Cherry Blossom Love Quotes

Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.

Do not censor yourself. Let go of that part of your brain and just be.

Come see the cherry trees of a water constellation and the round key of the rapid universe, come touch the fire of instantaneous blue, come before its petals are consumed.

Be confident in who you are, Cherry Blossom. Confidence and an understanding of who you are is an alluring combination men won't be able to resist.

Grandmama said that the cherry blossom was life. Sweet and beautiful, but so darn short. Too short not to do what you wanna do. Too short to not spend it with the people…you love.

The sadness shouldn’t cancel out what had been so bright and full and beautiful. Just because the cherry blossoms would fall didn’t mean you should mourn them on the tree.

After all, the cherry blossom blooms every year, but does anyone find it the less lovely for that?

I am pleased," he said with a rich throaty accent. My heart melted. Simple as they were, those three little words meant the world to me.

However wildly this year's cherry blossoms bloom, I'll see them with the plum's scent filling my heart.

I've seen spring come to the orchard every year as far back as I can remember and I've never grown tired of it. Oh, the wonder of it! The outrageous beauty! God didn't have to give us cherry blossoms you know. He didn't have to make apple trees and peach trees burst into flower and fragrance. But God just loves to splurge. He gives us all this magnificence and then, if that isn't enough, He provides fruit from such extravagance.

Children bring life to the soul.

A Dom intent on developing a relationship will approach you on a personal level first.

.. Avoid any Dom with a large ego. Do not mistake arrogance for confidence.

I love the smell of a woman. It changes as her level of arousal heightens.

.. any Dom who doesn't promote open communication is not developing a healthy relationship.

Love is like a cherry blossoms... they bloom at the first promise of the spring, they beautify even and the most grey landscape, they scatter at the first gust of the wind... But as they hold, when you look at them, you steal a little vew of paradise...

Do not shy away from the sensations I create, Cherry Blossom. Take pride in them, as I do.

We huddle-hug on the velvety green among the cherry blossom trees. We link arms. We close our eyes the better to feel each other's bodies. We form a hot little circle of love and understanding. We press our faces into our faces, our cheeks against our cheeks, our eyelashes tickling our skins like little hummingbird wings, like Bunny nose twitches.

I feel a deep sense of responsibility when I awaken a submissive. I know the imposters who prowl hoping to pounce on the untried.

After vindictive winter, apple blossoms seem all the more heaven-sent. Among flashing forsythia and budding rose, dogwood and daffodil, The allure of magnolia, azalea and wisteria to lovers’ dreams are lent. Resolve is recompense as seedtime’s blush dispenses with the chill, How sweet-scented is New England now as winter tempests are through. My darling girl, the divinest bloom in cherry blossom time just happens to be you.

The blossoms seem unusually lovely this year. There were none of the scarlet-and-white-striped curtains that are set up among the blossoming trees so invariably that one has to come to think of them as the attire of cherry blossoms; there were no bustling tea-stalls, no holiday crowds of flower-viewers, no one hawking balloons and toy windmills; instead there were only the cherry trees blossoming undisturbed among the evergreens, making one feel as though he were seeing the naked bodies of the blossoms. Nature's free bounty and useless extravagance had never appeared so fantastically beautiful as it did this spring. I had an uncomfortable suspicion that Nature had come to reconquer the earth for herself.

Oh, sweet cherry tree- how lovely your blossoms are. Spring brings joy to life.

What are you afraid of then?' She pondered. He had already noticed that it was her hands which indicated what she was thinking of quite as much as her face and now he watched as she cupped them, making them ready to receive her thoughts. 'Not being able to see, I think,' she said. 'Being blind, you mean?' 'No, not that. That would be terrible hard but Homer managed it and our blind piano tuner is one of the serenest people I know. I mean ... not seeing because you're obsessed by something that blots out the world. Some sort of mania of belief. Or passion. That awful kind of love that makes leaves and birds and cherry blossom invisible because it's not the face on some man.

Socrates held up his hands, wiggling his fingers. "God gave me these hands to change the world, one child at a time.

I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien’s words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.

All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....

All had this in common: that if they returned from the Empty Quarter - even though their journey might have taken them only a day's ride into that place - they came back changed men. Nobody could set his eyes on such a void and return to hearth and home without having lost a part of himself to the wilderness forever. Many, having endured the void once, went back, and back again, as if daring the desert to claim them; not content until it did. And those unhappy few who died at home, died with their eyes not on the loving faces at their bedside, nor on the cherry tree in blossom outside the window, but on that waste that called them as only the Abyss can call, promising the soul the balm of nothingness.

love blossoms like cherry blossoms but burns and becomes ashes

Then it hit me. Poppy, Poppymin, she was the cherry blossom. She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can't last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.

You used to say you would never forget me. That made me feel like the cherry blossom, here today and gone tomorrow; it is not the kind of thing one says to a person with whom one proposes to spend the rest of one's life, after all. And, after all that, for three hundred and fifty-two in each leap year, I never think about you, sometimes. I cast an image into the past, like a fishing line, and up it comes with a gold mask on the hook, a mask with real tears at the ends of its eyes, but tears that are no longer anybody's tears. Time has drifted over your face.

INVITATION TO LOVE Come when the nights are bright with stars Or when the moon is mellow; Come when the sun his golden bars Drops on the hay-field yellow. Come in the twilight soft and gray, Come in the night or come in the day, Come, O love, whene'er you may, And you are welcome, welcome. You are sweet, O Love, dear Love, You are soft as the nesting dove. Come to my heart and bring it rest As the bird flies home to its welcome nest. Come when my heart is full of grief Or when my heart is merry; Come with the falling of the leaf Or with the redd'ning cherry. Come when the year's first blossom blows, Come when the summer gleams and glows, Come with the winter's drifting snows, And you are welcome, welcome.

Do I have a code name? II'm pretty sure I get a code name. I'd like to choose it." His fingers fall from my elbow. A pity. "Yes," he says. "As a matter of fact, you do have a code name." "I knew it!" My twirl is the glee-filled kind. "What is it? Sidewinder or Lightning or maybe Pegasus?" "We were calling you Butterfly." Huh. "That's nice, I guess." A little soft, but okay. "Then, the tabloids gave you the moniker. The Lost Butterfly, so we had to change it." I perk up. "I suggested it," he baits. "What did you suggest?" I look up at Akio with stars in my eyes. The possibilities are endless---Sunshine, Moonflower, Cherry Blossom. My thoughts are a runaway train. Maybe he likes me. Maybe he's not as mean as he seems. Maybe I've terribly misjudged him and this is just a rocky start to a friendship that turns to love that will last the ages. Our affair will inspire folksy campfire ballads. It's the first time I see Akio smile. It's part evil, part satisfied, as if he's just won a bet with himself. "Radish.

Maybe we're like cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.

Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.

Poppy, Poppymin, she was the cherry blossom. She was my cherry blossom

I want to be born and reborn as a cherry tree so that I may beautify this world with my blossoms, feed everyone with my nectar of love fruits, and purify the air with my calmly dancing leaves.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

I keep thinking love will save me. But it always asks me to set my papers in order first. Be better, feel better, turn up with more enthusiasm, make dates, make it to dates, be chill, be open to love but also don't actively want it.

Spring is well underway, and the wild cherry trees are in full bloom. The fields are filled with darling violets and buttercups, and the sides of the road lined with the blossoms that will become berries in the summer heat. I know from the weather report that a crisp spring light is shining down on the navy blue water of Saratoga Passage, and my view, whether I can see it or not, will remain unchanged. I wrote to you once about the comfort I find in that. This remains true.

Invitation to Love Come when the nights are bright with stars Or come when the moon is mellow; Come when the sun his golden bars Drops on the hay-field yellow. Come in the twilight soft and gray, Come in the night or come in the day, Come, O love, whene’er you may, And you are welcome, welcome. You are sweet, O Love, dear Love, You are soft as the nesting dove. Come to my heart and bring it to rest As the bird flies home to its welcome nest. Come when my heart is full of grief Or when my heart is merry; Come with the falling of the leaf Or with the redd’ning cherry. Come when the year’s first blossom blows, Come when the summer gleams and glows, Come with the winter’s drifting snows, And you are welcome, welcome

There would be leaves in the fall, and snow in the winter, and cherry blossoms in the spring. The world had always looked painfully beautiful to him when he was sick. It was only when he was alone and he couldn’t participate in the business of living that he tended to notice how lovely being alive was.

Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.

I went outside. The rain had stopped. The air, washed by the rain, was serene, and the waves sounded closer than usual. The full moon shone like a pearl in the night sky. The moonlight made it look as if all the houses had sunk to the bottom of a lake. The road stretched ahead, white. It was the road that led to Migitahama. A gust of wind and the petals from a wild cherry tree went dancing, white against the darkness, and I remembered then that the cherry trees here blossomed two or three weeks later than in Tokyo. The waves roared. I stood alone in the darkness. Light does not illuminate. It only looks for things to illuminate. And I had never been found by the light. I would always be in darkness—

I was in an empty field when I came across a tree. This tree was full of white blossoms and succulent cherries. The sun was shining and the breeze was blowing—everything was lovely. I looked back at the tree and its pure white blossoms were stained with blood. I gazed down in front of me, in horror, as a wooden cross marked the place of a small dirty mound.

Skylar laughed a lot in these scenes. He was happy. He was always helping people too—a whole section depicted him playing hero to the art majors as they gazed at him adoringly, and Xander glowered jealously on the sidelines. That made Skylar laugh in real life. There were so many scenes of him helping people. He was Mr. Friendly, according to Xander. This was such a better painting. This was how Xander saw him? This was beautiful. This is who I want to be instead. “I love this,” Skylar said as Xander cleaned his brush. “Oh, I’m not done.” Xander got out a small round brush and reached for the pink. He began to paint delicate, beautiful cherry blossoms all over Skylar’s body. There was writing too—Xander explained each kanji to him, that they meant he was magnificent, sensitive, sensual, artistic, charming, loyal, steadfast—he lost track of the words because while they were wonderful and the script breathtaking, it was the blossoms that did him in. He sees me as a cherry tree. A blooming, beautiful cherry tree. Skylar sobbed. “I love you,” Skylar cried, trying not to spill tears because Xander was painting cherry blossoms across his face. “I love you too, my sakura.

Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.

She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grade that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us that we must live. That life is fragile, yet in that fragility there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.

KUNDALINI DANCE Dark and cold and wet were Her hands I felt Her chilly breath inside my throat Her claws deep inside trying to find traces of Fear within me I stayed still Accepting Opening Receiving Within a moment She was inside Two fingers below My belly button In there She found no traces of shivers no traces of resistance, no traces of weakness just clear pure Passage-Way Then She grew into Her most powerful Self She stood undisturbed, unmoved, unchanged Totally free and She screamed AAAAAUUUUUUMMM From the centre of the earth, Through the tunnels of the caves, To the surface of the volcanoes AAAAUUUUUUMMMM To open: Mountain tops untouched by clouds and rain Cherry fields in their full blossom A dog running after a train filled with the excitement A witch laughing at passers-by mirroring their paranoia Death looking us in the eyes searching for the chosen Few Capable to see the Key behind Her magic veil

You love her, do you not?” “More than anything in the world,” Marco says. Tsukiko nods thoughtfully. “My opponent’s name was Hinata,” she says. “Her skin smelled of ginger and cream. I loved her more than anything in the world, as well. On that cherry-blossom day, she set herself on fire. Ignited a pillar of flame and stepped into it as though it were water.” “I’m sorry,” Marco says. “Thank you,” Tsukiko says, with a shadow of her normally bright smile. “It is what Miss Bowen is planning to do for you. To let you win.

my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.

She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.

She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can't last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures...capture moments. Live beautifully.

Kami Castillo My Books Browse ▾ Community ▾ All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....

Can I make you a cup of tea?” He says that would be wonderful, and she smiles handsomely; then her face darkens in terrible sorrow. “And I am so sorry, Mr. Arthur,” she says, as if imparting the death of a loved one. “You are too early to see the cherry blossoms.” After the tea (which she makes by hand, whisking it into a bitter green foam—“Please eat the sugar cookie before the tea”) he is shown to his room and told it was, in fact, the novelist Kawabata Yasunari’s favorite. A low lacquered table is set on the tatami floor, and the woman slides back paper walls to reveal a moonlit corner garden dripping from a recent rain; Kawabata wrote of this garden in the rain that it was the heart of Kyoto. “Not any garden,” she says pointedly, “but this very garden.” She informs him that the tub in the bathroom is already warm and that an attendant will keep it warm, always, for whenever he needs it. Always. There is a yukata in the closet for him to wear. Would he like dinner in the room? She will bring it personally for him: the first of the four kaiseki meals he will be writing about. The kaiseki meal, he has learned, is an ancient formal meal drawn from both monasteries and the royal court. It is typically seven courses, each course composed of a particular type of food (grilled, simmered, raw) and seasonal ingredients. Tonight, it is butter bean, mugwort, and sea bream. Less is humbled both by the exquisite food and by the graciousness with which she presents it. “I most sincerely apologize I cannot be here tomorrow to see you; I must go to Tokyo.” She says this as if she were missing the most extraordinary of wonders: another day with Arthur Less. He sees, in the lines around her mouth, the shadow of the smile all widows wear in private. She bows and exits, returning with a sake sampler. He tries all three, and when asked which is his favorite, he says the Tonni, though he cannot tell the difference. He asks which is her favorite. She blinks and says: “The Tonni.” If only he could learn to lie so compassionately.

God took His time to carve out the perfect place, Sam remembered her grandma always saying. Indeed, the hilltop was akin to a real cherry on top of a stunningly picturesque sundae. Bayview Point was home to two of northern Michigan's most popular orchards and tourist stops: Very Cherry Orchards and her family's Orchard and Pie Pantry. The first half of the hill was dense with rows of tart cherry trees, and the limbs of the small, bushy trees were bursting with cherries, red arms waving at Sam as if to greet her home. In the spring, these trees were filled with white blossoms that slowly turned as pink as a perfect rosé, their beauty so tender that it used to make Sam's heart ache when she would run through the orchards as part of her high school cross-country training. Often, when Sam ran, the spring winds would tear at the tender flowers and make it look as though it were snowing in the midst of a beautiful warm day. Like every good native, Sam knew cherries had a long history in northern Michigan. French settlers had cherry trees in their gardens, and a missionary planted the very first cherry trees on Old Mission Peninsula. Very Cherry Orchards grew nearly 100 acres of Montmorency tart cherries in addition to Balaton cherries, black sweet cherries, plums, and nectarines. They sold their fruit to U-Pickers as well as large companies that made pies, but they had also become famous for their tart cherry juice concentrate, now sold at grocery and health food stores across the United States. People loved it for its natural health benefits, rich in antioxidants.

Some species-like spruce-rely on timing. Male and female blossoms open a few days apart so that, most of the time, the latter will be dusted with the foreign pollen of other spruce. This is not an option for trees like bird cherries, which rely on insects. Bird cherries produce male and female sex organs int he same blossom, and they are one of the few species of true forest trees that allow themselves to be pollinated by bees. As the bees make their way through the whole crown, they cannot help but spread the tree's own pollen. But the bird cherry is alert and senses when the danger of inbreeding looms. When a pollen grain lands on a stigma, its genes are activated and it grows a delicate tube down to the ovary in search of an egg. As it is doing this, the tree tests the genetic makeup of the pollen and, if it matches its own, blocks the tube, which then dries up. Only foreign genes, that is to say, genes that promise future success, are allowed entry to form seeds and fruit. How does the bird cherry distinguish between "mine" and "yours"? We don't know exactly. What we do know is that the genes must be activated, and they must pass the tree's test. You could say, the tree can "feel" them. You might say that we, too, experience the physical act of love as more than just the secretions of neurotransmitters that activate our bodies' secrets, though what mating feels like for trees is something that will remain in the realm of speculation for a long time to come.

Under the cherry/blossom soup/blossom salad.

he said this turning his strong body to face the beautiful, stunning, breathtaking, astonishing, bewildering girl who was a princess and his one true love, Eodwyn. she had hair like raven wings and skin like snow that the dogs haven’t peed on yet and cheeks like cherry blossoms and eyes like a magnificent summer sky.

the flowers of the morning glory. They bloom and smile every morning, fade and die in a few hours. How fleeting and ephemeral their lives are! But it is that short life itself that makes them frail, delicate, and lovely. They come forth all at once as bright and beautiful as a rainbow or as the Northern light, and disappear like dreams. This is the best condition for them, because, if they last for days together, the morning glory shall no longer be the morning glory. It is so with the cherry-tree that puts forth the loveliest flowers and bears bitter fruits. It is so with the apple-tree, which bears the sweetest of fruits and has ugly blossoms. It is so with animals and men. Each of them is placed in the condition best for his appointed mission. The

Well, in each situation there are gods of love who get people to love one another through different objects like arrows or cherry blossoms,” Angie replied. “What about Freya, though? Did she have something that made people fall in love with each other too?” “Actually, there are some similarities there as well. Freya acquired a necklace that was made by four dwarves. This necklace was called the Brisingamen, and some have referred to the necklace as the necklace of desire.

I am a cherry blossom tree hit with the first hints of spring. Something dormant inside me has stirred awake after a long hibernation. Something I’m not sure I even realized lurked there, waiting to be roused, until this breathless instant pinned beneath Beck’s gaze. Now that it’s made its presence known, I’m not sure I can banish it back to slumber. I’m not sure I want to.

I smooth my jeans and look out the window at the park we're passing. A couple kisses under a cherry blossom tree, their bodies lit from behind by a street lamp. Blooms flutter around them like paper snow. The buds have just opened and already they're dying. Mono no aware---it's a Japanese phrase expressing a love for impermanence, the ephemeral nature of all things.

In the 1960s, the only Asians at Piedmont Hills were the children of Japanese farm workers who harvested flowers and citrus and cherries. In the early ’70s, the first large wave of Vietnamese refugees arrived. This wave was composed of elites—high-powered doctors and politicians who had the economic means to escape. At first, the PHHS community loved the new Vietnamese students because they came with expensive educations and intellectual parents. They had astounding test scores and brought academic standards way up. Then in the ’80s, the boat people arrived, poor and desperate refugees who escaped with the clothes on their backs and spent time in camps in Malaysia and the Philippines. About 880,000 Vietnamese refugees were resettled in the United States between 1975 and 1997, many of them at Camp Pendleton in California. More than 180,000 Vietnamese people now live in San Jose—the biggest Vietnamese population in any city outside Vietnam. In the ’90s, a massive population of Chinese and South Asian immigrants bearing H-1B work visas arrived to take jobs as engineers in blossoming Silicon Valley. By 1998, a third of all scientists and engineers in the area had come from somewhere else. Around this time there was also a shortage of teachers and nurses in America, and so came the wave of Filipinos who emigrated to help care for our young and infirm.

when the past and the future tug upon the present moment with delicate, unrelenting arms when ambition overreaches talent when dull-dark sunshine penetrates closed eyelids when the heart disregards the mind when the imaginary friend appears before the child when a sudden clap of thunder echoes across the meadow of intuition when the glint of an erupting star spreads over eons like a faint, frozen scream when blue-purple twilight settles upon the garden when the jaguar’s cuspids wrench open the elephant’s cranium when dew droplets gather upon the anthers of a cherry blossom when the Earth turns so slowly upon its axis only electrons can feel its drag when a summer’s night sitting by the water’s edge can stretch into forever… - We Pass Away, Alice Evermore

She is like the cherry blossoms of spring, not only beautiful and welcoming, but delicate with a life that is too short. And like the cherry blossoms, she will soon be but a distant memory for the people that have experienced her time here.

Dear Andy, Without going too much into the details… I lost myself for a while, and I let down the people who love me so many times. I’m feeling stable again and it’s been a while since I slipped up so bad, but I don’t know how to apologize for the stuff I put my family through. Sorry feels like such a weak word, especially when you’ve said it as many times as I have. What can I say to them that’s deeper and more meaningful than another apology? Sincerely, SOOO Sorry

There’s a beautiful old practice in Hawaii called Hoʻoponopono. It’s hard to translate, but it means something like ‘to make good and tidy up.’ It has to do with restitution and forgiveness—putting things right again. The modern version goes something like this: I’m sorry. Please forgive me. Thank you. I love you.  You’ve already done the second hardest part, which is admitting that you were wrong. You’ve apologized. If you haven’t expressed your gratitude and love, now’s the time.  And the hardest part, Sorry? The part that comes after the apology? You show them every day that you meant what you said. You don’t mess up the same way again. When you inevitably do mess up again in a new way, as we all do, back to basics: I’m sorry. Please forgive me. Thank you. I love you.  Show them the same unfailing support that they’ve given you, and eventually it will even out.  Sincerely, Andy

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

cherries were portrayed as symbols of youth, love, romance and contentment,

Other nations have special flowers, of course. But who could imagine virtually the entire population of Britain or Germany or America visiting parks on one particular weekend to view a flower, no matter how lovely?

Wonderful, beautiful, blissful, gorgeous, lovely. Adjectives floated around in Archer’s head like cherry blossoms falling in late spring. He wanted to laugh, shout, and run amok, singing at the top of his voice. Snatches of romantic poetry learned in his salad days came to mind. She walks in beauty like the night; shall I compare thee to a summer’s day? He smiled then, looking up at the ceiling above his bed. He certainly did not possess the talent to fit into words what he felt. Too bad Byron was dead. He’d have hunted him down and introduced him to Miri. The master poet would have found words to do her justice.

To love a country as if you’ve lost one: as if it were you on a plane departing from America forever, clouds closing like curtains on your country, the last scene in which you’re a madman scribbling the names of your favorite flowers, trees, and birds you’d never see again, your address and phone number you’d never use again, the color of your father’s eyes, your mother’s hair, terrified you could forget these. To love a country as if I was my mother last spring hobbling, insisting I help her climb all the way up to the U.S. Capitol, as if she were here before you today instead of me, explaining her tears, cheeks pink as the cherry blossoms coloring the air that day when she stopped, turned to me, and said: You know, mijo, it isn’t where you’re born that matters, it’s where you choose to die—that’s your country.

ANTHROPOCENE PASTORAL BY Catherine Pierce In the beginning, the ending was beautiful. Early spring everywhere, the trees furred Pink and white, lawns the sharp green That meant new. The sky so blue it looked Manufactured. Robins. We’d heard The cherry blossoms wouldn’t blossom This year, but what was one epic blooming When even the desert was an explosion Of verbena? When coyotes slept deep in orange Poppies. One New Year’s Day we woke To daffodils, wisteria, onion grass wafting Through the open windows. Near the end, We were eyeletted. We were cottoned. We were sundressed and barefoot. At least It’s starting gentle, we said. An absurd comfort, We knew, a placebo. But we were built like that. Built to say at least. Built to reach for the heat Of skin on skin even when we were already hot, Built to love the purpling desert in the twilight, Built to marvel over the pink bursting dogwoods, To hold tight to every pleasure even as we Rocked together toward the graying, even as We held each other, warmth to warmth, And said, sorry, I’m sorry, I’m so sorry while petals Sifted softly to the ground all around us.

Nesta's throat constricted, and she surveyed the swaying cherry blossoms overhead. Elain would love this place. So many flowers, all in bloom, so much green- the light, vibrant green of new grass- so many birds singing and such warm, buttery sunshine. Nesta felt like a storm cloud standing amid it all. But Elain... The Spring Court had been made for someone like her. Too bad her sister refused to see her. Nesta would have told Elain to visit this place. And too bad the lord who ruled these lands was a piece of shit.

Nadeshiko loved cherry blossoms. When she was little she said if she ever had a girl she’d name her Sakura. And you’re that Sakura.

The Tale of Genji, a literary masterpiece written by Murasaki Shikibu in the early eleventh century, cherries were portrayed as symbols of youth, love, romance and contentment,

What are you afraid of then?" "Not being able to see, I think, [...] not seeing because you're obsessed by something that blots out the world. Some sort of mania or belief. Or passion. That awful kind of love that makes leaves and birds and cherry blossom invisible because it's not the face on some man.

It is rather a strange and sad story,’ he went on after a pause. ‘When the world was young, and the woods were wide and wild, the Ents and the Entwives – and there were Entmaidens then: ah! the loveliness of Fimbrethil, of Wandlimb the lightfooted, in the days of our youth! – they walked together and they housed together. But our hearts did not go on growing in the same way: the Ents gave their love to things that they met in the world, and the Entwives gave their thought to other things, for the Ents loved the great trees, and the wild woods, and the slopes of the high hills; and they drank of the mountain-streams, and ate only such fruit as the trees let fall in their path; and they learned of the Elves and spoke with the Trees. But the Entwives gave their minds to the lesser trees, and to the meads in the sunshine beyond the feet of the forests; and they saw the sloe in the thicket, and the wild apple and the cherry blossoming in spring, and the green herbs in the waterlands in summer, and the seeding grasses in the autumn fields. They did not desire to speak with these things; but they wished them to hear and obey what was said to them. The Entwives ordered them to grow according to their wishes, and bear leaf and fruit to their liking; for the Entwives desired order, and plenty, and peace (by which they meant that things should remain where they had set them). So

On the way to Washington Square she thought to herself that some kid would probably fall off the slide and cut his lip. Later, in the park, Matt fell from the swing and cut his lip. Cassandra held a Kleenex to the cut, fought back her own tears. What's the matter with me? What more do I want? God, let me just see the good things. She forced herself to look around, out of herself, and, in fact, the cherry blossoms were in bloom.They had been coming out little by little, but it was that day they were lovely. Then, as if because she saw the trees, the fountain turned on. Look, Mama! Matt cried and began to run. All the children and their mothers ran to the sparkling fountain. The postman walked right by it as usual. He seemed not to notice that it was on, got wet by the spray. One/two. One/two.

At only nine in the morning the kitchen was already pregnant to its capacity, every crevice and countertop overtaken by Marjan's gourmet creations. Marinating vegetables ('torshis' of mango, eggplant, and the regular seven-spice variety), packed to the briny brims of five-gallon see-through canisters, sat on the kitchen island. Large blue bowls were filled with salads (angelica lentil, tomato, cucumber and mint, and Persian fried chicken), 'dolmeh,' and dips (cheese and walnut, yogurt and cucumber, baba ghanoush, and spicy hummus), which, along with feta, Stilton, and cheddar cheeses, were covered and stacked in the enormous glass-door refrigerator. Opposite the refrigerator stood the colossal brick bread oven. Baking away in its domed belly was the last of the 'sangak' bread loaves, three feet long and counting, rising in golden crests and graced with scatterings of poppy and nigella seed. The rest of the bread (paper-thin 'lavash,' crusty 'barbari,' slabs of 'sangak' as well as the usual white sliced loaf) was already covered with comforting cheesecloth to keep the freshness in. And simmering on the stove, under Marjan's loving orders, was a small pot of white onion soup (not to be mistaken for the French variety, for this version boasts dried fenugreek leaves and pomegranate paste), the last pot of red lentil soup, and a larger pot of 'abgusht.' An extravaganza of lamb, split peas, and potatoes, 'abgusht' always reminded Marjan of early spring nights in Iran, when the cherry blossoms still shivered with late frosts and the piping samovars helped wash down the saffron and dried lime aftertaste with strong, black Darjeeling tea.