Chris Wood Quotes

We've searched our database for all the quotes and captions related to Chris Wood. Here they are! All 100 of them:

Some of us are born in the right place, and some of us have to go look for it.
Chris Wooding (Poison)
Cynicism was a one-way path, and once taken the way back was lost forever.
Chris Wooding (Poison)
Don't confuse contentment with happiness...
Chris Wooding
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
I just wanted them to die," said Poison. "They didn't have to make such a drama about it.
Chris Wooding (Poison)
If there was one thing worse than being cheated, it was being cheated by someone who referred to themselves in the third person.
Chris Wooding (The Iron Jackal (Tales of the Ketty Jay, #3))
Not for the first time, he wished he commanded a highly trained bunch of soldiers instead of a ragtag mob of rejects in varying stages of alcoholism.
Chris Wooding (The Black Lung Captain (Tales of the Ketty Jay, #2))
Poison." he said, deadpan. "That's an unusual name to give your child. You must love her very much." She's a treasure." Bram agreed, blithely ignoing the sarcasm. .... Then went a few dozen feet in silence, until they were out of eaarshor of the gaurd. She's a treasure." Poison mimicked, and Bram burst out laughing.
Chris Wooding (Poison)
Imagination is as close as we will ever be to godhead . . . for in imagination, we can create wonders.
Chris Wooding (Poison)
Well, wherever you go, whatever you do, you're still you. You can change your surroundings, start a new life, but you'll always fall into the same old patterns, make the same kind of friends, commit the same mistakes. The thing you need to change is yourself.
Chris Wooding (The Black Lung Captain (Tales of the Ketty Jay, #2))
Then a person has only one tale?” No, some have two or three separate ones or more,” Fleet said. “Some people have many tales. Sometimes they are linked into one big tale, sometimes they are utterly distinct. Most people do not have one at all.
Chris Wooding (Poison)
Once upon a time there was a young lady who lived in a marsh, and her name was Poison.
Chris Wooding (Poison)
Ladies, gentlemen, we're out of here! Your boss is upstairs, and only mildly wounded. Go help him if you have the inclination. You'll also notice the house is on fire. Make of that what you like.
Chris Wooding (Retribution Falls (Tales of the Ketty Jay, #1))
Things just seem so much better in theory than in practice.
Chris Wooding (The Black Lung Captain (Tales of the Ketty Jay, #2))
But time has a way of stealthily deciding a person’s mind without her conscious knowledge, and as she studied and procrastinated, Poison found one day that she had come to know her choice.
Chris Wooding (Poison)
Sometimes I don't think I've done anything to leave my mark in this world. I'm the kind of person the world leaves a mark on.
Chris Offutt (Out of the Woods)
How was is that life never worked out the way it did in his head?
Chris Wooding (The Black Lung Captain (Tales of the Ketty Jay, #2))
On reflection,’ Crake said to Frey, as they huddled behind an upturned table, ‘this wasn’t one of your better plans.
Chris Wooding (The Iron Jackal (Tales of the Ketty Jay, #3))
Ain't no deserving, or otherwise,' Silo said, his bass voice rolling out from deep in his chest. 'There's what is, and what ain't, and there's what you do about it. Regret's just a way to make you feel okay when you're not making amends. A man can waste a life with regrets.
Chris Wooding (Retribution Falls (Tales of the Ketty Jay, #1))
They were happy, and free, and the endless sky awaited them. It was enough.
Chris Wooding (Retribution Falls (Tales of the Ketty Jay, #1))
Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it. —Flannery O’Connor,
Chris Offutt (Out of the Woods)
Pinn just won a medal for intelligence,' Frey said, shaking his head as he clapped. 'I don't want to live on this planet any more.
Chris Wooding (The Ace of Skulls (Tales of the Ketty Jay, #4))
Every day, a person should learn something, experience something, do something that left them changed, even in a small way.
Chris Wooding (The Ember Blade (The Darkwater Legacy, #1))
We may seem the weakest and most insignificant of all the Realms, but our strength comes in other ways. We have what no other race has: imagination. Any one of us, even the lowliest, can create worlds within ourselves; we can people them with the most extraordinary creatures, the most amazing inventions, the most incredible things. We can live in those worlds ourselves, if we choose; and in our own worlds, we can be as we want to be. Imagination is as close as we will ever be to godhead, Poison, for in imagination, we can create wonders.
Chris Wooding (Poison)
No, I’m a vampire.” Matthew stepped forward, joining Chris under the projector’s light. “And before you ask, I can go outside during the day and my hair won’t catch fire in the sunlight. I’m Catholic and have a crucifix. When I sleep, which is not often, I prefer a bed to a coffin. If you try to stake me, the wood will likely splinter before it enters my skin.” He bared his teeth. “No fangs either. And one last thing: I do not, nor have I ever, sparkled.” Matthew’s face darkened to emphasize the point. I
Deborah Harkness (The Book of Life (All Souls Trilogy, #3))
Trudging off into a swamp in the middle of the night had seemed like a god idea at the time but, like most of Frey's ideas, the reality fell short of the concept.
Chris Wooding (The Ace of Skulls (Tales of the Ketty Jay, #4))
The books were legends and tales, stories from all over the Realm. These she had devoured voraciously – so voraciously, in fact, that she started to become fatigued by them. It was possible to have too much of a good thing, she reflected. “They’re all the same,” she complained to Fleet one night. “The soldier rescues the maiden and they fall in love. The fool outwits the wicked king. There are always three brothers or sisters, and it’s always the youngest who succeeds after the first two fail. Always be kind to beggars, for they always have a secret; never trust a unicorn. If you answer somebody’s riddle they always either kill themselves or have to do what you say. They’re all the same, and they’re all ridiculous! That isn’t what life is like!” Fleet had nodded sagely and puffed on his hookah. “Well, of course that’s not what life is like. Except the bit about unicorns – they’ll eat your guts as soon as look at you. those things in there” – he tapped the book she was carrying – “they’re simple stories. Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.
Chris Wooding (Poison)
Real life is a story too, only much more complicated...the world is a library and you'll never get to read the same book twice.
Chris Wooding
You alright?’ Frey asked him. Crake gave him an accusing glare. ‘I thought I’d given up all dignity long ago when I joined this crew,’ he said. ‘But this? This is a new low, Frey.’ ‘It’s character-building,’ said Frey.
Chris Wooding (The Ace of Skulls (Tales of the Ketty Jay, #4))
Nothing's bigger than me!" Frey shouted back. "Me is all I've got.
Chris Wooding (The Ace of Skulls (Tales of the Ketty Jay, #4))
My time in the woods is time spent with a tutor on how to live.
Chris Matakas (My Mastery: Continued Education Through Jiu Jitsu)
Spit and blood!
Chris Wooding
it occurred to him that time didn't move forward as he'd always thought. People move through time instead.
Chris Offutt (Out of the Woods)
The cakes and pies and casseroles beckoned like gastronomic sirens, and there was no one to lash me to the mast.
Chris Fabry (The Promise of Jesse Woods)
But a man who values nothing is hardly alive at all.
Chris Wooding (The Ember Blade (The Darkwater Legacy, #1))
She was spared the slow, steady droplets of blood that began to spatter the beds, drip, drip, drip, painting the white sheets in shocked flowers of red
Chris Wooding
The Ketty Jay was staffed with drunkards and drifters, all of them running from something -- whether it be memories or enemies or the drudgery of land-bound life -- but since Yortland they'd been running in the same direction. United by that common purpose, they'd begun to turn into something resembling a crew. And Frey had begun to turn into something resembling a captain.
Chris Wooding (Retribution Falls (Tales of the Ketty Jay, #1))
You can’t tell half a tale, Poison. You can’t write half a book. Whatever you choose to do next will completely change the aspect of what has gone before. if you decided to suddenly kill your friends as they slept –“ Why would I do that?” Poison interjected. Bear with me,” Fleet said patiently. “If you did, then the tale would take on a whole new light. Instead of being the journey of Poison from Gull to save her sister, it would be the terrible story of how a young girl became a cold-blooded killer. They way it would be written would be different. Do you see? Or you might die right now, and it would turn out that it wasn’t your tale all along it was Bram’s or Peppercorn’s, and you were just one of the sideline characters. The whole story has to be known before it can be recorded; otherwise it might suddenly change. That’s the beauty, Poison. You never know what’s going to happen next. When the tale is ended, then the writing will be visible to your eyes; until then it is unwritten.
Chris Wooding (Poison)
They believe all connections are temporary, so to cling to them makes no sense. When someone is gone, they're gone. Live for now; the present is all there is. You can't know what will happen next, so why worry? Consequences are natural and.inevitable. just do what you feel you must.
Chris Wooding (The Fade)
Everything you write makes you better. But if you really need a tip, here’s one: a good story begins in opposition to its ending. That means you work out how it finishes first, and then begin the story as far away from that point.
Chris Wooding
I'd love to see the Iron Jackal's face when he finds out I'm already dead," he said with half a grin. "Now that's irony." "No it ain't, Cap'n. It's just some shit that happened.
Chris Wooding (The Iron Jackal (Tales of the Ketty Jay, #3))
You can't teach kindness with a whip, Janus.
Chris Lester (Whispers in the Wood (Metamor City, #6))
Schroen’s men had carried in $ 10 million in boxed cash. They handed out bundles like candy on Halloween. Schroen had recruited onto his team Chris Wood, the Dari-speaking case officer who had worked the Taliban account out of Islamabad. Wood ran the day-to-day intelligence reporting at the joint cell, collecting and synthesizing field radio reports about Taliban and Al Qaeda positions and movements.
Steve Coll (Directorate S: The C.I.A. and America's Secret Wars in Afghanistan and Pakistan, 2001-2016)
Our heroes have arrived, then," the stranger said, his voice a soft, bubbly murmur. "Excuse me?" Poison queries. The odd creature put down his rod in a little wooden cradle that rested next to him and got up from the edge of the jetty. He looked them over with his vast, yellowish eyes. "Hmm," he said gloomily. "You don't seem a bad bunch." He jostled past them and began to shuffle back towards his house. "At least you're not the typical muscle-bound warrior, beautiful sorceress, and amusing thief sidekick. By the waters, did that become stale fast.
Chris Wooding (Poison)
More prized by his parents than good grades, Chris mentioned, was “Yankee ingenuity”—putting your smarts to work. “It’s better to be tough than strong, better to be clever than intelligent,” he said, repeating a family maxim.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Every guy got morning wood. It didn’t mean anything that Chris had woken with a boner that morning while camping. And the fact that he’d been rubbing said boner against Peter’s hip? Well… Chris hadn’t been awake enough to know what he’d been doing.
Daisy Harris (College Boys (Men of Holsum College, #1))
The Tote End itself was demolished in the nineties. Sadly a monstrous IKEA store now stands in it's place. Where once tribes of youths performed their rites of passage and bodily fluids flowed in the name of love, hate and pride; Justin and Kate bicker over which wood flooring they should choose. It fucking kills me.
Chris Brown
Devil-boy Jack: "A higher power than ours directs us against the wych-kin. There is no turning back." Thaniel Fox: "There is no higher power, Devil-boy! And I am no-one's pawn, neither man nor wych nor whatever entity you speak of." Devil-boy Jack: "I do not speak of entities. I speak of the force that created the physics of the universe, the force that makes time flow forward and not allow everything to happen at once, the force that sets the patterns to which the planets turn. Its weapons are coincidence, unlikelihood, happenstance. It is there when a man stops suddenly to pick up a coin dropped by another man ten days before, and the woman who is to be his wife bumps into him, and five hundred years hence their offspring rules half the world. It is there when a chance comment causes a scientist to think, What if...? and ten years later a great plague is cured. It is so vast that what we call chaos is simply another part of its order, with a shape too big to see. It has no name, nor will it ever have, though man may hint darkly at fate and destiny. It is what it is... the pattern. We may choose our own paths, but the pattern is always ahead of us. It is a way. It is the way.
Chris Wooding (The Haunting of Alaizabel Cray)
People will think we're having an affair," Kate said. She took a seat next to Bill on the cold slats of treated wood. "That would be better than the truth.
Chris Pavone (The Expats (Kate Moore, #1))
A culture,” the poet W. H. Auden observed, “is no better than its woods.
Chris Hedges (Days of Destruction, Days of Revolt)
Chris found the woods a lot creepier than he had the day before.
Kieran Mark Crowley (The Misfits Club)
This was someone’s daughter. She might have been someone’s mom. No matter what she did or who she was, she didn’t deserve to die like this.
Chris Culver (The Girl in the Woods (Joe Court, #2))
on a bike ride through the Surrey Lanes, pedalling in my cotton dress through the hot fields blushing with poppies, freewheeling down a sudden dip into a cool wooded sanctum.
Chris Cleave (Little Bee)
We didn’t feel the need to communicate everything all the time,” Chris continued. “We’re not emotionally bleeding all over each other. We’re not touchy-feely.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
I would like to take a moment to reiterate this: My mother sent her only daughter into the woods alone in the midst of wolf attacks and a revolution!
Chris Colfer (Adventures from the Land of Stories: The Mother Goose Diaries / Queen Red Riding Hood's Guide to Royalty)
CHAPTER NINE THE GATHERING IN THE WOODS
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
At least on the Ketty Jay he was surrounded by people who asked no questions, people untrained in the aristocratic arts of vicious wit and backstabbing. He rather liked that about them, actually.
Chris Wooding
233 - Answer to 82 - There is a lad in Missouri with afoot that's flat, with seeds in his pocket and a brick in his hat, with an eye that is blue and a No. 10 shoe - he's the "Bull of the Woods" and the boy for you.
Chris Enss (Object: Matrimony: The Risky Business of Mail-Order Matchmaking on the Western Frontier)
Chris loved to look at every type of plant, animal, and bug he hadn’t seen before on the trail and point out those he did recognize. He enjoyed walking along small streams, listening to the water as it traveled, and searching for eddies where we could watch the minnows scurry amongst the rocks. On one Shenandoah trip, while we were resting at a waterfall, eating our chocolate-covered granola bars and watching the water pummel the rocks below, he said, “See, Carine ? That’s the purity of nature. It may be harsh in its honesty, but it never lies to you”. Chris seemed to be most comfortable outdoors, and the farther away from the typical surroundings and pace of our everyday lives the better. While it was unusual for a solid week to pass without my parents having an argument that sent them into a negative tailspin of destruction and despair, they never got into a fight of any consequence when we were on an extended family hike or camping trip. It seemed like everything became centered and peaceful when there was no choice but to make nature the focus. Our parents’ attention went to watching for blaze marks on trees ; staying on the correct trail ; doling out bug spray, granola bars, sandwiches, and candy bars at proper intervals ; and finding the best place to pitch the tent before nightfall. They taught us how to properly lace up our hiking boots and wear the righ socks to keep our feet healthy and reliable. They showed us which leaves were safe to use as toilet paper and which would surely make us miserable downtrail. We learned how to purify water for our canteens if we hadn’t found a safe spring and to be smart about conserving what clean water we had left. At night we would collect rocks to make a fire ring, dry wood to burn, and long twigs for roasting marshmallows for the s’more fixings Mom always carried in her pack. Dad would sing silly, non-sensical songs that made us laugh and tell us about the stars.
Carine McCandless (The Wild Truth: A Memoir)
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
The lucid, rational part of Billie wanted to laugh. Here she was, out in the woods of middle-class suburbia, with a man’s fingers inside her panties, inside her, a climax of unimaginable force trembling at the edge of her grasp. And the man who now plied her and played her…a prostitute. A gigolo. A beloved brother and son and uncle, and a suspect, with too many secrets and too much sexual prowess. A man she was falling in love with. The impossibility of it, the crazy, twisted potential swept over her, then ebbed, lost in the surge of unbelievable pleasure that built and built within her like strings drawn too tightly across a fine-tuned instrument. She would die from this, die and scatter into a million fragments and drift like dust on the wind.
Shelby Reed (The Fifth Favor)
Malvery snapped his fingers at Pinn. 'Come here. I need that sling.' 'It´s my sling!' Pinn whined. 'You´re wearing a sling ´cause you shot yourself like an idiot. She just saved Silo´s life. See the difference?´ 'No,´Pinn said stubbornly, but he let Malvery undo the sling anyway.
Chris Wooding (The Iron Jackal (Tales of the Ketty Jay, #3))
There was also the matter of four dead Americans at the U.S. compound in Benghazi, Libya: Ambassador Chris Stevens, the first U.S. ambassador killed on duty since the Carter years; foreign service officer Sean Smith; and retired Navy SEALs Tyrone Woods and Glen Doherty. The September 11, 2012, attack on the Benghazi compound was coordinated and carried out by radical Islamic terrorists. Secretary of Defense Leon Panetta testified to the Senate that he knew “immediately” that it was a terrorist attack. And yet for weeks President Obama and Secretary Clinton insisted instead that it was a spontaneous protest over an Internet video.
Ted Cruz (A Time for Truth: Reigniting the Promise of America)
I am fortunate to be content with having very little, and so I never wanted the new car, fancy clothes, the big TV and the video games. All I ever wanted to do was read, walk through the woods and do Jiu Jitsu. When this is the foundation upon which your life is built, you need very little in the way of material security.
Chris Matakas (The Tao of Jiu Jitsu)
Once upon a time, in a faraway forest, there lived a tree that was different from all the other trees in the woods. While the other trees grew perfectly straight toward the sky, this particular tree grew in loops, twists, and turns. It was known as the Curvy Tree by all who saw it, and many humans and animals came from far and wide to see its splendor. When the humans and animals were away, in a language that only could be heard by the plants of the forest, the other trees would taunt the poor Curvy Tree. ‘We hate your bark and your branches and your leaves that twist and turn! One day they will chop you into firewood and you will forever burn!’ It made the Curvy Tree very sad, and if you spoke Plant you would hear it cry itself to sleep every night. Years later, on the last day of winter before spring began, loggers traveled to the forest looking for wood, not to burn, but to build with. They cut down every tree in the woods to build houses, tables, chairs, and beds. When they finally left the forest, only one tree remained, and I bet it will come as no surprise when I tell you it was the Curvy Tree. The loggers had seen how its trunk and branches twisted and turned and they knew they could never use its wood to build with. And so the Curvy Tree was left alone to grow in peace now that all the other trees were gone. The end.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.” She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?” “All of it. I can’t have those things with you. You know what I am.” “Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.” “But the other part—” “What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips. “A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.” She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?” He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.” The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.” “Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
Shelby Reed (The Fifth Favor)
The Tote End (a large and foreboding terrace at Eastville) itself was demolished in the nineties. Sadly a monstrous Ikea store now stands in it's place. Where once tribes of youths performed their rites of passage and bodily fluids flowed in the name of love, hate and pride; Justin and Kate bicker over which wood flooring they should choose. It fucking kills me.
Chris Brown (Bovver: My Journey Through Football, Music, Fashion and Violence)
I took her hands in both of mine. “Darlin’, what happened in those woods does not define the rest of your life. People might look at you and say, ‘There’s that woman that was taken to the cabin in Kentucky.’ But God doesn’t look at you that way. He says, ‘There’s my daughter. There’s my spotless bride that my Son died for.’ What happened out there does not have to follow you.
Chris Fabry (Almost Heaven)
But in an instant Blake stepped in front of her, turning his back to Chris and the gun. The shot was so much louder than anything else in the woods. And it seemed to echo forever. Livia watched Blake’s face in horror as he fell toward her, leaning for a moment like the Tower of Pisa. She staggered back, trying to hold him as they both collapsed to the forest floor. Livia knew he was tremendously injured when his body hit hers so hard. If he could have, she knew Blake would’ve softened the blow.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
He was very pleased with himself.  The crowd around us watched and listened closely as he came up to me. “Did you pee on his car?” I asked.  “No?  So what did you do?” His eyes gleamed with self-satisfaction as a hunch occurred to me. “You didn’t?” I asked, impressed at the idea. “You did!” ‘What? What did he do, Chris?” Ned asked.  The whole group hung on my next words. “I think he answered an age-old question, Ned.  It turns out that bears don’t, in fact, shit in the woods—they shit on Sam Cooper’s car!
John Conroe (Fallen Stars (Demon Accords, #5))
walked by. “Remember, they love tricking people in Wonderland,” Alex whispered. “Don’t talk to any of them.” “Hello there,” a rose said. “Welcome to the garden,” said a tulip. “Wouldn’t you like to stay and hear us sing a song?” an orchid asked. The group took Alex’s advice to heart and walked past the flowers without making eye contact. They kept their eyes on the ground until they were out of the garden. “If I haven’t seen that in a nightmare before, I definitely will now,” Conner said. They looked up and their hearts beat with excitement. In the distance, on the edge of a wood
Chris Colfer (The Land of Stories Complete Gift Set)
The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
You know everybody hooks up on the ski trip, right? It’s like a school-sanctioned booty call.” “What?” “That’s where I lost my V freshman year.” “I thought you lost it in the woods near your house.” “Oh yeah. Whatever, the point is, I had sex on the ski trip.” “There are chaperones,” I say worriedly. “How can people just have sex with chaperones around?” “Chaperones go to sleep early because they’re old,” Chris says. “People just sneak out. Plus there’s a hot tub. Did you know that there’s a hot tub?” “No…Peter never mentioned that.” Well, that’s that, I just won’t pack a bathing suit. It’s not like they can make you go in a hot tub if you don’t want to. “The year I went, people were skinny-dipping.” My eyes bug out. Skinny-dipping! “People were nude?” “Well, the girls took their tops off. Just be prepared.” Chris chews on her fingernail. “Last year I heard Mr. Dunham got in the hot tub with students and it was weird.” “This sounds like the Wild West,” I mutter. “More like Girls Gone Wild.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play. The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied. When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understanding. The man gave it to them. “I am not the master of this instrument,” he said. “The lady is her own mistress. I am only the channel through which she speaks. What you have heard tonight — what you will continue to hear — is not a performance, but a séance. In my … unworthy hands … she will tell you her story: Sorrow, pain, loss, truth, and beauty. This is not the work of one man; it is the story of all men, of all people everywhere, throughout her long history. Which means, of course, that it is also your story, and mine.” He held up the violin once more. In the uncertain play of light and shadow, faces seemed to appear and vanish in the blood-red surface of the wood. “Her name is Threnody,” he said. “And she has come to make you free.
Chris Lester (Whispers in the Wood (Metamor City, #6))
He could also be terrible romantic and thoughtful. My job was a real challenge. The work was difficult and the boss demanding: he thought nothing of calling or emailing at odd hours, even on the weekend; you ignored him at your peril. There was a point at which everything got to me. And it was exactly at that moment that Chris stepped in and planned a weekend getaway. He found a little cabin out in the woods where there was no cell phone reception-yes!-and without telling anyone, we made our getaway. Almost. I actually called the boss and told him my cell reception was giving out, and so I wouldn’t be able to check messages, something he expected even on the weekends. As soon as we got to the cabin, I headed to the bedroom. Inside, I opened my suitcase and changed into sexy white Victoria’s Secret-style lingerie, complete with corset and thigh-highs. Feeling a little shy and silly, I walked out and leaned against the doorway of the living room where he was sitting. “Hey!” “Yeah?” he mumbled from the couch, not bothering to look up from the magazine he was reading. “Turn around,” I said. He turned around-slowly at first. But as soon as he caught sight of me in that lingerie, he hopped clear over the couch and chased me down the hall to the bedroom. I squealed and giggled the whole way.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Local Teen Adopted Finds Adoptive Family Within 24 Hours of 18th Birthday The final chapter of a family tragedy was written yesterday at the county courthouse when Cynthia and Tom Lemry signed formal adoption papers, gaining custody of Sarah Byrnes less than 24 hours before her 18th birthday. Local readers will remember Ms. Byrnes as the youngster whose face and hands were purposely burned on a hot wood stove by her father 15 years ago. The incident came to light this past February after Virgil Byrnes assaulted another teenager, 18-year-old Eric Calhoune, with a hunting knife. “Better late than never,” said Cynthia Lemry, a local high school teacher and swimming coach, in a statement to the press. “If someone had stepped up for this young lady a long time ago, years of heartache could have been avoided. She’s a remarkable human being, and we’re honored to have her in our family.” “I guess they’re just in the nick of time to pay my college tuition,” the new Sarah Lemry said with a smile. Also attending the ceremony were Eric Calhoune, the victim of Virgil Byrnes’s attack; Sandy Calhoune, the boy’s mother and a frequent columnist for this newspaper; Carver Milddleton, who served time on an assault charge against Virgil Byrnes in a related incident; the Reverend John Ellerby, controversial Episcopalian minister whose support of female clergy and full homosexual rights has frequently focused a spotlight on him in his 15-year stay at St. Mark’s; and his son, Steve Ellerby, who describes himself as “a controversial Episcopalian preacher’s kid.” Sarah Lemry confirmed that following the burning 15 years ago, her father refused her opportunities for reconstructive surgery, saying her condition would teach her to “be tough.” She refused comment on further torturous physical abuse allegations, for which, among other charges, Byrnes has been found guilty in superior court and sentenced to more than 20 years in the state penitentiary at Walla Walla. When asked if she would now seek the reconstructive surgery she was so long denied, Sarah Lemry again smiled and said, “I don’t know. It’d be a shame to change just when I’m getting used to it.
Chris Crutcher (Staying Fat for Sarah Byrnes)
Among the many people Chris met while doing charity work was Randy Cupp, who invited him and Bubba out to shoot with him come deer season. When Chris passed away, Randy made it clear to me that the offer not only still stood, but that he would love to give Bubba a chance to kill his first buck. With deer season upon us, the kids and I decided to take him up on the offer. Angel, Bubba, and I went out to his property on a beautiful morning. Setting out for the blind, I felt Chris’s presence, as if he were scouting along with us. We settled into our spots and waited. A big buck came across in front of us a short time later. It was an easy shot--except that Bubba had neglected to put his ear protection in. He scrambled to get it in, but by the time he was ready, the animal had bounded off. Deer--and opportunities--are like that. We waited some more. Another buck came out from the trees not five minutes later. And this one was not only in range, but it was bigger than the first: a thirteen pointer. Chris must have scared that thing up. “That’s the one,” said Randy as the animal pranced forward. Bubba took a shot. The deer scooted off as the gunshot echoed. My son thought he’d missed, but Randy was sure he’d hit him. At first, we didn’t see a blood trail--a bad sign, since a wounded animal generally leaves an easily spotted trail. But a few steps later, we found the body prone in the woods. Bubba had killed him with a shot to the lungs. Like father, like son. While Bubba left to dress the carcass, I went back to the blind with Angel to wait for another. She was excited that she might get a deer just like her brother. But when a buck walked within range, tears came to her eyes. “I can’t do it,” she said, putting down her gun. “It’s okay,” I told her. “I just can’t.” “Do you want me to?” I asked. She nodded. I took aim. Even though I was married to a hard-core hunter, I had never shot a deer before. I lined up the scope, walking him into the crosshairs. A slow breath, and I squeezed the trigger. The shot surprised me--just as Chris said it should. The deer fell. He was good meat; we eat what we kill, another of Chris’s golden rules. “You know, Angel, you’re going to be my hunting partner forever,” I told her later. “You’re just so calm and observant. And good luck.” We plan to do that soon. She’ll be armed with a high-powered camera, rather than a rifle.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
respectively. Diane Claridge Dolphin and beaked whale researcher; wife and research partner of Ken Balcomb. Darlene Ketten Whale and human hearing expert; forensic pathologist, Harvard Medical School and Woods Hole Oceanographic Institution. Roger Payne First cetologist to decode and promote humpback whale song and conservation. Chris Clark Director, Bioacoustics Research Program, Cornell University Lab of Ornithology; protégé of Roger Payne.
Joshua Horwitz (War of the Whales: A True Story)
who probably didn’t know any better; to Louise Simonson & Brent Eric Anderson, for “God Loves, Man Kills”; to Eleanor Wood, for reasons that need no explanation; to Betsy Mitchell, for having faith; and Steve Saffel, for keeping both book
Chris Claremont (X-Men 2)
He left and I wished I could go somewhere and start all over, which is how I've felt all my life. As soon as I get somewhere, I'm ready to leave.
Chris Offutt (Out of the Woods)
When I couldn't see the land out there, I forgot I wasn't at home. Sometimes I wished it was always night.
Chris Offutt (Out of the Woods)
aerium
Chris Wooding (The Ace of Skulls (Tales of the Ketty Jay, #4))
The desktop held a patina of hieroglyphs representing years of student boredom—names and initials gouged into the wood, blackened by grime and pencil, shellacked over, then cobwebbed again with another generation’s imprint.
Chris Offutt (My Father, the Pornographer: A Memoir)
Gerald's arm rose and fell the same way to any song he led, no matter the time signature. He had a nasal twang when he spoke and sang, like a younger Grandpa Jones, but his pitch wasn't bad and he seemed to enjoy song-leading. His job was to get everybody started at the same place and everybody stopped when the song was over, but whatever happened in the middle was up to God and the congregation.
Chris Fabry (The Promise of Jesse Woods)
There's a preacher on the radio that says the Beatles are trying to hypnotize us and turn us all into Communists. I was listening to 'Hey, Jude' the other day and I had the urge to move to Cuba, so there might be something to it.
Chris Fabry (The Promise of Jesse Woods)
Life is about making good choices, Matt. One after the other. They pile up day after day. It's only when you look back that you can see what the choices led to. What you're able to stand on.
Chris Fabry (The Promise of Jesse Woods)
The torturer was wheeling around the room, shrieking, holding his impaled hand, which had a pen sticking out of it. The guard by the door was in paroxysms of laughter. Frey had crumpled the confession into a ball and was trying to get it into his mouth to eat it, but couldn't quote reach.
Chris Wooding
I wanted to get to the most essential aspect of my being, and look around for a while. I wanted to explore what I am in my most basic self. I wanted to chip away at all of the nonsense I have acquired through my twenty-nine years on this earth. I wanted to find truth. Thoreau went to the woods. I went to the mats. Jiu Jitsu has peeled the veil of daily life, and has shown me what lies beyond the curtain. We willingly accept the chains that circumstance forces upon us, and we grow to find comfort in them. We attach various fetters of day-to-day living to our being, and we do so with a smile. We accept these constraints for they come in the way of comfort. We accept conformity for it appears the path of least resistance. We strive toward the middle, and we run from ourselves.
Chris Matakas (My Mastery: Continued Education Through Jiu Jitsu)
Thoreau went to the woods. I went to the mats.
Chris Matakas (My Mastery: Continued Education Through Jiu Jitsu)
Strummer’s father’s profession of career diplomat didn’t arise from any position of privilege—quite the opposite, in fact. “He was a self-made man, and we could never get on,” said Strummer. “He couldn’t understand why I was last in every class at school. He didn’t understand there were different shapes to every piece of wood, different grains to people. I don’t blame him, because all he knew was that he pulled himself out of it by studying really hard.
Chris Salewicz (Redemption Song: The Ballad of Joe Strummer)
The woods were thick with shadowed green, and Rhonda wished she were in them, walking animal trails until they faded into the brush and she was lost, could stay lost for good.
Chris Offutt (Country Dark)
Wind in the high boughs brushed leaves like the sound of distant water. As the canopy shifted, light flowed across the forest floor. He'd forgotten the pleasures of being in the woods.
Chris Offutt (Country Dark)
The state called it recidivism, but as the old cons said, Baker was doing life on the installment plan.
Chris Offutt (Out of the Woods)
Vaughn nodded. Lije steaded himself and looked into the woods. "Never could abide no roof." "Ours ain't the best," Vaughn said. "Leaks come spring." Lije pointed at Venus faint above the distant ridge. "only roof-hole I ever did crave." "Evening star ain't a hole." "Then how's that light get through?
Chris Offutt (Kentucky Straight: Stories)
I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms.
Chris DiCroce (You Gotta Go To Know: How One Couple Sold Everything to Live on a Sailboat in Pursuit of Freedom, Happiness and Adventure)
At the C.I.A., officers like Chris Wood, who had been working in the country since the fall of 2001, told colleagues that they were confident the Taliban would be back in power by 2017.
Steve Coll (Directorate S: The C.I.A. and America's Secret Wars in Afghanistan and Pakistan, 2001-2016)
Treachery was axe, not a scalpel. It was Hard to make a clean cut.
Chris Wooding (The Shadow Casket (The Darkwater Legacy, #2))
The best side is up, the cowboys said time and again—for chris-sakes don’t plow it under. Nesters and cowboys hated each other; each side thought the other was trying to run the other off the land. Homesteaders were ridiculed as bonnet-wearing pilgrims, sodbusters, eyeballers, drylanders, howlers, and religious wackos. Cowboys were hedonists on horseback, always drunk, sex-starved. The cattle-chasers were consistent in one way, at least. They tried telling nesters what folks at the XIT had passed on for years, an aphorism for the High Plains: “Miles to water, miles to wood, and only six inches to hell.
Timothy Egan (The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl)
Guns are a product of their time. An American long rifle, stock smooth and silky, frame lightweight, barrel long and sleek—the man who made this gun worked in the dim light of a small forge, and chose carefully the wood to use. His fingers went raw as he honed the stock, and the iron from a nearby mine stained his hands and the water he used to cool the parts as he finished. Take the gun up now, and the smell of black powder and saltpeter sting the air. Raise the rifle to your shoulder and look into the distance. You see not a target but a whole continent of potential, of great things to come, a promising future . . . but also toil, trial, and hardship. The firearm in your hands is a tool to help you through it.
Chris Kyle (American Gun: A History of the U.S. in Ten Firearms)
They turn on short-range telemetry kits, and we approach through the clear-cut. The black soil is deformed into thigh-high welts from earth-moving equipment. Pings from the radio collars tell them that the male is south of the female, who is farther up the wood line. Because the male wolf and the yearlings will often sit the pups while the female goes off to hunt or rest elsewhere, the biologists must choose which wolf’s signal to focus upon. This morning, they can’t decide which wolf might be with the pups. Chris whispers a game plan to Ryan. “I’m going to walk up on the male,” Chris says. “You walk farther up and get a bead on the female. Wait a few minutes before you go in - give me some time to find him first because the wind will wash your scent south right back on top of him, okay? If the pups aren’t with him, I’ll just keep moving north toward her and find you.” Ryan nods his agreement, and Chris slips into the woods. The density of the vegetation encloses around him within a few feet from the tree line. Chris, having spent twenty-five years using telemetry to track wolves, can interpret the pings like most people read road signs. His body melts behind thick vines, woody growth, and an abundance of wax myrtle bushes that crowd the understory. Ryan and I walk north along the clear-cut. He listens for the female, holding his telemetry antennae high. He waves the unit this way and that, searching the radio wave for the best strength. It begins raining. He paces up and down a fifty-foot stretch of the tree line. Where the female wolf’s signal is the strongest, he scratches a large X in the dark muck with his boot heel. We wait in the light drizzle. Minutes tick by. Finally, Ryan motions for me to follow him into the woods. We creep deliberately, slowly, and I plant each step where he does. After about ten yards, he drops onto his hands and knees and crawls beneath a cluster of thorny devil’s walking sticks. I trail him as if playing a silent game of follow the leader. We pause here and there to let the wolf confuse our sounds with a foraging squirrel. He uses vine clippers to snip through several large branches obscuring our way. Soon, Ryan pulls the cable from his antennae and shows me that he can hear her with just the receiver box. We are close. I try not to breathe. She is within thirty feet. Then the pinging in his headphones tells him she is running. We don’t hear or even see her flush. It is like tracking a ghost.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)