Chernobyl Quotes

We've searched our database for all the quotes and captions related to Chernobyl. Here they are! All 100 of them:

Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone - the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Is there anything more frightening than people?
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out.
Tana French (The Likeness (Dublin Murder Squad, #2))
Chernobyl is like the war of all wars. There’s nowhere to hide. Not underground, not underwater, not in the air.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Come get your apples! Chernobyl apples!’ Someone told her not to advertise that, no one will buy them. ‘Don’t worry!’ she says. ‘They buy them anyway. Some need them for their mother-in-law, some for their boss.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Show me a fantasy novel about Chernobyl--there isn't one! Because reality is more fantastic.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I'm not afraid of God. I'm afraid of man.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Yo tengo miedo. Tengo miedo de una cosa, de que en nuestra vida el miedo ocupe el lugar del amor.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
People ask me: “Why don’t you take photos in color? In color!” But Chernobyl: literally it means black event. There are no other colors there.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
She'd never set a fantasy in a ski lodge, but she was thinking about it now. She couldn't help it. The man was throwing off pheromones like he was a nuclear reactor at Chernobyl. Sitting so close to ground zero, the fallout was lethal.
Rachel Gibson (The Trouble With Valentine's Day (Chinooks Hockey Team, #3))
Man lives with death, but he doesn’t understand what it is.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone- the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
En la vida las cosas más terribles ocurren en silencio y de manera natural.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
We're often silent. We don't yell and we don't complain. We're patient, as always. Because we don't have the words yet. We're afraid to talk about it. We don't know how. It's not an ordinary experience, and the questions it raises are not ordinary. The world has been split in two: there's us, the Chernobylites, and then there's you, the others. Have you noticed? No one here points out that they're Russian or Belarussian or Ukrainian. We all call ourselves Chernobylites. "We're from Chernobyl." "I'm a Chernobylite." As if this is a separate people. A new nation.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Everyone found a justification for themselves, an explanation. I experimented on myself. And basically I found out that the frightening things in life happen quietly and naturally. Zoya
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Reality has always attracted me like a magnet, tortured and hypnotized me, and I wanted to capture it on paper. So I immediately appropriated this genre of actual human voices and confessions, witness evidences and documents. This is how I hear and see the world—as a chorus of individual voices and a collage of everyday details. In this way all my mental and emotional potential is realized to the full. In this way I can be simultaneously a writer, reporter, sociologist, psychologist and preacher.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
At that time my notions of nuclear power were utterly idyllic. At school and at the university we'd been taught that this was a magical factory that made "energy out of nothing," where people in white robes sat and pushed buttons. Chernobyl blew up when we weren't prepared.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
We were told that we had to win. Against whom? The atom? Physics? The universe? Victory is not an event for us, but a process.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
The doctors said that I got sick because my father worked at Chernobyl. And after that I was born. I love my father.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
At 1.24 am on 26 April 1986 Chernobyl’s Unit 4 reactor exploded after staff disabled safety systems and performed an ill-advised experiment to check – ironically enough – the reactor’s safety.
Mark Lynas (The God Species)
The only righteous thing on the face of the earth is death. No one has ever bribed their way out of that. The earth takes us all: the good, the evil and the sinners. And that's all the justice you'll find in this world.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Morirse no es difícil, solo da miedo.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
We’ll die, and then we’ll become science,
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Así es como vivo. Vivo a la vez en un mundo real y en otro irreal. Y no sé dónde estoy mejor.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I'm a product of my time. I'm not a criminal.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
That’s how it was in the beginning. We didn’t just lose a town, we lost our whole lives.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
We are on dangerous ground right now, because of our secrets and our lies. They’re practically what defines us. When the truth offends, we lie and lie until we can no longer remember it is even there. But it is still there. Every lie we tell incurs a debt to the truth. Sooner or later that debt is paid.
HBO (Chernobyl)
a society where the cult of science had supplanted religion, the nuclear chiefs were among its most sanctified icons—pillars of the Soviet state. To permit them to be pulled down would undermine the integrity of the entire system on which the USSR was built. They could not be found guilty.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
Altogether, 50 million curies of radiation were released by the Chernobyl explosion, the equivalent of 500 Hiroshima bombs. All that was required for such catastrophic fallout was the escape of less than 5 percent of the reactor’s nuclear fuel. Originally it had contained more than 250 pounds of enriched uranium—enough to pollute and devastate most of Europe. And if the other three reactors of the Chernobyl power plant had been damaged by the explosion of the first, then hardly any living and breathing organisms would have remained on the planet.
Serhii Plokhy (Chernobyl: History of a Tragedy)
It's certainly true that Chernobyl, while an accident in the sense that no one intentionally set it off, was also the deliberate product of a culture of cronyism, laziness, and a deep-seated indifference toward the general population. The literature on the subject is pretty unanimous in its opinion that the Soviet system had taken a poorly designed reactor and then staffed it with a group of incompetents. It then proceeded, as the interviews in this book attest, to lie about the disaster in the most criminal way. In the crucial first ten days, when the reactor core was burning and releasing a steady stream of highly radioactive material into the surrounding areas, the authorities repeatedly claimed that the situation was under control. . . In the week after the accident, while refusing to admit to the world that anything really serious had gone wrong, the Soviets poured thousands of men into the breach. . . The machines they brought broke down because of the radiation. The humans wouldn't break down until weeks or months later, at which point they'd die horribly.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
The mechanism of evil will work under conditions of apocalypse, also. That's what I understood. Man will gossip, and kiss up to the bosses, and save his television and ugly fur coat. And people will be the same until the end of time. Always.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
This is what they mean by 'ghost town', she thought. It truly feels like a place frozen in time
Jeremy Robinson (Callsign: Queen (Zelda Baker) (Chess Team, #2))
قالوا لنا يجب أن ننتصر، على من؟ على الذرة، الفيزياء، الفضاء!!!! النصر عندنا ليس حدث، بل عملية مستمرة
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
People came from all around on their cars and their bikes to have a look. We didn’t know that death could be so beautiful.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
No, I was just thinking about Chernobyl. That's like a scream from the universe warning us, but we're not paying any attention.
Christopher Durang
Sometimes I get strange thoughts, sometimes I think Chernobyl saved me, forced me to think. My soul expanded. He
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
There are many of us here. A whole street. That's what it's called--Chernobylskaya. These people worked at the station their whole lives. A lot of them still go there to work on a provisional basis, that's how they work there now, no one lives there anymore. They have bad diseases, they're invalids, but they don't leave their jobs, they're scared to even think of the reactor closing down. Who needs them now anywhere else? Often they die. In an instant. They just drop--someone will be walking, he falls down, goes to sleep, never wakes up. He was carrying flowers for his nurse and his heart stopped. They die, but no one's really asked us. No one's asked what we've been through. What we saw. No one wants to hear about death. About what scares them. But I was telling you about love. About my love... -- Lyudmila, Ignatenko, wife of deceased fireman, Vasily Ignatenko
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
لا يمكن لفنان ان يكون علي مستوي الواقع ، لن يستطيع تحمُله
سفيتلانا ألكسييفيتش (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
So, are you shitting your pants?” Scherbina asked. “Not yet,” Sklyarov said. “But I think things are going that way.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
I often thought that the simples fact, the mechanical fact, is no closer to the truth than a vague feeling, rumor, vision. Why repeat the facts - they cover up our feelings. The development of these feelings, the spilling of these feelings past the facts, is what fascinantes me. I try to find them, collect them, protect them.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
In every way that mattered, we lost and we lost big. Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out. Some cases--ask any cop--are malignant and incurable, devouring everything they touch.
Tana French (The Likeness (Dublin Murder Squad, #2))
If you don’t play, you lose. There was a Ukrainian woman at the market selling big red apples. ‘Come get your apples! Chernobyl apples!’ Someone told her not to advertise that, no one will buy them. ‘Don’t worry!’ she says. ‘They buy them anyway. Some need them for their mother-in-law, some for their boss.’
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
This may read like a mad journey through some of the most dangerous places on earth, but it is much more than that as well. Sheets witnessed most of the wars, disasters, and revolutions that followed the end of communism, and his accounts of them--from Chechnya to Chernobyl, and from Abkhazia to Afghanistan--serve as a passionate but considered obituary for the vanished Soviet empire.
Oliver Bullough (Let Our Fame Be Great: Journeys Among the Defiant People of the Caucasus)
Natural gas is highly explosive, invisible, poisonous, and odorless. Yet we accept natural gas, even though it kills not two but 400 Americans a year, because it was introduced before we got crazy about risk. We accept coal, even though mining it is nasty and filthy and kills dozens of people every year. By contrast, we're terrified of nuclear energy. Chernobyl, the worst nuclear power disaster ever, killed only 30 people. Some say the radiation may eventually kill others, but even if that's true, natural gas kills more people every year.
John Stossel (Give Me a Break: How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media...)
One of the striking things about places heavily contaminated by radioactive nuclides is the richness of their wildlife. This is true of the land around Chernobyl, the bomb test sites of the Pacific, and areas near the United States’ Savannah River nuclear weapons plant of the Second World War. Wild plants and animals do not perceive radiation as dangerous, and any slight reduction it may cause in their lifespans is far less a hazard than is the presence of people and their pets.
James E. Lovelock (The Revenge of Gaia)
I told you. There’s nothing heroic here, nothing for the writer’s pen. I had thoughts like, It’s not wartime, why should I have to risk myself while someone else is sleeping with my wife? Why me again, and not him? To be honest, I didn’t see any heroes there. I saw nutcases, who didn’t care about their own lives, and I had enough craziness myself, but it wasn’t necessary. I also have medals and awards—but that’s because I wasn’t afraid of dying. I didn’t care! It was even something of an out. They’d have buried me with honors. And the government would have paid for it.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
To be a scientist is to be naive. We are so focused on our search for truth, we fail to consider how few actually want us to find it. But it is always there, whether we see it or not, whether we choose to or not. The truth doesn’t care about our needs or wants. It doesn’t care about our governments, our ideologies, our religions. It will lie in wait for all time. And this, at last, is the gift of Chernobyl. Where I once would fear the cost of truth, now I only ask: What is the cost of lies?
HBO (Chernobyl)
They die, but no one’s really asked us. No one’s asked what we’ve been through. What we saw. No one wants to hear about death. About what scares them. But I was telling you about love. About my love . . . Lyudmilla
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Echo glanced at Ivy, who raised her eyebrows in response. That was just what their little group needed-a love triangle between an Avicen, a Drakharin, and a warlock. Because that emotional Chernobyl wasn't likely to blow up in anyone's face. Nope. Not at all.
Melissa Grey (The Shadow Hour (The Girl at Midnight, #2))
There’s a fragment of some conversation, I’m remembering it. Someone is saying: “You have to understand: this is not your husband anymore, not a beloved person, but a radioactive object with a strong density of poisoning. You’re not suicidal. Get ahold of yourself.” And I’m like someone who’s lost her mind: “But I love him! I love him!” He’s sleeping, and I’m whispering: “I love you!” Walking in the hospital courtyard, “I love you.” Carrying his sanitary tray, “I love you.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
We all live through it by ourselves, we don't know what else to do. I can't understand it with my mind. My mother especially has felt confused. She teaches Russian literature, and she always taught me to live with books. But there are no books about this. She became confused. She doesn't know how to do without books. Without Chekhov and Tolstoy.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
These people had already seen what for everyone else is still unknown. I felt like I was recording the future. Svetlana
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Lo que ha pasado es algo desconocido. Es otro miedo. No se oye, no se ve, no huele, no tiene color; en cambio nosotros cambiamos física y psíquicamente.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Back then everyone was saying: "We're going to die, we're going to die. By the year 2000, there won't be any Belarussians left.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Those whose bodies were recovered are buried in welded zinc coffins, to prevent their radioactive remains from contaminating the soil. Even
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
If we survive until the morning, we’ll live forever.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
هل هناك ما يبعث على الخوف أكثر من الإنسان؟
سفيتلانا ألكسييفيتش (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Yet the economists in Moscow had no reliable index of what was going on in the vast empire they notionally maintained; the false accounting was so endemic that at one point the KGB resorted to turning the cameras of its spy satellites onto Soviet Uzbekistan in an attempt to gather accurate information about the state’s own cotton harvest.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
During the war, one out of every four Belarussians was killed; today, one out of every five Belarussians lives on contaminated land. This amounts to 2.1 million people, of whom 700,000 are children. Among the demographic factors responsible for the depopulation of Belarus, radiation is number one. In the Gomel and Mogilev regions, which suffered the most from Chernobyl, mortality rates exceed birth rates by 20%. As
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Legasov didn’t want to listen. He insisted that they had to take immediate action—whether it was effective or not. “People won’t understand if we do nothing,” Legasov said. “We have to be seen to be doing something.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
My father is standing at the sink wearing a too-tight long-sleeved red T-Shirt, a pair of too-high jeans and sporting the type of orange glow that belongs only on Chernobyl victims. Plus his hair looks like an oil spill. 'Hey you,' he says, washing what looks to be some carrots under the sink. Are they carrots or are they parsnips reflecting the sheen of my father's tangerine skin? Hard to tell. 'You've fake tanned yourself again,' I say - it's a statement, not a question. 'Too much?' he says, innocently. 'I just didn't want to be one of those pasty office workers and I thought it wouldn't hurt to back up last week's application with another hit.' 'Dad, you look-' 'Sun kissed?' 'Radioactive. And what the hell happened to your hands?' - Cat
Rebecca Sparrow (Joel and Cat Set the Story Straight)
He’s going to die.” I understood later on that you can’t think that way. I cried in the bathroom. None of the mothers cry in the hospital rooms. They cry in the toilets, the baths. I come back cheerful: “Your cheeks are red. You’re getting better.” “Mom, take me out of the hospital. I’m going to die here. Everyone here dies.” Now where am I going to cry? In the bathroom? There’s a line for the bathroom—everyone like me is in that line.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
¿Cómo elegir entre el amor y la muerte? ¿Entre el pasado y el ignorado presente? ¿Y quién se creerá con derecho a echar en cara a otras esposas y madres que no se quedaran junto a sus maridos e hijos? Junto a esos elementos radiactivos. En su mundo se vio alterado incluso el amor. Hasta la muerte. Ha cambiado todo. Todo menos nosotros.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
The Soviets had to choose whether to show Blix the toilet facilities and hide the super-secret radar or vice versa.
Serhii Plokhy (Chernobyl: The History of a Nuclear Catastrophe)
Si hemos de morir, que sea con música.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
إليكم صلاة عامل درء آثار الإشعاعات في تشيرنوبل: يا إلهي، اذا كنت قد فعلت مايجعلني لا أستطيع، فافعل مايجعلني لا أرغب
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
تشيرنوبل كان حربًا فوق الحروب، لا يوجد مكان لنجاة الإنسان. لا في الأرض ولا في الماء ولا في السماء
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
مسقط الرأس كالجنة، أما في الأماكن الأخرى فالشمس لاتضيء كما ينبغي
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Doctors and nurses were also irradiated because the patients they treated were so contaminated that their own bodies had become radioactive. Initially,
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Do you know that it can be a sin to give birth? I’d never heard those words before. Katya
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
And we lived through everything, survived everything . . .
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Death is the fairest thing in the world. No one’s ever gotten out of it. The earth takes everyone—the kind, the cruel, the sinners. Aside from that, there’s no fairness on earth.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
To be a scientist is to be naive, we are so focused on our search for truth we fail to consider how few actually want us to find it.
Jared Harris(Valery Legasov), Chernobyl(TV show)
Only when he showed her the dark specks of graphite on the leaves of her strawberry plants did she agree to return home.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
the origins of the accident lay with those who had designed the reactor and the secret, incestuous bureaucracy that had allowed it to go into operation.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
They asked all sorts of questions, but one really cut into my memory. This boy, stammering and blushing, you could tell he was one of the quiet ones, asked: "Why couldn't anyone help the animals?" This was already a person from the future. I couldn't answer that question. Our art is all about the sufferings and loves of people, but not of everything living. We don't descend to their level: animals, plants, that other world. And with Chernobyl man just waved his hand at everything.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
There is only one road here: the most thorough study of all the details of the Chernobyl disaster, since it is by no means precluded that one of the details of it that is overlooked today will sometime be the main cause of the next calamity or the one after that.
Grigori Medvedev (Chernobyl Notebook)
Accident - A statistical inevitability. Some nuclear power plants are built on fault lines, but ever mine, dam, oil rig, and waste dump is founded upon a tacit acceptance of the worst-case scenario. One a long enough timeline, everything that can go wrong will, however small the likelihood is from one day to the next. The responsible parties may wring their hands about the Fukushima meltdown - and the Gult of Mexico oil spill, and the Exxon Valdez, and Hurricane Katrina, and Chernobyl, and Haiti - but accident is no accident.
CrimethInc.
We were expecting our first child. My husband wanted a boy and I wanted a girl. The doctors tried to convince me: “You need to get an abortion. Your husband was at Chernobyl.” He was a truck driver; they called him in during the first days. He drove sand. But I didn’t believe anyone. The baby was born dead. She was missing two fingers. A girl. I cried. “She should at least have fingers,” I thought. “She’s a girl.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
They call the souls down from heaven. Those who had people die this year cry, and those whose people died earlier, don’t. They talk, they remember. Everyone prays. And those who don’t know how to pray, also pray.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I hear about death so often that I don’t even notice anymore. Have you ever heard kids talk about death? My seventh-graders argue about it: is it scary or not? Kids used to ask: where do we come from? How are babies made? Now they’re worried about what’ll happen after the nuclear war.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
So, to save time, Sredmash decided to skip the prototype stage entirely: the quickest way to find out how the new reactors would work in industrial electricity generation would be to put them directly into mass production.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
One of the poets says somewhere that animals are a different people. I killed them by the ten, by the hundred, thousand, not even knowing what they were called. I destroyed their houses, their secrets. And buried them. Buried them. Leonid
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I met this one man, he was saying that this is because we place a low value on human life. That it’s an Asiatic fatalism. A person who sacrifices himself doesn’t feel himself to be a unique individual. He experiences a longing for his role in life. Earlier he was a person without a text, a statistic. He had no theme, he served as the background. And now suddenly he’s the main protagonist. It’s a longing for meaning.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
The commentator says: The West is trying to spread panic, telling lies about the accident. And then they show the dosimeter again, measuring some fish on a plate, or a chocolate bar, or some pancakes at an open pancake stand. It was all a lie. The military dosimeters then in use by our armed forces were designed to measure the radioactive background, not individual products. This level of lying, this incredible level, with which Chernobyl is connected in our minds, was comparable only to the level of lies during the big war.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I can’t count money. My memory’s not right. The doctors can’t understand it. I go from hospital to hospital. But this sticks in my head: you’re walking up to the house, thinking the house is empty, and you open the door and there’s this cat. That, and those kids’ notes.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
But I’m never lonely, a man who believes can never be lonely. I ride around the villages—I used to find spaghetti, flour—even vegetable oil. Canned fruit. Now I go to the cemeteries—people leave food and drink for the dead. But the dead don’t need it. They don’t mind. In the fields there’s wild grain, and in the forest there are mushrooms and berries. Freedom is here. I
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
You’re young. Why are you doing this? That’s not a person anymore, that’s a nuclear reactor. You’ll just burn together.” I was like a dog, running after them. I’d stand for hours at their doors, begging and pleading. And then they’d say: “All right! The hell with you! You’re not normal!
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Radiation is all around us. It emanates from the sun and cosmic rays, bathing cities at high altitude in greater levels of background radiation than those at sea level. Underground deposits of thorium and uranium emit radiation, but so does masonry: stone, brick, and adobe all contain radioisotopes. The granite used to build the US Capitol is so radioactive that the building would fail federal safety codes regulating nuclear power plants. All living tissue is radioactive to some degree: human beings, like bananas, emit radiation because both contain small amounts of the radioisotope potassium 40; muscle contains more potassium 40 than other tissue, so men are generally more radioactive than women. Brazil nuts, with a thousand times the average concentration of radium of any organic product, are the world’s most radioactive food.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
Hubo un tiempo en que envidiaba a los héroes. A los que habían participado en los grandes acontecimientos. A los que habían vivido épocas de ruptura, momentos cruciales de la historia. Soñaba [...] Pero ahora pienso de otro modo; no quiero convertirme en historia, no quiero vivir una época histórica como la de ahora.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Веднага спряха радиото. Никакви новини нямаме, затова живеем спокойно. Не се разстройваме. Идват хора, казват ни, че навсякъде има войни. И че сякаш социализмът се е свършил, че живеем при капитализма, че царят ще се върне. Вярно ли е?
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Don’t write about the wonders of Soviet heroism. They existed—and they really were wonders. But first there had to be incompetence, negligence, and only after those did you get wonders: covering the embrasure, throwing yourself in front of a machine gun. But that those orders should never have been given, that there shouldn’t have been any need, no one writes about that.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
We still have our television and our books, our imagination. Children grow up in their houses, without the forest and the river. They can only look at them. These are completely different children. And I go to them and recite Pushkin, who I thought was eternal. And then I have this terrible thought: what if our entire culture is just an old trunk with a bunch of stale manuscripts? Everything I love . . . He:
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Watch and clock faces, fingernails, military instrument panels, gun sights and even children’s toys glowed with radium, hand-painted in factories by young women working for the United States Radium Corporation. The unsuspecting artisans would lick their brushes - ingesting radium particles each time - to keep the tips pointed during the precision work, but years later their teeth and skulls began to disintegrate.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Искам да свидетелствам, че дъщеря ми умря от Чернобил. А от нас искат да мълчим. Казват, че науката не е доказала, че няма база данни. Трябва да чакаме стотици години. Но човешкият ми живот… Той е по-кратък… Няма да дочакам. Запишете го. Поне напишете, че дъщеря ми се казваше Катя…. Катюшенка…
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
It is a turn of events that highlights a certain human arrogance about our destructive powers. It is only hubris to imagine that we can destroy nature, or the world. It is the mirror image of the industrialist's egotistical desire to exploit and control it. And it is true that we can kill off continents of forest and destroy species by the thousands, and even wreak climate change. But once we're gone, the rest of nature will rush on, as it has after so many other cataclysms, growing over and through and out of us. The apocalypse we can create is for ourselves and for our cousins, but not for life on Earth.
Andrew Blackwell (Visit Sunny Chernobyl: And Other Adventures in the World's Most Polluted Places)
Do you remember how it was in Tolstoy? Pierre Bezukhov is so shocked by the war, he thinks that he and the whole world have changed forever. But then some time passes, and he says to himself: “I’m going to keep yelling at the coach-driver just like before, I’m going to keep growling like before.” Then why do people remember? So that they can determine the truth? For fairness? So they can free themselves and forget? Is it because they understand they’re part of a grand event? Or are they looking into the past for cover? And all this despite the fact that memories are very fragile things, ephemeral things, this is not exact knowledge, but a guess that a person makes about himself. It isn’t even knowledge, it’s more like a set of emotions
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I make my way back whistling. Gerry nods towards Mrs Brady who is standing beside the trolleys. Morning, Mrs Brady, I say cheerfully. I push her provisions out to the car. Things are something terrible, she says. You can't trust anybody. No. It's come to a sorry pass. It has. There's hormones in the beef and tranquillizers in the bacon. There's men with breasts and women with mickeys. All from eating meat. Now. I steer a path between a crowd of people while she keeps step alongside. Can you believe it - they're feeding the pigs Valium. If you boil a bit of bacon you have to lie down afterwards. Dear oh dear. Yes, I nod. The thought of food makes me ill. The pigs are getting depressed in those sheds. If they get depressed they lose weight. So they tranquillize them. Where will it end? I don't know, Mrs Brady, I say. I begin filling the boot. That's why I started buying lamb. Then along came Chernobyl. Now you can't even have lamb stew or you'll light up at night! I swear. And when they've left you with nothing safe to eat, next thing they come along and tell you you can't live in your own house. I haven't heard of that one, Mrs Brady. Listen to me. She took my elbow. It could all happen that you're in your own house and the next thing is there's radiation bubbling under the floorboards. What? It comes right at you through the foundations. Watch the yogurts. Did you hear of that? No. I saw it in the Champion. Did you not see it in the Champion? I might have. No wonder we're not right. I brought the lid of the boot down. She sits into the car very decorously and snaps her bag open on her lap. She winds down the window and gives me 50p for myself and £1 for the trolley.
Dermot Healy (Sudden Times)
When I was a kid, the neighbor woman, she'd been a partisan during the war, she told me a story about how their unit was surrounded but they escaped. She had her little baby with her, he was one month old, they were moving along a swamp, and there were Germans everywhere. The baby was crying. He might have given them away, they would have been discovered, the entire unit. And she suffocated him. She talked about this distantly, as if it hadn’t been her, and the child wasn’t hers. I can’t remember now why she told me this. What I remember very clearly is my horror. What had she done? How could she? I thought the whole unit was getting out from the encirclement for that little baby, to save him. Whereas here, in order to save the life of strong healthy men, they choked this child. Then what's the point of life? I didn’t want to live after that.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
Ionizing radiation takes three principal forms: alpha particles, beta particles, and gamma rays. Alpha particles are relatively large, heavy, and slow moving and cannot penetrate the skin; even a sheet of paper could block their path. But if they do manage to find their way inside the body by other means—if swallowed or inhaled—alpha particles can cause massive chromosomal damage and death. Radon 222, which gathers as a gas in unventilated basements, releases alpha particles into the lungs, where it causes cancer. Polonium 210, a powerful alpha emitter, is one of the carcinogens in cigarette smoke. It was also the poison slipped into the cup of tea that killed former FSB agent Alexander Litvinenko in London in 2006. Beta particles are smaller and faster moving than alpha particles and can penetrate more deeply into living tissue, causing visible burns on the skin and lasting genetic damage. A piece of paper won’t provide protection from beta particles, but aluminum foil—or separation by sufficient distance—will. Beyond a range of ten feet, beta particles can cause little damage, but they prove dangerous if ingested in any way. Mistaken by the body for essential elements, beta-emitting radioisotopes can become fatally concentrated in specific organs: strontium 90, a member of the same chemical family as calcium, is retained in the bones; ruthenium is absorbed by the intestine; iodine 131 lodges particularly in the thyroid of children, where it can cause cancer. Gamma rays—high-frequency electromagnetic waves traveling at the speed of light—are the most energetic of all. They can traverse large distances, penetrate anything short of thick pieces of concrete or lead, and destroy electronics. Gamma rays pass straight through a human being without slowing down, smashing through cells like a fusillade of microscopic bullets. Severe exposure to all ionizing radiation results in acute radiation syndrome (ARS), in which the fabric of the human body is unpicked, rearranged, and destroyed at the most minute levels. Symptoms include nausea, vomiting, hemorrhaging, and hair loss, followed by a collapse of the immune system, exhaustion of bone marrow, disintegration of internal organs, and, finally, death.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)