Chestnut Man Quotes

We've searched our database for all the quotes and captions related to Chestnut Man. Here they are! All 100 of them:

grief is love made homeless,
Søren Sveistrup (The Chestnut Man)
The first of many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man's hands after hours spent in a wood shop.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
The story of the young woman whose death I witnessed in a concentration camp. It is a simple story. There is little to tell and it may sound as if I had invented it; but to me it seems like a poem. This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. "I am grateful that fate has hit me so hard," she told me. "In my former life I was spoiled and did not take spiritual accomplishments seriously." Pointing through the window of the hut, she said, "This tree here is the only friend I have in my loneliness." Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms. "I often talk to this tree," she said to me. I was startled and didn't quite know how to take her words. Was she delirious? Did she have occasional hallucinations? Anxiously I asked her if the tree replied. "Yes." What did it say to her? She answered, "It said to me, 'I am here-I am here-I am life, eternal life.
Viktor E. Frankl (Man’s Search for Meaning)
I must have a stupid smile on my face as I stare back at him because I feel an elbow nudge against mine. “It’s nice to see someone looking at Cade like that. Defending him like that,” Jasper says. “Like they can see him for who he is rather than the man circumstances forced him to become.
Elsie Silver (Heartless (Chestnut Springs, #2))
She'd been swallowed up in her own pain for so many years that she didn't notice his until it was too late.
Søren Sveistrup (The Chestnut Man)
Hess had long thought of death with indifference. Not because he hated life, but because existence was painful.
Søren Sveistrup (The Chestnut Man)
On first impressions, John seemed more cynical and brash than the others, Ringo the most endearing, Paul was cute, and George, with velvet brown eyes and dark chestnut hair, was the best-looking man I'd ever seen. At the break for lunch I found myself sitting next to him, whether by accident or design I have never been sure. We were both shy and spoke hardly a word to each other, but being close to him was electrifying.
Pattie Boyd (Wonderful Tonight)
You can’t marry an ungenerous man; there’s no joy in his soul.
Maeve Binchy (Chestnut Street)
That night we were reckless. But god, I’d be reckless with you over and over again if it means ending up here.” ‘That sentiment. This man. It’s like there was something missing inside me. Like I wasn’t whole, until he came along.
Elsie Silver (Reckless (Chestnut Springs, #4))
The ripe, the golden month has come again, and in Virginia the chinkapins are falling. Frost sharps the middle music of the seasons, and all things living on the earth turn home again... the fields are cut, the granaries are full, the bins are loaded to the brim with fatness, and from the cider-press the rich brown oozings of the York Imperials run. The bee bores to the belly of the grape, the fly gets old and fat and blue, he buzzes loud, crawls slow, creeps heavily to death on sill and ceiling, the sun goes down in blood and pollen across the bronzed and mown fields of the old October.
Thomas Wolfe (Of Time and the River: A Legend of Man's Hunger in His Youth)
It was one of those golden autumn afternoons and there were blackberries and splashes of old man's beard in the hedges, and the hawthorn berries were ripening scarlet for the birds when the cold winter came along. There were tall trees here and there on either side, oak and sycamore and ash and occasionally a sweet chestnut.
Roald Dahl (Matilda)
To be alone—the eternal refrain of life. It wasn’t better or worse than anything else. One talked too much about it. One was always and never alone. A violin, suddenly—somewhere out of a twilight—in a garden on the hills around Budapest. The heavy scent of chestnuts. The wind. And dreams crouched on one’s shoulders like young owls, their eyes becoming lighter in the dusk. A night that never became night. The hour when all women were beautiful.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
But what I saw that night was a man who’d burn everything down to defend you. I saw a man who’d risk it all to take care of you.
Elsie Silver (Flawless (Chestnut Springs, #1))
But that man wears his love for you on his sleeve for the entire world to see. And he doesn’t give a shit who sees it. He’d scream it from the mountain tops if you asked him to.
Elsie Silver (Flawless (Chestnut Springs, #1))
RELISH! What a special name for the minced pickle sweetly crushed in its white-capped jar. The man who had named it, what a man he must have been. Roaring, stamping around, he must have tromped the joys of the world and jammed them in this jar and writ in a big hand, shouting, RELISH! For its very sound meant rolling in sweet fields with roistering chestnut mares, mouths bearded with grass, plunging your head fathoms deep in trough water so the sea poured cavernously through your head. RELISH!
Ray Bradbury
I am not responsible for the successful working of the machinery of society. I am not the son of the engineer. I perceive that, when an acorn and a chestnut fall side by side, the one does not remain inert to make way for the other, but both obey their own laws, and spring and grow and flourish as best they can, till one, perchance, overshadows and destroys the other. If a plant cannot live according to nature, it dies; and so a man.
Henry David Thoreau (Civil Disobedience)
For a man who’s never been huge on chatting, he sure has a lot to say once my clothes come off.
Elsie Silver (Flawless (Chestnut Springs, #1))
THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place. Above long clouds, the skies Turn to a brilliant red And show in the water's face One living, and not these dead." — Anthony Thwaite, from The Owl In The Tree
Anthony Thwaite
Rhett stares at me like no man has before in my life. And for all the times I couldn’t decipher his look and thought he was glaring at me with irritation, or frustration, or distaste . . . I realize I was wrong. He’s staring at me like he wants me. Really wants me. Like he aches for me. Like he might melt, just for me.
Elsie Silver (Flawless (Chestnut Springs, #1))
It goes something like this: I am one person among 6.5 billion people on Earth at the moment. That's one person among 6,500,000,000 people. That'a lot of Wembley Stadiums full of people, and even more double-decker buses (apparently the standard British measurements for size). And we live on an Earth that is spinning at 67,000 miles an hour through space around a sun that is the centre of our solar system (and our solar system is spinning around the centre of the Milky Way at 530,000 mph). Just our solar system (which is a tiny speck within the entire universe) is very big indeed. If Earth was a peppercorn and Jupiter was a chestnut (the standard American measurements), you'd have to place them 100 metres apart to get a sense of the real distance between us. And this universe is only one of many. In fact, the chances are that there are many, many more populated Earths - just like ours - in other universes. And that's just space. Have a look at time, too. If you're in for a good run, you may spend 85 years on this Earth. Man has been around for 100,000 years, so you're going to spend just 0.00085 percent of man's history living on this Earth. And Man's stay on Earth has been very short in the context of the life of the Earth (which is 4.5 billion years old): if the Earth had been around for the equivalent of a day (with the Big Bang kicking it all off at midnight), humans didn't turn up until 11.59.58 p.m. That means we've only been around for the last two seconds. A lifetime is gone in a flash. There are relatively few people on this Earth that were here 100 years ago. Just as you'll be gone (relatively) soon. So, with just the briefest look at the spatial and temporal context of our lives, we are utterly insignificant. As the Perspective Machine lifts up so far above the woods that we forget what the word means, we see just one moving light. It is beautiful. A small, gently glowing light. It is a firefly lost somewhere in the cosmos. And a firefly - on Earth - lives for just one night. It glows beautifully, then goes out. And up there so high in our Perspective Machine we realize that our lives are really just like that of the firefly. Except the air is full of 6.5 billion fireflies. They're glowing beautifully for one night. Then they are gone. So, Fuck It, you might as well REALLY glow.
John C. Parkin (F**k It: The Ultimate Spiritual Way)
Knowing that another man in my life didn’t love me quite enough to overcome his own shit stings.
Elsie Silver (Powerless (Chestnut Springs, #3))
Nothing makes a man’s masculinity shrivel up and die for me quite like complaining about a woman exercising her professional independence.
Elsie Silver (Powerless (Chestnut Springs, #3))
(...) a tristeza é um amor que ficou sem casa, e temos de aprender a viver com ela e a seguir em frente.
Søren Sveistrup (The Chestnut Man)
Os mortos não podem fazer sombra aos vivos.
Søren Sveistrup (The Chestnut Man)
Lein on kodutuks jäänud armastus ning inimene peab leinaga koos elama ja sundima end edasi liikuma.
Søren Sveistrup (The Chestnut Man)
Lincoln characterized Stephen Douglas's argument as "a specious and fantastic arrangement of words, by which a man can prove a horse chestnut to be a chestnut horse.
Abraham Lincoln
Mine.” His growl is downright feral as he explodes inside of me, hands tracing my back reverently. A man of such dichotomies. Hard words laced with love. Rough hands filled with tenderness.
Elsie Silver (Heartless (Chestnut Springs, #2))
No, Princess. Watching you get jealous over me is victory enough for a simple man like me. Never knew I’d like that so much. You are downright adorable, all pink cheeked and worked up like this.
Elsie Silver (Flawless (Chestnut Springs, #1))
CHAPTER I Late one brilliant April afternoon Professor Lucius Wilson stood at the head of Chestnut Street, looking about him with the pleased air of a man of taste who does not very often get to Boston.
Willa Cather (Alexander's Bridge)
I restrained the urge to slam my door. On the right stood a teenage guy with thick chestnut hair, chocolatey brown eyes, and the kind of perfectly square jaw I thought only existed on models. He wore khaki pants and a white shirt - classic preppy gear, though on him it looked incredibly hot. The man on the left had black hair with wings of pure white at the temples, and unbelievable blue eyes the color of the Caribbean. Not that I've ever seen the Caribbean, but I swear you could have cut and pasted his eyes right into an ad for the Bahamas. Meanwhile, I looked like I didn't know how to operate a washing machine. My shorts had a glob of strawberry jelly on them from breakfast, my wrinkled gray T-shirt looked like it had been slept in (which it had), and my Seattle Mariners baseball hat had a dark ring around the brim. Grandma practically winced as her gaze traveled up and down my outfit. Her taste runs toward matching velour tracksuits, so I don't usually worry about her opinion much. Still, this time I think she was right.
Inara Scott (The Candidates (Delcroix Academy, #1))
Any boy or man who has loved understands the force found in those three ordinary letters that form the idea—she. Theo loved the idea of she. Lora Landis became his new destination. It would take a man to sail to her distant blue. Now, he bore the compass. Later, when they first held each other, breast to breast, she bent toward him, her chestnut hair brushing his cheek, leaving it aflame. Wing to wing. Fire to fire. She.
Steven James Taylor
My last moment and she would never know what she is to me. How much she is to me. That she’s it for me. And that’s just fucking insane. Like a waste. Like for a man who knows loss so intimately, why would I ever set myself up to lose something so precious?
Elsie Silver (Powerless (Chestnut Springs, #3))
It was like this: you were happy, then you were sad, then happy again, then not. It went on. You were innocent or you were guilty. Actions were taken, or not. At times you spoke, at other times you were silent. Mostly, it seems you were silent—what could you say? Now it is almost over. Like a lover, your life bends down and kisses your life. It does this not in forgiveness— between you, there is nothing to forgive— but with the simple nod of a baker at the moment he sees the bread is finished with transformation. Eating, too, is a thing now only for others. It doesn't matter what they will make of you or your days: they will be wrong, they will miss the wrong woman, miss the wrong man, all the stories they tell will be tales of their own invention. Your story was this: you were happy, then you were sad, you slept, you awakened. Sometimes you ate roasted chestnuts, sometimes persimmons.
Jane Hirshfield (After)
Gifford Dudley was unfairly handsome: impressively tall and well shaped around the neck and shoulders, with glossy chestnut hair tied into a short ponytail, and expressive brown eyes. And his nose. His nose. It was perfectly shaped: not too long or short, not too plump or skinny, and even the pores were discreet. There was no trace of the Dudley Nose Curse. Praise all the gods and saints, Lord Gifford Dudley may have had an unfortunate name, but he did not have the nose. She wanted to sing. She wanted to spin around to where Edward was taking a seat in the front and tell him all about Gifford's perfect nose. It was a miracle. A marvel. A wonder. A relief. After all, she would be expected to kiss this man by the end of the ceremony, and the last thing she needed was to lose an eye.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
I mean, there’s really only one question, Jasper.” He sips his coffee and leaves me hanging. Old man has to get his kicks somehow. Dick. “What’s the question?” He shrugs like it’s the most obvious thing in the world. “Would you make that gamble?” “Over and over again.
Elsie Silver (Powerless (Chestnut Springs, #3))
The woman was plodding laboriously forward, bent beneath the weight of an enormous sack of chestnuts, while her husband sauntered along with only a rifle in his hand, and another slung over his shoulder; for it is unbecoming for a man to carry any burden but his weapons.
Prosper Mérimée (Carmen and Other Stories)
Cayenne, marjoram, cinnamon." The names of lost and fabulous cities through which storms of spice bloomed up and dusted away. He tossed the cloves that had traveled from some dark continent where once they had spilled on milk marble, jack-stones for children with licorice hands. And looking at one single label on a jar, he felt himself gone round the calendar to that private day this summer when he had looked at the circling world and found himself at its center. The word on the jar was RELISH. And he was glad he had decided to live. RELISH! What a special name for the minced pickle sweetly crushed in its white-capped jar. The man who had named it, what a man he must have been. Roaring, stamping around, he must have tromped the joys of the world and jammed the in this jar and writ in a big hand, shouting, RELISH! For its very sound meant rolling in sweet fields with roistering chestnut mares, mouths bearded with grass, plunging your head fathoms deep in trough water so the sea poured cavernously through your head. RELISH!
Ray Bradbury (Dandelion Wine)
He is nothing like any man I’ve been with. And that’s a blessing.
Elsie Silver (Flawless (Chestnut Springs, #1))
grief is love made homeless, that one needs to live with grief and force oneself on.
Søren Sveistrup (The Chestnut Man)
something about a man who is damn good at what he does that holds an appeal for me. Every step is sure. Practiced. Full of confidence.
Elsie Silver (Flawless (Chestnut Springs, #1))
I want a man who smells like leather, looks like a glass of bourbon, and who calls me princess while drawing on my back.
Elsie Silver (Flawless (Chestnut Springs, #1))
The dark clouds scatter, and Bekker thinks he might find a way to make the time pass after all.
Søren Sveistrup (The Chestnut Man)
the last thing you need in your life is another man telling you what to do.
Elsie Silver (Powerless (Chestnut Springs, #3))
There’s something about a man who is damn good at what he does that holds an appeal for me. Every step is sure. Practiced. Full of confidence.
Elsie Silver (Flawless (Chestnut Springs, #1))
- Ninguém sabe. Talvez esteja apenas perdida. Às vezes as pessoas perdem-se e têm dificuldade em encontrar o caminho de casa. Mas, se ela estiver perdida, vamos encontrá-la.
Søren Sveistrup (The Chestnut Man)
But I understand the body’s inner workings, so I should know better. This isn’t heartburn. It’s just me thawing out for the man lying in my daughter’s crib.
Elsie Silver (Reckless (Chestnut Springs, #4))
Listen, if you’re not comfortable, I can leave. I don’t want to barge in here and demand time you aren’t ready to give. This must be weird for you.” For me. That’s the final straw. Tears build in a way that is impossible to stop. All my life, not a single person has prioritized how things might feel for me. And here is this man I barely know, prioritizing me.
Elsie Silver (Reckless (Chestnut Springs, #4))
Mr. Hungerton, her father, really was the most tactless person upon earth,—a fluffy, feathery, untidy cockatoo of a man, perfectly good-natured, but absolutely centered upon his own silly self. If anything could have driven me from Gladys, it would have been the thought of such a father-in-law. I am convinced that he really believed in his heart that I came round to the Chestnuts three days a week for the pleasure of his company, and very especially to hear his views upon bimetallism, a subject upon which he was by way of being an authority.
Arthur Conan Doyle (The Lost World)
Tack filled my vision. I held my breath at the look in his eyes. Yes, very dangerous hot guy. “I underestimated the situation. This is my fuckup. We’ll get them, chestnut, then we’ll get them,” his gravelly voice promised. I held his eyes, and my voice vibrated when I whispered, “Yes. Please. Get them.” I understood him. He understood me. He nodded. Then he was gone.
Kristen Ashley (Law Man (Dream Man, #3))
New Season No coats today. Buds bulge on chestnut trees, And on the doorstep of a big, old house A young man stands and plays his flute. I watch the silver notes fly up And circle in the blue sky above the traffic, Travelling where they will. And suddenly this paving-stone Midway between my front door and the bus stop Is a starting point. From here I can go anywhere I choose.
Wendy Cope (Serious Concerns)
(...) É uma coisa pequena, mas é importante. Os mortos não podem fazer sombra aos vivos. Foi o que lhe disseram os psicólogos e terapeutas, e todas as fibras do seu corpo lhe dizem que eles têm razão.
Søren Sveistrup (The Chestnut Man)
Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker's shelves, written in every small loaf of his scanty stock of bad bread; at the sausage-shop, in every dead-dog preparation that was offered for sale. Hunger rattled its dry bones among the roasting chestnuts in the turned cylinder; Hunger was shred into atomics in every farthing porringer of husky chips of potato, fried with some reluctant drops of oil.
Charles Dickens (A Tale of Two Cities)
I’m not stupid. I know things are strained between you and Rhett after that explosion. But I also know that men don’t look at a woman the way he looks at you unless they’re out of their goddamn mind for that person. I know you’re so accustomed to pleasing everyone that you give and give until you have nothing left to give. Rhett might be a little rough around the edges, but maybe you smooth him out and he scuffs you up. I don’t know. Only you can make these decisions. But what I saw that night was a man who’d burn everything down to defend you. I saw a man who’d risk it all to take care of you.
Elsie Silver (Flawless (Chestnut Springs, #1))
This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. “I am grateful that fate has hit me so hard,” she told me. “In my former life I was spoiled and did not take spiritual accomplishments seriously.” Pointing through the window of the hut, she said, “This tree here is the only friend I have in my loneliness.” Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms. “I often talk to this tree,” she said to me. I was startled and didn’t quite know how to take her words. Was she delirious? Did she have occasional hallucinations? Anxiously I asked her if the tree replied. “Yes.” What did it say to her? She answered, “It said to me, ‘I am here—I am here—I am life, eternal life.
Viktor E. Frankl (Man's Search for Meaning)
When are you going to grow out the ‘stache and go full Old Man Eaton?” He glares at me before he drops the post and lines up the pointed end with the spot he wants. “Dunno. When you cutting your hair, Rapunzel?
Elsie Silver (Flawless (Chestnut Springs, #1))
This man, who mere months ago seemed so cold and unhappy, has turned my world upside down and made me value my life differently. In a simpler way, a quieter way. A way that fits me rather than everyone else around me.
Elsie Silver (Heartless (Chestnut Springs, #2))
For nothing, as I now see it, equals the value of life - not the wealth they say prosperous Ilium possessed in earlier days, when there was peace, before the coming of the Greeks, nor all the treasure pilled up behind the stone threshold of Phoebus Apollo in rocky Delphi. Cattle and fat sheep can be lifted. Tripods and chestnut horses can be procured. But you cannot lift or procure a man's life, when once the breath has left his lips.
Homer (Homer's Iliad: Books Ix., Xviii., With Notes, and a Paper, by G.B. Wheeler)
Meh. Every time I think I’ve met someone, they either end up boring me to death or just wanting to tell me what to do.” I laugh. “Godspeed to the man who tries to tell Willa Grant what to do.” “Amen,” is my friend’s solemn reply.
Elsie Silver (Flawless (Chestnut Springs, #1))
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
When I was a kid, I used to walk around all day with crab apples in my cheeks. One in each cheek.” I threw the book down. It was impossible to read anything with a guy like Orr around you. “Why?” I finally asked. “Because they’re better than horse chestnuts,” he answered with a twinge of triumph in his voice. “Why’d you walk around with crab apples in your cheeks? That’s what I asked,” I said, glaring at him. He didn’t notice, of course. He was still pacing around the room. “When I couldn’t get crab apples, I used horse chestnuts. They’re about the same size and actually have a better shape, though the shape don’t matter much. Who belongsa this?” He was holding the hunting knife from the mosquito-net bar by the dead man in our tent. That guy Orr’d pick up anything. I told him it was the dead man’s. So he chucked it backwards, and it landed three inches away from the dead man’s head. If Old Orr had better aim, it probably woulda killed the guy, if he weren’t already dead. “Why did you walk around with anything in your cheeks?” I was losing my patience now. You always lose your patience when you’re talking with a guy like Orr. “I didn’t walk around with anything in my cheeks. I walked around with crab apples in my cheeks, and when I couldn’t get crab apples I used horse chestnuts. In my cheeks. One in each cheek.” “Why?” “Because I wanted…
Joseph Heller (Catch-22)
The man that no one else really sees. I’m not sure why he’s opted to show me that side of himself, but I know I need to handle it with care. I know Rhett is far more sensitive than he lets on. His wounds run deep, and he’s patched them with a public persona and a cocky grin that doesn’t match the soulful man I’ve come to know.
Elsie Silver (Flawless (Chestnut Springs, #1))
Relax, princess. If your prince arrives, I'll vacate. Just keeping you company. Besides, he should know better than to leave a beautiful girl waiting on him; someone else might swoop in and steal his prize." This man is insufferable. "I'm neither a princess nor a prize, nor a girl if you want to be specific about it." "I notice you didn't mind my calling you beautiful." The waitress comes over and asks what he would like. I begin to tell her he isn't staying, but he talks right over me. "The three-wine flight and a slice of the chestnut cream cake, please." Damn his eyes! That was the dessert I was most interested in: layers of chestnut cream, apricot glaze, and dark chocolate ganache.
Stacey Ballis (Wedding Girl)
Here I am, a man in his thirties and no matter what I do, people treat me like I’m a child. Like I’m irresponsible. And worse, they treat me like I’m stupid. And my job is to grin and ignore it because why? Money? That’s how people want to see me? It’s exhausting. All I wanted to do was ride bulls and chase that high that made me feel something.
Elsie Silver (Flawless (Chestnut Springs, #1))
If it was him in those pictures with the monkey, he could look at them every day and think: ‘If I could do this, I could do anything’. No matter what else you came up against, if you could smile and laugh while a monkey did you with chestnuts in a dank concrete basement and somebody took pictures, well, any other situation would be a piece of cake. Even hell. More and more, for the stupid little kid, that was the idea… That if someday you were caught, exposed, and revealed enough, then you’d never be able to hide again. There’d be no difference between your public and your private lives. That if you could acquire enough, accomplish enough, you’d never want to own or do another thing. That if you could eat or sleep enough, you’d never need more. That if enough people loved you, you’d stop needing love. That you could ever be smart enough. That you could someday get enough sex. These all became the little boy’s new goals. The illusions he’d have for the rest of his life. These were all the promises he saw in the fat man’s smile.
Chuck Palahniuk (Choke)
This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. "I am grateful that fate has hit me so hard," she told me. "In my former life I was spoiled and did not take spiritual accomplishments seriously." Pointing through the window of the hut, she said, "This tree here is the only friend I have in my loneliness." Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms. "I often talk to this tree," she said to me. I was startled and didn't quite know how to take her words. Was she delirious? Did she have occasional hallucinations? Anxiously I asked her if the tree replied. "Yes." What did it say to her? She answered, "It said to me, 'I am here - I am here - I am life, eternal life.
Viktor E. Frankl (Man’s Search for Meaning)
Do you know, all this time you preached at me? You told me that even Grendel's mother was actuated by maternal love. You told me ghouls were male. Rodan is male—and asinine. King Kong is male. I could have been a witch, but the Devil is male. Faust is male. The man who dropped the bomb on Hiroshima was male. I was never on the moon. Then there are the birds, with (as Shaw so nobly puts it) the touching poetry of their loves and nestings in which the males sing so well and beautifully and the females sit on the nest, and the baboons who get torn in half (female) by the others (male), and the chimpanzees with their hierarchy (male) written about by professors (male) with their hierarchy, who accept (male) the (male) view of (female) (male). You can see what's happening. At heart I must be gentle, for I never even thought of the praying mantis or the female wasp; but I guess I am just loyal to my own phylum. One might as well dream of being an oak tree. Chestnut tree, great-rooted hermaphrodite.
Joanna Russ (The Female Man)
So . . . fuck you.” My finger pokes him in the center of his rock-hard chest. “And double fuck you for being jealous when you have no right. If I smell like him, you smell like bullshit.” I spin away, but Cade is faster. His hand shoots out and wraps around my arm, stopping me in my tracks. I jolt around to face him, my body drawing into his so naturally. “Keep talking like that and I’m going to fuck the filth right out of your pretty mouth.” I arch a brow at him as goose bumps break out over my body. The air between us sizzles. “Excuse me?” He swipes the back of his hand over his mouth, like he’s pulling away the filter that’s been there all along. “You heard me, Red. You keep barking at me like that and I’m going to put you on your knees, open those strawberry lips, and fuck your face just to shut you up.” My mind whirs. The man before me is not the same man I’ve been living with this past month. This is another version of him. A version he’s hidden. A version I can work with. A version I like.
Elsie Silver (Heartless (Chestnut Springs, #2))
How generous is your mistress,’ said the light, mocking voice of Prince Dmitri Ivanovich Vishnevetsky, ‘who said that as your guest I might hunt where I pleased.’ Half veiled by the blossom, he leaned against the opposite wall: a man strongly made with cleft chin and soft chestnut hair and moustache, and all the arts of a courtier. In his hands was a small Turkish bow; and across the spangled silk of his shirt hung a quiver. He smiled as he ceased speaking, and bending the bow, took aim, lightly, at a fluttering host of birds calling from the cherry tree over his head. The Voevoda smiled. ‘I am more generous still,’ he said, and drew back his arm, the fingers brushing his girdle. A flick of silver, arching through the air, touched Vishnevetsky’s bow with a click, and the Prince made a sound, cut off at once, as he stumbled off-balance, the sliced wood and hemp whipping about him: his arms flung involuntarily apart. Lymond’s knife, its chased hilt gold in the lamplight, lay on the cracked tiles at his feet. Lymond said, ‘I give you both weapon and quarry.
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
Not they indeed," cried Thorpe; "for, as we turned into Broad Street, I saw them—does he not drive a phaeton with bright chestnuts?" "I do not know indeed." "Yes, I know he does; I saw him. You are talking of the man you danced with last night, are not you?" "Yes. "Well, I saw him at that moment turn up the Lansdown Road, driving a smart-looking girl." "Did you indeed?" "Did upon my soul; knew him again directly, and he seemed to have got some very pretty cattle too." "It is very odd! But I suppose they thought it would be too dirty for a walk.
Jane Austen (The Complete Works of Jane Austen (All Novels, Short Stories, Unfinished Works, Juvenilia, Letters, Poems, Prayers, Memoirs and Biographies - Fully Illustrated))
The industrialist dropped me already. And it’s all because of politics. Politics poisons human relationships. I spit on it. The emcee was a Jew, the one on the bike was a Jew, the one who was dancing was a Jew.… So he asks me if I’m Jewish too. My God, I’m not — but I’m thinking: if that’s what he likes, I’ll do him the favor — and I say: “Of course — my father just sprained his ankle at the synagogue last week.” So he says, he should have known, with my curly hair. Of course it’s permed, and naturally straight like a match. So he gets all icy; turns out he’s nationalist with a race, and race is an issue — and he got all hostile — it’s all very difficult. So I did exactly the wrong thing. But I didn’t feel like taking it all back. After all, a man should know in advance whether he likes a woman or not. So stupid! At first they pay you all sorts of compliments and are drooling all over you — and then you tell them: I’m a chestnut! — and their chin drops: oh, you’re a chestnut — yuk, I had no idea. And you are exactly the way you were before, but just one word has supposedly changed you.
Irmgard Keun (The Artificial Silk Girl)
What are you doing?” I ask, brows knitting in confusion. I thought he’d stormed into the bar. “Opening your door for you. Now get out.” My lips tug up and a silent giggle fills me as I realize he’s trying to be gentlemanlike while also being a grumpy dick. And with that, I step out of my SUV, patting the hood on the way past with a quiet, “Sorry.” Because that dick slammed her door way too hard. We don’t look at each other as we walk, but he touches my shoulder gently and gestures me across his body. He moves me to the opposite side of him before taking up position by the road. This man gives me whiplash.
Elsie Silver (Flawless (Chestnut Springs, #1))
Just ignore him.” Theo elbows me and mumbles, “You know he’s trying to throw you off.” “You’re smart for a baby, Theo.” He smiles and elbows me a little harder. His dad, a world-famous bull rider from Brazil, was my mentor, until a bull took him from us. So, I’ve taken Theo under my wing, and I make it my business to see him succeed. To give him all the support his old man gave to me once upon a time. “Ready, old man?” He removes his ear buds and comes to stand in front of me. He pulls me up and then we’re off, walking through the staging area toward the din of the crowd and the flashing lights in the ring.
Elsie Silver (Flawless (Chestnut Springs, #1))
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.
Judith McNaught (Almost Heaven (Sequels, #3))
The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!
Georges Simenon
I’m not stupid. I know things are strained between you and Rhett after that explosion. But I also know that men don’t look at a woman the way he looks at you unless they’re out of their goddamn mind for that person. I know you’re so accustomed to pleasing everyone that you give and give until you have nothing left to give. Rhett might be a little rough around the edges, but maybe you smooth him out and he scuffs you up. I don’t know. Only you can make these decisions. But what I saw that night was a man who’d burn everything down to defend you. I saw a man who’d risk it all to take care of you.” “I don’t need to be taken care of.” “Maybe not. But that man wears his love for you on his sleeve for the entire world to see. And he doesn’t give a shit who sees it. He’d scream it from the mountain tops if you asked him to. It’s written all over him. And you definitely need that.
Elsie Silver (Flawless (Chestnut Springs, #1))
she had dark chestnut hair, a heart-shaped face, large wide eyes, full lips…and appeared about as miserable as he’d ever seen a young woman, a state he suspected had something to do with the older woman at her side. His gaze slid over the matron. Well-rounded with dark hair, she was pretty despite the bloom of youth being gone—or she would be if she weren’t wearing a pursed, dissatisfied expression as she surveyed the activity in the ballroom. Adrian glanced back to the girl. “First season?” he queried, his curiosity piqued. “Yes.” Reg looked amused. “Why is no one dancing with her?” A beauty such as this should have had a full card. “No one dares ask her—and you will not either, if you value your feet.” Adrian’s eyebrows rose, his gaze turning reluctantly from the young woman to the man at his side. “She is blind as a bat and dangerous to boot,” Reg announced, nodding when Adrian looked disbelieving. “Truly, she cannot dance a step without stomping on your toes and falling about. She cannot even walk without bumping into things.” He paused, cocking one eyebrow in response to Adrian’s expression. “I know you do not believe it. I did not either…much to my own folly.” Reginald turned to glare at the girl and continued: “I was warned, but ignored it and took her in to dinner….” He glanced back at Adrian. “I was wearing dark brown trousers that night, unfortunately. She mistook my lap for a table, and set her tea on me. Or rather, she tried to. It overset and…” Reg paused, shifting uncomfortably at the memory. “Damn me if she did not burn my piffle.” Adrian stared at his cousin and then burst into laughter. Reginald looked startled, then smiled wryly. “Yes, laugh. But if I never sire another child—legitimate or not—I shall blame it solely on Lady Clarissa Crambray.” Shaking his head, Adrian laughed even harder, and it felt so good. It had been many years since he’d found anything the least bit funny. But the image of the delicate little flower along the wall mistaking Reg’s lap for a table and oversetting a cup of tea on him was priceless. “What did you do?” he got out at last. Reg shook his head and raised his hands helplessly. “What could I do? I pretended it had not happened, stayed where I was, and tried not to cry with the pain. ‘A gentleman never deigns to notice, or draw attention in any way to, a lady’s public faux pas,’” he quoted dryly, then glanced back at the girl with a sigh. “Truth to tell, I do not think she even realized what she’d done. Rumor has it she can see fine with spectacles, but she is too vain to wear them.” Still smiling, Adrian followed Reg’s gaze to the girl. Carefully taking in her wretched expression, he shook his head. “No. Not vain,” he announced, watching as the older woman beside Lady Clarissa murmured something, stood, and moved away. “Well,” Reg began, but paused when, ignoring him, Adrian moved toward the girl. Shaking his head, he muttered, “I warned you.” -Adrian & Reg
Lynsay Sands (Love Is Blind)
He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.
Hugo
Hi, I’m Bub Richards.” He extended his hand in greeting. I didn’t extend mine back. I was floored that he just plopped down like he was invited. He wasn’t a bad looking man, with soft blue eyes, chestnut wavy hair and baby face, but he had an awful lot of gall. “I’m leaving, nice to meet you, Bub,” I said as I stood up.
Elle Klass
The shepherds will give you milk, cheese, and chestnuts; and you will have nothing to fear from the law or from the dead man’s relatives, except when you have to go down to the town to replenish your ammunition.
Prosper Mérimée (Carmen and Other Stories)
It was like this: you were happy, then you were sad, then happy again, then not. It went on. You were innocent or you were guilty. Actions were taken, or not. At times you spoke, at other times you were silent. Mostly, it seems you were silent - what could you say? Now it is almost over. Like a lover, your life bends down and kisses your life. It does this not in forgiveness- between you, there is nothing to forgive- but with the simple nod of a baker at the moment he sees the bread is finished with transformation. Eating, too, is a thing now only for others. It doesn't matter what they will make of you or your days; they will be wrong, they will miss the wrong woman, miss the wrong man, all the stories they tell will be tales of their own invention. Your story was this: you were happy, then you were sad, you slept, you awakened. Sometimes you ate roasted chestnuts, sometimes persimmons.
Jane Hirshfield (After)
What in Hades were you doing, lady? I almost hit you." Remington rose to confront him, but before he could say a word, Madeline came up like an infuriated wasp. "What was I doing? What were you doing? You almost hit this dog." Her cheeks and the tip of her nose glowed scarlet with fury. Her eyes sparked with brilliant blue. She had a smudge on one cheek and her hat was askew, but that didn't matter, for all the passion she had revealed in the morning's kiss she put into the defense of a mutt she had never before seen. Surly with guilt, the youth said, "It was just a flea-ridden stray." Then her loveliness registered. He jerked to attention, back straight, shoulders back. He stared with avid fascination into her face. "I believe we may have met, although I can't quite remember-" She rampaged on, "Is that the way you were taught? To run over defenseless animals?" Stepping back, Remington folded his arms. This youth didn't stand a chance. Her eyes narrowed. "Wait a minute. I recognize you. You're Lord Mauger!" "Yes, I... I am. Viscount Mauger, humbly at your service." Whipping his hat from his head, the youth bowed, eager to make a belated good impression on the beauty before him. "And you are...?" She wasn't impressed or interested. "I know your mother, and she would box your ears for this." Dull red rose in Mauger's cheeks. "You won't tell her." "Not if you promise to be more careful in the future. I won't be around to rescue the next dog, and I remember what a fine lad you were. You love animals, and you'd feel guilty if you killed one." "You're... you're right." Mauger's pleading eyes looked much like the dog's. "I just bought the chestnut, and came into town, and I wanted to show him off, but that's no excuse..." As Mauger dug his toe into the dirt, Remington realized he was observing a master at work. She had taken the young man from fury, to infatuation, to guilt in one smooth journey, and Mauger adored her for it.
Christina Dodd (One Kiss From You (Switching Places, #2))
Red, don’t marry a man who rolls his eyes at you.” “You roll your eyes at me all the time.” Fuck, I need to stop doing that. She deserves better. “Don’t marry me either.
Elsie Silver (Heartless (Chestnut Springs, #2))
You’re right that I did this once out of obligation. But I’m a thirty-eight-year-old man who has taken years to trust someone again. I’ve had a lot of time to think about where I went wrong. You are not a decision I made lightly. And tying myself to someone I don’t love out of some misplaced sense of duty is not a mistake I plan to make twice.
Elsie Silver (Heartless (Chestnut Springs, #2))
Man spreading.
Elsie Silver (Flawless (Chestnut Springs, #1))
Please, Summer. Make my day. Tell me he’s in time out. Tell me he’s a thirty-two-year-old man with a full-time nanny.
Elsie Silver (Flawless (Chestnut Springs, #1))
I shouldn’t. I really shouldn’t be kissing this man. This client. I definitely should not be kissing him back. But sometimes being responsible is exhausting, especially in the face of someone as irresistible as Rhett Eaton.
Elsie Silver (Flawless (Chestnut Springs, #1))
Beau nods and says a terse, “Okay,” before spinning on his heel and giving me his back, looking every bit the military man he is. Head held high, shoulders perfectly straight. Like he’s some sort of knight in shining armor. One who starts pulling up a stool every Sunday through Tuesday to drink chamomile tea until midnight, so I don’t have to close by myself.
Elsie Silver (Hopeless (Chestnut Springs, #5))
For nothing, as I now see it, equals the value of life - not the wealth they say prosperous ilium possessed in earlier days, when there was peace, before the coming of the Greeks, nor all the treasure piled up behind the stone threshold of Phoebus Apollo in rocky Delphi. Cattle and fat sheep can be lifted. Tripods and chestnut horses can be procured. But you cannot lift or procure a man's life, when once the breath has left his lips.
Achilles (Homer)
Maybe I have a crush on an older man. Again. It’s pretty much part of my personality now. I’ve always had a thing for older men.
Elsie Silver (Heartless (Chestnut Springs, #2))
For however long we kiss, I don’t feel like dirty Bailey Jansen. I feel like a woman kissing a man who wants her. Really wants her. He can’t fake this. No one could fake this. No one is that good.
Elsie Silver (Hopeless (Chestnut Springs, #5))
It’s perfectly natural. Willa is a smoke show. She’d make a priest crumble. And I’m no man of the cloth.
Elsie Silver (Heartless (Chestnut Springs, #2))
It’s okay. Us ladies can have our secrets. We’re not so different, you and I.” My brow quirks at her, and what I want to say is that we could not be more different if we tried. “I recommend enjoying him while you’re here. But don’t hold your breath. That man is as cold as they come. I thought getting pregnant might tie him down. And it did.
Elsie Silver (Heartless (Chestnut Springs, #2))
Now I have to like you too?” He shrugs, a playful grin making his dimples pop. “They’re basically the same thing.” I snort. This man. “They are not the same thing.
Elsie Silver (Reckless (Chestnut Springs, #4))
It’s physical proof he liked me even then. Proof that he isn’t full of shit, like every other man in my life. That he’s thought of me since that night. That Vivi and I aren’t the burden in his life I seem to think we are.
Elsie Silver (Reckless (Chestnut Springs, #4))
And after the man I’ve spent the last several years with, I’m unable to tear my eyes away from the rugged appeal of the man before me.
Elsie Silver (Reckless (Chestnut Springs, #4))
The sweet cooing noise she makes back at him, like she’s an instant goner for this man, makes me want to cry.
Elsie Silver (Reckless (Chestnut Springs, #4))
Because you didn’t just come for me this time, you slimy fucking weasel. You came for my daughter. You came for the man I love. You came for my family. You went too damn far this time.
Elsie Silver (Reckless (Chestnut Springs, #4))
And this is the first man I’ve let myself look at inappropriately. A man who can’t bother to tie his shoes and plays the lotto.
Elsie Silver (Reckless (Chestnut Springs, #4))
all knew what horse he would ride, and when he dropped his rope on "Alazanito," he had not only picked his own mount of twelve, but the top horse of the entire remuda,—a chestnut sorrel, fifteen hands and an inch in height, that drew his first breath on the prairies of Texas. No man who sat him once could ever forget him. Now, when the trail is a lost occupation, and reverie and reminiscence carry the mind back to that day, there are friends and faces that may he forgotten, but there are horses that never will be.
Andy Adams (10 Masterpieces of Western Stories)
real man is pushing a real boner into me. I’ve thought about this nonstop. What I’d do. How it would feel.
Elsie Silver (Hopeless (Chestnut Springs, #5))