Choir Concert Quotes

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Backstage passes at a middle school choir concert. I hang with a crew who knows how to live.
Hannah Johnson (Know Not Why (Know Not Why, #1))
That is what is marvelous about school, she realized: when you are in school, your talents are without number, and your promise is boundless. You ace a math test: you will one day work for NASA. The choir director asks you to sing a solo at the holiday concert: you are the next Mariah Carey. You score a goal, you win a poetry contest, you act in a play. And you are everything at once: actor, astronomer, gymnast, star. But at a certain point, you begin to feel your talents dropping away, like feathers from a molting bird. Cello lessons conflict with soccer practice. There aren't enough spots on the debating team. Calculus remains elusive. Until the day you realize that you cannot think of a single thing you are wonderful at.
Sarah Shun-lien Bynum (Ms. Hempel Chronicles)
I was not able to sleep that night. To be honest, I didn’t even try. I stood in front of my living room window, staring out at the bright lights of New York City. I don’t know how long I stood there; in fact, I didn’t see the millions of multicolored lights or the never-ending streams of headlights and taillights on the busy streets below. Instead, I saw, in my mind’s eye, the crowded high school classrooms and halls where my friends and I had shared triumphs and tragedies, where the ghosts of our past still reside. Images flickered in my mind. I saw the faces of teachers and fellow students I hadn’t seen in years. I heard snatches of songs I had rehearsed in third period chorus. I saw the library where I had spent long hours studying after school. Most of all, I saw Marty. Marty as a shy sophomore, auditioning for Mrs. Quincy, the school choir director. Marty singing her first solo at the 1981 Christmas concert. Marty at the 1982 Homecoming Dance, looking radiant after being selected as Junior Princess. Marty sitting alone in the chorus practice room on the last day of our senior year. I stared long and hard at those sepia-colored memories. And as my mind carried me back to the place I had sworn I’d never return to, I remembered.
Alex Diaz-Granados (Reunion: A Story: A Novella)
CONCERT CHECKLIST 1. Secure a date on the calendar. Be sure it is listed on the official school calendar to protect it. 2. Reserve a performance venue for the concert and for final rehearsals. 3. Have tickets printed if they are to be used. 4. Plan the printed program and get it to the printer by the deadline date. 5. Plan the publicity. The following types of publicity can be utilized to draw a sizable concert audience: Radio releases Television releases Newspaper releases Online listings School announcements Notices to other schools and/or organizations in the area Posters for public placement 6. Send complimentary tickets to: Civic leaders Board of Education Superintendent People who have helped in some way Key supporters Key people to stimulate their interest 7. Have the president of the choir send personal letters of invitation to people that are special to the music program (newspaper editor, Board of Education, Superintendent, civic club presidents, supporters etc.). 8. Appoint a stage manager. He should be someone who can control the stage lighting, pull curtains, shut off air circulation fans that are noisy, and see that the stage is ready for the concert. 9. Arrange for ushers. 10. Check wearing apparel. Be sure that all singers have the correct accessories (same type and color of shoes, no gaudy jewelry for girls, etc.). 11. Post on bulletin board and tell students the time they will meet for a pre-concert warm-up. High school students will perform best if they meet together at least forty-five minutes before the concert.
Gordon Lamb (Choral Techniques)
Denny Cordell and Leon Russell ran a record company much the way Russell put together Joe Cocker’s Mad Dogs and Englishmen tour, which was basically a hippie commune on wheels. The Mad Dogs and Englishmen experience would stand as a kind of summit of seventies excess, with three drummers and a choir and endless hangers-on. But Russell’s and Cordell’s careers started well before that. Leon Russell had been a member of the Wrecking Crew, playing on Phil Spector records, Beach Boys and Byrds records, Monkees and Paul Revere and the Raiders records. He’d been a member of the Shindogs, the house band on television’s Shindig! He’d had his own hits and seen his songs become hits for other artists, from Gary Lewis and the Playboys to the Carpenters. When George Harrison organized the Bangladesh concert, he called Russell, who helped put the band together. At those shows, Russell stood out like the natural star he was. Denny
Warren Zanes (Petty: The Biography)
Many choral directors want to teach literacy skills but feel they are too pressed for time; instead, they choose to spend valuable time polishing repertoire for the upcoming concert.
Jean Ashworth Bartle (Sound Advice: Becoming a Better Children's Choir Conductor)
I perform well enough to play for the choir and accompany singers but not well enough to carry my own concert. You don’t have the emotion, my Russian piano teacher says. You play everything correctly, the pedaling precise, but you play like a robot, without pain or sorrow, without happiness or joy.
Weike Wang (Chemistry)