very wise and ageless. You are sunning on the rocks, the water splashing at your feet, when a small chubby freckle faced girl of about ten approaches you, her hand holding something that is invisible, but evidently quite precious. 'Do you know,' she asks earnestly, 'do starfish like hot or cold water best?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Nobody knows how many North Koreans have died or are dying in the famine—some estimates by foreign-aid groups run as high as three million in the period from 1995 to 1998 alone—but the rotund, jowly face of Kim Il Sung still beams down contentedly from every wall, and the 58-year-old son looks as chubby as ever, even as his slenderized subjects are mustered to applaud him.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
John Steinbeck (The Grapes of Wrath)
Eva seemed to be on some sort of mission to work her evil/cute baby magic on me. Ever since she'd started toddling around on those chubby little legs, she'd been targeting me, the least enthusiastic baby person in the room. I think she enjoyed the challenge, which proved that we were related. Eva would tug on my pants leg until I picked her up. And then she'd basically stare me down with those big blue-grey eyes of hers, daring me not to snuggle her. It was like facing down a tiny, diapered mastermind. And of course, I caved. I snuggled her. I babbled. I read her Where the Wild Things Are until I was hoarse. I actually found myself watching my language. Shudder.
Molly Harper
He had plump, rosy cheeks and a thin beard that looked like it had been drawn on his round, chubby face with a Sharpie to indicate that he actually had a chin.
Lee Goldberg (Fake Truth (Ian Ludlow Thrillers #3))
I am struck by what a tawdry magician’s trick Time is after all. I am sixty-six years old. Viewed from your coign of vantage—facing toward the future—sixty-six years is a great deal of time. It is all of the experience of your life more than three times over. But, viewed from my coign of vantage—facing toward the past—this sixty-six years was the fluttering down of a cherry petal. I feel that my life was a picture hastily sketched but never filled in . . . for lack of time. Only yesterday—but more than fifty years ago—I walked along this river with my father. I can remember how big and strong his hand felt to my small fingers. Fifty years. But all the insignificant, busy things—the terribly important, now forgotten things that cluttered the intervening time collapse and fall away from my memory. And I remember another yesterday when my daughter was a little girl. We walked along here. At this very moment, the nerves in my hand remember the feeling of her chubby fingers clinging to one of mine.
Trevanian
We all look so young. John with his rosy cheeks, Trevor with his chubby ones, Peter with his skinny legs. Underneath the picture I wrote, THE BEGINNING. “Aww,” he says tenderly. “Baby Lara Jean and Baby Peter. Where’d you find this?” “In a shoe box.” He flicks John’s smiling face. “Punk.” “Peter!” “Just kidding,” he says.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Disasterology The Badger is the thirteenth astrological sign. My sign. The one the other signs evicted: unanimously. So what? ! Think I want to read about my future in the newspaper next to the comics? My third grade teacher told me I had no future. I run through snow and turn around just to make sure I’ve got a past. My life’s a chandelier dropped from an airplane. I graduated first in my class from alibi school. There ought to be a healthy family cage at the zoo, or an open field, where I can lose my mother as many times as I need. When I get bored, I call the cops, tell them there’s a pervert peeking in my window! then I slip on a flimsy nightgown, go outside, press my face against the glass and wait… This makes me proud to be an American where drunk drivers ought to wear necklaces made from the spines of children they’ve run over. I remember my face being invented through a windshield. All the wounds stitched with horsehair So the scars galloped across my forehead. I remember the hymns cherubs sang in my bloodstream. The way even my shadow ached when the chubby infants stopped. I remember wishing I could be boiled like water and made pure again. Desire so real it could be outlined in chalk. My eyes were the color of palm trees in a hurricane. I’d wake up and my id would start the day without me. Somewhere a junkie fixes the hole in his arm and a racing car zips around my halo. A good God is hard to find. Each morning I look in the mirror and say promise me something don’t do the things I’ve done.
Jeffrey McDaniel
But insensate Time is nothing if not cruel and heartless. It corrodes then destroys, so that the man you literally and figuratively looked up to with your chubby face, who scooped you up to cross the street and patted you on the head to laughter, will later look through you from a crooked hospital bed then blindly up at you while wearing makeup in a bargain casket. The people who now surround you generating warmth will disappear leaving only an empty chill; the body you own and the brain it houses will malfunction. And sometimes, especially in Boxing, a twenty four year old can become a man overnight.
Sergio de la Pava (A Naked Singularity)
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The best was when I could see the hard face of a cold-hearted killer breaking through the chubby cheeks and callow softness of youth.
Ottessa Moshfegh (Eileen)
Side by side on the narrow shawl knelt the two wanderers, the little prattling child and the reckless, hardened adventurer. Her chubby face, and his haggard, angular visage were both turned up to the cloudless heaven in heartfelt entreaty to that dread being with whom they were face to face, while the two voices — the one thin and clear, the other deep and harsh — united in the entreaty for mercy and forgiveness.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
Suddenly, as Avis clung to her father’s neck and ear while, with a casual arm, the man enveloped his lumpy and large offspring, I saw Lolita’s smile lose all its light and become a frozen little shadow of itself, and the fruit knife slipped off the table and struck her with its silver handle a freak blow on the ankle which made her gasp, and crouch head forward, and then, jumping on one leg, her face awful with the preparatory grimace which children hold till the tears gush, she was gone — to be followed at once and consoled in the kitchen by Avis who had such a wonderful fat pink dad and a small chubby brother, and a brand-new baby sister, and a home, and two grinning dogs, and Lolita had nothing.
Vladimir Nabokov (Lolita)
God has perfect timing. If you aren’t of a similar faith, think of it as everything happening exactly when it’s supposed to. You look at your life and the eight things you thought you’d have accomplished by thirty-five and feel depressed. But maybe it’s just that you don’t have enough life experience yet. You’re like the baby who’s balancing in the middle of the room on chubby baby thighs—maybe you have to get your bearings for a while longer. Or maybe that goal wasn’t ever meant to be yours. Maybe you are destined for something so much cooler, which won’t come until five years down the road. Maybe you have to walk through this space you’re in to be ready for that. Nothing is wasted. Every single moment is preparing you for the next. But whether or not you choose to see this time as something wonderful—the time when God is stretching you and growing you or maybe forging you in fires hotter than you think you can withstand—all of it is growing you for the person you’re becoming, for a future you can’t even imagine.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
He chuckled and brought his face closer to mine, almost close enough that it was hard to focus on his features, the smell of his cologne from this close was something expensive and delicious. “Or you’ll what, Kacea? Kick my ass like you did when we were kids? I dare you to try, sweetling. I’m not the chubby simpleton I was then.” He dragged his thumb across my lower lip and his dark gaze followed it. “I’ve learned a lot of things since then. And I’d love to share them with you…” ~ Alain Reece & Kacea Meade (Lunacy, Ragnarok Legacy #1)
R.A. Sears
Look, the witches were one thing—she’d been fighting monster-faced hags for a couple of years at this point, gnarled old witches and chubby-cheeked bohemians that could Force-throw furniture like Carrie, fill your car with snakes, and turn themselves into raving gorgons.
S.A. Hunt (Burn the Dark (Malus Domestica, #1))
House cats are blessed with a killer set of what Austrian ethnologist Konrad Lorenz calls “baby releasers”: physical traits that remind us of human young and set off a hormonal cascade. These features include a round face, chubby cheeks, big forehead, big eyes, and a little nose.
Abigail Tucker (The Lion in the Living Room: How House Cats Tamed Us and Took Over the World (A Gift for Cat Lovers))
Kid, time’s up,” Hunter said to the boy on Santa’s lap. “I’m not finished!” the boy cried. Hunter bent over, until their faces were level. The kid reminded him of Cupid,whose chubby face hid a diabolical brain intent on replacing Santa as the most beloved holiday figure. Hunter had lost more than one of his platoon members after they were lured into Cupid’s boiling pots of chocolate. He’d learned not to trust kids. “If you don’t want me to slip you a poison gumdrop in your sleep, get off Santa’s lap,” Hunter whispered. The boy burst into tears. “Next!” Hunter barked.
Lizzy Ford (Santa's Ninja Elves)
Emmett Till's name still catches in my throat, like syllables waylaid in a stutterer's mouth. A fourteen-year-old stutterer, in the South to visit relatives and to be taught the family's ways. His mother had finally bought that White Sox cap; she'd made him swear an oath to be careful around white folks. She'd told him the truth of many a Mississippi anecdote: Some white folks have blind souls. In his suitcase she'd packed dungarees, T-shirts, underwear, and comic books. She'd given him a note for the conductor, waved to his chubby face, wondered if he'd remember to brush his hair. Her only child. A body left to bloat.
Marilyn Nelson (A Wreath for Emmett Till)
I silently wished to be a car-I was big enough to be one. I wanted to imagine myself purring every time Devin got inside me and took me for a ride. Unfortunately, all I could see was me drunk with chocolate smeared across my face singing the Transformer's intro "Robots in Disguise!" into Shannon's broken box fan.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.
Thomas Bernhard (Woodcutters)
I do not think I have ever experienced so strange a feeling in my life (I am wiser now, perhaps) as that of being with them, remembering how they had been employed, and seeing them enjoy the ride. I was not angry with them; I was more afraid of them, as if I were cast away among creatures with whom I had no community of nature. They were very cheerful. The old man sat in front to drive, and the two young people sat behind him, and whenever he spoke to them leaned forward, the one on one side of his chubby face and the other on the other, and made a great deal of him. They would have talked to me too, but I held back, and moped in my corner; scared by their love-making and hilarity, though it was far from boisterous, and almost wondering that no judgement came upon them for their hardness of heart. So, when they stopped to bait the horse, and ate and drank and
Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
Danny was unfazed at the size of the large-stomached man, with hairy arms waving about like a pizza chef, all violent gestures and shouting. His crude, pinch-faced wife spat salivated swear words at him. She was in her thirties and behaving like a grounded teenager, screaming at him to leave her property. "One hundred thousand pesetas please." Danny took a bony, female fist to his cheek, jarring him. He shook it off. "Two hundred thousand now." She jabbed at him again, as her fist poked towards his nose, he head-butted it. She recoiled in pain gasping and nursing her hand. The husband, a chubby, but solid Valencian, went ape-shit and lobbed a hairy, dimpled fist at him, causing Danny to shift on his feet. He pulled his head out of the way with the skill of a middleweight. The man drew his fist from three o'clock and blasted scarred knuckles towards his face again. Danny’s reaction was lightning; he caught the fist and held firm, flipped down the hood, his face showing something new. The man recoiled, recognising grim determination and knew this man would never give up.
Mark Shearman (Zorro's Last Stand)
No one wants to learn an instrument, Rachel. It's grueling repetition. And besides, you're too old to start. Concert violinists who learn the traditional way begin when they're six or seven." Risa can't help but listen to the irritating conversation taking place between the well-dressed woman and her fashionably disheveled teenage daughter. "It's bad enough they'd be messing in my brain and giving me a NeuroWeave," the girl whines. "But why do I have to have the hands, too? I like my hands!" The mother laughs. "Honey, you've got your father's stubby, chubby little fingers. Trading up will only do you good in life, and it's common knowledge that a musical NeuroWeave requires muscle memory to complete the brain-body connection." "There are no muscles in the fingers!" the girl announces triumphantly. "I learned that in school." The mother gives her a long-suffering sigh. "Think of them like a pair of gloves, Rachel. Fancy silk gloves, like a princess wears." Risa can't stand it anymore. Making sure she's low enough so that her face can't be seen, she gets up, and as she walks past them, she says, "You'll have someone else's fingerprints.
Neal Shusterman (UnSouled (Unwind, #3))
In the sketch, I was sitting on the garden wall, my face in profile as I stared into the distance. My eyes were unfocused. A cigarette burned, forgotten, between my fingers. Raf drew me as I was, with round curves, folds in my stomach, and chubby thighs—but through his eyes I was beautiful. Because those features were just small parts of the picture. My face, which undoubtedly was blotchy from crying that night, was clear and angled. Even my messy bun was more of a purposeful updo, with soft tendrils that framed my face. The shirt that I'd been wearing that I'd worried was too tight instead hugged my curves purposefully and exposed a little cleavage. Or at least, that's how Raf had drawn it.
Lizzy Mason (The Art of Losing)
Wait: His boyfriend? He was gay? The focus on the lens sharpened, and I could see it clearly now. Of course he was gay. Everyone could see that, except the chubby little lonely heart sitting at seven o'clock, drawing sparkly rainbows on the page with her glitter crayons. I was still beating myself up when the round robin arrived to me, and I sputtered along trying to assemble some phony epiphany with strong verbs, but tears dripped down my face. The room fell into silence as people waited for me to explain. But what could I possibly say? That I had just discovered my future husband was gay? That I was going to live the rest of my life surrounded by nothing but empty lasagna pans and an overloved cat destined to die before me? "I'm sorry," I finally said. "I was just reminded of something very painful." And I guess that wasn't a lie.
Sarah Hepola (Blackout: Remembering the Things I Drank to Forget)
I--haven’t any mamma in this school.” Sara saw the danger signal, and came out of her dream. She took hold of the chubby hand and pulled her close to her side with a coaxing little laugh. “I will be your mamma,” she said. “We will play that you are my little girl. And Emily shall be your sister.” Lottie’s dimples all began to show themselves. “Shall she?” she said. “Yes,” answered Sara, jumping to her feet. “Let us go and tell her. And then I will wash your face and brush your hair.” To which Lottie agreed quite cheerfully, and trotted out of the room and upstairs with her, without seeming even to remember that the whole of the last hour’s tragedy had been caused by the fact that she had refused to be washed and brushed for lunch and Miss Minchin had been called in to use her majestic authority. And from that time Sara was an adopted mother.
Frances Hodgson Burnett (A Little Princess)
Where do you think you're going? I turn to see him, Cameron's dad. He is tall, a lot taller than my mom and most of the teachers at school, and has Cameron's big eyes. I recognize you, he says, studying me with a smile. You're Cam's little girlfriend. He's got a picture of you in his room. He sounds nicer now. Maybe he's just a regular dad, maybe what I heard him saying to Cameron before wasn't really mean, maybe it was like a joke. I don't know how fathers are. Mine's been gone since I was two years old. Maybe they are like this-a little scary and big but mostly teasing. But then he says: I guess my little guy is a chubby chaser, huh? Well at least he's not a fairy. Tears come to my eyes and my face is hot. I pull the hem of my T-shirt down to cover the part of my stomach that always pokes out, white and lumpy. It's baby fat, my mom says, baby fat that is also on the tops of my knees and inside my thighs that rub together and under my chin. She says I'll grow out of it. I don't want to be here. It's only one step to the door. And then Cameron is standing there, behind his father, looking at me and I can't leave him. I can't leave him here alone.
Sara Zarr (Sweethearts)
Wow,” he says, looking around. “You’ve redecorated.” “When was the last time you were in here?” I search my memory, browsing through images of a much smaller, shaggy-haired Ryder in my room. Eight, maybe nine? “It’s been a while, I guess.” He moves over to my mirror, framed with photos that I’ve tacked up haphazardly on the white wicker frame. Mostly me, Morgan, and Lucy in various posed and candid shots. One of Morgan, just after being crowned Miss Teen Lafayette Country. A couple of the entire cheerleading squad at cheer camp. I see his gaze linger on one picture in the top right corner. Curious, I move closer, till I can see the photo in question. It was taken on vacation--Fort Walton Beach, at the Goofy Golf--several years ago. Nan and I are standing under the green T-Rex with our arms thrown around each other. Ryder is beside us, leaning on a golf club. He’s clearly in the middle of a growth spurt, because he looks all skinny and stretched out. I’d guess we’re about twelve. If you look through our family photo albums, you’ll probably find a million pictures that include Ryder. But this is the only one of him in my room. I’d kind of forgotten about it. But now…I’m glad it’s here. “Look how skinny I was,” he says. “Look how chubby I was,” I shoot back, noting my round face. “You were not chubby. You were cute. In that, you know, awkward years kind of way.” “Thanks. I think.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Ma was heavy, but not fat; thick with childbearing and work. She wore a loose Mother Hubbard2 of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and her strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
John Steinbeck (The Grapes of Wrath)
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
So, uh, where should I…?” I told up the pizza boxes as I trail off. “Oh, right. Kitchen table’s fine.” “I’ll show you!” Madison announces, as if I don’t know where it is, but I let her lead me there anyway. Kennedy shuts the door and follows behind us. I set the boxes on the table, and Madison doesn’t hesitate, popping the top one open. She makes a face, looking horrified. “Gross!” “What in the world are you—?” Kennedy laughs as she glances at the pizza. “Ham and pineapple.” “Why is that fruit on the pizza?” Madison asks. “Because it’s good,” Kennedy says, snatching the top box away before opening the other one. “There, that one’s for you.” Madison shrugs it off, grabbing a slice of cheese pizza, eating straight from the box. I’m gathering this is normal, since Kennedy sits down beside her to do the same. “You remembered,” she says plucking a piece of pineapple off a slice of pizza and popping it in her mouth. “Of course,” I say, grabbing a slice of cheese from the box Madison is hoarding. “Pretty sure I’m scarred for life because of it. Not something I can forget.” She laughs, the sound soft, as she gives me one of the most genuine smiles I’ve seen in a while. It fades as she averts her gaze, but goddamn it, it happened. “You shoulda gots the breads,” Madison says, standing on her chair as she leans closer, vying for my attention like she’s afraid I might not see her. “And the chickens!” “Ah, didn’t know you liked those,” I tell her, “or I would’ve gotten them.” “Next time,” she says, just like that, no question about it. “Next time,” I say. “And soda, too,” she says. “No soda,” Kennedy chimes in. Madison glances at her mother before leaning even closer, damn near right up on me, whisper-shouting, “Soda.” “I’m not so sure your mom will like that,” I say. “It’s okay,” Madison says. “She tells Grandpa no soda, too, but he lets me have it.” “That’s because you emotionally blackmail him,” Kennedy says. “Nuh-uh!” Madison says, looking at her mother. “I don’t blackmail him!” Kennedy scoffs. “How do you know? You don’t even know what that means.” “So?” Madison says. “I don’t mail him nothing!” ... “You give him those sad puppy-dog eyes,” Kennedy says, grabbing Madison by the chin, squeezing her chubby cheeks. “And you tell him you’ll love him ‘the mostest’ if he gives you some Coca-Cola to drink.” “ ‘Cuz I will,” Madison says. “That’s emotional blackmail.” “Oh.” Madison makes a face, turning to me when her mother lets go of her. “How ‘bout root beer?” “I’m afraid not,” I tell her. “Sorry.” Madison scowls, hopping down from the table to grab a juice box from the refrigerator.
J.M. Darhower (Ghosted)
Three-and-a-half-month-old infants already seem to exhibit the other-race effect. In a study at the University of Kentucky, white babies were very good at distinguishing faces with 100 percent Caucasian features from faces that had been graphically morphed to include features that were 70 percent white and 30 percent Asian. They couldn’t do the reverse: They could not tell 100 percent Asian faces from those that were morphed to include 30 percent white features. In other words, they could detect small differences between white and not-quite-white faces, but not the same kinds of differences between Asian and not-quite-Asian faces. Lawrence A. Hirschfeld of the University of Michigan did some of the pioneering work on how early in life children begin to understand race. He showed children of ages three, four, and seven, a picture of “Johnny:” a chubby black boy in a police uniform, complete with whistle and toy gun. He then showed them pictures of adults who shared two of Johnny’s three main traits of race, body build, and uniform. Prof. Hirschfeld prepared all combinations—policemen who were fat but were white, thin black policemen, etc.—and asked the children which was Johnny’s daddy or which was Johnny all grown up. Even the three-year-olds were significantly more likely to choose the black man rather than the fat man or the policeman. They knew that weight and occupation can change but race is permanent. In 1996, after 15 years of studying children and race, Prof. Hirschfeld concluded: “Our minds seem to be organized in a way that makes thinking racially—thinking that the human world can be segmented into discrete racial populations—an almost automatic part of our mental repertoire.” When white preschoolers are shown racially ambiguous faces that look angry, they tend to say they are faces of blacks, but categorize happy faces as white. “These filters through which people see the world are present very early,” explained Andrew Baron of Harvard. Phyllis Katz, then a professor at the University of Colorado, studied young children for their first six years. At age three, she showed them photographs of other children and asked them whom they would like to have as friends. Eighty-six percent of white children chose photographs of white children. At age five and six, she gave children pictures of people and told them to sort them into two piles by any criteria they liked. Sixty-eight percent sorted by race and only 16 by sex. Of her entire six-year study Prof. Katz said, “I think it is fair to say that at no point in the study did the children exhibit the Rousseau type of color-blindness that many adults expect.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Chicago, Illinois 1896 Opening Night Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago. She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down. Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint. Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.” “No time.” A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry. She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call. But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame. Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching. The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face. Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands. A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.
Debra Holland (Singing Montana Sky (Montana Sky, #7))
Too many years of being the chubby girl with the pretty face and a mother who just wanted me to be thin like the other kids
Meghan March (Beneath This Ink (Beneath, #2))
The heavenly principalities and powers cannot touch you. But the earthly humans over which we rule can.” Though they had no authority to touch Yahweh’s anointed, they might do so through their human vessels. Jesus trembled with the weight of responsibility that now overwhelmed him. But the pain was lessened when he heard the familiar sound of his favorite angel echo in his mind. Jesus, be strong and courageous. “Jesus, be strong and courageous.” It wasn’t in his mind, it was being spoken to him from behind. “Sound familiar?” Jesus turned. He looked up into the smiling face of Uriel the smallest of three angels now standing before him. Uriel finished his thought, “The words you spoke to Joshua at the threshold of the Promised Land. Funny how it all comes full circle.” Gabriel, the second angel, and Uriel’s constant bickering companion, responded, “Uriel, I think your humor is once again in incredibly poor taste considering his suffering. Where is your compassion?” “Nonsense,” said Uriel. “Jesus has done it. Victory is a cause for celebration, not sadness. He made it forty days without food, which is more than I can say for you, chubby.” Uriel patted Gabriel’s stomach. Gabriel moved away annoyed at the jab. Sure, he was heavier than the lightweight Uriel, but he certainly didn’t see himself as “chubby.” Mikael, the largest and best groomed of the three, was the guardian prince of Israel, and tended to be protective of his ward. He offered a wineskin to Jesus, who took it and gulped with gratitude. After a moment of silence, Jesus wiped his beard of the wine and said, “You need a better sense of humor, Gabriel.” Gabriel pouted with frustration at being ganged up on. Uriel, his perpetual nemesis was one thing. But being teased by the Master was quite another. Jesus said, “And Uriel, you had better deliver on that bread you promised.” Uriel smiled again and held out a loaf of Mary’s best bread. “Baked two hours ago by your mother.” Jesus grabbed it. Mikael said, “Remember, do not eat too quickly. It is bad for your digestion after fasting.” “Thank you for your ministering spirits,” said Jesus, and took a big hungry bite out of the loaf. Uriel muttered, “Your mother should open a bakery. Can I have a bite?” Mikael was not so lighthearted. He knew that the challenge had been declared. The road to war had begun.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
I looked at the girl serving refreshments to the guests, with a smile on her face. She was in her teens. She had put on an orange coloured churidar, with a yellow dupatta and had a frame on her eyes,making her chubby face pretty. I felt nothing special about her. That ‘; wow!’ factor was not there. Seconds later, I realised she stepped towards me and served me with a glass of juice and walked away. No talks, no smile, no eye to eye contact and definitely not love at first sight
Kalpa Das
A new day. She will face it tomorrow, for Maya’s sake. Along with the awakening sea, along with the rest of Bombay—the street urchins and the stray dogs, the impoverished nut vendors and the woman selling six cauliflowers a day, the hollow-eyed slum dwellers and the chubby-cheeked residents of nearby skyscrapers, the office workers spilling out of the trains at Churchgate and the young children boarding creaky school buses, the old men groaning on their deathbeds and the babies tumbling forth from the dark wombs of their mothers—along with the entire gigantic metropolis, with all its residents crawling along their individual destinies like an army of ants pretending to be an army of giants—along with Banubai in her damp bed, and Serabai in her shattered world, and Viraf baba with his choking guilt, and Maya with her tentative, hesitant dreams, and yes, along with Gopal and Amit waking up in a distant land to the smell of loamy earth, like all of them, the millions of people she has not met and the few she has—she, too, will face a new day tomorrow. Tomorrow. The word hangs in the air for a moment, both a promise and a threat. Then it floats away like a paper boat, taken from her by the water licking her ankles. It is dark, but inside Bhima’s heart it is dawn.
Thrity Umrigar (The Space Between Us)
IF THE MAN WHO CAME THROUGH THE DOOR FIRST WAS Mr. Spanos, then Tyler’s father was a twenty-eight-year-old bodybuilder with a ponytail and a suspicious bulge under his left arm. That would have meant he fathered Tyler at the age of ten, which seemed to be pushing the envelope, even in Miami. But whoever this man was, he was very serious, and he looked the room over carefully, which included glaring at me and Deke, before he stuck his head back into the hall and nodded. The next man into the room looked a little bit more like you would hope a teenage girl’s father might look. He was middle-aged, relatively short, and a little chubby, with thinning hair and gold-rimmed glasses. His face was sweaty and tired and his mouth hung open as if he had to gasp for breath. He staggered into the room, looked helplessly around for a moment, and then stood in front of Deborah, blinking and breathing heavily. A
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
Then he undressed and brushed his teeth. He examined his face in the slightly tarnished looking-glass above the wash-basin. He was fifty-seven, but according to this reflection older. His face would seem younger if he put on a bit of weight; chubbiness could be made to cover a multitude of sins. But he didn’t want that; he liked being thought of as beyond things.
William Trevor (The Collected Stories)
This new part of my life wasn't a woman who would seem attractive straight-on in a passport photograph. She had no conventional beauty, her features were not exquisitely proportioned and her face was a bit chubby. But she was lovely because the round face with the straight dyed-blonde hair, which fell over her forehead and into her eyes, was open. Her face was constantly in motion, and this was the source of her beauty.
Hanif Kureishi (The Buddha of Suburbia)
but now you’re stuck with Chubby Brunette Rapunzel.” Did this woman honestly just call Bianca Chubby Brunette Rapunzel? “And you think I want you as my assistant after you just openly degraded a fellow employee to my face and clearly show zero lack of appropriate workplace decorum?” Her cheeks grow a blotchy red and she shifts her position.
J. Saman (Doctor Untouchable (Boston's Billionaire Bachelors, #5))
Little Fang Si-Chi's writing was like the smile of a chubby kid; grown Fang Si-Chi's writing was like the face of a famous political commentator.
Lin Yi-Han (房思琪的初戀樂園)
Izzy was white, a little chubby, with breasts already developing and clothes a bit tighter than Gemma thought appropriate. Her shoulder-length hair was dirty blond and she wore just a suspicion of makeup—the sort Gemma remembered wearing and thinking her mother wouldn’t notice. Her mother, of course, had made her go and scrub her face as soon as she caught sight of her.
Deborah Crombie (To Dwell in Darkness (Duncan Kincaid & Gemma James, #16))
What was the very FIRST GAME Mario appeared in? a) Super Mario Bros. b) Donkey Kong c) Super Smash Bros. d) Super Mario World. What is the newest Mario game out today? a) New Super Mario Bros. b) Super Mario Galaxy. What does Luigi say when he wins a race on Mario Cart 64? What is Mario’s last name? a) Costanza b) Italiano c) Mario d) Luigi. Who is the LAST person you play in Mario Party 3 (64 version)? a) Millennium Star b) Waluigi c) Daisy d) Bowser. Correct answers: b b Letsa go (let’s go, here we go) c a. Results: 0 out of 5 – did you play any Mario game at all? The game itself isn’t very complicated. Start playing and you’ll definitely get a higher score. Right now, this is bad. These answers make Mario question his own abilities to do something right. 1 out of 5 – you have probably played Mario games, when someone made you. Come on, you can do way better than this. Even Koopas can get a higher score and you’re way smarter than them. Plus, Princess Peach is most certainly not impressed with this score. 2 out of 5 – well, you’re not totally bad, but you’re also far away from an expert. Let’s just assume you hurried to answer as faster as possible and you made a couple of mistakes. You know what they say, everything gets better with practice. 3 out of 5 – you’re in the middle; still a long way to go to become an expert, but you’re not an amateur at the same time. However, Princess Peach doesn’t want someone who’s going to be happy being “in the middle”. What does this tell you? To do your best, achieve a greater score and, of course, to improve your overall game style as well. 4 out of 5 – very good. You are just one step away from being an expert. If you continue like this, you would be able to do a better job than Mario. You know the game quite well and you would gladly go on an adventure in Super Mario style. 5 out of 5 – expert. Congratulations! You love the game, your favorite pastime is playing Super Mario and let’s face it; you’d give Mario run for his money. You know the game “inside and out” and unlike Mario, you’d actually find princess in the right castle. But, don’t let this get into your head. Always strive to do better. Conclusion Thank you again for downloading this book!  I hope you find the third volume of Super Mario joke book as equally entertaining as previous two volumes. In case you haven’t read Super Mario joke book volumes 1 and 2, this is the perfect opportunity to get those books and see what jokes, memes, and other useful and entertaining info you missed out on. Throughout this book, you got to see various jokes, memes, comics, and read about interesting Mario fun facts you didn’t know before. Besides that, the book also included quiz where you had the opportunity to test your knowledge of Mario games. Hopefully, you got the top score and even if you didn’t, you can always retake the test. This joke book is ideal for all people who love Super Mario and it’s impossible to hate this little, chubby guy. With good humor, funny memes, interesting comics, and special Princess Peach section, this book is everything you need whenever you feel sad, bored, or in the mood for a good laugh. I hope this book was able to help you understand the importance of Super Mario as well as to understand
Jenson Publishing (Super Mario: The Funniest Super Mario Jokes & Memes Volume 3)
Though unaware of it at that moment, Missie had just made some friends for life. Not one of those men sitting round her tiny soddy would have denied her anything that was in their power to provide. There she sat, just a little scrap of a girlwoman, youthful and pretty, her cheeks glowing with health, her eyes sparkling near tears, her trim figure clothed attractively in a bright calico, the tiny fair-skinned, chubby-cheeked Nathan contentedly in her arms studying her face. That picture was their Christmas gift, one they would remember all their lives.
Janette Oke (Love's Long Journey (Love Comes Softly, #3))
Bud Orso was in his early forties, with a chubby scoutmaster’s face topped by a crown of short black hair. He was waiting when Scott stepped off the elevator, which Scott had not expected. “Bud
Robert Crais (Suspect (Scott James & Maggie, #1))
I still remember screaming like a fire engine with tears rolling down my face and snot pouring out of my nose clinging onto her chubby legs as she tried to leave. Yuk! I can’t believe I used to be such a baby. How embarrassing is that?
Kate Cullen (Diary Of a Wickedly Cool Witch: Bullies and Baddies (The Wickedly Cool Witch series, #1))
Do you really find our hands on you so distasteful?” Lock’s eyes were wistful. “No.” Kat closed her eyes briefly. “No, you…you know I don’t.” “Then try to relax,” he urged. “Please, my lady. Here…” Kat had been lying on her side facing Lock, with Deep behind her. Now Lock turned her gently but firmly until she was lying on her back with both of them leaning over her. “This is worse,” Kat, objected, trying to cover her bare breasts and sex with her hands. “I feel so…so exposed.” “Are you ashamed to let us look at you?” Deep’s voice was surprisingly gentle. “You shouldn’t be, little Kat. I have never seen such beauty in my life.” “But I’m…” So many words hovered on her lips—fat, chubby, chunky—insults from a lifetime of being plus sized in a world where skinny women were the ideal. Living as a size eighteen in a society that preferred a size eight hadn’t been easy. “Not thin,” she finished at last. “We know.” Lock’s voice held only admiration. “You’re an elite. The most beautiful one I’ve ever seen.” That’s
Evangeline Anderson (Sought (Brides of the Kindred, #3))
English was my worst subject, and I was only two years older than the oldest pupils, so while I was walking over to the other building, where the eighth and ninth forms had their classroom, my stomach was churning again. I put my pile of books down on the raised table. The pupils were scattered across their desks as if they had just been hurled out of a spin dryer. No one paid any attention to me. ‘Hello, class!’ I said. ‘My name is Karl Ove Knausgaard, and I’m going to be your English teacher this year. How do you do?’ No one said anything. The class consisted of four boys and five girls. A couple of them watched me, the others sat scribbling something, one was knitting. I recognised the boy from the snack bar stand: he was wearing a baseball cap and rocking back and forth on his chair while eyeing me with a smirk on his face. He had to be Stian. ‘Well,’ I said. ‘Now I would like you to introduce yourselves in English.’ ‘Snakk norsk!’ Stian said in Norwegian. The boy behind him, a conspicuously tall, thin figure, taller than me, and I was one metre ninety-four, guffawed. Some of the girls tittered. ‘If you are going to learn a language, then you have to talk it,’ I said. One of the girls, dark-haired and white-skinned, with regular, slightly chubby facial features and blue eyes, put up her hand. ‘Yes?’ I said. ‘Isn’t your English a bit too bad? I mean, for teaching?’ I could feel my cheeks burning, I stepped forward with a smile to hide my embarrassment.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
I am with Victor, the two of us holding hands and laughing and somehow I know it is in the future—whether years or weeks, I can’t say. We are walking along the beach at noon—the sun hot and bright overhead, the sunshine warming my skin as it hasn’t in many long years. I look up at it, squinting the way you do on a bright day, but I am not afraid. The sun is no longer my enemy but a warm, benevolent friend. Victor says something I can’t hear. I looked over and asked him to repeat it. “I said, I think she’s hungry…” “Who?” I ask but then I look down and realize I am pushing a baby stroller. Victor is already kneeling on the sandy beach, cooing to whoever is inside the stroller. “Daddy’s little princess is hungry?” he says, picking up a baby who looks to be about one and a half years old. He brings her to me and I look at her in wonder. She has Victor’s big chocolate brown eyes and my dark brown hair. Her little face is heart shaped and delicate with a button nose and a sweetly pursed candy pink mouth—perfect in every way. “She’s beautiful,” I whisper, in awe of the precious little girl. “Just like her mom,” Victor says proudly. He holds her out to me and she puts up chubby little arms, eager for me to take her. “Momma!” she says when I hold her. She nuzzles close and presses her chubby little cheek to mine. “Momma… love you.” “Oh, sweetie,” I whisper, holding her tight. “I love you too. Momma loves her little girl so much.” Victor puts his arms around both of us. “And I love you both. My two sweet girls,” he rumbles and I feel loved and protected and perfect in every way. The waves shush along the beach, the sand is rough and warm under my feet, my little girl is safe in my arms and my husband loves me—loves both of us completely. The sun beams down on us like a golden blessing and I feel a joy like I have never known, a joy I never expected to feel after Celeste… after she… she…
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
chubby face was hidden underneath a thick beard. His gut stuck out just a little bit over his waist but that didn’t stop him from wearing these tight polo shirts and a pair of slacks every night. Maybe he thought it added a little class to the place. But people weren’t here
Rhea Wilde (Evil Allure (Across The Wolf, #1))
On the flight back to Detroit, Nadia dreamed about Baby. Baby, no longer a baby, now a toddler, reaching and grabbing. Pulling at her earrings until she unhooks his chubby fingers. Baby hungry always for her face. Baby growing into a child, learning words, rhyming -at words from a car seat on the way to school, writing his name in green crayon in the front of all his picture books. Baby running with friends at the park, pushing girls he likes on the swing. Baby digging for Indian clay in the sandbox and coming home smelling like pressed grass. Baby flying planes in the backyard with Grandpa. Baby searching for hidden photos of Grandma. Baby learning how to fight. Baby learning how to kiss. Baby, now a man, stepping on an airplane and slinging his bag into the overhead bin. He helps an older woman with hers. When he lands, wherever he's headed, he gets his shoes shined and stares into the black mirror, sees his face, sees his father's, sees hers.
Brit Bennett (The Mothers)
Time passed by and Kathy gave birth to a cute baby boy …… he was just perfect. He had bright eyes and a happy smile on his chubby face. He was a bundle of joy. “This
Heather Graham (Speech Therapy No More)
The boys will take a little while to adjust, but I’m sure you’ll all get along,” her mother said. Boys? Megan’s mind was flooded with images of boys. Boys with missing teeth, their faces smeared with red Popsicle goo, their beady little eyes laughing at her as they lured her behind their house to see their new “puppy” and then lassoed her to a tree and hung her upside down. Greasy-haired, chubby-legged, evil little boys. Boys with worms in their pockets who ate gum off the ground and pulled her hair. “How many of them were there again?” Megan asked as she lowered herself shakily onto the edge of the couch. Her mother and father pondered this. “Seven at last count, I believe,” her father said. “Quite a brood.” Yes. Quite, Megan thought.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again. Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home. With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past. “Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?” Loretta had no idea what the child had asked until Blackbird steepled her fingers. “Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.” Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers. A deep voice came from behind her. “She asks how long you will eat and keep warm with us.” Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless. “You will tell her, ‘Pihet tabbe.’” Trust didn’t come easily to Loretta. “What does that mean?” A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.” Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.” “Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.” Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.
Catherine Anderson (Comanche Moon (Comanche, #1))
His hands were clumsy as he leaned back and started to remove my flannel pants. He growled in appreciation when he saw that I wasn’t wearing any panties. I said nothing as he angrily pulled at my shirt to get it off of me. “I want to see your skin. I need you,” he kept repeating. Leaning up, I quickly pulled my camisole over my head. Instead of his usual slow sexual way, he fell on top of me again and quickly entered me. It caught me so off guard that I gasped. My body easily accepted him, so there was no pain, but it was so unlike Devin that for a brief minute I felt fear. Once I looked up into his face my fear melted away and all I wanted to do was make whatever was hurting him go away. He looked down at me and although there were no tears on his cheeks, he looked like he was about to cry. He buried his face in my neck so that I couldn’t see him anymore. Something was definitely wrong. I held on to him and my heart broke as he rocked against me over and over again. The couch creaked with his every thrust and the sound of our bodies smacking echoed throughout the room. “I only want to feel you, nothing else, just you,” he whispered into my hair. His movement became jerky as he sped up. He thrust into me over and over again, harder each time. His hot breath pounded against the side of my neck. I said nothing as he found comfort in my body. I just held him close to me and every now and again, kissed the side of his neck. I felt his body tense up as he growled out his release and slammed into me one final time. His full body weight pressed against me when his arms went weak and he dropped onto me completely. When he finally removed his face from my neck and looked down at me I could see the realization in his eyes of what had just occurred. I never said no, but he never really asked. Quickly, I cupped his cheeks with my hands and kissed him softly. “Did I hurt you? I never want to hurt you,” he said with a thick slur. “It’s OK, I’m OK,” I whispered. He said nothing. He just stared back at me like he was afraid I’d push him away and run for my life. Then his expression changed, and tears filled his eyes. I’d never seen a grown man cry in my life and my heart crushed inside my chest as he buried his face in my neck once more. “I’m going to lose you. I am. You’re the best thing that’s ever happened to me and I’m going to lose you.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
His hands were clumsy as he leaned back and started to remove my flannel pants. He growled in appreciation when he saw that I wasn’t wearing any panties. I said nothing as he angrily pulled at my shirt to get it off of me. “I want to see your skin. I need you,” he kept repeating. Leaning up, I quickly pulled my camisole over my head. Instead of his usual slow sexual way, he fell on top of me again and quickly entered me. It caught me so off guard that I gasped. My body easily accepted him, so there was no pain, but it was so unlike Devin that for a brief minute I felt fear. Once I looked up into his face my fear melted away and all I wanted to do was make whatever was hurting him go away. He looked down at me and although there were no tears on his cheeks, he looked like he was about to cry. He buried his face in my neck so that I couldn’t see him anymore. Something was definitely wrong. I held on to him and my heart broke as he rocked against me over and over again. The couch creaked with his every thrust and the sound of our bodies smacking echoed throughout the room. “I only want to feel you, nothing else, just you,” he whispered into my hair. His movement became jerky as he sped up. He thrust into me over and over again, harder each time. His hot breath pounded against the side of my neck. I said nothing as he found comfort in my body. I just held him close to me and every now and again, kissed the side of his neck. I felt his body tense up as he growled out his release and slammed into me one final time. His full body weight pressed against me when his arms went weak and he dropped onto me completely. When he finally removed his face from my neck and looked down at me I could see the realization in his eyes of what had just occurred. I never said no, but he never really asked. Quickly, I cupped his cheeks with my hands and kissed him softly. “Did I hurt you? I never wanted to hurt you,” he said with a thick slur. “It’s OK, I’m OK,” I whispered. He said nothing. He just stared back at me like he was afraid I’d push him away and run for my life. Then his expression changed, and tears filled his eyes. I’d never seen a grown man cry in my life and my heart crushed inside my chest as he buried his face in my neck once more. “I’m going to lose you. I am. You’re the best thing that’s ever happened to me and I’m going to lose you.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
Every day, she grew in strength and skill and prowess. With every fading bruise, her body grew harder, more resilient. She could take a punch in the face and bounce back up again, spitting blood and ready to return the favor. She was still short and chubby; still plain, invisible Willow. But she was tough. She could fight. She could shoot. She could kill a man if she had to. And that made all the difference.
Kyla Stone (The Last Sanctuary Omnibus #1-5: The Complete Post-Apocalyptic Survival Series)
Boys? Megan’s mind was flooded with images of boys. Boys with missing teeth, their faces smeared with red Popsicle goo, their beady little eyes laughing at her as they lured her behind their house to see their new “puppy” and then lassoed her to a tree and hung her upside down. Greasy-haired, chubby-legged, evil little boys. Boys with worms in their pockets who ate gum off the ground and pulled her hair.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Sworbreck was dealing with the baker first. He was a chubby man, which made him look guilty of eating well, and he was sweating profusely, which made him look guilty of being warm, both of them capital crimes in this lean winter of the Great Change. “I been a baker twenty years,” he was saying. “My father was a baker.” “Hoarders!” someone screamed. “Take ’em to the Tower!” “Take ’em all!” The Styrian woman clutched her face with her hands as if she wanted to crush it between them. “Mercy!” she blubbed. “Mercy!” The court was not without it. Judge was the voice of the mob. She was their bitter rage, their envy and their greed, but she was also their sentimental forgiveness. When the mood turned for some well-spoken old man, some innocent-looking young woman, first Judge’s chin would crinkle, then her lower lip would tremble, then her black eyes would well with tears. Sometimes she would vault from behind the High Table, kiss the accused, clasp their head to her rusted breastplate. Then they would be embraced by weeping guards, applauded on their way out of the hall while songs were sung and slogans chanted, free Citizens and Citizenesses, enemies no more! Perhaps Judge liked seeing the hope in the eyes of the accused, so she could see it crushed. Perhaps she truly believed she was doing the good work and rejoiced in those righteously acquitted as much as those rightfully convicted. Perhaps—surely the most terrible possibility of all—she was doing the good work, and somehow he could not see it. The baker was trying to defend himself, but how to prove false what was self-evidently absurd? “I charged the lowest prices I could and still stay in business! But flour’s gone up so high—” “And so we come to you!” roared Sworbreck at the miller. He was bony and severe, with a habit of peering up shiftily from under his brows that did him no favours. “There was a poor harvest!” he barked out. “Now the cold weather’s frozen the canals, snarled up the roads. It’s hard to get goods into the city.” “Ah, so the government is to blame?” Sworbreck spread his arms towards the benches behind the dock, where the Representatives gravely shook their heads at such a slander. “And since the government consists of those chosen by the people…” Sworbreck leaned back, raised his arms to the balconies. “The people are to blame?
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness, #3))
I’d dealt with my fair share of mean girls over the years—what chubby girl hadn’t?—but the one thing I was proud of was that I’d never let them take me down. And that wasn’t about to change today.
Siena Trap (Frozen Heart Face-Off (Indy Speed Hockey, #2))