“
I've had it with being nice, understanding, fair and hopeful. I feel like being negative all day. The chip on my shoulder could sink the QE2. I've got an attitude problem and nobody better get in my way...I'm in a bad mood and the whole stupid little world is gonna pay!
”
”
John Waters (Crackpot: The Obsessions of John Waters)
“
Well, at least I’m not a stubborn, button-pushing, Prius-driving, chip-on-your-shoulder-holding, ‘stay-at-home-mom’-is-the-eighth-dirty-word-thinking feminazi!
”
”
Julie James (Practice Makes Perfect)
“
Patriotism, red hot, is compatible with the existence of a neglect of national interests, a dishonesty, a cold indifference to the suffering of millions. Patriotism is largely pride, and very largely combativeness. Patriotism generally has a chip on its shoulder.
”
”
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
“
I dance like I have a chip on my shoulder. I dance salsa.
”
”
Jarod Kintz (This Book is Not for Sale)
“
The truth is, I've always had a chip on my shoulder about my hometown. But it stems from a deep insecurity that I don't really belong anywhere.
”
”
Colin Jost (A Very Punchable Face)
“
Rhianna flashed Rose a small smile.
"Sometimes I have a chip on my shoulder. You know, the woe-is-me-I'm-such-a-martyr complex.
”
”
Christine Feehan (Ruthless Game (GhostWalkers, #9))
“
The movies make the brooding guy the hero – the guy with problems the guy who carries a gun, the gun with unresolved anger, the guy with a chip on his shoulder, the guy who’s a vampire – and they tell you that you can have the mythical happy ending with that same brooding guy.
But in reality, the brooding guy is cranky. He doesn’t reply to emails. He doesn’t call. He’s only half there when you’re talking to him, and he doesn’t chase you when you run. You feel insecure all the time. You get needy and sad and you hate yourself got being needy.
If you don’t know why he’s brooding, you’re shut out.
And if you do know why he’s brooding, you’re still shut out. (Because he’s busy brooding.)
”
”
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
“
Then why the fuck did you still shoot me?”
“Because I fucking well wanted to.
”
”
L.A. Witt (A Chip in His Shoulder (Falling Sky, #1))
“
That sassy low classy, but dress real cheap-fly-n-fancy, with a chip on her shoulder -- she's just a bitterly wounded dove, wanting to be sieged by love.
”
”
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
“
Yes, Garnett Grey was an Architect. Were a psychoanalyst to approach him from behind, tap his shoulder, and say 'Humanity,' Garrett'd spin and respond, without hesitation, 'Solvable'.
”
”
Chip Kidd (The Cheese Monkeys)
“
In the beginning, though, I have to admit that I did have a chip on my shoulder. I did want to prove everyone wrong. But after I went through the process and came out the other side, it wasn't about anyone else.
”
”
Billy Corgan
“
You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
You have been adopted. You are God’s beloved sons and daughters. Do you really think God is waiting to attack you on a technicality? Do you really think God has a continuous chip on his shoulder?
”
”
David A. Fiensy (The Journey: Spiritual Growth in Galatians and Philippians)
“
This judge has a chip on her shoulder the size of the whole goddamned courthouse.
”
”
Jodi Picoult (Salem Falls)
“
Sometimes it seems that the leaders of nations are little boys with chips on their shoulders, daring each other to knock them off.
”
”
John Steinbeck (A Russian Journal)
“
Quint holds up his hand. “Dirk, you have no reason to be angry at me. You clearly have some sort of chip on your shoulder, and—” “Wait, he does?” I look at Dirk. “Is it a chocolate chip?” Quint
”
”
Max Brallier (The Last Kids on Earth)
“
Perhaps I have something of a chip on my shoulder when it comes to modern feminine education. Often youngsters are sadly miscast. I have known girls who should be tinkering with mechanical things instead of making dresses, and boys who would do better at cooking than engineering.
”
”
Amelia Earhart (Last Flight: The World's Foremost Woman Aviator Recounts, in Her Own Words, Her Last, Fateful Flight)
“
Patriotism is largely pride, and very largely combativeness. Patriotism generally has a chip on its shoulder.
”
”
Charlotte Perkins Gilman (Herland / The Yellow Wallpaper)
“
There is nothing more cruel in this world than a young savage with a chip on his shoulder and anger in his soul.
”
”
Robert McCammon (Boy's Life)
“
Chips on shoulders put chips in pockets.
”
”
Morgan Housel
“
Like so many of our neighbors who latched onto tragedy to stand out from the crowd -- slavery, incest, a suicide -- I had exaggerated the ethnic chip on my shoulder for effect. I've learned since that tragedy is not to be hoarded. Only the untouched, the well-fed and contented, could possibly covet suffering like a designer jacket. I'd readily donate my story to the Salvation Army so that some other frump in need of color could wear it away.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
Any more questions?" I ask, poking him gently in the ribs.
"Do you still love me any?" Eliot asks, putting his hand over mine.
"A little."
"A little?" he asks, pulling away from me.
"A lot."
"How much?" he asks.
"More than chocolate chip cookies."
"Mmm" he says, kissing my shoulder.
"More than walking on the beach." Eliot kisses me on the neck.
"More than . . ." I pause, turning to look at him.
"More than?" he asks, kissing my lips.
I turn toward him. "Anything.
”
”
Brad Barkley (Scrambled Eggs at Midnight)
“
There was something virile in her attitude toward tragedy, as though she were defying God to knock off the chip He Himself had placed on her shoulder.
”
”
Jack Kerouac (And the Hippos Were Boiled in Their Tanks)
“
Wearing your feelings on your sleeve will end up being a chip on your shoulder.
”
”
John Paul Warren
“
She wasn’t born with whatever chip on her shoulder some of us are born with. I used to say I was born broken. She was born whole.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
As a minority, no sooner do you learn to polish and cherish one chip on your shoulder, it’s taken off you and swapped out for another. The jewellery of your struggles is forever on loan, like the Koh-i-Noor. You are intermittently handed this Necklace of labels to hang around your neck,
”
”
Nikesh Shukla (The Good Immigrant)
“
He smiled all the way to physics class. He almost laughed out loud when he passed through the door and saw her shadowy, hunched-over form casting around for a seat in the back.
She was in his class; this was excellent. Maybe she’d call him a name if he struck up another conversation. Even curse him out. That might fun. God, he’d probably earn himself a restraining order if he tried to sit next to her.
He was so tired of saccharine smiles and cloying tones of voice. People always plastered their eyes to his face for fear of looking anywhere else. He was fed up with everybody being so goddamned nice.
That’s why he’d already fallen in love with this weird, maladjusted, beautiful girl who carried a chip the size of Ohio on her shoulder. Because nobody was ever mean to the guy in the wheelchair.
”
”
Francine Pascal (Fearless (Fearless, #1))
“
Most kids who don't feel enough love and nurturance carry around this kind of inner rage- a rage that often lasts throughout adulthood. The people who should have cared for them didn't. The lesson to take away: All people are shit. This is why troubled youth walk around with chips on their shoulders and why they are so hard to help.
Early on they learn that people can't be trusted. They often spend the rest of their lives embracing this damaging belief. Seeing the world through shit-coloured glasses, they are hypersensitive to every possible slight or judgement, and they believe anyone friendly or kind must have an ulterior motive.
Despite all this, wounded people desperately want and need love. But, terrified to trust, they constantly do thing to test and sabotage their relationships. This push-pull dance is well-known to anyone who's ever been close to a victim of abuse, neglect, or abandonment. Those who suffer from BPD are hypersensitive to perceived slights from others and can grow notoriously hostile when they feel dissed....
For survivors of abuse, who you trust is a matter of survival. Its black and white. There can be no apologies. There can be no gray. There are no exceptions.-Scared Selfless
”
”
Michelle Stevens
“
Scotland can exist fully if we dream hard enough, Julie. I just can’t relate to that Scottish deep-fried-chip-on-the-shoulder. Trainspotting was wrong: it feels fucking great being Scottish. We’re becoming something, Julie. I can feel it. We’re getting dressed up.
”
”
Alan Bissett (Death of a Ladies' Man)
“
Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it’s right up there with grenades and cannonballs. Grover’s lunch hit the skeleton and knocked his skull clean off his shoulders. I’m not sure what the other kids in the café saw, but they went crazy and started throwing their burritos and baskets of chips and sodas at each other, shrieking and screaming.
”
”
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
“
I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
The fourteen-year-old Carmack was sent for psychiatric evaluation to help determine his sentence. He came into the room with a sizable chip on his shoulder. The interview didn’t go well. Carmack was later told the contents of his evaluation: “Boy behaves like a walking brain with legs . . . no empathy for other human beings.
”
”
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
“
So who told you that you had a chip on your shoulder?"
"Never mind." I shoved a piece of lasagna int my mouth so I couldn't answer.
"It was a cute guy, wasn't it?" Kelly said. "Those types pf statements only bother you if cute guys say them."
I didn't answer, and I didn't look at them.
"Must have been a really cute guy." Aleeta said.
Kelly leaned forward. "Who was it, and do you like him?"
I took another bite of lasagna.
"She likes him." Aleeta said with a smile.
"Ryan Geno?" Kelly asked. "Arnold Carrillo?"
"Colton Taft." Aleeta said as though sure she was right.
Kelly nodded. "Which means we're really talking about Bryant, aren't we?"
Aleeta leaned closer to the table and lowered her voice. "Charlotte likes Bryant?"
"No," I said quickly.
"No," Kelly repeated, "She doesn't like him, which is why Colton thinks she has a chip on her shoulder." She turned to me then, wearing a triumphant smile. "I'm right, aren't I?"
I shuffled pieces of lasagna around my plate. "I should stop hanging out with smart people.
”
”
Janette Rallison (It's a Mall World After All)
“
You know, I'm really trying to cut down on this stuff. But..." Peabody ripped into the pack of cookies. "Thing is, weird, McNab doesn't think I'm chubby. And when a guy sees you naked, he knows where the extra layers are."
"Peabody, do you have some delusion that I want to hear how McNab sees you naked?"
She crunched into a cookie. "I'm just saying. Anyway, you know we have sex, so you've probably reached the conclusion we're naked when we're having it. You being an ace detective and all."
"Peabody, in the chain of command, you may, on rare occasions and due to my astonishing good nature, respond to sarcasm with sarcasm. You are not permitted to lead with it. Give me a damn cookie."
"They're coconut crunchies. You hate coconut."
"Then why did you buy coconut?"
"To piss you off." Grinning now, Peabody pulled another pack of cookies from her bag. "Then I bought chocolate chip, just for you."
"Well, hand them over then."
"Okay, so ..." Peabody ripped open the second pack, offered Eve a cookie. "Anyway, McNab's got a little, bitty butt, and hardly any shoulders. Still -- "
"Stop. Stop right there. If I get an image of a naked McNab in my head, you're going back to traffic detail."
Peabody munched, hummed, waited.
"Damn it! There he is."
Hooting with laughter, Peabody polished off the last cookie. "Sorry. Dallas, I'm sorry. I couldn't help it. Kinda cute, isn't he?
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
I never misplaced my innocence. It wasn’t my own doing from a forgetful lack of care. It was taken from me, one cruel exploit at a time. I remember each piece of it as it broke away from me, until I was raw and bare, exposed to the harsh elements of the world with a chip gouged deep in my shoulder and a bitter taste always at the back of my tongue.
”
”
Raven Kennedy (Gild (The Plated Prisoner, #1))
“
One who is a head should not have a chip on another person's shoulder.
”
”
Anyaele Sam Chiyson (The Sagacity of Sage)
“
You're not looking for a ghost with a chip on his shoulder," he says. "Your looking for fingernail scratches on the walls of a gas chamber.
”
”
Natalie D. Richards (We All Fall Down)
“
He was the football star. I was the angry girl with a massive chip on her shoulder and my middle finger stuck up in the air at the world.” ~ Belle
”
”
Jessie Lane (Secret Maneuvers (Ex Ops #1))
“
in it,” I retort dryly. My mother is a bitch. Plain and simple. She’s always had a chip on her shoulder, and for the life of me, I can’t figure out why.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
Indeed the Encyclopedia Qwghlmiana features a lengthy article about the local system of runes. The author of this article has such a chip on his shoulder that the thing is almost physically painful to read.
”
”
Neal Stephenson (Cryptonomicon)
“
I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
people who feel like outsiders do one of two things: they either feel rejected, carry a chip on their shoulder and complain that life is unfair, or they use that sense of isolation to push themselves and work like Trojans.
”
”
Alex Ferguson (Leading: Lessons in leadership from the legendary Manchester United manager)
“
Wait!" she cried, and she yanked away from him and gathered her heels and her ruined
purse. She slid the shoes on and straightened her shoulders. "I will go as a lady should," she claimed bravely. "In patent leather heels.
”
”
Abigail Roux (Fish & Chips (Cut & Run, #3))
“
When I wake up, just like the day before there are texts from Peter.
I’m sorry.
I’m a dick.
Don’t be mad.
I read his texts over and over. They’re spaced minutes apart, so I know he must be fretting over whether I’m still mad or not. I don’t want to be mad. I just want things to go back to how they were before.
Do you want to come over for a surprise?
He immediately replies:
ON MY WAY.
“The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.”
“I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.”
“Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Do not grow a chip on your shoulder, Carolina,” he said. “Do not let what anyone says about you determine how you feel about yourself.” I looked at him. “If I say your hair is purple, does that mean it’s purple?” he asked. “No, it’s brown.” “Does it mean you have to prove to me it’s brown?” I shook my head. “No, you can see it is.” “You are going to be one of the greatest tennis players in the world someday, cariño. That is as true as your brown hair. You don’t need to show them. You just need to be.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
Charlie Bourdel stood five foot nothing without his combat boots. His long, black, curly hair was caught up in a high ponytail that reached the middle of his back. He kept a switchblade in his right combat boot and a .45 in his guitar case and could and would willingly hurt anybody who made the mistake of messing with him. Between the badass attitude and the fifty-pound chip on his shoulder you’d think he had a fatal case of little man syndrome; you’d be dead wrong. He was one hundred and thirty pounds sopping wet of swagger and confidence.
”
”
W.E. DeVore
“
The Scottish clan system was an extraordinary thing. No man was any man's servant, but part of a family. Which is why your average Highlander does not walk through life with a chip on his shoulder. He is proud. He knows he is as good as you are, and probably a good deal better.
”
”
Rosamunde Pilcher (September)
“
I didn’t even have to try,” I said as we headed toward the locker rooms. “Oh, you made that clear. And you were mean.”
“Why should I be nice to him? He called me a seven-year-old.”
“People are going to call you a lot of things in your life,” he said.
“People always call people like us all kinds of things.”
“Because we aren’t members here?” I asked as I put my things down. My father stopped in place. “Because we are winners. Do not grow a chip on your shoulder, Carolina,” he said. “Do not let what anyone says about you determine how you feel about yourself.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs.
Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger.
I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack.
“You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him.
“You’re okay,” he says again.
I like that, how he’s so sure. Not Are you okay? No question about it.
You’re okay.
He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.”
I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?”
“Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.”
I take the one Declan offered and nibble a bit from the side. It is awesome.
I peer up at him sideways. “How did you know?”
He hesitates, but he doesn’t ask me what I mean. “I know the signs.”
“I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.”
I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once.
This is okay. I’m okay. Declan was right.
“Take it out on the punching bag,” calls Rev. “That’s what I do.”
My eyes go wide. “Really?”
“Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.”
Rev returns with three sodas. “We’re doing something meaningful right now.”
“We are?” I say.
He meets my eyes. “Every moment is meaningful.”
The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt.
Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.”
“No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?”
Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
It would have been easy for Theo to grow ironic. He could walk through life with a paradoxical chip on his shoulder, with skin like armor. But Alice did not want to raise a boy who looked at life askew. Alice wanted her son to greet the day with elation. She wanted to raise her boy into a wholesome man.
”
”
David Paul Kirkpatrick (the dog)
“
Most kids who don't feel enough love and nurturance carry around this kind of inner rage- a rage that often lasts throughout adulthood. The people who should have cared for them didn't. The lesson to take away: All people are shit. This is why troubled youth walk around with chips on their shoulders and why they are so hard to help.
Early on they learn that people can't be trusted. They often spend the rest of their lives embracing this damaging belief. Seeing the world through shit-coloured glasses, they are hypersensitive to every possible slight or judgement, and they believe anyone friendly or kind must have an ulterior motive.
Despite all this, wounded people desperately want and need love. But, terrified to trust, they constantly do things to test and sabotage their relationships. This push-pull dance is well-known to anyone who's ever been close to a victim of abuse, neglect, or abandonment. Those who suffer from BPD are hypersensitive to perceived slights from others and can grow notoriously hostile when they feel dissed....
For survivors of abuse, who you trust is a matter of survival. Its black and white. There can be no apologies. There can be no gray. There are no exceptions.-Scared Selfless
”
”
Michelle Stevens
“
Lancre operated on the feudal system, which was to say, everyone feuded all the time and handed on the fight to their descendants. The chips on some shoulders had been passed down for generations. Some had antique value. A bloody good grudge, Lancre reckoned, was like a fine old wine. You looked after it carefully and left it to your children.
”
”
Terry Pratchett (Carpe Jugulum (Discworld, #23))
“
My father believed that his own lack of pose and connections had led him being passed over in his career in favor of people of less ability. He had a bit of a chip on his shoulder because he felt that other people who were not as good but who had the right background and connections had gotten ahead of him. He used to warn me against such people.
”
”
Stephen Hawking (My Brief History)
“
Sancho tried to be gentle. In his way. He was, for his kind, as Joshua would learn, exceptionally intelligent. But he was a humanoid, the size and strength of a large orang-utan, and he had performed no action in his life more delicate than the chipping of a blade from a chunk of rock. He picked Joshua up and threw him over his shoulder like a sack of coal. Joshua
”
”
Terry Pratchett (The Long Cosmos (Long Earth #5))
“
The testosterone-fueled chip on my shoulder came from a high school career spent futilely awaiting a timely puberty while standing a good foot taller than everyone on earth, all the boys at my high school included. None of them ever asked me out, but I could make them laugh and kick their asses at basketball, so rather than fail at seducing them, I simply became one of them.
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
Tomorrow I want to get a New York bagel and see how it stacks up against Bodo’s.” Bodo’s Bagels are legendary in Charlottesville; we’re very proud of those bagels.
Putting my head on his shoulder, I yawn and say, “I wish we could go to Levain Bakery so I could try their cookie. It’s supposed to be like no chocolate chip cookie you’ve had before. I want to go to Jacques Torres’s chocolate shop too. His chocolate chip cookie is the definitive chocolate chip cookie, you know. It’s truly legendary…” My eyes drift closed, and Peter pats my hair. I’m starting to fall asleep when I realize he’s unraveling the milkmaid braids Kitty pinned on the crown of my head. My eyes fly back open. “Peter!”
“Shh, go back to sleep. I want to practice something.”
“You’ll never get it back to how she had it.”
“Just let me try,” he says, collecting bobby pins in the palm of his hand.
When we get to the hotel in New Jersey, despite his best efforts, my braids are lumpy and loose and won’t stay pinned. “I’m sending a picture of this to Kitty so she’ll see what a bad student you are,” I say as I gather up my things.
“No, don’t,” Peter quickly says, which makes me smile.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
The Jogger Killer is currently terrorizing women who are now too scared to go out running alone. And Rulandi Duval is a pit bull with a chip on her shoulder. She’s a woman in a position of power in a traditionally male environment, and she’s got something to prove. You and Tom also ooze privilege. You live in Story Cove. You own a boat. It’s moored at an exclusive marina. You belong to a country club.
”
”
Loreth Anne White (The Patient's Secret)
“
And these are his daughters, Hallie and Luna. Guys, this is my cousin Winnie and her friend Ellie.” “Oh, we already know Winnie,” Hallie informed him. “You do?” Chip grinned down at her in surprise. “Yes, she lives next door,” said Luna excitedly, bouncing up and down. “We saw her bum today!” Record scratch. Horrible silence. Chip looked confused. “Her what?” “Her bum.” Luna patted her own backside while I held my breath and tried to make myself disappear. “We saw it when we were in her bedroom today.” “Luna!” Hallie elbowed her sister. “Daddy told us in the car not to tell that story tonight. You’re gonna get us in trouble and then we can’t go swimming tomorrow.” “I forgot.” Luna rubbed her shoulder and looked up at Dex. “Sorry, Daddy.” Dex struggled for words and came up with, “Fucking hell, Luna.
”
”
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
“
Wanting to sleep with him? Yes. Wanting to hold him and care about him? No thanks. Nico was a proven flight risk. An angry, surly man who had a history of choosing himself over others. The kind of person who could pawn off his own niece onto a pair of strangers so he could go back to his own self-centered life. He wasn’t a kind, sweet man but an instigator with a chip on his shoulder against all things Hobie.
”
”
Lucy Lennox (Facing West (Forever Wilde, #1))
“
“Esa chica esta bien caliente.” Hector laughed as Rider shook his head. Ainsley stiffened across from me. She was pretty fluent in Spanish and even though Hector was Puerto Rican, I had a feeling she was getting the general gist of whatever he was saying and she was not happy about it. “Me gustaria a llevarla a mi casa y comermela.”
Ainsley cocked her head to the side as she brushed her long, blond hair over her shoulder. “Gracias! Pero no hay ni una parte de mi que tu te vas a comer.”
Hector’s eyes widened.
Rider threw his head back and burst into laughter. “Oh, shit. Priceless.”
“What?” Ainsley blinked big eyes at the stunned Hector. “You think some white chick can’t possibly understand another language so you’re going to sit in front of me and talk about me like I’m not here?” Her smile was brittle and fake. “Bitch, please.”
“Man...” Hector sat back, slowly shaking his head as he stared at her. “You’re...brutal.”
“Damn straight,” she replied, her eyes like chips of blue ice. Whatever yumminess she’d seen in Hector was completely out the window now. “And you’re a mal criado.”
Hector’s eyes narrowed.
“I really like your friend, Mouse.” Still chuckling, Rider winked at me. “She basically called him a classless ass, and I agree.
”
”
Jennifer L. Armentrout (The Problem with Forever)
“
My innocence was lost—that’s how some people would put it. But not me. I never misplaced my innocence. It wasn’t my own doing from a forgetful lack of care. It was taken from me, one cruel exploit at a time. I remember each piece of it as it broke away from me, until I was raw and bare, exposed to the harsh elements of the world with a chip gouged deep in my shoulder and a bitter taste always at the back of my tongue.
”
”
Raven Kennedy (Gild (The Plated Prisoner, #1))
“
The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.”
“I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.”
“Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.”
“The perfect cookie is best eaten while still warm, but still delicious at room temperature.”
“If you don’t quit talking, they won’t be warm anymore,” Kitty grumbles. I shoot her a glare, but truthfully, I’m glad she’s here to be a buffer between Peter and me. Her presence makes things feel normal.
“In the baking world, it is a truth universally acknowledged that Jacques Torres has perfected the chocolate chip cookie. Peter, you and I tasted it for ourselves just a few months ago.” I’m really stretching it now to make them suffer. “How will my cookie measure up? Spoiler alert. It’s amazing.”
Kitty slides off her stool. “That’s it. I’m out of here. A chocolate chip cookie isn’t worth all this.”
I pat her on the head. “Oh, naïve little Kitten. Dear, foolish girl. This cookie is worth all this and more. Sit or you will not partake.”
Rolling her eyes, she sits back down.
“My friends, I have finally found it. My white whale. My golden ring. The cookie to rule them all.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
My parents always insulted each other. Mom was a good student and thought school was important. Dad agreed even though he had a chip on his shoulder because he never got good grades. He learned most things from running around on the street, but in a funny way, my dad was smarter. My mom never remembered what she learned in school because she just memorized stuff for tests; it was my dad, who had bad grades, that actually remembered everything he learned.
”
”
Eddie Huang (Fresh Off the Boat)
“
Being diplomatic, I’d say Kipps was a slightly built young man in his early twenties, with close-cut reddish hair and a narrow, freckled face. Being undiplomatic (but more precise), I’d say he’s a pint-sized, pug-nosed, carrot-topped inadequate with a chip the size of Big Ben on his weedy shoulder. A sneer on legs. A malevolent buffoon. He’s too old to be any good with ghosts, but that doesn’t stop him wearing the blingiest rapier you’ll ever see, weighed down to the pommel with cheap paste jewels.
”
”
Jonathan Stroud (The Whispering Skull (Lockwood & Co., #2))
“
I found him in the kitchen, at the table in the bay window, already eating his cereal.
“I was going to fix you breakfast,” I said.
He grinned. “I wouldn’t want you to put yourself out.”
“No one can pour cereal like I can. That’s true.”
I crossed the kitchen. He scooted his chair back, and I sat on his lap and put my arms on his shoulders.
“Good morning,” I said, right before I kissed him.
Oh, yes, this was definitely the way to start the day.
“We’re in the house,” he said when we stopped kissing. “Thought we had a rule about not kissing in the house.”
“Yeah, we also had a house rule--no falling for the player living with us. You see how good I am at following rules.”
He grinned. “Lucky for me. Why don’t you come to Ruby Tuesday for lunch?”
“Okay.”
“Then practice.”
“Definitely.”
“Maybe we could do something afterward.”
“Absolutely.”
He kissed me again. He tasted like bran flakes and raisins and bananas.
Me, I tasted like chocolate chip cookie dough.
It was an odd combination but it somehow worked.
”
”
Rachel Hawthorne (The Boyfriend League)
“
Everyone tensed as he leaned in, head dipping, and kissed her.
Nesta's lips were chips of ice.
But he let their coldness sting his own, and brushed his mouth against hers. Nipped at her bottom lip until he felt it drop a fraction. He slid his tongue into that opening, and found the inside of her mouth, usually so soft and warm, crusted with hoarfrost.
Nesta didn't kiss him back, but didn't shove him away. So Cassian sent his heat into it, fusing their mouths together, his free hand bracing her hip as his Siphons nipped at her hand once more.
Her mouth opened wider, and he slid his tongue over every inch- over her frozen teeth, over the roof of her mouth. Warming, softening, freeing.
Her tongue lifted to meet his in a single stroke that cracked the ice in her mouth.
He slanted his mouth over hers, tugging her against his chest, and tasted her as he'd wanted to taste her the other night, deep and thorough and claiming. Her tongue again brushed against his, and then her body was warming, and Cassian pulled back enough to say against her lips, 'Let go, Nesta.'
He drove his mouth into hers again, daring her to unleash that cold fire upon him.
Something thunked and clinked beside them.
And when Nesta's other hand gripped her shoulder, fingers now free of stones and bones, when she arched her neck, granting him better, deeper access, he nearly shuddered with relief.
She broke the kiss first, as if sliding into her body and remembering who kissed her, where they were, who watched.
Cassian opened his eyes to find her so close that they shared breath. Normal, unclouded breath. Her eyes had returned to the blue-grey he knew so well. Stunned surprise and a little fear lit her face. As if she'd never seen him before.
'Interesting,' Amren observed, and he found the female studying the map.
Feyre gaped, though, Rhys's hand gripped tight in her own. Caution blazed on Rhys's face. On Azriel's, too.
What the hell did you do to pull her out of that? Rhys asked.
Cassian didn't really know. The only thing I could think of.
You warmed the entire room.
I didn't mean to.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Like me, he’d been made by the studios. Born Karl Olvirsson in Iceland, he hightailed it to Hollywood, changed his name, perfected his accent, and slept with everybody he needed to sleep with to get what he wanted. He was a matinee idol with a chip on his shoulder about proving he could act. But he actually could act. He felt underestimated because he was underestimated. Anna Karenina was his chance to be taken seriously. He needed it to be a big hit just as much as I did. Which was why he was willing to do exactly what I was willing to do. A marriage stunt
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
There are these fading, ageing girls who constantly let themselves go over the edge without resisting, strong girls, still unused in their innermost selves, who have never been loved. Perhaps, Lord, you mean me to leave everything and go love them. Otherwise why is it so difficult for me not to follow them when they pass me in the street? Why do I suddenly invent the sweetest, most nocturnal words, and why does my voice settle sweetly inside me between my throat and heart? Why do I imagine how I, with unutterable caution, would hold them to my breath, these dolls that life has been playing with, flinging their arms apart springtime after springtime for nothing, and again for nothing, until they became slack in the shoulders. They've never fallen from a very high hope, so they're not broken; but they're badly chipped already and too far gone. Only stray cats come to them in the evening in their rooms and keep giving them furtive scratches and then sleep on top of them. Sometimes I follow one of them down a couple of streets. They walk past the houses, people are continually coming along who blot them out, they go on fading until they are nothing.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
Green Arrow is the embodiment of what one person can do. It’s a theme that comes up repeatedly in this book, one that explains why this powerless archer with a chip on his shoulder appeals to so many people. He wasn’t born of the heartbreaking tragedy of a Batman, he didn’t fall from the stars to deliver humanity from evil, nor is his origin wrapped in the fabric of Greek myths and legends. He is a human character that struggles with work, love, loss, darkness, death, and the weight of his own sins. Like the rest of us humans, Green Arrow is flawed, and a perpetually moving target.
”
”
Richard Gray (Moving Target: The History and Evolution of Green Arrow)
“
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled.
If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know.
Her father would choose the water for Kestrel if he knew.
Yet she couldn’t. In the end, it wasn’t cunning that kept her from jumping, or determination. It was a glassy fear.
She didn’t want to die. Arin was right. She played a game until its end.
Suddenly, Kestrel heard his voice. She opened her eyes. He was shouting. He was shouting her name. He was barreling past people, driving a path between the mainmast and the railing alongside the launch. Kestrel saw the horror in him mirror what she had felt when facing the water.
Kestrel gathered the strength in her legs and jumped onto the deck.
Her feet hit the planks, the force of movement toppling her. But she had learned from fighting Rax how to protect her hands. She tucked them to her, pressed the hard knots of her bonds against her chest, fell shoulder first, and rolled.
Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.”
His hands cradled her face.
“Don’t touch me,” she said.
Arin’s hands fell. “Gods,” he said hoarsely.
“Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.”
Arin shook his head. “It’s harder to live.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Aunt Lotty had gone, and Laura and Mary were tired and cross. They were at the woodpile, gathering a pan of chips to kindle the fire in the morning. They always hated to pick up chips, but every day they had to do it. Tonight they hated it more than ever.
Laura grabbed the biggest chip, and Mary said:
“I don’t care. Aunt Lotty likes my hair best, anyway. Golden hair is lots prettier than brown.”
Laura’s throat swelled tight, and she could not speak. She knew golden hair was prettier than brown. She couldn’t speak, so she reached out quickly and slapped Mary’s face.
Then she heard Pa say, “Come here, Laura.”
She went slowly, dragging her feet. Pa was sitting just inside the door. He had seen her slap Mary.
“You remember,” Pa said, “I told you girls you must never strike each other.”
Laura began, “But Mary said--”
“That makes no difference,” said Pa. “It is what I say that you must mind.”
Then he took down a strap from the wall, and he whipped Laura with the strap.
Laura sat on a chair in the corner and sobbed. When she stopped sobbing, she sulked. The only thing in the whole world to be glad about was that Mary had to fill the chip pan all by herself.
At last, when it was getting dark, Pa said again, “Come here, Laura.” His voice was kind, and when Laura came he took her on his knee and hugged her close. She sat in the crook of his arm, her head against his shoulder and his long brown whiskers partly covering her eyes, and everything was all right again.
She told Pa all about it, and she asked him, “You don’t like golden hair better than brown, do you?”
Pa’s blue eyes shone down at her, and he said, “Well, Laura, my hair is brown.”
She had not thought of that. Pa’s hair was brown, and his whiskers were brown, and she thought brown was a lovely color. But she was glad that Mary had had to gather all the chips.
”
”
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
“
Being with you
here, in this room
is like groping through a mirror
whose glass has melted
to the consistency
of gelatin
You refuse to be
(and I)
an exact reflection, yet
will not walk from the glass,
be separate.
Anyway, it is right
that they have put
so many mirrors here
(chipped, hung crooked)
in this room with its high transom
and empty wardrobe; even
the back of the door
has one.
There are people in the next room
arguing, opening and closing drawers
(the walls are thin)
You look past me, listening
to them, perhaps, or
watching
your own reflection somewhere
behind my head,
over my shoulder
You shift, and the bed
sags under us, losing its focus
There is someone in the next room
There is always
(your face
remote, listening)
someone in the next room.
”
”
Margaret Atwood (The Circle Game: Poems)
“
Our delight in each other did not happen because he is the perfect man, or because he “loves me like Christ loves the church,” or because he is “sensitive to all my needs.” It didn’t happen because he takes the trash out, or cleans up after himself, or has always made a good living, providing me with all the things most women take for granted. It didn’t happen because he is a strong spiritual leader and always does the right thing. It happened and continues to happen because of the choices I make every day. I never have a chip on my shoulder, no matter how offended I have a right to be—and I do have reasons to be offended regularly. Every day, I remember to view myself as the woman God gave this man. This mind-set helps me be just that: a gift, a playmate, his helper.
”
”
Debi Pearl (Created to be His Help Meet)
“
Imagine if you signed up for a drawing class and from day one, the teacher hung over your shoulder and harangued your every move. Imagine if she told you you can't draw and will never be able to, told you to just forget the whole thing. Imagine if she constantly chipped away at your confidence, your personality, your self-worth, turning a simple drawing exercise into a judgment on you as a person. You'd drop the class and ask for your money back, right? Your inner critic can be just that sort of nightmarish voice in your head. And the fact is, that voice is wrong. Every drawing you do has some value. It teaches you new and valuable things. And it is vital to realize that the moment when you finish a drawing is not the time to judge it, not the time to learn the full value of the lesson.
”
”
Danny Gregory (Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are)
“
Letter 4
As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus.
When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands.
He led me down to the river, where we sat together and shared the river’s silence. Then he spoke:
„Allow me to tell you my story. It may help you understand your own.
At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms.
I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters.
Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible.
When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs.
The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were reddened with the blood of our children. The sun rose behind a sky filled with plumes of dark smoke.
But during night, three birds of phoenix had risen from the burning aviaries. They closed their eyes and soared straight up into the dark clouds. When they opened their eyes they could see the stars clearly, though they could not see the ground below.
”
”
Gregory Colbert (Ashes and Snow: A Novel in Letters)
“
As a screenwriter - if you are completely honest with yourself - you can’t help but admit that your greatest threat is the audience, where audience is not understood as a demographic category but as a character outside the script to whom the story is addressed. A good part of the drama necessary for uncovering the story resides in the conflict between the storyteller and his/her audience. Audience plays the part of antagonist to the writer’s role as protagonist. The writer drives the action, which is forever complicated, frustrated and undermined by the audience’s needs and sensibilities. Audience wants you to prove it. Audience has a chip on its shoulder, and doesn’t give a damn. Audience has been there and done that in the guise of your mother, your father, your ex-, your worst enemy. Audience laughs at your stupidity and dares you to change its view of you and the story world that you would have it care about. Audience is defiant. It has your number. The only way you can defeat it is by carrying a bigger stick - your only defence is an inspired offence, namely the story.
”
”
Billy Marshall Stoneking
“
Our time together is drawing short, my reader. Possibly you will view these
pages of mine as a fragile treasure box, to be opened with the utmost care.
Possibly you will tear them apart, or burn them: that often happens to words.
Perhaps you’ll be a student of history, in which case I hope you’ll make
something useful of me: a warts-and-all portrait, a definitive account of my life
and times, suitably footnoted; though if you don’t accuse me of bad faith I will
be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to
astonish.
I picture you as a young woman, bright, ambitious. You’ll be looking to make
a niche for yourself in whatever dim, echoing caverns of academia may still exist
by your time. I situate you at your desk, your hair tucked back behind your ears,
your nail polish chipped—for nail polish will have returned, it always does.
You’re frowning slightly, a habit that will increase as you age. I hover behind
you, peering over your shoulder: your muse, your unseen inspiration, urging you
on.
You’ll labour over this manuscript of mine, reading and rereading, picking nits
as you go, developing the fascinated but also bored hatred biographers so often
come to feel for their subjects. How can I have behaved so badly, so cruelly, so
stupidly? you will ask. You yourself would never have done such things! But
you yourself will never have had to.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
And he felt it.
Rogal Dorn had been feeling it for days, weeks, building up, up, up, rising over him like a black fog, dragging at his limbs, clogging his mind, making him question every decision he made, every order he gave.
He hadn’t had any respite at all, of any kind, for three months. Three months! His sharpness was going now, his reactions were slower. A billion functionaries depending on him for everything, reaching out to him, suffocating him with their endless demands, pleas for help, for guidance. A billion eyes, on him, all the time.
And he’d fought, too. He’d fought. He’d fought primarchs, brothers he’d once thought of as equals or betters. He’d seen the hatred in Perturabo’s eyes, the mania in Fulgrim’s, stabbing at him, poisoning him. Every duel, every brief foray into combat, had chipped a bit more off, had weakened the foundations a little further. Fulgrim had been the worst. His brother’s old form, so pleasing to the eye, had gone, replaced by bodily corruption so deep he scarcely had the words for it. That degradation repulsed him almost more than anything else. It showed just how far you could fall, if you lost your footing in reality completely.
You couldn’t show that repulsion. You couldn’t betray the doubt, or give away the fatigue. You couldn’t give away so much as a flicker of weakness, or the game was up, so Dorn’s face remained just as it always had been – static, flinty, curt. He kept his shoulders back, spine straight. He hid the fevers that raged behind his eyes, the bone-deep weariness that throbbed through every muscle, all for show, all to give those who looked up to him something to cling on to, to believe in. The Emperor, his father, was gone, silent, locked in His own unimaginable agonies, and so everything else had crashed onto his shoulders. The weight of the entire species, all their frailties and imperfections, wrapped tight around his mouth and throat and nostrils, choking him, drowning him, making him want to cry out loud, to cower away from it, something he would never do, could never do, and so he remained where he was, caught between the infinite weight of Horus’ malice and the infinite demands of the Emperor’s will, and it would break him, he knew, break him open like the walls themselves, which were about to break now too, despite all he had done, but had it been enough, yes it had, no it could not have been, they would break, they must not break…
He clenched his fist, curling the fingers up tight. His mind was racing again. He was on the edge, slipping into a fugue state, the paralysis he dreaded. It came from within. It came from without. Something – something – was making the entire structure around him panic, weaken, fail in resolve. He was not immune. He was the pinnacle – when the base was corrupted, he, too, eventually, would shatter.
”
”
Chris Wraight (Warhawk (The Siege of Terra #6))
“
Probably, we should all hate you,” he was saying to Cade. “Illinois played against Northwestern that year for our homecoming, and you totally slaughtered us—” He broke off at the sound of a knock on the interior door to the suite.
A woman in her early twenties, dressed in a skirt and a black T-shirt with “Sterling Restaurants” in red letters, walked into the suite pushing a three-tiered dessert cart.
“Sweet Jesus, it’s here,” Charlie whispered reverently.
Brooke fought back a smile. The dessert cart was something Sterling Restaurants had introduced a year ago, as a perk for all of the skyboxes and luxury suites at the sports arenas they collaborated with. Needless to say, it had been a huge success. Four kinds of cake (chocolate with toffee glaze, carrot cake, traditional cheesecake, and a pineapple-raspberry tart), three types of cookies (chocolate chip, M&M, and oatmeal raisin), blond brownies, dark chocolate brownies, lemon squares, peach cobbler, four kinds of dessert liquors, taffy apples, and, on the third tier, a make-your-own sundae bar with all the fixings.
“Wow. That is some spread,” Vaughn said, wide-eyed.
Simultaneously, the men sprang forward, bulldozed their way through the suite door, and attacked the cart like a pack of starving Survivor contestants.
All except for one.
Cade stayed right there, on the terrace. He leaned back against the railing, stretching out his tall, broad-shouldered frame. “Whew. I thought they’d never leave
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
When was the last time you made something that someone wasn’t paying you for, and looking over your shoulder to make sure you got it right?” When I ask creatives this question, the answer that comes back all too often is, “I can’t remember.” It’s so easy for creativity to become a means to a very practical end—earning a paycheck and pleasing your client or manager. But that type of work only uses a small spectrum of your abilities. To truly excel, you must also continue to create for the most important audience of all: yourself. In her book The Artist’s Way, Julia Cameron discusses a now well-known practice that she calls “morning pages.” She suggests writing three pages of free-flowing thought first thing in the morning as a way to explore latent ideas, break through the voice of the censor in your head, and get your creative juices flowing. While there is nothing immediately practical or efficient about the exercise, Cameron argues that it’s been the key to unlocking brilliant insights for the many people who have adopted it as a ritual. I’ve seen similar benefits of this kind of “Unnecessary Creation” in the lives of creative professionals across the board. From gardening to painting with watercolors to chipping away at the next great American novel on your weekends, something about engaging in the creative act on our own terms seems to unleash latent passions and insights. I believe Unnecessary Creation is essential for anyone who works with his or her mind.
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
Among the girls at this party were a number of the now-famous wives of Americans and Britons who are not permitted to leave the Soviet Union. Pretty and rather sad girls. They cannot join their husbands in England or America, and so they are employed by their embassies until some final decision is reached. There are many things we cannot understand about the Soviet Union, and this is one of them. There are not more than fifty of these women. They are no good to the Soviet Union. They are suspected. Russians do not associate with them, and yet they are not permitted to leave. And on these fifty women, these fifty unimportant women, the Soviet Union has got itself more bad publicity than on any other single small item. Of course this situation cannot arise again, since by a new decree no Russian may marry a foreigner. But here they sit in Moscow, these sad women, no longer Russians, and they have not become British or American. And we cannot understand the reasoning which keeps them here. Perhaps it is just that the Russians do not intend to be told what to do about anything by anyone else. It might be as simple as that. When Clement Attlee personally requested that they be sent out of Russia, he was told, in effect, to mind his own business. It is just one more of the international stupidities which seem to be on the increase in the world. Sometimes it seems that the leaders of nations are little boys with chips on their shoulders, daring each other to knock them off.
”
”
John Steinbeck (A Russian Journal)
“
So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.
”
”
Héctor Abad Faciolince (El olvido que seremos)
“
They had a very pleasant evening out together in Shrewsbury – she was lovely to him, they chatted to mutual acquaintances, laughed, drank quite a bit of wine. They settled into a relaxed mood together – Jason wondering why it couldn’t always be that way; and, in fact, she had closed down again by the time they were walking back to his flat, with a bag of chips shared between them.
Something sparked the subject of family once more. He joked about one day being invited to meet her parents.
‘There you go again!’ she snapped. ‘It’s not as if you’re a serious boyfriend, or anything.’
He stopped dead, other revellers had to swerve around them. ‘Why do you say that? I know I’m serious about this. I just don’t get you at all.’ Her expression told him that she was not willing to discuss it. He threw the remnants of the chips into a plastic bin. ‘Adelaide, we’re so good together. We are, aren’t we? Admit it.’
‘All right, I admit it. I do want you, Jason. Just not in the way you want.’
‘I know I don’t pressure you. God, I put up with so much crap from you. Just spell it out to me. What is your problem?’
By some miracle of logistics, two police officers happened to be passing along the pedestrianised road. Adelaide used their presence as a way of ending the discussion, ‘Jason, you’re making a scene. I’m going home alone.’
‘Adelaide!’
‘Let’s leave it for now, Jason.’
‘Adelaide!’
She skipped away into groups of passers-by. Infuriated beyond belief by her once more, Jason punched the plastic bin, causing a huge dent. The policemen looked over their shoulders briefly, but then continued on.
”
”
HB Morris
“
Is Joanna Gaines here? We have a warrant here for her arrest,” the officer said.
It was the tickets. I knew it. And I panicked. I picked up my son and I hid in the closet. I literally didn’t know what to do. I’d never even had a speeding ticket, and all of a sudden I’m thinking, I’m about to go to prison, and my child won’t be able to eat. What is this kid gonna do?
I heard Chip say, “She’s not here.”
Thankfully, Drake didn’t make a peep, and the officer believed him. He said, “Well, just let her know we’re looking for her,” and they left.
Jo’s the most conservative girl in the world. She had never even been late for school. I mean, this girl was straitlaced. So now we realize there’s a citywide warrant out for her arrest, and we’re like, “Oh, crap.” In her defense, Jo had wanted to pay those tickets off all along, and I was the one saying, “No way. I’m not paying these tickets.” So we decided to try to make it right. We called the judge, and the court clerk told us, “Okay, you have an appointment at three in the afternoon to discuss the tickets. See you then.” We wanted to ask the judge if he could remove a few of them for us. “The fines for our dogs “running at large” on our front porch just seemed a bit excessive.
We arrived at the courthouse, and Chip was carrying Drake in his car seat. I couldn’t carry it because I was still recovering from Drake’s delivery. We got inside and spoke to a clerk. They looked at the circumstances and decided to switch all the tickets into Chip’s name.
Those dogs were basically mine, and it didn’t make sense to have the tickets in her name. But as soon as they did that, this police officer walked over and said, “Hey, do you mind emptying out all of your pockets?”
I got up and cooperated. “Absolutely. Yep,” I said. I figured it was just procedure before we went in to see the judge.
Then he said, “Yeah, you mind taking off your belt?”
I thought, That’s a little weird.
Then he said, “Do you mind turning around and putting your hands behind your back?”
They weren’t going to let us talk to the judge at all. The whole thing was just a sting to get us to come down there and be arrested. They arrested Chip on the spot. And I’m sitting there saying, “I can’t carry this baby in his car seat. What am I supposed to do?”
I started bawling. “You can’t take him!” I cried. But they did. They took him right outside and put him in the back of a police car.
Now I feel like the biggest loser in the world. I’m in the back of a police car as my crying wife comes out holding our week-old baby.
I’m walking out, limping, and waving to him as they drive away.
And I can’t even wave because my hands are cuffed behind my back. So here I am awkwardly trying to make a waving motion with my shoulder and squinching my face just to try to make Jo feel better.
It was just the most comical thing, honestly. A total joke. To take a man to jail because his dogs liked to walk around a neighborhood, half of which he owns? But it sure wasn’t funny at the time. I was flooded with hormones and just could not stop crying. They told me they were taking my husband to the county jail.
Luckily we had a buddy who was an attorney, so I called him. I was clueless. “I’ve never dated a guy that’s been in trouble, and now I’ve got a husband that’s in jail.
”
”
Joanna Gaines (The Magnolia Story)
“
Theseus Within the Labyrinth pt.1
The lives of Greeks in the old days were deep,
mysterious and often lead to questions like
just what was wrong with Ariadne anyway, that’s
what I’d like to know? She would have done
anything for that rascally Theseus, and what
did he do but sneak out in the night and row
back to his ship with black sails. Let’s get
the heck out of here, he muttered to his crew
and they leaned on their oars as he went whack-
whack on the whacking board—a human metronome
of adventure and ill-fortune. She was King Minos’s
daughter and had helped Theseus kill the king’s
pet monster, her half-brother, so possibly
he didn’t like feeling beholden—people might
think he wasn’t tough. But certainly he’d spent
his life knocking chips off shoulders and flattening
any fellow reckless enough to step across a line
drawn in the dust. If you wanted a punch thrown,
Theseus was just the cowboy to throw it. I’m only
happy when hitting and scratching, he’d told Ariadne
that first night. So he’d been the logical choice
to sail down from Athens to Crete to stop this
nonsense of a tribute of virgins for some
monster to eat. Those Cretans called it eating but
Theseus thought himself no fool and liked a virgin
as well as the next man. Not that he could have got
into the Labyrinth without Ariadne’s help or out
either for that matter. As for the Minotaur, lounging
on his couch, nibbling grapes and sipping wine, while
a troop of ex-virgins fluttered to his beck and call,
Theseus must have scared the horns right off him,
slamming back the door and standing there in his lion
skin suit and waving that ugly club. The poor beast
might have had a stroke had there been time before
Theseus pummelled him into the earth. Then, with
Ariadne’s help, Theseus escaped, and soon after he
ditched her on an island and sailed off in his ship
with black sails, which returns us to the question:
Just what was wrong with Ariadne anyway?
”
”
Stephen Dobyns (Velocities: New and Selected Poems, 1966-1992)
“
In each prediction about violence, we must ask what the context, stimuli, and developments might mean to the person involved, not just what they mean to us. We must ask if the actor will perceive violence as moving him toward some desired outcome or away from it. The conscious or unconscious decision to use violence, or to do most anything, involves many mental and emotional processes, but they usually boil down to how a person perceives four fairly simple issues: justification, alternatives, consequences, and ability. My office abbreviates these elements as JACA, and an evaluation of them helps predict violence. Perceived Justification (J) Does the person feel justified in using violence? Perceived justification can be as simple as being sufficiently provoked (“Hey, you stepped on my foot!”) or as convoluted as looking for an excuse to argue, as with the spouse that starts a disagreement in order to justify an angry response. The process of developing and manufacturing justification can be observed. A person who is seeking to feel justification for some action might move from “What you’ve done angers me” to “What you’ve done is wrong.” Popular justifications include the moral high ground of righteous indignation and the more simple equation known by its biblical name: an eye for an eye. Anger is a very seductive emotion because it is profoundly energizing and exhilarating. Sometimes people feel their anger is justified by past unfairnesses, and with the slightest excuse, they bring forth resentments unrelated to the present situation. You could say such a person has pre-justified hostility, more commonly known as having a chip on his shoulder. The degree of provocation is, of course, in the eye of the provoked. John Monahan notes that “how a person appraises an event may have a great influence on whether he or she ultimately responds to it in a violent manner.” What he calls “perceived intentionality” (e.g., “You didn’t just bump into me, you meant to hit me”) is perhaps the clearest example of a person looking for justification.
”
”
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
“
When I finally calmed down, I saw how disappointed he was and how bad he felt. I decided to take a deep breath and try to think this thing through.
“Maybe it’s not that bad,” I said. (I think I was trying to cheer myself up as much as I was trying to console Chip.) “If we fix up the interior and just get it to the point where we can get it onto the water, at least maybe then we can turn around, sell it, and get our money back.”
Over the course of the next hour or so, I really started to come around. I took another walk through the boat and started to picture how we could make it livable--maybe even kind of cool. After all, we’d conquered worse. We tore a few things apart right then and there, and I grabbed some paper and sketched out a new layout for the tiny kitchen. I talked to him about potentially finishing an accent wall with shiplap--a kind of rough-textured pine paneling that fans of our show now know all too well.
“Shiplap?” Chip laughed. “That seems a little ironic to use on a ship, doesn’t it?”
“Ha-ha,” I replied. I was still not in the mood for his jokes, but this is how Chip backs me off the ledge--with his humor.
Then I asked him to help me lift something on the deck, and he said, “Aye, aye, matey!” in his best pirate voice, and slowly but surely I came around.
I can’t believe I’m saying this, but by the end of that afternoon I was actually a little bit excited about taking on such a big challenge. Chip was still deflated that he’d allowed himself to get duped, but he put his arm around me as we started walking back to the truck. I put my head on his shoulder. And the camera captured the whole thing--just an average, roller-coaster afternoon in the lives of Chip and Joanna Gaines.
The head cameraman came jogging over to us before we drove away. Chip rolled down his window and said sarcastically, “How’s that for reality TV?” We were both feeling embarrassed that this is how we had spent our last day of trying to get this stinkin’ television show.
“Well,” the guy said, breaking into a great big smile, “if I do my job, you two just landed yourself a reality TV show.”
What? We were floored. We couldn’t believe it. How was that a show? But lo and behold, he was right. That rotten houseboat turned out to be a blessing in disguise.
”
”
Joanna Gaines (The Magnolia Story)
“
#1 of 2 Leah munched another chip as she watched a couple on-screen race madly away from men with guns who were intent on killing them. She and Seth sat shoulder to shoulder on the sofa, both slumped down until they were practically lying on their backs. Seth had pulled the matching ottoman up against the sofa, so it really did feel as if they were lying in bed together, watching a movie.
She slid him a covert glance.
He had donned black cargo pants and a black T-shirt after his shower but had left his big feet bare. He had also left his hair loose. It now spilled over the back of the sofa in a glossy curtain, the thick wavy tresses still drying.
He chuckled at something the male protagonist said.
Leah smiled. She loved seeing him laugh. She didn’t think he did so as often as he should.
Every once in a while, she noticed his gaze would slide to her legs. Her feet were propped on the ottoman close to his. The robe she had borrowed had parted just above her knees and fallen back, leaving most of her legs bare. And that pale flesh repeatedly drew Seth’s attention.
She held the bag of chips out to him.
Smiling, unaware that the faint golden light of desire illuminated his eyes, he poked his hand in and drew out a couple of chips.
She smiled back, then returned her attention to the screen.
The protagonists had at last made it to safety. They checked each other over for wounds, something both had miraculously escaped incurring in true Hollywood fashion. Then they fell into each other’s arms, finally giving in to the lust that had sparked between them ever since their first contentious meeting.
Leah sighed as she watched them peel each other’s clothes off with eager hands. It made her want to do the same with Seth. Her body even began to respond as her imagination kicked in. “I miss sex.” The words were out of her mouth before she could question the wisdom of speaking them.
“I do, too,” Seth confessed.
She glanced over at him and found his eyes glued to the screen.
More so since I met you.
Her eyes widened when his voice sounded in her head. “Really?”
“Yes.” The actors on-screen fell naked onto the bed and began to simulate sex, their moans and groans and cries of passion filling the room. “It’s natural to miss it,” he said matter-of-factly. “Nothing to feel guilty about.”
“No. I mean, you really miss it more since you met me?”
He froze. A look of dismay crossed his features as he cut her a glance. “I said that out loud?”
“No. I heard it in my head.”
Sh**.
She grinned. “I heard that, too.”
F**k.
”
”
Dianne Duvall (Death of Darkness (Immortal Guardians, #9))
“
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.”
“But who will arbitrate?” Daisy protested.
“Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.”
“Yes we have,” Daisy argued, and turned to Swift. “What is the score?”
“I don’t know.”
As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment.
Amusement glittered in Swift’s eyes. “I think you won,” he said.
“Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.”
“I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.”
“Which means that in all likelihood you preserved your early lead.”
“But you chipped away at it after the third round—”
“Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.”
“There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace.
Swift began to pick up the wooden bowls.
“Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.”
Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight.
Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.”
Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.”
“Then it seems I misinterpreted your apparent passion for bowls.”
Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.”
“The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—”
“I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will.
“If you say so,” Westcliff said, sounding unconvinced.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
He’s had some drug and alcohol issues, but he’s getting clean now.” Oh, fuckety fucking McFuckster. Not bad enough that he still had a chip on his shoulder. He was a drug addict, too. And lived just down the road. “Think he’s dangerous?
”
”
Kristan Higgins (Now That You Mention It)
“
Give me your tired,
your poor,
your huddled masses
with constellations hearts.
And I’ll give you
the Border Patrol
yearning and ready,
equipped with
rounds of black holes
for the automatic chips
on their shoulders.
”
”
Sean Johnson
“
I dump a handful of chocolate chips into the blender. Chocolate fixes everything.
Tucking the phone between my ear and shoulder, I put the lid on and flick the blender back on, sort of relishing the hacking noise the chocolate chips make as they whir.
“What the heck is that noise?” Amber asks.
“Just throwing some carrots into the blender,” I lie.
“Oh, good call! I love how carrots add that delicious bit of sweetness,” she says.
I roll my eyes. Sweetness my ass. They’re carrots.
”
”
Lauren Layne (Good Girl (Love Unexpectedly, #2))
“
Miranda was still trying to process the intrusion. “Just tell me one thing--how do you guys get away with sneaking out at night? My mom would have a fit!”
“Right.” Parker’s grin turned scornful. “Like my mom and dad ever know if I’m there or not.”
Ashley was totally unconcerned. “Oh, we just tell them we’re going to the tree house. They never check on us there.”
“What’s the tree house?” Miranda wanted to know.
“Well, when we were little, Gage’s daddy built a tree house for the three of us in his backyard. We used to have a secret club. And we’d play over there, and hide from people, and pretend we were knights in a castle.”
“Gage and I were knights,” Roo corrected her. “You always had to be rescued.”
“Well, I liked the way Gage threw me over his shoulder and carried me down from the tower.”
“Gage did that?” Clasping his hands over his heart, Parker sighed. “My hero.”
Gage ignored him.
“We used to camp out in that tree house at night.” Ashley nibbled a potato chip. “In fact, we still like sleeping together over there.”
Parker wiggled his eyebrows and gave Miranda a stage whisper. “Very kinky.”
“Oh, for heaven’s sake, Parker--not that kind of sleeping together.” Ashley paused for a second. “It is just Gage, after all.”
Gage stared at her. “What’s that supposed to mean?”
“Oh, nothing.” Ashley plopped down on the bed next to Miranda. “Just that we love and respect you so much, we wouldn’t dream of taking advantage of you.”
“Sometimes I dream of you two taking advantage of him,” Parker said seriously. “It’s one of my favorite fantasies.”
Gage tried unsuccessfully not to look embarrassed. “You need a life.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
You should focus on what you can change, not what you cannot change. What’s done is done. If somebody offended you, mistreated you, or disappointed you, the hurts can’t be undone. You can get bitter--pack it in a bag and carry it around and let it weigh you down--or you can forgive those who hurt you and go on.
If you lost your temper yesterday, you can beat yourself up--put the guilt and condemnation in a bag--or you can ask for forgiveness, receive God’s mercy, and do better today.
If you didn’t get a promotion you wanted, you can get sour and go around with a chip on your shoulder, or you can shake it off, knowing that God has something better in store.
No matter what happens, big or small, if you make the choice to let it go and move forward, you won’t let the past poison your future.
A woman I know went through a divorce years ago. We prayed several times in our services, asking God to bring a good man into her life. One day she met a fine Godly man, who was very successful. She was so happy, but she made the mistake of carrying all her negative baggage from her divorce into the new relationship. She was constantly talking about what she had been through and how she was so mistreated.
She had a victim mentality. The man told me later that she was so focused on her past and so caught up in what she had been through that he just couldn’t deal with it. He moved on. That’s what happens when we hold on to the hurts and pains of the past. It will poison you wherever you go. You can’t drag around all the personal baggage from yesterday and expect to have good relationships. You’ve got to let it go.
Quit looking at the little rearview mirror and start looking out the great big windshield in front of you. You may have had some bad breaks, but that didn’t stop God’s plan for your life. He still has amazing things in your future.
When one door closes, stay in faith and God will open another door. If a dream dies, don’t sit around in self-pity talking about what you lost, move forward and dream another dream. Your life is not over because you lost a loved one, went through a divorce, lost a job, or didn’t get the house you wanted. You would not be alive unless God had another victory in front of you.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
Over ten years had passed since he’d come through this door carrying one suitcase and a chip on his shoulder And here he was again, as empty and lost as he’d been that night.
”
”
Tammy L. Gray (Until I Knew Myself (Bentwood #1))
“
Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Frankie doesn’t like high-society people,” Pru stage whispered to Chip.
Chip slid an affectionate arm around Frankie’s shoulders. “Good thing she made an exception for us, seeing as we’re classy as fuck.
”
”
Lucy Score (The Worst Best Man)
“
Would you say the chip on your shoulder is massive or epic?” he asked. There was no hint of amusement in his tone, and he was staring at me with more ice than I’d believed he could muster. It didn’t feel like we were sniping at each other anymore. “It might be semantics to you but I’m trying to get a feel for what I’m dealing with here.
”
”
Kate Canterbary (Preservation (The Walshes, #7))
“
Dan has what amounts to my entire life in the palm of his hand. He’ll see our chats. He’ll see the texts I sent to Beth about him and my plan. And what did I think was going to happen? Did I really think I could pull off some only-works-in-movies shit?
“Do you think it could be possible that Dan didn’t mean to hit me with that basketball?” The question flies out of my mouth, and I don’t remember thinking about asking it.
She scowls, looking me up and down. “Are you okay? I mean, I can tell you’re not. Was he that big of a jerk last night?”
I shake my head and pick at my nail polish. It’s not chipping yet, but it’s inevitable, so why not just go ahead and get it over with? “No, I’m fine. He was fine. I just… I don’t know.”
She puts a worried hand on my shoulder. “What happened, Z? Tell me.”
I let my forehead hit the surface of my desk. It hurts. “He has my phone.”
A bit of time passes where she doesn’t say anything. I just wait for the moment of realization to explode from her.
“Holy shit! Don’t tell me your chat is on there!”
There it is.
I nod my head, which probably just looks like I’m rubbing it up and down on my desk.
“Please tell me it’s password protected or something.”
I shake my head, again seemingly nuzzling my desk.
“Zelda, do you have your homework?” Mr. Drew asks from above me.
I pull out my five hundred words on the importance of James Dean in cinema from my backpack without even looking and hand it to him. Mr. Drew has a big thing for James Dean.
“Are you…okay, Zelda?” he asks a bit uncomfortably.
Good old Mr. Drew. Concerned about his students but very much not well versed in actually dealing with them.
I raise a hand and wave him off. “I’m good. As you were, Drew.”
“Right. Okay then.” He moves on.
Beth rubs my back. “It’s going to be all good in the hood, babe. Don’t worry. Dan won’t be interested in your phone. How did he get it, by the way?”
I turn my head just enough to let her see my face fully. I’m not sure if she sees a woman at the end of her rope or a girl who has no idea what to do next, but she pulls her hand back like she just touched a disguised snake. I’m so not in the mood to describe the sequence of events that led up to the worst moment of my life, and she knows it.
”
”
Leah Rae Miller (Romancing the Nerd (Nerd, #2))
“
Really, anyone can have a good attitude when everything is going well. We can all celebrate and be grateful when we’re on the mountaintop, but where are the people who give God praise even as the bottom falls out? Where are the people who rise up each morning and prepare for victory and increase in spite of all the news reports predicting doom and gloom? Where are the people who say, “God, I still praise You even though the medical report wasn’t good” or “God, I still thank You even though it didn’t turn out my way”?
I believe you are one of those people. I believe you are of great faith. Your roots go down deep. You could be complaining. You could be discouraged. You could have a chip on your shoulder, but instead you just keep giving God praise. You’ve got that smile on your face. You’re doing the right thing even though the wrong thing is happening.
That’s why I can tell you with confidence that you are coming into greater victories. Enlarge your vision. Take the limits off God. You have not seen your best days. God has victories in your future that will amaze you. He will show up and show out in unusual ways. You may be in a tough time right now, but remember this: The enemy always fights you the hardest when he knows God has something great in store for you.
You are closest to your victory when it is the darkest. That is the enemy’s final stand. Don’t be discouraged. Don’t start complaining. Just keep offering up that sacrifice of praise.
”
”
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)