Chrome Love Quotes

A man without hands came to the door to sell me a photograph of my house. Except for the chrome hooks, he was an ordinary-looking man of fifty or so.

California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...

Poem of Thanks Years later, long single, I want to turn to his departed back, and say, What gifts we had of each other! What pleasure — confiding, open-eyed, fainting with what we were allowed to stay up late doing. And you couldn’t say, could you, that the touch you had from me was other than the touch of one who could love for life — whether we were suited or not — for life, like a sentence. And now that I consider, the touch that I had from you became not the touch of the long view, but like the tolerant willingness of one who is passing through. Colleague of sand by moonlight — and by beach noonlight, once, and of straw, salt bale in a barn, and mulch inside a garden, between the rows — once- partner of up against the wall in that tiny bathroom with the lock that fluttered like a chrome butterfly beside us, hip-height, the familiar of our innocence, which was the ignorance of what would be asked, what was required, thank you for every hour. And I accept your thanks, as if it were a gift of yours, to give them — let’s part equals, as we were in every bed, pure equals of the earth.

He also loved the city itself. Coming to and leaving Cousin Joe’s, he would gorge himself on hot dogs and cafeteria pie, price cigarette lighters and snap-brim hats in store windows, follow the pushboys with their rustling racks of furs and trousers. There were sailors and prizefighters; there were bums, sad and menacing, and ladies in piped jackets with dogs in their handbags. Tommy would feel the sidewalks hum and shudder as the trains rolled past beneath him. He heard men swearing and singing opera. On a sunny day, his peripheral vision would be spangled with light winking off the chrome headlights of taxicabs, the buckles on ladies’ shoes, the badges of policemen, the handles of pushcart lunch-wagons, the bulldog ornaments on the hoods of irate moving vans. This was Gotham City, Empire City, Metropolis. Its skies and rooftops were alive with men in capes and costumes, on the lookout for wrongdoers, saboteurs, and Communists. Tommy

You see, when people once begin to do kindnesses, it is so easy and pleasant, they find it hard to leave off; and sometimes it beautifies them so that they find they love one another very much—as Mr. Chrome and Miss Kent discovered that wondrous day.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

you looked at the bicycles one way, they looked very solid, like sculpture, with afternoon light glinting cleanly off the chrome handlebars—one, two, three, all in a row. If you looked at them another way, you could see just how thin each kickstand was under the weight of the heavy frame, and how they were poised to fall like dominoes or the skeletons of elephants or like love itself.

Said Red Molly to James that's a fine motorbike A girl could feel special on any such like Said James to Red Molly, my hat's off to you It's a Vincent Black Lightning, 1952 And I've seen you at the corners and cafes it seems Red hair and black leather, my favourite colour scheme And he pulled her on behind And down to Boxhill they did ride Said James to Red Molly, here's a ring for your right hand But I'll tell you in earnest I'm a dangerous man I've fought with the law since I was seventeen I robbed many a man to get my Vincent machine Now I'm 21 years, I might make 22 And I don't mind dying, but for the love of you And if fate should break my stride Then I'll give you my Vincent to ride Come down, come down, Red Molly, called Sergeant McRae For they've taken young James Adie for armed robbery Shotgun blast hit his chest, left nothing inside Oh, come down, Red Molly to his dying bedside When she came to the hospital, there wasn't much left He was running out of road, he was running out of breath But he smiled to see her cry And said I'll give you my Vincent to ride Says James, in my opinion, there's nothing in this world Beats a 52 Vincent and a red headed girl Now Nortons and Indians and Greeveses won't do They don't have a soul like a Vincent 52 He reached for her hand and he slipped her the keys He said I've got no further use for these I see angels on Ariels in leather and chrome Swooping down from heaven to carry me home And he gave her one last kiss and died And he gave her his Vincent to ride

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.

I don't think you're a monster for wanting your life to be filled with people who are positive forces within it. You get to want love and respect. You deserve to be able to set limits. You deserve to be loved.

on. I pulled out Mickey which was what I named my new custom made chromed Ruger with Mrs. Jones inscribed in red on the handle.

Once I came out of my pussy coma, I started making love to her like it’s been months instead of days.

There’s some language of flowers stuff that says what color roses mean what things. So I got you all the colors of roses they had because your everything….

Lawn Lovely is a store two blocks from our house. It’s the place where Dad buys his lawn ornaments. A lot of lawn ornaments. Dad is as nuts about lawn ornaments as he is about gardening. We have so many lawn ornaments in our front yard, it’s impossible to mow the lawn! What a crowd scene! We have two pink plastic flamingos. A cement angel with huge white wings. A chrome ball on a silver platform. A whole family of plaster skunks. A fountain with two kissing swans. A seal that balances a beach ball on its nose. And a chipped plaster deer.

Too many women think verbal abuse and black eyes are what true love is all about.

...The plan is perfect, baby. No one will ever know it was us. We’ll be outta here like that,” he said while snapping his grubby fingers. “Now, here, hold this,” Ronnie said, as he passed his revolver to Susie. Susan held the small gun and began to slide her thumb back and forth over the smooth chrome finish. “I wish we didn’t have to do this, Ronnie.” “If you ain’t noticed, baby, we are broke and down to our last two smokes. It’s either this or you’re gonna hafta sell your ass again. Now, do ya want us to go back to the truck stop?” “No, Ronnie. I wanna go to the beach.” “The beach it is,” he said as he leaned over and gave her a peck on her cheek.

Hey, you,” a voice calls out. I turn to look, and find Bob Caster perched on a gleaming motorcycle with wide, shiny handlebars. I point to myself and ask, “Who? Me?” “Yes, you,” he says. He squints at me like he’s trying to look inside me. I cross my arms under my breasts to block his piercing gaze, and his eyes drop down to my boobs. He licks his lips ever so slowly, and then his eyes travel back up. Heat creeps up my cheeks, but I refuse to fidget on my feet. I stare straight at him. “You want to take a ride with me?” he asks. He revs the bike. I point a finger. “On that?” He grins that sideways grin again. “Well, I wasn’t offering my personal services.” He glances down at his button fly, and then he laughs. He runs a hand lovingly down the shiny chrome handlebar, his touch reverent and respectful. “Of course on this.” I point to the center of my chest and then at the bike. “You want to take me for a ride on that?” He stares at me. I finally let that feet fidget thing happen and want to kick myself. “Is it safe?” He shakes a cigarette out of a pack and takes his time lighting it. He inhales deeply and holds it for a moment. Then he blows it out and says, “I won’t let you get hurt.” I look at my car and then at him. He revs the engine again. “Where are we going?” “For a ride,” he says with a shrug. “When will we be back?” I step closer to him and his eyes light up a little. And I like it. “When we get done.” Be still my heart. He flicks his cigarette into the grass. “Are you coming or what?” “Okay,” I say. He looks surprised. “Yeah?” “Yes.” He takes the helmet off his head and holds it out to me. I pull my ponytail free and tug the helmet on. He reaches out to buckle the strap for me, his fingers gentle. “How old are you?” he asks, his voice strong but quiet. “Nineteen.” “Good.” He grins. He motions for me to climb on behind him and I do, my thighs spread around his hips. He lifts my feet and shows me where to put them. “Why is that good?” I ask close to his ear. He looks back over his shoulder. “Because I don’t want to go back to jail.” He doesn’t wait. He hits the gas and I shriek as we take off through the parking lot and onto the open road. He reaches back with one hand and puts my hand on his waist, and I automatically follow with the other. I hold on tightly to the man who just told me he doesn’t want to go back to jail, and I wonder what the heck I just got myself into.

For all the wine-tasting and brandy snifters and expensive cellars, it’s essentially no different from sniffing petrol or chroming. It’s just dressed up,’ he said. ‘Can you imagine businessmen with plastic bags spraying paint and saying, “Why, yes, it’s a 1954 Dulux. Yes, that was a good year. Is that the enamel? Ah, lovely.

She lives in the coolest house. It’s really big and super modern. They even have a spa bath in the bathroom as well as a jacuzzi out by the pool. We talked about spending time sunbathing in her backyard as soon as the weather was warm enough. The lounge chairs that were scattered around the sides of the pool were so inviting that I had to try them out. Then when I found that they reclined right back, I lied there picturing myself during the summer months, just relaxing by that beautiful sparkling pool. Sara is so lucky! She seems to have pretty much everything a girl could wish for. Her bedroom has the prettiest pink wallpaper with a gorgeous white flower print as a feature wall. And her furniture is all white. She has a huge comfy bed with matching bedside tables. I’ve never known a girl our age to have a queen sized bed though. Even my parents only have a double bed and Sara’s bed seems enormous in comparison. The two hot pink chrome lamps that sit on her bedside tables are the coolest design and I just love the fluffy pink rug that spreads across the middle of her floor. And she even has

Greg is looking at me; he thinks I don’t know it. I’ve been chopping onions at the kitchen counter for almost five minutes, and I can see his reflection – inside out, convex and stretched – in the chrome kettle we got as a wedding present. He’s sitting at the kitchen table, checking me out.

What did I want? I wanted a life with you! And I get instead Radio City, the lights going up, “honey I love you,” dancing all night, crap shooting, cellophane magic, chrome and black marble.

The truth is my dad may have loved his cars a little too much. When it came to selecting optional trim packages, styling accessories, and color combinations, he could go a little overboard. In an era when automobile designers already pushed the limits of good taste, my father was all too willing to nudge them just a little further. He loved whitewall tires and sparkling chrome wheels. He insisted on pinstripes, the more lines the better. He adored monument-size hood ornaments and glimmering side trim. He considered features like carriage tops and burled wood dashboards standard equipment. As a result, one of the two cars my family owned at any given time often resembled the perp vehicle being chased down on the latest episode of Starsky and Hutch.

It was one of those nights, I quickly decided, when you slip into an alternate continuum, a city that looks exactly like the one where you live, except for the peculiar difference that it contains not one person you love or know or have even spoken to before.

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The first time I walked through the stone archway into the building on Thirty-Fourth Street and rode the chrome elevators up to the seventh floor, I knew there was something special about Strauss & Adder Publishers. The way the doors opened and let out into a small, white-shelved lobby filled with books, both ones they had published and ones they just loved, weathered leather chairs faced you, beckoning you to sink down into their cushions, open a novel, and drown in the words.