“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
You can go through life and make new friends every year - every month practically - but there was never any substitute for those friendships of childhood that survive into adult years. Those are the ones in which we are bound to one another with hoops of steel.
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
“
... the companions of our childhood always possess a certain power over our minds which hardly any later friend can obtain.
”
”
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
“
A WOMAN SHOULD HAVE ....
enough money within her control to move out
and rent a place of her own even if she never wants
to or needs to...
A WOMAN SHOULD HAVE ....
something perfect to wear if the employer or date of her
dreams wants to see her in an hour...
A WOMAN SHOULD HAVE ...
a youth she's content to leave behind....
A WOMAN SHOULD HAVE ....
a past juicy enough that she's looking forward to
retelling it in her old age....
A WOMAN SHOULD HAVE .....
a set of screwdrivers, a cordless drill, and a black
lace bra...
A WOMAN SHOULD HAVE ....
one friend who always makes her laugh... and one who
lets her cry...
A WOMAN SHOULD HAVE ....
a good piece of furniture not previously owned by anyone
else in her family...
A WOMAN SHOULD HAVE ....
eight matching plates, wine glasses with stems, and a
recipe for a meal that will make her guests feel honored...
A WOMAN SHOULD HAVE ....
a feeling of control over her destiny...
EVERY WOMAN SHOULD KNOW...
how to fall in love without losing herself..
EVERY WOMAN SHOULD KNOW...
HOW TO QUIT A JOB,
BREAK UP WITH A LOVER,
AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
EVERY WOMAN SHOULD KNOW...
when to try harder... and WHEN TO WALK AWAY...
EVERY WOMAN SHOULD KNOW...
that she can't change the length of her calves,
the width of her hips, or the nature of her parents..
EVERY WOMAN SHOULD KNOW...
that her childhood may not have been perfect...but it's over...
EVERY WOMAN SHOULD KNOW...
what she would and wouldn't do for love or more...
EVERY WOMAN SHOULD KNOW...
how to live alone... even if she doesn't like it...
EVERY WOMAN SHOULD KNOW...
whom she can trust,
whom she can't,
and why she shouldn't
take it personally...
EVERY WOMAN SHOULD KNOW...
where to go...
be it to her best friend's kitchen table...
or a charming inn in the woods...
when her soul needs soothing...
EVERY WOMAN SHOULD KNOW...
what she can and can't accomplish in a day...
a month...and a year...
”
”
Pamela Redmond Satran
“
Wait for me.” The words come out choked and pained. “I need you to wait for me.
”
”
Krista Ritchie (Addicted to You (Addicted, #1))
“
Isabelle waved a hand. "No need to worry, big brother. Nothing happened. Of course," she added as Alex's shoulders relaxed, "I was totally passed-out drunk, so he could really have done whatever he wanted and I wouldn't have woken up."
"Oh, please," said Simon. "All I did was tell you the entire plot of Star Wars."
"I don't think I remember that," said Isabelle, taking a cookie from the plate on the table.
"Oh, yeah? Who was Luke Skywalker's best childhood friend?"
"Biggs Darklighter," Isabelle said immediately, and then hit the table with the flat of her hand."That is so cheating!
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I never had any friends later on like the ones I had when I was 12 - Jesus, did you?
”
”
Stephen King (The Body)
“
No one told me you can love someone and still be miserable. How is that possible?
”
”
Krista Ritchie (Addicted to You (Addicted, #1))
“
I'll always be yours. No distance or time apart will change that, Lily.
”
”
Krista Ritchie
“
You think these recent events are everything. You think Aaron fell in love with your friend of several months, a rebel girl named Juliette. You don't know. You don't know. You don't know that Aaron has been in love with Ella for the better part of his entire life. They've known each other since childhood...…..The reason he had to keep wiping their memories was because it didn't matter how many times he reset the story or remade the introductions - Aaron always fell in love with her. Every time.
- Delalieu
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
I love you,” he says again, “and no other man will ever say those words and mean them the way I do.
”
”
Krista Ritchie (Ricochet (Addicted, #2))
“
Promises from Lo are like bars at 2 a.m.--empty.
”
”
Krista Ritchie (Addicted to You (Addicted, #1))
“
Being in a foreign country means walking a tightrope high above the ground without the net afforded a person by the country where he has his family, colleagues, and friends, and where he can easily say what he has to say in a language he has known from childhood.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
”
”
Stephen Fry
“
I’m remarrying you, Lil. Fuck, I’d remarry you a hundred times until it stuck.
”
”
Krista Ritchie (Ricochet (Addicted, #2))
“
The best friends of our childhoods are the loves of our lives, and they break our hearts in worse ways.
”
”
Fredrik Backman (Us Against You (Beartown, #2))
“
Ilse, a childhood friend of mine, once found a raspberry in the concentration camp and carried it in her pocket all day to present to me that night on a leaf. Imagine a world in which your entire possession is one raspberry and you give it to your friend.
”
”
Gerda Weissmann Klein (All But My Life)
“
He loved her.
Jay Heaton, her best friend since childhood was in love with her. He didn't say it but she knew that it was true.
And the part that really freaked her out, the part that caught her completely off guard, is that he wasn't alone. Because even though she'd been denying it for a long, long time, it had always been there... waiting beneath the surface of their friendship. And now that it was out there was no going back.
And it was so weird to even be thinking it but...... she was in love with him too.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
Ten minutes with a genuine friend is better than years spent with anyone less.
”
”
Crystal Woods (Write like no one is reading 2)
“
Fine. Such a stupid word really. It feels empty and weightless. It’s the kind of word you use to hide the truth.
”
”
Krista Ritchie (Ricochet (Addicted, #2))
“
The essence of childhood, of course, is play, which my friends and I did endlessly on streets that we reluctantly shared with traffic.
”
”
Bill Cosby
“
I feel no nostalgia for our childhood: it was full of violence. Every sort of thing happened, at home and outside, every day, but I don't recall having ever thought that the life we had there was particularly bad. Life was like that, that's all, we grew up with the duty to make it difficult for others before they made it difficult for us.
”
”
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
“
The beauty of mind that Cerullo had from childhood didn’t find an outlet, Greco, and it has all ended up in her face, in her breasts, in her thighs, in her ass, places where it soon fades and it will be as if she had never had it.
”
”
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
“
What’s going to happen,” he breathes, “is that I’m going to carry you through this door. I’m going to draw out every single moment until you’re exhausted. And I’m going to move so slow that three months ago will feel like yesterday. And tomorrow will feel like today, and no one in this fucking universe will be able to say your name without saying mine.
”
”
Krista Ritchie (Addicted for Now (Addicted, #3))
“
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
”
”
Simone de Beauvoir (The Second Sex)
“
my candle burns at both ends it will not last the night but arh my friends and oh my foes it gives a lovely light
”
”
Roald Dahl (Boy: Tales of Childhood (Roald Dahl's Autobiography, #1))
“
It was the Hell you’d feared in childhood, come to devour the children. It was treading over the corpses of your friends so that you might be killed yourself. It was the congealed evil of a century.
”
”
Alice Winn (In Memoriam)
“
It was in their friendship they just wanted to run forever, shadow and shadow.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Love neighbors.
Love strangers.
Love friends.
Love enemies.
Love all; hate none.
Love in your childhood,
in your youth,
in your adulthood,
and in your old age.
Love as long as you live.
”
”
Matshona Dhliwayo
“
You survived by seizing every tiny drop of love you could find anywhere, and milking it, relishing it, for all it was worth. And as you grew up, you sought love, anywhere you could find it, whether it was a teacher or a coach or a friend or a friend's parents. You sought those tiny droplets of love, basking in them when you found them. They sustained you. For all these years, you've lived under the illusion that somehow, you made it because you were tough enough to overpower the abuse, the hatred, the hard knocks of life. But really you made it because love is so powerful that tiny little doses of it are enough to overcome the pain of the worst things life can dish out. Toughness was a faulty coping mechanism you devised to get by. But, in reality, it has been your ability to never give up, to keep seeking love, and your resourcefulness to make that love last long enough to sustain you. That is what has gotten you by.
”
”
Rachel Reiland (Get Me Out of Here: My Recovery from Borderline Personality Disorder)
“
We found ourselves veiled and separated from our friends.
”
”
Marjane Satrapi (Persepolis: The Story of a Childhood (Persepolis, #1))
“
Your childhood friends are the ones you should hang on to. They know you in a way that nobody else does.
”
”
Morgan Matson (Second Chance Summer)
“
I didn’t have any friends. I didn’t know any kids besides my cousins. I wasn’t a lonely kid—I was good at being alone. I’d read books, play with the toy that I had, make up imaginary worlds. I lived inside my head. I still live inside my head. To this day you can leave me alone for hours and I’m perfectly happy entertaining myself. I have to remember to be with people.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
María was out of the blocks the moment she heard the doorbell jangle. She came rushing from the kitchen to greet her childhood friend with cilantro hugs and chipotle kisses.
”
”
Kevin Ansbro (In the Shadow of Time)
“
When the others were picked up and walked home by friends or fathers or best friend’s sisters,
I was the kid in a grey hoodie, walking with the poets, the singers, the thinkers, and I was not alone.
”
”
Charlotte Eriksson
“
And while I wait, happiness exists where I can get it. In these notebooks, where worlds of memories greet me, almost like a childhood friend who moved away for years and finally came back home.
I’m more happy than not.
Don’t forget me.
”
”
Adam Silvera (More Happy Than Not)
“
I knew there was never anyone to blame when people get into drugs. They're always responsible for their own behavior, and it's not the dealer, it's not the friend, it's not the bad influence, it's not the childhood.
”
”
Anthony Kiedis (Scar Tissue)
“
Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
”
”
J.M. Barrie (Peter Pan)
“
You can't go home again. Your childhood is lost. The friends of your youth are gone. Your present is slipping away from you. Nothing is ever the same.
”
”
Heraclitus (The fragments of the work of Heraclitus of Ephesus on nature; translated from the Greek text of Bywater, with an introd. historical and critical)
“
Everyone knew what he was thinking. Certainly there were demons in the world. But they were like Tehlu’s angels. They were like heroes and kings. They belonged in stories. They belonged out there. Taborlin the Great called up fire and lightning to destroy demons. Tehlu broke them in his hands and sent them howling into the nameless void. Your childhood friend didn’t stomp one to death on the road to Baedn-Bryt. It was ridiculous.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o'clock - these are enough. They are gifts.
”
”
Curtis Sittenfeld (The Man of My Dreams)
“
She wiped sweat from her brow and took one last glance at her tiny Chicago apartment, the peeling paint and dingy windows a stark reminder of the life she was leaving behind.
”
”
Stella Sinclaire (Fertile Ground for Murder)
“
The Babar the Elephant book is sitting in front of me. I pick it up and start reading it. I remember reading it as a small Boy and enjoying it and imagining that I was friends with Babar, his constant Companion during all of his adventures. He went to the moon, I went with him. He fought Tomb Raiders in Egypt, I fought alongside him. He rescued his elephant girlfriend from Ivory Hunters on the Savanna, I coordinated the getaway. I loved that goddamn Elephant and I loved being his friend. In a childhood full of unhappiness and rage, Babar is one of the few pleasant memories that I have. Me and Babar, kicking some motherfucking ass.
”
”
James Frey
“
Books are my friends, where it's okay to be silent, where you're not a freak if you don't want to get drunk, peel out in the parking lot, tip cows.
”
”
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
“
It's funny how much of childhood is about proximity. Like who your best friend is is directly correlated to how close your houses are; who you sit next to in music is all about how close your names are in the alphabet. Such a game of chance.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I Am!
I am—yet what I am none cares or knows;
My friends forsake me like a memory lost:
I am the self-consumer of my woes—
They rise and vanish in oblivious host,
Like shadows in love’s frenzied stifled throes
And yet I am, and live—like vapours tossed
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life or joys,
But the vast shipwreck of my life’s esteems;
Even the dearest that I loved the best
Are strange—nay, rather, stranger than the rest.
I long for scenes where man hath never trod
A place where woman never smiled or wept
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Untroubling and untroubled where I lie
The grass below—above the vaulted sky.
”
”
John Clare ("I Am": The Selected Poetry of John Clare)
“
In order to gain their freedom, survivors may have to give up almost everything else. Battered women may lose their homes, their friends, and their livelihood. Survivors of childhood abuse may lose their families. Political refugees may lose their homes and their homeland. Rarely are the dimensions of this sacrifice fully recognized.
”
”
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence--From Domestic Abuse to Political Terror)
“
Oh, please," said Simon. "All I did was tell you the entire plot if Star Wars"
"I don't think I remember that," said Isabelle, taking a cookie from the plate on the table.
"Oh, yeah? Who was Luke Skywalker's best childhood friend?"
"Biggs Darklighter," Isabelle said immediately, and hit the table with the flat of her hand. "That is so cheating!" Still, she grinned at him around her cookie.
"Ah," said Magnus. "Nerd love. It is a beautiful thing...
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
He sat staring at the door for a long time. He wasn’t wearing a hat, which meant he had to just be himself. The true him, the one that knew this pain. They’d ridden together on many a dusty path. This pain had been his invisible friend since childhood.
The pain of knowing what he really was.
The pain of being worthless.
”
”
Brandon Sanderson (The Lost Metal (Mistborn, #7))
“
ABUSIVE MEN COME in every personality type, arise from good childhoods and bad ones, are macho men or gentle, “liberated” men. No psychological test can distinguish an abusive man from a respectful one. Abusiveness is not a product of a man’s emotional injuries or of deficits in his skills. In reality, abuse springs from a man’s early cultural training, his key male role models, and his peer influences. In other words, abuse is a problem of values, not of psychology. When someone challenges an abuser’s attitudes and beliefs, he tends to reveal the contemptuous and insulting personality that normally stays hidden, reserved for private attacks on his partner. An abuser tries to keep everybody—his partner, his therapist, his friends and relatives—focused on how he feels, so that they won’t focus on how he thinks, perhaps because on some level he is aware that if you grasp the true nature of his problem, you will begin to escape his domination.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
How come some stories have an ending when they never had a starting?
”
”
Neeraj Agnihotri (In The Name Of Blasphemy)
“
And Stormgren hoped that when Karellen was free to walk once more on Earth, he would one day come to these northern forests, and stand beside the grave of the first man to be his friend.
”
”
Arthur C. Clarke (Childhood’s End)
“
When my friends began to have babies and I came to comprehend the heroic labor it takes to keep one alive, the constant exhausting tending of a being who can do nothing and demands everything, I realized that my mother had done all of these things for me before I remembered. I was fed; I was washed; I was clothed; I was taught to speak and given a thousand other things, over and over again, hourly, daily, for years. She gave me everything before she gave me nothing.
”
”
Rebecca Solnit (The Faraway Nearby)
“
Even where the affections are not strongly moved by any superior excellence, the companions of our childhood always possess a certain power over our minds which hardly any later friend can obtain. They know our infantine dispositions, ...; and they can judge of our actions with more certain conclusions as to the integrity of our motives.
”
”
Mary Wollstonecraft Shelley
“
I often think about how throughout life, we acquire people. More like People, with a capital P. The ones we go to in an emergency—the ones we know we can count on. If we’re lucky, our parents are our first People. Then our siblings. A childhood best friend. A spouse.
”
”
Jill Santopolo (The Light We Lost)
“
They were not friends, Comdrade Pillai and Inspector Thomas Matthew, and they didn't trust each other. But they understood each other perfectly. They were both men whom childhood had abandoned without a trace. Men without curiosity. Without doubt. Both in their own way truly, terrifyingly, adult. They looked out into the world and never wondered how it worked, because they knew. They worked it. They were mechanics who serviced different parts of the same machine.
”
”
Arundhati Roy (The God of Small Things)
“
Lyra, Cassiopeia the queen, whiplash Scorpius with the twin stings in his tail, all the friendly childhood patterns that had twinkled me to sleep from the glow-in-the-dark planetarium stars on my bedroom ceiling back in New York. Now, transfigured - cold and glorious like deities with their disguises flung off - it was as if they'd flown through the roof and into the sky to assume their true, celestial homes.
”
”
Donna Tartt (The Goldfinch)
“
The dogs left with us and we walked. I sobbed the whole way home, still heartbroken. My mom had no time for my whining.
“Why are you crying?!”
“Because Fufi loves another boy.”
“So? Why would that hurt you? It didn’t cost you anything. Fufi’s here. She still loves you. She’s still your dog. So get over it.”
Fufi was my first heartbreak. No one has ever betrayed me more than Fufi. It was a valuable lesson to me. The hard thing was understanding that Fufi wasn’t cheating on me with another boy. She was merely living her life to the fullest. Until I knew that she was going out on her own during the day, her other relationship hadn’t affected me at all. Fufi had no malicious intent.
I believed that Fufi was my dog, but of course that wasn’t true. Fufi was a dog. I was a boy. We got along well. She happened to live in my house. That experience shaped what I’ve felt about relationships for the rest of my life: You do not own the thing that you love. I was lucky to learn that lesson at such a young age. I have so many friends who still, as adults, wrestle with feelings of betrayal. They’ll come to me angry and crying and talking about how they’ve been cheated on and lied to, and I feel for them. I understand what they’re going through. I sit with them and buy them a drink and I say, “Friend, let me tell you the story of Fufi.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
Books saved me, and I ran away inside the stories I read as a child. They were the only place where I could run, and swim, and dance without fear of falling and not being able to get back up. Books were full of friends and adventures, whereas my real childhood was cold, and dark, and horribly lonely.
”
”
Alice Feeney (Daisy Darker)
“
Personality is composed of two fundamentally different types of traits: those of 'character;' and those of 'temperament.' Your character traits stem from your experiences. Your childhood games; your family's interests and values; how people in your community express love and hate; what relatives and friends regard as courteous or perilous; how those around you worship; what they sing; when they laugh; how they make a living and relax: innumerable cultural forces build your unique set of character traits. The balance of your personality is your temperament, all the biologically based tendencies that contribute to your consistent patterns of feeling, thinking and behaving. As Spanish philosopher, Jose Ortega y Gasset, put it, 'I am, plus my circumstances.' Temperament is the 'I am,' the foundation of who you are.
”
”
Helen Fisher
“
I, Tiberius Claudius Drusus Nero Germanicus This-that-and-the-other (for I shall not trouble you yet with all my titles) who was once, and not so long ago either, known to my friends and relatives and associates as "Claudius the Idiot", or "That Claudius", or "Claudius the Stammerer", or "Clau-Clau-Claudius" or at best as "Poor Uncle Claudius", am now about to write this strange history of my life; starting from my earliest childhood and continuing year by year until I reach the fateful point of change where, some eight years ago, at the age of fifty-one, I suddenly found myself caught in what I may call the "golden predicament" from which I have never since become disentangled.
”
”
Robert Graves (I, Claudius (Claudius, #1))
“
If unloving mothers were able to see their behavious as abusive, they either would stop behaving that way or they would get help for their dysfunction. But many cannot: instead, they deny it, to themselves, their families, and the world at large, in order to avoid a sense of guilt, to avoid having to make changes in their lives, or to avoid the bruising awareness that they, too, were unloved children.
”
”
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
“
our lives, thanks to their finitude, are inevitably full of activities that we’re doing for the very last time. Just as there will be a final occasion on which I pick up my son—a thought that appalls me, but one that’s hard to deny, since I surely won’t be doing it when he’s thirty—there will be a last time that you visit your childhood home, or swim in the ocean, or make love, or have a deep conversation with a certain close friend. Yet usually there’ll be no way to know, in the moment itself, that you’re doing it for the last time. Harris’s point is that we should therefore try to treat every such experience with the reverence we’d show if it were the final instance of it. And indeed there’s a sense in which every moment of life is a “last time.” It arrives; you’ll never get it again—and once it’s passed, your remaining supply of moments will be one smaller than before. To treat all these moments solely as stepping-stones to some future moment is to demonstrate a level of obliviousness to our real situation that would be jaw-dropping if it weren’t for the fact that we all do it, all the time.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
ON THE DAY I DIE
On the day I die, when I'm being carried
toward the grave, don't weep. Don't say,
He's gone! He's gone. Death has nothing to do with going away. The sun sets and
the moon sets, but they're not gone.
Death is a coming together. The tomb
looks like a prison, but it's really
release into union. The human seed goes
down in the ground like a bucket into
the well where Joseph is. It grows and
comes up full of some unimagined beauty.
Your mouth closes here, and immediately
opens with a shout of joy there.
---------------------------------
One who does what the Friend wants done
will never need a friend.
There's a bankruptcy that's pure gain.
The moon stays bright when it
doesn't avoid the night.
A rose's rarest essence
lives in the thorn.
----------------------------------
Childhood, youth, and maturity,
and now old age.
Every guest agrees to stay
three days, no more.
Master, you told me to
remind you. Time to go.
-----------------------------------
The angel of death arrives,
and I spring joyfully up.
No one knows what comes over me
when I and that messenger speak!
-------------------------------------
When you come back inside my chest no matter how far I've wandered off,
I look around and see the way.
At the end of my life, with just one breath left, if you come then, I'll sit up and sing.
--------------------------------------
Last night things flowed between us
that cannot now be said or written.
Only as I'm being carried out
and down the road, as the folds of my shroud open in the wind,
will anyone be able to read, as on
the petal-pages of a turning bud,
what passed through us last night.
-------------------------------------
I placed one foot on the wide plain
of death, and some grand
immensity sounded on the emptiness.
I have felt nothing ever
like the wild wonder of that moment.
Longing is the core of mystery.
Longing itself brings the cure.
The only rule is, Suffer the pain.
Your desire must be disciplined,
and what you want to happen
in time, sacrificed.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
I don’t know that they always fell in love, exactly. Paris seldom let them spend that much time alone. But they were always drawn together. It was obvious, every time he put them in the same room, they were like”—Delalieu claps his hands—“magnets.”
“You don’t understand, you don’t understand, you don’t understand,” he cries, shaking his head. “You think these recent events are everything. You think Aaron fell in love with your friend of several months, a rebel girl named Juliette. You don’t know. You don’t know. You don’t know that Aaron has been in love with Ella for the better part of his entire life. They’ve known each other since childhood.
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
Some pasts exist as a fog that rolls in and out of the present, formed not by air that condenses into mist but memories that condense into tiny doors that open to forgotten moments. Maybe you glance at a stranger on a crowded street who reminds you of a childhood friend or hear a song that was popular the first summer you fell in love, and in the space of that single beat of time you are flung backward to a who or when long past. And yet it is only for that one beat. Those tiny doors never remain open for long for most of us. They ensure our former times are kept as relics, and the dust upon them is wiped clean only occasionally
”
”
Billy Coffey (The Devil Walks in Mattingly)
“
Every November of my boyhood, we put on red poppies and attended highly patriotic services in remembrance of those who had 'given' their lives. But on what assurance did we know that these gifts had really been made? Only the survivors—the living—could attest to it. In order to know that a person had truly laid down his life for his friends, or comrades, one would have to hear it from his own lips, or at least have heard it promised in advance. And that presented another difficulty. Many brave and now dead soldiers had nonetheless been conscripts. The known martyrs—those who actually, voluntarily sought death and rejoiced in the fact—had been the kamikaze pilots, immolating themselves to propitiate a 'divine' emperor who looked (as Orwell once phrased it) like a monkey on a stick. Their Christian predecessors had endured torture and death (as well as inflicted it) in order to set up a theocracy. Their modern equivalents would be the suicide murderers, who mostly have the same aim in mind. About people who set out to lose their lives, then, there seems to hang an air of fanaticism: a gigantic sense of self-importance unattractively fused with a masochistic tendency to self-abnegation. Not wholesome.
The better and more realistic test would therefore seem to be: In what cause, or on what principle, would you risk your life?
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
[Adult children of a BPD parent] may seem old before their time or like an old soul (and probably were that way as children too.) They may easily assume the role of fixer and nurturer. They're the ones friends lean on, the ones to whom people tell their problems. Helping others gives them a sense of purpose and worth.
”
”
Kimberlee Roth (Surviving a Borderline Parent: How to Heal Your Childhood Wounds and Build Trust, Boundaries, and Self-Esteem)
“
Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat.
It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking.
It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal.
”
”
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
“
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!).
Yet you haven’t any friends.
The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities.
Nevertheless, some free time remains. What’s to be done? How do you use your
time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less.
Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering.
And yet you haven’t always wanted to die.
You have had a life. There have been moments when you were having a life. Of
course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela.
More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world!
You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
”
”
Michel Houellebecq (Whatever)
“
Childhood is a time for pretending and trying on maturity to see if it fits or hangs baggy, tastes good or bitter, smells nice or fills your lungs with smoke that makes you cough. It's sharing licks on the same sucker with your best friend before you discover germs. It's not knowing how much a house cost, and caring less. It's going to bed in the summer with dirty feet on clean sheets. It's thinking anyone over fifteen is 'ancient'. It's absorbing ideas, knowledge, and people like a giant sponge. Childhood is where 'competition' is a baseball game and 'responsibility' is a paper route.
”
”
Erma Bombeck (At Wit's End)
“
The most profound message of racial segregation may be that the absence of people of color from our lives is no real loss. Not one person who loved me, guided me, or taught me ever conveyed that segregation deprived me of anything of value. I could live my entire life without a friend or loved one of color and not see that as a diminishment of my life. In fact, my life trajectory would almost certainly ensure that I had few, if any, people of color in my life. I might meet a few people of color if I played certain sports in school, or if there happened to be one or two persons of color in my class, but when I was outside of that context, I had no proximity to people of color, much less any authentic relationships. Most whites who recall having a friend of color in childhood rarely keep these friendships into adulthood. Yet if my parents had thought it was valuable to have cross-racial relationships, they would have ensured that I had them, even if it took effort—the same effort so many white parents expend to send their children across town so they can attend a better (whiter) school. Pause for a moment and consider the profundity of this message: we are taught that we lose nothing of value through racial segregation. Consider the message we send to our children—as well as to children of color—when we describe white segregation as good.
”
”
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
“
Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of--something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possesed your soul have been but hints of it--tantalizing glimspes, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest--if there ever came an echo that did not die away but swelled into the sound itself--you would know it. Beyond all possibility of doubt you would say 'Here at last is the thing I was made for.' We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the things we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
It was-this always seems to shock people all over again- a happy childhood. For the first few months I spent a lot of time at the bottom of the garden, crying till I threw up and yelling rude words at the neighborhood kids who tried to make friends. But children are pragmatic, they come alive and kicking out of a whole lot worse than orphanhood, and I could only hold out so long against the fact that nothing would bring my parents back and against the thousand vivid things around me, Emma-next-door hanging over the wall and my new bike glinting red in the sunshine and the half-wild kittens in the garden shed, all fidgeting insistently while they waited for me to wake up again and come out to play. I found out early that you can throw yourself away, missing what you've lost.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
You can’t know what it is like for us now—you will always be one step behind.
Be thankful for that.
You can’t know what it was like for us then—you will always be one step ahead.
Be thankful for that, too.
Trust us: There is a nearly perfect balance between the past and the future. As we become the distant past, you become a future few of us would have imagined.
It’s hard to think of such things when you are busy dreaming or loving or screwing. The context falls away. We are a spirit-burden you carry, like that of your grandparents, or the friends from your childhood who at some point moved away. We try to make it as light a burden as possible. And at the same time, when we see you, we cannot help but think of ourselves. We were once the ones who were dreaming and loving and screwing. We were once the ones who were living, and then we were the ones who were dying. We sewed ourselves, a thread’s width, into your history.
We were once like you, only our world wasn’t like yours.
You have no idea how close to death you came. A generation or two earlier, you might be here with us.
We resent you. You astonish us.
”
”
David Levithan (Two Boys Kissing)
“
Einstein said the arrow of time flies in only one direction. Faulkner, being from Mississippi, understood the matter differently. He said the past is never dead; it's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose provenance dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.
And who among us, offered the chance, would not relive the day or hour in which we first knew love, or ecstasy, or made a choice that forever altered our future, negating a life we might have had? Such chances are rarely granted. Memory and grief prove Faulkner right enough, but Einstein knew the finality of action. If I cannot change what I had for lunch yesterday, I certainly cannot unmake a marriage, erase the betrayal of a friend, or board a ship that left port twenty years ago.
”
”
Greg Iles (The Quiet Game (Penn Cage #1))
“
He had also been demonstrative and intelligent from the very beginning, his questions startlingly insightful. She would watch him absorb a new idea and wonder what effect it would have on him, because, with Edgar, EVERYTHING came out, eventually, somehow. But the PROCESS – how he put together a story about the world’s workings – that was mysterious beyond all ken. In a way, she thought, it was the only disappointing thing about having a child. She’d imagined he would stay transparent to her, more PART of her, for so much longer. But despite the proximity of the daily work, Edgar had ceased long before to be an open book. A friend, yes. A son she loved, yes. But when it came to knowing his thoughts, Edgar could be opaque as a rock.
”
”
David Wroblewski (The Story of Edgar Sawtelle)
“
If you are lucky enough to have a childhood
friend, try your hardest to grow old with them.
These friends are a unique, irreplaceable breed.
These friends lived through curfews and
Polaroid pictures with you. These friends know
your parents and siblings because they had to call
your house first to speak with you. Your memories
are not frozen in time on social media, but live on
nonetheless.
Most importantly, they remember the person
you were before the world got ahold of you, so
they have this crazy ability to love you no matter
what.
They are the living, breathing reflection of
where you have been. And so, just when you think
you’ve lost yourself for good, they are there to
bring you face-to-face with your true self, simply
by sharing a cup of coffee with them.
As your world grows and becomes larger and
more complicated than your backyard, even if you
establish a life elsewhere, I hope your childhood
friends remain lifelong allies, because mine have
saved my life on more than one occasion.
”
”
Alicia Cook (Stuff I've Been Feeling Lately)
“
On the sly, you observe the adults whose childhood lies inside them, torn and full of holes like a used and moth-eaten rug no one thinks about anymore or has any use for. You can’t tell by looking at them that they’ve had a childhood, and you don’t dare ask how they managed to make it through without their faces getting deeply scarred and marked by it. You suspect that they’ve used some secret shortcut and donned their adult form many years ahead of time. They did it one day when they were home alone and their childhood lay like three bands of iron around their heart, like Iron Hans in Grimms’ fairy tale, whose bands broke only when his master was freed. But if you don’t know such a shortcut, childhood must be endured and trudged through hour by hour, through an absolutely interminable number of years. Only death can free you from it, so you think a lot about death, and picture it as a white-robed, friendly angel who some night will kiss your eyelids so that they never will open again.
”
”
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
“
DEAR MISS MANNERS:
I a tired of being treated like a child. My father says it's because I am a child--I am twelve-and-a-half years old--but it still isn't fair. If I go into a store to buy something, nobody pays any attention to me, or if they do, it's to say, "Leave that alone," "Don't touch that," although I haven't done anything. My money is as good as anybody's, but because I am younger, they feel they can be mean to me. It happens to me at home, too. My mother's friend who comes over after dinner sometimes, who doesn't have any children of her own and doesn't know what's what, likes to say to me, "Shouldn't you be in bed by now,dear?" when she doesn't even know what my bedtime is supposed to be. Is there any way I can make these people stop?
GENTLE READER:
Growing up is the best revenge.
”
”
Judith Martin
“
The experience of childhood sexual abuse leaves some survivors with a high tolerance for pain. Dysfunctional environments require endurance and thick skin. Child survivors sometimes have to commit to sticking things out in order to survive. This pattern of tolerance follows you into adulthood. Instead of using pain as a signal to evaluate and change direction, you may use pain as a signal to try harder. Try harder to please someone. Try harder to control your children. Try harder to be a good friend. Try harder to be successful at a job that you hate. You remain in survival mode that you picked up as a child. Your high tolerance for pain keeps you committed to dysfunctional experiences and relationships that recycle pain from the past. Sometimes, the only way out of this cycle is time in isolation to learn what peace feels like. Sometimes you have to be willing to let go of everything in order to learn how to hold onto anything.
”
”
Rosenna Bakari
“
Liberty
On my notebooks from school
On my desk and the trees
On the sand, on the snow
I write your name
On every page read
On all the white sheets
Stone blood paper or ash
I write your name
On the golden images
On the soldier’s weapons
On the crowns of kings
I write your name
On the jungle, the desert
The nests and the bushes
On the echo of childhood
I write your name
On the wonder of nights
On the white bread of days
On the seasons engaged
I write your name
On all my blue rags
On the pond mildewed sun
On the lake living moon
I write your name
On the fields, the horizon
The wings of the birds
On the windmill of shadows
I write your name
On the foam of the clouds
On the sweat of the storm
On dark insipid rain
I write your name
On the glittering forms
On the bells of colour
On physical truth
I write your name
On the wakened paths
On the opened ways
On the scattered places
I write your name
On the lamp that gives light
On the lamp that is drowned
On my house reunited
I write your name
On the bisected fruit
Of my mirror and room
On my bed’s empty shell
I write your name
On my dog greedy tender
On his listening ears
On his awkward paws
I write your name
On the sill of my door
On familiar things
On the fire’s sacred stream
I write your name
On all flesh that’s in tune
On the brows of my friends
On each hand that extends
I write your name
On the glass of surprises
On lips that attend
High over the silence
I write your name
On my ravaged refuges
On my fallen lighthouses
On the walls of my boredom
I write your name
On passionless absence
On naked solitude
On the marches of death
I write your name
On health that’s regained
On danger that’s past
On hope without memories
I write your name
By the power of the word
I regain my life
I was born to know you
And to name you
LIBERTY
”
”
Paul Éluard
“
FORKED BRANCHES
We grew up on the same street,
You and me.
We went to the same schools,
Rode the same bus,
Had the same friends,
And even shared spaghetti
With each other's families.
And though our roots belong to
The same tree,
Our branches have grown
In different directions.
Our tree,
Now resembles a thousand
Other trees
In a sea of a trillion
Other trees
With parallel destinies
And similar dreams.
You cannot envy the branch
That grows bigger
From the same seed,
And you cannot
Blame it on the sun's direction.
But you still compare us,
As if we're still those two
Kids at the park
Slurping down slushies and
Eating ice cream.
Suzy Kassem, Rise Up and Salute the Sun (2010)
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
There’s no reason, on paper at least, why I need these pills to get through life. I had a great childhood, loving parents, the whole package. I wasn’t beaten, abused, or expected to get nothing but As. I had nothing but love and support, but that wasn’t enough somehow. My friend Erin says we all have demons inside us, voices that whisper we’re no good, that if we don’t make this promotion or ace that exam we’ll reveal to the world exactly what kind of worthless sacks of skin and sinew we really are. Maybe that’s true. Maybe mine just have louder voices. But I don’t think it’s as simple as that. The depression I fell into after university wasn’t about exams and self-worth, it was something stranger, more chemical, something that no talking cure was going to fix. Cognitive behavioral therapy, counseling, psychotherapy—none of it really worked in the way that the pills did. Lissie says she finds the notion of chemically rebalancing your mood scary, she says it’s the idea of taking something that could alter how she really is. But I don’t see it that way; for me it’s like wearing makeup—not a disguise, but a way of making myself more how I really am, less raw. The best me I can be.
”
”
Ruth Ware (The Woman in Cabin 10)
“
Daemon pulled the bright, deep-red sweater over his head and adjusted the collar of the gold-and-white-checked shirt. Satisfied, he studied his reflection. His eyes were butter melted by humor and good spirits, his face subtly altered by the relaxed, boyish grin. The change in his appearance startled him, but after a moment he just shook his head and brushed his hair. The difference was Jaenelle and the incalculable ways she worried, intrigued, fascinated, incensed, and delighted him. More than that, now, when he was so long past it, she was giving him—the bored, jaded Sadist—a childhood. She colored the days with magic and wonder, and all the things he’d ceased to pay attention to he saw again new. He grinned at his reflection. He felt like a twelve-year-old. No, not twelve. He was at least a sophisticated fourteen. Still young enough to play with a girl as a friend, yet old enough to contemplate the day he might sneak his first kiss. Daemon shrugged into his coat, went into the kitchen, pinched a couple of apples from the basket, sent Cook a broad wink, and gave himself up to a morning with Jaenelle.
”
”
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
“
As a kid I understood that people were different colors, but in my head white and black and brown were like types of chocolate. Dad was the white chocolate, mom was the dark chocolate, and I was the milk chocolate. But we were all just chocolate. I didn’t know any of it had anything to do with “race.” I didn't know what race was. My mother never referred to my dad as white or to me as mixed. So when the other kids in Soweto called me "white", even though I was light brown, I just thought that they had their colors mixed up, like they hadn't learned them properly. "Ah, yes, my friend. You've confused aqua with turquoise. I can see how you made that mistake. You're not the first.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
I'm sorry I wasn't strong enough to stay long enough to graduate and get a job. I'm sorry that I'm leaving you. I hope in the next life I will have a better childhood, parents, and friends. I hope it's better than this life I hope it's not as sad as this life. I'm so sorry that I couldn't match up and fit your expectations for you. I'm sorry for not being enough for you and not being the greatest at everything. I'm tired, tired of all of this. You shouldn't be sad that I'm gonna be leaving the world's overpopulation anyway and I won't matter there and the worlds gonna die and end either way. I wish I got the help I needed. I wish I was able to open up and be able to cry. I wish I was able to feel something but now I'm empty and can't feel anything like I'm avoiding. I wish I made a better decision in making friends. I wish I was able to talk to someone. I know life isn't fair and that it's shitty and not everything will go to plan so I hope you can understand me for leaving it might take a while so I'm sorry your gonna have to go through this. I'm sorry for the pain I'm gonna put you through. It's my fault your gonna be sad now. Please don't be sad that I'll be gone. Be happy for me because this is what I want. Let me go and be free from this endless depressing cycle I have.
”
”
Audrey Ortiz
“
Each day, at the same time, Jude would return and they would be there, led by Webb, whose life could not have been more different than his. Where Webb's memories of childhood were idyllic and earthy, Jude's reeked of indifference. Webb read fantasy; Jude read realism. Webb believed a tree house was the perfect place for gaining a different perspective on the world; Jude saw it as perfect for surveillance and working out who or what was a threat to them. They argued about sport codes and song lyrics. Jude saw the rain-dirty valley; Webb saw Brigadoon. Yet, despite all this, they connected, and the nights they spent in the tree house discussing their brave new worlds and not so brave emotions made everything else in their lives insignificant. Somehow the world of Webb and Fitz and Tate and Narnie became the focus of Jude's life.
”
”
Melina Marchetta (On the Jellicoe Road)
“
It is lonely behind these boundaries. Some people-particularly those whom psychiatrists call schizoid-because of unpleasant, traumatizing experiences in childhood, perceive the world outside of themselves as unredeemably dangerous, hostile, confusing and unnurturing. Such people feel their boundaries to be protecting and comforting and find a sense of safety in their loneliness. But most of us feel our loneliness to be painful and yearn to escape from behind the walls of our individual identities to a condition in which we can be more unified with the world outside of ourselves. The experience of falling in love allows us this escapetemporarily. The essence of the phenomenon of falling in love is a sudden collapse of a section of an individual's ego boundaries, permitting one to merge his or her identity with that of another person. The sudden release of oneself from oneself, the explosive pouring out of oneself into the beloved, and the dramatic surcease of loneliness accompanying this collapse of ego boundaries is experienced by most of us as ecstatic. We and our beloved are one! Loneliness is no more!
In some respects (but certainly not in all) the act of falling in love is an act of regression. The experience of merging with the loved one has in it echoes from the time when we were merged with our mothers in infancy. Along with the merging we also reexperience the sense of omnipotence which we had to give up in our journey out of childhood. All things seem possible! United with our beloved we feel we can conquer all obstacles. We believe that the strength of our love will cause the forces of opposition to bow down in submission and melt away into the darkness. All problems will be overcome. The future will be all light. The unreality of these feelings when we have fallen in love is essentially the same as the unreality of the two-year-old who feels itself to be king of the family and the world with power unlimited.
Just as reality intrudes upon the two-year-old's fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn't. She wants to go to the movies; he doesn't. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn't like his friends; he doesn't like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other's. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving.
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
It was Freud's ambition to discover the cause of hysteria, the archetypal female neurosis of his time. In his early investigations, he gained the trust and confidence of many women, who revealed their troubles to him.Time after time, Freud's patients, women from prosperous, conventional families, unburdened painful memories of childhood sexual encounters with men they had trusted: family friends, relatives, and fathers. Freud initially believed his patients and recognized the significance of their confessions. In 1896, with the publication of two works, The Aetiology of Hysteria and Studies on Hysteria, he announced that he had solved the mystery of the female neurosis. At the origin of every case of hysteria, Freud asserted, was a childhood sexual trauma.
But Freud was never comfortable with this discovery, because of what it implied about the behavior of respectable family men. If his patients' reports were true, incest was not a rare abuse, confined to the poor and the mentally defective, but was endemic to the patriarchal family. Recognizing the implicit challenge to patriarchal values, Freud refused to identify fathers publicly as sexual aggressors. Though in his private correspondence he cited "seduction by the father" as the "essential point" in hysteria, he was never able to bring himself to make this statement in public. Scrupulously honest and courageous in other respects, Freud falsified his incest cases. In The Aetiology of Hysteria, Freud implausibly identified governessss, nurses, maids, and children of both sexes as the offenders. In Studies in Hysteria, he managed to name an uncle as the seducer in two cases. Many years later, Freud acknowledged that the "uncles" who had molested Rosaslia and Katharina were in fact their fathers. Though he had shown little reluctance to shock prudish sensibilities in other matters, Freud claimed that "discretion" had led him to suppress this essential information.
Even though Freud had gone to such lengths to avoid publicly inculpating fathers, he remained so distressed by his seduction theory that within a year he repudiated it entirely. He concluded that his patients' numerous reports of sexual abuse were untrue. This conclusion was based not on any new evidence from patients, but rather on Freud's own growing unwillingness to believe that licentious behavior on the part of fathers could be so widespread. His correspondence of the period revealed that he was particularly troubled by awareness of his own incestuous wishes toward his daughter, and by suspicions of his father, who had died recently.
p9-10
”
”
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
“
Injurious Hermia! most ungrateful maid! Have you conspired, have you with the contrived To bait me with this foul derision? Is all the counsel that we two have shared, The sisters' vows, the hours that we have spent, When we have chid the hasty-footed time For parting us,-O, and is all forgot? All school=days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our neelds created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest, And will you rent our ancient love asunder, To join with men in scorning your poor friend? It is not friendly, 'tis not maidenly: Our sex, as well as I, may chide you for it, Though I alone do feel the injury.
”
”
William Shakespeare (A Midsummer Night’s Dream)
“
When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards.
You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you.
It's hard not to wonder what life would be like facing the other way. Avenoir.
You'd see your memories approaching for years, and watch as they slowly become real.
You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget.
One by one you'd patch things up with old friends, enjoying one last conversation before you
meet and go your separate ways.
And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger.
You'd become nothing other than yourself, reveling in your own weirdness.
You'd fall out of old habits until you could picture yourself becoming almost anything.
Your family would drift slowly together, finding each other again.
You wouldn't have to wonder how much time you had left with people, or how their lives would turn out.
You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again.
You'd remember what home feels like,
and decide to move there for good.
You'd grow smaller as the years pass, as if trying to give away everything you had before leaving.
You'd try everything one last time, until it all felt new again.
And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people.
You'd start to notice that each summer feels longer than the last.
Until you reach the long coasting retirement of childhood.
You'd become generous, and give everything back.
Pretty soon you’d run out of things to give, things to say, things to see.
By then you'll have found someone perfect; and she'll become your world.
And you will have left this world just as you found it.
Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.
”
”
Sébastien Japrisot
“
The path to accepting your sexuality has to start somewhere. For those identify as heterosexual, the childhood bliss of an early crush is typically encouraged and praised. Milestones such as your first date and the prom are celebrated by parents and friends.
But when you’re anything other than straight, it’s more complicated; your growth gets shrouded and stunted. That’s why a lot of queer people, when they fall in love and get into a relationship for the first time, revert to a kind of prepubescent puppy love: spontaneous, impulsive, obsessive, and ecstatic. I’ve heard many people express annoyance at friends who “just came out and it’s totally cool and whatever, but do they have to talk about it all the time?” My answer to that is “Yes. Yes, they do. Don’t you remember puppy love? Well, imagine if you had to hide it for twenty years. So yeah, if they wanna gush about it, let them gush. There’s a first time for everything.
”
”
Hannah Hart (Buffering: Unshared Tales of a Life Fully Loaded)
“
Zombies have got to do a lot of hanging around together--weaklings, liars, cheaters. Everybody respects them these days, everybody thinks that if they don't respect them it means they're against civil liberties or something, but I can only sympathize with them a little, but only a little; I can't respect them, they bore me--their everlasting bawling about their tricky little sadnesses and deprivations of childhood bore me. You've introduced me to some of the people you know. I don't dislike any of them, but I really can't pretend I believe in any of them, or that they don't bore me. And in being critical of them of course I'm being critical of you, too, at least for having them as friends. There are other people around, too, you know, not just the ones who start by giving up, and then just hang around to see what giving up leads to. It leads to being a zombie of one sort or another.
”
”
William Saroyan (Madness in the Family: Stories (New Directions Paperbook))
“
You can’t know what it is like for us now—you will always be one step behind. Be thankful for that. You can’t know what it was like for us then—you will always be one step ahead. Be thankful for that, too. Trust us: There is a nearly perfect balance between the past and the future. As we become the distant past, you become a future few of us would have imagined. It’s hard to think of such things when you are busy dreaming or loving or screwing. The context falls away. We are a spirit-burden you carry, like that of your grandparents, or the friends from your childhood who at some point moved away. We try to make it as light a burden as possible. And at the same time, when we see you, we cannot help but think of ourselves. We were once the ones who were dreaming and loving and screwing. We were once the ones who were living, and then we were the ones who were dying. We sewed ourselves, a thread’s width, into your history. We were once like you, only our world wasn’t like yours. You have no idea how close to death you came. A generation or two earlier, you might be here with us. We resent you. You astonish us.
”
”
David Levithan (Two Boys Kissing)
“
You were just babies then!", she said.
"What?" I said.
"You were just babies in the war - like the ones upstairs!"
I nodded that this was true. We had been foolish virgins in the war, right at the end of childhood.
"But you're not going to write it that way, are you." This wasn't a question. It was an accusation.
"I-I don't know", I said.
"Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs."
So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies.
So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne.
"I tell you what," I said, "I'll call it 'The Children's Crusade.'"
She was my friend after that.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey