Christopher Nolan Quotes

You musn't be afraid to dream a little bigger, darling.

Now you're looking for the secret, but you won't find it...because you're not really looking. You don't really want to know. You want to be fooled.

Either you die a hero or live long enough to see yourself become a villain.

There's a point where we just let the music take over everything.

But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved ones is just poison in your veins. And one day you catch yourself wishing the person you loved had never existed, so you'd be spared your pain.

Why do we Fall? So we can learn to pick ourselves back up.

Bruce Wayne/Batman: A hero can be anyone, even a man doing something as simple and reassuring as putting a coat on a young boy's shoulders to let him know that the world hadn't ended.

COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure. Yet it doesn't matter... Mal looks at his across the railroad tracks. Replies- MAL: Because you'll always be together.

Sometimes people deserve to have their faith rewarded.

Oh, you think darkness is your ally. But you merely adopted the dark; I was born in it, molded by it. I didn't see the light until I was already a man, by then it was nothing to me but BLINDING! The shadows betray you, because they belong to me!

You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure. Yet it doesn't matter . . . Because you'll always be together.

You either die a hero or you live long enough to see yourself become the villain.

Selina Kyle: There's a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you're all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.

Starbucks is the smart coffee for dumb people. It’s the Christopher Nolan of coffee.

If you're going to perform inception, you need imagination. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.

She had locked something away, something deep inside. A truth that she had once known, but chose to forget. And she couldn't break free. So I decided to search for it. I went deep into the recess of her mind and found that secret place. And I broke in..

True inspiration is impossible to fake.

I never considered myself a lucky person. I'm the most extraordinary pessimist. I truly am.

You mustn't be afraid to dream a little bigger, darling.

Memory can change the shape of a room; it can change the color of a car. And memories can be distorted. They're just an interpretation, they're not a record, and they're irrelevant if you have the facts. (Leonard Shelby, Memento)

People need dramatic examples to shake them out of apathy, and I can't do that as Bruce Wayne. As a man, I'm flesh and blood. I can be ignored. I can be destroyed. But as a symbol, as a symbol I can be incorruptible, I can be everlasting.

I have to believe that when my eyes are closed, the world's still there. (Leonard Shelby, Memento)

mankind was born on earth but was never meant to die here

Newton’s third law – the only way humans have ever figured out of getting somewhere is to leave something behind.

The thing you fail to grasp is that people are not basically good. We are basically selfish. We shove and clamour and cry for adoration, and beat down everyone else to get it. Life is a competition of prattling peacocks enraptured in inane mating rituals. But for all our effacing and self-importance, we are all slaves to what we fear most. You have so very much to learn. Here. Let me teach you.

Don't talk like you're one of them! You're not... even if you'd like to be. To them you're just a freak, like me. They need you right now, but when they don't, they'll cast you out. Like a leper. See, their morals, their "code"... it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these uh, these "civilized people", they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.

I always thought the joy of reading a book is not knowing what happens next. (Leonard Shelby, Memento)

The Joker: I just did what I do best. I took your little plan and I turned it on itself. Look what I did to this city with a few drums of gas and a couple of bullets. Hmmm? You know... You know what I've noticed? Nobody panics when things go "according to plan." Even if the plan is horrifying! If, tomorrow, I tell the press that, like, a gang banger will get shot, or a truckload of soldiers will be blown up, nobody panics, because it's all "part of the plan". But when I say that one little old mayor will die, well then everyone loses their minds. Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos. Oh, and you know the thing about chaos? It's fair!

I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.

Superheroes fill a gap in the pop culture psyche, similar to the role of Greek mythology. There isn't really anything else that does the job in modern terms. For me, Batman is the one that can most clearly be taken seriously. He's not from another planet, or filled with radioactive gunk. I mean, Superman is essentially a god, but Batman is more like Hercules: he's a human being, very flawed, and bridges the divide.

All you care about is money. This city deserves a better class of criminal. And I'm gonna give it to them!

COBB: Our dreams feel real while we're in them. It's only when we wake we realize things were strange. Ariadne gestures around them- ARIADNE: But all the textures of real life-the stone, the fabric... cars... people... your mind can't create all this. COBB: It does. Every time you dream. Let me ask you a question: You never remember the beginning of your dreams, do you? You just turn up in the middle of what's going on. ARIADNE: I guess. COBB: So... how did we end up at this restaurant?

EAMES: Shouldn't be afraid to dream a little bigger, Arthur- Eames lines up a shot with a grenade launcher. Fires- the sniper EXPLODES into the air- Arthur looks at Eames. EAMES: Shall we?

ARTHUR: What happened? ARIADNE: Cobb stayed. ARTHUR: With Mal? ARIADNE: No. To find Saito. Arthur looks out at the water below the bridge. ARTHUR: He'll be lost... ARIADNE: No. He'll be alright.

Bane: No one cared who I was until I put on the mask.

It was at moments such as these that Joseph recognized the face of God in human form. It glimmered in their kindness to him, it glowed in their keenness, it hinted in their caring, indeed it caressed in their gaze.

MAL: You killed me. Cobb looks at Mal. Whispers- COBB: I was trying to save you-I'm sorry. Mal comes in close to Cobb. Looks him over. MAL: You infected my mind. You betrayed me. But you can make amends. You can still keep your promise. We can still be together... right here. In our world. The world we built together.

Do you want to know why I use a knife? Guns are too quick. You can't savor all the... little emotions. In... you see, in their last moments, people show you who they really are. So in a way, I know your friends better than you ever did. Would you like to know which of them were cowards?

ARTHUR: The only way to wake up from inside the dream is to die.

Some men aren't looking for anything logical, like money. They can't be bought, bullied, reasoned, or negotiated with. Some men just want to watch the world burn.

ARIADNE: Why are they looking at me? COBB: Because you're changing things. My subconscious feels that someone else is creating the world. The more you change things, the quicker the projections converge on you. ARIADNE: Converge? COBB: They feel the foreign nature of the dreamer, and attack-like white blood cells fighting an infection. ARIADNE: They're going to attack us? COBB: Just you, actually.

ARTHUR: (indicates rain) Couldn't you have peed before we went under? YUSUF: Sorry. The front door OPENS and Eames climbs in, soaked. EAMES: Bit too much free champagne before takeoff, Yusuf? YUSUF: Ha bloody ha.

ARTHUR: It'd have to be a 747. COBB: Why? ARTHUR: On a 747 the pilots are up above, first class is in the nose so nobody walks through the cabin. We'd have to buy out the whole cabin, and the first class flight attendant- SAITO: We bought the airline. Everyone turns to Saito. SAITO: It seemed... neater.

You’re never going to learn something as profoundly as when it’s purely out of curiosity.

Some men just want to watch the world burn.

EAMES: Try this... "MY FATHER ACCEPTS THAT I WANT TO CREATE FOR MYSELF, NOT FOLLOW IN HIS FOOTSTEPS." COBB: That might work. ARTHUR: Might? We'll have to do better than that. EAMES: Thanks for the contribution, Arthur. ARTHUR: Forgive me for wanting a little specificity, Eames.

...I studied English Literature. I wasn't a very good student, but one thing I did get from it, while I was making films at the same time with the college film society, was that I started thinking about the narrative freedoms that authors had enjoyed for centuries and it seemed to me that filmmakers should enjoy those freedoms as well.

(On "Following") We've got a pretty serious claim on being the cheapest film ever made.

Such is the great nature of man, it resides the true face beneath a glittering masquerade.

EAMES: Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind... EAMES: (draws a diagram) Then we take Fischer down another level and his own subconscious feeds it right back to him. ARTHUR: (impressed) So he gives himself the idea. EAMES: Precisely. That's the only way to make it stick. It has to seem self-generated. ARTHUR: Eames, I'm impressed. EAMES: Your condescension, as always, is much appreciated, Arthur.

Jim Gordon: I never cared who you were... Batman: And you were right. Jim Gordon: ...but shouldn't the people know the hero who saved them? Batman: A hero can be anyone. Even a man doing something as simple and reassuring as putting a coat around a young boy's shoulders to let him know that the world hadn't ended. Jim Gordon: Bruce Wayne?

The general public long ago stopped looking for beauty in high culture. But it still has TV and the movies....you are far more likely to find genuinely mesmerising images and real beauty in big-budget Hollywood movies -- think of, say, Christopher Nolan's Interstellar or his Dark Knight Trilogy -- than in any European art-house

COBB: What do you want from us? SAITO: Inception. Arthur raises his eyebrows. Cobb is poker-faced. SAITO: Is it possible? ARTHUR: Of course not. SAITO: If you can steal an idea from someone's mind, why can't you plant one there instead? ARTHUR: Okay, here's planting an idea: I say to you, "Don't think about elephants." (Saito nods) What are you thinking about? SAITO: Elephants. ARTHUR: Right. But it's not your idea because you know I gave it to you. SAITO: You could plant it subconsciously- ARTHUR: The subject's mind can always trace the genesis of the idea. True inspiration is impossible to fake. COBB: No, it isn't. SAITO: Can you do it? COBB: I won't do it. SAITO: In exchange, I'll give you the information you were paid to steal. COBB: Are you giving me a choice? Because I can find my own way to square things with Cobol. SAITO: Then you do have a choice. COBB: And I choose to leave.

the mind can always trace the genesis of an idea... provided it has enough time to do so...

but as long as he keeps the bad people rich and the good people scared no one will touch him

Enlightenment and Orgasm are both personal affairs. Yet, both are treated poles apart by man

Knowing that you are insane is the first step to become sane!

Whenever you phone call somebody, ask the first question "what you doing?”. This way you bring them into the present and help them in their spiritual evolution!!

Why are we living? Because we are born! Why are we born? Because we have to live!.

Bane: Peace has cost you your strength! Victory has defeated you!

If you have the time to give time some time, won't be a time that you will curse the time.

Christopher Nolan may be a big-shot director, but he’s got his head right up his arse. Not that I care. Eleven weeks shooting. A ton of money. And I go to France.

You see madness is like gravity, all it needs is a little push! — Heath Ledger [Joker] The Dark Knight (2008) Directed by Christopher Nolan

ARTHUR: He's out. ARIADNE: Wait, Cobb-I'm lost. Whose subconscious are we going into? COBB: Fischer's. I told him it was Browning's so he'd come with us as part of our team. ARTHUR: (impressed) He's going to help us break into his own subconscious. COBB: That's the idea. He'll think that his security is Browning's and fight them to learn the truth about his father.

The Joker: Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.

ARTHUR: How do we get out once we've made the plant? (to Cobb) I hope you've got something a little more elegant than shooting me in the head like last time. Arthur tilts back in his chair. Yusuf turns to Cobb. COBB: A kick. ARIADNE: What's a kick? Eames slips his foot under Arthur's chair leg. TIPS it- Arthur's legs SHOOT UP INSTINCTIVELY for balance- EAMES: That, Ariadne, would be a kick. COBB: That feeling of falling which snaps you awake. We use that to jolt ourselves awake once we're done.

SAITO: Care for a lift, Mr. Cobb? COBB: (jumping in) What brings you to Mombasa, Mr. Saito? SAITO: I have to protect my investment. Eames stands on pavement. The car pulls up. Cobb beckons from the rear window. Eames looks at Saito. Back to Cobb. EAMES: This your idea of losing a tail? COBB: (shrugs) Different tail.

ARIADNE: Do you use a timer? ARTHUR: No, I have to judge it myself. Once you're all asleep in room 528, I wait 'til Yusuf starts his kick... ARIADNE: How will you know? ARTHUR: His music warns me it's coming, then the van hitting the barrier of the bridge should be unmistakable-that's when I blow the floor out from underneath us and we get a nice synchronized kick. Too soon, and we won't get pulled out; too late and I won't be able to drop us. ARIADNE: Why not? ARTHUR: The van will be in free fall. I can't drop us without gravity.

Bane: We take Gotham from the corrupt! The rich! The oppressors of generations who have kept you down with myths of opportunity, and we give it back to you... the people. Gotham is yours. None shall interfere. Do as you please. Start by storming Blackgate, and freeing the oppressed! Step forward those who would serve. For and army will be raised. The powerful will be ripped from their decadent nests, and cast out into the cold world that we know and endure. Courts will be convened. Spoils will be enjoyed. Blood will be shed. The police will survive, as they learn to serve true justice. This great city... it will endure. Gotham will survive!

Before you now it, you're in high school, wondering if you're the only one who actually read Brave New World, rather than it's summary on Wikipedia. Or you're sitting in the cafeteria, pondering the complexities of the latest Christopher Nolan film while the nearest table of cheerleaders discusses whatever reality TV show is popular that week, then argues over who gives the most efficient blow job. Surely, the real world would be different. But I'm beginning to wonder if the whole damn planet hasn't been Wikipedia'd

Cooper: You're a scientist, Brand. Brand: So listen to me when I say that love isn't something that we invented. It's... observable, powerful. It has to mean something. Cooper: Love has meaning, yes. Social utility, social bonding, child rearing... Brand: We love people who have died. Where's the social utility in that? Cooper: None. Brand: Maybe it means something more - something we can't yet understand. Maybe it's some evidence, some artifact of a higher dimension that we can't consciously perceive. I'm drawn across the universe to someone I haven't seen in a decade, who I know is probably dead. Love is the one thing we're capable of perceiving that transcends dimensions of time and space. Maybe we should trust that, even if we can't understand it

Most people don't think Batman = Bob Kane or Batman = Christopher Nolan. Most people think Batman = Me. The public thinks it owns Batman, which is how mythology works. Who is the author of the Greek myths? It's not exactly Homer. Because we are the ones who have kept the myths alive over centuries by retelling the stories in a myriad of different forms.

Restfully reassured by his new friends, Joseph now nominated God in a new light, 'Man is God hesitant and God is Man hesitantly trying to help.

The benefit of reading is you will gain knowledge; and of writing is you will process that into wisdom!

Its great to have the habit of writing Diary, writing makes you face yourself and accept yourself as what you are and remove all the masks of Hypocrisy.

It's better to have a girlfriend than to drink alcohol

Everyone on this earth is alone! They just create some people around as their subjective world and convince themselves that they are happy. And not afraid of anything!

Albert Einstein: So here we are, hmm? Lost in your quantum world of probabilities, and needing certainty.

Being moral may not take you to heaven after the death, but it gives you a glimpse of it when you are alive

Whenever you phone call somebody, ask the first question "what you doing?”. This way you bring them into the present and help them in their spiritual evolution!!

Learning is quite easier than unlearning the things, its mandatory to learn to unlearn.

Silence heals, because it won't create further conflicts, at least in the long run, it heals.

When you are in the crowd, It's better to behave like a sheep.

Everyone is a freedom fighter during their teenage and everyone is a ruler during their parenthood. Celebration of Independence day is meaningful!

Death is like tiger Richard Parker in the film 'Life Of Pie', it keeps you alive, if you are awake, attentive and keep a watch on it. It kills you, if you ignore it

Mind compares, but you should discriminate! Intuition is the mother of reasoning, the reasoning gives you answers, and Intuition gives you truth

The training is nothing! Will is everything! The will to act.

You either die a hero, or live long enough to see yourself become the villian.

EAMES: There's a man here. Yusuf. He formulates his own versions of the compound. COBB: Let's go see him. EAMES: Once you've lost your tail. (Cobb reacts) Back by the bar, blue tie. Came in about two minutes after we did. COBB: Cobol Engineering? EAMES: They pretty much own Mombasa. Cobb glances over the balcony. COBB: Run interference. We'll meet downstairs in half an hour. EAMES: Back here? COBB: Last place they'd expect. Eames downs his drink. Rises. Walks over to the Businessman. EAMES: Freddy! The Businessman looks up, awkward. EAMES: Freddy Simmonds, it is you! Cobb nonchalantly SLIPS over the balcony DROPPING HARD into the midst of the crowd on the street below. EAMES: (looks harder) Oh. No, it isn't. The Businessman looks past Eames but Cobb has vanished.

So far, her novels had presented linear narratives, all told in the past tense from the third person perspective of the singular protagonist. But here, Athena does something similar to what Christopher Nolan does in the movie Dunkirk. Instead of following one particular story, she layers disparate narratives and perspectives together to form a moving mosaic, a crowd crying out in unison.

When you watch more movies, you predict next scene. When you read more books, you predict next paragraph, when you experience life closely, you predict future, but prediction need not be true always.

And the family comes back in as Cooper releases Murph’s hand, stepping back to let Murph’s kids and grandkids swarm over her … He watches them, their love, as if from another dimension. A man out of time. A ghost.

Someone said, don't become a philosopher until you become rich, i say rich men can't become philosophers, because how can they win over their mind, when they are already lost to money! Wise earn money for the freedom; stupid earns to become a better slave!

A vigilante is just a man lost in the scramble for his own gratification. He can be destroyed or locked up. But if you make yourself more than just a man, if you devote yourself to an ideal, and if they can't stop you, then you become something else entirely

EAMES: Word is, you're not welcome in these parts. COBB: Yeah? EAMES: There's a price on your head from Cobol Engineering. Pretty big one, actually. COBB: You wouldn't sell me out. Eames looks at Cobb, offended. EAMES: 'Course I would. COBB: (smiles) Not when you hear what I'm selling. A ramshackle balcony overlooking a busy street. Eames pours. COBB: Inception. Eames' glass stops halfway to his mouth. COBB: Don't bother telling me it's impossible. EAMES: It's perfectly possible. Just bloody difficult. COBB: That's what I keep saying to Arthur. EAMES: Arthur? You're still working with that stick-in-the-mud? COBB: He's a good point man. EAMES: The best. But he has no imagination. If you're going to perform inception, you need imagination. COBB: You've done it before? EAMES: Yes and no. We tried it. Got the idea in place, but it didn't take. COBB: You didn't plant it deep enough? EAMES: It's not just about depth. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.

White men's stories continue to be considered Important and Universal. If the films of Quentin Tarantino, Stanley Kubrick, or Christopher Nolan don't "speak" to you, you are considered by other filmmakers and creatives to be a philistine of the highest order, one who is simply too ignorant to grasp the depth of their genius. But men can hardly be expected to sit through the films of those female filmmakers most radically plumbing the depths of the female experience—Karyn Kusama, Jane Campion, Tamara Jenkins. After all, they are telling "small" and "personal" stories.

How could you understand? Do you know what it is to be a lover? To be half of a whole?

Every film should have its own world, a logic and feel to it that expands beyond the exact image that the audience is seeing.

Don't talk like you're one of them! You're not... even if you'd like to be. To them you're just a freak, like me. They need you right now, but when they don't, they'll cast you out. Like a leper. See, their morals, their "code"... it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these uh, these "civilized people", they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.

Plaintiff was required to furnish a complete answer to Interrogatory No. 1, about the names of comparably situated personnel. He signed the answers under oath. If his answer truly did not “scratch the surface” of the names and facts known to him, Plaintiff’s answer is perjury. United States District Court District Of Minnesota Michael Brodkorb, Plaintiff, v. Minnesota Senate, Defendant. File No. 12-CV-01958 (SRN/AJB) Defendant’s Memorandum Of Law In Support Of Motion For Rule 37 Sanctions. Case No. 0:12-cv-01958-SRN-AJB Document 74 Filed 08/15/13 Page 16 of 23 Respectfully submitted, Dated: August 15, 2013. Dayle Nolan & Christopher J. Harristhal Attorneys for Defendant