Chris Craft Quotes

There is no higher calling than service to your fellow man, and to do so through your own personal mastery of a craft is a gift enjoyed by few. Cultivate this gift, and give it away.

I can think of no more worthwhile aim than pursuing mastery in this craft while transcending one's own limitations.

An author is like an incompetent bricklayer - doesn't use mortar and keeps rearranging the bricks until someone tells him to stop.

Writing is a team sport.

I can think of no more worthwhile aim than pursuing mastery in this craft while transcending one’s own limitations.

The sniper is like a highly skilled surgeon, practicing his craft on the battlefield. Make no mistake: War is about killing other human beings, taking out the enemy before he takes us out, stopping the spread of further aggression by stopping those who would perpetuate that aggression. However, if the goal is to prosecute the war in order to achieve the peace, and to do so as fast and as effectively as possible, and with the least collateral damage, then warriors like Chris Kyle and our other brothers-in-arms are heroes in the best sense.

The planet is sending out two unmanned craft to determine what you did to me I am requesting a copy of their findings which I would send to you if I had your address or any stamps.

A truly humble man has no concept of his humility, for he cannot fathom that he would be so special to have the need to be humble. He is too busy getting lost in appreciation of a craft or his fellow man to think of himself. “True humility is not thinking less of yourself; it is thinking of yourself less.” -C.S. Lewis

Because of the tragic way that Chris Cornell’s life ended, there’s a propensity to view his story as a tragedy. That would be a mistake. Chris Cornell lived his life to the fullest. He overcame seemingly insurmountable challenges time and time again in the pursuit of a dream too enormous to fathom. He used the tools at his disposal—his one-of-a-kind voice, his guitar, and his imagination—to craft era-defining music that many turned to time and again in moments of sadness, anger, joy, anguish, fear, doubt, and love. He lifted the hearts and minds of countless people from all walks of life on nearly every continent on the planet with his unique and unparalleled artistry. He did what he loved, and along the way created a musical legacy that will endure for generations. Chris Cornell kept his promise.

WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY

Do not use the elevators or your craft will stall.

We are born with a natural delight in the music of language. As infants we coo and babble and let consonants roll around in our mouths like mother’s milk. As young children, we invent words, mash syllables together, and delight in nonsensical lines. We let ourselves be lulled to sleep by the playful rhymes of Mem Fox (“It’s time for bed, little goose, little goose, / The stars are out and on the loose”). We seek out stories with fanciful sounds (“Quickberry / Quackberry / Pick me a blackberry”). We begin to sense the link between what’s on the surface, and what’s under it (“I meant no harm. I most truly did not. / But I had to grow bigger. So bigger I got. / I biggered my factory. I biggered my roads. / I biggered my wagons. I biggered the loads”). As we mature, our delight in the music of words goes a bit underground, but it’s still there. We repeat not just Chaucer’s prologue, but also advertising jingles. We let brand names like Chunky Monkey and SurveyMonkey tumble off our tongues. We appreciate the curt sentences of Hemingway as well as those that are long and loose and lyrical. We let ourselves be moved by the moral authority of Nelson Mandela. We follow the Dalai Lama on Facebook. We let Chris Christie voice our outrage after a hurricane, Barack Obama our sorrow after a massacre of children. Language remains an adventure, if sometimes a somewhat mysterious one: We are drawn to reliable narrators and find that metaphors lift us. We are transported by soaring vowels. The cadence of sentences acts on us like the rhythm of an ancient drum. The music of language leads us to meaning, to our own humanity.

We are all apprentices in a craft where no one ever becomes a master.” ― Ernest Hemingway, The Wild Years

We are all apprentices in a craft where no one ever becomes a master.” ― Ernest Hemingway, "The Wild Years

Jiu Jitsu opened up doors in my mind that public education had bolted shut. In hindsight, I see just how superficial my thoughts had been prior to this art. It is no coincidence that my efforts in reading and writing have run parallel with this craft. I began training Jiu Jitsu at twenty-two, and at the time of this writing I am about to turn thirty. I have learned more in the past eight years than the previous twenty-two, and have no doubts that Jiu Jitsu opened up my mind in a way traditional organized education never could. Jiu Jitsu gave me a life when I didn't know how to live. It is the best thing I have ever done, and is the foundation upon which all I will do.

The goal isn’t to get rich quickly but to build something that other people will value enough to pay for. You’re not just creating a job for yourself; you’re crafting a legacy.

I have seen far by seeing through the lens of Jiu Jitsu. I have exchanged a great deal of physical health for these insights, and these were trades worth making. My efforts were worth the return. I have sacrificed much in the name of this craft. Not for trophies or belts or prestige. For these fall away like dust. I pursued this art so fervently because it was not actually Jiu Jitsu I pursued. It was myself.

...someone stops writing because [s]he listens to that tiny voice that says, 'What you're writing isn't any good because someone else has already said it.' Well, you shouldn't listen to that voice, because while it's partially right, it's also wrong. The stories we craft, the webs we weave, they are all drawn from the same common threads scattered throughout our shared histories. There's no such thing as originality in the components of a story — our ancestors saw to that a long ago with those ancient fireside tales.

What people intuitively grasped was the new efficiences in distribution, manufacturing, and marketing were changing the definition of what was commercially viable across the board. The best way to describe these forces is that they are turning unprofitable customers, products, and markets into profitable ones. Although this phenomenon is most obvious in entertainment and media, it's an easy leap to eBay to see it at work more broadly, from cars to crafts. Seen broadly, it's clear that the story of the Long Tail is really about the economics of abundance - what happens when the bottlenecks and stand between supply and demand in our culture start to disappear and everything becomes available to everyone.

join Yale’s CEID (Center for Engineering Innovation and Design) to become a “maker-geek,” getting your hands dirty crafting prototypes and designing clever devices. Play at the interstices of disciplines, find the edges and seek overlap. Talk to people who are discussing things you don’t understand. Take