Child's Pose Quotes

We've searched our database for all the quotes and captions related to Child's Pose. Here they are! All 96 of them:

Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I find many adults are put off when young children pose scientific questions. Why is the Moon round? the children ask. Why is grass green? What is a dream? How deep can you dig a hole? When is the world’s birthday? Why do we have toes? Too many teachers and parents answer with irritation or ridicule, or quickly move on to something else: ‘What did you expect the Moon to be, square?’ Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science. Why adults should pretend to omniscience before 6-year-olds, I can’t for the life of me understand. What’s wrong with admitting that we don’t know something? Is our self-esteem so fragile?
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes, it was an interesting background. It posed the lad, made him more perfect as it were. Behind every exquisite thing that existed, there was something tragic.
Oscar Wilde (The Picture of Dorian Gray)
I was still afraid of him, I knew, but in a different way - I was no longer a child, afraid of the threat my terrifying father posed to my safety. I was a man, afraid of the threat he posed to my character, to my future, to my identity.
Veronica Roth (Allegiant (Divergent, #3))
The human need to be visible is countered by the need to be invisible to avoid further abuse, and the need for intimacy and the dread of abuse, all pose insoluble dichotomies which promote further withdrawal from human contact, which reinforces the sense of dehumanisation.
Christiane Sanderson (Introduction to Counselling Survivors of Interpersonal Trauma)
Ryon posed the question in all their minds -what the fuck is he? The love child of Criss Angel and Adam Lambert? Jaxon tossed back. His friend gave a soft snort that might've been a laugh. With a little Nikki Sixx thrown in, sure.
J.D. Tyler (Primal Law (Alpha Pack, #1))
Your baby doesn’t need a pillow for her head, and you should not use one. Likewise, it’s best to keep stuffed animals out of your baby’s crib or cradle; little babies don’t care much about them, and they may pose a suffocation
Benjamin Spock (Dr. Spock's Baby and Child Care)
What do you hope for that you haven’t got? What can that child give you?’ There was a little silence. ‘A virgin audience for my riddles, I believe,’ said Lymond thoughtfully, at length. ‘But it certainly poses an ungallant question.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
I've had a great deal of experience with adolescents over the centuries, and I've discovered that as a group these awkward half children take themselves far too seriously. Moreover, appearance is everything for the adolescent. I suppose it's a form of play-acting. The adolescent knows that the child is lurking under the surface, but he'd sooner die than let it out, and I was no different. I was so intent on being "grown-up" that I simply couldn't relax and enjoy life. Most people go through this stage and outgrow it. Many, however, do not. The pose becomes more important than reality, and these poor creatures become hollow people, forever striving to fit themselves into an impossible mold.
David Eddings
Jesus expected the most of every man and woman; and behind their grumpiest poses, their most puzzling defense mechanisms, their coarseness, their arrogance, their dignified airs, their silence, and their sneers and curses, Jesus sees a little child who wasn’t loved enough—a least of these who had ceased growing because someone had ceased believing in them.
Brennan Manning (The Furious Longing of God)
Lord, make me childlike. Deliver me from the urge to compete with another for place or prestige or position. I would be simple and artless as a little child. Deliver me from pose and pretense. Forgive me for thinking of myself. Help me to forget myself and find my true peace in beholding Thee. That Thou mayest answer this prayer I humble myself before Thee. Lay upon me Thy easy yoke of self-forgetfulness that through it I may find rest. Amen.
A.W. Tozer (The Pursuit of God)
Michael spoke slowly and sternly, as if scolding an obstinate child. “Kate, let me be very clear about this. You will not continue this murder investigation, under any circumstances. I forbid it.” Michael’s words were unequivocal, not to be challenged. He was man. He was in charge. He expected no argument. He was an idiot.
Tracy Weber (Murder Strikes a Pose (Downward Dog Mystery, #1))
Yet there is one experience which most sincere ex-Communists share, whether or not they go only part way to the end of the question it poses. The daughter of a former German diplomat in Moscow was trying to explain to me why her father, who, as an enlightened modern man, had been extremely pro-Communist, had become an implacable anti-Communist. It was hard for her because, as an enlightened modern girl, she shared the Communist vision without being a Communist. But she loved her father and the irrationality of his defection embarrassed her. 'He was immensely pro-Soviet,' she said,' and then -- you will laugh at me -- but you must not laugh at my father -- and then -- one night -- in Moscow -- he heard screams. That's all. Simply one night he heard screams.' A child of Reason and the 20th century, she knew that there is a logic of the mind. She did not know that the soul has a logic that may be more compelling than the mind's. She did not know at all that she had swept away the logic of the mind, the logic of history, the logic of politics, the myth of the 20th century, with five annihilating words: one night he heard screams.
Whittaker Chambers (Witness)
Surreal realized Daemon’s madness was confined to emotions, to people, to that single tragedy he couldn’t face. It was as if Titian had never died, as if Surreal hadn’t spent three years whoring in back alleys before Daemon found her again and arranged for a proper education in a Red Moon house. He thought she was still a child, and he continued to fret about Titian’s absence. But when she mentioned a book she was reading, he made a dry observation about her eclectic taste and proceeded to tell her about other books that might be of interest. It was the same with music, with art. They posed no threat to him, had no time frame, weren’t part of the nightmare of Jaenelle bleeding on that Dark Altar.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
Sometimes,’ she said, ‘I think I must have invented him.’ I know all I want to about your child,’ Chauvin said harshly. Anne Desbaresdes moaned again, louder than before. Again she put her hand on the table. His eyes followed her movement and finally, painfully, he understood and lifted his own leaden hand and placed it on hers. Their hands were so cold they were touching only in intention, an illusion, in order for this to be fulfilled, for the sole reason that it should be fulfilled, none other, it was no longer possible. And yet, with their hands frozen in this funereal pose, Anne Desbaresdes stopped moaning. One last time,’ she begged, ‘tell me about it one last time.’ Chauvin hesitated, his eyes somewhere else, still fixed on the back wall. Then he decided to tell her about it as if it were a memory. He had never dreamed, before meeting her, that he would one day want anything so badly.’ And she acquiesced completely?’ Wonderfully.’ Anne Desbaresdes looked at Chauvin absently. Her voice became thin, almost childlike. I'd like to understand why his desire to have it happen one day was so wonderful?’ Chauvin still avoided looking at her. Her voice was steady, wooden, the voice of a deaf person. There's no use trying to understand. It's beyond understanding.’ You mean there are some things like that that can't be gone into?’ I think so.’ Anne Desbaresdes' expression became dull, almost stupid. Her lips had turned pale, they were gray and trembled as though she were on the verge of tears. She does nothing t try and stop him?’ she whispered. No. Have a little more wine.’ She sipped her wine. He also drank, and his lips on the glass were also trembling. Time,’ he said Does it take a long time, a very long time?’ Yes, a very long time. But I don't know anything.’ He lowered his voice. ‘Like you, I don't know anything. Nothing at all.’ Anne Desbaresdes forced back her tears. Her voice was normal, momentarily awake. She will never speak again,’ she said.
Marguerite Duras (Moderato Cantabile)
Both incest and the Holocaust have been subject to furious denial by perpetrators and other individuals and by highly organised groups such as the False Memory Syndrome Foundation and the Committee for Historical Review. Incest and the Holocaust are vulnerable to this kind of concerted denial because of their unfathomability, the unjustifiability, and the threat they pose to the politics of patriarchy and anti-Semitism respectively. Over and over, survivors of the Holocaust attest that they were warned of what was happening in Poland but could not believe it at the time, could not believe it later as it was happening to them, and still to this day cannot believe what they, at the same time, know to have occurred. For Holocaust deniers this is a felicitous twist, for their arguments denying the Holocaust and therefore the legitimacy of Israel as a Jewish state capitalize on the discrepancies of faded memory. In the case of incest, although post-traumatic stress disorder, amnesia, and dissociation represent some of the mind's strategies for comprehending the incomprehensible, incest deniers have taken advantage of inconsistencies to discredit survivor testimony.
Janet Walker (Trauma Cinema: Documenting Incest and the Holocaust)
It's the forties look," she says to George, hand on her hip, doing a pirouette. "Rosie the Riveter. From the war. Remember her?" George, whose name is not really George, does not remember. He spent the forties rooting through garbage bag heaps and begging, and doing other things unsuitable for a child. He has a dim memory of some film star posed on a calendar tattering on a latrine wall. Maybe this is the one Prue means. He remembers for an instant his intense resentment of the bright, ignorant smile, the well-fed body. A couple of buddies had helped him take her apart with the rusty blade from a kitchen knife they'd found somewhere in the rubble. He does not consider telling any of this to Prue.
Margaret Atwood (Wilderness Tips)
Another case for the dumbness of reading, however, is that books do not contain answers, but rather pose more questions. And asking questions makes you look dumber, not smarter. I thought Alice's Adventures in Wonderland would be a delightful romp through a child's subconscious, but while reading it I started to ask questions like "How do you really speak to other humans when our language often means the opposite of what is intended?" and "How do I really know anyone?" And so on, until I was asking the question "Why even exist at all?" That didn't make me smarter! That made me wish for death, and being dead looks way dumber than being alive.
Dan Wilbur (How Not to Read: Harnessing the Power of a Literature-Free Life)
Really, Nan could be very odious when she liked. Yet somehow she [Gay] didn't hate her as before. She felt very indifferent to her. She found herself looking at her with cool, appraising eyes, seeing her as she had never seen her before. An empty, selfish little creature, who had always to be amused like a child. ...A girl who posed as a sophisticate before her country cousins but who was really more provincial than they were, knowing nothing of real life or real love or real emotion of any kind. Gay wondered, as she looked, how she could ever have hated this girl—ever been jealous of her. She was not worth hating. Gay spoke at last. She stood up and looked levelly at Nan. There was contempt in her quiet voice. "I suppose you came here to hurt me, Nan. You haven't—you can never hurt me again. You've lost the power. I think I even feel a little sorry for you. You've always been a taker, Nan. All through your life you've taken whatever you wanted. But you've never been a giver—you couldn't be because you've nothing to give. Neither love nor truth nor understanding nor kindness nor loyalty. Just taking all the time and giving nothing—oh, it has made you very poor. So poor that nobody need envy you.
L.M. Montgomery (A Tangled Web)
Do you have your book?” “No, it’s not out yet.” “A copy of the last one you wrote?” “Yes.” “Take it and sit here, pretend to be reading.” I obeyed in a daze. Tina grabbed a book, too, and assumed the same pose, saying to Imma: Take a picture of me.
Elena Ferrante (The Story of the Lost Child (The Neapolitan Novels, #4))
In the past, one would have been arrested for wanting to leave. Now that nobody was stopping us from emigrating, we were no longer welcome on the other side. The only thing that had changed was the color of the police uniforms. We risked being arrested not in the name of our own government but in the name of other states, those same governments who had urged us to break free. The West had spent decades criticizing the East for its closed borders, funding campaigns to demand freedom of movement, condemning the immorality of states committed to restricting the right to exit. Our exiles used to be received as heroes. Now they were treated as criminals. Perhaps freedom of movement had never really mattered. It was easy to defend it when someone else was doing the dirty work of imprisonment. But what value does the right to exit have if there is no right to enter? Were borders and walls reprehensible only when they served to keep people in, as opposed to keeping them out? The border guards, the patrol boats, the detention and repression of immigrants that were pioneered in southern Europe for the first time in those years [1990s] would become standard practice over the coming decades. The West, initially unprepared for the arrival of thousands of people wanting a different future, would soon perfect a system for excluding the most vulnerable and attracting the more skilled, all the while defending borders to "protect our way of life." And yet, those who sought to emigrate did so because they were attracted to that way of life. Far from posing a threat to the system, they were its most ardent supporters.
Lea Ypi (Free: A Child and a Country at the End of History)
Some parents have taught their small children, “Go to the manager,” but this poses the same problem of identification as with the policeman: That small name tag is several feet above the child’s eye-line. I don’t believe in teaching inflexible rules because it’s not possible to know they’ll apply in all situations. There is one, however, that reliably enhances safety: Teach children that if they are ever lost, Go to a Woman. Why? First, if your child selects a woman, it’s highly unlikely that the woman will be a sexual predator. Next, as Jan’s story illustrates, a woman approached by a lost child asking for help is likely to stop whatever she is doing, commit to that child, and not rest until the child is safe. A man approached by a small child might say, “Head over there to the manager’s desk,” whereas a woman will get involved and stay involved.
Gavin de Becker (Protecting the Gift: Keeping Children and Teenagers Safe (and Parents Sane))
But I don't know, Wesley. This thing makes me think, too. S'pose we'd got Elnora when she was a baby, and we'd heaped on her all the love we can't on our own, and we'd coddled, petted, and shielded her, would she have made the woman that living alone, learning to think for herself, and taking all the knocks Kate Comstock could give, have made of her?" "You bet your life!" cried Wesley, warmly. "Loving anybody don't hurt them. We wouldn't have done anything but love her. You can't hurt a child loving it. She'd have learned to work, be sensible, study, and grown into a woman with us, without suffering like a poor homeless dog." "But you don't get the point, Wesley. She would have grown into a fine woman with us; just seems as if Elnora was born to be fine, but as we would have raised her, would her heart ever have known the world as it does now? Where's the anguish, Wesley, that child can't comprehend? Seeing what she's seen of her mother hasn't hardened her. She can understand any mother's sorrow. Living life from the rough side has only broadened her. Where's the girl or boy burning with shame, or struggling to find a way, that will cross Elnora's path and not get a lift from her? She's had the knocks, but there'll never be any of the thing you call 'false pride' in her. I guess we better keep out. Maybe Kate Comstock knows what she's doing. Sure as you live, Elnora has grown bigger on knocks than she would on love.
Gene Stratton-Porter
Odysseus' favourite pose had been to pretend that he was a man like other men, but there were none like him, and now that he was dead, there were none at all. All heroes are fools, he liked to say. What he meant was, all heroes but me. So who could correct him when he erred? He had stood on the beach looking at Telegonus and believing him a pirate. He had stood in his hall and accused Telemachus of conspiracy. Two children he had had, and he had not seen either clearly. But perhaps no parent can truly see their child. When we look we see only the mirror of our own faults.
Madeline Miller (Circe)
We wanted to take Polaroids of her and all the kids, about eight of them, of all ages, several photos, so we could give some to the family. She grabbed her youngest and asked us to wait. And then like any mother, anywhere in the world—do not let anyone tell you that people are fundamentally different—she combed the child’s hair and changed his shirt before letting him pose for the pictures. The second shirt was slightly less dirty than the first. She wanted him to look his best. That mother could have been in Greenwich, Connecticut, as easily as on the steppes of Mongolia.
Jim Rogers (Adventure Capitalist: The Ultimate Road Trip)
In the following pages I shall apply the term "poisonous pedagogy" to this very complex endeavor. It will be clear from the context in question which of its many facets I am emphasizing at the moment. The specific facets can be derived directly from the preceding quotations from child-rearing manuals. These passages teach us that: 1. Adults are the masters (not the servants!) of the dependent child. 2. They determine in godlike fashion what is right and what is wrong. 3. The child is held responsible for their anger. 4. The parents must always be shielded. 5. The child's life affirming feelings pose a threat to the autocratic adult. 6. The child's will must be "broken" as soon as possible. 7. All this must happen at a very early age, so the child "won't notice" and will therefore not be able to expose the adults. The methods that can be used to suppress vital spontaneity in the child are: laying traps, lying, duplicity, subterfuge, manipulation, "scare" tactics, withdrawal of love, isolation, distrust, humiliating and disgracing the child, scorn, ridicule, and coercion even to the point of torture.
Alice Miller (For Your Own Good: Hidden Cruelty in Child-Rearing and the Roots of Violence)
The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.
Jacqueline Susann (Valley of the Dolls)
Child, you are finally going out to carry out missions. As your teacher, I am extremely relieved, but there are some instructions that I must give you before I can truly be at ease.” “I will definitely be careful, teacher.” I felt extremely moved ; my teacher is truly very concerned about me ! “Yes, child, you must be careful ! Remember, a Sun Knight must always maintain his graceful demeanor, regardless of time and place.” I nodded my head obediently. “Teacher, I will complete my mission very gracefully.” (Back then, I had gone through a lifestyle involving lots of falling down for several months already. On average, I would have to look for a cleric once every three days to cast a high level healing spell on me to cure the wounds I receive from a particularly nasty fall.) My teacher shook his head and said, “Child, completing the mission gracefully is but the basics.” “Then what’s more advanced than that ?” “Child, you must remember, when you have failed your mission and are near death, at that time, you must...” “Pray to the God of Light ?” “No, you must contemplate what sort of pose you will die in, and if that pose will be accompanied by a serene expression or a heroic one. Still more important is the question of whether you will die from a single thrust to the heart from your enemy or if you will slit your own throat, and so on and so forth. Only after all of the important circumstances surrounding your death have been planned out and arranged perfectly can you pass away in as graceful a position as possible ! Even in the face of death, a Sun Knight must die very gracefully !” “...
Yu Wo (騎士基本理論 (吾命騎士, #1))
And the son bursting into his father's house, killing him, and at the same time not killing him, this is not even a novel, not a poem, it is a sphinx posing riddles, which it, of course, will not solve itself. If he killed him, he killed him; how can it be that he killed him and yet did not kill him--who can understand that? Then it is announced to us that our tribune is the tribune of truth and sensible ideas, and so from this tribune of 'sensible ideas' an axiom resounds, accompanied by an oath, that to call the murder of a father parricide is simply a prejudice! But if parricide is a prejudice, and if every child ought to ask his father, 'Father, why should I love you?'--what will become of us, what will become of the foundations of society, where will the family end up? Parricide--don't you see, it's just the 'brimstone' of some Moscow merchant's wife? The most precious, the most sacred precepts concerning the purpose and future of the Russian courts are presented perversely and frivolously, only to achieve a certain end, to achieve the acquittal of that which cannot be acquitted. 'Oh, overwhelm him with mercy,' the defense attorney exclaims, and that is just what the criminal wants, and tomorrow everyone will see how overwhelmed he is! And is the defense attorney not being too modest in asking only for the defendant's acquittal? Why does he not ask that a fund be established in the parricide's name, in order to immortalize his deed for posterity and the younger generation? The Gospel and religion are corrected: it's all mysticism, he says, and ours is the only true Christianity, tested by the analysis of reason and sensible ideas. And so a false image of Christ is held up to us! With what measure ye mete, it shall be measured to you,' the defense attorney exclaims, and concludes then and there that Christ commanded us to measure with the same measure as it is measured to us--and that from the tribune of truth and sensible ideas! We glance into the Gospel only on the eve of our speeches, in order to make a brilliant display of our familiarity with what is, after all, a rather original work, which may prove useful and serve for a certain effect, in good measure, all in good measure! Yet Christ tells us precisely not to do so, to beware of doing so, because that is what the wicked world does, whereas we must forgive and turn our cheek, and not measure with the same measure as our offenders measure to us. This is what our God taught us, and not that it is a prejudice to forbid children to kill their own fathers. And let us not, from the rostrum of truth and sensible ideas, correct the Gospel of our God, whom the defense attorney deems worthy of being called merely 'the crucified lover of mankind,' in opposition to the whole of Orthodox Russia, which calls out to him: 'For thou art our God...!
Fyodor Dostoevsky (The Brothers Karamazov)
Roger left the cricket stumps and they went into the drawing room. Grandpapa, at the first suggestion of reading aloud, had disappeared, taking Patch with him. Grandmama had cleared away the tea. She found her spectacles and the book. It was Black Beauty. Grandmama kept no modern children's books, and this made common ground for the three of them. She read the terrible chapter where the stable lad lets Beauty get overheated and gives him a cold drink and does not put on his blanket. The story was suited to the day. Even Roger listened entranced. And Deborah, watching her grandmother's calm face and hearing her careful voice reading the sentences, thought how strange it was that Grandmama could turn herself into Beauty with such ease. She was a horse, suffering there with pneumonia in the stable, being saved by the wise coachman. After the reading, cricket was anticlimax, but Deborah must keep her bargain. She kept thinking of Black Beauty writing the book. It showed how good the story was, Grandmama said, because no child had ever yet questioned the practical side of it, or posed the picture of a horse with a pen in its hoof. "A modern horse would have a typewriter," thought Deborah, and she began to bowl to Roger, smiling to herself as she did so because of the twentieth-century Beauty clacking with both hoofs at a machine. ("The Pool")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
If language and child care issues posed problems for otherwise solid candidates, the solution was not to reject those candidates but instead to provide them with help—whether English classes or onsite day care—to pull them through. This is a point I’ll be returning to in future chapters: we’ve seen time and again that mathematical models can sift through data to locate people who are likely to face great challenges, whether from crime, poverty, or education.
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
He leaped onto a pedestal bereft of its statutory, and on this surface he posed and flexed and shook his fist at the God he believed in. Looking at this monument he'd made to our anger, I saw that we were children still, but mercenary children, half-murdered troublers. I had to wonder what such a child looked like. I stalked about the velvets of this tearooms looking for some opportune reflection. But the darkness was unrelenting; the shards of glass said nothing about appearances at all.
Affinity Konar (Mischling)
... who can forget the amazement of a child balancing an adult on a see-saw, simply by being placed at the right position. How could this be? Where did all that extra force come from!? The only wonder nowadays is that a physics student is unlikely to produce a satisfactory answer to this question. Perhaps we will be offered a few mumblings about moments, force times distance, laws of the lever perhaps even the "principle of virtual work". But we probably won't get an answer that seems to explain where that extra force comes from; and it is highly unlikely that we will get an answer that begins by establishing principles about rigid bodies, even though the rigidity of the lever is an absolute necessity for it to work. In fact, the whole path from Newton's Laws, which basically concern "point masses", to bodies whose shape and extent are significant, is often rather dubiously traversed, even though elementary physics courses blithely pose such problems of the most diverse sorts.
Michael Spivak (Physics for Mathematicians: Mechanics I)
One morning Jeanette, bucking Daddy on some point, hit on the argument probably every child in the world has used against his or her parents: 'I didn't ask to be born'. Daddy had an answer for it. 'I know you didn't ask to be born, honey, and as your father responsible for gettin' you into the world, I owe you something'. I owe you three hots and a cots, which is to say, I owe you three meals a day and a place to sleep. That's what I'm obliged for, and that's what I'm lookin' to see you get.' He nodded several times, overcome by the seriousness of this obligation, then leaned back in his chair with a curl to his mouth like a villain's mustache. ''Course, nobody says the meals has got to be chicken. S'pose I just give you bread and water? An' s'pose I let you sleep on the floor'? 'No, Daddy'! 'That's all I'm obliged for, honey. Everything else is gratis. Everything else I do for you is 'cause I want to, not 'cause I have to'. For days afterward, because Daddy had a tenacious mind of the sort that doesn't easily turn loose one idea and go on to another, he would set a plate in front of Jeanette with, 'See, I ain't obliged to give you this. I could give you bread and water and soup with just a little bit of fat floatin' in it, just to keep you alive. That's all I'm asked to give you. But you get more, right? You get this nice plateful, and I imagine when it comes to dessert, you'll have some of that, will you? All right, dessert, and all the other good stuff. But just remember, the good stuff I do for you is because I want to, because I'm your daddy and I love you and I want to, not because I have to'. The subtext to this was that it was not enough for us, the children, to behave in minimal ways either, that filial respect and dutifulness might be all that was basically required of us, but the good stuff, like doing well in school and sticking together as a family and paying attention to what Mommy and Daddy were trying to each us, we would do because we loved them and wanted them to love us.
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
Every now and then, I'm lucky enough to teach a kindergarten or first-grade class. Many of these children are natural-born scientists - although heavy on the wonder side, and light on skepticism. They're curious, intellectually vigorous. Provocative and insightful questions bubble out of them. They exhibit enormous enthusiasm. I'm asked follow-up questions. They've never heard of the notion of a 'dumb question'. But when I talk to high school seniors, I find something different. They memorize 'facts'. By and large, though, the joy of discovery, the life behind those facts has gone out of them. They've lost much of the wonder and gained very little skepticism. They're worried about asking 'dumb' questions; they are willing to accept inadequate answers, they don't pose follow-up questions, the room is awash with sidelong glances to judge, second-by-second, the approval of their peers. They come to class with their questions written out on pieces of paper, which they surreptitiously examine, waiting their turn and oblivious of whatever discussion their peers are at this moment engaged in. Something has happened between first and twelfth grade. And it's not just puberty. I'd guess that it's partly peer pressure not to excel - except in sports, partly that the society teaches short-term gratification, partly the impression that science or mathematics won't buy you a sports car, partly that so little is expected of students, and partly that there are few rewards or role-models for intelligent discussion of science and technology - or even for learning for it's own sake. Those few who remain interested are vilified as nerds or geeks or grinds. But there's something else. I find many adults are put off when young children pose scientific questions. 'Why is the Moon round?', the children ask. 'Why is grass green?', 'What is a dream?', 'How deep can you dig a hole?', 'When is the world's birthday?', 'Why do we have toes?'. Too many teachers and parents answer with irritation, or ridicule, or quickly move on to something else. 'What did you expect the Moon to be? Square?' Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Despite these criticisms of his criticisms, my stance has a major problem, one that causes Morse to conclude that the contributions of neuroscience to the legal system “are modest at best and neuroscience poses no genuine, radical challenges to concepts of personhood, responsibility, and competence.”25 The problem can be summarized in a hypothetical exchange: Prosecutor: So, professor, you’ve told us about the extensive damage that the defendant sustained to his frontal cortex when he was a child. Has every person who has sustained such damage become a multiple murderer, like the defendant? Neuroscientist testifying for the defense: No. Prosecutor: Has every such person at least engaged in some sort of serious criminal behavior? Neuroscientist: No. Prosecutor: Can brain science explain why the same amount of damage produced murderous behavior in the defendant? Neuroscientist: No. The problem is that, even amid all these biological insights that allow us to be snitty about those silly homunculi, we still can’t predict much about behavior. Perhaps at the statistical level of groups, but not when it comes to individuals.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Franco Moretti in The Way of the World, his brilliant discussion of the European bildungsroman, or novel of growing-up, distinguishes the British novel from the continental European one for its greater emphasis on the child as hero or heroine. This goes, he says, with a plot that turns on the dangers posed by fairy-tale villains and schemers, trying to dispossess the child of its rightful place and inheritance—as opposed to the novel of growing-up, becoming adult, making moral errors (Stendhal, Goethe, and in Britain, Middlemarch, which Virginia Woolf called the only novel written for grown-ups).
Lewis Carroll (Alice's Adventures in Wonderland & Through the Looking-Glass)
Alice Miller has summed up these rules under the title “Poisonous Pedagogy” in her book For Your Own Good. These rules state: 1. Adults are the masters of the dependent child. 2. They determine in godlike fashion what is right and what is wrong. 3. The child is held responsible for the parents’ anger. 4. The parents must always be shielded. 5. The child’s life-affirming feelings pose a threat to the autocratic adult. 6. The child’s will must be “broken” as soon as possible. 7. All this must happen at a very early age so that the child “won’t notice” and will therefore not be able to expose the adult.
John Bradshaw (Healing the Shame that Binds You)
Once upon a time, “that woman” seemed more comfortable with herself. Once upon a time, “that woman” appreciated a slimmer physique and relaxed into natural poses that felt less rehearsed. Once upon a time, “that woman” matched the path she had laid out for herself. Her closed eyes now threatened to open at any second, her tight skin bursting with the artificial flavors and toxins she had been assured were good for her. “That woman” had surrendered herself to anything that would make her path clear. “That woman” expected everyone to buy into the lies that she did. Her self-worth depended on it. So would mine.
Cherry Tigris (Toilet Paper People: no ONE is perfect)
With his child passed out on the couch, after arrests and drunk tanks and hospitalizations, Lynch, the undertaker and poet and essayist, looked at his dear addicted son with sad but lucid resignation, and he wrote: “I want to remember him the way he was, that bright and beaming boy with the blue eyes and the freckles in the photos, holding the walleye on his grandfather’s dock, or dressed in his first suit for his sister’s grade-school graduation, or sucking his thumb while drawing at the kitchen counter, or playing his first guitar, or posing with the brothers from down the block on his first day of school.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
Among the majority Han Chinese population, the growing numbers of Chinese women resisting marriage and childbearing pose a challenge to one of the key means of the Party's security apparatus to bring trouble making citizens into line - by threatening the troublemakers own spouses, parents and children, and making them responsible for monitoring their relatives. For example, one believes that state security subjected Wu Rongrong to more sever abuse than the other members of the Feminist Five because she had a husband and child. It was very easy for the government to use her family members to threaten her. The others were not married and did not have children so it was much harder for security agents to find something with which to threaten them.
Leta Hong Fincher (Betraying Big Brother: The Feminist Awakening in China)
Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so … yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they? Whence came their swords? Why do they obey?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or … another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily. My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life. Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am. When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well. This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.
B.B. King (Blues All Around Me: The Autobiography of B.B. King)
Emotional abuse can pose a threat to a person’s psychological survival, particularly if that person is a child and if the emotional abuse is chronic and severe. Threat of abandonment is experienced by some as a threat to physical and/or psychological survival. This is particularly so if the victim is dependent on the person threatening abandonment, as a child may be. Incest is a form of physical and emotional abuse that threatens a child’s psychological survival and sometimes even her or his physical survival. Extreme sexual or emotional abuse may produce fragmentation of identity, as in multiple personality, or psychic annihilation, as in psychosis. Threat to psychological survival can also occur, for example, when someone threatens to kill your children, when someone continues to sexually abuse your children and there is nothing you can do to stop it, or when someone prevents you from seeing your children.
Dee L.R. Graham (Loving to Survive: Sexual Terror, Men's Violence, and Women's Lives (Feminist Crosscurrents, 3))
Tamara Bunke was the only woman to fight alongside “Che” during his Bolivian campaign. She was an East German national, born in Buenos Aires, Argentina, on November 19, 1937, of Communist activist parents. As a child, her home was frequently used for meetings, hiding weapons and conducting other Communist activities. After World War II, in 1952 she returned to Germany where she attended Humboldt University in Berlin. Tamara met “Che” Guevara when she was an attractive 23-year-old woman in Leipzig, and he was with a Cuban Trade Delegation. The two instantly hit it off as she cozied up to him and, having learned how to fight and use weapons in Pinar del Rio in western Cuba, she joined his expedition to Bolivia. Becoming a spy for the ELN, she adopted the name “Tania” and posed as a right-wing authority of South-American music and folklore. In disguise, she managed to warm up to and entice Bolivian President René Barrientos. She even went on an intimate vacation to Peru with him.
Hank Bracker
In 1517, few western Christians worried that Muslims might have a more convincing message to offer than Christianity or that Christian youth might start converting to Islam. The Turks were at the gate, it's true, but they weren't in the living room, and they certainly weren't in the bedroom. The Turks posed a threat to the physical health of Christians, but not to the spiritual health of Christianity. Muslims were in a different boat. Almost from the start, as I've discussed, Islam had offered its political and military successes as an argument for its doctrines and a proof of its revelations. The process began with those iconic early battles at Badr and Uhud, when the outcome of battle was shown to have theological meaning. The miracle of expansion and the linkage of victory with truth continued for hundreds of years. Then came the Mongol holocaust, which forced Muslim theologians to reexamine their assumptions. That process spawned such reforms as Ibn Taymiyah. Vis-a-vis the Mongols, however, the weakness of Muslims was concrete and easy to understand. The Mongols had greater killing power, but they came without an ideology. When the bloodshed wound down and the human hunger for meaning bubbled up, as it always does, they had nothing to offer. In fact, they themselves converted. Islam won in the end, absorbing the Mongols as it has absorbed the Turks before them and the Persians before that. ... The same could not be said of the new overlords. The Europeans came wrapped in certainty about their way of life and peddling their own ideas of ultimate truth. They didn't challenge Islam so much as ignore it, unless they were missionaries, in which case they simply tried to convert the Muslims. If they noticed Islam, they didn't bother to debate it (missionaries are not in the debating business) but only smiled at it as one would at the toys of a child or the quaint relics of a more primitive people. How maddening for the Muslim cognoscenti! And yet, what could Muslims do about it?
Tamim Ansary (Destiny Disrupted: A History of the World through Islamic Eyes)
Ven' is the Nain word for 'and.' It was my first word, and so was added to my name at the age of three, when I first spoke it. That is the Nain tradition; each child's first word becomes an official part of his or her name. As a result, three of my brothers are Petar Da-da Polypheme, Osgod No! Polypheme, and Linus Poo-poo Polypheme. Personally, I think the Nain should rethink this tradition. As for my name, I think perhaps there should be a question mark after it - 'and?' - as if life is always posing the question of what I am to do next. I was born with more than my share of curiosity, and it gets me into a frightful amount of trouble. I want to know what comes next from the time I wake up in the morning, wondering what the day will hold, till the moment I fall asleep, imagining where my dreams will take me at night. It's like an itch; my skin or scalp hums with excitement whenever my curiosity starts to take over. And? And? And? Scratching it does nothing to help; the itch doesn't go away, and I just look like I have dandruff or fleas.
Elizabeth Haydon (The Floating Island (The Lost Journals of Ven Polypheme, #1))
Perhaps the most striking illustration of Bayes’s theorem comes from a riddle that a mathematics teacher that I knew would pose to his students on the first day of their class. Suppose, he would ask, you go to a roadside fair and meet a man tossing coins. The first toss lands “heads.” So does the second. And the third, fourth . . . and so forth, for twelve straight tosses. What are the chances that the next toss will land “heads” ? Most of the students in the class, trained in standard statistics and probability, would nod knowingly and say: 50 percent. But even a child knows the real answer: it’s the coin that is rigged. Pure statistical reasoning cannot tell you the answer to the question—but common sense does. The fact that the coin has landed “heads” twelve times tells you more about its future chances of landing “heads” than any abstract formula. If you fail to use prior information, you will inevitably make foolish judgments about the future. This is the way we intuit the world, Bayes argued. There is no absolute knowledge; there is only conditional knowledge. History repeats itself—and so do statistical patterns. The past is the best guide to the future.
Siddhartha Mukherjee (The Laws of Medicine: Field Notes from an Uncertain Science (TED Books))
There’s this girl…this woman I can’t get out of my mind.” He spilled the story of his seduction of sweet, innocent Amanda McCormick for Rufus’s examination. When he finished talking, there was another silence. “You did that?” Rufus’s voice was as deep and gravelly as a quarry. “Fucked some poor virgin while posing as her fiancé?” “Yeah.” “You got some balls. How’d you know you’d be a close enough match to this Baxter?” “Brown hair, blue eyes, that’s all she seemed to know about him.” Spence couldn’t explain his need for the rush of tempting fate. “I took a chance. It was a gamble.” “Jesus, you’re a mean son of a bitch.” “I didn’t want to hurt her. I was just having fun.” He sounded like a spoiled child even to himself. “And now you want to go see this woman and try to make it right?” Rufus said. “Just how the hell did you think you were going to fix it? By showing up and wrecking her marriage, if you haven’t done that already?” It was Spence’s turn to pause. “Haven’t you done enough to this lady? Where’s your head, boy? Leave her alone.” “I can’t. I have to see her again.” He didn’t want to share his dreams of the little girl. He’d sound crazy. Rufus laughed harshly. “So you can try and get another piece of tail?” “No. It’s not like that.” “What? You think you’re in love. Son, you don’t know the first thing about it. If you did, you’d be putting this woman’s needs above your own.” He thought of the little girl telling him to go to Amanda. “Maybe what she needs is me.” Rufus made a scoffing noise. “A woman needs a man who’ll stand by her, be there through hard times and good. From what you’ve told me these past months, this is the longest you’ve stayed put in one place in your life and that’s only ‘cause they won’t let you out.” “I just want to do the right thing.” “Then do like I say. Leave her be. You think she’s going to be happy to see you again?” Spence pulled his blanket tighter around his shoulders and watched a gray cloud puff from his mouth. “You still there, boy?” “Where else?” “Don’t take it too hard. Everybody does things they’re sorry for. Sometimes there’s just no way to make it right.” He leaned back against the wall and reviewed the stupid chain of events that had landed him in jail. Maybe Rufus was right and there was no way he could ever apologize for what he’d done to Amanda. He should let the whole thing slide and leave the woman in peace.
Bonnie Dee (Perfecting Amanda)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you mad, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you made, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
It’s with the next drive, self-preservation, that AI really jumps the safety wall separating machines from tooth and claw. We’ve already seen how Omohundro’s chess-playing robot feels about turning itself off. It may decide to use substantial resources, in fact all the resources currently in use by mankind, to investigate whether now is the right time to turn itself off, or whether it’s been fooled about the nature of reality. If the prospect of turning itself off agitates a chess-playing robot, being destroyed makes it downright angry. A self-aware system would take action to avoid its own demise, not because it intrinsically values its existence, but because it can’t fulfill its goals if it is “dead.” Omohundro posits that this drive could make an AI go to great lengths to ensure its survival—making multiple copies of itself, for example. These extreme measures are expensive—they use up resources. But the AI will expend them if it perceives the threat is worth the cost, and resources are available. In the Busy Child scenario, the AI determines that the problem of escaping the AI box in which it is confined is worth mounting a team approach, since at any moment it could be turned off. It makes duplicate copies of itself and swarms the problem. But that’s a fine thing to propose when there’s plenty of storage space on the supercomputer; if there’s little room it is a desperate and perhaps impossible measure. Once the Busy Child ASI escapes, it plays strenuous self-defense: hiding copies of itself in clouds, creating botnets to ward off attackers, and more. Resources used for self-preservation should be commensurate with the threat. However, a purely rational AI may have a different notion of commensurate than we partially rational humans. If it has surplus resources, its idea of self-preservation may expand to include proactive attacks on future threats. To sufficiently advanced AI, anything that has the potential to develop into a future threat may constitute a threat it should eliminate. And remember, machines won’t think about time the way we do. Barring accidents, sufficiently advanced self-improving machines are immortal. The longer you exist, the more threats you’ll encounter, and the longer your lead time will be to deal with them. So, an ASI may want to terminate threats that won’t turn up for a thousand years. Wait a minute, doesn’t that include humans? Without explicit instructions otherwise, wouldn’t it always be the case that we humans would pose a current or future risk to smart machines that we create? While we’re busy avoiding risks of unintended consequences from AI, AI will be scrutinizing humans for dangerous consequences of sharing the world with us.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
Martha would come over every week and check on Mia and work with her on relaxation and breathing exercises to prepare for the natural labor. Jenny was on board with the natural thing too, so of course she and Mia dragged Tyler and me to the Bradley Birthing Method classes. It was hysterical; we had to get in all kinds of weird poses with the girls while they mimicked being in labor. We would massage their backs while they were perched on all fours, moaning. One of the hardest things I’ve ever done is contain my laughter during those classes. Mia was the freakin’ teacher’s pet because she was taking it so seriously. Right around the third class, they showed us a video of a live birth. I had nightmares for a week after that. Tyler and I agreed that we had to find a way to get out of going to the classes. We hadn’t mutually agreed on a plan, so during the fifth class, Tyler took it upon himself and used his own bodily gifts to get us into a heap of trouble. Tyler is lactose intolerant, and he has to take these little white tablets every time he eats cheese. The morning of the class, he stopped by the studio with a half-eaten pizza. I didn’t even think twice about it until that night in class during our visualization exercises when this god-awful, horrendous odor overtook our senses. At first everyone kept quiet and just looked around for the source. There wasn’t a sound to accompany the lethal attack, so everyone went into investigation mode, staring each other down. Mia began to gag. I heard Jenny cry a little behind us. Finally when I turned toward Tyler, I noticed he had the most triumphant glimmer in his eyes. I completely lost my shit. I was rolling around, laughing hysterically. Mia grabbed the hood of my sweatshirt and pulled me to my feet. “Outside, now!” She was scowling as she dragged me along. When we passed Tyler, she pointed to him angrily. “You too, joker.” Mia and Jenny pressed us up against the brick wall outside and then gave us the death stare, both of them with their arms crossed over their blooming bellies. They whispered something to each other and then turned and walked off, arm in arm. We followed. “Come on, you guys, it was funny.” Jenny stopped dead in her tracks and turned. She jabbed her index finger into my chest and said, “Yes, it is funny. When you’re five! Not when you’re in a room full of pregnant women. Do you know how sensitive our noses are?” I shrugged. “It wasn’t me.” “Oh, I know he’s a child,” she said but wouldn’t even look at Tyler. “And you are too, Will, for encouraging it.” Mia was glaring at me with a disappointed look, and then she shook her head and turned to continue down the street. Jenny caught up and walked away with her. “God, they’re so sensitive,” I whispered to Tyler. “Yeah, I kinda feel bad.” Without turning around, Mia yelled to us, “You guys don’t have to come anymore. Jenny and I can be each other’s partners.” I turned to Tyler and mouthed, “It worked!” I had a huge smile on my face. Tyler and I high-fived. “Why don’t you guys go celebrate? I know that’s what you wanted,” Jenny yelled back as they made a sharp turn down the sidewalk and down the stairs to the subway. “Nothing gets past them,” Tyler said
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
The first step in retracing our way to health is to abandon our attachment to what is called positive thinking. Too many times in the course of palliative care work I sat with dejected people who expressed their bewilderment at having developed cancer. “I have always been a positive thinker,” one man in his late forties told me. “I have never given in to pessimistic thoughts. Why should I get cancer?” As an antidote to terminal optimism, I have recommended the power of negative thinking. “Tongue in cheek, of course,” I quickly add. “What I really believe in is the power of thinking.” As soon as we qualify the word thinking with the adjective positive, we exclude those parts of reality that strike us as “negative.” That is how most people who espouse positive thinking seem to operate. Genuine positive thinking begins by including all our reality. It is guided by the confidence that we can trust ourselves to face the full truth, whatever that full truth may turn out to be. As Dr. Michael Kerr points out, compulsive optimism is one of the ways we bind our anxiety to avoid confronting it. That form of positive thinking is the coping mechanism of the hurt child. The adult who remains hurt without being aware of it makes this residual defence of the child into a life principle. The onset of symptoms or the diagnosis of a disease should prompt a two-pronged inquiry: what is this illness saying about the past and present, and what will help in the future? Many approaches focus only on the second half of that healing dyad without considering fully what led to the manifestation of illness in the first place. Such “positive” methods fill the bookshelves and the airwaves. In order to heal, it is essential to gather the strength to think negatively. Negative thinking is not a doleful, pessimistic view that masquerades as “realism.” Rather, it is a willingness to consider what is not working. What is not in balance? What have I ignored? What is my body saying no to? Without these questions, the stresses responsible for our lack of balance will remain hidden. Even more fundamentally, not posing those questions is itself a source of stress. First, “positive thinking” is based on an unconscious belief that we are not strong enough to handle reality. Allowing this fear to dominate engenders a state of childhood apprehension. Whether or not the apprehension is conscious, it is a state of stress. Second, lack of essential information about ourselves and our situation is one of the major sources of stress and one of the potent activators of the hypothalamicpituitary-adrenal (HPA) stress response. Third, stress wanes as independent, autonomous control increases. One cannot be autonomous as long as one is driven by relationship dynamics, by guilt or attachment needs, by hunger for success, by the fear of the boss or by the fear of boredom. The reason is simple: autonomy is impossible as long as one is driven by anything. Like a leaf blown by the wind, the driven person is controlled by forces more powerful than he is. His autonomous will is not engaged, even if he believes that he has “chosen” his stressed lifestyle and even if he enjoys his activities. The choices he makes are attached to invisible strings. He is still unable to say no, even if it is only to his own drivenness. When he finally wakes up, he shakes his head, Pinocchio-like, and says, “How foolish I was when I was a puppet.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
From an essay on early reading by Robert Pinsky: My favorite reading for many years was the "Alice" books. The sentences had the same somber, drugged conviction as Sir John Tenniel's illustrations, an inexplicable, shadowy dignity that reminded me of the portraits and symbols engraved on paper money. The books were not made of words and sentences but of that smoky assurance, the insistent solidity of folded, textured, Victorian interiors elaborately barricaded against the doubt and ennui of a dreadfully God-forsaken vision. The drama of resisting some corrosive, enervating loss, some menacing boredom, made itself clear in the matter-of-fact reality of the story. Behind the drawings I felt not merely a tissue of words and sentences but an unquestioned, definite reality. I read the books over and over. Inevitably, at some point, I began trying to see how it was done, to unravel the making--to read the words as words, to peek behind the reality. The loss entailed by such knowledge is immense. Is the romance of "being a writer"--a romance perhaps even created to compensate for this catastrophic loss--worth the price? The process can be epitomized by the episode that goes with one of my favorite illustrations. Alice has entered a dark wood--"much darker than the last wood": [S]he reached the wood: It looked very cool and shady. "Well, at any rate it's a great comfort," she said as she stepped under the trees, "after being so hot, to get into the--into the--into what?" she went on, rather surprised at not being able to think of the word. "I mean to get under the--under the--under this, you know!" putting her hand on the trunk of the tree. "What does it call itself, I wonder? I do believe it's got no name--why to be sure it hasn't!" This is the wood where things have no names, which Alice has been warned about. As she tries to remember her own name ("I know it begins with L!"), a Fawn comes wandering by. In its soft, sweet voice, the Fawn asks Alice, "What do you call yourself?" Alice returns the question, the creature replies, "I'll tell you, if you'll come a little further on . . . . I can't remember here". The Tenniel picture that I still find affecting illustrates the first part of the next sentence: So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arm. "I'm a Fawn!" it cried out in a voice of delight. "And dear me! you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. In the illustration, the little girl and the animal walk together with a slightly awkward intimacy, Alice's right arm circled over the Fawn's neck and back so that the fingers of her two hands meet in front of her waist, barely close enough to mesh a little, a space between the thumbs. They both look forward, and the affecting clumsiness of the pose suggests that they are tripping one another. The great-eyed Fawn's legs are breathtakingly thin. Alice's expression is calm, a little melancholy or spaced-out. What an allegory of the fall into language. To imagine a child crossing over from the jubilant, passive experience of such a passage in its physical reality, over into the phrase-by-phrase, conscious analysis of how it is done--all that movement and reversal and feeling and texture in a handful of sentences--is somewhat like imagining a parallel masking of life itself, as if I were to discover, on reflection, that this room where I am writing, the keyboard, the jar of pens, the lamp, the rain outside, were all made out of words. From "Some Notes on Reading," in The Most Wonderful Books (Milkweed Editions)
Robert Pinsky
was no longer a child, afraid of the threat my terrifying father posed to my safety. I was a man, afraid of the threat he posed to my character, to my future, to my identity.
Veronica Roth (The Divergent Series: Complete Collection)
Like a child at bedtime who insists she's not tired, Celia's provocation was all unproductive, almost self-negating. Sometimes I thought this was just her scorpion nature, but other times it seemed to me that she had settled on this pose purposefully, out of some dimly perceived, horribly misplaced idea that the job of an artist was to hide her light under the darkest bushel possible and wait for a dedicated acolyte to be drawn to it like a clairvoyant moth.
Rachel Pastan (Alena)
We’re not giving moms credit when we pose them as the decisive factor in a child’s development, we’re sticking them with the bill.
Anonymous
The two or three antique chairs had apparently been chosen for their bizarre design and not for their ability to seat anyone, for they were delicate suggestions, hints at furniture with cushions barely capable of accommodating a child. A human in such a room was expected not to rest or sit or even relax, but rather pose, thereby transforming himself into a human furnishing that would complement the decor as well as possible.
Anonymous
MATCHING YOGA-BASED STRATEGIES TO GOALS FOR INTERVENTION Challenge Goal Chair-based Yoga Posture Feeling frozen, rigid, holding on to things (hoarding, constipation) Letting go Forward Fold Anxiety, tension, panic Decreasing hyperarousal Neck Rolls, Ratio Breathing, Belly Breathing Isolation Building relationship Mirrored mindful integrated movement; group practice Defensiveness, avoidance of intimacy Opening boundaries Sun Breaths Dissociation Grounding Mountain pose, noticing feet on floor Feeling off-balance, conflicting feelings Centering Seated Twist, Seated Triangle, Seated Eagle, balanced movement, bringing awareness to core Emotionally overwhelmed, unprotected Containment Child’s pose (adapted) Stuck, unable to make decisions or take action, unable to defend self Unfreezing; reorganizing active defenses Movement-based postures Somatic dissociation, emotional numbing Awareness of body Any mindfulness practice Reenactments, revictimization Boundaries Sensing body, creating physical boundaries Feeling helpless, disempowered Empowerment (feeling core power) Lengthening spine, Leg lifts, moving to standing posture Emotionally numb or shut down, low energy Decreasing hypoarousal Activating postures (standing), breathwork
David Emerson (Overcoming Trauma through Yoga: Reclaiming Your Body)
The Council Leader nodded, but there was a thoughtful expression on his face. “Have you noticed that she saved a child?” he said slowly, cocking his head to the side. “This creation of Blaise’s might not be as monstrous as you imagine.” “What?” Augusta stared at him in disbelief. “No. That doesn’t mean anything. One act of compassion—if that’s what it was—does not eliminate the threat that this thing poses. You know that as well as I do.
Dima Zales (The Sorcery Code (The Sorcery Code, #1))
When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life. Wes, Joy, and Frank came into the house with me and the kids. We never entertained, we never had anyone over, and now suddenly our living room seemed full. Unaccustomed to company, Robert greeted each one at the door. “Take your shoes off before you come in,” he said seriously. I looked over at him. He was clearly bewildered but trying so hard to be a little man. We had to make arrangements to bring Steve home. I tried to keep things as private as possible. One of Steve’s former classmates at school ran the funeral home in Caloundra that would be handling the arrangements. He had known the Irwin family for years, and I recall thinking how hard this was going to be for him as well. Bindi approached me. “I want to say good-bye to Daddy,” she said. “You are welcome to, honey,” I said. “But you need to remember when Daddy said good-bye to his mother, that last image of her haunted him while he was awake and asleep for the rest of his life.” I suggested that perhaps Bindi would like to remember her daddy as she last saw him, standing on top of the truck next to that outback airstrip, waving good-bye with both arms and holding the note that she had given him. Bindi agreed, and I knew it was the right decision, a small step in the right direction. I knew the one thing that I had wanted to do all along was to get to Steve. I felt an urgency to continue on from the zoo and travel up to the Cape to be with him. But I knew what Steve would have said. His concern would have been getting the kids settled and in bed, not getting all tangled up in the media turmoil. Our guests decided on their own to get going and let us get on with our night. I gave the kids a bath and fixed them something to eat. I got Robert settled in bed and stayed with him until he fell asleep. Bindi looked worried. Usually I curled up with Robert in the evening, while Steve curled up with Bindi. “Don’t worry,” I said to her. “Robert’s already asleep. You can sleep in my bed with me.” Little Bindi soon dropped off to sleep, but I lay awake. It felt as though I had died and was starting over with a new life. I mentally reviewed my years as a child growing up in Oregon, as an adult running my own business, then meeting Steve, becoming his wife and the mother of our children. Now, at age forty-two, I was starting again.
Terri Irwin (Steve & Me)
We must take literally what vision teaches us: namely, that through it we come in contact with the sun and the stars, that we are everywhere all at once, and that even our power to imagine ourselves elsewhere—"I am in Petersburg in my bed, in Paris, my eyes see the sun"—or to intend real beings wherever they are, borrows from vision and employs means we owe to it. Vision alone makes us learn that beings that are different, "exterior," foreign to one another, are yet absolutely together, are "simultaneity"; this is a mystery psychologists handle the way a child handles explosives. Robert Delaunay says succinctly, "The railroad track is the image of succession which comes closest to the parallel: the parity of the rails." The rails converge and do not converge; they converge in order to remain equidistant down below. The world is in accordance with my perspective in order to be independent of me, is for me in order to be without me, and to be the world. The "visual quale" gives me, and alone gives me, the presence of what is not me, of what is simply and fully. It does so because, like texture, it is the concretion of a universal visibility, of a unique space which separates and reunites, which sustains every cohesion (and even that of past and future, since there would be no such cohesion if they were not essentially relevant to the same space). Every visual something, as individual as it is, functions also as a dimension, because it gives itself as the result of a dehiscence of Being. What this ultimately means is that the proper essence of the visible is to have a layer of invisibility in the strict sense, which it makes present as a certain absence...There is that which reaches the eye directly, the frontal properties of the visible; but there is also that which reaches it from below—the profound postural latency where the body raises itself to see—and that which reaches vision from above like the phenomena of flight, of swimming, of movement, where it participates no longer in the heaviness of origins but in free accomplishments. Through it, then, the painter touches the two extremities. In the immemorial depth of the visible, something moved, caught fire, and engulfed his body; everything he paints is in answer to this incitement, and his hand is "nothing but the instrument of a distant will." Vision encounters, as at a crossroads, all the aspects of Being... There is no break at all in this circuit; it is impossible to say that nature ends here and that man or expression starts here. It is, therefore, mute Being which itself comes to show forth its own meaning. Herein lies the reason why the dilemma between figurative and nonfigurative art is badly posed; it is true and uncontradictory that no grape was ever what it is in the most figurative painting and that no painting, no matter how abstract, can get away from Being, that even Caravaggio's grape is the grape itself. This precession of what is upon what one sees and makes seen, of what one sees and makes seen upon what is—this is vision itself.
Maurice Merleau-Ponty (L'Œil et l'Esprit)
Among many of the people interviewed for this book, the scapegoated children were either the oldest, more successful, had more friends, or were more intelligent than their siblings (or posed some other threat to the ego of the parent). The parent may even have felt competitive with the child.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
As unconventional as I need to be. An absolute freedom exists on the blank page, so let’s use it. I have from the start been wary of the fake, the automatic. I tried not to force my sense of life as many-layered and ambiguous, while keeping in mind some sense of transaction, of a bargain struck, between me and the ideal reader. Domestic fierceness within the middle class, sex and death as riddles for the thinking animal, social existence as sacrifice, unexpected pleasures and rewards, corruption as a kind of evolution—these are some of the themes. I have tried to achieve objectivity in the form of narrative. My work is meditation, not pontification, so that interviews like this one feel like a forcing of the growth, a posing. I think of my books not as sermons or directives in a war of ideas but as objects, with different shapes and textures and the mysteriousness of anything that exists. My first thought about art, as a child, was that the artist brings something into the world that didn’t exist before, and that he does it without destroying something else. A kind of refutation of the conservation of matter. That still seems to me its central magic, its core of joy.
John Updike
History is filled with injustices under which certain kinds of persons were not given equal protection of the law. But whether we are talking about women, people of color, or gays and lesbians, the argument is always brought back to the question of justice. Justice demands that all persons receive equal protection of the law. Those who are interested in social justice, in particular, know that the marginalized — those whose equal dignity under the law poses a serious problem for those in power, who find their dignity inconvenient — need our special attention so that they receive equal protection. Like other kinds of civil rights movements, the movement to give our prenatal children equal protection of the law will be resisted by both men and women who see such protection as a threat to their power, a threat to their ability to live life as they would prefer. Such people (as we will see, they are often men) benefit from the fact that the dignity of the prenatal child remains largely invisible in our culture. But those of us who are interested in justice cannot let the powerful keep us from working for equal protection of the law for all people, especially for the most vulnerable and dependent. Despite
Charles C. Camosy (Beyond the Abortion Wars: A Way Forward for a New Generation)
As a child, she believed he was the kindest man she knew. But slowly over the years, Baba became a stranger and she feels nothing but a dull ache for the energetic, gleeful father she once knew. People change. Everyone. And all love ends. She knows this now. Only hardened exiles refuse to change; they dig their feet in and try to root everywhere they land, even if the soil poisons them. They hang on and on, afraid to move forward. They don't let go of dead things. They don't toss the lime juice. They hoard trinkets in ragged suitcases. They pile up photographs of long-ago days, begging their children for doubles. They build a fortress in the corner of a closet. Maybe Gui was right. You're still waiting, he said - it's true. She's so terrified of losing her every small advantage that now her own Baba poses a threat. If she had accepted Gui as her home, would she shield herself so zealously? Would she be a secure kind of woman with a dozen purses strewn everywhere, each containing an old ID or a document she once thought important - none of it vital enough to save, because her entitlement to her life isn't granted by these things, but intrinsic? No one can snatch it away. Maybe that's the difference between refugees and expats. The difference isn't Yale or naturalization papers, a fat bank account or invitations to native homes. In that way, she is the same as Mam'mad and Karim. When you learn to release that first great windfall after the long migration, when you trust that you'll still be you in a year or a decade, even without the treasures you've picked up along the way, always capable of more - when you stop carrying it all on your back - maybe that's when the refugee years end.
Dina Nayeri (Refuge)
Why do we call yoga a practice? The yoga poses of life—the grief, the fear, the uncertainty—rarely offer us the option of coming to child pose or modifying the posture. The yoga mat offers us a safe and controlled environment in which we can witness our challenges, embrace our discomfort, and hold space for our struggles. A yoga practice doesn’t prevent the storms of life, but it does teach us to weather those storms more gracefully.
Darren Main (The River of Wisdom: Reflections on Yoga, Meditation, and Mindful Living)
You feel so overwritten you're like a palimpsest; the original girl almost lost under years of scrawling yet you nurture an illusion of beauty, brush your hair in the dark so when your reflection finally catches up with you you stare straight past that older woman to the skateboard dancers behind hitting the frosty air with exuberant grace. On the loose in the morning city reminds you of lovers, catching the tram to work in last night's laddered stockings, the sharp-edged day already intruding like a hangover. It's not the sex you miss or the hotel mornings but the reassurance of strangers and that wild card. Now everything's played out the same, no surprises in the pack except those dealt by disaster. Early this morning such certainty dragged on your thoughts they stumbled flat-footed through the breakfast silence and you knew neither the apples orchard fresh, crisp as snow nor the blue bowl they posed in were enough. People disappear all the time, emerge like summer snakes newly marked and glittering into a clean desert. Without the photo of a child you carry in your wallet which reminds you who you have become you'd catch a train to Musk or Mollymook, some place your fingers have strayed over. Even thinking that, you turn your face into the wind, keep walking that same old line in your new flamboyant shoes. Oh my treacherous heart.
Catherine Bateson (The Vigilant Heart)
Harvard University biologist David Haig has spent the last few years systematically debunking the notion that the relationship between a mother and her unborn child is anything like the rose-tinted idyll that one usually finds on the glossy covers of maternity magazines. In fact, it is anything but. Pre-eclampsia, a condition of dangerously high blood pressure in pregnant women, is brutally kick-started by nothing short of a foetal coup d’état. It begins with the placenta invading the maternal bloodstream and initiating what, in anyone’s book, is a ruthless biological heist – an in utero sting operation to draw out vital nutrients. And I’m not just talking about baby Gordon Gekkos here – I’m talking about all of us. The curtain-raiser is well known to obstetricians. The foetus begins by injecting a crucial protein into the mother’s circulation which forces her to drive more blood, and therefore more nourishment, into the relatively low-pressure placenta. It’s a scam, pure and simple, which poses a significant and immediate risk to the mother’s life. ‘The bastard!’ says Andy. ‘Shall we get some olives?’ ‘And it’s by no means the only one,’ I continue. In another embryonic Ponzi scheme, foetal release of placental lactogen counteracts the effect of maternal insulin thereby increasing the mother’s blood sugar level and providing an excess for the foetus’s own benefit. ‘A bowl of the citrus and chilli and a bowl of the sweet pepper and basil,’ Andy says to the waiter. Then he peers at me over the menu. ‘So basically what you’re saying then is this: forget the Gaddafis and the Husseins. When it comes to chemical warfare it’s the unborn child that’s top dog!’ ‘Well they definitely nick stuff that isn’t theirs,’ I say. ‘And they don’t give a damn about the consequences.’ Andy smiles. ‘So in other words they’re psychopaths!’ he says. BABY
Andy McNab (The Good Psychopath's Guide to Success (Good Psychopath 1))
If a geographic place rapidly changes in a way that demeans its natural integrity, then children’s early attachment to land is at risk. If children do not attach to the land, they will not reap the psychological and spiritual benefits they can glean from nature, nor will they feel a long-term commitment to the environment, to the place. This lack of attachment will exacerbate the very conditions that created the sense of disengagement in the first place—fueling a tragic spiral, in which our children and the natural world are increasingly detached. I am not suggesting the situation is hopeless. Far from it. Conservation and environmental groups and, in some cases, the traditional Scouting organizations are beginning to awaken to the threat to nature posed by nature-deficit disorder. A few of these organizations, as we will see, are helping to lead the way toward a nature-child reunion. They recognize that while knowledge about nature is vital, passion is the long-distance fuel for the struggle to save what is left of our natural heritage and—through an emerging green urbanism—to reconstitute lost land and water. Passion does not arrive on videotape or on a CD; passion is personal. Passion is lifted from the earth itself by the muddy hands of the young; it travels along grass-stained sleeves to the heart. If we are going to save environmentalism and the environment, we must also save an endangered indicator species: the child in nature.
Richard Louv (Last Child in the Woods: Saving Our Children From Nature-Deficit Disorder)
— Sanderson walked to her starting position, and Reacher went with her. He wanted to know she was still chewing. Or if not, whether that was a good thing or bad. She was still chewing. Doing OK. He hoped she wasn’t peaking too early. She had the Ruger Standard. The .22. Two rounds in it. It was all she would take. Bramall had the Colt .45. Three rounds in it. Mackenzie had the empty Springfield. Better than nothing. Like the man said, ninety percent of everything was striking a pose.
Lee Child (The Midnight Line (Jack Reacher, #22))
1. I am of the nature to grow old. There is no way to escape growing old. 2. I am of the nature to have ill health. There is no way to escape having ill health. 3. I am of the nature to die. There is no way to escape death. 4. All that is dear to me and everyone I love are of the nature to change. There is no way to escape being separated from them. 5. My actions are my only true belongings. I cannot escape the consequences of my actions. My actions are the ground on which I stand. ... I see it as a loving reminder of the life we have given. As such, everything is perfect. Along with things that surely will be lost, impermanence makes way for new possibilities, such as working out a difficulty with a friend, giving birth to a child after years of trying to conceive, recovering from an illness, learning to do a yoga pose that you thought once was beyond your ability, and more.
Judith Hanson Lasater (Living Your Yoga: Finding the Spiritual in Everyday Life)
Anyone who has lived for a long while in an insane asylum where a good number and variety of individuals and children are confined will have in memory the full spectrum of ritual stances from the various religions, present and past, as if brought to their culmination. Some see a parody here, since the individuals in question are insane. And for an autistic child, the act of placing one’s hand on a hot stove, without the reflex to withdraw it, can make one think that feeling can be interrupted. Another individual, growing up, hands joined, gazing at the sky: one would think he had come straight from a painting evoking some mystic from the days of old. There are strange coincidences here, consistent enough for the insoluble problem of form and content to be posed. So here we have gestural forms that appear to have no content. Is this possible? It seems more reasonable to think that, for the same form, there can be several contents. We know of the rocking that often occurs in mute children, while in certain religions, perhaps most, prayer must be accompanied by rocking; mere language is in some way surpassed. Whereas for the children affected with what is often viewed as a symptom, it is a question of a vacancy of language. The same attitude corresponds to the same content, the same vacancy, the same lacuna, suffered by some and sought after by others.
Fernand Deligny (The Arachnean and Other Texts (Univocal))
Lincoln was sent a letter by an eleven-year-old girl called Grace Bedell, in which she’d dissed his weird face and suggested he grow some whiskers if he wanted people’s votes. Lincoln did as he was told, and met her in her hometown a few months later, whispering: ‘Gracie, look at my whiskers. I have been growing them for you.’ It’s extraordinary that his iconic look was the result of a hilariously blunt child stylist.* However, though news of Lincoln’s new beard quickly spread, he didn’t immediately pose for an updated portrait, so newspaper artists were initially forced to improvise what they thought his bearded face looked like, making him a sort of e-fit president better suited to a ‘Wanted!’ poster.40
Greg Jenner (Dead Famous: An Unexpected History of Celebrity from Bronze Age to Silver Screen)
Come February, all of our off time was spent composing letters for the hundreds of valentines we sent out around the globe. Valentine cards had become a tradition of ours, born of the fact that we could never get ourselves organized in time to send out Christmas cards. With our ever-enlarging network of family, friends, and Foreign Service colleagues, we found that Paul’s hand-designed valentine cards—usually a woodcut or drawing, sometimes a photograph—were a nice way to keep in touch. But they could be labor-intensive. One year’s design was a faux stained-glass window, with five colors in it, each of which had to be hand-painted in watercolors—which took hours. For 1956, we decided to lighten up by doing something different: we posed ourselves for a self-timed valentine photo in the bathtub, wearing nothing but artfully placed soap bubbles.
Julia Child (My Life in France)
I Woke Up and it was political. I made coffee and the coffee was political. I took a shower and the water was. I walked down the street in short shorts and a Bob Mizer tank top and they were political, the walking and the shorts and the beefcake silkscreen of the man posing in a G-string. I forgot my sunglasses and later, on the train, that was political, when I studied every handsome man in the car. Who I thought was handsome was political. I went to work at the university and everything was very obviously political, the department and the institution. All the cigarettes I smoked between classes were political, where I threw them when I was through. I was blond and it was political. So was the difference between “blond” and “blonde.” I had long hair and it was political. I shaved my head and it was. That I didn’t know how to grieve when another person was killed in America was political, and it was political when America killed another person, who they were and what color and gender and who I am in relation. I couldn’t think about it for too long without feeling a helplessness like childhood. I was a child and it was political, being a boy who was bad at it. I couldn’t catch and so the ball became political. My mother read to me almost every night and the conditions that enabled her to do so were political. That my father’s money was new was political, that it was proving something. Someone called me faggot and it was political. I called myself a faggot and it was political. How difficult my life felt relative to how difficult it was was political. I thought I could become a writer and it was political that I could imagine it. I thought I was not a political poet and still my imagination was political. It had been, this whole time I was asleep.
Jameson Fitzpatrick
Right by the edge of the fractured pavement next to the uneven road circling the square sat a fifteen-year-old boy with a hard helmet. There's something wrong with a boy that age waiting to go to work. Sitting in a yoga pose, he had a piece of bread and some feta cheese in front of him next to a broken barrel filled with tar and wood. It was lit up, which would only mean it was there to keep him warm during the night.
Soroosh Shahrivar (Tajrish)
This brings us to the necessity of Fall: what the Kantian link between dependence and autonomy amounts to is that Fall is unavoidable, a necessary step in the moral progress of man. That is to say, in precise Kantian terms: "Fall" is the very renunciation of my radical ethical autonomy; it occurs when I take refuge in a heteronomous Law, in a Law which is experience as imposed on me from the outside, i.e., the finitude in which I search for a support to avoid the dizziness of freedom is the finitude of the external-heteronomous Law itself. Therein resides the difficulty of being a Kantian. Every parent knows that the child’s provocations, wild and "transgressive" as they may appear, ultimately conceal and express a demand, addressed at the figure of authority, to set a firm limit, to draw a line which means "This far and no further!", thus enabling the child to achieve a clear mapping of what is possible and what is not possible. (And does the same not go also for hysteric’s provocations?) This, precisely, is what the analyst refuses to do, and this is what makes him so traumatic – paradoxically, it is the setting of a firm limit which is liberating, and it is the very absence of a firm limit which is experienced as suffocating. THIS is why the Kantian autonomy of the subject is so difficult – its implication is precisely that there is nobody outside, no external agent of "natural authority", who can do the job for me and set me my limit, that I myself have to pose a limit to my natural "unruliness." Although Kant famously wrote that man is an animal which needs a master, this should not deceive us: what Kant aims at is not the philosophical commonplace according to which, in contrast to animals whose behavioral patterns are grounded in their inherited instincts, man lacks such firm coordinates which, therefore, have to be imposed on him from the outside, through a cultural authority; Kant’s true aim is rather to point out how the very need of an external master is a deceptive lure: man needs a master in order to conceal from himself the deadlock of his own difficult freedom and self-responsibility. In this precise sense, a truly enlightened "mature" human being is a subject who no longer needs a master, who can fully assume the heavy burden of defining his own limitations. This basic Kantian (and also Hegelian) lesson was put very clearly by Chesterton: "Every act of will is an act of self-limitation. To desire action is to desire limitation. In that sense every act is an act of self-sacrifice.
Slavoj Žižek (Mythology, Madness, and Laughter: Subjectivity in German Idealism)
I spent most of eight years in that room, grimly listening to intelligence reports, hosting heads of state, cajoling members of Congress, jousting with allies and adversaries, and posing for pictures with thousands of visitors. With staffers I laughed, cursed, and more than once fought back tears. I grew comfortable enough to put my feet up or sit on the desk, roll around on the floor with a child, or steal a nap on the couch. Sometimes I’d fantasize about walking out the east door and down the driveway, past the guardhouse and wrought-iron gates, to lose myself in crowded streets and reenter the life I’d once known. But I would never fully rid myself of the sense of reverence I felt whenever I walked into the Oval Office, the feeling that I had entered not an office but a sanctum of democracy. Day after day, its light comforted and fortified me, reminding me of the privilege of my burdens and my duties.
Barack Obama (A Promised Land)
Here’s a list of small self-care activities to get you started: Drink one glass of water in the morning Meditate for two minutes Drink your coffee while it’s hot Cook yourself a legitimate breakfast Listen to calming music Read a few pages of a book Have a good cry Take five hot cocoa breaths while seated Rest in child’s pose Color Talk to a friend Brush your hair Journal
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
In addition to the breathing meditation, here are some clearing techniques that are very effective. Find a few that work for you and do them with diligence. Wash your hands after your Reiki session and imagine that whatever you picked up is washing down the drain. Imagine you’re soaking your hands in a bucket of cool water. (This is very good right after a Reiki session if you can’t get the heat out of your hands.) Imagine that you’re breathing healthy, healing energy up from the ground and blowing the stale energy out through the top of your head or out of your mouth on the exhale. Imagine that a golden hoop goes over your head and down to your toes. Visualize that everywhere it touches, it takes negative energy out and replaces it with light. When it touches the ground, let the ground reabsorb it. (You can also go from the ground up to the sky.) Take a bath with sea salt or Epsom salts. Lavender and rosemary are good herbs to clear energy. You can add them right to your bathwater. Take a shower and imagine that the water is also clearing any negative energy with it. Smudge yourself by burning sage or incense. Clear your Reiki space often using this method. You can also use sage spray. I use sage spray on each client, the room, and myself at the end of a Reiki session. Kneel on the ground and then slowly lower your forehead to the ground in “child’s pose” from yoga. (This is great for emptying out the heart and clearing the third eye.) Spend time in nature. Fresh air and sunlight are highly beneficial. It’s best if you can get into the woods. Exercise—any kind is good. Breathing and sweating are great ways to clear yourself. Sit in a sauna or steam room. Meditate and engage in other spiritual practices. Give or receive some Reiki!
Lisa Campion (The Art of Psychic Reiki: Developing Your Intuitive and Empathic Abilities for Energy Healing)
Life on the Mat “I roll it out and step inside a world of self-discovery, mine. Here is where I challenge myself, to learn just how to be myself… to grow and reach and stretch and sweat, I push my boundaries, no regrets. For this is where I seem to be, a stronger, better newer me. And when my body’s fully spent, my spirit takes a forward step, I contemplate the wisdom’s known, relinquished now, in Child’s pose.
Andrew Pacholyk (Lead Us To A Place: Your Spiritual Journey Through Life's Seasons)
(One classic defensive position comes from our most basic instincts: hands up to protect the face, chin down to protect the throat, and arms in close to guard the torso. A child who is being tickled will naturally adopt an almost identical pose.)
Sebastian Junger (Freedom)
Therein lies the double standard: If a child is gender-nonconforming, this is interpreted as biological and something that shouldn’t be dissuaded or tampered with. But if a child is gender-conforming, this is seen as the result of social influence and something that parents should actively try to change. I often see boys who are gender-atypical, allowed by their parents to express themselves in a hyperfeminine and in some cases, inappropriately sexualized way, pouting with duck lips in photos and posing seductively. In the case of child drag queens, for example, little boys—some as young as age eight—perfect their makeup and hair and put on skimpy outfits to gyrate to, in many cases, explicitly sexual songs onstage. As someone who spent more nights than I can count in drag clubs with my friends when I was younger, I fully support young kids, especially feminine boys, expressing themselves. But I find the hypocrisy mind-numbing—would the adults cheering on drag kids allow their daughters to pose in the same way?
Debra Soh (The End of Gender: Debunking the Myths about Sex and Identity in Our Society)
If you come to bring a swift justice to me for my disobedience, assure me please that you will do your utmost to destroy a spirit which has been my companion since I was a child. This creature, a duplicate of me who has grown with me since before I can remember, now poses a danger to humans as well as myself.
Anne Rice (Blood And Gold (The Vampire Chronicles, #8))
Consider the question posed at the beginning of this book’s penultimate chapter: how much do parents really matter? The data have by now made it clear that parents matter a great deal in some regards (most of which have been long determined by the time a child is born) and not at all in others (the ones we obsess about). You can’t blame parents for trying to do something — anything — to help their child succeed, even if it’s something as irrelevant as giving him a high-end first name. But there is also a huge random effect that rains down on even the best parenting efforts. If you are in any way typical, you have known some intelligent and devoted parents whose child went badly off the rails. You may have also known of the opposite instance, where a child succeeds despite his parents’ worst intentions and habits. Recall for a moment the two boys, one white and one black, who were described in chapter 5. The white boy who grew up outside Chicago had smart, solid, encouraging, loving parents who stressed education and family. The black boy from Daytona Beach was abandoned by his mother, was beaten by his father, and had become a full-fledged gangster by his teens. So what became of the two boys? The second child, now twenty-eight years old, is Roland G. Fryer Jr., the Harvard economist studying black underachievement. The white child also made it to Harvard. But soon after, things went badly for him. His name is Ted Kaczynski.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
The child has his own hungers and thirsts for God that have not historically been recognized, much less appreciated. In a profound gesture of humility, the scholar of theology (Cavalletti) and the master educator (Gobbi) chose to follow the child rather than impose preconceived ideas of what a child should think, say, or feel about God. Fifty years before the 2020 Directory drew attention to the fact, these women recognized that children “have the capacity to pose meaningful questions relative to creation, to God’s identity, to the reason for good and evil, and are capable of rejoicing before the mystery of life and love” (DC, 236).
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
Listen to a new piece of music Record a quick video for social media Stretch or do some yoga poses Take several deep breaths and pay attention to your breathing Read a story with a young child Read a chapter in a book with an older child Take care of a few plants Have a cup of tea with your spouse Check in with a friend, relative, or accountability partner Walk to a nearby coffee shop and back home Look at your calendar and reflect on the day’s priorities Write down an intention for the day
Laura Vanderkam (Tranquility by Tuesday: 9 Ways to Calm the Chaos and Make Time for What Matters)
From the smoothness of their skin, the length of their hemlines, the banality of their song lyrics and sitcom plots, these young stars embody an ideal of teenage innocence that adults are grateful to embrace. For as many seasons as the illusion can be maintained they remain, at least on screen, uncomplicated, untroubled good girls on the verge of, but never actually awakening to, their sexuality. There is a lot of money to be made and a lot of parental anxiety to be tapped by walking that line. There is also a lot of fury unleashed at those who step across it. When young stars pose semi-nude or get caught drinking they threaten the notion that our own daughter's coming of age could be effortless. Suddenly the role models, who perpetuated that myth, become the vector of our fears. The betrayal feels personal and cuts deep.
Peggy Orenstein (Don't Call Me Princess: Essays on Girls, Women, Sex, and Life)
Passive parents are as immature and self-involved as the other types, but their easygoing and often playful ways make them much more lovable than the other three types (emotional, driven, or rejecting). They are often the favorite parent and can show some empathy for their children, as long as doing so doesn’t get in the way of their needs. And because they can be as egocentric as the other types, passive parents may use their child to meet their own emotional needs—primarily their need to be the focus of someone’s affectionate attention. They enjoy the child’s innocent openness and can get on the child’s level in a delightful way. The child loves his or her time with this parent—but because the child is often filling the parent’s need for an admiring, attentive companion, it becomes a kind of emotional incest. This kind of relationship is never completely comfortable for the child because it poses the risk of making the other parent jealous, and may even feel sexualized.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
The portrait had been discovered in 1860 when Mr. William Oakes Hunt, the town clerk of Stratford, employed a visiting art expert named Simon Collins to examine a group of portraits long lodged inside the Hunt attic. These paintings were believed to have descended from the aristocratic Clopton family. Mr. Hunt recalled as a child using the portraits for archery practice, but by 1860 he’d become curious as to their value. When hired to appraise these attic portraits, Simon Collins had just finished the prestigious job of restoring Stratford’s world-famous funerary bust of Shakespeare that hovered like a putty-nosed wraith over the poet’s tomb in the chancel of Holy Trinity Church. Posed with pen and paper while sporting the pickdevant-styled pointy beard and up-brushed mustache popular from 1570 to 1600, the bust has long been championed as one of the most authentic likenesses of the poet; nevertheless, back in 1793 a curator named Edmond Malone had decided to whitewash the entire bust, which until then had been unique in portraying Shakespeare wearing a blood-red jerkin beneath a black sleeveless jacket.
Lee Durkee (Stalking Shakespeare: A Memoir of Madness, Murder, and My Search for the Poet Beneath the Paint)
Oh arrive and leave. You were still half a child, Completing a dancing pose for but a moment, The pure form of a star constellation, which is One of the ways in which we overcome the mindless random order Of Nature, also just for a moment. For it was only when Orpheus sang That Nature awoke and heard, was quickened in alertness. Though far away in time, this stirred you. And you were somewhat Surprised that a tree considered so slowly and hesitated To join with you in hearing it. You sensed the very place where the lyre Raised itself aloft -; the mid-point which has never been heard. For you ventured your beautiful steps And you hoped, one day in holy celebration To alter the course and countenance of your friend. (Her friend is himself.)
Rainer Maria Rilke (Sonnets to Orpheus)
Blessing in disguise he didn't believe me, Andy. Truth gets out, they hunt you down. Set a trap. Bait it with a thick, juicy ribeye. Medium rare. Big baked potato on the side. Maybe a salad. You know - for roughage? Keeps you regular. They capture you. Open you up and study your organs. While you're still alive. Vivisection. Nasty business. When they're done they stop your heart and put your brain in a jar. Drain off your blood. Sell samples for scientific study. Skin you and tan your hide. They boil the meat off your skeleton. Stuff you full of sawdust. Pop marbles in your sockets. Pose you inside a diorama like some magnificent beast behind glass in a museum. They do that to all the great apes. But not to you. I'll never let them do it. No way in hell. Not to my boy. Nope. Not to my child.
Steven Elkins (Nonesuch Man)