β
The wounded recognized the wounded.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
There was nothing like a Saturday - unless it was the Saturday leading up to the last week of school and into summer vacation. That of course was all the Saturdays of your life rolled into one big shiny ball.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
The light of the Christmas star to you. The warmth of home and hearth to you. The cheer and goodwill of friends to you. The hope of a child-like heart to you. The joy of a thousand angels to you. The love of the Son and God's peace to you.
β
β
Sherryl Woods (An O'Brien Family Christmas (Chesapeake Shores, #8))
β
Relationships are never static. They have to evolve over time as the individuals in them change.
β
β
Sherryl Woods (Driftwood Cottage (Chesapeake Shores, #5))
β
Please let me go."
"Anna." He lowered his brow to hers. "Don't ask me to do that, because I don't think I can live without you. Take a chance, roll the dice. Come with me.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Up to this point your life has pretty much sucked. Youβre not responsible for that. But you are responsible for what happens from here on.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
You mess with one Quinn, you mess with them all.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Sometimes itβs all you can do,β he murmured. βFight back; run wild, until you get it all out.β
βSometimes there is nothing to fight and nowhere to run.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You did that on purpose."
"Did what on purpose?"
"Wore the don't-touch suit and the sex goddess perfume at the same time just to drive me crazy."
"Listen to the suit, Quinn. Dream about the perfume.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Isn't that what every woman secretly yearns for?" she said lightly. "to be totally swept off her feet?
β
β
Sherryl Woods (Moonlight Cove (Chesapeake Shores, #6))
β
You donβt want to get in the habit of overusing the word βfuckβ as an adjective. Youβll miss the vast variety of its uses.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
He had realised that most vital of humanities. he had touched lives.
And he had raised three boys that no one had wanted into men.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
She pressed her mouth to his throat, his shoulder, would have absorbed him into her skin if she'd known a way.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Can't choose where you come from, Seth. My boys and you know that better than anyone. But you can choose where you end up, and how you get there.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
She stared at him. "You'd be willing to change your life so dramatically?"
"Ray and Stella Quinn changed my life.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Or is this just what you do? You start to get involved, get scared when the emotions are too much, and then dream up any excuse you can to run? Or to invite the other person to dump you?
β
β
Sherryl Woods (Moonlight Cove (Chesapeake Shores, #6))
β
Experience is a keen teacher; and long before you had mastered your A B C, or knew where the "white sails" of the Chesapeake were bound, you began, I see, to gauge the wretchedness of the slave, not by his hunger and want, not by his lashes and toil, but by the cruel and blighting death which gathers over his soul.
β
β
Frederick Douglass (Narrative of the Life of Frederick Douglass)
β
I can't say I cared much for you when I first came back. There's that crappy attitude of yours, and you're ugly, but you kind of grow on a guy."
Immensely cheered, Seth snickered. "You're uglier."
"I'm bigger, I'm entitled. So I guess I'll hang around to see if you get any prettier as time goes on."
"I didn't really want you to go," Seth said under his breath after a long moment. It was the closest he could get to speaking his heart.
"I know.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You said you survived, Anna, but you didn't. You triumphed. Everything about you is a testament to courage and strength."
When she stared at him, obviously stunned, he smiled a little. "You didn't get either from a social worker or a counselor. They just helped you figure out how to use it. I figure you got it from your mother. She must have been a hell of a woman."
"She was," Anna murmured, near tears again.
"So are you.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
He'd done as he'd pleased and even had often enjoyed long runs of luck where he hadn't been caught. But the luckiest moment of his life had been being caught.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
The outward appearance would never indicate they were brothers. (...) But she could see that at the moment they were as united as triplets in the womb.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Life is too short. Why surround yourself with negative energy when you can be positive?
β
β
Mariah Stewart (On Sunset Beach (Chesapeake Diaries. #8))
β
Donβt mix up who I am and what I am,β she told him quietly. βYou have to be honest with me, or the rest of it means nothing.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
On the mainland of America, the Wampanoags of Massasoit and King Philip had vanished, along with the Chesapeakes, the Chickahominys, and the Potomacs of the great Powhatan confederacy. (Only Pocahontas was remembered.) Scattered or reduced to remnants were the Pequots, Montauks, Nanticokes. Machapungas, Catawbas, Cheraws, Miamis, Hurons, Eries, Mohawks, Senecas, and Mohegans. (Only Uncas was remembered.) Their musical names remained forever fixed on the American land, but their bones were forgotten in a thousand burned villages or lost in forests fast disappearing before the axes of twenty million invaders. Already the once sweet-watered streams, most of which bore Indian names, were clouded with silt and the wastes of man; the very earth was being ravaged and squandered. To the Indians it seemed that these Europeans hated everything in natureβthe living forests and their birds and beasts, the grassy glades, the water, the soil, and the air itself.
β
β
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
β
You should appreciate those things while you have them, but you never do. Not all the way. Too busy living. Now and again, you should try to stop to appreciate the little things. They'll build up if you do.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
It's not an exaggeration to say that they saved my life. Ray Quinn, then Cam and Ethan and Phil. They turned their world around for me, and because of it, turned mine around with it. Anna and Grace and Sybill, Aubrey too. They made a home for me, and nothing that happened before matters nearly as much as everything that came after.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
The kid's driving me bat-shit," Cam complained as he stalked into the kitchen. "You can't say boo to him without him squaring up for a fight."
"Mm-hmm."
"Argumentative, smart-mouthed, troublemaker."
"Must be like looking in a mirror."
"Like hell."
"Don't know what I was thinking of. You're such a peaceable soul.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You belong with us," he said quietly. "Nothing's going to change that.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
God's ways often didn't make sense upon first glance.
β
β
Dani Pettrey (Still Life (Chesapeake Valor, #2))
β
People do stupid, thoughtless things every day, and very often thereβs no understanding why.
β
β
Mariah Stewart (Home Again (Chesapeake Diaries #2))
β
You see, the thing about dreams is that itβs never really too late to make them come true.
β
β
Sherryl Woods (Driftwood Cottage (Chesapeake Shores, #5))
β
Tell me what's the hardest thing about living on a small, marshy island in Chesapeake Bay.
I know that and it didn't take sixty three years to figure it out... Having the gumption to live different and the sense to let everybody else live different. That's the hardest thing, hands down.
β
β
William Least Heat-Moon (Blue Highways)
β
From that original colony sprang seven names that still feature on the landscape: Roanoke (which has the distinction of being the first Indian word borrowed by English settlers), Cape Fear, Cape Hatteras, the Chowan and Neuse Rivers, Chesapeake, and Virginia. (Previously, Virginia had been called Windgancon, meaning "what gay clothes you wear" - apparently what the locals had replied when an early reconnoitering party had asked the place's name.)
β
β
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
β
Phillip look into Ray's eyes. He saw compassion and hope. And he saw himself mirrored back, bleeding in a dirty gutter on a street where life was worth less than a dime bag.
Sick, tired, petrified, Phillip dropped his head into his hands.
"What's the point?"
"You're the point, son." Ray ran his hand over Phillip's hair. "You're the point.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Do I have something on my face?β
Nate shook his head. βNah, I was just wondering what a genuine smile looked like from you. Itβs breathtaking.
β
β
Katherine McIntyre (Stronger Than Hope (Chesapeake Days #1))
β
I want to know why you love me.
Because I don't make sense without you. You're part of me.
β
β
Dani Pettrey (Still Life (Chesapeake Valor, #2))
β
Sometimes, she thought, you had to go with your instincts, with your cravings. At that moment hers, all of hers, centered on him.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Cut it out!" Phillip exploded. "Cut it out right now or I swear I'm going to pull over and knock your heads together. Oh, my God." He took one hand off the wheel to drag it down his face. "I sound like Mom. Forget it. Just forget it. Kill each other. I'll dump the bodies in the mall parking lot and drive to Mexico. I'll learn how to weave mats and sell them on the beach at Cozumel. I'll be quiet, it'll be peaceful. I'll change my name to Raoul, and no one will know I was ever related to a bunch of fools."
Seth scratched his belly and turned to Cam. "Does he always talk like that?"
"Yeah, mostly. Sometimes he's going to be Pierre and live in a garret in Paris, but it's the same thing."
"Weird," was Seth's only comment. (...) Getting new shows was turning into a new adventure.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Education's supposed to be more than learning--leastways that's how we were taught. It's supposed to help build your character and help teach you how to get on in the world. If it tells you that you get booted for doing what you had to do, for standing up for yourself, then something's wrong with the system.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
A ship, like a human being, moves best when it is slightly athwart the wind, when it has to keep its sails tight and attend its course. Ships, like men, do poorly when the wind is directly behind, pushing them sloppily on their way so that no care is required in steering or in the management of sails; the wind seems favorable, for it blows in the direction one is heading, but actually it is destructive because it induces a relaxation in tension and skill. What is needed is a wind slightly opposed to the ship, for then tension can be maintained, and juices can flow and ideas can germinate, for ships, like men, respond to challenge.
β
β
James A. Michener (Chesapeake)
β
He matters to me, too."
"I know he does."
"He didn't." Phillip pulled out his hammer to nail the laps. "Not as much as he did to you. Not enough. It's different now."
"I know that, too." For the next few minutes they worked in tandem, without words. "You stood up for him anyway," Cam added when the plank was in place. "Even when he didn't matter enough."
"I did it for Dad."
"We all did it for Dad. Now we're doing it for Seth.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Within months, Ray Quinn had died, but he'd kept his word. He'd kept it through the three men he'd made his sons. Those men had given the scrawny, suspicious, and scarred young boy a life.
They had given him a home, and made him a man.
Cameron, the edgy, quick-tempered gypsy; Ethan, the patient, steady waterman; Phillip, the elegant, sharp-minded executive. They had stood for him, fought for him. They had saved him.
His brothers.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
I want to come home. Not just for a few days or a couple weeks. I want to stay. Can I stay?"
Cam drew off his sunglasses, and his eyes, smoke-gray, met Seth's. "What the hell's the matter with you that you think you have to ask? You trying to piss me off?"
"I never had to try, nobody does with you. Anyway, I'll pull my weight."
"You always pulled your weight. And we missed seeing your ugly face around here."
And that, Seth thought as they walked to the car, was all the welcome he needed from Cameron Quinn.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
I've got something for you inside me, Anna." He forgot his hands were grimy and laid them on her shoulders. "I haven't used it up yet. This thing with you, it's one of the first times I haven't wanted to rush to the finish line.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
She hoped the Quinns would allow her a few moments alone with Seth, so she could judge for herself, without influence, how he was feeling.
She hoped she could steal a few moments alone with Cam, so she could judge for herself how she was feeling.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
My mother said once that we were all hers already. We just hadn't found each other before.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Flowers, champagne, caviar. Do you usually come so well equipped when you break and enter?"
"Only when I want to apologize and throw myself on the mercy of a beautiful woman.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Everything sheβd ever read about love was true, she discovered. The sun shined brighter, the air smelled fresher. Flowers were more colorful, the songs of birds more musical.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
Many a woman has been fooled by a persuasive man on his best behavior,β Greta said. βSome of them do have good in them. Some are bad right down to the bone.
β
β
Sherryl Woods (Harbor Lights (Chesapeake Shores #3))
β
Much like crossing the Bay Bridge when there is a storm over the Chesapeake, one may be terrified to go forward, but there is no question of going back.
β
β
Kay Redfield Jamison (An Unquiet Mind)
β
Β«Hospital Estatal de Chesapeake para incapacitados legalesΒ».
β
β
Thomas Harris (El dragΓ³n rojo)
β
The Karmic Philharmonic of Chesapeake Bay [10w]
The Philharmonic's evil second violin
reincarnated as a fiddler crab.
β
β
Beryl Dov
β
mainland of America, the Wampanoags of Massasoit and King Philip had vanished, along with the Chesapeakes, the Chickahominys, and the Potomacs of the great Powhatan confederacy. (Only Pocahontas was remembered.) Scattered or reduced to remnants were the Pequots, Montauks, Nanticokes. Machapungas, Catawbas, Cheraws, Miamis, Hurons, Eries, Mohawks, Senecas, and Mohegans. (Only Uncas was remembered.) Their musical names remained forever fixed on the American land, but their bones were forgotten in a thousand burned villages or lost in forests fast disappearing before the axes of twenty million invaders. Already the once sweet-watered streams, most of which bore Indian names, were clouded with silt and the wastes of man; the very earth was being ravaged and squandered. To the Indians it seemed that these Europeans hated everything in natureβthe living forests and their birds and beasts, the grassy glades, the water, the soil, and the air itself.
β
β
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
β
I'm wanting the hell out of you. Day and night."
Her voice was throaty now, dark with need. "I guess that makes it handy, since I want the hell out of you too."
"It doesn't scare you?"
"Nothing about you and me scares me."
"And what if I said I want you to let me do anything I want to you? Everything?"
Her heart fluttered to her throat, but her eyes stayed steady. "I'd say who's stopping you?
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
If you take your time about things, you end up with the best at the end of the day." He buried his face in her hair, wanting the scent and the texture. "Now, I've got the best. Good, solid stoneware.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
Such was the vainglory of a black boy who may have been alone among his race in bondage to have actually read pages from Sir Walter Scott and who knew the product of nine multiplied by nine, the name of the President of the United States, the existence of the continent of Asia, the capital of the state of New Jersey, and could spell words like Deuteronomy, Revelation, Nehemiah, Chesapeake, Southampton, and Shenandoah.
β
β
William Styron (The Confessions of Nat Turner)
β
Wild Peaches"
When the world turns completely upside down
You say weβll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
Weβll live among wild peach trees, miles from town,
Youβll wear a coonskin cap, and I a gown
Homespun, dyed butternutβs dark gold color.
Lost, like your lotus-eating ancestor,
Weβll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winterβs over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbirdβs beak,
We shall live well β we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
Weβll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
Thereβs something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
Thereβs something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossomβs breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
β
β
Elinor Wylie
β
To get a sense of the scale of Earth history, imagine walking back in time, a hundred years per stepβevery pace equal to more than three human generations. A mile takes you 175,000 years into the past. The twenty miles of Chesapeake cliffs, a hard dayβs walk to be sure, correspond to more than 3 million years. But to make even a small dent in Earth history, you would have to keep walking at that rate for many weeks. Twenty days of effort at twenty miles a day and a hundred years per step would take you back 70 million years, to just before the mass death of the dinosaurs. Five months of twenty-mile walks would correspond to more than 530 million years, the time of the Cambrian βexplosionββthe near-simultaneous emergence of myriad hard-shelled animals. But at a hundred years per footstep, youβd have to walk for almost three years to reach the dawn of life, and almost four years to arrive at Earthβs beginnings.
β
β
Robert M. Hazen (The Story of Earth: The First 4.5 Billion Years, from Stardust to Living Planet)
β
I don't want to marry her, I just want to have a nice, civilized dinner with her."
"Then bounce on her," Seth finished.
"Christ. He gets that from you," Philip accused Cam.
"He came that way," Cam wrapped an arm around Seth's neck. "Didn't you, brat?"
The panic didn't come now, as it used to whenever Seth was touched or held. Instead he wriggled and grinned.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Lincoln, who had a personal aversion to blacks and feared they could never be absorbed into a white society, wanted to see them settled somewhere out of the country. He had prudently refrained from liberating those living in important border states like Kentucky and Maryland, whose governments sided with the North; only slaves in states like Alabama and Louisiana were freed.
β
β
James A. Michener (Chesapeake)
β
It was different with Seth," Anna went on. "Right from the first minute, everything about him pulled at me. I couldn't stop it. I tried, but I couldn't. I've thought about that, and I believe, sincerely, that my feelings for him were there, just there, even before I met him. We were meant to be part of each other's lives. He was meant to be part of this family, and this family was meant to be mine.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Eastman Jacob's legendary attempt to launch a car attached to a glider plane using Hampton's Tony Chesapeake Avenue as a runway only confirmed the Hamptonian's feelings that the Good Lord didn't always see fit to give book sense and common sense to the same individual.
β
β
Margot Lee Shetterly
β
Eating dinner with conservation biologists was like walking through a minefield of ethical decisions: grasslands have been overgrazed by steer raised for beef, and all cattle emit greenhouse gases though enteric fermentation; the poop from industrially raised chickens poisons the Chesapeake; the Amazon has been slashed and burned for soy--and don't even mention seafood. To this bunch of herpetologists, the sin of ordering shrimp lay in the bycatch--young fish, and especially sea turtles, caught in the nets and discarded, dead or dying.
β
β
Joe Roman (Listed: Dispatches from Americaβs Endangered Species Act)
β
Scholarships allowed her to study at Woods Hole Biological Laboratory, where she fell in love with the sea, and at Johns Hopkins University, where she was isolated, one of a handful of women in marine biology. She had no mentors and no money to continue in graduate school after completing an M.A. in zoology in 1932. Along the way she worked as a laboratory assistant in the school of public health, where she was lucky enough to receive some training in experimental genetics. As employment opportunities in science dwindled, she began writing articles about the natural history of Chesapeake Bay for the Baltimore Sun. Although these were years of financial and emotional struggle, Carson realized that she did not have to choose between science and writing, that she had the talent to do both. From childhood on, Carson was interested in
β
β
Rachel Carson (Silent Spring)
β
From the earliest days of the nation anyone with an intelligence equal to that of sparrows had realized that the peninsula ought logically to be united as one state, but historical accident had decreed that one portion be assigned to Maryland, whose citizens despised the Eastern Shore and considered it a backwater; one portion to the so-called state of Delaware, which never could find any reasonable justification for its existence; and the final portion to Virginia, which allowed its extreme southern fragment of the Eastern Shore to become the most pitiful orphan in America.
β
β
James A. Michener (Chesapeake)
β
Gaia giveth even as she taketh away.
The warming of the global climate over the past century had melted permafrost and glaciers, shifted rainfall patterns, altered animal migratory routes, disrupted agriculture, drowned cities, and similarly necessitated a thousand thousand adjustments, recalibrations and hasty retreats. But humanity's unintentional experiment with the biosphere had also brought some benefits.
Now we could grow oysters in New England.
Six hundred years ago, oysters flourished as far north as the Hudson. Native Americans had accumulated vast middens of shells on the shores of what would become Manhattan. Then, prior to the industrial age, there was a small climate shift, and oysters vanished from those waters.
Now, however, the tasty bivalves were back, their range extending almost to Maine.
The commercial beds of the Cape Cod Archipelago produced shellfish as good as any from the heyday of Chesapeake Bay. Several large wikis maintained, regulated and harvested these beds, constituting a large share of the local economy.
But as anyone might have predicted, wherever a natural resource existed, sprawling and hard of defense, poachers would be found.
β
β
Paul Di Filippo (Wikiworld)
β
And he chose his subjects with great care: the South Pacific (Tales of the South Pacific, Return to Paradise), Judaism (The Source), South Africa (The Covenant), the West Indies (Caribbean), the American West (Centennial), the Chesapeake Bay (Chesapeake), Texas, Alaska, Spain (Iberia), Mexico, Poland, the Far East.
β
β
James A. Michener (Texas)
β
I was an intruder, at best a visitor, and would be even in my home, in my misremembered history, until the glow of phosphorescence in the Chesapeake I had longed to swim inside again someday became a taunt against my insignificance, a cruel trick of light that had always made me think of stars. No more. I gave up longing, because I was sure that anything seen at such a scale would reveal the universe as cast aside and drowned, and if I ever floated there again, out where the level of the water reached my neck, and my feet lost contact with its muddy bottom, I might realize that to understand the world, one's place in it, is to be always at the risk of drowning.
β
β
Kevin Powers (The Yellow Birds)
β
It wasn't the paramedics or the surgical team that saved my life. It was Ray and Stella Quinn.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
I donβt care what flaws any of you might have. My job is to advise you if you want to hear it, listen when you need to talk, but most of all to love you, no matter what.
β
β
Sherryl Woods (Driftwood Cottage (Chesapeake Shores, #5))
β
Love doesnβt require payment. Camβs right about that. There are no checks and balances here.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
His eyes were anything but friendly, the color of bitter storms.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
When a woman had eyes that big, that brown, that beautiful, she probably got whatever she wanted without saying a word.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Look, pal, he who goes to the store buys what he damn well pleases. Thatβs a new rule around here.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Weβll be okay. Luckβs starting to move in our direction.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Itβs not a matter of jealousy. Itβs a matter of courtesy.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
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He felt as if heβd tumbled off a cliff and fallen hard on his heart. Now his heart was swollen, exposed. And it was hers.
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Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
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There were only two men in her life she had ever really loved. It seemed neither of them could want her as she needed them to want her.
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Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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Fate takes its own sweet time, but it always finds a way.
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Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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When people break your heart, prideβs all youβve got left.
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Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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When people break your heart, prideβs all youβve got left.
And pride, could turn cold and bitter without heart.
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Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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You donβt treat your family like this. Like a goddamn convenience.
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Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
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I think I can shelve the big plans of Netflix, bourbon, and anxiety attacks for a night,β Nate responded.
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Katherine McIntyre (Stronger Than Hope (Chesapeake Days #1))
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Sundays were knowing absolutely nothing had to be done, and countless things could be.
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Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga #4))
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He'd learned quickly enough that when you cooked for a family, everybody was a critic.
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Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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You drank my blood." With one arched brow, Rachel seared Rees with her stare.
"Yes, but only because he commanded it.
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D.A. Rhine (Vampires of the Chesapeake: Rees Morgan (Vampires of the Chesapeake #2))
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it is the people who live in our hearts who make us strong, who give us hope. There may be tears along the way, but in the end without those we love, there can be no true happiness.
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Sherryl Woods (The Summer Garden (Chesapeake Shores #9))
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With Pale Women in Maryland
With pale women in Maryland,
Passing the proud and tragic pastures,
And stupefied with love
And the stupendous burdens of the foreign trees,
As all before us lived, dazed
With overabundant love in the reach of the Chesapeake,
Past the tobacco warehouse, through our dark lives
Like those before, we move to the death we love
With pale women in Maryland.
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Robert Bly (Silence in the Snowy Fields)
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Today's water arguments reflect a growing unease about how to proceed when old certainties are being pushed aside and new options seem limited or unappealing. But the stark warnings implicit in Wisconsin's poisoned wells, the intersex and dying fish of Chesapeake Bay, Lake Mead's recored-low waterline, the decay of levees across the country, and the resource war in Alaska's Bristol Bay, cannot be ignored.
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Alex Prud'Homme (The Ripple Effect: The Fate of Fresh Water in the Twenty-First Century)
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We will make land at Norfolk,' Titch said, as if this was some reassurance.
It meant little to me, of course. Titch explained we would be entering Chesapeake Bay, and would therefore soon be leaving the ship. We would also, however, find ourselves subject to the laws of American freedom. 'Freedom, Wash, is a word with different meanings to different people,' he said, as though I did not know the truth of this better than he.
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Esi Edugyan (Washington Black)
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So how does the United States of America relate to the Chesapeake Bay Watershed Network?β Rhamnetin asked. Right. Awkward questions. Bakkalian smiled sweetly and said, βTechnically, this is U.S. territory. A national park. Weβre sorry we didnβt get here earlier to welcome you properly.β βThe Chesapeake doesnβt claim specific territory,β I said. βWe claim our actions. We take care of everything in the watershed, every place where the river acts.
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Ruthanna Emrys (A Half-Built Garden)
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Cam gave him a halfhearted boot on the top of his head with the heel of one hand. "Why don't you shut
up until I say what I have to say?"
The painless smack and impatient order were more comforting to Seth than a thousand promises.
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Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
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MOST NATIONS HAVE AT ONE TIME OR OTHER BOTH condoned and practiced slavery. Greece and Rome founded their societies on it. India and Japan handled this state of affairs by creating untouchable classes which continue to this day. Arabia clung to formal slavery longer than most, while black countries like Ethiopia and Burundi were notorious. In the New World each colonial power devised a system precisely suited to its peculiar needs and in conformance with its national customs. The
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James A. Michener (Chesapeake)
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How do you feel about me?"
"Tired of you!" she shouted. "Tired of me, tired of us. Sick and tired of telling myself fun and games
could be enough. Well, it's not. Not nearly, and I want you out"
He felt the temper and panic that had gripped him ease back into delight. "You're in love with me, aren't
you?"
He'd never seen a woman go from simmer to boil so fast. And seeing it, he wondered why it had taken
him so long to realize he adored her. She whirled, grabbed a lamp, and hurled it.
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Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
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Katie was a starlit night filled with the bursts of fireflies. She was the pummel and front of a waterfall booming in his ears, the surge of a plane netting into the bright blue sky, pressing him back against the seat, his chest tightening with excitement.
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Dani Pettrey (Dead Drift (Chesapeake Valor, #4))
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A BASIC TENET OF QUAKERISM WAS THAT IF A MAN or woman tended the divine fire that burned within each human breast, one could establish direct relationship to God without the intercession of priest or rabbi. Songs and shouted prayers were not necessary to attract Godβs attention, for He dwelt within and could be summoned by a whisper. Nevertheless
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James A. Michener (Chesapeake)
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When her gaze landed upon his lips, he scooted closer and brushed his mouth over hers. Fire ignited low in his belly and desire coursed through his veins. No doubt, his John Thomas was doing all the thinking; he knew he should listen to the head between his shoulders, the one telling him this was a mistake, but the one between his legs was more insistent.
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D.A. Rhine (Vampires of the Chesapeake: Rees Morgan (Vampires of the Chesapeake #2))
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Sorry. Bad joke. I didn't know things were serious between you."
"I never said they were serious."
Phillip laughed, then winced as his lip wept. "Brother, did you ever. I guess I never figured you'd be the
first of us to fall in love with a woman."
The stomach that Phillip's fists had abused jittered wildly. "Who said I'm in love with her?"
"You didn't punch me in the face because you're in like." He looked down at his pleated slacks. "Shit.
Do you know how hard it is to get bloodstains out of a cotton blend
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Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
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Itβs an old term, βwhite trash,β older than the United States of America itself. Its roots lie in the seventeenth century, when βlubbersβ and βcrackers,β these formerly indentured and escaped white servants, formed their own communities on the outskirts of the Chesapeake tidewater region. These whites flouted the colonistsβ nascent cultural mold, disrespected their ideas of property, color, and labor. The mass of men thought them boondock curios, except during political and economic crises, when they considered them criminal savages. βWhite trashβ nowadays is a contemptuous term. It implies that one had all the privileges of whiteness but squandered them; oneβs poverty is oneβs own fault. Itβs a shocking term, because it suggests that even without unions and factories, class in America is real, and it cuts across racial lines. But mostly itβs a useful term, because it has no set definition. Itβs protean. Itβs for when the majority of white people want to delineate what they are by saying, βWhat we are not is them.
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Kent Russell (I Am Sorry to Think I Have Raised a Timid Son)
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know what's going on."
Cam looked up in time to see both of his brothers' eyes focus on him. "Oh, come on. Why does it have
to be me?"
"You're the oldest." Phillip grinned at him. "Besides, it'll take your mind off Anna."
"I'm not brooding about herβor any woman."
"Been edgy and broody all week," Ethan mumbled. "Making me nuts."
"Who asked you? We had a little disagreement, that's all. I'm giving her time to simmer down."
"Seems to me she'd simmered down to frozen the last time I saw her." Phillip examined his beer. "That
was a week ago.
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Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))