Chris Downing Quotes

We've searched our database for all the quotes and captions related to Chris Downing. Here they are! All 100 of them:

Don’t listen to what people tell you because they’ll try to bring you down. And don’t listen to yourself, either, because yourself will try to bring you down even more so than anyone else. As long as you just put all your energy into one thing, it can happen.
Chris Colfer
When Chris was ten, we pushed him down the stairs. This was twice as entertaining.
Brigid Kemmerer (Spirit (Elemental, #3))
seven times down eight times up like the Daruma doll
Chris Bradford (The Way of the Warrior (Young Samurai, #1))
Marines—you beat them down and they come back for more.
Chris Kyle (American Sniper)
For every tear that rolled down Conner's face there were a dozen he fought back.
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
I've been pushed down many flights of stairs in my time, but I always manage to find an elevator
Chris Colfer
Anything said is gone as soon as it leaves my lips. Things written down at least have a chance to leave a soft echo of what had been.
Chris Dietzel (The Man Who Watched the World End (The Great De-evolution))
seven times down, eight times up
Chris Bradford (The Way of the Warrior (Young Samurai, #1))
Because I'm moved in writing to be irrepressible. Writing to you seems like some holy cause, cause there's not enough female irrepressibility written down. I've fused my silence and repression with the entire female gender's silence and repression. I think the sheer fact of women talking, being, paradoxical, inexplicable, flip, self-destructive but above all else public is the most revolutionary thing in the world.
Chris Kraus (I Love Dick)
You can party, but I better not catch you drunk. (Wulf) (Chris rolled his eyes, then bent down to said to Cassandra’s stomach...) Be wise, little guy, stay in there where Lord King Neurotic can’t kill all your fun. (Chris)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
so here i sit. a sum of the parts. about a third way down this wonderful path, so to speak. and i've been thinking lately about a friendship that fell apart with time, with distance, and with the misunderstanding of youth. i'm trying not to confuse sadness with regret. not the easiest thing at times. i dont regret that certain things happened. i understand that perhaps i had a choice in the matter, or perhaps i believe in fate. probably not, but so far actions as small as the quickest glance to events as monumental as death have pushed me slowly along to right here, right now. there was no other way to get here. the meandering and erratic path was actually the straightest of lines. take away a handful of angry words, things once thought of as mistakes or regrets, and i'm suddenly a different person with a different history, a different future. that, i would regret. so here i sit. thinking about a person i once called my best friends. a man who might be full of sadness and regret, who might not give a damn, or who might, just might, remember the future and realize that's where its at.
Chris Wright
Don't settle down and sit in one place. Move around be nomadic, make each day a new horizon. -Chris McCandless
Jon Krakauer (Into the Wild)
I'm not going to lay down in words the lure of this place. Every great writer in the land, from Faulkner to Twain to Rice to Ford, has tried to do it and fallen short. It is impossible to capture the essence, tolerance, and spirit of south Louisiana in words and to try is to roll down a road of clichés, bouncing over beignets and beads and brass bands and it just is what it is. It is home.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
Madison looked down at her cookie and back at Chris. “Why did he get a brownie and I only got a cookie?” “Because I love him unconditionally and you’re making him sweat.” Chris stuffed the rest of the brownie in his mouth.
R.L. Mathewson (Tall, Dark & Lonely (Pyte/Sentinel, #1))
Her life was one endless loop that she raced around, with steep banked curves so she could never change or slow down. It just delivered her back to herself, over and over and over.
Chris Cleave (Gold)
The prize never goes to the fastest guy,” Chris replied. “It goes to the guy who slows down the least.” True in endurance sports. And possibly even truer in life.
Rich Roll (Finding Ultra: Rejecting Middle Age, Becoming One of the World's Fittest Men, and Discovering Myself)
I just wish there was a middle, you know. Because that's where people live. It doesn't have to be all or nothing...sink or swim like that. Most people just tread water, and that's enough. Because when you're sinking, you're pulling us down with you.
Chris Whitaker (We Begin at the End)
Nobody has the time to sit down and explain the first world from first principles.
Chris Cleave (Little Bee)
I threatened him with bodily harm. He promised to bring me cake for the rest of my life.
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
Would it help if I performed an interpretive dance while I said the words?
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
No one ever accomplished anything great sitting down.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
I reached my hand across the table, sliding my fingers into his. “You meant what you said last night, didn’t you?” He began to speak, but Chris’ laughter filled the cafeteria. “Holy God! Travis Maddox is whipped?” “Did you mean it when you said you didn’t want me to change?” he asked, squeezing my hand. I looked down at Chris laughing to his teammates, and then turned to Travis. “Absolutely. Teach that asshole some manners.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Ferrin looked at her like she had two heads. “You don’t want to marry my son?” “Hell. No.” He resumed his seat. “That’s the first sensible thing I’ve heard you say.
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
If you all will please excuse me,” Red said and headed out of the courtyard. “I think I’m going to lie down for a minute. My life has suddenly become a Shakeyfruit play.
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
Comedy is tragedy standing on its head with its pants down.
Chris Crutcher (Chinese Handcuffs)
all the teachers at this school attack their students? Or are you just a raving bitch?
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
I've seen women who don't have great relationships with their dads, and it all comes down to this: You have to tell girls you love them every day.
Chris Rock
From a distance,' he says, 'my car looks just like every other car on the freeway, and Sarah Byrnes looks just like the rest of us. And if she's going to get help, she'll get it from herself or she'll get it from us. Let me tell you why I brought this up. Because the other day when I saw how hard it was for Mobe to go to the hospital to see her, I was embarrassed that I didn't know her better, that I ever laughed at one joke about her. I was embarrassed that I let some kid go to school with me for twelve years and turned my back on pain that must be unbearable. I was embarrassed that I haven't found a way to include her somehow the way Mobe has.' Jesus. I feel tears welling up, and I see them running down Ellerby's cheeks. Lemry better get a handle on this class before it turns into some kind of therapy group. So,' Lemry says quietly, 'your subject will be the juxtaposition of man and God in the universe?' Ellerby shakes his head. 'My subject will be shame.
Chris Crutcher (Staying Fat for Sarah Byrnes)
Jaxon gave me a compliment. I was sure there’d be winged pigs up there somewhere.
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
Seven times up, eight times down
Chris Bradford (The Way of the Warrior (Young Samurai, #1))
Why does the Destroyer hate Artemis? (Cassandra) Love. Why else? Love, hatred, and revenge are the most powerful emotions on earth. Apollymi wants revenge on Artemis for killing the one thing she loved most in the universe. (Katra) And that is? (Cassandra) I would never betray either one by saying it. (Katra) Would you write it down?...Oh, yeah, like the two of you weren’t thinking the same thing. (Chris)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
I couldn’t decide whether it was better to be the art, or the artist.
Chris Campanioni (Going Down)
Nothing relieves stress like setting things on fire.
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
Bryn was pretty sure Jaxon would rather do a rendition of “I’m a Little Teapot” while wearing nothing but black socks and a Viking helmet than dance with her.
Chris Cannon (Bridges Burned (Going Down in Flames, #2))
The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
It’s not whether you get knocked down, it’s whether you get up.
Chris Grabenstein (Mr. Lemoncello's Great Library Race (Mr. Lemoncello's Library, #3))
Coldplay’s ultimately show-stopping opus “Fix You” might never have seen the light of day had Chris given up and caved in when Guy politely asked of him one morning: “So, ‘tears stream down your face, and AAAAH.’ What’s that all about, then?
Matt McGinn (Roadie: My Life on the Road with Coldplay)
Where in the goddamn hell are Blythe and Chris?” … “They’re fucking in the shower! Thank you, Lord!” Then her heels continue down the walkway while a collective round of applause echoes into the now-dark sky. “Congratulations! But hurry it up, kids! Dinner is almost ready.
Jessica Park (Left Drowning (Left Drowning, #1))
You put yourself out there in the truest way you can and hope others do the same. You'll connect or you won't, but you did what you could. It's like playing ball in some way. There are guys on the team, like Cody, I'd give my life for. But you have to be willing to lay down your life for all of them if you want to put the best you on the field. Every guy on that field has to believe you'll bring nothing back off the field with you.
Chris Crutcher
But as surely as the moon rises and the sun sets, depravity passes down through the ages, because there is always a gap between who we are and who we should be, and our parents, molested by regret, conceive us under the false hope that we will be better than them, and everything they do, every hug and blow, only makes certain that we never will be.
Chris Adrian (The Children's Hospital)
In the time you will live, there will be heroes around. Simple men, honest men who work two jobs, go to school, raise a family, and serve our God. An older couple who have the courage to seek out the truth while enduring the scorn and ridicule of their children and friends. A young man, a special spirit, who will take on a body that is deformed- and yet you will never see hime unhappy or without a smile on his face. A young mother who will care for a daughter while she suffers a painful death, and yet never doubt or loose faith that her Father loves them both. In your worl famous people will be hard to find. But you will be surrounded by heroes, you will meet them everyday. They will be the simple people who struggle but never give up, those who strive to be happy despite the cares of the physical world, those who dream of the day when they will find the truth, those who search for understanding as to why they were born, why there is pain, or what it all means, and yet continure to endure, knowing in their soul, somewhere deep inside, that there has to be an answer. These are the heroes that our Father needs down on earth. And you will be a hero. We already know that.
Chris Stewart
Please. Put the gun down and we'll talk. A beautiful woman holding a small cannon plays hell with my concentration. Christovao (Chris) Santos, Sanctuary
Sharon K. Garner
Did her dragon nature make her more violent? She’d never fantasized death for anyone before. Then again, she’d never met someone like Ferrin.
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
Never go so high you’re afraid to look down:
Chris Colfer (An Author's Odyssey (The Land of Stories #5))
Deep down I believe each of us is a well-spring of understanding and wisdom, but we simply never allow the space or time for this understanding to rise to the level of conscious thought.
Chris Matakas (#Human: Learning To Live In Modern Times)
A month later Billie sits at her dining room table, sifting through the pictorial record of Chris's final days. It is all she can do to force herself to examine the fuzzy snapshots. As she studies the pictures, she breaks down from time to time, weeping as only a mother who has outlived a child can weep, betraying a sense of loss so huge and irreparable that the mind balks at taking its measure. Such bereavement, witnessed at close range, makes even the most eloquent apologia for high-risk activities ring fatuous and hollow." - describing the mother of Chris McCandless after learning of his starvation in the wild
Jon Krakauer (Into the Wild)
I read once that all great writers have issues with their hometowns; guess I'm no exception. You can't let your origins bring you down, though. You don't get to pick where you're from, but you always have control of where you're going.
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
Creatures of the Darkness BY VICKI JORDAN It was world of vampires and demons, where innocence was rare and so were the living. It was a world of darkness, where light had been outlawed and nightfall had swallowed us whole. An epic war had been fought, and the creatures of the dark had finally prevailed over the promoters of the light. Finally, for the first time in existence, the people of the shadows could come out and freely walk among one another in the rays of the dying sun, which had once been used to shun them away. A little girl, a child of the light, had survived the battle and crawled out from under the ashes of the destruction. She looked around at her altered world in dismay and confronted a vampire about the changes, of which she did not approve. “Why did you turn my world into a world of night, and make wrong into a new form of right? How could you make all the light disappear, and with it everyone I once loved so dear? Why are the shadows now the new sun, and why is everything lost what you have won?” The vampire looked down at the little girl with amusement and delight. “Because, little girl, this is the real world you see, where there’s no light to shine on false identities. We didn’t destroy the world just to scare; we simply uncovered what was already there. What has come out was all the darkness that was once hidden within, and you’ll soon meet the darkness in you once my fangs pierce your skin.” We are our own greatest fears…..
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
I'll never understand why you chose violence as a road to peace, I'll never understand why you chose fear as a remedy to hate, but I will not repeat your mistakes. If I'm going to continue down the path you've paved, then I'm going to walk it at my own pace.
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
Elizabeth, it comes down to this: Jesus shed His blood on the cross. He died for you, even when you did not deserve it. And He rose from the grave and offers forgiveness and salvation for anyone who turns to Him. But the Bible also says that we can’t ask Him to forgive us while refusing to forgive others.
Chris Fabry (War Room: Prayer Is a Powerful Weapon)
He tries to force the anger down, but it's like an anvil on his chest. He closes his eyes, like Sammy taught him, and forces the anvil up; he softens.
Chris Crutcher (The Crazy Horse Electric Game)
Courage is what it takes to stand up and speak, it is also what it takes to sit down and listen.
Chris Johnston (Winston Churchill: 101 Greatest Life Lessons, Inspiration and Quotes From Winston Churchill (The Last Lion, Winston Churchill World War, The World Crisis))
Sometimes I wish I could have religion their way. You know, no responsibilities in life but to cut down people who don’t think the way you do.
Chris Crutcher (Staying Fat for Sarah Byrnes)
Tonight sometime the full reality will dawn on him, but he's like me: the guy you want at the site where the plane went down.
Chris Crutcher (Deadline)
What you deserve will be down to you, and you alone.
Chris Murray (The Extremely Successful Salesman's Club)
There were two things Chris knew well: his rifle and a woman's body. With either, he could spend hours studying their intracacies, their individual quirks and hots spots...their flaws. He knew when one of them was going to jam up and let him down or to give him the shot of his life. Rifles and women - he loved them both, but not necessarily in that order.
Stephanie Tyler (Hold on Tight (Hold Trilogy, #3))
Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed." If a little hill of happiness would satisfy Chris, good for him. But after all these years of striving, hoping, dreaming, longing-I wanted a mountain high! A hill wasn't enough. From this day forward, I vowed to myself, I was in control of my life. Not fate, not God, not even Chris was ever again going to tell me what to do, or dominate me in any way. From this day forward, I was my own person, to take what I would, when I would, and I would answer only to myself. I'd been kept prisoner, held captive by greed. I'd been betrayed, deceived, tied to, used, poisoned ... but all that was over now.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
Putting down the power right from the whistle would be ugly and brutal, but it would get the job done. He wanted to tell her that, but this was the thing with coaching: you had to step back at exactly the moment you ached to step forward.
Chris Cleave
I walk by, seeing myself walk by on a bag, someone’s hands gripping the paper handles above my neck, my curved waist, my gleam of sweat, me, half a block away, and think, you don’t know self-fragmentation until it’s staring you in the face.
Chris Campanioni (Going Down)
As you can see, “No” has a lot of skills. ■​“No” allows the real issues to be brought forth; ■​“No” protects people from making—and lets them correct—ineffective decisions; ■​“No” slows things down so that people can freely embrace their decisions and the agreements they enter into; ■​“No” helps people feel safe, secure, emotionally comfortable, and in control of their decisions; ■​“No” moves everyone’s efforts forward.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
The wild pursuit of status and wealth has destroyed our souls and our economy. Families live in sprawling mansions financed with mortgages they can no longer repay. Consumers recklessly rang up Coach handbags and Manolo Blahnik shoes on credit cards because they seemed to confer a sense of identity and merit. Our favorite hobby, besides television, used to be, until reality hit us like a tsunami, shopping. Shopping used to be the compensation for spending five days a week in tiny cubicles. American workers are ground down by corporations that have disempowered them, used them, and have now discarded them
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
LIFE is a big word, isn't it? Let's break it down into small segments. Let's find a level of granularity we can plan around; we could say we'll take it a month at a time, or a week at a time, and treat each of those modules almost as training units.
Chris Cleave (Gold)
Here was the remainder of ten thousand educations, the bones drifted down to this depth. It was the fossil of one's country. She ached, because the war had cut the thin cord that bound each child to its ancestors with links made from cross-stitch and calligraphy.
Chris Cleave (Everyone Brave Is Forgiven)
Hermione,’ said Hagrid. ‘What about her?’ said Ron. ‘She’s in a righ’ state, that’s what. She’s bin comin’ down ter visit me a lot since Chris’mas. Bin feelin’ lonely. Firs’ yeh weren’ talking to her because o’ the Firebolt, now yer not talkin’ to her because her cat—’ ‘—ate Scabbers!’ Ron interjected angrily. ‘Because her cat acted like all cats do,’ Hagrid continued doggedly. ‘She’s cried a fair few times, yeh know. Goin’ through a rough time at the moment. Bitten off more’n she can chew, if yeh ask me, all the work she’s tryin’ ter do. Still found time ter help me with Buckbeak’s case, mind.… She’s found some really good stuff fer me…reckon he’ll stand a good chance now…’ ‘Hagrid, we should've helped as well—sorry—’ Harry began awkwardly. ‘I’m not blamin’ yeh!’ said Hagrid, waving Harry’s apology aside. ‘Gawd knows yeh’ve had enough ter be gettin’ on with. I’ve seen yeh practicin’ Quidditch ev’ry hour o’ the day an’ night—but I gotta tell yeh, I thought you two’d value yer friend more’n broomsticks or rats. Tha’s all.’ Harry and Ron exchanged uncomfortable looks. ‘Really upset, she was, when Black nearly stabbed yeh, Ron. She’s got her heart in the right place, Hermione has, an’ you two not talkin’ to her—
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
There is never a right time to break someone's heart. And anyone with even a microgram of sensitivity in his or her body will agonise for an age over that timing. Only problem is there is always some reason not to make someone unhappy. The day a relationship end, if that relationship was at all important to the suckers involved, becomes as important an anniversary as a wedding day or birthday. Obviously, the average person doesn't want to kick someone they once loved while that person is down.   It's not just hard times when someone is down that become obstacles to making your getaway. After times of bereavement, unemployment and general unhappiness, those events that should be happy ones also make some times off limits for the eager would- be dumper. Christmas, birthdays, Easter  all impossible. A clever person with a sensitive lover that they sense is not quite as into them as he or she used to be, could starve off the inevitable for years by carefully spacing out this crucial dates.
Chris Manby (Getting Personal (Red Dress Ink))
A Colder breeze lifted a dead leaf to the roof and sent it scuttling merrily on its way to catch in my hair. It crackled dry and brittle when Chris plucked it out and held it, just staring down at a dead maple leaf as if his very life depended on reading its secret for knowing how to blow in the wind. No arms, no legs, no wings... bit it could fly when dead.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
And YOU are supposed to be serving as guard. Seven vampires live across the hallway. What are you going to do if a couple of them have psychotic breaks and try to escape while you two are having a quickie?" (Bastien)"Chase them down bare-ass naked and give the human guards an eyeful.” "I don't know about you," one of the new vamps said in his room, "but I'm pretty sure even a total mind-fuck madness wouldn't make me risk that guy chasing me down and tackling me while he's naked and has a hard-on." Bastien and Seth both laughed. "What?" Chris asked unable to hear the vamps.
Dianne Duvall (Night Unbound (Immortal Guardians, #5))
I smiled down at Charlie, and I understood that he would be free now even if I would not. In this way the life that was in me would find its way in him now. It was not a sad feeling. I felt my heart take off lightly like a butterfly and I thought, yes, this is it, something has survived in me, something that does not need to run anymore, because it is worth more than all the money in the world and its currency, its true home, is the living. And not just the living in this particular country or in that particular country, but the secret, irresistible heart of the living. I smiled back at Charlie and I knew that the hopes of this whole human world could fit inside one soul.
Chris Cleave (Little Bee)
A good negotiator prepares, going in, to be ready for possible surprises; a great negotiator aims to use her skills to reveal the surprises she is certain to find. Don’t commit to assumptions; instead, view them as hypotheses and use the negotiation to test them rigorously. People who view negotiation as a battle of arguments become overwhelmed by the voices in their head. Negotiation is not an act of battle; it’s a process of discovery. The goal is to uncover as much information as possible. To quiet the voices in your head, make your sole and all-encompassing focus the other person and what they have to say. Slow. It. Down. Going too fast is one of the mistakes all negotiators are prone to making. If we’re too much in a hurry, people can feel as if they’re not being heard. You risk undermining the rapport and trust you’ve built. Put a smile on your face. When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). Positivity creates mental agility in both you and your counterpart.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
And then, suddenly, calm: we reach Mach 25, orbital speed, the engines wind down, and I notice little motes of dust floating lazily upward. Upward. Experimentally, I let go of my checklist for a few seconds and watch it hover, then drift off serenely, instead of thumping to the ground. I feel like a little kid, like a sorcerer, like the luckiest person alive. I am in space, weightless, and getting here only took 8 minutes and 42 seconds. Give or take a few thousand days of training.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
Listen ... The universe is full of creatures that can get inside your soul. Things that try to take away the very things that make you who you are, who try to reshape you for their own ends, who want to eat you like a piece of fruit and spit out the seeds. It's Turtles all the way down. Are you listening? ... Listen, Chris. The Turtles don't deserve your life. You mustn't let them have you. I know them too well, Chris. They've touched me, infected me, possessed me. I've felt their contamination. I've been on their altars. Listen to me, Chris. They don't have the right ... Not even if they love you ... Not even if they're a god.
Kate Orman (Doctor Who: Sleepy)
Does it get better when you're older?" "It did for me," Connor said. "How?" Bolt asked. "Someone lese believed in me," Connor said. "All it took was one person's approval and suddenly I believed in myself, too. It gave me a shield to block out all the doubt and negativity. It made me realize I was just as capable and deserving as the people I compared myself to. But you know what? I was wrong." "You were?" Bolt asked. "Totally," Conner said. "I didn't NEED someone else. I had confidence in myself, deep down inside, the whole time. Approval is just a shortcut to self-worth, but sometimes we have to find things out on our own. Sometimes if we want something bad enough, we have to inspire ourselves to get it. Sometimes we have to be our own superhero.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
After a few moments, her eyes became as glossy as his and she also spoke in complete nonsense. “Who are you?” Mother Goose asked the caterpillar. “What I am,” he said. “Where are you?” she said. “Here with you,” the caterpillar said. “And if this were the Castle of Hearts?” Mother Goose asked. “We’d be there,” he said. “But where?” she asked. “In the castle,” he said. “Ah, so there would be here,” she said, and they nodded together. “Here would be what’s left.” The caterpillar nodded. “Am I what’s left?” she asked. “You’re what’s right, of course.” “But what’s right is wrong.” “And what’s left is right.” “I understand completely,” Mother Goose said. “Thank you so much, Mr. Caterpillar.” The others stared at them absolutely dumbfounded. Mother Goose hopped down from the mushroom and moseyed back to them. “The caterpillar said to go back to the fork and take a left,” she said. “He did?” Alex asked. “It’s all about the keywords,” Mother Goose said. “I used to be friends with a sultan who enjoyed the hookah, too. Lester, I’m going to need you to carry me the rest of the way – I’m awfully tired.
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
Our heroes have arrived, then," the stranger said, his voice a soft, bubbly murmur. "Excuse me?" Poison queries. The odd creature put down his rod in a little wooden cradle that rested next to him and got up from the edge of the jetty. He looked them over with his vast, yellowish eyes. "Hmm," he said gloomily. "You don't seem a bad bunch." He jostled past them and began to shuffle back towards his house. "At least you're not the typical muscle-bound warrior, beautiful sorceress, and amusing thief sidekick. By the waters, did that become stale fast.
Chris Wooding (Poison)
Then as we passed down this Passage we were knocked against certain Women of the Town, who gave us Eye-language, since there were many Corners and Closets in Bedlam where they would stop and wait for Custom: indeed it was known as a sure Market for Lechers and Loiterers, for tho' they came in Single they went out by Pairs. This is a Showing-room for Whores, I said. And what better place for Lust, Sir Chris. replied, than among those whose Wits have fled?
Peter Ackroyd (Hawksmoor)
Look, I know we don’t always see eye-to-eye. We’ve had our share of disagreements, we often annoy each other to pieces, and we’ve each tried to kill the other at one point or another—but the truth, whether I want to admit it or not, is that you’re my best friend, Red. Would you do me the honor of being Hero’s godmother?” Red gasped and happy tears filled her eyes. “Yes, of course I will!” “Terrific,” Goldilocks said. “Because I just asked Porridge and she turned me down.” Red was so moved by the request, it didn’t even bother her that Goldilocks had asked a horse first.
Chris Colfer (Worlds Collide (The Land of Stories #6))
Are you sure this is what you want?” Alex asked. “You were just telling me you wanted a new adventure – this sounds like you’re settling down.” “Merlin is my next adventure,” she said. “I’ve never known someone who makes me excited just to wake up in the morning. I don’t look at the world and feel useless anymore, because I know I mean the world to him. He’s lived as long as I have, made just as many mistakes, and still has all his original teeth – I’m never going to find another man like him! I probably sound like an old loon, but one day you’ll understand. When you meet the person you’re meant to be with, everything changes – you don’t feel like you’re fighting the world alone anymore.
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
After a few moments, her eyes became as glossy as his and she also spoke in complete nonsense. “Who are you?” Mother Goose asked the caterpillar. “What I am,” he said. “Where are you?” she said. “Here with you,” the caterpillar said. “And if this were the Castle of Hearts?” Mother Goose asked. “We’d be there,” he said. “But where?” she asked. “In the castle,” he said. “Ah, so there would be here,” she said, and they nodded together. “Here would be what’s left.” The caterpillar nodded. “Am I what’s left?” she asked. “You’re what’s right, of course.” “But what’s right is wrong.” “And what’s left is right.” “I understand completely,” Mother Goose said. “Thank you so much, Mr. Caterpillar.” The others stared at them absolutely dumbfounded. Mother Goose hopped down from the mushroom and moseyed back to them.
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
What I couldn’t stand was being cold. Lying out on the beach in the surf, stripped down, freezing my ass off—that was the worst. I’d lock arms with the guys on either side of me and “jackhammer,” my body vibrating crazily with the chills. I prayed for someone to pee on me. Everybody did, I’m sure. Urine was about the only warm thing available at that point. If you happen to look out on the surf during a BUD/S class and see a bunch of guys huddled together, it’s because somebody out there is pissing and everybody is taking advantage of it.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
He is looking down on the two crystal balls that the old man's foul, strong hands have rolled across to him. In one he sees Margaret, not in her raincoat and her nodding plumes, but as she is transfigured in the light of eternity. Long he looks there; then drops a glance to the other, just long enough to see that in its depths Kitty and I walk in bright dresses through our glowing gardens. We had suffered no transfiguration, for we are as we are, and there is nothing more to us. The whole truth about us lies in our material seeming. He sighs a deep sigh of delight and puts out his hand to the ball where Margaret shines. His sleeve catches the other one and sends it down to crash in a thousand pieces on the floor. The old man's smile continues to be lewd and benevolent; he is still not more interested in me than in the bare-armed woman. Chris is wholly inclosed in his intentness on his chosen crystal. No one weeps for this shattering of our world.
Rebecca West (The Return of the Soldier)
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.” “Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell. “Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex. “I belong to you,” I pant. He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings. “Oh … ah … I … I belong to you.” His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need. I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping. “I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release. With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him. Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
Lisa Renee Jones (Being Me (Inside Out, #2))
You do understand, Sara. More than you know. More than I wish you did.” His mouth closes down over mine, hot with demand, and I know he believes this conversation is over, that he means to end it with the wicked caress of his tongue against mine, the possessive splay of his hands on my body. But I refuse to be this powerless, to be silenced with the very passion that drives me to need to understand this man. “No,” I gasp, and shove against him, breathless as I meet his gaze and demand, “Make me understand, Chris.” And on some level I know this is that unknown place I’ve craved to go with him, that place he hides from me, that place he wants to take me. This is where we have to go, where we’ve always been headed.
Lisa Renee Jones (Being Me (Inside Out, #2))
The grenade hit him in the chest and bounced onto the deck [here, the Navy term for floor]. He immediately leapt to his feet and yelled “grenade” to alert his teammates of impending danger, but they could not evacuate the sniper hide-sight in time to escape harm. Without hesitation and showing no regard for his own life, he threw himself onto the grenade, smothering it to protect his teammates who were lying in close proximity. The grenade detonated as he came down on top of it, mortally wounding him. Petty Officer Monsoor’s actions could not have been more selfless or clearly intentional. Of the three SEALs on that rooftop corner, he had the only avenue of escape away from the blast, and if he had so chosen, he could have easily escaped. Instead, Monsoor chose to protect his comrades by the sacrifice of his own life. By his courageous and selfless actions, he saved the lives of his two fellow SEALs.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
We went back for a few days to work with the Marines when they took down a hospital north of the city on the river. The insurgents were using the hospital as a gathering point. As the Marines came in, a teenager, I’d guess about fifteen, sixteen, appeared on the street and squared up with an AK-47 to fire at them. I dropped him. A minute or two later, an Iraqi woman came running up, saw him on the ground, and tore off her clothes. She was obviously his mother. I’d see the families of the insurgents display their grief, tear off clothes, even rub the blood on themselves. If you loved them, I thought, you should have kept them away from the war. You should have kept them from joining the insurgency. You let them try and kill us—what did you think would happen to them?
Chris Kyle (American Sniper)
Throughout my career, I always had great respect for the British Special Air Service, the famed SAS. The SAS motto was “Who Dares Wins.” The motto was so widely admired that even moments before the bin Laden raid, my Command Sergeant Major, Chris Faris, quoted it to the SEALs preparing for the mission. To me the motto was more than about how the British special forces operated as a unit; it was about how each of us should approach our lives. Life is a struggle and the potential for failure is ever present, but those who live in fear of failure, or hardship, or embarrassment will never achieve their potential. Without pushing your limits, without occasionally sliding down the rope headfirst, without daring greatly, you will never know what is truly possible in your life.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
To get what we want we must be subtle as snakes; more deadly, more cunning, more patient, more mean. Think of the serpent, how it slithers through the garden. It's such a beautiful creature, slow and delicate, rarely seen but effective, low, and not loved, but gloriously efficient! The serpent is now our model; we must pattern our work after him. So go to your old friends and stand by their sides. Pretend you want to help them while whispering deceits in their ears. Only lie when you have to. Speak the truth when you can; for the truth, once it's twisted, is the most effective tool we have. Coat your lies with enough truth, and they will swallow it down. Now listen to me, people, for this is the key - evil can be twisted into virtue if you phrase it just right. Any vice is acceptable if you cloak it as an issue of freedom. Any immorality is worth fighting for it you tell them they are fighting for choice, if you wrap it in the mantle of privacy and freedom. So take their moral agency and turn it on them. But be patient. . . be patient. . . it takes time to turn the truth upside down.
Chris Stewart
It was scary. It was dark. You couldn't see anyone. You could hear people hollering, "Help, help." And all you can see is the stars, so many stars in the sky. More than we saw before when we had electricity. That's the only light we had, the stars. And it was just so close, so close to me. I just laid on the porch and watched the stars. And to me, this might sound crazy to other people, but to me it was like God looking down at us and talking. We don't hear no voice but he's talking. And to me it was like everything was going to be all right and my baby, my son who had died, is going to to be with him. And I always felt like I'm gonna be all right. And I don't have no fear.
Chris Ying (Voices from the Storm: The People of New Orleans on Hurricane Katrina and Its Aftermath)
Oooo, what is that?” Red yelled when she saw the palace. “That’s Buckingham Palace,” Alex said. “It’s where the monarchy resides.” Red was mesmerized. “What a stylish and tasteful place! Look at that beautiful statue out front of it in the middle of the street! That looks exactly like the statue I wanted to build in celebration of Charlie’s and my wedding!” Red left the others and flew down to the gate. She peered through the bars at the palace in delight. She had to hang on to the bars tightly because the fairy dust was making her drift back to the sky. One of the palace guards on duty saw Red and stared at her in disbelief. It wasn’t every day he saw a floating woman at the gate. “Yoo-hoo!” Red called to him. “I just love your hat! Please tell the current monarch that Queen Red of the Center Kingdom says hello —” Conner flew to the gate and pulled Red’s hands off the bars. “Red, come on. You’re gonna get left behind!
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
He’s an immortal from Brazil,” Chris said. “His mortal lover, whom he thought was completely trustworthy, videotaped them having sex—” “Awesome!” Sheldon interjected with a grin. Everyone looked at him. “What? I like porn.” Still they stared. He frowned. “I have to give up booze, parties, and porn? Can’t a Second have any vices?” Chris sighed. “Anyway. She videotaped them having sex and intended to auction it off to news outlets once it had been authenticated by an expert who would swear the glowing eyes, fangs, and . . . ah . . . unusual speed and other things demonstrated were not special effects produced by a post-production house.” “Maybe they were,” Sheldon suggested somberly. “Maybe she was out to discredit him. I think we should all watch it and—” “The tape has been destroyed,” Seth cut in. “Damn.” Sheldon slumped down in his seat. Chris met Richart’s gaze. “Anytime you want me to get rid of him . . .” Richart shook his head. “He amuses me.
Dianne Duvall (Darkness Rises (Immortal Guardians, #4))
Her breath snagged in her throat, her fingers faltering on her own aching flesh. She was shamefully wet. Shamefully needful. “Do you do this very often, Adrian?” “Phone sex?” “Touching yourself.” “Not too often.” “I guess you wouldn’t need to.” Embarrassment stung her cheeks. “Everyone needs to, Billie.” “But in your business—well, if you wanted, you could probably have—you know, with your clients, at least three orgasms a day.” “But I don’t.” “Even still, the last time you had to touch yourself, just for sheer relief, was probably when you were a teenager.” “How do you know?” Laughter edged his voice again. Billie paused, guiltily withdrawing her fingers to toy with the elastic on her panties. “Name the last time.” “After our interview at Avalon.” He had such a way of knocking her breathless. “Liar,” she said, flattered. “Why would you do that, knowing what kind of work night you had ahead of you?” “Because you turned me down. Left in a huff before I could even kiss you. I couldn’t get you out of my mind.” “Thank you, I think.
Shelby Reed (The Fifth Favor)
I leaned against the SUV he was working on. “So….” “So?” he asked, looking back down at the tablet. “How rich are we?” He snorted. “Get back to work.” And I was going to do just that, except that Kelly Bennett decided to appear right at that moment. Wearing a deputy’s uniform. Tight green pants with a tan button-up shirt that pulled against his torso. He had a mic clipped near his shoulder and a black utility belt around his waist. He wasn’t carrying a gun, but I barely noticed because at that exact moment, I discovered my legs decided to quit working and I tripped and fell into the side of the SUV. Everyone stopped what they were doing to look at me. “Sorry,” I said quickly, using the SUV to pull myself back up. And immediately hit the top of my head on the open hood. “Son of a bitch.” “What are you doing?” Gordo asked slowly. I laughed wildly. “Nothing! It’s nothing. Just… don’t even worry about it.” He turned toward the front of the garage. “Oh no,” he said when he saw who was standing there. “Not this again.” He pointed the tablet at Kelly. “I swear to god, if I find an animal carcass brought here at any point, I will make both your lives a living hell. Do you understand me? I’m getting too old for this shit.” “I can’t believe we have to watch this all over again,” Chris said to Tanner. “It was bad enough the first time. Remember when Robbie figured out that he wanted to put himself all over Kelly?” “Yeah,” Tanner said. “How could I forget? We had to tell Ms. Martin that her side mirror was broken by accident instead of telling her the truth, that Robbie got a weird wolf boner and forgot his own strength.” “Maybe it’ll be like it was with Ox and Joe,” Rico said, tapping a socket wrench against his hand. “Mini muffins, you know? I ate, like, ten of them.” Chris looked scandalized. “You did what? That was one of their mystical moon magic presents! You don’t touch another man’s mystical moon magic present, Rico. They could have killed you, or worse, gotten confused and made you their mate.” He frowned. “Are there werewolf threesomes? That sounds complicated. Too many limbs. I don’t know anything about being a wolf.
T.J. Klune (Heartsong (Green Creek, #3))
While Molly stood off to the side laughing, both dogs bounding around her, Priss snuggled up against Matt and got twirled right off her feet. She put her head back and laughed aloud. Her hands clung to Matt’s shoulders. Her pelvis flattened against his. Long ropes of hair wrapped in silver foil stuck out around her head. She wore a cape and she had cotton wrapped in and around her toes. For a woman set on murdering her father, she looked mighty happy. Liger was the only one to notice Trace’s entrance. The big cat jumped down from the windowsill and started his way. Chris and Dare crowded in behind Trace. And still Trace stood there in the open doorway, frozen with some anomalous, churning emotion. Yeah, Matt was more than able to handle Priss. The son-of-a-bitch had just picked her up off her feet. Again. And again, Priss held on to him. Near his ear, Chris said, “Yeah, uh, this might be a good time to remind you that Matt is gay.” “Somehow,” Trace told him, “that’s not mattering to me much right now.” Dare said, “You never know when to quit, do you, Chris?” As Matt twirled her around, Priss laughed without reserve, and Trace wanted her so damn bad that he couldn’t see straight.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
The minute Molly and Priss disappeared inside, Trace cursed. He actually wanted to hit something, but a tree would break his knuckles, he didn’t want to put another dent in the truck, and Dare would hit back. Chris Chapey, Dare’s longtime best friend and personal assistant, approached with the enormous cat draped over one shoulder so that he could keep an eye on the trailing dogs. The bottom half of Liger filled his arms, and the long tail hung down to the hem of Chris’s shorts. Without even thinking about it, Trace started petting the cat. After a few hours in the truck together, he and Liger had an understanding of sorts. Dare watched him, but said only, “That cat is a beast.” “He’s an armful, that’s for sure.” Chris hefted him a little higher, and got a sweet meow in return. Both dogs barked in excitement, but quited when Liger gave them a level stare. Chris laughed at that. “You want me to head in to keep an eye on things” “That’s why I pay you the big bucks, right?” Dare stared toward the house. “You can tell Trace’s lady—” “She’s not mine.” Both Chris and Dare gave him a certain male-inspired look, a look that said they understood his bullshit and would let it slide—for now.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
When she lifted her head to meet his gaze, his eyes were closed, lashes like inky brushstrokes on his cheeks. His palms came up to cup the sides of her neck, and with a shaky sigh, he rested his forehead against hers. “I’ll let you go, Billie.” His words poured against her lips, husky, raw. “I always keep my end of a deal. In exchange, you’ll come to Avalon as a client. Tomorrow. This week. Walk through those doors and send for me. I’ll be whatever you want. I’ll take you up to my room and turn you inside out. I’ll taste and touch and fuck you until you scream. And if you want control, it’s yours. A favor for a favor.” She clung to him to keep from collapsing, torn between tears and wild, wayward laughter. The scenario was unreal. And the only argument she could think of was a frail one, easily shot down. “Azure would never allow—” “It’s as good as done. I’ll put you in the book myself. Maria will call you with the date, and I’ll keep my distance from you until then.” His lips brushed her ear. “Please, Billie. Let’s end this before it kills us both. Say yes.” The truth wrapped itself around her. You’re hopelessly in love with this man, aren’t you, Billie Cort? “Yes,” Billie said, squeezing her eyes closed. “God, yes.
Shelby Reed (The Fifth Favor)
Huffing from her exertion, her face flushed and her expression happy, she looked toward the door—and went still. Dare pushed past Trace and went to the wall unit to turn down the music. Into the silence, Chris asked, “Everyone having fun?” “God, Chris,” Dare said. “Trace is going to kill you if you don’t shut up.” “Really?” Priss struck a pose of annoyance, one hip cocked out, her arms crossed, her chin elevated. “And here Molly and Chris assured Matt that you weren’t the type to cause bodily harm.” “They must have been jesting.” Trace was well used to Chris’s warped sense of humor, so Chris wasn’t in any danger. But Matt . . . Trace zeroed in on him. In a tone more lethal for the quietness of it, he asked, “What are you doing?” “Harmless dancing?” Matt replied in a nervous question, unsure of the right answer. Priss suddenly stepped in front of Matt, which left Matt bemused. “Don’t act snarky with him, Trace. I asked him to dance with me. We had some time to kill before this crud comes out of my hair. And you were nowhere to be found.” Matt pulled her aside, earning a glare from Trace. He quickly held up his hands, palms out, to prove he wasn’t touching her. “Speaking of time, we can go wash your hair right now, if everyone will just excuse us.” “I need a minute with Priss first.” Trace eyed her militant stance, and had to fight a smile. She had a backbone of steel. He liked that. “Alone.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me. “Hurry up and get up there before all the candles melt, Lara Jean,” Chris calls out. Darrell and Gabe help hoist me onto the table, careful not to set my dress on fire. Peter says, “Okay, now you look at me adoringly, and I lean forward like this.” Chris comes forward and puffs out my skirt a bit. “Roll up your sleeve a little higher,” she instructs Peter, looking from her phone to us. Peter obeys, and she nods. “Looks good, looks good.” Then she runs back to her spot and starts to snap. It takes no effort on my part at all to look at Peter adoringly tonight. When I blow out the candles and make my wish, I wish that I will always feel for Peter the way I do right now.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.” My heart jerked in my chest, then began to pound. My mouth went dry. “I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.” The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..? “I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.” “Stop.” The word broke from my throat like slivers of glass. “And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.” “Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!” He trembled visibly, but didn’t back down. “I had to tell you –“ His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!” Tears lipped down his face. “I love you like my own. Always have.” I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it. “I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.” I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?” Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.” Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.” Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists. He stopped before he left the room, facing me. “I’m glad you told Eva.” “Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it. He left. The weight of the day crashed onto my shoulders, dropping me to my knees. I broke.
Sylvia Day (Captivated by You (Crossfire, #4))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))