Christmas Picture Quotes

A prison cell, in which one waits, hopes - and is completely dependent on the fact that the door of freedom has to be opened from the outside, is not a bad picture of Advent

Are You Ready for New Urban Fragrances? Yeah, I guess I'm ready, but listen: Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality. Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature. I want to travel on a train that smells like snowflakes. I want to sip in cafes that smell like comets. Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace. I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve. I want to carry luggage that reeks of the neurons in Einstein's brain. I want a city's gases to smell like the golden belly hairs of the gods. And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.

Showing a photograph of a brain lit-up in a certain way, and claiming that this “explains” samadhi, is like showing a picture of a tree lit-up in a certain way, and claiming that this “explains” Christmas.

When I try to picture heaven, I see a place where it's always December, every radio station plays hair bands, and every time I check my pockets they're full of Hershey's Kisses. There's a Christmas parade on every street, every day is my birthday, and the sun always sets at 4:58 p.m.

We can _start_ making Christmas and Santa can finish up.

You've seen those pictures of couples kissing in front of a Christmas tree, or clasping hands on their wedding day, or holding a newborn baby between them-a snapshot of joy. But what do you really know about them? Just that at the second the shutter clicked, they loved each other. You have no idea what trials came before, or after. You don't know if one of them cheated, if they grew apart, if a divorce loomed on the horizon. You simply see that in one static moment, they were happy.

Harry arrived early in the Room of Requirement for the last DA meeting before the holidays and was very glad he had, because when the torches burst into flame he saw that Dobby had taken it upon himself to decorate the place for Christmas. He could tell the elf had done it, because nobody else would have strung a hundred golden baubles from the ceiling, each showing a picture of Harry's face and bearing the legend: 'HAVE A VERY HARRY CHRISTMAS!

[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.

To: Anna Oliphant From: Etienne St. Clair Subject: HAPPY CHRISTMAS Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco. To: Anna Oliphant From: Etienne St. Clair Subject: I forgot to tell you. Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled? To: Anna Oliphant From: Etienne St. Clair Subject: Are you awake yet? Wake up.Wake up wake up wake up. To: Etienne St. Clair From: Anna Oliphant Subject: re: Are you awake yet? I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me. P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo. To: Anna Oliphant From: Etienne St. Clair Subject: HAHAHA@ Was it a PROMISE RING? Did your father give you a PROMISE RING? To: Etienne St. Clair From: Anna Oliphant Subject: Re: HAHAHA! I am so not responding to that.

Don’t compare the insides of your marriage to the outsides of other people’s marriages. Pictures don’t tell the truth. Smiling faces on Christmas cards don’t reveal the pain behind the scenes. While your struggles are very personal and often very painful, but they are not unique.

Despite my incessant desperation, I simply cannot paint the perfect picture within which I would wish to live out my life. And because I cannot, God picked up the brush of love, positioned the canvas of history and painted a manger.

I took ten days off and by 11 o’clock on the first morning I had drunk fourteen cups of coffee, read all the newspapers and the Guardian and then… and then what? By lunchtime I was so bored that I decided to hang a few pictures. So I found a hammer, and later a man came to replaster the bits of wall I had demolished. Then I tried to fix the electric gates, which work only when there’s an omega in the month. So I went down the drive with a spanner, and later another man came to put them back together again. I was just about to start on the Aga, which had broken down on Christmas Eve, as they do, when my wife took me on one side by my earlobe and explained that builders do not, on the whole, spend their spare time writing, so writers should not build on their days off. It’s expensive and it can be dangerous, she said.

Giving, not getting, brings to full bloom the Christmas spirit. Enemies are forgiven, friends remembered, and God obeyed. The spirit of Christmas illuminates the picture window of the soul, and we look out upon the world’s busy life and become more interested in people than things. To catch the real meaning of the “spirit of Christmas,” we need only drop the last syllable, and it becomes the “Spirit of Christ.

I’m gathering Kylie thinks that all it takes to capture an image is to point and shoot. That’s what everyone thinks. But there’s a lot more to it. It’s taken me years to frame things correctly. People assume you can’t take good pictures on an iPhone, but they’re wrong. Some of my best shots are on the phone. They’re raw and simple, and most of the time no one knows you’re taking a picture. It’s much better than the thousand-dollar Nikon my dad got me for Christmas. I don’t think I’ve used it in months.

Thus Milton refines the question down to a matter of faith," said Coleridge, bringing the lecture to a close, "and a kind of faith more independent, autonomous - more truly strong, as a matter of fact - than the Puritans really sought. Faith, he tells us, is not an exotic bloom to be laboriously maintained by the exclusion of most aspects of the day to day world, nor a useful delusion to be supported by sophistries and half-truths like a child's belief in Father Christmas - not, in short, a prudently unregarded adherence to a constructed creed; but rather must be, if anything, a clear-eyed recognition of the patterns and tendencies, to be found in every piece of the world's fabric, which are the lineaments of God. This is why religion can only be advice and clarification, and cannot carry any spurs of enforcement - for only belief and behavior that is independently arrived at, and then chosen, can be praised or blamed. This being the case, it can be seen as a criminal abridgement of a person's rights willfully to keep him in ignorance of any facts - no piece can be judged inadmissible, for the more stones, both bright and dark, that are added to the mosaic, the clearer is our picture of God.

I don’t need to paint a picture of what I want my life to look like. What I need to do is to study the picture that God painted of me so that I can better understand how to live out the splendor of the painting.

Without knowing it he drew a very pleasant picture of an affectionate, happy family who lived unpretentiously in circumstances of moderate affluence at peace with themselves and the world and undisturbed by any fear that anything might happen to affect their security. The life he described lacked neither grace nor dignity; it was healthy and normal, and through its intellectual interests not entirely material; the persons who led it were simple and honest, neither ambitious nor envious, prepared to do their duty by the state and by their neighbors according to their lights; and there was in them neither harm nor malice. If Lydia saw how much of their good nature, their kindliness, their unpleasing self-complacency depended on the long-established and well-ordered prosperity of the country that had given them birth; if she had an inkling that, like children building castles on the sea sand, they might at any moment be swept away by a tidal wave, she allowed no sign of it to appear on her face.

Also," Bunty adds cheerfully, "how many cats did you have when you left?" "One," Annabel says, putting her hand over her face. "You have three now." Bunty swings hrt bag over her shoulder. "See you at Christmas, lovelies!" And my grandmother disappears as abruptly as she arrived.

My friend has never been to a picture show, nor does she intend to: "I'd rather hear you tell the story, Buddy. That way I can imagine it more. Besides, a person my age shouldn't squander their eyes. When the Lord comes, let me see him clear." In addition to never having seen a movie, she has never: eaten in a restaurant, traveled more than five miles from home, received or sent a telegram, read anything except funny papers and the Bible, worn cosmetics, cursed, wished someone harm, told a lie on purpose, let a hungry dog go hungry. Here are a few things she has done, does do: killed with a hoe the biggest rattlesnake ever seen in this county (sixteen rattles), dip snuff (secretly), tame hummingbirds (just try it) till they balance on her finger, tell ghost stories (we both believe in ghosts) so tingling they chill you in July, talk to herself, take walks in the rain, grow the prettiest japonicas in town, know the recipe for every sort of oldtime Indian cure, including a magical wart remover.

God’s will is a jigsaw puzzle. Until you put all the pieces together, you can’t see the whole picture

Wasn’t the whole world a magic picture which added to itself? For the world changed all the time. It was never completely finished.

I’m afraid the sleigh is wrecked,” said Santa, “and we do not have a spare!” “We must cancel Christmas,” he said; but his wife replied, “We must not dare!

And flowering all the year round, especially at Christmas—make your picture complete,' said he. 'No,

And for those like Norma and Macky, born and raised in the forties and fifties, it was such a drastic change from that era when everyone felt safe, and your only knowledge of the Middle East was a picture on a Christmas card of a bright star shining down on a peaceful manger, not the place full of hate and rage they saw daily on the television and read about in the newspapers.

Here she was at eight, with the chemistry set she’d begged for at Christmas. Her father was beside her in this one, showing her a picture of the periodic table, explaining how everything on earth, everything in the universe, even—people, starfish, cement, bicycles, and far-off planets—was made up of a combination of these elements. “Isn’t it amazing to think of, Ruthie?” he’d asked. Ruthie had found the idea that we were only a series of neatly constructed puzzle pieces or building blocks vaguely unsettling—even at eight, she wanted there to be more to it than that.

I've never been so tied to a place, to a person. Until you. But," she said when his eyes began to shutter, "it's the way I want it. I want to be tied to you." He studied her for a long moment and then his lips curved. "You're picturing it, aren't you," she said drily. "Me tied." "To my bed," he said on a low laugh. "Yeah, a little bit. But mostly I'm liking knowing that you're tied to my heart.

Who are they for? Friends. Not necessarily neighbor friends: indeed, the larger share is intended for persons we've met maybe once, perhaps not at all. People who've struck our fancy. Like President Roosevelt. Like the Reverend and Mrs. J. C. Lucey, Baptist missionaries to Borneo who lectured here last winter. Or the little knife grinder who comes through town twice a year. Or Abner Packer, the driver of the six o'clock bus from Mobile, who exchanges waves with us every day as he passes in a dust-cloud whoosh. Or the young Wistons, a California couple whose car one afternoon broke down outside the house and who spent a pleasant hour chatting with us on the porch (young Mr. Wiston snapped our picture, the only one we've ever had taken). Is it because my friend is shy with everyone except strangers that these strangers, and merest acquaintances, seem to us our truest friends? I think yes. Also, the scrapbooks we keep of thank-you's on White House stationery, time-to-time communications from California and Borneo, the knife grinder's penny post cards, make us feel connected to eventful worlds beyond the kitchen with its view of a sky that stops.

One important thing was not to forget what he hoped to achieve in life. Another important thing was not to confuse a romantic picture of himself—as a doctor in Africa, for example—with a real possibility. And he tried not to lose sight of the fact that he was an adult in an adult world, with responsibilities. This was not easy: he would find himself sitting in the sun cutting out paper stars for a Christmas tree at the very moment other men were working to support large families or representing their countries in foreign places. When in moments of difficult truth-seeking he saw this incongruity, he felt sick that he should be saddled with himself, as though he were his own unwanted guest.

First, I see her catch the scent. It's a combination of many things; the Christmas tree in the corner; the musty aroma of old house; orange and clove; ground coffee; hot milk; patchouli; cinnamon- and chocolate, of course; intoxicating, rich as Croesus, dark as death. She looks around, sees wall hangings, pictures, bells, ornaments, a dollhouse in the window, rugs on the floor- all in chrome yellow and fuchsia-pink and scarlet and gold and green and white. It's like an opium den in here, she almost says, then wonders at herself for being so fanciful. In fact she has never seen an opium den- unless it was in the pages of the Arabian Nights- but there's something about the place, she thinks. Something almost- magical.

He was aware that younger lads and even more tragically, some older lads, felt that the height of modern romance was sending a picture of your tackle to a lady, but he found the idea horrific. Bar anything else, he’d never considered that to be an attractive bit of kit. It looked like something you’d find in a butcher’s bin. If that made the top five list of your best features, then you needed to take a night class or learn to juggle or something, because you were not much of a catch.

NOW!” Ronan shouted as Wolf zipped past his parents and Santa. He caught the little boy at the end of Santa’s red carpet. “Did you get it?” he asked the photographer. “I did,” the man laughed. “It’s the best picture I’ve taken all day! He looks like Roadrunner dashing away from the coyote.

Don’t come crying to me when she makes you wear an ugly sweater at Christmas.” “I won’t cry because I’ll make sure you and I have matching ones, given to you publicly, so you can’t refuse. I’ll have Hayder take a picture, and I’ll post it on every social media site I find.” “You’re an evil king, Arik.

Don’t come crying to me when she makes you wear an ugly sweater at Christmas.” “I won’t cry because I’ll make sure you and I have matching ones, given to you publicly, so you can’t refuse. I’ll have Hayder take a picture, and I’ll post it on every social media site I find.” “You’re an evil king, Arik.” “Thank you.

Twenty-five or thirty words are supposed to be enough in a news bullet to explain either a war or an unusual set of Christmas lights. Bullets are cheap and full of big dramatic pictures. Some bullets are true virtuals that allow people to experience—safely—hurricanes, epidemics, fires, and mass murder. Hell of a kick.

Rosy’s mummy hands Franny a clear plastic bag full of reject biscuits, then Rosy holds her cheek out for Franny’s wet kiss. Rosy wipes the slime from her face and Franny cackles, then shows them both into the lounge. There on Franny’s coffee table is a biscuit tin with a Christmas picture on the lid. Proper shop-bought biscuits, not factory rejects. “Please, may I have a biscuit?” Rosy says. “Oh, there are no biscuits in that my darling,” Franny says, and pulls the tin from Rosy’s prying fingers. Franny holds open the bag of crumb-speckled chocolate digestives. “Help yourself, my wee hen.” Rosy settles for a reject. Franny puts the Christmas tin up high, way up high, way out of reach.

The lenses of telescopes and cameras can no more cover the breadth and scale of the visual array than language can cover the breadth and simultaneity of internal experience. Lenses enlarge the sight, omit its context, and make of it a pretty and sensible picture, like something on a Christmas card. I assure you, if you send any shepherds a Christmas card on which is printed a three-by-three photograph of the angel of the Lord, the glory of the Lord, and a multitude of the heavenly host, they will not be sore afraid. More fearsome things can come in envelopes. More moving photographs than those of the sun’s corona can appear in magazines. But I pray you will never see anything more awful in the sky.

Maybe I'll get you a painting for Christmas," I said. "We don't buy Christmas presents for each other," Edward said. We were both staring at the fireplace as if visualizing that make-believe fire. "Maybe I'll start. One of those big-eyed children or a clown on velvet." "I won't hang it if I don't like it." I glanced at him. "Unless it's from Donna." He was very still suddenly. "Yes." "Maybe I'll tell her how much you love those pictures of dogs playing poker and she can buy you some prints." "She wouldn't believe it," he said. "No, but I bet I could come up with something that she would believe that you'd hate just as much." He stared at me. "You wouldn't." "I might." "This sounds like the opening to blackmail. What do you want?

I am a bomb but I mean you no harm. That I still am here to tell this, is a miracle: I was deployed on May 15, 1957, but I didn’t go off because a British nuclear engineer, a young father, developed qualms after seeing pictures of native children marveling at the mushrooms in the sky, and sabotaged me. I could see why during that short drop before I hit the atoll: the island looks like god’s knuckles in a bathtub, the ocean is beautifully translucent, corals glow underwater, a dead city of bones, allowing a glimpse into a white netherworld. I met the water and fell a few feet into a chromatic cemetery. The longer I lie here, listening to my still functioning electronic innards, the more afraid I grow of detonating after all this time. I don’t share your gods, but I pray I shall die a silent death.

Patience! Patience! That’s what I learnt there. And I felt that above all the horror and misery and cruelty of the world, there was something that helped you to bear it, something that was greater and more important than all that, the spirit of man and the beauty he created. Is it really strange that that little picture I showed you this morning should mean so much to me?” To make the most of the fine

New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.

If we want to participate in this Advent and Christmas event, we cannot simply sit there like spectators in a theater and enjoy all the friendly pictures. Rather, we must join in the action that is taking place and be drawn into this reversal of all things ourselves. Here we too must act on the stage, for here the spectator is always a person acting in the drama. We cannot remove ourselves from the action.

Jimmy Stewart wrote to my father on December 31, 1946, “More important than anything, thank you for giving us that idea, which I think is the best one that anyone has had for a long time. It was an inspiration for everyone concerned with the picture to work in it, because everyone seemed to feel that the fundamental story was so sound and right, and that story was yours, and you should be justly proud of it.

The picture Sophie had made, sitting in a faded brown velvet dress at the table—her dark hair gathered sleekly at her nape, her soft voice a low caress in Vim’s mind as she’d spoken to the child—had been an image of heaven. And then the feel of her… No hesitance, no remonstrance for reappearing uninvited, nothing but her arms lashed around him in welcome, and those dangerous, wonderful words: I missed you. “These

Oh Come All Ye Faithful “Occum” Claus stood a head taller than most of the other men at the party.  Like most of his crazy family, he wore a Santa suit, only the coat of his outfit was missing, exposing suspenders and a sleeveless white tank top.  The man was heavily muscled and looked angry; a mixture of holiday cheer and a Navy SEAL having a really bad day.  He was the picture that went along with the headline “Christmas Nightmare” or “Crazed Santa Attacks Orphans with Fire Ax.

If we want to participate in this Advent and Christmas event, we cannot simply sit there like spectators in a theater and enjoy all the friendly pictures. Rather, we must join in the action that is taking place and be drawn into this reversal of all things ourselves. Here we too must act on the stage, for here the spectator is always a person acting in the drama. We cannot remove ourselves from the action. With whom, then, are we acting? Pious shepherds who are on their knees? Kings who bring their gifts? What is going on here, where Mary becomes the mother of God, where God comes into the world in the lowliness of the manger? World judgment and world redemption—that is what’s happening here. And it is the Christ child in the manger himself who holds world judgment and world redemption. He pushes back the high and mighty; he overturns the thrones of the powerful; he humbles the haughty; his arm exercises power over all the high and mighty; he lifts what is lowly, and makes it great and glorious in his mercy.

I take a picture of it with my mobile, then erase the board and lift it off the wall. My 7-year-old sister watches me do it. "I'm telling Mum," she says. "If you tell Mom, I'll block up all he chimneys so that Father Christmas cant get in" "You cant do that, there are too many chimneys," she countered "Not for me," I say. "I'm willing to put the time in" "He'll just come to the door." "Don't be an idiot, Mordelia, Father Christmas never comes to the door. And if he did, I would tell him he had the wrong house.

The streets of Bethlehem must have been crowded and bustling with activity at the time of that first Christmas. I can see it all now, can’t you? A rug dealer is held up by a shepherd driving his flock through the middle of town.” Cait smiled for the first time that morning, because she could easily picture the scene Joe was describing. “Then some furious woman, impatient to make it to the local camel merchant before closing, sticks her nose in the middle of everything and shouts at the rug dealer to get his show on the road.

I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.

I don’t know how I didn’t see it for so many years of Bible reading, but I didn’t.  Paul didn’t teach the Gentiles not to follow the law, he didn’t teach people not to have their sons circumcised (in fact he himself had Timothy circumcised in Acts 16:3).  And Paul himself kept the law.  Otherwise, James would have been telling Paul to lie about what he was doing.   So we traded Christmas for Sukkot, the true birth of Messiah during the Feast of Tabernacles, which is a shadow picture of Him coming back to reign for a thousand years.  When we keep that feast, we are making a declaration that we believe He was, is, and is coming.  We keep Yom Kippur, which is a declaration that we believe that Yeshua is the salvation of the nation of Israel as a whole, that “all Israel shall be saved.”  We keep Yom Teruah, the day of Trumpets, which occurs on “the day and hour that no man knows” at the sighting of the first sliver of the new moon during the 7th biblical month of Tishri.  We traded Pentecost for Shavuot, the prophetic shadow picture of the spirit being poured out on the assembly, as we see in the book of Acts,  just as the law was given at Mt Sinai to the assembly, which according to Stephen was the true birth of the church (Acts 7:38) – not in Jerusalem, but at Sinai. We also traded Easter for Passover, the shadow picture of Messiah coming to die to restore us to right standing with God, in order to obey Him when He said, “from now on, do this in remembrance of Me.”  We traded Resurrection Sunday for First Fruits, the feast which served as a shadow of Messiah rising up out of the earth and ascending to be presented as a holy offering to the Father.  In Leviticus 23, these are called the Feasts of the LORD, and were to be celebrated by His people Israel forever, not just the Jews, but all those who are in covenant with Him. Just like at Mt Sinai, the descendants of Jacob plus the mixed multitude who came out of Egypt.    We learned from I John 3:4 that sin is defined as transgression of the law.  I John 1:10 says that if we claim we do not sin we are liars, so sin still exists, and that was written long after the death of the other apostles, including Paul.  I read what Peter said about Paul in 2 Peter 3:15-16 – that his writings were hard to understand and easily twisted.  And I began to see that Peter was right because the more I understood what everyone besides Paul was saying, the more I realized that the only way I could justify what I had been doing was with Paul’s writings.  I couldn’t use Yeshua (Jesus), Moses, John, Peter or any of the others to back up any of the doctrines I was taught – I had to ignore Yeshua almost entirely, or take Him out of context.  I decided that Yeshua, and not Paul, died for me, so I had to

She found a small picture made entirely of feathers and was trying to decide whether it depicted a monkey climbing up the back of a man—or possibly a person climbing a flight of stairs or perhaps a cow next to a tree, when she saw a chess piece, sitting by itself on a small pedestal. It was the white queen, carved from ivory. She stood with a regal frown, her body shadowed by the enormous crown that bloomed on her head. The crown was a hollow sphere, exquisitely carved with open work, and when Jemma peered inside she saw inside another sphere, also open, and inside that, yet another.

Daniel." He looked up. "El-la.I was wondering if you'd catch me." He offered me a cigarette. I gave him a shame-on-you look;he grinned. "This is your band?" I asked. Visible piercings aside, no one looked like that went by the name Ax. "Nope,but I go to school with the lead's sister. Regular guy got food poisoning at a Christmas party last night.I've played with them before." "Weddings?" It wasn't quite how I'd pictured him performing. "Usually clubs, but the last one was a bar mitzvah. Musicians have to eat, too," he added, a little sharply. "Sorry." I wanted to wave the smoke away, but figured that might be adding insult to inury. "I thought you played the guitar." "Guitar, piano, a little violin, but badly, and I'll have to garrote you ith one of the strings if you tell anyone." That's the thing about Daniel. Obviously-the violin being a case in point-I don't know him very well,but he seems to hold a grudge for even less time than Frankie. "Secret's safe with me." He shrugged, telling me he didn't really care. Then, "Nice dress." "Just when I start liking you a litte.." He made his vampire-boy face. I could see why it usually worked. "You like me,Ella. Wanna do something when this is over?" "Tempting," I said. "No, I mean that. But no,thanks. I'm not at my best these days." "You're good," he said quietly, blowing out a stream of smoke. "You'll be fine." "Yeah." I shivered. It was bitter outside. "I should go in." "You should." The cold didn't seem to be bothering him at all, and he wasn't even wearing a jacket over his white dress shirt. I turned to go. "Oh, I think I figured it out, by the way." "Figured out what?" "The question.The one everyone should ask before getting involved with someone. Not 'Will he-slash-she make me happy?' but 'Does it bring out the best in me,being with him?'" "Him-slash-her," Daniel corrected, clearly amused. Then, "Nope. No way. Wasn't me who posed the question to you, Marino.I would never be so Emo." "Of course not.But it was one smart boy." I waved. "Hug Frankie for me." "Will do. Hey.Any requests for the band?" "'Don't Stop Believin'," I shot back. He rolled his eyes. "I'm curious, in that last song-are the words really 'I cut my chest wide open'?" "Yup.Followed by, "They come and watch us bleed.Is it art like I was hoping now?" Avett Brothers. Too gruesome for you?" "You have no idea," I told him. How much I get it.

I’m not telling you that so you’ll feel bad. I just think you need to understand the whole picture. I don’t ever put myself in a situation where I might get hurt.” She kicked at something invisible, her shoe leaving an imprint in the thin layer of freshly fallen snow. “I don’t like taking risks on anyone other than myself, and only then when I’ve done so much research it doesn’t feel risky anymore. I focus on the things I can control. I date guys I have no real interest in because I know they can’t hurt me. I’m perfectly content to spend my weekends working or reading or reading about my work.

Christmas,” said Robin, with a faint grin but without apology. “I was going to put it up yesterday, but after Leonora was charged I didn’t feel very festive. Anyway, I’ve got you an appointment to see her at six. You’ll need to take photo ID—” “Good work, thanks.” “—and I got you sandwiches and I thought you might like to see this,” she said. “Michael Fancourt’s given an interview about Quine.” She passed him a pack of cheese and pickle sandwiches and a copy of The Times, folded to the correct page. Strike lowered himself onto the farting leather sofa and ate while reading the article, which was adorned with a split photograph. On the left-hand side was a picture of Fancourt standing in front of an Elizabethan country house. Photographed from below, his head

The True-Blue American" Jeremiah Dickson was a true-blue American, For he was a little boy who understood America, for he felt that he must Think about everything; because that’s all there is to think about, Knowing immediately the intimacy of truth and comedy, Knowing intuitively how a sense of humor was a necessity For one and for all who live in America. Thus, natively, and Naturally when on an April Sunday in an ice cream parlor Jeremiah Was requested to choose between a chocolate sundae and a banana split He answered unhesitatingly, having no need to think of it Being a true-blue American, determined to continue as he began: Rejecting the either-or of Kierkegaard, and many another European; Refusing to accept alternatives, refusing to believe the choice of between; Rejecting selection; denying dilemma; electing absolute affirmation: knowing in his breast The infinite and the gold Of the endless frontier, the deathless West. “Both: I will have them both!” declared this true-blue American In Cambridge, Massachusetts, on an April Sunday, instructed By the great department stores, by the Five-and-Ten, Taught by Christmas, by the circus, by the vulgarity and grandeur of Niagara Falls and the Grand Canyon, Tutored by the grandeur, vulgarity, and infinite appetite gratified and Shining in the darkness, of the light On Saturdays at the double bills of the moon pictures, The consummation of the advertisements of the imagination of the light Which is as it was—the infinite belief in infinite hope—of Columbus, Barnum, Edison, and Jeremiah Dickson.

The truth was that during those three years he had made an imaginary picture of Amabelle in his own mind which had become, the longer he was away from home, the more unlike the real woman; until, on finding himself sitting with her, holding that first interview on which he had built so many hopes, he found himself sitting beside a stranger, and the image of Amabelle in his mind was shattered for ever. The things which he said to her then had little real meaning or conviction behind them. They were speeches which he had been rehearsing to himself for three years, and out of a sort of habit, a sort of loyalty to that self which had invented them, he repeated them to her. It was with no particular feeling, except perhaps that of relief, that he received in reply a final and definite refusal.

Of what subtle substance is the Fatherland then made, that it too can travel, emigrating with us in agreement with our vagrant fantasies or our forced exiles? However far our destiny may take us, it seems as if always a little of it kept company with us, exhaling its fragrance wherever we pitch our tent. Something familiar in the face of a stranger passing, a scrap of song caught in a gust of wind, the shadow of a tree, the fugitive emanation of a perfume—less yet, a detail, a meaningless trifle, a nothing—and something within us sounds a mysterious call; a sudden combination works upon our most intimate essence—eliminates all that is contrasting, groups all that frames into the loved picture of the distant Fatherland. The Breton soul lends itself more readily than any other to this mysterious work

Nikhilananda’s birthday. Maybe we’d Morris dance, naked, around the base of an old-growth California redwood, its branches lavishly festooned with the soiled hammocks and poop buckets of crunchy-granola tree sitters mentoring spotted owls in passive-resistance protest techniques. You get the picture. In place of Santa Claus, my mom and dad said Maya Angelou kept tabs on whether little children were naughty or nice. Dr. Angelou, they warned me, did her accounting on a long hemp scroll of names, and if I failed to turn my compost I’d be sent to bed with no algae. Me, I just wanted to know that someone wise and carbon neutral—Dr. Maya or Shirley Chisholm or Sean Penn—was paying attention. But none of that was really Christmas. And none of that Earth First! baloney helps out once you’re dead and you discover that the snake-handling,

What could be more subtle, for instance, than the instinct which had prompted her to hang on the walls of her drawing-room three paintings, all by Douanier Rousseau? Her guests, on coming into this room, were put at ease by the presence of pictures, and ‘modern’ pictures at that, which they could recognize at first sight. Faced by the work of Seurat, of Matisse, even of Renoir, who knows but that they might hesitate, the name of the artist not rising immediately to their lips? But at the sight of those fantastic foliages, those mouthing monkeys, there could arise no doubt; even the most uncultured could murmur: ‘What gorgeous Rousseaus you have here. I always think it is so wonderful that they were painted by a common customs official – abroad, of course.’ And buoyed up by a feeling of intellectual adequacy, they would thereafter really enjoy themselves.

Now that Kit was quiet and Sophie calmer, he could enjoy the pleasure of rocking a sleeping baby, even as he also enjoyed the picture of Sophie Windham, her hair a surprisingly long, dark braid over one shoulder, her natural form patently obvious through the soft flannel of her nightclothes. A woman’s feet were personal. A man might take possession of her hand, buss her cheek, slide her arm through his, take her in his arms for the space of a waltz, and otherwise admire her attributes, but he never, ever saw her feet. Nor she his. Vim glanced down at his own bare toes. I was out of bed before I quite woke up. Sophie’s words came back to him. Kit had them both trained, and Vim hadn’t even known the child a week. Thank God and all His angels Vim would be leaving in the morning. If he stayed much longer, no force on earth would be able to drag him away from Sophie or the baby. ***

He’d taken the dog home that night, just calling him the name of the product as a stopgap, even though I’d told my dad in no uncertain terms not to do this, in case the dog got attached to it. Which of course he did, so now we were stuck with it. And while my first instinct was to be mad about the fact that I hadn’t had a dog my whole childhood, and that my dad got one basically the second I was out of the house, I was just so won over by his cute face and high-pitched bark and whappy tail, it was impossible to be mad. The dog was so cute that with all the updates and pictures I was getting, it had taken all my self-control not to clean out my savings and book a flight home immediately to cuddle him. But my dad assured me that he would be there waiting for me when I came home for Christmas. And when I’d finally met him three days earlier, Zyrtec the dog had more than lived up to expectations.

I’m a Russian and all I know of Russia is what I’ve read. I yearn for the broad fields of golden corn and the forests of silver beech that I’ve read of in books and though I try and try, I can’t see them with my mind’s eye. I know Moscow from what I’ve seen of it at the cinema. I sometimes rack my brain to picture to myself a Russian village, the straggling village of log houses with their thatched roofs that you read about in Chekov, and it’s no good, I know that what I see isn’t that at all. I’m a Russian and I speak my native language worse than I speak English and French. When I read Tolstoi and Dostoievsky it is easier for me to read them in a translation. I’m just as much a foreigner to my own people as I am to the English and French. You who’ve got a home and a country, people who love you, people whose ways are your ways, whom you understand without knowing them—how can you tell what it is to belong nowhere?

It was a sledge, and it was reindeer with bells on their harness. But they were far bigger than the Witch’s reindeer, and they were not white but brown. And on the sledge sat a person whom everyone knew the moment they set eyes on him. He was a huge man in a bright red robe (bright as hollyberries) with a hood that had fur inside it and a great white beard that fell like a foamy waterfall over his chest. Everyone knew him because, though you see people of his sort only in Narnia, you see pictures of them and hear them talked about even in our world – the world on this side of the wardrobe door. But when you really see them in Narnia it is rather different. Some of the pictures of Father Christmas in our world make him look only funny and jolly. But now that the children actually stood looking at him they didn’t find it quite like that. He was so big, and so glad, and so real, that they all became quite still. They felt very glad, but also solemn.

Well,that all worked out nicely," Edward said from my hand. "Yup." I sat down and propped the postcard upright against my books. "Thanks." "Whatever for?" "Being real,I guess. I'm pretty sure this paper about your life will get me into NYU.Which,when you think about it, is a pretty great gift from a guy I've never met who's been dead for a hundred years." Edward smiled. It was nice to see. "My pleasure,darling girl. I must say, I like this spark of confidence in you." "About time,huh?" "Yes,well.Have you forgiven the Bainbridge boy?" "For...?" "For hiding you." "He wasn't.I was hiding me." I gave Edward a look before he could gloat. "Yeah,yeah. You've always been very wise. But this isn't really about my forgiving Alex,is it?" He had the grace to look a little embarrassed. "I suppose not. So?" "So.I think you were a good guy, Edward. I think you probably would have told everyone exactly how you felt about Marina of you could have.If she hadn't been married, maybe, or if you'd lived longer. I think maybe all the pictures of you did of her were your public delcaration. Whaddya think? Can I write that? Is it the truth?" "Oh,Ella." His face was sad again, just the way he'd cast it in bronze. But it was kinda bittersweet now, not as heartbroken. "I would give my right arm to be able to answer that for you.You know I would." "You don't have a right arm,Mr. Willing. Left,either." I picked up the card again. "Fuhgeddaboudit," I said to it. "I got this one covered." I tucked my Ravaged Man inside Collected Works. It would be there if I wanted it.Who knows. Maybe Edward Willing will come back into fashion someday,and maybe I'll fall for him all over again. In the meantime, I had another guy to deal with.I sat down in front of my computer.It took me thirty seconds to write the e-mail to Alex. Then it took a couple of hours-some staring, some pacing,an endless rehearsal dinner at Ralph's, and a TiVo'd Christmas special produced by Simon Cowell and Nigel Lythgoe with Nonna and popcorn-for me to hit Send.

On this side of eternity, Christmas is still a promise. Yes, the Savior has come, and with him peace on earth, but the story is not finished. Yes, there is peace in our hearts, but we long for peace in our world. Every Christmas is still a “turning of the page” until Jesus returns. Every December 25 marks another year that draws us closer to the fulfillment of the ages, that draws us closer to . . . home. When we realize that Jesus is the answer to our deepest longing, even Christmas longings, each Advent brings us closer to his glorious return to earth. When we see him as he is, King of kings and Lord of lords, that will be “Christmas” indeed! Talk about giving Christmas gifts! Just think of this abundance . . . You do not lack any spiritual gift as you eagerly wait for our Lord Jesus Christ to be revealed. (1 Cor. 1:7) And carols? You’re about to hear singing like you’ve never heard before. Listen . . . Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For the Lord our God, the Almighty, reigns.” (Rev. 19:6, nasb) Christmas choirs? Never was there a choir like the one about to be assembled . . . They held harps given them by God and sang . . . the song of the Lamb: “Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages.” (Rev. 15:2–3) True, Main Street in your town may be beautifully decorated for the season, but picture this . . . The twelve gates [of the city] were twelve pearls, each gate made of a single pearl. The great street of the city was of pure gold, like transparent glass. (Rev. 21:21) Oh, and yes, we love the glow of candles on a cold winter’s night and the twinkling of Christmas lights in the dark, but can you imagine this? There will be no more night. They will not need the light of a lamp or the light of the sun, for the Lord God will give them light. And they will reign for ever and ever. (Rev. 22:5) Heaven is about to happen. The celebration is about to burst on the scene. We stand tiptoe at the edge of eternity, ready to step into the new heaven and the new earth. And I can hardly wait.

My locker. The card is still there, a white patch of hope with my name on it. I tear it off and open it. Something falls to my feet. The card has a picture of two cutesy teddy bears sharing a pot of honey. I open it. 'Thanks for understanding. You're the sweetest!' It was signed with a purple pen. 'Good Luck!!! Heather.' I bend down to find what dropped from the card. It was the friendship necklace I had given Heather in a fit of insanity around Christmas. Stupid, stupid, stupid. How stupid could I be? I hear a crackling inside me, my ribs are collapsing in on my lungs, which is why I can't breathe. I stumble down the hall, down another hall, down another hall, till I find my very own door and slip inside and throw the lock, not even bothering to turn on the lights, just falling falling a mile downhill to the bottom of my brown chair, where I can ink my teeth into the soft white skin of my wrist and cry like the baby I am. I rock, thumping my head against the cinder-block wall. A half-forgotten holiday has unveiled every knife that sticks inside me, every cut. No Rachel, no Heather, not even a silly, geeky boy who would like the inside girl I think I am.

O Come, O Come, Emmanuel “T hey shall call his name Immanuel” (which means, God with us)” (Matthew 1:23 ESV). This is perhaps our oldest Christmas carol. Historians say its roots go back to the 8th century. In its earliest form, it was a “plain song” or a chant and the monks sang it a cappella. It was sung or chanted in Latin during the seven days leading up to Christmas. Translated into English by John Mason Neale in 1851, we sing it to the tune “Veni, Emmanuel,” a 15th-century melody. Many churches sing it early in the Advent season because of its plaintive tone of expectant waiting. Traditionally Advent centers on the Old Testament preparation for the coming of the Messiah who will establish his kingdom on the earth. When the words form a prayer that Christ will come and “ransom captive Israel,” we ought to remember the long years of Babylonian captivity. Each verse of this carol features a different Old Testament name or title of the coming Messiah: “O come, O come, Emmanuel.” “O come, Thou Wisdom from on high.” “O come, Thou Rod of Jesse.” “O come, Thou Day-spring.” “O come, Thou Key of David.” “O come, Thou Lord of Might.” “O come, Desire of Nations.” This carol assumes a high level of biblical literacy. That fact might argue against singing it today because so many churchgoers don’t have any idea what “Day-spring” means or they think Jesse refers to a wrestler or maybe to a reality TV star. But that argument works both ways. We ought to sing this carol and we ought to use it as a teaching tool. Sing it—and explain it! We can see the Jewish roots of this carol in the refrain: Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel. But Israel’s Messiah is also our Savior and Lord. What Israel was waiting for turns out to be the long-expected Jesus. So this carol rightly belongs to us as well. The first verse suggests the longing of the Jewish people waiting for Messiah to come: O come, O come, Emmanuel And ransom captive Israel That mourns in lonely exile here Until the Son of God appears The second verse pictures Christ redeeming us from hell and death: O come, Thou Rod of Jesse, free Thine own from Satan’s tyranny From depths of Hell Thy people save And give them victory o’er the grave This verse reminds us only Christ can take us home to heaven: O come, Thou Key of David, come, And open wide our heavenly home; Make safe the way that leads on high, And close the path to misery. Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel. Let’s listen as Selah captures the Jewish flavor of this carol. Lord, we pray today for all those lost in the darkness of sin. We pray for those who feel there is no hope. May the light of Jesus shine in their hearts today. Amen.

house with a great view. You’ll see that at the party tonight. Wish Char would be here for that, too, but we’ll all be together soon.” At least, Kate thought, Jack Lockwood, alias former father, would not be here tonight, so she could enjoy herself. Not only was she curious to see Grant Mason, but she also couldn’t wait to examine the Adena burial site she’d found on an old map in the university archives when she was back in the States at Christmas. The so-called Mason Mound was about twenty yards behind Grant’s house, and she was much more eager to see it than him. * * * The caterers Grant had hired from the upscale Lake Azure area had taken over the kitchen, and he didn’t want to disturb the setup for the buffet or the bar at the far end of the living room. So he sat in his favorite chair looking out over the back forest view through his massive picture window. The guests for the party he was throwing for his best friend, Gabe, and his fiancée, Tess, would be here soon—eighteen people, a nice number for mixing and chatting. He’d laid in champagne for toasts to the happy couple. Gabe and Grant had been best friends since elementary school, when a teacher had seated them in alphabetical order by first names. Grant had been the first to marry. Lacey had been his high-school sweetheart, head of the cheerleaders, prom queen to his king. How unoriginal—and what a disaster.

Dear Padfoot, Thank you, thank you, for Harry's birthday present! It was his favorite by far. One year old and already zooming along on a toy broomstick, he looked so pleased with himself. I'm enclosing a picture so you can see. You know it only rises about two feet off the ground, but he nearly killed the cat and he smashed a horrible vase Petunia sent me for Christmas (no complaints there). Of course, James thought it was so funny, says he's going to be a great Quidditch player, but we've had to pack away all the ornaments and make sure we don't take our eyes off him when he gets going. We had a very quiet birthday tea, just us and old Bathilda, who has always been sweet to us and who dotes on Harry. We were so sorry you couldn't come, but the Order's got to come first and Harry's not old enough to know it's his birthday anyway! James is getting a bit frustrated shut up here, he tries not to show it but I can tell — also, Dumbledore's still got his Invisibility Cloak, so no chance of little excursions. If you could visit, it would cheer him up so much. Wormy was here last weekend, I thought he seemed down, but that was probably the news about the McKinnons; I cried all evening when I heard. Bathilda drops in most days, she's a fascinating old thing with the most amazing stories about Dumbledore, I'm not sure he'd be pleased if he knew! I don't know how much to believe, actually, because it seems incredible that Dumbledore could ever have been friends with Gellert Grindelwald. I think her mind's going, personally! Lots of love, Lily

A Lake Charles-based artist, Sally was a progressive Democrat who in 2016 primary favored Bernie Sanders. Sally's very dear friend and worl-traveling flight attendant from Opelousas, Louisiana, Shirley was an enthusiast for the Tea Party and Donald Trump. Both woman had joined sororities at LSU. Each had married, had three children, lived in homes walking distance apart in Lake Charles, and had keys to each other's houses. Each loved the other's children. Shirley knew Sally's parents and even consulted Sally's mother when the two go to "fussing to much." They exchanged birthday and Christmas gifts and jointly scoured the newspaper for notices of upcoming cultural events they had, when they were neighbors in Lake Charles, attended together. One day when I was staying as Shirley's overnight guest in Opelousas, I noticed a watercolor picture hanging on the guestroom wall, which Sally had painted as a gift for Shirley's eleven-year-old daughter, who aspired to become a ballerina. With one pointed toe on a pudgy, pastel cloud, the other lifted high, the ballerina's head was encircled by yellow star-like butterflies. It was a loving picture of a child's dream--one that came true. Both women followed the news on TV--Sally through MSNBC's Rachel Maddow, and Shirley via Fox News's Charles Krauthammer, and each talked these different reports over with a like-minded husband. The two women talk by phone two or three times a week, and their grown children keep in touch, partly across the same politcal divide. While this book is not about the personal lives of these two women, it couldn't have been written without them both, and I believe that their friendship models what our country itself needs to forge: the capacity to connect across difference.

Tinker Bell, meanwhile, was drifting with purpose up to the highest leafy branches of the jungle. Her light glowed warmly off the leaves below, the droplets seeping off their thick veins, the sweet sap running down the trunks of the trees. It made the whole clearing look... Well, like it was touched by fairies, Wendy thought with a smile. All her life she had looked for fairies in more mundane places, experiencing a rush of hope and warmth whenever a scene even palely imitated the one before here now. Candles at Christmas, fireflies in the park, flickering lamps in teahouses. The sparkling leaded glass windows of a sweets shop on winter afternoons when dusk came at four. A febrile, glowing crisscross of threads on a rotten log her cousin had once shown her out in the country: fox fire, magical mushrooms. And here it was, for real! Tinker Bell was performing what appeared to be a slow and majestic dance. First, she moved to specific points in the air around her, perhaps north, south, east, and west, twirling a little at each stop. Then she flew back to the center and made a strange bowing motion, keeping her tiny feet daintily together and putting her arms out gracefully like a swan. As she completed each movement, fairy dust fell from her wings in glittering, languorous trails, hanging in the air just long enough to form shapes. She started the dance over again, faster this time. And again even faster. Her trail of sparkles almost resolved into a picture, crisscrossed lines constantly flowing slowly down like drips of luminous paint. Wendy felt a bit like John, overwhelmed with a desire to try to reduce and explain and thereby translate the magic. But she also felt a lot like Michael, with an almost overwhelming urge to break free from her hiding place and see it up close, to feel the sparkles on her nose, to run a hand through the sigils not for the purpose of destruction but form a hapless, joyful desire to be part of it all.

Owen couldn’t believe his luck. Candice Mayfair was the beautiful white wolf he’d seen that day so long ago. Not that she looked like a wolf right now. He only knew she was the wolf, unequivocally, because he recognized her scent. After the initial shock of seeing an unfamiliar and intriguing Arctic she-wolf, he’d gone after her. The whole pack had gone on a run that night, but they knew to stay far away from any campsite. He and the other guys had swum across the river to explore a bit. Cameron and his mate had stayed on the other side with the kids. He’d even swum back across the river to find her and discovered her scent had led right to one of the tents. Since she had moved into the tent, he knew she had to be one of their shifter kind. He’d even hung around the next day, waiting to catch a glimpse of her, but there were several women, and he had no idea which one had been her. Two blonds, a couple of brunettes, and a red-haired woman—none of whom looked like the picture he had of Clara Hart, though. Being a white wolf in summer had made it difficult to blend in, so he’d had to keep well out of sight. Candice Mayfair was definitely the author of the books on the website, though she didn’t look like the photo her uncle had of her, if she was Clara Hart. She had the same compelling eyes, different color, but they got his attention, grabbed hold, and wouldn’t let go. He carried her to her couch and set her down, staying close, his hand still on her arm until she seemed to regain her equilibrium. “The wolf pup was yours,” she accused, jerking her arm away from him. “Wolf pup?” “Yeah, wolf pup. Don’t pretend you don’t know about your own wolf pup.” Then all the pieces began to fall into place. Campers. Campfire. Food. Corey, the wolf pup she had to be referring to, hadn’t just found the food like they’d thought. Candice must not have been a wolf until that night. “You fed him? Corey? His mom wondered why he smelled of beef jerky that night. We thought he’d found some at the campsite. Don’t tell me…he bit you.

As the subject watches the movies, the MRI machine creates a 3-D image of the blood flow within the brain. The MRI image looks like a vast collection of thirty thousand dots, or voxels. Each voxel represents a pinpoint of neural energy, and the color of the dot corresponds to the intensity of the signal and blood flow. Red dots represent points of large neural activity, while blue dots represent points of less activity. (The final image looks very much like thousands of Christmas lights in the shape of the brain. Immediately you can see that the brain is concentrating most of its mental energy in the visual cortex, which is located at the back of the brain, while watching these videos.) Gallant’s MRI machine is so powerful it can identify two to three hundred distinct regions of the brain and, on average, can take snapshots that have one hundred dots per region of the brain. (One goal for future generations of MRI technology is to provide an even sharper resolution by increasing the number of dots per region of the brain.) At first, this 3-D collection of colored dots looks like gibberish. But after years of research, Dr. Gallant and his colleagues have developed a mathematical formula that begins to find relationships between certain features of a picture (edges, textures, intensity, etc.) and the MRI voxels. For example, if you look at a boundary, you’ll notice it’s a region separating lighter and darker areas, and hence the edge generates a certain pattern of voxels. By having subject after subject view such a large library of movie clips, this mathematical formula is refined, allowing the computer to analyze how all sorts of images are converted into MRI voxels. Eventually the scientists were able to ascertain a direct correlation between certain MRI patterns of voxels and features within each picture. At this point, the subject is then shown another movie trailer. The computer analyzes the voxels generated during this viewing and re-creates a rough approximation of the original image. (The computer selects images from one hundred movie clips that most closely resemble the one that the subject just saw and then merges images to create a close approximation.) In this way, the computer is able to create a fuzzy video of the visual imagery going through your mind. Dr. Gallant’s mathematical formula is so versatile that it can take a collection of MRI voxels and convert it into a picture, or it can do the reverse, taking a picture and then converting it to MRI voxels. I had a chance to view the video created by Dr. Gallant’s group, and it was very impressive. Watching it was like viewing a movie with faces, animals, street scenes, and buildings through dark glasses. Although you could not see the details within each face or animal, you could clearly identify the kind of object you were seeing. Not only can this program decode what you are looking at, it can also decode imaginary images circulating in your head.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,

It didn’t take peering at the brass plates at the bottom of the paintings to guess who they must have been: my very own Lord and Lady Uppington, presiding over Uppington Hall in paint as they once had in the flesh. One could almost picture them stepping out of their frames to play host, sweeping aside the tourists and signaling the silent harp into song. The re-enactors were all wrong; from their costumes, they were late Regency, 1820 or so, rather than the pre-Regency period in which I was interested. There was a wide gap between the two, in style and in outlook. But the servants would probably have looked very much the same, in their livery in the Uppington colors, and so would the pre-Victorian Christmas decorations. If I ignored the “party guests” and the other tourists, it was just possible to picture what it might have been like two hundred years ago, when Lord and Lady Uppington had held Christmas at the family seat. I paused, struck by the symmetry of it. It would have been almost exactly two hundred years ago, wouldn’t it? December 1803 to December 2003. It would have been Colin’s ancestors’ first Christmas together after the mad upheaval of their marriage the previous spring. There would have been candles, just as there were now, and the smell of oranges and cloves. There would have been gaily gowned ladies and excited children and tables laden with ratafia biscuits and dried fruit and the inevitable sticky sweet slices of mince pie….

You seem awfully concerned about this guy,” Jeoff stated. “More than a disobedient lone wolf merits. Has he hurt someone in the pride?” “In a sense. He threatens my mate.” That was one way to stun an opponent. “You? Mated? You have my condolences.” Arik frowned. “What’s that supposed to mean?” “It’s always sad when a man gets shackled to a ball and chain. Next thing you know, you’ll be taking ballroom fucking dancing, calling everything ‘ours’, losing your closet to shoes, and having to watch romantic comedies instead of going to the bar with the boys.” “I’ll also be having incredible sex multiple times a day.” “You could have had that without having her shackle you.” “I’m the one who claimed her.” “Why? Why would you do that?” Jeoff shook his head. “Don’t come crying to me when she makes you wear an ugly sweater at Christmas.” “I won’t cry because I’ll make sure you and I have matching ones, given to you publicly, so you can’t refuse. I’ll have Hayder take a picture, and I’ll post it on every social media site I find.” “You’re an evil king, Arik.” “Thank you.” He couldn’t help a smug smile.

It was almost Christmas, and a Santa Claus in a vacant lot was offering to appear in pictures for five dollars. The trim on his suit was mangy, as if it had been dug out of a dumpster, yet young mothers queued ten deep on the sidewalk, holding the hands of kids waiting to get in.

A prison cell, in which one waits, hopes . . . and is completely dependent on the fact that the door of freedom has to be opened from the outside, is not a bad picture of Advent. DIETRICH BONHOEFFER

I asked what you think I should get Katie for Christmas.” He’d lost almost as much sleep worrying about that as he’d lost to picturing her naked. “A vibrator, since you’re too chickenshit to get the job done yourself.” Josh’s jaw dropped, and then he closed his mouth with a snap. “I can’t believe you just said that.

Serge,” said Coleman. “Are we shopping?” “No, I just love coming to the mall at Christmas, digging how stores tap into the whole holiday spirit, especially the bookstores with their special bargain displays.” “Displays?” asked Coleman. “Big ones near the front,” said Serge. “If you want to show someone you put absolutely zero thought into their gift, you buy a giant picture book about steam locomotives, ceramic thimbles, or Scotland.” “But why are we wearing elf suits?” “To spread good cheer.” “What for?” “Because of the War on Christmas.” “Who started the war?” asked Coleman. “Ironically, the very people who coined the term and claim others started the war. They’re upset that people of different faiths, along with the coexistence crowd who respect those faiths, are saying ‘Season’s Greetings’ and ‘Happy Holidays.’ But nobody’s stopping anyone from saying ‘Merry Christmas.’ ” “And they’re still mad?” Serge shrugged. “It’s the new holiness: Tolerance can’t be tolerated. So they hijack the birth of Jesus as a weapon to start quarrels and order people around. Christmas should be about the innocence of children—and adults reverting to children to rediscover their innocence. That’s why we’re in elf suits. We’re taking Christmas back!

The whole place smells of dried flowers and burnt egg, and there isn’t a nail or picture hook in the entire hotel that doesn’t have a few dusty sprigs of old Christmas tinsel caught on it all year round.

The Bombay Chronicle asked Mohandas Gandhi what he thought of the fact that the United States was now in the war. It was December 20, 1941. 'I cannot welcome this entry of America,' Gandhi said. 'By her territorial vastness, amazing energy, unrivalled financial status and owing to the composite character of her people she is the one country which could have saved the world from the unthinkable butchery that is going on.' Now, he said, there was no powerful nation left to mediate and bring about the peace that all peoples wanted. 'It is a strange phenomenon,' he said, 'that the human wish is paralysed by the creeping effect of the war fever.' Churchill wrote a memo to the chiefs of staff on the future conduct of the war. 'The burning of Japanese cities by incendiary bombs will bring home in a most effective way to the people of Japan the dangers of the course to which they have committed themselves,' he wrote. It was December 20, 1941. Life Magazine published an article on how to tell a Japanese person from a Chinese person. It was December 22, 1941. Chinese people have finely bridged noses and parchment-yellow skin, and they are relatively tall and slenderly built, the article said. Japanese people, on the other hand, have pug noses and squat builds, betraying their aboriginal ancestry. 'The modern Jap is the descendant of Mongoloids who invaded the Japanese archipelago back in the mists of prehistory, and of the native aborigines who possessed the islands before them, Life explained. The picture next to the article was of the Japanese premier, Hideki Tojo. In the Lodz ghetto, trucks began taking the Gypsies away. They went to Chelmno, the new death camp, where they were killed with exhaust gases and buried. It was just before Christmas 1941.

Create an “Inner Child” Map. Adults have a different way of viewing things compared to a child, and this activity is a kind of bridge between how you think now as an adult and your inner child. Adults usually prefer to create organizers or charts in order to plan or understand something. This time you will be creating an organizer, more specifically called a semantic map, that can help you discover your inner child. To create an “inner child” map, you can get a picture of yourself as a child, probably around the age of 7 or 8. If you do not have any pictures, then you can simply draw yourself when you were in that age. Place the picture or the drawing at the center of a piece of paper, with enough room for scribbles all around it. Then, begin recalling as much as you can all of the phrases or words that you can associate with this child version of you. Brainstorm on everything, such as your favorite color back then, the gifts that you wanted for Christmas, your nickname, your favorite movie, the book that you kept reading over and over again with a flashlight under your blanket, an imaginary friend, or the silly urban legends that you used to believe in. Once you have finished your “inner child map” you are so much closer to discovering him or her, if you haven’t already.

Are you embarrassed to be seen with an elf in public?”   He smiled and said, “No miss, but I was thinking about what a picture an elf having lunch with a chauffeur might present.

Aruvi headed to the ice cream shop and got wooden sticks. She could glue these together to make beautiful Christmas stars

What is oinkiness?" asked Cardinal Bird Oh, don't you know? You haven't heard? said The Owl who was kind and wise, When you meet The Moon Pig you'll be surprised ... Luna has oinkiness and has it lots! You've either got it or you have not!

There was a picture of Blair, white teeth gleaming, looking fit in a red jumper and a hat, sitting next to a huge Christmas tree surrounded by cheery multicultural children.

Brit: OH MY GOD. Tyler. It’s a woman, isn’t it? You’re dating someone! Who is she? What’s her name? When do we get to meet her? Are you bringing her home for Christmas? Is she a bunny, or is she someone else? Wait! Wait! Are you dating one of your teammates’ sisters? OH MY GOD. You’re dating the coach’s daughter and you’re trying to make a good impression, aren’t you? Tyler: *picture of a skinny white guy with big glasses* Haha! Psych. I stole this phone. This is me. I’m Bernard. You guys sound like fun. Will you adopt me? I’ll send you my real number. Dad: That’s a funny Grand Canyon of a vagina, Tyler, my favorite son, god of the sun and moon, he who bangs best. Dad: Grand Canyon of a vagina. Dad: WHO CHANGED MY PHONE TO INSULT YOUR YO-YO MA’S SEX TAPE? Dad: BEEEEEEEEEEEP. Keely: OMG, I’m wheezing. Allie: My favorite part of this is that Tyler’s going to get blamed for changing the autocorrect setting in Dad’s phone. Again. Brit: I can’t believe no one changed “joke” in his phone before now. Dad: I CAN STILL SEE YOUR MESSAGES.

It looks like a hand,” he remarked. “But, if you say so, I’m quite prepared to admit that it’s a cubist picture of Sunset at the North Pole.

A rhyming Nativity narrative. "The donkey who carried Mary to the Nativity calmly focuses on feelings of wonderment surrounding the child’s birth. With huge eyes...the little donkey is utterly adorable. Lines like “a bit of tingle-my-toes. / That’s how the evergreen / smelled to me, / a bit of fresh pine to my nose” offer opportunities for caregivers to extend the reading to sensory activities, though the scent of pine doesn’t seem historically accurate. An uncluttered stable features friendly, curious barn animals that greet baby Jesus along with the three Wise Men. Told in verse, the tale evokes a tender, pleasant mood. ...“I lifted my head / above His hay bed // …and sang of this morning of grace.” Jesus, referred to as “the Baby” and “the Babe,” is tan-skinned, as are his parents. Two of the Wise Men are light-skinned, while one is darker-skinned. A gentle, spare tale, part bedtime story, part Christmas fare. (Picture book. 2-5)" Kirkus Reviews

According to the Taliban penal code, “unclean” things were banned—an all-purpose category that included pork, pig, pig oil, anything made from human hair, satellite dishes, cinematography, any equipment that produces the joy of music, pool tables, chess, masks, alcohol, tapes, computers, VCRs, televisions, anything that propagates sex and is full of music, wine, lobster, nail polish, firecrackers, statues, sewing catalogues, pictures, Christmas cards.

It was give to me,” said Vira. “It came off a Christmas-tree. They had a Christmas-tree down in that great building on the corner of Bond Street, and I peeked in and saw it. They had dolls, and mugs, and things—and this picture. There was two ladies there, and they called to me to come in and pick out what I would like. They said I could have one thing for my truly own, to carry home; and I picked this out in a hurry. They didn’t want me to have it exactly, I guess. They tried to make me take a doll, or a mug, or something, but I stuck to it. They said I could have anything I wanted, so I stuck to this. Ain’t it a beauty, ma? I’ve wanted a picture with words on it ever so long, and I have got it.

I should put reindeer on our Christmas menu,’ I mused out loud. ‘Can you picture it? All those crying kids, wondering if that’s a chunk of Rudolph or Blitzen lying on their plate?’ ‘I take it you don’t have children,’ observed Zamir.

PEARL AND SIR ORFEO* THE FATHER CHRISTMAS LETTERS THE SILMARILLION* PICTURES BY J.R.R. TOLKIEN* UNFINISHED TALES* THE LETTERS OF J.R.R. TOLKIEN* FINN AND HENGEST MR BLISS THE MONSTERS AND THE CRITICS & OTHER ESSAYS* ROVERANDOM THE CHILDREN OF HÚRIN* THE LEGEND OF SIGURD AND GUDRÚN* THE FALL OF ARTHUR* BEOWULF: A TRANSLATION AND COMMENTARY* THE STORY OF KULLERVO THE LAY OF AOTROU & ITROUN

Tolkien THE HOBBIT LEAF BY NIGGLE ON FAIRY-STORIES FARMER GILES OF HAM THE HOMECOMING OF BEORHTNOTH THE LORD OF THE RINGS THE ADVENTURES OF TOM BOMBADIL THE ROAD GOES EVER ON (WITH DONALD SWANN) SMITH OF WOOTTON MAJOR WORKS PUBLISHED POSTHUMOUSLY SIR GAWAIN AND THE GREEN KNIGHT, PEARL AND SIR ORFEO* THE FATHER CHRISTMAS LETTERS THE SILMARILLION* PICTURES BY J.R.R. TOLKIEN* UNFINISHED TALES* THE LETTERS OF J.R.R. TOLKIEN* FINN AND HENGEST MR BLISS THE MONSTERS AND THE CRITICS & OTHER ESSAYS* ROVERANDOM THE CHILDREN OF HÚRIN* THE LEGEND OF SIGURD AND GUDRÚN* THE FALL OF ARTHUR* BEOWULF: A TRANSLATION AND COMMENTARY* THE STORY OF KULLERVO THE LAY OF AOTROU & ITROUN BEREN AND LÚTHIEN* THE FALL OF GONDOLIN* THE NATURE OF MIDDLE-EARTH THE HISTORY OF MIDDLE-EARTH – BY CHRISTOPHER TOLKIEN ​I THE BOOK OF LOST TALES, PART ONE ​II THE BOOK OF LOST TALES, PART TWO ​III THE LAYS OF BELERIAND ​IV THE SHAPING OF MIDDLE-EARTH ​V THE LOST ROAD AND OTHER WRITINGS ​VI THE RETURN OF THE SHADOW ​VII THE TREASON OF ISENGARD VIII THE WAR OF THE RING ​IX SAURON DEFEATED ​X MORGOTH’S RING ​XI THE WAR OF THE JEWELS ​XI THE PEOPLES OF MIDDLE-EARTH

as Audrius refilled the glasses. “Act one, scene one of The Nutcracker.” “Tchaikovsky!” the German guffawed. “You laugh, mein Herr. And yet, I would wager a thousand crowns that you can picture it yourself. On Christmas Eve, having celebrated with family and friends in a room dressed with garlands, Clara sleeps soundly on the floor with her magnificent new toy. But at the stroke of midnight, with the one-eyed Drosselmeyer perched on the grandfather clock like an owl, the Christmas tree begins to grow. . . .

A dandy," wrote Charles Baudelaire, "must be looking in his mirror at all times, waking and sleeping." Dali could easily have become the living proof of Baudelaire's dictum. But the literal mirror was not enough for him. Dali needed mirrors of many kinds: his pictures, his admirers, newspapers and magazines and television. And even that still left him unsatisfied. So one Christmas he took a walk in the streets of New York carrying a bell. He would ring it whenever he felt people were not paying enough attention to him. "The thought of not being recognised was unbearable." True to himself to the bitter end, he delighted in following Catalonian television's bulletins on his state of health during his last days alive (in Quiron hospital in Barcelona); he wanted to hear people talking about him, and he also wanted to know whether his health would revive or whether he would be dying soon. At the age of six he wanted to be a female cook - he specified the gender. At seven he wanted to be Napoleon. "Ever since, my ambition has been continually on the increase, as has my megalomania: now all I want to be is Salvador Dali. But the closer I get to my goal, the further Salvador Dali drifts away from me." He painted his first picture in 1910 at the age of six. At ten he discovered Impressionist art, and at fourteen the Pompiers (a 19th century group of academic genre painters, among them Meissonier, Detaille and Moreau). By 1927 he was Dali, and the poet and playwright Federico Garcia Lorca, a friend of his youth, wrote an 'Ode to Salvador Dali.' Years later Dali claimed that Lorca had been very attracted to him and had tride to sodomize him, but had not quite managed it. Dali's thirst for scandal was unquenchable. His parents had named him Salvador "because he was the chosen one who was come to save painting from the" deadly menace of abstract art, academic Surrealism, Dadaism, and any kind of anarchic "ism" whatsoever." If he had lived during the Renaissance, his genius would have been recognized at an earlier stage and indeed considered normal. But in the twentieth century, which Dali damned as stupid, he was thought provocative, a thorn in the flesh. To this day there are many who misunderstand the provocativeness and label him insane. But Dali repeatedly declared: "... the sole difference between me and a madman is the fact that I am not mad!" Dali also said: "The difference between the Surrealists and me is that I am a Surrealist" - which is perfectly true. And he also claimed: "I have the universal curiosity of Renaissance men, and my mental jaws are constantly at work.

Those who dream at night, in the dusty recesses of their minds, wake in the day to find that all was vanity. But the dreamers of the day are dangerous men, for they may act their dreams with open eyes and make it possible. T E Lawrence. "Lawrence of Arabia

He was steps away from the revolving doors when he came to a stop. He hadn't looked at window displays the other times he'd been to the store. Not once. But here were crowds of people admiring them, pointing, taking pictures and raving. Children rushed from one window to another. They jumped up and down. There was so much joy and happiness around him. You could feel it in the air. For a moment, he allowed himself to simply soak it up. To drink it in. He'd been missing out on this because he'd decided as a young boy that it wasn't meant for him. (Chapter 12).