Chubby Cheeks Quotes

We've searched our database for all the quotes and captions related to Chubby Cheeks. Here they are! All 37 of them:

Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.
Mokokoma Mokhonoana
For now, though, as long as he insists on giving in to mischievous impulses, such as hiding under the Great Council table during session, he must take his punishment.” “Oh, Daniel, you didn’t.” Legna tsked at the child, making his chubby cheeks turn a brilliant scarlet color. “I didn’t mean to. I was just playing hide and seek with Uncle Noah.” “Yes, well, next time perhaps you ought to begin the game by actually informing your uncle he is part of it instead of having him find out the hard way, eh?
Jacquelyn Frank (Gideon (Nightwalkers, #2))
I thought of my sweet little girl and her chubby cheeks, big brown eyes and long brown hair with bangs that constantly needed trimming. She was all that really mattered in this world, and I could not keep moping over some guy who came in and out of my life faster than a season of American Idol.
Kate Madison (Spilled Perfume: A Memoir (Spilled Perfume #1))
Seth bent down and scooped her into his arms, kissing her cheek, then blowing raspberries in her chubby neck rolls. Giggles filled the air as she squirmed against him, leaning back and clutching him tighter all at the same time. How he loved this baby girl. "I don't know about you," Chaahk said, "but I'm feeling a little rebuffed." "Why," Seth asked with a laugh, "because I didn't blow raspberries on your neck?' Aiden and Imhotep laughed. Shaking his head, Chaahk motioned to Aidra, "Why doesn't she smile as us like that?" Seth shrugged. "I'm prettier.
Dianne Duvall (Shadows Strike (Immortal Guardians, #6))
The best was when I could see the hard face of a cold-hearted killer breaking through the chubby cheeks and callow softness of youth.
Ottessa Moshfegh (Eileen)
I don’t want to hear ‘I told you so.’” Frannie picked up the baby and kissed his chubby cheek. “Failure is what keeps us alive. It’s what tells the world we’re still trying.
Jenny B. Jones (His Mistletoe Miracle (Sugar Creek, #3))
We all look so young. John with his rosy cheeks, Trevor with his chubby ones, Peter with his skinny legs. Underneath the picture I wrote, THE BEGINNING. “Aww,” he says tenderly. “Baby Lara Jean and Baby Peter. Where’d you find this?” “In a shoe box.” He flicks John’s smiling face. “Punk.” “Peter!” “Just kidding,” he says.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I wonder what Lena is doing now. I always wonder what Lena is doing. Rachel, too: both my girls, my beautiful, big-eyed girls. But I worry about Rachel less. Rachel was always harder than Lena, somehow. More defiant, more stubborn, less feeling . Even as a girl, she frightened me—fierce and fiery-eyed, with a temper like my father’s once was. But Lena . . . little darling Lena, with her tangle of dark hair and her flushed, chubby cheeks. She used to rescue spiders from the pavement to keep them from getting squashed; quiet, thoughtful Lena, with the sweetest lisp to break your heart. To break my heart: my wild, uncured, erratic, incomprehensible heart. I wonder whether her front teeth still overlap; whether she still confuses the words pretzel and pencil occasionally; whether the wispy brown hair grew straight and long, or began to curl. I wonder whether she believes the lies they told her.
Lauren Oliver (Annabel (Delirium, #0.5))
He had plump, rosy cheeks and a thin beard that looked like it had been drawn on his round, chubby face with a Sharpie to indicate that he actually had a chin.
Lee Goldberg (Fake Truth (Ian Ludlow Thrillers #3))
It was a good death. A very good death. She closed her eyes, and an hour later she gasped twice and let out one long exhale, as if her body were sighing in relief as her soul flew free of its corporeal cage. And it was strange... Nalla woke up at that moment and the young focused not on her granhmen, but above the bed. Her little chubby hands reached high, and she smiled and cooed as if someone had just stroked her cheek. Rehv stared down at the body. His mother had always believed she would be reborn unto the Fade, the roots of her faith planted in the rich soil of her Chosen upbringing. He hoped that was true. He wanted to believe she lived on somewhere. It was the only thing that eased the pain in his chest even slightly.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Look, the witches were one thing—she’d been fighting monster-faced hags for a couple of years at this point, gnarled old witches and chubby-cheeked bohemians that could Force-throw furniture like Carrie, fill your car with snakes, and turn themselves into raving gorgons.
S.A. Hunt (Burn the Dark (Malus Domestica, #1))
Do you know why I remembered you?” he asked me suddenly. It was a question so out of nowhere that it took me a little while to figure out what he was talking about. “You mean from Latin Convention?” “Yeah.” “Was it my Coliseum model?” I was only half-joking. Steven had helped me build it; it had been pretty impressive. “No.” Cam ran his hand through his hair. He wouldn’t look at me. “It’s because I thought you were really pretty. Like, maybe the prettiest girl I’d ever seen.” I laughed. In the car, it sounded really loud. “Yeah, right. Nice try, Sextus.” “I mean it,” he insisted, his voice rising. “You’re making that up.” I didn’t believe it could be true. I didn’t want to let myself believe it. With the boys any compliment like this would always be the first part of a joke. He shook his head, lips tight. He was offended that I didn’t believe him. I hadn’t meant to hurt his feelings. I just didn’t see how it could be true. It was almost mean of him to lie about it. I knew what I looked like back then, and I wasn’t the prettiest girl anybody had ever seen, not with my thick glasses and chubby cheeks and little-girl body. Cam looked me in the eyes then. “The first day, you wore a blue dress. It was, like, corduroy or something. It made your eyes look really blue.” “My eyes are gray,” I said. “Yes, but that dress made them look blue.” He looked so sweet, the way he watched me, waiting for my reaction. His cheeks were flushed peach. I swallowed hard and said, “Why didn’t you come up to me?” He shrugged. “You were always with your friends. I watched you that whole week, trying to get up the nerve. I couldn’t believe it when I saw you at the bonfire that night. Pretty bizarre, huh?” Cam laughed, but he sounded embarrassed. “Pretty bizarre,” I echoed. I couldn’t believe he’d noticed me. With Taylor by my side, who would have even bothered to look at me? “I almost messed up my Catullus speech on purpose, so you’d win,” he said, remembering. He inched a little closer to me. “I’m glad you didn’t,” I said. I reached out and touched his arm. My hand shook. “I wish you had come up to me.” That’s when he dipped his head low and kissed me. I didn’t let go of the door handle. All I could think was, I wish this had been my first kiss.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
I realize belatedly that sending sharks to the aid of humans is a stupid idea. When one of the men tries to kick a tiger shark in the eye-and how could I blame him?-I tell the sharks to retreat. They’ve done all they can do, and I won’t let them be abused for their efforts. After a few more minutes, I see a small, chubby pair of legs struggling nearby. The owner of the legs can’t be older than a toddler. I scoop him up and keep him at the surface. He’s adorable really, with rounded cheeks and a snotty nose and brown eyes with lashes that would make a supermodel jealous. Close to us, a woman who I assume is his mother is crying frantically and calling out to the empty waves around her. I swim him over to her and deliver the little guy into her arms. “He swallowed a good part of the ocean, but otherwise he’ll be fine,” I tell her, knowing that she doesn’t understand. She clutches him to her and trembles. I swim two life jackets over to her and help her strap them on to her and the baby boy. She nods, and despite the language barrier, I can tell that she’s thanking me. Which makes me feel like zoo dirt, since I helped put her and her child in this predicament. If she knew that, she would probably be trying to choke the life from me. And I would probably let her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Desmond had a round head, chubby baby cheeks, and a voice that startled everyone the first time they heard it, it was so gruff and full of bass. His voice made the chucks jump when he crept up on them, and he got a kick out of it, until one day a supervisor with an even deeper voice crept up on him and taught him a lesson.
Colson Whitehead (The Nickel Boys)
Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.
Thomas Bernhard (Woodcutters)
He ran his knuckles over her cheek as their gazes met and held. So much. He had been given so much. The sound of their daughters’ high-pitched laughter drew their gazes away from each other nd toward their children. The girls came running toward them, breathless and excited. Their hair was messed in tousled disarray, their gowns were smeared with dirt, their skin was flushed and rosy. They leaped onto the blanket, tumbling over each other like exuberant puppies as they wrapped their chubby arms about his neck. “Papa, Papa, we want a new game!” Morgan thought for a moment, overcome with a profound sense of gratitude. Of all he had been given, perhaps the most significant gift was a deep reverence for life, with all its pain and all its glory. Every loss had meaning. And every day was a new reason for celebration.
Victoria Lynne (With This Kiss)
Danny was unfazed at the size of the large-stomached man, with hairy arms waving about like a pizza chef, all violent gestures and shouting. His crude, pinch-faced wife spat salivated swear words at him. She was in her thirties and behaving like a grounded teenager, screaming at him to leave her property. "One hundred thousand pesetas please." Danny took a bony, female fist to his cheek, jarring him. He shook it off. "Two hundred thousand now." She jabbed at him again, as her fist poked towards his nose, he head-butted it. She recoiled in pain gasping and nursing her hand. The husband, a chubby, but solid Valencian, went ape-shit and lobbed a hairy, dimpled fist at him, causing Danny to shift on his feet. He pulled his head out of the way with the skill of a middleweight. The man drew his fist from three o'clock and blasted scarred knuckles towards his face again. Danny’s reaction was lightning; he caught the fist and held firm, flipped down the hood, his face showing something new. The man recoiled, recognising grim determination and knew this man would never give up.
Mark Shearman (Zorro's Last Stand)
Milly took the hand held out to her, which was small, warm and chubby, the fingers armoured with rings...This was one of those well-preserved old things whose age it was impossible to guess; her cheeks pink and powdery and her white hair prettily arranged with a bang of fluffy curls in the front. The smile, Milly noticed, did not extend to the eyes, which were round and innocent, in color baby-blue; there was a twinkle in them, certainly, but they remained nevertheless quite frosty. Standing on tiptoe to reach Milly's ear, she whispered: 'I am the Princess Rapovska!
Mary McMinnies (The Visitors (New Portway Reprints))
My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.
Agnès Desarthe (Chez Moi: A Novel)
Mesmerized by the gilt ghastliness of it all, Elizabeth slowly turned in a full circle. Above the fireplace there was a gilt-framed painting of a lady attired in nothing whatsoever but a scrap of nearly-transparent red silk that had been draped across her hips. Elizabeth jerked her eyes away from that shocking display of nudity and found herself confronted by a veritable army of cavorting cupids. They reposed in chubby, gilt splendor atop the mantel and the bed tables; a cluster of them formed the tall candelabra beside the bed, which held twelve candles-one of which the footman had lit-and more cupids surrounded an enormous mirror. “It’s…” Berta uttered as she gazed through eyes the size of saucers, “it’s…I can’t find words,” she breathed, but Elizabeth had passed through her own state of shock and was perilously close to hilarity. “Unspeakable?” Elizabeth suggested helpfully, and a giggle bubbled up from her throat. “U-Unbelievable?” she volunteered, her shoulders beginning to shake with mirth. Berta made a nervous, strangled sound, and suddenly it was too much for both of them. Days of relentless tension erupted into gales of hilarity, and they gave in to it with shared abandon. Great gusty shouts of laughter erupted from them, sending tears trickling down their cheeks. Berta snatched for her missing apron, then remembered her new, elevated station in life and instead withdrew a handkerchief from her sleeve, dabbing at the corners of her eyes; Elizabeth simply clutched the forgotten bust to her chest, perched her chin upon its smooth head, and laughed until she ached. So complete was their absorption that neither of them realized their host was entering the bedchamber until Sir Francis boomed enthusiastically, “Lady Elizabeth and Lady Berta!” Berta let out a muffled scream of surprised alarm and quickly shifted her handkerchief from the corners of her eyes to her mouth. Elizabeth took one look at the satin-clad figure who rather resembled the cupids he obviously admired, and the dire reality of her predicament hit her like a bucket of icy water, banishing all thoughts of laughter. She dropped her gaze to the floor, trying wildly to remember her plan and to believe she could make it work. She had to make it work, for if she failed, this aging roué with the penchant for gilded cupids could very likely become her husband.
Judith McNaught (Almost Heaven (Sequels, #3))
So, uh, where should I…?” I told up the pizza boxes as I trail off. “Oh, right. Kitchen table’s fine.” “I’ll show you!” Madison announces, as if I don’t know where it is, but I let her lead me there anyway. Kennedy shuts the door and follows behind us. I set the boxes on the table, and Madison doesn’t hesitate, popping the top one open. She makes a face, looking horrified. “Gross!” “What in the world are you—?” Kennedy laughs as she glances at the pizza. “Ham and pineapple.” “Why is that fruit on the pizza?” Madison asks. “Because it’s good,” Kennedy says, snatching the top box away before opening the other one. “There, that one’s for you.” Madison shrugs it off, grabbing a slice of cheese pizza, eating straight from the box. I’m gathering this is normal, since Kennedy sits down beside her to do the same. “You remembered,” she says plucking a piece of pineapple off a slice of pizza and popping it in her mouth. “Of course,” I say, grabbing a slice of cheese from the box Madison is hoarding. “Pretty sure I’m scarred for life because of it. Not something I can forget.” She laughs, the sound soft, as she gives me one of the most genuine smiles I’ve seen in a while. It fades as she averts her gaze, but goddamn it, it happened. “You shoulda gots the breads,” Madison says, standing on her chair as she leans closer, vying for my attention like she’s afraid I might not see her. “And the chickens!” “Ah, didn’t know you liked those,” I tell her, “or I would’ve gotten them.” “Next time,” she says, just like that, no question about it. “Next time,” I say. “And soda, too,” she says. “No soda,” Kennedy chimes in. Madison glances at her mother before leaning even closer, damn near right up on me, whisper-shouting, “Soda.” “I’m not so sure your mom will like that,” I say. “It’s okay,” Madison says. “She tells Grandpa no soda, too, but he lets me have it.” “That’s because you emotionally blackmail him,” Kennedy says. “Nuh-uh!” Madison says, looking at her mother. “I don’t blackmail him!” Kennedy scoffs. “How do you know? You don’t even know what that means.” “So?” Madison says. “I don’t mail him nothing!” ... “You give him those sad puppy-dog eyes,” Kennedy says, grabbing Madison by the chin, squeezing her chubby cheeks. “And you tell him you’ll love him ‘the mostest’ if he gives you some Coca-Cola to drink.” “ ‘Cuz I will,” Madison says. “That’s emotional blackmail.” “Oh.” Madison makes a face, turning to me when her mother lets go of her. “How ‘bout root beer?” “I’m afraid not,” I tell her. “Sorry.” Madison scowls, hopping down from the table to grab a juice box from the refrigerator.
J.M. Darhower (Ghosted)
When I hit thirty, he brought me a cake, three layers of icing, home-made, a candle for each stone in weight. The icing was white but the letters were pink, they said, EAT ME. And I ate, did what I was told. Didn’t even taste it. Then he asked me to get up and walk round the bed so he could watch my broad belly wobble, hips judder like a juggernaut. The bigger the better, he’d say, I like big girls, soft girls, girls I can burrow inside with multiple chins, masses of cellulite. I was his Jacuzzi. But he was my cook, my only pleasure the rush of fast food, his pleasure, to watch me swell like forbidden fruit. His breadfruit. His desert island after shipwreck. Or a beached whale on a king-sized bed craving a wave. I was a tidal wave of flesh. too fat to leave, too fat to buy a pint of full-fat milk, too fat to use fat as an emotional shield, too fat to be called chubby, cuddly, big-built. The day I hit thirty-nine, I allowed him to stroke my globe of a cheek. His flesh, my flesh flowed. He said, Open wide, poured olive oil down my throat. Soon you’ll be forty… he whispered, and how could I not roll over on top. I rolled and he drowned in my flesh. I drowned his dying sentence out. I left him there for six hours that felt like a week. His mouth slightly open, his eyes bulging with greed. There was nothing else left in the house to eat.
Patience Agbabi (Poems of the Decade: An Anthology of the Forward Books of Poetry)
As Japan recovered from the post-war depression, okonomiyaki became the cornerstone of Hiroshima's nascent restaurant culture. And with new variables- noodles, protein, fishy powders- added to the equation, it became an increasingly fungible concept. Half a century later it still defies easy description. Okonomi means "whatever you like," yaki means "grill," but smashed together they do little to paint a clear picture. Invariably, writers, cooks, and oko officials revert to analogies: some call it a cabbage crepe; others a savory pancake or an omelet. Guidebooks, unhelpfully, refer to it as Japanese pizza, though okonomiyaki looks and tastes nothing like pizza. Otafuku, for its part, does little to clarify the situation, comparing okonomiyaki in turn to Turkish pide, Indian chapati, and Mexican tacos. There are two overarching categories of okonomiyaki Hiroshima style, with a layer of noodles and a heavy cabbage presence, and Osaka or Kansai style, made with a base of eggs, flour, dashi, and grated nagaimo, sticky mountain yam. More than the ingredients themselves, the difference lies in the structure: whereas okonomiyaki in Hiroshima is carefully layered, a savory circle with five or six distinct layers, the ingredients in Osaka-style okonomiyaki are mixed together before cooking. The latter is so simple to cook that many restaurants let you do it yourself on table side teppans. Hiroshima-style okonomiyaki, on the other hand, is complicated enough that even the cooks who dedicate their lives to its construction still don't get it right most of the time. (Some people consider monjayaki, a runny mass of meat and vegetables popularized in Tokyo's Tsukishima district, to be part of the okonomiyaki family, but if so, it's no more than a distant cousin.) Otafuku entered the picture in 1938 as a rice vinegar manufacturer. Their original factory near Yokogawa Station burned down in the nuclear attack, but in 1946 they started making vinegar again. In 1950 Otafuku began production of Worcestershire sauce, but local cooks complained that it was too spicy and too thin, that it didn't cling to okonomiyaki, which was becoming the nutritional staple of Hiroshima life. So Otafuku used fruit- originally orange and peach, later Middle Eastern dates- to thicken and sweeten the sauce, and added the now-iconic Otafuku label with the six virtues that the chubby-cheeked lady of Otafuku, a traditional character from Japanese folklore, is supposed to represent, including a little nose for modesty, big ears for good listening, and a large forehead for wisdom.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Though unaware of it at that moment, Missie had just made some friends for life. Not one of those men sitting round her tiny soddy would have denied her anything that was in their power to provide. There she sat, just a little scrap of a girlwoman, youthful and pretty, her cheeks glowing with health, her eyes sparkling near tears, her trim figure clothed attractively in a bright calico, the tiny fair-skinned, chubby-cheeked Nathan contentedly in her arms studying her face. That picture was their Christmas gift, one they would remember all their lives.
Janette Oke (Love's Long Journey (Love Comes Softly, #3))
His hands were clumsy as he leaned back and started to remove my flannel pants. He growled in appreciation when he saw that I wasn’t wearing any panties. I said nothing as he angrily pulled at my shirt to get it off of me. “I want to see your skin. I need you,” he kept repeating. Leaning up, I quickly pulled my camisole over my head. Instead of his usual slow sexual way, he fell on top of me again and quickly entered me. It caught me so off guard that I gasped. My body easily accepted him, so there was no pain, but it was so unlike Devin that for a brief minute I felt fear. Once I looked up into his face my fear melted away and all I wanted to do was make whatever was hurting him go away. He looked down at me and although there were no tears on his cheeks, he looked like he was about to cry. He buried his face in my neck so that I couldn’t see him anymore. Something was definitely wrong. I held on to him and my heart broke as he rocked against me over and over again. The couch creaked with his every thrust and the sound of our bodies smacking echoed throughout the room. “I only want to feel you, nothing else, just you,” he whispered into my hair. His movement became jerky as he sped up. He thrust into me over and over again, harder each time. His hot breath pounded against the side of my neck. I said nothing as he found comfort in my body. I just held him close to me and every now and again, kissed the side of his neck. I felt his body tense up as he growled out his release and slammed into me one final time. His full body weight pressed against me when his arms went weak and he dropped onto me completely. When he finally removed his face from my neck and looked down at me I could see the realization in his eyes of what had just occurred. I never said no, but he never really asked. Quickly, I cupped his cheeks with my hands and kissed him softly. “Did I hurt you? I never want to hurt you,” he said with a thick slur. “It’s OK, I’m OK,” I whispered. He said nothing. He just stared back at me like he was afraid I’d push him away and run for my life. Then his expression changed, and tears filled his eyes. I’d never seen a grown man cry in my life and my heart crushed inside my chest as he buried his face in my neck once more. “I’m going to lose you. I am. You’re the best thing that’s ever happened to me and I’m going to lose you.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
His hands were clumsy as he leaned back and started to remove my flannel pants. He growled in appreciation when he saw that I wasn’t wearing any panties. I said nothing as he angrily pulled at my shirt to get it off of me. “I want to see your skin. I need you,” he kept repeating. Leaning up, I quickly pulled my camisole over my head. Instead of his usual slow sexual way, he fell on top of me again and quickly entered me. It caught me so off guard that I gasped. My body easily accepted him, so there was no pain, but it was so unlike Devin that for a brief minute I felt fear. Once I looked up into his face my fear melted away and all I wanted to do was make whatever was hurting him go away. He looked down at me and although there were no tears on his cheeks, he looked like he was about to cry. He buried his face in my neck so that I couldn’t see him anymore. Something was definitely wrong. I held on to him and my heart broke as he rocked against me over and over again. The couch creaked with his every thrust and the sound of our bodies smacking echoed throughout the room. “I only want to feel you, nothing else, just you,” he whispered into my hair. His movement became jerky as he sped up. He thrust into me over and over again, harder each time. His hot breath pounded against the side of my neck. I said nothing as he found comfort in my body. I just held him close to me and every now and again, kissed the side of his neck. I felt his body tense up as he growled out his release and slammed into me one final time. His full body weight pressed against me when his arms went weak and he dropped onto me completely. When he finally removed his face from my neck and looked down at me I could see the realization in his eyes of what had just occurred. I never said no, but he never really asked. Quickly, I cupped his cheeks with my hands and kissed him softly. “Did I hurt you? I never wanted to hurt you,” he said with a thick slur. “It’s OK, I’m OK,” I whispered. He said nothing. He just stared back at me like he was afraid I’d push him away and run for my life. Then his expression changed, and tears filled his eyes. I’d never seen a grown man cry in my life and my heart crushed inside my chest as he buried his face in my neck once more. “I’m going to lose you. I am. You’re the best thing that’s ever happened to me and I’m going to lose you.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
I stroke a finger down Ruby's cheek, feeling the soft, cherubic skin, staring into the innocent, ethereal eyes. The baby latches to my finger with her chubby little fist, the bones and veins tucked under layers and layers of baby fat, the only time in one's life when fat is adorable and heavenly.
Mary Kubica (Pretty Baby)
A new day. She will face it tomorrow, for Maya’s sake. Along with the awakening sea, along with the rest of Bombay—the street urchins and the stray dogs, the impoverished nut vendors and the woman selling six cauliflowers a day, the hollow-eyed slum dwellers and the chubby-cheeked residents of nearby skyscrapers, the office workers spilling out of the trains at Churchgate and the young children boarding creaky school buses, the old men groaning on their deathbeds and the babies tumbling forth from the dark wombs of their mothers—along with the entire gigantic metropolis, with all its residents crawling along their individual destinies like an army of ants pretending to be an army of giants—along with Banubai in her damp bed, and Serabai in her shattered world, and Viraf baba with his choking guilt, and Maya with her tentative, hesitant dreams, and yes, along with Gopal and Amit waking up in a distant land to the smell of loamy earth, like all of them, the millions of people she has not met and the few she has—she, too, will face a new day tomorrow. Tomorrow. The word hangs in the air for a moment, both a promise and a threat. Then it floats away like a paper boat, taken from her by the water licking her ankles. It is dark, but inside Bhima’s heart it is dawn.
Thrity Umrigar (The Space Between Us)
English was my worst subject, and I was only two years older than the oldest pupils, so while I was walking over to the other building, where the eighth and ninth forms had their classroom, my stomach was churning again. I put my pile of books down on the raised table. The pupils were scattered across their desks as if they had just been hurled out of a spin dryer. No one paid any attention to me. ‘Hello, class!’ I said. ‘My name is Karl Ove Knausgaard, and I’m going to be your English teacher this year. How do you do?’ No one said anything. The class consisted of four boys and five girls. A couple of them watched me, the others sat scribbling something, one was knitting. I recognised the boy from the snack bar stand: he was wearing a baseball cap and rocking back and forth on his chair while eyeing me with a smirk on his face. He had to be Stian. ‘Well,’ I said. ‘Now I would like you to introduce yourselves in English.’ ‘Snakk norsk!’ Stian said in Norwegian. The boy behind him, a conspicuously tall, thin figure, taller than me, and I was one metre ninety-four, guffawed. Some of the girls tittered. ‘If you are going to learn a language, then you have to talk it,’ I said. One of the girls, dark-haired and white-skinned, with regular, slightly chubby facial features and blue eyes, put up her hand. ‘Yes?’ I said. ‘Isn’t your English a bit too bad? I mean, for teaching?’ I could feel my cheeks burning, I stepped forward with a smile to hide my embarrassment.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
He has a non-toxic rainbow stamp on his chubby little cheek, and Jess made him the most adorable onesie that says, My parents went queer and all I got was this onesie.
Nyla K. (Pull (Love Is Love #1.5))
but now you’re stuck with Chubby Brunette Rapunzel.” Did this woman honestly just call Bianca Chubby Brunette Rapunzel? “And you think I want you as my assistant after you just openly degraded a fellow employee to my face and clearly show zero lack of appropriate workplace decorum?” Her cheeks grow a blotchy red and she shifts her position.
J. Saman (Doctor Untouchable (Boston's Billionaire Bachelors, #5))
I am with Victor, the two of us holding hands and laughing and somehow I know it is in the future—whether years or weeks, I can’t say. We are walking along the beach at noon—the sun hot and bright overhead, the sunshine warming my skin as it hasn’t in many long years. I look up at it, squinting the way you do on a bright day, but I am not afraid. The sun is no longer my enemy but a warm, benevolent friend. Victor says something I can’t hear. I looked over and asked him to repeat it. “I said, I think she’s hungry…” “Who?” I ask but then I look down and realize I am pushing a baby stroller. Victor is already kneeling on the sandy beach, cooing to whoever is inside the stroller. “Daddy’s little princess is hungry?” he says, picking up a baby who looks to be about one and a half years old. He brings her to me and I look at her in wonder. She has Victor’s big chocolate brown eyes and my dark brown hair. Her little face is heart shaped and delicate with a button nose and a sweetly pursed candy pink mouth—perfect in every way. “She’s beautiful,” I whisper, in awe of the precious little girl. “Just like her mom,” Victor says proudly. He holds her out to me and she puts up chubby little arms, eager for me to take her. “Momma!” she says when I hold her. She nuzzles close and presses her chubby little cheek to mine. “Momma… love you.” “Oh, sweetie,” I whisper, holding her tight. “I love you too. Momma loves her little girl so much.” Victor puts his arms around both of us. “And I love you both. My two sweet girls,” he rumbles and I feel loved and protected and perfect in every way. The waves shush along the beach, the sand is rough and warm under my feet, my little girl is safe in my arms and my husband loves me—loves both of us completely. The sun beams down on us like a golden blessing and I feel a joy like I have never known, a joy I never expected to feel after Celeste… after she… she…
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
I liken kissing baby cheeks to kissing stripper boobies. They’re both irresistible, but you’re bound to catch something. Scientists say there’s at least an 18% chance that the world’s next deadly viral pandemic is brewing in the saliva stew of a chubby baby’s cheeks, or a stripper’s boobies, at this very moment.
J. Matthew Nespoli (Daddy Versus The Suck Monster)
I'm dying. But its ok. God's not doing this to me. It's the World. So I'm not upset. He's not even sending an Angel to save me. But that's cool. I'm still not upset. For you see, I took God's workshop- "How to Be an Angel" and then I took man's (the special forces medical sergeant's course). And I studied really hard. I took the lessons seriously. I was a very good student. And so, I'm going to save myself. I didn't take the Cherub classes. I'm not all cute and chubby with rosy cheeks. I don't know how to play the harp. I took the Serafin classes to learn how to be a guardian, a protector, a warrior. I learned how to sneak up on badness, on evil. To get as close as I can to it. Then destroy it. Trust me. This is gonna be good! You darn Skippy, if I'm not going to do just that!
José N. Harris
House cats are blessed with a killer set of what Austrian ethnologist Konrad Lorenz calls “baby releasers”: physical traits that remind us of human young and set off a hormonal cascade. These features include a round face, chubby cheeks, big forehead, big eyes, and a little nose.
Abigail Tucker (The Lion in the Living Room: How House Cats Tamed Us and Took Over the World (A Gift for Cat Lovers))
She hadn’t realized how hard this would be—parenting. People, for some reason, chose only to highlight the good parts: the cute chubby cheeks and cute little socks—not the temper tantrums and lollipop bribery it took to get them in the socks.
Tarryn Fisher (The Wrong Family)