“
Never use the word “cheap”. Today everybody can look chic in inexpensive clothes (the rich buy them too). There is good clothing design on every level today. You can be the chicest thing in the world in a T-shirt and jeans — it’s up to you.
”
”
Karl Lagerfeld
“
A respectable appearance is sufficient to make people more interested in your soul
”
”
Karl Lagerfeld
“
You cannot fake chic but you can be chic and fake fur
”
”
Karl Lagerfeld
“
Fashion does not have to prove that it is serious. It is the proof that intelligent frivolity can be something creative and positive
”
”
Karl Lagerfeld
“
I roll my eyes. 'Are you trying to find some sort of reason that I've become such an asshole? The reason is... I'm an asshole. There are some things in life that can't be explained. Period. Assholes are assholes. Rainbows are pretty. Kittens are cute. Chic flicks are sad. It's the way of things, no explanations.
”
”
Courtney Cole (If You Stay (Beautifully Broken, #1))
“
Logos and branding are so important. In a big part of the world, people cannot read French or English--but are great in remembering signs
”
”
Karl Lagerfeld
“
I prefer the retro chic of spending Christmas just like Joseph and Mary did - Traveling arduously back to the place of your birth to be counted, with no guarantee of a bed when you get there.
”
”
Tina Fey (Bossypants)
“
Your worth is you. Your worth is your presence. Your worth is right there. Your worth isn't something you earn. Your worth isn't something you buy. Your worth isn't something you gain through status on popularity or stomach crunches or having a really chic kitchen. Your worth is your existence. You were born with worth, as all babies are, and that worth doesn't disappear simply because you have grown a little older. You are a human, being.
”
”
Matt Haig (The Comfort Book)
“
I wondered what one wore to visit a vampire. The chic red sweater set didn't go so well with my darker hair, and I was afraid it might be construed as a flirtatious invitation to color me bloodier.
”
”
Karen Marie Moning (Darkfever (Fever, #1))
“
Take away religion, take away philosophy, take away the higher aims of art, and you deprive ordinary people of the ways in which they can represent their apartness. Human nature, once something to live up to, becomes something to live down to instead. Biological reductionism nurtures this ‘living down’, which is why people so readily fall for it. It makes cynicism respectable and degeneracy chic. It abolishes our kind, and with it our kindness.
”
”
Roger Scruton (Face of God: The Gifford Lectures)
“
It's chic to be shy.
”
”
Plum Sykes
“
For all her chic thinness, she had an almost breakfast-cereal air of health, a soap-and-lemon cleanness, a rough pink darkening of the cheeks.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
And then: 'Here comes your baby. Sois sage. Sois chic.' He moved slightly away and began talking to the boy next to him. And here my baby came indeed, through all that sunlight, his face flushed and his hair flying, his eyes, unbelievably, like morning stars.
”
”
James Baldwin (Giovanni’s Room)
“
Seth laughed when he saw me.
“Hey,” I said, poking him with my foot, “be nice.”
“I think this is the first time I’ve ever seen you look anything less than…” He paused, playing with word choice. “Well-planned.”
“Why, you silver-tongued romantic devil. That is the look I usually go for. Other women go for sexy or chic or beautiful. But me? Well-planned all the way.”
“You know what I mean. Besides, unplanned isn’t a bad look for you. Not bad at all.”
His voice sounded deliciously low and dangerous, and something ignited between us as we held each other’s eyes.
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
So we liked to speak our minds, but not our hearts. Too bad, because sometimes people needed to hear that. A whole mess of things could have been avoided if we just knew how to say the right thing.
”
”
Mina V. Esguerra (Love Your Frenemies (Chic Manila, #4))
“
Not all shabby is chic, just like not every porn actor is a star.
”
”
Sloane Crosley (How Did You Get This Number: Essays)
“
You read Salinger in Italian? Molto chic’
‘I was told a good way to learn a language was to read translations of books you know by heart’
‘That’s interesting.’
But Isabelle wasn’t at all interested. She had just discovered a new expression. She savoured it amorously. From now on everything that once has been "sublime" – a film, a Worth gown, a Coromandel screen – would be "molto chic". Like those devotees of the increase-your-word-power column in the Reader’s Digest who stake their conversational reputation on the number of times in a single day they find room for "plethora" and "infelicity" and "quintessential", dropping these words the way other people drop names, she hated to let any amusing phrase go once it had caught her fancy.
”
”
Gilbert Adair (The Dreamers)
“
It isn't chic for women to be drunk. Men drunks are more excusable, more easily absolved, but why? It must be thought they have better reasons.
”
”
Margaret Atwood (Cat’s Eye)
“
Chic rarely bothers to leave the Rue De Faubourg Saint-Honore.
”
”
Tyne O'Connell
“
To live well—to live within your means and to avoid the seduction of the material world. That is what I call prospering.
”
”
Jennifer L. Scott (Lessons from Madame Chic: 20 Stylish Secrets I Learned While Living in Paris)
“
I am chic, sleek, and so unique.
”
”
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
“
I prefer the retro chic of spending Christmas just like Mary and Joseph did- traveling arduously back to the place of your birth to be counted, with no guarantee of a bed when you get there. You may end up sleeping on an old wicker couch with a dog licking your face while an Ab Rocket informercial plays in the background. It's a modern-day manger.
”
”
Tina Fey (Bossypants)
“
Sincerity is a Christian virtue, as is honesty about our struggles. But my generation needs to realize that Christianity is more than chic fragility, endless self-revelation, and the coolness that comes with authenticity.
”
”
Kevin DeYoung (Why We're Not Emergent (By Two Guys Who Should Be))
“
Luck is buying a lottery ticket along with your Yoo-hoo and striking it rich. Nothing about my life is lucky- it is all about hard work, it is all uphill struggle.
”
”
Emily Giffin
“
This is not a race. The destination is not important. It is in the journey where all of the critical steps are taken. So enjoy this, my friend. Because life is meant to be celebrated. All of it.
”
”
Jennifer L. Scott (At Home with Madame Chic: Becoming a Connoisseur of Daily Life)
“
Victimhood chic” is in style on both the right and the left today, among both the rich and the poor. In fact, this may be the first time in human history that every single demographic group has felt unfairly victimized simultaneously. And they’re all riding the highs of the moral indignation that comes along with it. Right
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
Rejoice in every aspect of life—big or small. Let nothing pass you by. Appreciate everything—whether it is perceived as good or bad. You have the power to turn any experience into a pleasurable one. Challenge your preconceptions and luxuriate in the simple things of life.
”
”
Jennifer L. Scott (Lessons from Madame Chic: 20 Stylish Secrets I Learned While Living in Paris)
“
We're lucky." He slipped his hand around her waist and splayed it in the small of her back. "Most couples have only one first kiss. We'll have two.
”
”
Christina Dodd (Tongue In Chic (Fortune Hunter, #2))
“
Querer es fácil, lo difícil es quedarse.
”
”
Cherry Chic (Y que te quedes (Sin Mar, #2))
“
Mess with a magical chic and you get some major clean-up when she is pissed!!!
”
”
Mandy M. Roth (Daughter of Darkness (Darkness, #1))
“
I remember thinking that. You were dork chic before dork chic was chic.
”
”
John Green (An Abundance of Katherines)
“
This was how a manang self-destructed, probably. Not with drugs or alcohol, but cholesterol.
”
”
Mina V. Esguerra (That Kind of Guy (Chic Manila, #5))
“
Before I met him, I wondered how I could possibly fit a relationship into my life. My days felt full, of people, things, and concerns, and I wondered what I'd give up to accommodate someone new. Anton made it seem easy. He didn't take me out of my life; instead, he sort of slid into the empty spaces and made himself comfortable.
”
”
Mina V. Esguerra (That Kind of Guy (Chic Manila, #5))
“
Whenever you give up an apartment in New York and move to another city, New York turns into the worst version of itself. Someone I know once wisely said that the expression "It's a nice place to visit, but I wouldn't want to live there" is completely wrong where New York is concerned; the opposite is true. New York is a very livable city. But when you move away and become a vistor, the city seems to turn against you. It's much more expensive (because you need to eat all your meals out and pay for a place to sleep) and much more unfriendly. Things change in New York; things change all the time. You don't mind this when you live here; when you live here, it's part of the caffeinated romance to this city that never sleeps. But when you move away, your experience change as a betrayal. You walk up Third Avenue planning to buy a brownie at a bakery you've always been loyal to, and the bakery's gone. Your dry cleaner move to Florida; your dentist retires; the lady who made the pies on West Fourth Street vanishes; the maitre d' at P.J. Clarke's quits, and you realize you're going to have to start from scratch tipping your way into the heart of the cold, chic young woman now at the down. You've turned your back from only a moment, and suddenly everything's different. You were an insider, a native, a subway traveler, a purveyor of inside tips into the good stuff, and now you're just another frequent flyer, stuck in a taxi on Grand Central Parkway as you wing in and out of La Guardia. Meanwhile, you rad that Manhattan rents are going up, they're climbing higher, they're reached the stratosphere. It seems that the moment you left town, they put a wall around the place, and you will never manage to vault over it and get back into the city again.
”
”
Nora Ephron (I Feel Bad About My Neck, And Other Thoughts on Being a Woman)
“
Likewise, while the men and women were no more naturally attractive than their English counterparts, they dressed with an assurance and attention to detail that would have been considered the height of arrogance in England. Here, maintaining a certain chic was apparently nothing less than a civic duty.
”
”
Kathleen Tessaro (The Perfume Collector)
“
Again from a distance, Sukie was once again struck by her mother's chic and how different things can seem from far away, how there's more than one truth, the faraway truth and the truth close up.
”
”
Delia Ephron (The Girl with the Mermaid Hair)
“
My fingers are blistered and they smell like lighter fluid— like burnt tin foil and rusted silverware. Quick question: Is it still considered heroin chic if I’m actually using heroin? No? Whatever.
”
”
Kris Kidd (I Can't Feel My Face (The Altar Collective Presents...))
“
Blue opened and closed her chilly fists. The top edges of her fingerless gloves were fraying; she’d done a bad job knitting them last year, but they had a certain trashy chic to them. If she hadn’t been so vain, Blue could’ve worn the boring but functional gloves she’d been given for Christmas. But she was vain, so instead she had her fraying fingerless gloves, infinitely cooler though also colder , and no one to see them but Neeve and the dead.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Logic is overrated and superfluous when it comes to love.
”
”
Christina Dodd (Tongue In Chic (Fortune Hunter, #2))
“
Le néo-libéralisme reprend les plus vieilles idées du patronat, sous un message chic et moderne. C'est une "révolution" conservatrice qui veut imposer un retour à une forme de capitalisme sauvage et cynique, qui organise l'insécurité et la précarité, qui se réclame du progrès mais qui glorifie l'archaïque loi du plus fort.
”
”
Pierre Bourdieu
“
My calendar lately is full of work. And you.
”
”
Mina V. Esguerra (My Imaginary Ex (Chic Manila, #1))
“
Back to the present day…
”
”
La'Tonya West (Side Chic 5: Another Ratchet Mess)
“
For everyone knows that a girl cannot live on chicken cordon blue alone.
”
”
Lindsay Eland (Scones and Sensibility)
“
It was all so long ago and Stalin doesn't matter any more. Stalin lost his chic before you were born. Sex is always chic.
”
”
Hilton Kramer
“
So now we just need to figure out what the hell people wear in Montana.” “Brokeback-chic?” I offered.
”
”
R.S. Grey (The Duet)
“
—Quiero comprobar una teoría —dice colocando las manos a ambos lados de mi cabeza. —¿Qué teoría? —pregunto cuando mi nuca toca la pared. —Necesito saber si, cuando te bese, la tierra se moverá tanto como imagino.
”
”
Cherry Chic (Hasta que el mundo vuelva a creer en la magia (Sin mar, #4))
“
Chic, is first, when you don't have to prove you have money, either because you have a lot and it doesn't matter or because you don't have any and it doesn't matter. Chic is not aspirational. Chic is the most impossible thing to define. Luxury is a humorless thing, largely, and when humor happens in luxury it happens involuntarily. Chic is all about humor. Which means chic is about intelligence. And there has to be oddness-- most luxury is conformist, and chic cannot be. Chic must be polite and not incommode others, but within that it can be as weird as it wants.
”
”
Luca Turin
“
I'm here to talk about the men in your life. To talk about the men in my life. I like the dress, by the way. Very boho chic or whatever. I was on my way home, and I wanted to find out if you had a good time at the toga party and also make sure that our plans for Zimbabwe were still on. I see you tried to claw your own eye out; it's edgy.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
You know what I’m gonna do? I’m going to smoke two Marlboro Lights, brush my teeth, pull my hair into a chic/grungy little bun, put on my black shawl and a pair of Lanvin flats, walk down the hall to that smelly girl from Arizona’s room, steal ten Adderall from her stash, come back to my room, and write down all my life’s problems from start to finish.
”
”
Babe Walker (White Girl Problems)
“
The key to having a good day is to eliminate everything from your life that causes you stress.
”
”
La'Tonya West (From Main Chic To Side Chic: The La'Quela Chambers Story)
“
Eckhart Tolle, the new age philosopher, says, “What you do is secondary. How you do it is primary.
”
”
Jennifer L. Scott (Lessons from Madame Chic: 20 Stylish Secrets I Learned While Living in Paris)
“
She imagined herself whirling breathlessly beneath the flashing lights of some impossibly chic Manhattan disco. Suddenly, a hand touches her arm. She turns. ‘Pardon me,’ Mick Jagger says, 'I believe this next dance is mine.
”
”
Francine Pascal (Too Good to be True (Sweet Valley High, #11))
“
Aside from infrequent comments ("Cheer up, love," or "It's not Hallo'ween"), no one wondered why a teenager was dressed up as a chic governess. Sylvie approved of Miri, even at the same time as she was confused by her. "It's a style at least," she said, and took off her rope of pearls and looped them around Miri's neck.
”
”
Helen Oyeyemi (White Is for Witching)
“
I only met her once. She was introduced to me by, of all people, Gertrude Lawrence . . . Stanwyck was gracious and laconic; very tiny; very chic; very controlled. But I met her! I saw the eyes, the lips. Contact was made." —Tennessee Williams
”
”
Victoria Wilson (A Life of Barbara Stanwyck: Steel-True 1907-1940)
“
Next time, just say something. It doesn't have to be the first date. Maybe the third or the fourth. Don't wait a year if you're sure. Certainty is sexy. And owning up to your attraction is sexy, too, and if you do it right and you're not creepy about it, I bet she will respect you for it anyway even if she does not like you back.
”
”
Mina V. Esguerra (That Kind of Guy (Chic Manila, #5))
“
...feel the fierce way desire
tourniquets itself around you and
clings
Clubland South of Market tweak-
chic trannies powder their noses from
bullet-shaped compacts and flick their forked
tongues like switchblades as they burn the night
down bleed day to night to day to
Mission sidewalks where pythons hide
twenty dollar balloons beneath their tongues which
get bartered in smiles quicker than a coke buzz and
tossed out through the cracks
Cottonmouth kisses
camouflage emotions and
strike with a vengeance
when he
wants and she
wants and they
want and I
won't
Genet was right, I suppose
when he wrote "The only way
to avoid the horror of horror is
to give in to it"
it's
the nature of
the economy of the
business it's the
nature of
things...
”
”
Clint Catalyst (Cottonmouth Kisses)
“
She wished she hadn't succumbed to irritation. Because she wanted to know about his inner feelings. She always thought people were like pieces of art glass-- strong enough to handle and use, delicate enough to shatter under a strong blow, and filled with swirls of color that fascinated the eye. But while most people--and most glass--allowed light through, she could discern nothing of Devlin's heart and soul through the smoke and mirrors he held before him.
”
”
Christina Dodd (Tongue In Chic (Fortune Hunter, #2))
“
It has to be in a man's heart to love you, be faithful to you, respect you, and treat you like a queen. If it isn't in his heart, it doesn't matter how good you look, how much you do, how long you've been holding him down, or what your title is. He will view you on the same level as every other woman... ~facts
”
”
La'Tonya West (From Main Chic To Side Chic: The La'Quela Chambers Story)
“
The truth of the matter is, these mundane tasks must be done. There is no getting around them. Almost everyone has to do a task on a daily basis that is less than fun. The key is to find pleasure in the task and to not wish you were doing something else while doing it.
”
”
Jennifer L. Scott (Lessons from Madame Chic: 20 Stylish Secrets I Learned While Living in Paris)
“
Manners are a sensitive awareness of the feelings of others. If you have that awareness, you have good manners'. - Emily Post
”
”
Fiona Ferris (Chic Inspiration: Imaginative ways to live a more magical life)
“
The woman serving me was wearing a white sports bra that looked like it had been mauled by tigers--desert isle chic.
”
”
Dave Eggers (You Shall Know Our Velocity!)
“
I was the sort of beautiful that women knew they could never truly emulate. Men knew they would never even get close to a woman like me.
Ruby was the elegant, aloof sort of beauty. Ruby was cool. Ruby was chic.
But Celia was the sort of beautiful that felt as if you could hold it in your hands, like if you played your cards right, you might just get to marry a girl like Celia St. James.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Eric Harris wanted a prom date. Eric was a senior, about to leave Columbine High School forever. He was not about to be left out of the prime social event of his life. He really wanted a date. Dates were not generally a problem. Eric was a brain, but an uncommon subcategory: cool brain. He smoked, he drank, he dated. He got invited to parties. He got high. He worked his look hard: military chic hair— short and spiked with plenty of product—plus black T-shirts and baggy cargo pants. He blasted hard-core German industrial rock from his Honda. He enjoyed firing off bottle rockets and road-tripping to Wyoming to replenish the stash. He broke the rules, tagged himself with the nickname Reb, but did his homework and earned himself a slew of A’s. He shot cool videos and got them airplay on the closed-circuit system at school. And he got chicks. Lots and lots of chicks. On the ultimate high school scorecard, Eric outscored much of the football team. He was a little charmer. He walked right up to hotties at the mall. He won them over with quick wit, dazzling dimples, and a disarming smile.
”
”
Dave Cullen (Columbine)
“
To cut a long story short, coaching by Charlotte and Mr. Giordano was even worse than I’d expected. That was mainly because they were trying to teach me everything at the same time. While I was struggling to learn the steps of the minuet (rigged out in a hooped skirt with cherry-red stripes, not very chic worn with my school uniform blouse, which was the color of mashed potato), I was also supposed to be learning how greatly the political opinions of the Whigs and the Tories differed, how to hold a fan, and the difference between “Your Highness,” “Your Royal Highness,” “Your Serene Highness,” and even “Your Illustrious Highness.” After only an hour plus seventeen different ways of opening a fan, I had a splitting headache, and I couldn’t tell left from right. My attempt to lighten the atmosphere with a little joke—“Couldn’t we stop for a rest? I’m totally, serenely, illustriously exhausted”—went down like a lead balloon.
“This is not funny,” said Giordano in nasal tones. “Stupid girl.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
You may think that being chic has nothing to do with the most insignificant and mundane moments of the day. Moments like preparing your meals, emptying the dishwasher, and paying bills. But the secret is: those moments aren’t insignificant. Au contraire. They are very significant. That’s right—if you can change your attitude about making the pasta sauce, choosing your clothes for the day, folding the laundry, setting the table, or dealing with the incoming mail, you can completely change your life.
”
”
Jennifer L. Scott (At Home with Madame Chic: Becoming a Connoisseur of Daily Life)
“
The light from her stolen lamp buzzing over her feathery head like a flickering motel sign. Sipping champagne from a wide-mouthed flute. Where does she get it? Never mind. Places. Ava never seems to worry about money. Yet somehow her apartment is like a movie of arty poverty in Paris. Run-down but chicly so.
”
”
Mona Awad (Bunny)
“
In praise of mu husband's hair
A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair.
His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance.
Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
”
”
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
“
there's three ways to look at it. Either (1) it's a massive coincidence that all the girls I ever liked happen to share the same nine letters, or (2) I just happen to think it particularly beautiful name, or (3) I never got over our two-and-a-half-minute relationship."
"I remember thinking that. You were dork chic before dork chic was chic.
”
”
John Green (An Abundance of Katherines)
“
I came today because I realized that if I can't forgive her and love her as she is, then I can't expect anyone to do the same for me.
”
”
Mina V. Esguerra (Love Your Frenemies (Chic Manila, #4))
“
The press in New York has tended to favor New Society in every period, and to take it seriously, if only because it provides "news.
”
”
Tom Wolfe (Radical Chic & Mau-Mauing the Flak Catchers)
“
One time, Kent was filling a pulpit at a small church in a small town. These places scare me, and for good reason. Knox was asleep on my shoulder and Mary was asleep in the car seat. A man walked up to me, not knowing that I was the preacher’s wife, and said: “So, is it chic for white women to adopt black kids these days?” I took a deep breath and stood up to meet his gaze. “Are you a Christian?” I asked him. “Yes, ma’am,” he replied. “Did God save you because it was chic?” We locked eyes until he dropped his head.
”
”
Rosaria Champagne Butterfield (The Secret Thoughts of an Unlikely Convert)
“
They [best dressed women] don’t want to look like their daughters. They want their own individual brand of chic. […] The cut and fit must be exactly right, and they are willing to spend hours in the fitting room to make sure of it. They spend money, too. But if any one of them went broke tomorrow she’d rather choose one perfectly cut expensive dress and make it do for years than buy a dozen cheap ones.
”
”
Joan Crawford (My Way of Life)
“
Liz and Willie were passing a miniature chateau--even in its modified version, it was seven or eight thousand square feet--and Liz said, "I guess I'm a Cincinnati opportunist. In New York, I play the wholesome-midwesterner card, but when I'm back here, I consider myself to be a chic outsider." Even before Willie replied, Liz felt the loneliness of having confided something true in a person who didn't care.
”
”
Curtis Sittenfeld (Eligible: A Modern Retelling of Pride & Prejudice)
“
Goodwill shouldn't be just for men. It should also apply to women and children, and all animals, even the yucky ones like subway rats. I'd even extend the goodwill not just to living creatures but to the dearly departed, and if we include them, we might as well include the undead, those supposedly mythic beings like vampires, and if they're in, then so are elves, fairies, and gnomes. Heck, since we're already being so generous in our big group hug, why not also embrace those supposedly inanimate objects like dolls and stuffed animals (special shout-out to my Ariel mermaid, who presides over the shabby chic flower power pillow on my bed - love you, girl!). I'm sure Santa would agree. Goodwill to all.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Daisies are what boho dreams are made of. They bring to mind sun-soaked wild flower fields, spontaneous wanderings in the country air the simple joys of bundling found blooms and foliage into a worn basket. I can almost smell the sunshine when I look at these happy flowers and feel the urge to wear a flower crown and spin around barefoot! Daisies are the perfect addition to any laid back and rustic decor or shabby chic event!
”
”
Chantal Larocque (Bold & Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home)
“
Do you always wear Malaysian imitations of Brooks Brothers blue oxford button-downs, Mr. Laney?"
Laney had looked down at his shirt, or tried to.
"Malaysia?"
"The stitch-count's dead on, but they still haven't mastered the thread-tension."
"Oh."
"Never mind. A little prototypic nerd chic could actually lend a certain frisson, around here. You could lose the tie, though. Definitely lose the tie. And keep a collection of felt-tipped pens in your pocket. Unchewed, please. Plus one of those fat flat highlighters, in a really nasty fluorescent shade."
"Are you joking?"
"Probably, Mr. Laney. May I call you Colin?"
"Yes."
She never did call him "Colin," then or ever. "You'll find that humor is essential at Slitscan, Laney. A necessary survival tool. You'll find the type that's most viable here is fairly oblique."
"How do you mean, Ms. Torrance?"
"Kathy. I mean difficult to quote effectively in a memo. Or a court of law.
”
”
William Gibson (Idoru (Bridge, #2))
“
Quizás si te lo digo así, al fin te quede claro. Que tú no eres mi plan A, no eres mi primera opción. no encabezas mi lista. Porque no hay más planes, más números, ni siquiera hay lista. Estás tú y nada más. Y si quieres, yo a tu lado.
”
”
Cherry Chic (Y que te quedes (Sin Mar, #2))
“
We're at a dinner party in an apartment on Rue Paul Valéry between Avenue Foch and Avenue Victor Hugo and it's all rather subdued since a small percentage of the invited guests were blown up in the Ritz yesterday. For comfort people went shopping, which is understandable even if they bought things a little too enthusiastically. Tonight it's just wildflowers and white lilies, just W's Paris bureau chief, Donna Karan, Aerin Lauder, Ines de la Fressange and Christian Louboutin, who thinks I snubbed him and maybe I did but maybe I'm past the point of caring. Just Annette Bening and Michael Stipe in a tomato-red wig. Just Tammy on heroin, serene and glassy-eyed, her lips swollen from collagen injections, beeswax balm spread over her mouth, gliding through the party, stopping to listen to Kate Winslet, to Jean Reno, to Polly Walker, to Jacques Grange. Just the smell of shit, floating, its fumes spreading everywhere. Just another conversation with a chic sadist obsessed with origami. Just another armless man waving a stump and whispering excitedly, "Natasha's coming!" Just people tan and back from the Ariel Sands Beach Club in Bermuda, some of them looking reskinned. Just me, making connections based on fear, experiencing vertigo, drinking a Woo-Woo.
”
”
Bret Easton Ellis
“
...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression!
Oh my contemporaries, my dear contemporaries...
Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic...
Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff...
Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!
”
”
Jean Lorrain (Monsieur De Phocas)
“
Creating a home that makes you feel wonderful is a gift you give yourself that echoes through the rest of your life.
A bedroom you love is one in which you want to have an organized, well-cared-for wardrobe, which means less money spent replacing your battered items.
A happy, practical, smartly appointed kitchen is one you actually *want* to cook in, which means much less money spent eating out or ordering in.
A chic and comfortable living room means more entertaining at home and embracing the lost art of dinner parties (always cheaper than doing drinks and a restaurant dinner!).
Even a Zen, candle-filled, clean bathroom is one in which you want to spend time doing home spa treatments instead of feeling like you have to go somewhere expensive to feel beautiful.
If you create a home that is most attuned to your life and somewhere you really enjoy being, everything benefits.
”
”
Chelsea Fagan (The Financial Diet)
“
It was a common complaint amongst the Arts students that their library was in dire need of refurbishment. To call the old building shabby chic was being kind. It didn’t have automated stacks or self-service machines like the Management and Sciences library the other side of campus and the carpets and bookcases looked like they were probably the Victorian originals.
But on days like this one, where the springtime sunshine streamed in through the high windows and set the dust motes dancing, Harriet sincerely felt that those BSc lot could stuff their vending machines and state of the art study pods. The Old Library was clearly suited for those who had poetry in their souls, rather than numbers in their heads.
”
”
Erin Lawless (Little White Lies)
“
Dicen que las heridas sanan con el tiempo. No estoy de acuerdo. Hay heridas que, con el tiempo y las palabras adecuadas, sangran como si acabaran de abrirse.
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Cherry Chic (Cuando acabe el invierno y volvamos a volar (Rose Lake, #2))
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The beautiful rests on the foundations of the necessary, Ralph Waldo Emerson.
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Jennifer L. Scott (Polish Your Poise with Madame Chic: Lessons in Everyday Elegance)
“
Cheap objects resist involvement. We tend to invest less in their purchase, care, and maintenance, and that's part of what makes them so attractive. Cheap clothing lines—sold at discounters such as Target and H & M—are like IKEA emblems of the "cheap chic" where styles fills in for whatever quality goes lacking. There is nothing sinister in this, no deliberate planned obsolescence. These objects are not designed to fall apart, nor are they crafted not to fall apart. In many cases we know this and accept it, and have entered into a sort of compact. Perhaps we don't even want the object to last forever. Such voluntary obsolescence makes craftsmanship beside the point. We have grown to expect and even relish the easy birth and early death of objects.
”
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Ellen Ruppel Shell (Cheap: The High Cost of Discount Culture)
“
How much time, after this realization sank in and spread among consumers (mostly via phone, interestingly), would any micro-econometrist expect to need to pass before high-tech visual videophony was mostly abandoned, then, a return to good old telephoning not only dictated by common consumer sense but actually after a while culturally approved as a kind of chic integrity, not Ludditism but a kind of retrograde transcendence of sci-fi-ish high-tech for its own sake, a transcendence of the vanity and the slavery to high-tech fashion that people view as so unattractive in one another. In other words a return to aural-only telephony became, at the closed curve’s end, a kind of status-symbol of anti-vanity, such that only callers utterly lacking in self-awareness continued to use videophony and Tableaux, to say nothing of masks, and these tacky facsimile-using people became ironic cultural symbols of tacky vain slavery to corporate PR and high-tech novelty, became the Subsidized Era’s tacky equivalents of people with leisure suits, black velvet paintings, sweater-vests for their poodles, electric zirconium jewelry, NoCoat Lin-guaScrapers, and c.
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David Foster Wallace (Infinite Jest)
“
If I didn’t know any better, Wadsworth, my dear,” Thomas said, voice laced with teasing, his typical method of distracting me from my darkness, “I’d believe you were about to perform your own escape act. Am I to be your assistant, then?” He stared down at himself, frowning slightly. “I left my sequined dragon frock coat in London and this one’s a bit plain. It doesn’t particularly scream ‘carnival chic.
”
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Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
“
En fait, au XVème siècle, en Transylvanie, pendant la guerre contre les Ottomans, j'ai vraiment rencontré Vlad l'Empaleur, qui a inspiré le personnage mythique de Dracula, et qui n'a jamais eu les terribles canines que la légende lui attribue. Au contraire, une visite chez le dentiste lui aurait fait le plus grand bien : il avait les dents pourries, et une haleine des plus fétides. Et ce n'était pas un vampire, tout juste un catholique fanatique, doté d'un penchant fétichiste pour la décapitation, qui m'avait proposé une promenade dans sa calèche. J'ai le chic pour attirer les hommes qui sortent de l'ordinaire.
”
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Christopher Pike
“
C'est dans ma neuvième année que j'ai appris le hollandais. A cette époque-là, j'avais un papa, un chic type dans mon genre, qui voulait que ses enfants réussissent dans la vie. Lui n'avait pas beaucoup travaillé à l'école ; ce qui ne l'empêchait pas, tous les étés, de nous acheter à ma sœur Christine et à moi des "cahiers de vacances". Le lundi soir, elle avait déjà fait son cahier jusqu'au jeudi. Moi, je n'ai jamais pu terminer le mien.
”
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Marie-Aude Murail (Le hollandais sans peine)
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The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.
”
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Isabelle Lafleche (J'Adore Paris)
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It's a great idea to analyze how screen time has changed your life and how it alters your behavior. If you don't like what you see, implement changes. Get comfortable again with real human connection and don't give so much power to the screen and what is behind it. Real life is in the present moment, happening right now. We never know how many days we have in front of us. Let's live them fully, not virtually.
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Jennifer L. Scott (Polish Your Poise with Madame Chic: Lessons in Everyday Elegance)
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To do two things at once is to do neither. —Publilius Syrus This is one of my favorite quotes on multitasking and it absolutely pertains to eating. Before I lived in Paris, it was not uncommon to see me eating a meal standing up, perhaps at my kitchen counter, with my cell phone lodged between my ear and my shoulder. Or worse yet, in front of the TV. By the time the meal was over, I wouldn’t have known I had eaten anything at all.
”
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Jennifer L. Scott (Lessons from Madame Chic: 20 Stylish Secrets I Learned While Living in Paris)
“
IRELAND
Spenserian Sonnet
abab, bcbc, cdcd, ee
What is it about the Kelly velvet hillsides and the hoary avocado sea,
The vertical cliffs where the Gulf Stream commences its southern bend,
Slashing like a sculptor gone mad or a rancorous God who’s angry,
Heaving galaxies of lichen shrouded stones for potato farmers to tend,
Where the Famine and the Troubles such haunting aspects lend,
Music and verse ring with such eloquence in their whimsical way,
Let all, who can hear, rejoice as singers’ intonations mend,
Gaelic souls from Sligo and Trinity Green to Cork and Dingle Bay,
Where fiddle, bodhran, tin whistle, and even God, indulge to play,
Ould sod to Beckett, Wilde and Yeats, Heaney and James Joyce,
In this verdant, welcoming land, ‘tis the poet who rules the day.
Where else can one hear a republic croon in so magnificent a voice?
Primal hearts of Celtic chieftains pulse, setting inspiration free,
In genial confines of chic caprice, we’re stirred by synchronicity.
”
”
David B. Lentz (Sonnets from New England: Love Songs)
“
Werewolves had been so rationalized and medicalized by the year 1000 that they became subject to a medieval type of “heroin chic” romanticism in literature, in which they were frequently portrayed as attractive, lonely, suffering, victimized, self-sacrificing, chivalrous heroes in fictional and mythological tales emerging during the Grail romance era. The “chivalrous werewolf” narratives often feature a noble knight or prince who transforms into a werewolf to protect the subject of his romantic love, but while he is a werewolf she betrays him by stealing his transformative device—either a potion, a ring, a belt or his clothes—trapping him forever in his lovelorn werewolf state.25
”
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Peter Vronsky (Sons of Cain: A History of Serial Killers from the Stone Age to the Present)
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I’m a big advocate for not hiding your enthusiasm for things. It seems to me that there is a false stigma around eagerness in our culture of ‘unbothered ambivalence.’ This outlook perpetuates the idea that it’s not cool to ‘want it.’ That people who don’t try hard are fundamentally more chic than people who do. And I wouldn’t know because I have been a lot of things but I’ve never been an expert on ‘chic.’ But I’m the one who’s up here so you have to listen to me when I say this: Never be ashamed of trying. Effortlessness is a myth. The people who wanted it the least were the ones I wanted to date and be friends with in high school. The people who want it most are the people I now hire to work for my company.
”
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Taylor Swift
“
A critic can call any poem 'doggerel.' That is no more than a slur. 'Doggerel' or 'maudlin' or 'sappy' or 'sentimental' is in the ear of the listener. By the by, 'sentimental' is okay as it is defined as 'marked or governed by feeling, sensibility, or emotional idealism.' It is 'sentimentality' that is to be avoided, like the fiddleback spider, being as it is 'the quality or state of being sentimental to excess or in affectation.' Again we are faced with a judgement call and must keep a sharp eye on our outpourings to insure they are not overly gooey.
The intellectual elite probably believe that most of the lyrics songwriters create are 'doggerel' of one kind or another--that is to say 'trivial"......the young songwriter has now been warned about the implacable nature of the enemy. Under a rather large umbrella, preferred twentieth-century taste in art of all kinds has been characterized by a kind of detachment, or sangfroid. It is simply not chic to be carried away in one's emotional reaction to a subject. All serious communication or complaint must be carefully wrapped in a protective coating of irony and/or satire.
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Jimmy Webb (Tunesmith: Inside the Art of Songwriting)
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Well before she became famous — or infamous, depending on where you cast your vote — Loftus's findings on memory distortion were clearly commodifiable. In the 1970s and 1980s she provided assistance to defense attorneys eager to prove to juries that eyewitness accounts are not the same as camcorders. "I've helped a lot of people," she says. Some of those people: the Hillside Strangler, the Menendez brothers, Oliver North, Ted Bundy. "Ted Bundy?" I ask, when she tells this to me. Loftus laughs. "This was before we knew he was Bundy. He hadn't been accused of murder yet." "How can you be so confident the people you're representing are really innocent?" I ask. She doesn't directly answer. She says, "In court, I go by the evidence.... Outside of court, I'm human and entitled to my human feelings. "What, I wonder are her human feelings about the letter from a child-abuse survivor who wrote, "Let me tell you what false memory syndrome does to people like me, as if you care. It makes us into liars. False memory syndrome is so much more chic than child abuse.... But there are children who tonight while you sleep are being raped, and beaten. These children may never tell because 'no one will believe them.'" "Plenty of "Plenty of people will believe them," says Loftus. Pshaw! She has a raucous laugh and a voice with a bit of wheedle in it. She is strange, I think, a little loose inside. She veers between the professional and the personal with an alarming alacrity," she could easily have been talking about herself.
”
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Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
“
Rolf Ekeus came round to my apartment one day and showed me the name of the Iraqi diplomat who had visited the little West African country of Niger: a statelet famous only for its production of yellowcake uranium. The name was Wissam Zahawi. He was the brother of my louche gay part-Kurdish friend, the by-now late Mazen. He was also, or had been at the time of his trip to Niger, Saddam Hussein's ambassador to the Vatican. I expressed incomprehension. What was an envoy to the Holy See doing in Niger? Obviously he was not taking a vacation. Rolf then explained two things to me. The first was that Wissam Zahawi had, when Rolf was at the United Nations, been one of Saddam Hussein's chief envoys for discussions on nuclear matters (this at a time when the Iraqis had functioning reactors). The second was that, during the period of sanctions that followed the Kuwait war, no Western European country had full diplomatic relations with Baghdad. TheVatican was the sole exception, so it was sent a very senior Iraqi envoy to act as a listening post. And this man, a specialist in nuclear matters, had made a discreet side trip to Niger. This was to suggest exactly what most right-thinking people were convinced was not the case: namely that British intelligence was on to something when it said that Saddam had not ceased seeking nuclear materials in Africa.
I published a few columns on this, drawing at one point an angry email from Ambassador Zahawi that very satisfyingly blustered and bluffed on what he'd really been up to. I also received—this is what sometimes makes journalism worthwhile—a letter from a BBC correspondent named Gordon Correa who had been writing a book about A.Q. Khan. This was the Pakistani proprietor of the nuclear black market that had supplied fissile material to Libya, North Korea, very probably to Syria, and was open for business with any member of the 'rogue states' club. (Saddam's people, we already knew for sure, had been meeting North Korean missile salesmen in Damascus until just before the invasion, when Kim Jong Il's mercenary bargainers took fright and went home.) It turned out, said the highly interested Mr. Correa, that his man Khan had also been in Niger, and at about the same time that Zahawi had. The likelihood of the senior Iraqi diplomat in Europe and the senior Pakistani nuclear black-marketeer both choosing an off-season holiday in chic little uranium-rich Niger… well, you have to admit that it makes an affecting picture. But you must be ready to credit something as ridiculous as that if your touching belief is that Saddam Hussein was already 'contained,' and that Mr. Bush and Mr. Blair were acting on panic reports, fabricated in turn by self-interested provocateurs.
”
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Christopher Hitchens (Hitch 22: A Memoir)
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Consumption was understood as a manner of appearing, and that appearance became a staple of nineteenth-century manners. It became rude to eat heartily. It was glamorous to look sickly. “Chopin was tubercular at a time when good health was not chic,” Camille Saint-Saëns wrote in 1913. “It was fashionable to be pale and drained; Princess Belgiojoso strolled along the boulevards … pale as death in person.” Saint-Saëns was right to connect an artist, Chopin, with the most celebrated femme fatale of the period, who did a great deal to popularize the tubercular look. The TB-influenced idea of the body was a new model for aristocratic looks—at a moment when aristocracy stops being a matter of power, and starts being mainly a matter of image. (“One can never be too rich. One can never be too thin,” the Duchess of Windsor once said.) Indeed, the romanticizing of TB is the first widespread example of that distinctively modern activity, promoting the self as an image. The tubercular look had to be considered attractive once it came to be considered a mark of distinction, of breeding. “I cough continually!” Marie Bashkirtsev wrote in the once widely read Journal, which was published, after her death at twenty-four, in 1887. “But for a wonder, far from making me look ugly, this gives me an air of languor that is very becoming.” What was once the fashion for aristocratic femmes fatales and aspiring young artists became, eventually, the province of fashion as such. Twentieth-century women’s fashions (with their cult of thinness) are the last stronghold of the metaphors associated with the romanticizing of TB in the late eighteenth and early nineteenth centuries.
”
”
Susan Sontag (Illness as Metaphor and AIDS and Its Metaphors)
“
The responsibility/fault fallacy allows people to pass off the responsibility for solving their problems to others. This ability to alleviate responsibility through blame gives people a temporary high and a feeling of moral righteousness. Unfortunately, one side effect of the Internet and social media is that it’s become easier than ever to push responsibility—for even the tiniest of infractions—onto some other group or person. In fact, this kind of public blame/shame game has become popular; in certain crowds it’s even seen as “cool.” The public sharing of “injustices” garners far more attention and emotional outpouring than most other events on social media, rewarding people who are able to perpetually feel victimized with ever-growing amounts of attention and sympathy. “Victimhood chic” is in style on both the right and the left today, among both the rich and the poor. In fact, this may be the first time in human history that every single demographic group has felt unfairly victimized simultaneously. And they’re all riding the highs of the moral indignation that comes along with it. Right now, anyone who is offended about anything—whether it’s the fact that a book about racism was assigned in a university class, or that Christmas trees were banned at the local mall, or the fact that taxes were raised half a percent on investment funds—feels as though they’re being oppressed in some way and therefore deserve to be outraged and to have a certain amount of attention. The current media environment both encourages and perpetuates these reactions because, after all, it’s good for business. The writer and media commentator Ryan Holiday refers to this as “outrage porn”: rather than report on real stories and real issues, the media find it much easier (and more profitable) to find something mildly offensive, broadcast it to a wide audience, generate outrage, and then broadcast that outrage back across the population in a way that outrages yet another part of the population. This triggers a kind of echo of bullshit pinging back and forth between two imaginary sides, meanwhile distracting everyone from real societal problems. It’s no wonder we’re more politically polarized than ever before. The biggest problem with victimhood chic is that it sucks attention away from actual victims. It’s like the boy who cried wolf. The more people there are who proclaim themselves victims over tiny infractions, the harder it becomes to see who the real victims actually are. People get addicted to feeling offended all the time because it gives them a high; being self-righteous and morally superior feels good. As political cartoonist Tim Kreider put it in a New York Times op-ed: “Outrage is like a lot of other things that feel good but over time devour us from the inside out. And it’s even more insidious than most vices because we don’t even consciously acknowledge that it’s a pleasure.” But
”
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Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history.
I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad,
which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list.
But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk.
The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even
though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield.
This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.
”
”
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)