Choir Of Man Quotes

A man's growth is seen in the successive choirs of his friends.

King looked back at Roland. "As The Man With No Name--a fantasy version of Clint Eastwood--you were okay. A lot of fun to partner up with." "Is that how you think of it?" "Yes. But then you changed. Right under my hand. It got so I couldn't tell if you were the hero, the antihero, or no hero at all. When you let the kid drop, that was the capper." "You said you made me do that." Looking Roland straight in the eyes--blue meeting blue amid the endless choir of voices--King said, "I lied, brother.

Once Pastor Keith hit a crescendo, Sister Gertrude would rise and jump, scream, kick, dance, and pass the hell out. Obviously, she required physical restraints to minimize damage to other parishioners and a cleanup crew for the broken pews, discarded clothing,mangled jewelry, and loose items strewn about. Yes, it took an army of ushers to physically restrain her. She was twice as big as a man. No one smaller than Shaquille O’Neal could take her down. Well, I became her parasite and First Responder. Whenever I saw aglare in her eyes, twitch in her neck, or frown on her face, I knew to move into position. But for me, getting injured was a badge of honor. I just had to be a part of her fiascos. Yet, on one Easter Sunday, I got more than I bargained for. When our youth choir created a stir, Sister Gertrude went haywire. First, she reverse dunked her grandbaby into my breadbasket. Once again, she knew I would be there for the airborne toddler. Second, a whole orchard of mixed fruits flew over my head. Third, a scarf, blouse, wig, and shoe were diverted my way. Finally, a bevy of oversized Ushers and Deacons twisted, pulled, and sacrificed themselves before Sister Gertrude went lax. It was the most outrageous display Zion Gate Union had ever seen. Mind you, she was never a disappointment for a would-be reverend like me.

Part calico choir girl...........and part satin dance hall doll, with amber eyes and a dash of hellcat red in her hair --- the kind of woman that a man wants in his bedroom when he's sick.............and in his bed when he's not.

Speaking of jeans, good Lord, the man’s ass was a bona fide work of art. As he strode toward the nearby counter to place his order, his work boots not making a single sound, those tight buns set off a choir of rejoicing angels in her head.

Sing, then. Sing, indeed, with shoulders back, and head up so that song might go to the roof and beyond to the sky. Mass on mass of tone, with a hard edge, and rich with quality, every single note a carpet of colour woven from basso profundo, and basso, and baritone, and alto, and tenor, and soprano, and also mezzo, and contralto, singing and singing, until life and all things living are become a song. O, Voice of Man, organ of most lovely might.

The individual who rebels against the arrangements of society is ostracized, branded, stoned. So be it. I am willing to take the risk; my principles are very pagan. I will live my own life as it pleases me. I am willing to do without your hypocritical respect; I prefer to be happy. The inventors of the Christian marriage have done well, simultaneously to invent immortality. I, however, have no wish to live eternally. When with my last breath everything as far as Wanda von Dunajew is concerned comes to an end here below, what does it profit me whether my pure spirit joins the choirs of angels, or whether my dust goes into the formation of new beings? Shall I belong to one man whom I don't love, merely because I have once loved him? No, I do not renounce; I love everyone who pleases me, and give happiness to everyone who loves me. Is that ugly? No, it is more beautiful by far.

Julia closed her eyes and concentrated on the words to Lacrimosa, sung loudly and hauntingly by the multi-voice choir in Latin… Day of Weeping,on which will rise from ashes guilty man for judgment. So have mercy, O Lord, on this man. Compassionate Lord Jesus, grant them rest. Amen. What is wrong with Gabriel that he listens to this over and over again? And what does it say about me that I can’t help but feel close to him when I listen to it? All I’ve done is replace his photograph with his cd — I’m just not sleeping with it under my pillow. I am one sick puppy.

The god abandons Antony When at the hour of midnight an invisible choir is suddenly heard passing with exquisite music, with voices ― Do not lament your fortune that at last subsides, your life’s work that has failed, your schemes that have proved illusions. But like a man prepared, like a brave man, bid farewell to her, to Alexandria who is departing. Above all, do not delude yourself, do not say that it is a dream, that your ear was mistaken. Do not condescend to such empty hopes. Like a man for long prepared, like a brave man, like the man who was worthy of such a city, go to the window firmly, and listen with emotion but not with the prayers and complaints of the coward (Ah! supreme rapture!) listen to the notes, to the exquisite instruments of the mystic choir, and bid farewell to her, to Alexandria whom you are losing.

And there it is! Bravo! I knew it was only a matter of time before Byron realized he had an audience. That man is simply incapable of keeping his shirt on when there are spectators. One Christmas Eve, he stripped his shirt off right in the middle of the choir's rendition of Oh Child of Bethlehem. Coincidentally, the next song was Come Let Us Adore Him and the imbecile actually launched into some interpretive dance.

Tonio Treschi was that half man, that less than man that arouses the contempt of every whole man who looks upon it. Tonio Treschi was that thing which women cannot leave alone and men find infinitely disturbing, frightening, pathetic, the butt of jokes and endless bullying, the necessary evil of the church choirs and the opera stage which is, outside that artifice and grace and soaring music, very simply monstrous.

His sexual movements were smoother than warm butter, creative, musical, and right away he became a conductor who directed the performance and moans of his one-woman orchestra with his dick. I sang like a choir.

Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.

He was a realist with too much fervor and not enough reverie. He always remained pragmatic in a place that had too much use for superstition. That’s enough to ruin any man.

A man’s growth is seen in the successive choirs of his friends. For every friend whom he loses for truth, he gains a better.

O, Voice of Man, organ of most lovely might.

Come the middle of October, the air was beginning to cool, but like every year, it was happening slowly. It was hard to even feel yet. But the woods could tell. The orange-and-red requiem for the hotter months played vibrantly on the leaves of the oak trees that peppered the side of the road, a beautiful and warm foreground for the choir of deep green pines beyond.

The choir sang and the old man sang and Drake couldn't sing, and suddenly he began to cry because of the music, because of the sound of the boys' voices, because of what they might turn into.

I propose that English poetry and biology should be taught as usual, but that at irregular intervals, poetry students should find dogfishes on their desks and biology students should find Shakespeare sonnets on their dissecting boards. I am serious in declaring that a Sarah Lawrence English major who began poking about in a dogfish with a bobby pin would learn more in thirty minutes than a biology major in a whole semester; and that the latter upon reading on her dissecting board That time of year Thou may’st in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold— Bare ruin’d choirs where late the sweet birds sang. might catch fire at the beauty of it.

He done his level best. Was he a mining on the flat.. He done it with a zest.. Was he a leading of the choir.. He done his level best. If he'd a reg'lar task to do, He never took no rest.. Or if 'twas off and on the same.. He done his level best. If he was preachin' on his beat, He'd tramp from east to west, And north to south ..in cold and heat.. He done his level best. He'd Yank a sinner outen (Hades), And land him with the blest; Then snatch a prayer'n waltz in again, And do his level best. He'd cuss and sing and howl and pray, And dance and drink and jest, He done his level best. Whate'er this man was sot to do He done it with a zest; No matter what his contract was, He'd do his level best...

Layla narrowed her gaze at Liam. "Try and be nice. I know it's an effort, but if you hurt her---" "Are you threatening me?" Liam's lips quivered at the corners. "You're only half my size." "There are many ways to hurt a man," Layla said quietly. "And our choir does need a new soprano...

Daniel saw in a way he’d never seen anything before: his mind was a homunculus squatting in the middle of his skull, peering out through good but imperfect telescopes and listening horns, gathering observations that had been distorted along the way, as a lens put chromatic aberrations into all the light that passed through it. A man who peered out at the world through a telescope would assume that the aberration was real, that the stars actually looked like that—what false assumptions, then, had natural philosophers been making about the evidence of their senses, until last night? Sitting in the gaudy radiance of those windows hearing the organ play and the choir sing, his mind pleasantly intoxicated from exhaustion, Daniel experienced a faint echo of what it must be like, all the time, to be Isaac Newton: a permanent ongoing epiphany, an endless immersion in lurid radiance, a drowning in light, a ringing of cosmic harmonies in the ears.

He got into the van and opened the window to wave, and then, as it revved up and pulled away, his lips touched the palm of his hand and he blew me a kiss, something he hasn't done since he was a child. It was as if on the edge of manhood he, too, remembered everything we had shared, that he was the man who was still, in his heart, my little boy, late for school.

Hafez gives us this image: “God and I have become like two giant fat people living in a tiny boat. We keep bumping into each other and laughing.” This feels like the pulse of God to me—to be loved like a rock, forever, unchanging, and as solid as can be. We need to let ourselves be bumped into and loved by the Fat Man. God hopes that the laughing will be contagious.

The first time that I went to Tuskegee I was asked to make an address to the school on Sunday evening. I sat upon the platform of the large chapel and looked forth on a thousand coloured faces, and the choir of a hundred or more behind me sang a familiar religious melody, and the whole company joined in the chorus with unction. I was the only white man under the roof, and the scene and the songs made an impression on me that I shall never forget. Mr. Washington arose and asked them to sing one after another of the old melodies that I had heard all my life; but I had never before heard them sung by a thousand voices nor by the voices of educated Negroes. I had associated them with the Negro of the past, not with the Negro who was struggling upward. They brought to my mind the plantation, the cabin, the slave, not the freedman in quest of education. But on the plantation and in the cabin they had never been sung as these thousand students sang them. I saw again all the old plantations that I had ever seen; the whole history of the Negro ran through my mind; and the inexpressible pathos of his life found expression in these songs as I had never before felt it. And the future? These were the ambitious youths of the race, at work with an earnestness that put to shame the conventional student life of most educational institutions. Another song rolled up along the rafters. And as soon as silence came, I found myself in front of this extraordinary mass of faces, thinking not of them, but of that long and unhappy chapter in our country's history which followed the one great structural mistake of the Fathers of the Republic; thinking of the one continuous great problem that generations of statesmen had wrangled over, and a million men fought about, and that had so dwarfed the mass of English men in the Southern States as to hold them back a hundred years behind their fellows in every other part of the world—in England, in Australia, and in the Northern and Western States; I was thinking of this dark shadow that had oppressed every large-minded statesman from Jefferson to Lincoln. These thousand young men and women about me were victims of it. I, too, was an innocent victim of it. The whole Republic was a victim of that fundamental error of importing Africa into America.

He did not come floating off the mountain as though walking on air. He did not run down shouting “Hallelujah” and “Bless the Lord.” He did not radiate light and joy. There were no choirs of angels, no music of the heavens. No elation, no ecstasy, no golden aura surrounding him. No sense of his absolute, foreordained, unquestionable role as the messenger of God. Not even the whole of the Quran fully revealed, but only a few brief verses. In short, Muhammad did none of the things that might seem essential to the legend of a man who had just done the impossible and crossed the border between this world and another—none of the things that might make it easy to cry foul, to denigrate the whole story as an invention, a cover for something as mundane as delusion or personal ambition. On the contrary: he was convinced that what he had encountered could not be real. At best it must be a hallucination: a trick of the eye or the ear, or his own mind working against him. At worst, possession, and he had been seized by an evil jinn, a spirit out to deceive him, even to crush the life out of him. In fact he was so sure that he could only be majnun, literally possessed by a jinn, that when he found himself still alive, his first instinct had been to finish the job himself, to leap off the highest cliff and escape the terror of what he had experienced by putting an end to all experience.

Finally we touch that Great Fact, which Goethe incorporated into his final words: the 'ever-womanly.' It is a sin against Goethe to say that here he means the female sex. He refers to that profundity signifying the human soul as related to the mystery of the world; that which deeply yearns as the eternal in man, the ever-womanly which draws the soul to the eternally immortal, the eternal wisdom, and which gives itself to the 'eternal masculine.' The ever-womanly draws us towards the ever-masculine. It has nothing to do with something feminine in the ordinary sense. Therefore can we truly seek this ever-womanly in man and woman: the ever-womanly which aspires to the union with the ever-manly in the cosmos, to become one with the Divine-Spiritual that inter-penetrates and permeates the world towards which Faust strives. This mystery of man of all ages pursued by Faust from the beginning, this secret to which Spiritual Science is to lead us in a modern sense, is expressed by Goethe paradigmatically and monumentally in those five words at the conclusion of the second part of Faust represented as a mystic Spirit Choir; that everything physical surrounding us in the sense world is Maya, illusion; a symbol only of the spiritual. But this spiritual we can perceive if we penetrate that which covers it like a veil. And in it we see attained what on earth was impossible of attainment. We see that, which for ordinary intellect is indescribable, transformed into action as soon as the human spirit unites with the spiritual world. 'The ineffable wrought in love.' And we see the significance of the moment when the soul becomes united with the eternal masculine of the cosmic world. That is the great secret expressed by Goethe in the words: 'All of mere transient date As symbol showeth; Here the inadequate To fullness groweth; Here the ineffable Wrought is in love; The ever-womanly Draws us above ...

Have you come to help Me?" The sensayer waited, uncertain whether the words were meant for her. "Help you how?" she asked. The stone-still Speaker did not turn. "To understand the God Who made this portrait of Himself." Carlyle looked to the altarpiece, the choirs of Heaven shimmering in their concentric circles of cracking paint and gold. "People made that, human beings searching for their own understanding." "If God made Man and Man made this, it is still a Self-portrait.

Sabbaths, 1982—IV   (“A gardener rises out of the ground”) Thrush song, stream song, holy love That flows through earthly forms and folds, The song of Heaven’s Sabbath fleshed In throat and ear, in stream and stone, A grace living here as we live, Move my mind now to that which holds Things as they change. The warmth has come. The doors have opened. Flower and song Embroider ground and air, lead me Beside the healing field that waits; Growth, death, and a restoring form Of human use will make it well. But I go on, beyond, higher In the hill’s fold, forget the time I come from and go to, recall This grove left out of all account, A place enclosed in song. Design Now falls from thought. I go amazed Into the maze of a design That mind can follow but not know, Apparent, plain, and yet unknown, The outline lost in earth and sky. What form wakens and rumples this? Be still. A man who seems to be A gardener rises out of the ground, Stands like a tree, shakes off the dark, The bluebells opening at his feet, The light a figured cloth of song.

Mabel went on, and you Petites Cendres, you haven’t forgotten we’re throwing a party for your Doctor Dieudonné, oh yes, soon as he gets back, the entire Black Ancestral Choir’s going to celebrate Dieudonné, man of God taking care of the poor and never asking for one cent, why did he have to go away said Petites Cendres, carefree in the comfort of his bed, wasn’t his clinic enough, he mumbled into the dishevelled folds of his sloth, I mean why go volunteer there when we’re holding a party for him right here, Mabel’s singsong voice cut in, going from deep to nasal, he’s getting the town’s medal of honour for doctoring all you lazy layabouts and lost souls, and running two hospitals and a hospice, our very own choir director’s going to give him his plaque with those same fingers and long thin red nails of hers, the ideal man, says the doctor, is not one who piles up money but one who saves lives, why he’s even helped our Ancestral Choir a whole lot too, he’s going to need a nice black tuxedo, just what he hates, and Eureka, the head of the choir, will be so proud that day when Reverend Ézéchielle invites us all to sing in her church,

O May I join the choir invisible Of those immortal dead who live again In minds made better by their presence: live In pulses stirr’d to generosity, In deeds of daring rectitude, in scorn For miserable aims that end with self, In thoughts sublime that pierce the night like stars, And with their mild persistence urge man’s search To vaster issues. So to live is heaven: To make undying music in the world, Breathing as beauteous order that controls With growing sway the growing life of man. So we inherit that sweet purity For which we struggled, fail’d, and agoniz’d With widening retrospect that bred despair. Rebellious flesh that would not be subdued, A vicious parent shaming still its child, Poor anxious penitence, is quick dissolv’d; Its discords, quench’d by meeting harmonies, Die in the large and charitable air. And all our rarer, better, truer self, That sobb’d religiously in yearning song, That watch’d to ease the burthen of the world, Laboriously tracing what must be, And what may yet be better,—saw within A worthier image for the sanctuary, And shap’d it forth before the multitude, Divinely human, raising worship so To higher reverence more mix’d with love,— That better self shall live till human Time Shall fold its eyelids, and the human sky Be gather’d like a scroll within the tomb Unread forever. This is life to come, Which martyr’d men have made more glorious For us who strive to follow. May I reach That purest heaven, be to other souls The cup of strength in some great agony, Enkindle generous ardor, feed pure love, Beget the smiles that have no cruelty, Be the sweet presence of a good diffus’d, And in diffusion ever more intense! So shall I join the choir invisible Whose music is the gladness of the world.

Coincidentally the couple who had endowed it had lived in her parents’ building. They had had an eight-year-old with a pretty singing voice who drowned at a Maine summer camp. “You can’t imagine what happened,” said Sarah, but of course Rebecca could imagine. Being a boy soprano had a shorter shelf life than being a supermodel. She could almost see it as Sarah went on and on, the boy with the pale blue eyes, insensible to the hormones coursing through his body as he stood on the stage at Alice Tully Hall. Apparently his choir director had chosen “Old Man River,” sung not in the bass range made famous by Paul Robeson, or in the dialect in which it had been written, but in a high register with crisp consonants. (To be fair to the choir director, he had never

Church is important to most folks in the South. So the most important thing going is basically ruled by men as decreed by the Big Man himself. Not only that, but the church puts pressures on women that it does not put on men. Young women are expected to be chaste, moral, and pure, whereas young men are given way more leeway, ’cause, ya know, boys will be boys. Girls are expected to marry young and have kids, be a helpmate to their husbands (who are basically like having another child), and, of course, raise perfect little Christian babies to make this world a better place. So while it’s the preacher man who controls the church, it’s the women—those helpmates—who keep that shit going. They keep the pews tidy and wash the windows; type up the bulletins; volunteer for Sunday school, the nursery, youth group, and Vacation Bible School; fry the chicken for the postchurch dinners; organize the monthly potluck dinners, the spaghetti supper to raise money for a new roof, and the church fund drive; plant flowers in the front of the church, make food for sick parishioners, serve food after funerals, put together the Christmas pageant, get Easter lilies for Easter, wash the choir robes, organize the church trip, bake cookies for the bake sale to fund the church trip, pray unceasingly for their husband and their pastor and their kids and never complain, and then make sure their skirts are ironed for Sunday mornin’ service. All this while in most churches not being allowed to speak with any authority on the direction or doctrine of the church. No, no, ladies, the heavy lifting—thinkin’ up shit to say, standing up at the lectern telling people what to do, counting the money—that ain’t for yuns. So sorry.

She felt safe for a while and derived solace from the reflection that there would always be church. If she were a governess all her life there would be church. There was a little sting of guilt in the thought. It would be practising deception.... To despise it all, to hate the minister and the choir and the congregation and yet to come—running—she could imagine herself all her life running, at least in her mind, weekly to some church—working her fingers into their gloves and pretending to take everything for granted and to be just like everybody else and really thinking only of getting into a quiet pew and ceasing to pretend. It was wrong to use church like that. She was wrong—all wrong. It couldn't be helped. Who was there who could help her? She imagined herself going to a clergyman and saying she was bad and wanted to be good—even crying. He would be kind and would pray and smile—and she would be told to listen to sermons in the right spirit. She could never do that.... There she felt she was on solid ground. Listening to sermons was wrong... people ought to refuse to be preached at by these men. Trying to listen to them made her more furious than anything she could think of, more base in submitting... those men's sermons were worse than women's smiles... just as insincere at any rate... and you could get away from the smiles, make it plain you did not agree and that things were not simple and settled... but you could not stop a sermon. It was so unfair. The service might be lovely, if you did not listen to the words; and then the man got up and went on and on from unsound premises until your brain was sick... droning on and on and getting more and more pleased with himself and emphatic... and nothing behind it. As often as not you could pick out the logical fallacy if you took the trouble.... Preachers knew no more than anyone else... you could see by their faces... sheeps' faces.... What a terrible life... and wives and children in the homes taking them for granted....

De León: “Letting God be God” is key here. When we speak of the Divine, we need to be aware constantly of “unsaying” God, of not confining the Ineffable One to our language and images. God ultimately is “no-thing.” We call this Eyn Sof (“no end”) in the Kabbalah. I believe you use nihil, Latin for “nothing,” Meister Eckhart. My future countryman and fellow mystic John of the Cross will use the Spanish word “nada.” We cannot even say that God is everything because the language implies a definition that is less than the totality and because there is always nothing to something and something can always be expanded. Learning how to experience God, rather than defining God, is what our kind of apophatic mysticism is all about. Eckhart: Yes, Rabbi, I agree totally. God is nothing. No thing. God is nothingness; and yet God is something. God is neither this thing nor that thing that we can express. God is a being beyond all being: God is a beingless being.[17] De León: The Kabbalah warns against “corporealizing” God, diminishing God with some human description, like the ancient white-bearded man seated on a golden throne high above cotton-like cumulus clouds, surrounded by choirs of adoring angels. Doing so limits God to the poverty of our imagination. This becomes a trap that destroys the faith through which we must engage with God.

By the authority of God Almighty, the Father, Son, and Holy Ghost, and of the holy canons, and of the undefiled Virgin Mary, mother and patroness of our Saviour, and of all the celestial virtues, angels, archangels, thrones, dominions, powers, cherubins and seraphins, and of all the holy patriarchs, prophets, and of all the apostles and evangelists, and of the holy innocents, who in the sight of the Holy Lamb, are found worthy to sing the new song of the holy martyrs and holy confessors, and of the holy virgins, and of all the saints together, with the holy and elect of God, may he be damn'd. We excommunicate, and anathematize him, and from the thresholds of the holy church of God Almighty we sequester him, that he may be tormented, disposed, and delivered over with Dathan and Abiram, and with those who say unto the Lord God, Depart from us, we desire none of thy ways. And as fire is quenched with water, so let the light of him be put out for evermore, unless it shall repent him' and make satisfaction. Amen. May the Father who created man, curse him. May the Son who suffered for us curse him. May the Holy Ghost, who was given to us in baptism, curse him May the holy cross which Christ, for our salvation triumphing over his enemies, ascended, curse him. May the holy and eternal Virgin Mary, mother of God, curse him. May St. Michael, the advocate of holy souls, curse him. May all the angels and archangels, principalities and powers, and all the heavenly armies, curse him. [Our armies swore terribly in Flanders, cried my uncle Toby,---but nothing to this.---For my own part I could not have a heart to curse my dog so.] May St. John the Pre-cursor, and St. John the Baptist, and St. Peter and St. Paul, and St. Andrew, and all other Christ's apostles, together curse him. And may the rest of his disciples and four evangelists, who by their preaching converted the universal world, and may the holy and wonderful company of martyrs and confessors who by their holy works are found pleasing to God Almighty, curse him. May the holy choir of the holy virgins, who for the honor of Christ have despised the things of the world, damn him May all the saints, who from the beginning of the world to everlasting ages are found to be beloved of God, damn him May the heavens and earth, and all the holy things remaining therein, damn him. May he be damn'd wherever he be---whether in the house or the stables, the garden or the field, or the highway, or in the path, or in the wood, or in the water, or in the church. May he be cursed in living, in dying. May he be cursed in eating and drinking, in being hungry, in being thirsty, in fasting, in sleeping, in slumbering, in walking, in standing, in sitting, in lying, in working, in resting, in pissing, in shitting, and in blood-letting! May he be cursed in all the faculties of his body! May he be cursed inwardly and outwardly! May he be cursed in the hair of his head! May he be cursed in his brains, and in his vertex, in his temples, in his forehead, in his ears, in his eye-brows, in his cheeks, in his jaw-bones, in his nostrils, in his fore-teeth and grinders, in his lips, in his throat, in his shoulders, in his wrists, in his arms, in his hands, in his fingers! May he be damn'd in his mouth, in his breast, in his heart and purtenance, down to the very stomach! May he be cursed in his reins, and in his groin, in his thighs, in his genitals, and in his hips, and in his knees, his legs, and feet, and toe-nails! May he be cursed in all the joints and articulations of the members, from the top of his head to the sole of his foot! May there be no soundness in him! May the son of the living God, with all the glory of his Majesty and may heaven, with all the powers which move therein, rise up against him, curse and damn him, unless he repent and make satisfaction! Amen. I declare, quoth my uncle Toby, my heart would not let me curse the devil himself with so much bitterness!

When seeing a dying animal a man feels a sense of horror: substance similar to his own is perishing before his eyes. But when it is a beloved and intimate human being that is dying, besides this horror at the extinction of life there is a severance, a spiritual wound, which like a physical wound is sometimes fatal and sometimes heals, but always aches and shrinks at any external irritating touch. After Prince Andrew's death Natasha and Princess Mary alike felt this. Drooping in spirit and closing their eyes before the menacing cloud of death that overhung them, they dared not look life in the face. They carefully guarded their open wounds from any rough and painful contact. Everything: a carriage passing rapidly in the street, a summons to dinner, the maid's inquiry what dress to prepare, or worse still any word of insincere or feeble sympathy, seemed an insult, painfully irritated the wound, interrupting that necessary quiet in which they both tried to listen to the stern and dreadful choir that still resounded in their imagination, and hindered their gazing into those mysterious limitless vistas that for an instant had opened out before them. Only when alone together were they free from such outrage and pain. They spoke little even to one another, and when they did it was of very unimportant matters. Both avoided any allusion to the future. To admit the possibility of a future seemed to them to insult his memory. Still more carefully did they avoid anything relating to him who was dead. It seemed to them that what they had lived through and experienced could not be expressed in words, and that any reference to the details of his life infringed the majesty and sacredness of the mystery that had been accomplished before their eyes. Continued abstention from speech, and constant avoidance of everything that might lead up to the subject—this halting on all sides at the boundary of what they might not mention—brought before their minds with still greater purity and clearness what they were both feeling.

Now, we’ll begin,’ interrupted Mr. Torkingham, his mind returning to this world again on concluding his search for a hymn. Thereupon the racket of chair-legs on the floor signified that they were settling into their seats,—a disturbance which Swithin took advantage of by going on tiptoe across the floor above, and putting sheets of paper over knot-holes in the boarding at points where carpet was lacking, that his lamp-light might not shine down. The absence of a ceiling beneath rendered his position virtually that of one suspended in the same apartment. The parson announced the tune, and his voice burst forth with ‘Onward, Christian soldiers!’ in notes of rigid cheerfulness. In this start, however, he was joined only by the girls and boys, the men furnishing but an accompaniment of ahas and hems. Mr. Torkingham stopped, and Sammy Blore spoke,— ‘Beg your pardon, sir,—if you’ll deal mild with us a moment. What with the wind and walking, my throat’s as rough as a grater; and not knowing you were going to hit up that minute, I hadn’t hawked, and I don’t think Hezzy and Nat had, either,—had ye, souls?’ ‘I hadn’t got thorough ready, that’s true,’ said Hezekiah. ‘Quite right of you, then, to speak,’ said Mr. Torkingham. ‘Don’t mind explaining; we are here for practice. Now clear your throats, then, and at it again.’ There was a noise as of atmospheric hoes and scrapers, and the bass contingent at last got under way with a time of its own: ‘Honwerd, Christen sojers!’ ‘Ah, that’s where we are so defective—the pronunciation,’ interrupted the parson. ‘Now repeat after me: “On-ward, Christ-ian, sol-diers.”’ The choir repeated like an exaggerative echo: ‘On-wed, Chris-ting, sol-jaws!’ ‘Better!’ said the parson, in the strenuously sanguine tones of a man who got his living by discovering a bright side in things where it was not very perceptible to other people. ‘But it should not be given with quite so extreme an accent; or we may be called affected by other parishes. And, Nathaniel Chapman, there’s a jauntiness in your manner of singing which is not quite becoming. Why don’t you sing more earnestly?

You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears. Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister. Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line. “I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.

The battle within Colditz was now a two-sided conflict between the British and the Germans. There was no longer a danger that an escape plan secretly mounted by one nation might trip up another. Colditz became a British prison: the hierarchy of rank was more pronounced, as was the control exerted by the escape committee, and the opportunity for one-man ventures was reduced. The Dutch Hawaiian band, the French cuisine, and the Polish choir were gone. The informal cultural osmosis between nationalities was over, as was the fruitful Anglo-Dutch partnership and the daily babble of diverse languages in the inner courtyard. Padre Platt noticed that as an all-Anglo prison, the place seemed more cliquey, with “small friendship groups, complete in themselves and almost exclusive.

The Lottery by Stewart Stafford It was New York, 1984, The AIDS tsunami roared in, Friends, old overnight, no more, Breathless, I went for a check-up. A freezing winter's dawn, A solitary figure before me, What we called a drag queen, White heels trembled in the cold. "Hi, are you here to get tested?" Gum chewed, brown eyes stared. This was not my type of person, I turned heel and walked away. At month's end, a crippling flu, The grey testing centre called, Two hundred people ahead of me; A waking nightmare all too real. I gave up and turned to leave, But a familiar voice called out: "Hey, you there, come back!" I stopped and turned around. The drag queen stood there in furs, But sicker, I didn't recognise them, "Stand with me in the line, honey." "Nah, I'm fine, I'll come back again." "Support an old broad before she faints?" A voice no longer frail but pin-sharp. I got in line to impatient murmurs: "If anyone has a problem, see me!" Sylvester on boombox, graveyard choir. My pal's stage name was Carol DaRaunch, (After the Ted Bundy female survivor) Their real name was Ernesto Rodriguez. After seeing the doctor, Carol hugged me, Writing down their number on some paper, With their alias not their real name on it: "Is this the number of where you work?" "THAT is my home number to call me on. THAT'S my autograph, for when I'm famous!" "I was wrong about you, Carol," I said. "Baby, it takes time to get to know me!" A hug, shimmy, the threadbare blonde left. A silent chorus of shuffling dead men walking, Spartan results, a young man's death sentence. Real words faded rehearsal, my eyes watered. Two weeks on, I cautiously phoned up Carol. The receiver was picked up, dragging sounds, Like furniture being moved: "Is Carol there?" "That person is dead." They hung up on me. All my life's harsh judgements, dumped on Carol, Who was I to win life's lottery over a guardian angel? I still keep that old phone number forty years on, Crumpled, faded, portable guilt lives on in my wallet. © Stewart Stafford, 2024. All rights reserved.

In Brothers: Black and Poor (1988), the story of twelve African American men in a housing project on Chicago’s South Side, one of main characters, Half Man Carter, has a prized record collection that includes “Mama Sang a Song,” by Walter Brennan. In the early 1960s, Brennan became a recording star, narrating brief stories like “Old Shep” and “Tribute to a Dog,” and producing several popular albums, which have had an extended life on CDs and the web, where many of his songs can be downloaded. In A World of Miracles (1960), to the accompaniment of orchestra and choir, he recites the stories of Noah, the Ten Commandments, and the Resurrection, transforming his familiar way of speaking into a solemn, yet friendly New England accented prophetic voice.

In the auditorium, which had four hundred people attending, the choir was singing when an M-1 Abrams tank crashed through the front doors of the building and came into the auditorium, interrupting the singing. Two other tanks crashed through the east and west walls, with black clad soldiers walking into the auditorium from behind the tanks. The congregation was clearly frightened, but they had nowhere to run, and Pastor Fields got up from his chair, went to the podium, and asked, “What’s going on here?” A man, who looked like he was in charge of this interruption, walked up the steps of the platform, walked over to Pastor Fields, and asked, “Pastor Matt Fields, I presume?” “Yes. Who are you and what on Earth are doing by bringing tanks and soldiers in here?” “Who I am is of no concern to you. We’re here to arrest all of you for being enemies of the state. We have busses outside waiting to take you to our holding facility. Go quietly and no one should get hurt. Not much anyway,

Malcolm Price embodies all that is Welsh, aside from the green valleys and male voice choirs. The will to win against insurmountable odds is a penchant of the Welsh, put this with a propensity to never say ‘die’ and that is what makes the Welsh so durable.

Wherefore it is fitting that ye also should run together in accordance with the will of the bishop who by God's appointment [515] rules over you. Which thing ye indeed of yourselves do, being instructed by the Spirit. For your justly-renowned presbytery, being worthy of God, is fitted as exactly to the bishop as the strings are to the harp. Thus, being joined together in concord and harmonious love, of which Jesus Christ is the Captain and Guardian, do ye, man by man, become but one choir; so that, agreeing together in concord, and obtaining [516] a perfect unity with God, ye may indeed be one in harmonious feeling with God the Father, and His beloved Son Jesus Christ our Lord. For, says He, "Grant unto them, Holy Father, that as I and Thou are one, they also may be one in us." [517] It is therefore profitable that you, being joined together with God in an unblameable unity, should be the followers of the example of Christ, of whom also ye are members. [515]

My aspirations never lay with boxing, but that’s the way I was pushed. I was still a choirboy when I started boxing because I remember I went to choir practice every Wednesday night. I missed some Wednesday nights if I was boxing and then when I missed it I’d have to tell the choirmaster why. I had a battle between the choir and boxing. When my voice inevitably broke, boxing won.

Not coincidentally, there is something reminiscent of a minister and his flock, or perhaps a choir leader and his singers, in the final effect. Even the yoke of the Master’s robe matches that of a man of the pulpit. After

Hey" hey been trying to meet you hey must be a devil between us or whores in my head whores at my door whores in my bed but hey where have you been? if you go i will surely die we're chained uh said the man to the lady uh said the lady to the man she adored and the whores like a choir go uh all night and Mary ain't you tired of this uh is the sound that the mother makes when the baby breaks we're chained

The Resonance of Honeyed Summer Elizabethan Sonnet Sequence abab, cdcd, efef, gg Synchronous in honeyed summer sings a choir of tremulous birch leaves, A sweet breeze surges south from the mountains to cool down the farm. To a white picket fence, among the honeybees, a steadfast garden cleaves, After blind disregard by a town plow, mended again from winter harm. A sensual scent of new mown meadow, the clash of croquet mallet to ball, A ricochet sings a tin din of two wickets and a knock into a winning stake. By the barn, night owls howl, by day gleeful wee hummingbirds enthrall. The mirth of dipping children as wakes of droning motorboats lap a lake. Bluebirds have woven a love nest in a stilted, rough-hewn, wooden house. By a stonewall wild berries grow swollen from green to a misty blue hue. As we ride bikes beside a hayfield, we rouse the flight of a russet grouse. At dawn a doe and fawn cross our lawn leaving hoof prints upon the dew. In long lemonade days, rocking and sipping on the porch, in our defense, We're in awe of honeyed summertime and the harmony of its resonance. + + +

Let your light shine before others, so that they may see your good works and give glory to your Father in heaven.” —Matthew 5:16 (NRSV) For more than a year, I’ve dedicated an hour a day to an eight-year-old neighbor with special needs. She’s afraid of my cat, so we play outside. Last spring I stood at the bottom of the front steps and waved my hands like a choir director. “This Little Light of Mine,” she belted from the landing. Then, “Miss Evelyn, now you!” We switched roles. Later I donned her backpack, and she walked me to the bus stop. Oh, what are the neighbors thinking? On summer days, in the only available shade, we strewed the public sidewalk with puzzles and pencils. Like a gatekeeper, she asked every pedestrian, “Where are you going?” Most people smiled; everyone gave us a wide berth. In the fall, we crossed the street to collect acorns and rake leaves before the maintenance crew swooped in. Over the seasons, it’s become increasingly obvious that the neighborhood sees her need and notices our routine. Late August, as I walked around the block, a man I hardly knew handed me a bagful of school supplies “for that girl you work with.” Remembering the kindness, she and I signed a handmade Christmas card to “Mr. and Mrs. Neighbor” and slipped it inside their mail slot. A few days later I found a package at my door. “Miss Evelyn, Merry Christmas.” The signature on the card cited the house number of the strangers. I unwrapped a selection of fruits and a necklace that left me speechless: a delicate gold cross. So this is what the neighbors think. Lord, my neighborhood needs this little light of mine. Help me to let it shine. —Evelyn Bence Digging Deeper: Mt 5:13–16; Lk 8:16–17

God answered our question before we asked it. So we’d see his answer, he lit the sky with a star. So we’d hear it, he filled the night with a choir. So we’d believe it, he did what no man had ever dreamed. He became flesh and came to live among us. He

Come on a picnic with me,” he said. It wasn’t an invitation, but an order. Color pulsed in Lily’s cheeks, and she blinked, astounded at the man’s arrogance. “I don’t think that would be proper,” she replied when she’d recovered a little. “After all, we hardly know each other.” Caleb sighed and replaced his hat. “And you obviously mean to see that we never do.” He sounded resigned and slightly wounded, and in spite of herself Lily was sorry about that. She did find the major attractive, if entirely too tenacious. “I’ll go if you can get Mrs. McAllister’s permission,” she said, feeling proud of her resourcefulness. The twinkle in Caleb’s eyes said he knew she expected her landlady to refuse the request without mincing words, but he turned and sought out that good woman in the crowd, where she stood chatting with two members of the choir. Lily watched in mingled amazement and ire as Caleb made his way toward Mrs. McAllister, carrying his hat. He spoke politely to the woman, who rested one hand against her breast in delighted surprise and beamed up at him. Presently Caleb returned, looking damnably pleased with himself. “She says I’m to have you back before sundown,” he announced. If Lily had been holding anything other than a Bible, she would have flung it down in pure exasperation. At the same moment, inexplicably, she wanted to kiss Mrs. McAllister for giving the picnic her blessing. “Just how did you manage that?” she demanded as Caleb put his hat back on with a cocky flourish. “I’m a very persuasive man,” he replied, offering his arm. Grudgingly, Lily took it. “And a very arrogant one.” Caleb chuckled. “So I’ve been told.” They

If any man among you seem to be religious, and bridleth not his tongue, but deceiveth his own heart, this man’s religion is vain. —James 1:26 (KJV) When I was in my twenties, I started going to the opera. An enthusiastic novice, I’d walk joyfully to the lobby for intermission, only to hear the dismissive remarks of the jaded veterans. A fine performance by Pavarotti? “He has no squillo. You really should have heard Corelli in that part.” An incredible high note from Joan Sutherland? “Too bad you couldn’t have heard her twenty years ago.” I’d go back to my seat for the second act, regretting that I wasn’t twenty years older rather than enjoying the singing that night. I’ve tried, with diminishing success as I’ve grown older, to be less of a curmudgeon. But the place I’ve failed utterly has been church. Walking home on Sunday mornings, I’ve recited a litany of complaints. “The music here is terrible. Do you remember the choir at St. So-and-So’s?” “There was no meat in that sermon. Father X was so much more thoughtful.” “Did you see the sneakers the altar server was wearing? We’d never have let that pass at St. Thingummy’s.” Finally, my wife, Julia, had enough. “What are you doing for Lent?” she asked. “Giving up peanut butter, like always,” I answered. “How about giving up all that negativity?” So I tried. Sometimes I’d just keep quiet. Sometimes I’d catch myself mid-complaint. Sometimes I’d even say something positive! And you know what? I found myself praying rather than looking for things I didn’t like. After all, I was there for God’s sake, not my own. You know what else? This Lent I’m going to find something good to say every Sunday. Lord, keep my attention where it really belongs—on You. —Andrew Attaway Digging Deeper: Jl 2:12–13; 1 Pt 5:6

Joana remembered how once, a few months after she was married, she had turned to her husband to ask him something. They were out. And before she’d even finished her sentence, to Otávio’s surprise, she had stopped—brow furrowed, gaze amused. Ah—she had realized—she’d just repeated one of the voices she’d heard so often when she was single, always vaguely perplexed. The voice of a young woman beside her man. As her own had rung out just then to Otávio: sharp, empty, soaring upwards, with identical, clear notes. Something unfinished, ecstatic, somewhat satiated. Trying to scream . . . Bright days, clear and dry, sexless voice and days, choir boys in an outdoor mass. And something lost, heading for mild despair . . . That newlywed timbre had a history, a fragile history that went unnoticed by the owner of the voice, but not by the owner of this one.

Isaac released my hand and set his guitar on the floor before hugging the guy. “How the hell are you?” he asked Isaac. “Good, man. God, it’s great to see you.” His friend released him and eyed me. “And who do we have here? Wife? Girlfriend?” My eyes widened, looking to Isaac for help. “My preacher’s daughter. I kidnapped her. She sings in the choir but secretly loves songs about sex.” I fought my usual reaction, which was to turn ten different shades of red and avert my gaze. This was the start of my favorite dream.

Sarah thought the choir were very brave to stand outside singing on such a chilly day. The sky was threatening snow too. If it hadn’t been for an interview for a sales assistant position at Woolworths, she’d have stayed home with Nan. A weather-worn man, a row of medals across the chest of his overcoat, patted her arm. He was the one who’d held the collection tin in front of her as she stopped amid the bustle of Christmas shoppers

Plotinus (A.D. 205-270) was not a Christian, but his influence on Christian mystics was enormous; he compared human beings to the choir standing around a choir master but with their attention distracted by things going on about them, so they fail to sing in tune or in time. He held that creation was a series of steps leading away from the One (or God); he called those steps emanations. (The Kabbalists later borrowed his ideas, as William Blake was to borrow from the Kabbalah.) This is definitely a non-Christian view, for Plotinus’s evil is a negative thing, depending upon how many steps you have taken away from the One; it is like someone walking away from a lighted house at night, moving further into the darkness of the garden. But why should people walk away, unless tempted by the Devil? Because, says Plotinus, we are empty-headed, and easily distracted. The philosopher is the man who determinedly ignores distractions and multiplicity, and tries to see back towards the One. ‘Such,’ he concludes, ‘is the life of gods and of godlike men; a liberation from all earthly bonds, a life that takes no pleasure in earthly things, a flight of the alone to the alone.

Some people have very fluffy bullshit ideas about this kind of thing, Verity did not. She wasn't expecting earth movement and choirs of angels. The last thing she wanted to do was wait for someone special. She wanted to know exactly what she was doing when that someone showed up. She was a great believer in preparation. That being said, she was of course not willing to let just anyone assist with the removal of her virginity. She rejected utterly the concept of some man ‘taking it’ – it gave them far too much control in the situation. Come to that, she wasn't losing it – she was carefully disposing of it. Loss implied carelessness.

The cathedral towered over it all, benignly great in this quiet weather, the sound of the bells falling gently from the height of the Rollo tower. At evening, when dusk fell, men looked up and saw light shining from the windows of the choir and heard music, for the choristers were practicing for the carol service. Michael seemed dreaming. So many Christmases had gone since he had stood here looking out to the edge of the world, looking down at the city, looking up to heaven. So many Christmas Eves he had stood waiting through hours of snow and storm, of wind and rain or of rapt stillness bright with moon and stars, waiting for the mid-course of the night when he should lift his fist and strike out on the great bell the hour of man's redemption.

A handicapped person is, by force of circumstance, a potential expert, a mutant in the motor and sensory domain. It is no accident that the social is in creasingly being organized around him: the blind person and the spastic constitute testing grounds, interesting mechanisms which it seems proper to cerebralize, whilst at the same time socializing them for form's sake. They have it in them to become wonderful instruments, precisely because they are immobilized and therefore marked down for automatism and remote control. The normal man will never make such a good automaton as someone who is disabled or spastic. There is nothing new in all this. It was eunuchs who provided the most beautiful voices in the choirs of the Renaissance.

For anyone with busfare and a harmonica, The Original Amateur Hour was a grab at the brass ring. Some came without busfare, hitching rides across the country. Poor blacks came up from the South; cowboys from the West. Freak acts came from everywhere. Many had sung in choirs back home. Some had played tank towns in the corn belt, with three-piece combos held together by long strings of one-night stands. They were supposed to be “simon pures,” strictly amateur, but who was to know? The common denominator was desperation. The Depression hung over the nation like a shroud. If a man with a smooth baritone singing voice was told by enough friends that he sounded better than Bing Crosby, he began to believe it. Major Bowes gave him a chance to prove it.

There’s nothing there except for her word, and what good is that when she was the one sending you all those texts. But you wanna know the kicker? You want me to crack an egg of knowledge over your head?” I didn’t answer. Christmas wiggled his fingers in the air, and then sang “Spoiler alert! Regina’s the one who asked me for help. It’s not the other way around this time.” He pounded the butt of his fist against the table. “Man! I hate ruining surprises!” My heart stopped. I patted my chest with my open palm to get it going again. Okay, not really, but that’s what it felt like. Christmas could see the confusion on my face and he continued to floor me with his words. “I’m sure by now you’ve noticed the show choir has been absorbed with the set they’ve been creating all afternoon. It’s quite elaborate, and everyone in the show choir is required to help, but… has Regina been helping at all? Has she been sweating away, moving huge boxes back and forth with the other kids in the show choir?” I paused. “No. She’s been running around the mall taking selfies. But… her parents were here. They came to watch her performance.” Christmas snapped his fingers at me. “Connect those dots, Valentine…” “But if Regina’s not in the show choir, then her parents can only be here because they think she’s in it,” I said, staring at the table. “But why would she lie to them?” “Cha-ching!” Christmas was giving me a hint. “Don’t forget that membership is $200 a month!” “That’s why Regina seems to have so much money all the time,” I said. “She faked being a member of show choir to keep the money for herself. But… why the selfie game? Why send us all over the mall?” “Because I told her to,” Christmas chuckled. “Yeah, that was all me. She came to me, asking for help to cancel the entire trip, which I actually tried to do earlier.” Little light bulbs were switching on in my head. “That’s what the sign was for this morning.” And then I remembered the girl who shouted. “That was Regina in the cafeteria! She tried to start a food fight so the school would cancel the show before we even boarded the buses!” “Didn’t work,” Christmas said. “I knew it wouldn’t, but that didn’t stop her. She came to me again at the mall and asked for my help, so I did. I told her exactly what to do, and she did it perfectly, distracting you like the bugs you are.” “Distracting us?” I asked. Christmas turned around. “She’s planning on sabotaging the show choir performance. If they don’t perform, then her parents will never learn that she’s not in the club.

Etymologically, paroikia (a compound word from para and oikos) literally means “next to” or “alongside of the house” and, in a technical sense, meant a group of resident aliens. This sense of “parish” carried a theological context into the life of the Early Church and meant a “Christian society of strangers or aliens whose true state or citizenship is in heaven.” So whether one’s flock consists of fifty people in a church which can financially sustain a priest or if it is merely a few people in a living room whose priest must find secular employment, it is a parish. This original meaning of parish also implies the kind of evangelism that accompanies the call of a true parish priest. A parish is a geographical distinction rather than a member-oriented distinction. A priest’s duties do not pertain only to the people who fill the pews of his church on a Sunday morning. He is a priest to everyone who fills the houses in the “cure” where God as placed him. This ministry might not look like choir rehearsals, rector’s meetings, midweek “extreme” youth nights, or Saturday weddings. Instead, it looks like helping a battered wife find shelter from her abusive husband, discretely paying a poor neighbor’s heating oil bill when their tank runs empty in the middle of a bitter snow storm, providing an extra set of hands to a farmer who needs to get all of his freshly-baled hay in the barn before it rains that night, taking food from his own pantry or freezer to help feed a neighbor’s family, or offering his home for emergency foster care. This kind of “parochial” ministry was best modeled by the old Russian staretzi (holy men) who found every opportunity to incarnate the hands and feet of Christ to the communities where they lived. Perhaps Geoffrey Chaucer caught a glimpse of the true nature of parish life through his introduction of the “Parson” in the Prologue of The Canterbury Tales. Note how the issues of sacrifice, humility, and community mentioned above characterize this Parson’s cure even when opportunities were available for “greater” things: "There was a good man of religion, a poor Parson, but rich in holy thought and deed. He was also a learned man, a clerk, and would faithfully preach Christ’s gospel and devoutly instruct his parishioners. He was benign, wonderfully diligent, and patient in adversity, as he was often tested. He was loath to excommunicate for unpaid tithes, but rather would give to his poor parishioners out of the church alms and also of his own substance; in little he found sufficiency. His parish was wide and the houses far apart, but not even for thunder or rain did he neglect to visit the farthest, great or small, in sickness or misfortune, going on foot, a staff in his hand… He would not farm out his benefice, nor leave his sheep stuck fast in the mire, while he ran to London to St. Paul’s, to get an easy appointment as a chantry-priest, or to be retained by some guild, but dwelled at home and guarded his fold well, so that the wolf would not make it miscarry… There was nowhere a better priest than he. He looked for no pomp and reverence, nor yet was his conscience too particular; but the teaching of Christ and his apostles he taught, and first he followed it himself." As we can see, the distinction between the work of worship and the work of ministry becomes clear. We worship God via the Eucharist. We serve God via our ministry to others. Large congregations make it possible for clergy and congregation to worship anonymously (even with strangers) while often omitting ministry altogether. No wonder Satan wants to discredit house churches and make them “odd things”! Thus, while the actual house church may only boast a membership in the single digits, the house church parish is much larger—perhaps into the hundreds as is the case with my own—and the overall ministry is more like that of Christ’s own—feeding, healing, forgiving, engaging in all the cycles of community life, whether the people attend

(Describing a stop at a village cafe in Italy while filming Taming of the Shrew) It was a perfect choice, the kind of place where chickens brood under the table, though there were none here There was the usual arbour of vines. Two men there intrigued Elizabeth. One was a distinguished oldish man, well dressed, who sat alone at a terraced table and neither ate nor drank nor moved. The other looked like a mendicant monk of some obscure order. He read from a parchment and ate bread. He didn't look up at all. He had a large beard. At seven-thirty just at dusk a Mass began at the church on the hill the other side of the road The Church of the Madonna of the Divine Love. The voices of the choir drifted on the air like an invisible mist, like unseen tumbleweed, like a dream. we stopped eating our fave (raw kidney beans) and rough cheese and we stopped drinking the vin de pays to listen. It was one of those moments which are nostalgic before they're over. The two men had gone, the tramp monk maybe to the Mass and the other who knows where. we drove home feeling holy and clean while the moon bright as I've ever seen her and with a wisp of chiffon cloud around her throat (E's image not mine) shone on us from the cloudless night.

I love the church. I like the waxed candles that remind me people think of people. I love the bouquet of flowers on the altar that a group of grandmas grow in their gardens and pridefully donate every week. I admire the wooden statues of craftsmanship, of a mother staring at you with the kind of pure, loving look I forgot to ask from mine. I like the skinny man nailed to the cross reminding me that people are capable of sacrificial love. I like to stare at the art on the stained-glass windows, of angels, of lambs, and of fruit. I love running my hands over mosaics and tracing the lips of saints. I love the hymns and joy of the choir, who sing regardless if you’re too scared. I love watching the collective sway of bodies subconsciously comforted by their environment after finally saying “Peace be with you.” And most of all, I love being surrounded by people trying. They wear Christ around their neck and squeeze a rosary for dear life, admitting their weaknesses and sins. Tell me, where do you find that? There is an honesty in the church, spilling from kneeling persons, that gives me the hope humans can take care of each other and our planet can be a good one. Where else can I be exposed to the practice of morality on such an emotional level? I love everything about the church—the shiny pews, the smoky incense, the Bible and its purpose – because when all is considered, it makes sense. It is a template of discipline and thoughtfulness. Why call religious people idiots when they’re the few paying attention to their own lives? And there are other ways to be moral of course, but not many ways to practice. I’ve learned that to believe in God doesn’t subtract any life from you. It is additional. It is the world and God. If someone wears a jacket over their shirt, they aren’t naked. They’re double-layered.

I'm no knight in shining armour. Just a weather-beaten man in a crumpled overcoat on a street corner with only a grey idea of something you might as well go ahead and call Morality. Sure, I'm none too scrupulous about the things that might benefit my pocket, and I could no more inspire a bunch of young thugs to do good works than I could stand up and sing a solo in the church choir. But of one thing I was sure. I was through looking at my fingernails when there were thieves in the store.

Happy we were then, for we had a good house, and good food, and good work. There was nothing to do outside at night, except chapel, or choir, or penny-readings, sometimes. But even so, we always found plenty to do until bedtime, for if we were not studying or reading, then we were making something out back, or over the mountain singing somewhere. I can remember no time when there was not plenty to be done. I wonder what has happened in fifty years to change it all...But when people stop being friends with their mother and fathers, and itching to be out of the house, and going mad for other things to do, I cannot think. It is like an asthma, that comes on a man quickly. He has no notion how he had it, but there it is, and nothing can cure it.

Are we in some sick laboratory? Can you take this man, this black hole of charisma, this oozing miasma of featurelessness and turn him into a leader? Can you follow the simplest playbook of power and morph this Quasimodean combination of bureaucrat's paunch, jowled cheeks, and balding scalp into a demagogue of the month to be washed down with your Coke? Identify existential enemy, mobilise killing forces, pump hysterical nationalism onto airwaves, pose for photos with lions, use basic fonts, invoke mythological pasts, have choirs of children sing your name, and voilà: sit back and look upon your works.

Human kind had failed the Dean. He had meant to love his fellow man, had believed not only that he could, but that it would be easy because he wanted to, but he had found, to his dismay, that most of his fellow men simply were not loveable. Their deviousness he might have forgiven, their unscrupulousness and even cruelty, the world was after all a harsh place and drove a man to very basic behaviour merely to survive, but their oafish vulgarity, their unashamed preference for the crude and the shoddy fell little short of disgusting him.

Fell opportunity that has so often turned saints into sinners could have had no place upon the rocky islet in the lake. The voices of the sisters singing in the choir must have been scarce distinguishable from the lapping of the wavelets on the beach, or blending with them, made up a harmony, as if nature and man were joining in a pantheistic hymn. Nuns may have lived upon the Island with, or without vocation, have eaten out their hearts with longing for their lost world, or, like the Saint of Avila, in mystic ecstasy have striven to be one with the celestial spouse. All this may well have been, but the dim sisterhood has left no record of its passage upon earth, except the name Inch Cailleach, beautiful in its liquid likeness to the sound of the murmuring waves, and the wind sighing in the brackens and the bents.

The soul of man is far too complex a combination for all the voices shouting in it to become united into one harmonious choir. All the kingdoms of nature live in man. Man is a little universe. In him proceed continual death and continual birth, the incessant swallowing of one being by another, the devouring of the weaker by the stronger, evolution and degeneration, growing and dying out. Man has within him everything from a mineral to God. And the desire of God in man, that is, the directing forces of his spirit, conscious of its unity with the infinite consciousness of the universe, cannot be in harmony with the inertia of a stone, with the inclination of particles for crystallisation, with the sleepy flow of the sap in a plant, with the plant’s slow turning towards the sun, with the call of the blood in an animal, with the “three-dimensional ” consciousness of man, which is based on his separating himself from the world, on his opposing to the world his own “ I ” and on his recognising as reality all apparent forms and divisions.

There’s an old West Country ballad called “The Lady of Zennor.” Will turned me onto it when I interviewed him for that long piece I did for Mojo about Windhollow’s legacy. It’s based on a legend about a mermaid. Zennor’s a fishing village in Cornwall. I visited it after talking to Will; he told me there was a memorial in the village church. I thought he was having me on, but damned if it wasn’t the truth. The story goes that there was a young man in the village who sang in the church choir. His voice was so beautiful that every Sunday, a mermaid would come out of the sea and walk up to the church and sit in the back just to hear him. I don’t know how she walked with a tail—they didn’t go into that. Eventually she converted to Christianity so she could marry him. The church is ancient, twelfth century, and when you go inside, you can see where she sat—someone made a special little wooden pew for her, with a mermaid carved on each end. I sat in it—no one was there to stop me. The church was empty and I could have walked out with it if I wanted, it was so small. She must have been tiny. I asked Will why he was telling me about this particular legend and song. Obviously I knew why, but I wanted to hear him say it, even if it was off the record. He wouldn’t.

If I was twenty years younger, I would have ridden that man right there on the counter for the whole church choir to see on their way in for practice across the street.