Chubby Cheeks Baby Quotes

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Seth bent down and scooped her into his arms, kissing her cheek, then blowing raspberries in her chubby neck rolls. Giggles filled the air as she squirmed against him, leaning back and clutching him tighter all at the same time. How he loved this baby girl. "I don't know about you," Chaahk said, "but I'm feeling a little rebuffed." "Why," Seth asked with a laugh, "because I didn't blow raspberries on your neck?' Aiden and Imhotep laughed. Shaking his head, Chaahk motioned to Aidra, "Why doesn't she smile as us like that?" Seth shrugged. "I'm prettier.
Dianne Duvall (Shadows Strike (Immortal Guardians, #6))
We all look so young. John with his rosy cheeks, Trevor with his chubby ones, Peter with his skinny legs. Underneath the picture I wrote, THE BEGINNING. “Aww,” he says tenderly. “Baby Lara Jean and Baby Peter. Where’d you find this?” “In a shoe box.” He flicks John’s smiling face. “Punk.” “Peter!” “Just kidding,” he says.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I don’t want to hear ‘I told you so.’” Frannie picked up the baby and kissed his chubby cheek. “Failure is what keeps us alive. It’s what tells the world we’re still trying.
Jenny B. Jones (His Mistletoe Miracle (Sugar Creek, #3))
House cats are blessed with a killer set of what Austrian ethnologist Konrad Lorenz calls “baby releasers”: physical traits that remind us of human young and set off a hormonal cascade. These features include a round face, chubby cheeks, big forehead, big eyes, and a little nose.
Abigail Tucker (The Lion in the Living Room: How House Cats Tamed Us and Took Over the World (A Gift for Cat Lovers))
I realize belatedly that sending sharks to the aid of humans is a stupid idea. When one of the men tries to kick a tiger shark in the eye-and how could I blame him?-I tell the sharks to retreat. They’ve done all they can do, and I won’t let them be abused for their efforts. After a few more minutes, I see a small, chubby pair of legs struggling nearby. The owner of the legs can’t be older than a toddler. I scoop him up and keep him at the surface. He’s adorable really, with rounded cheeks and a snotty nose and brown eyes with lashes that would make a supermodel jealous. Close to us, a woman who I assume is his mother is crying frantically and calling out to the empty waves around her. I swim him over to her and deliver the little guy into her arms. “He swallowed a good part of the ocean, but otherwise he’ll be fine,” I tell her, knowing that she doesn’t understand. She clutches him to her and trembles. I swim two life jackets over to her and help her strap them on to her and the baby boy. She nods, and despite the language barrier, I can tell that she’s thanking me. Which makes me feel like zoo dirt, since I helped put her and her child in this predicament. If she knew that, she would probably be trying to choke the life from me. And I would probably let her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Desmond had a round head, chubby baby cheeks, and a voice that startled everyone the first time they heard it, it was so gruff and full of bass. His voice made the chucks jump when he crept up on them, and he got a kick out of it, until one day a supervisor with an even deeper voice crept up on him and taught him a lesson.
Colson Whitehead (The Nickel Boys)
Milly took the hand held out to her, which was small, warm and chubby, the fingers armoured with rings...This was one of those well-preserved old things whose age it was impossible to guess; her cheeks pink and powdery and her white hair prettily arranged with a bang of fluffy curls in the front. The smile, Milly noticed, did not extend to the eyes, which were round and innocent, in color baby-blue; there was a twinkle in them, certainly, but they remained nevertheless quite frosty. Standing on tiptoe to reach Milly's ear, she whispered: 'I am the Princess Rapovska!
Mary McMinnies (The Visitors (New Portway Reprints))
I stroke a finger down Ruby's cheek, feeling the soft, cherubic skin, staring into the innocent, ethereal eyes. The baby latches to my finger with her chubby little fist, the bones and veins tucked under layers and layers of baby fat, the only time in one's life when fat is adorable and heavenly.
Mary Kubica (Pretty Baby)
A new day. She will face it tomorrow, for Maya’s sake. Along with the awakening sea, along with the rest of Bombay—the street urchins and the stray dogs, the impoverished nut vendors and the woman selling six cauliflowers a day, the hollow-eyed slum dwellers and the chubby-cheeked residents of nearby skyscrapers, the office workers spilling out of the trains at Churchgate and the young children boarding creaky school buses, the old men groaning on their deathbeds and the babies tumbling forth from the dark wombs of their mothers—along with the entire gigantic metropolis, with all its residents crawling along their individual destinies like an army of ants pretending to be an army of giants—along with Banubai in her damp bed, and Serabai in her shattered world, and Viraf baba with his choking guilt, and Maya with her tentative, hesitant dreams, and yes, along with Gopal and Amit waking up in a distant land to the smell of loamy earth, like all of them, the millions of people she has not met and the few she has—she, too, will face a new day tomorrow. Tomorrow. The word hangs in the air for a moment, both a promise and a threat. Then it floats away like a paper boat, taken from her by the water licking her ankles. It is dark, but inside Bhima’s heart it is dawn.
Thrity Umrigar (The Space Between Us)
I am with Victor, the two of us holding hands and laughing and somehow I know it is in the future—whether years or weeks, I can’t say. We are walking along the beach at noon—the sun hot and bright overhead, the sunshine warming my skin as it hasn’t in many long years. I look up at it, squinting the way you do on a bright day, but I am not afraid. The sun is no longer my enemy but a warm, benevolent friend. Victor says something I can’t hear. I looked over and asked him to repeat it. “I said, I think she’s hungry…” “Who?” I ask but then I look down and realize I am pushing a baby stroller. Victor is already kneeling on the sandy beach, cooing to whoever is inside the stroller. “Daddy’s little princess is hungry?” he says, picking up a baby who looks to be about one and a half years old. He brings her to me and I look at her in wonder. She has Victor’s big chocolate brown eyes and my dark brown hair. Her little face is heart shaped and delicate with a button nose and a sweetly pursed candy pink mouth—perfect in every way. “She’s beautiful,” I whisper, in awe of the precious little girl. “Just like her mom,” Victor says proudly. He holds her out to me and she puts up chubby little arms, eager for me to take her. “Momma!” she says when I hold her. She nuzzles close and presses her chubby little cheek to mine. “Momma… love you.” “Oh, sweetie,” I whisper, holding her tight. “I love you too. Momma loves her little girl so much.” Victor puts his arms around both of us. “And I love you both. My two sweet girls,” he rumbles and I feel loved and protected and perfect in every way. The waves shush along the beach, the sand is rough and warm under my feet, my little girl is safe in my arms and my husband loves me—loves both of us completely. The sun beams down on us like a golden blessing and I feel a joy like I have never known, a joy I never expected to feel after Celeste… after she… she…
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
I liken kissing baby cheeks to kissing stripper boobies. They’re both irresistible, but you’re bound to catch something. Scientists say there’s at least an 18% chance that the world’s next deadly viral pandemic is brewing in the saliva stew of a chubby baby’s cheeks, or a stripper’s boobies, at this very moment.
J. Matthew Nespoli (Daddy Versus The Suck Monster)