Cheer Box Quotes

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Populus me sibilat, at mihi plaudo Ipse domi stimul ac nummos contemplar in arca. (The public hiss at me, but I cheer myself when in my own house I contemplate the coins in my strong-box.)
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
The sun rises every day. What is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer! I will often admire beautiful sunrise, but I will never consider the sun a champion for having risen.
Garth Stein (The Art of Racing in the Rain)
Thank you, Simon, I appreciate that." Luke opened the pizza box and, finding it empty, shut it with a sigh. "Though you did eat all the pizza." "I only had five slices," Simon protested, leaning his chair backward so it balanced precariously on its two back legs. "How many slices did you think were in a pizza, dork?" Clary wanted to know. "Less than five slices isn't a meal. It's a snack." Simon looked apprehensively at Luke. "Does this mean you're going to wolf out and eat me?" "Certainly not." Luke rose to toss the pizza box into the trash. "You would be stringy and hard to digest." "But kosher," Simon pointed out cheerfully. "I'll be sure to point any Jewish lycanthropes your way." Luke leaned his back against the sink.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Clarity was looking down and seemed unhappy, so I put my paws on her chest and tried to lick her face. In my experience, being licked by a dog can cheer up just about anybody.
W. Bruce Cameron (A Dog's Purpose Boxed Set)
A cheer went up around them, picked up by others further back who surely couldn’t see the couple and likely had no idea what they were cheering about.
Deborah Grace White (The Kyona Chronicles: Complete Series (Kyona Box Sets Book 1))
He was old enough to know that it was not truly him they shouted for—it was the harvest they cheered, it was Robb and his victories, it was his lord father and his grandfather and all the Starks going back eight thousand years.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
We feel that, for the honour of God (and also, though we do not say this, for the sake of our own reputation as spiritual Christians), it is necessary for us to claim that we are, so to speak, already in the signal-box, here and now enjoying the inside information as to the why and wherefore of God’s doings. This comforting pretence becomes part of us: we feel sure that God has enabled us to understand all His ways with us and our circle thus far, and we take if for granted that we shall be able to see at once the reason for anything that may happen to us in the future. And then something very painful and quite inexplicable comes along, and our cheerful illusion of being in God’s secret councils is shattered. Our pride is wounded; we feel that God has slighted us; and unless at this point we repent, and humble ourselves very thoroughly for our former presumption, our whole subsequent spriritual life may be blighted.
J.I. Packer (Knowing God)
The prompt Paris morning struck its cheerful notes—in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The
Henry James (The Ambassadors)
Oh, very well,” he said,”let her come in, by all means, but just wait a minute till I tidy up the place.” His method of tidying was peculiar, he simply swallowed all the flies and spiders in the boxes before I could stop him. It was quite evident that he feared, or was jealous of, some interference. When he had got through his disgusting task, he said cheerfully, “Let the lady come in,
Bram Stoker (Dracula)
Why isn't there a holiday for all the sad sacks of the world who might actually need a crappy gift or schmaltzy card to cheer them up? I'm waiting for the "Let's All Mope!" day or a "Life Sucks" three-day weekend. Aren't we the ones who really need that box of chocolate?
Kim Askew (Exposure (Twisted Lit #2))
The the street was quiet again. Country quiet. That's partly what took city natives like the Whitlams by surprise, Falk thought: the quiet. He could understand them seeking out the idyllic country lifestyle, a lot of people did. The idea had an enticing, wholesome glow when it was weighed out from the back of a traffic jam, or while crammed into a gardenless apartment. They all had the same visions of breathing fresh clean air and knowing their neighbors. The kids would eat home-grown veggies and learn the value of an honest day's work. On arrival, as the empty moving truck disappeared form sight, they looked around and were always taken aback by the crushing vastness of the open land. The space was the thing that hit them first. There was so much of it. There was enough to drown in. To look out and see not another soul between you and the horizon could be a strange and disturbing sight. Soon, they discovered that the veggies didn't grow as willingly as they had in the city window box. That every single green shoot had to be coaxed and prized from the reluctant soil, and the neighbors were too busy doing the same on an industrial scale to muster much cheer in their greetings. There was no daily bumper-to-bumper commute, but there was also nowhere much to drive to. Falk didn't blame the Whitlams, he'd seen it many times before when he was a kid. The arrivals looked around at the barrenness and the scale and the sheer bloody hardness of the land, and before long their faces all said exactly the same thing. "I didn't know it was like this." He turned away, remembering how the rawness of local life had seeped into the kids' paintings at the school. Sad faces and brown landscapes.
Jane Harper (The Dry (Aaron Falk, #1))
The sprinklers whirled at dusk on every lawn and the television droned in every living room. A woman's only son came home insane, confronting her with God only knew what agonies of grief and guilt, and still she busied herself with the doings of the zoning board, with little chirrups of neighborly good cheer and cardboard boxes full of garden plants.
Richard Yates (Revolutionary Road)
swinging away until finally, I finished the last of them. No more bouncing boxes! Victory was mine! “Yeaaaah!” I cheered. “Take that, you stupid boxes! That’s what you get for trying to squish me!
Steve the Noob (Diary of Steve the Noob)
The Internet of Things is not about a talking refrigerator, because that is the old-fashioned consumer retail world of electrical white goods. It’s an archaic concept, like software bought in a plastic-wrapped box from a shelf. The genuine Internet of Things wants to invade that refrigerator, measure it, instrument it, monitor any interactions with it; it would cheerfully give away a fridge at cost.
Bruce Sterling (The Epic Struggle of the Internet of Things)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
Sam held one of the mice up by its tail over the box and then hesitated. "Her, you want to have a go?"... If Sam thought she was going to squeal at the sight of nature in the raw, he had a lot to learn. Bella fed the owlet, cheering as he gulped down his food with a greedy intensity that bode well for the little guy's future recovery. And she grinned to herself when she heard Sam mutter under this breath. "This has got to be the weirdest first date in history.
Deborah Blake (Wickedly Powerful (Baba Yaga, #3))
Oozing Street was oddly cheerful, with flower boxes hanging from windowsills and houses painted bright colors; even the slaughterhouse that anchored it was an inviting robin’s-egg blue, and I resisted an odd impulse to go inside and ask for a tour.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
The true hero is flawed. The true test of a champion is not whether he can triumph, but whether he can overcome obstacles - preferably of his own making - in order to triumph. A hero without a flaw is of no interest to an audience or to the universe, which, after all, is based on conflict and opposition, the irresistible force meeting the unmovable object. ... The sun rises every day. What is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer!
Garth Stein
However, what America does possess in abundance is a legacy of colorful names. A mere sampling: Chocolate Bayou, Dime Box, Ding Dong, and Lick Skillet, Texas; Sweet Gum Head, Louisiana; Whynot, Mississippi; Zzyzx Springs, California; Coldass Creek, Stiffknee Knob, and Rabbit Shuffle, North Carolina; Scratch Ankle, Alabama; Fertile, Minnesota; Climax, Michigan; Intercourse, Pennsylvania; Breakabeen, New York; What Cheer, Iowa; Bear Wallow, Mud Lick, Minnie Mousie, Eighty-Eight, and Bug, Kentucky; Dull, Only, Peeled Chestnut, Defeated, and Nameless, Tennessee; Cozy Corners, Wisconsin; Humptulips, Washington; Hog Heaven, Idaho; Ninety-Six, South Carolina; Potato Neck, Maryland; Why, Arizona; Dead Bastard Peak, Crazy Woman Creek, and the unsurpassable Maggie’s Nipples, Wyoming.
Bill Bryson (The Mother Tongue: English and How it Got that Way)
I imagine a man coming out of an alley and stabbing me a number of times until I die. Face-down, mouth-open in the snow. What would that change about me. Would I love it. Would I think that the stabbing was painful and that I didn’t like it. Does it actually hurt or is it great. I see my killer being given a wreath and a box of candy by the mayor of Chicago at some kind of ceremony (a ceremony for killing me, you see). And people are cheering for him. I see myself stab-holed and crawling out of an alley to join the periphery of the celebration. Then I hold one hand over the stab wounds and with the other hand I give the thumbs-up sign to my killer as he accepts the wreath from the mayor. I pass more people who are out walking. I’m on Ashland Avenue. A lot of times when I encounter someone else out walking or running past me, it feels like we should be more united than we end up acting. We’re both outside at the same time together. Why doesn’t that mean anything to anyone. Goddamn. No, I don’t think I actually care about that. I thought I cared about it just now.
Sam Pink (Person)
The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. ("The Open Door")
Mrs. Oliphant (The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies)
I thought of my mother. Was she crazy? Is that why she did it? Why she strapped me into the passenger seat of her yellow Mini and sped us toward that redbrick wall? I always liked that car, its cheerful canary yellow. The same yellow as in my paint box. Now I hate that color—every time I use it, I think of death. Why did she do it? I suppose I’ll never know. I used to think it was suicide. Now I think it was attempted murder. Because I was in the car too, wasn’t I? Sometimes I think I was the intended victim—it was me she was trying to kill, not herself. But that’s crazy. Why would she want to kill me?
Alex Michaelides (The Silent Patient)
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
You see, Dimitri and I, we are both suffering from ennui! We have still the match-boxes. But at last one gets tired even of match-boxes. Besides, our collection will soon be complete. And then what are we going to do?" 'Oh, Madame!' I exclaimed, touched by the moral unhappiness of this pretty person, 'if you only had a son, then you would know what to do. You would then learn the purpose of your life, and your thoughts would become at once more serious and yet more cheerful.' 'But I have a son,' she replied. 'He is a big boy; he is eleven years old, and he suffers from ennui like the rest of us. Yes, my George has ennui, too; he is tired of everything. It is very wretched.
Anatole France (The Crime of Sylvestre Bonnard)
Adelgunde and Herrmann weren't allowed to eat cake, because they couldn't digest it, their parents explained, so instead each of them had a small biscuits that the huntsman had to take out of a box they had brought with them. But Felix and Christlieb ate up the big slices of cake that their kind mother handed them, and felt happy and cheerful.
E.T.A. Hoffmann (E. T. A. Hoffman Tales (Collected Stories of the World's Greatest Writers))
But here, window boxes overflowed with peppermint, chervil, and geraniums of pink, lilac, and white, while ivy crept cheerfully up the walls of stone buildings that looked as if they’d been here since long before the French Revolution. Clothes dried on lines strung across wooden balconies, and even the church overlooking the small town seemed to glow, the lights inside illuminating the colorful windows. The town square was anchored by a stone fountain featuring a bearded man with a cross in one hand and a pitcher of water in the other. Water gurgled cheerfully around the statue’s feet. This was a town whose heart hadn’t yet been trampled, and for a few seconds, Eva didn’t know what to make of it.
Kristin Harmel (The Book of Lost Names)
Maybe I broke too many hearts, maybe I crushed too many souls, maybe my own heart was too broken to give a damn about anyone else’s. Maybe the wise man was right, maybe life was like a boxing match. Tons of people cheered for you from the outside but you were alone in the ring to ght your own battles and deal with your own mess. Maybe I couldn’t deal with mine.
Nidhie Sharma (Dancing With Demons)
The crowd started cheering as soon as they seen him, he was one of them, a local lad from Lancashire. In the first round, I tried to put him away but my punches had nothing in them, I might as well as been hitting thin air. It was then that I knew I had to really dig deep if I wanted to hear the final bell; I threw a clever little corkscrew right. A great shot, but ineffective unless it hits with some vigour, which it didn’t!
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
always has?” “What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
There is one story about letters. A perpetually cheerful Frog pays a visit to Toad but finds Toad glum, sitting on his front porch. "This is my sad time of day," says Toad, "when I wait for the mail to come." "Why is that?" says Frog. "No one has ever sent me a letter. My mailbox is always empty. That is why waiting for the mail is a sad time for me." Then Frog and Toad sit "on the porch, feeling sad together." Frog rescues the situation by running home, writing a letter to Toad, and sending it literally by snail mail. The little snail brings it four days later. Even though Toad saw Frog every day, he longed for the strangeness, the otherness of a letter, for something to come from out there and address him, "Dear Toad." Is that the thrill I feel finding a letter from you in my box? The address of a friend is made into a physical fact and every letter an artifact of the otherwise invisible communion of friendship.
Amy Alznauer (Love and Salt: A Spiritual Friendship Shared in Letters)
You may think this a strange story, but it is not. There are people whose lives are every bit as unusual as Bobby Box's--I can promise you that. Not all of them end as well, of course. For many people, the world is a place of sadness and sorrow, which is a great pity, as we have only one chance at life, and it is very bad luck if things do not go well. But even if you think they are not going well, you can still wish, as Bobby Box did. And sometimes those wishes will come true, as his did, and the world will seem filled with light and happiness. That can happen, you know. So never give up hope; never think things are so bad that they can never get better. They can get better, and they do. And if you have the chance to make things easier for another person, never miss it. Stretch out your hand to help them, to cheer them up, to wipe away their tears. Stretch out your hand as that man and that woman did to Bobby Box. Stretch out your hand and see what happens.
Alexander McCall Smith (What You Wish For: A Book for Darfur)
Let Everyday Be Christmas Christmas is forever, not for just one day, for loving, sharing, giving, are not to put away like bells and lights and tinsel, in some box upon a shelf. The good you do for others is good you do yourself. Peace on Earth, good will to men, kind thoughts and words of cheer, are things we should use often and not just once a year. Remember too the Christ-child, grew up to be a man; to hide him in a cradle, is not our dear Lord's plan. So keep the Christmas spirit, share it with others far and near, from week to week and month to month, throughout the entire year!
Norman Wesley Brooks
The eyes from Burma, from Tonkin, watch these women at their hundred perseverances—stare out of blued orbits, through headaches no Alasils can ease. Italian P/Ws curse underneath the mail sacks that are puffing, echo-clanking in now each hour, in seasonal swell, clogging the snowy trainloads like mushrooms, as if the trains have been all night underground, passing through the country of the dead. If these Eyeties sing now and then you can bet it’s not “Giovinezza” but something probably from Rigoletto or La Bohème—indeed the Post Office is considering issuing a list of Nonacceptable Songs, with ukulele chords as an aid to ready identification. Their cheer and songfulness, this lot, is genuine up to a point—but as the days pile up, as this orgy of Christmas greeting grows daily beyond healthy limits, with no containment in sight before Boxing Day, they settle, themselves, for being more professionally Italian, rolling the odd eye at the lady evacuees, finding techniques of balancing the sack with one hand whilst the other goes playing “dead”—cioé, conditionally alive—where the crowds thicken most feminine, directionless . . . well, most promising. Life has to go on. Both kinds of prisoner recognize that, but there’s no mano morto for the Englishmen back from CBI, no leap from dead to living at mere permission from a likely haunch or thigh—no play, for God’s sake, about life-and-death! They want no more adventures: only the old dutch fussing over the old stove or warming the old bed, cricketers in the wintertime, they want the semi-detached Sunday dead-leaf somnolence of a dried garden.
Thomas Pynchon (Gravity's Rainbow)
Friday, March 28th. 1884 ... I am afraid grandmamma Potter will be disappointed, and I very much wished to go, but it is the last chance of seeing the old house. Not that I look forward to that as an unmixed pleasure. I have a very pleasant recollection of it, which I fear may be changed. I have now seen longer passages and higher halls. The rooms will look cold and empty, the passage I used to patter along so kindly on the way to bed will no longer seem dark and mysterious, and, above all, the kind voice which cheered the house is silent forever. It is six or seven years since I have been there, but I remember it like yesterday. The pattern of the door-mat, the pictures on the old music-box, the sound of the rocking-horse as it swung, the engravings on the stair, the smell of the Indian corn, and the feeling of plunging one's hands into the bin, the hooting of the turkeys and the quick flutter of the fantail's wings. I would not have it changed.
Beatrix Potter (The Journal of Beatrix Potter from 1881-1897)
We’d been expending heroic effort searching for an apartment, a frustrating process which we’d borne in mostly good humor although the bare spaces and empty rooms haunted with other people’s abandoned lives kicked up (for me) a lot of ugly echoes from childhood, moving boxes and kitchen smells and shadowed bedrooms with the life gone out of them all but more than this, pulsing throughout, a sort of ominous mechanical hum audible (apparently) only to me, heavily-breathing apprehensions which the voices of the brokers, ringing cheerfully against the polished surfaces as they walked around switching on the lights and pointing out the stainless-steel appliances, did little to dispel. And why was this? Not every apartment we saw had been vacated for reasons of tragedy, as I somehow believed. The fact that I smelled divorce, bankruptcy, illness and death in almost every space we viewed was clearly delusional—and, besides, how could the troubles of these previous tenants, real or imagined, harm Kitsey or me? “Don’t lose heart,” said Hobie (who, like me, was overly sensitive to the souls of rooms and objects, the emanations left by time)
Donna Tartt (The Goldfinch)
He kissed her again, pulling her up against him and running his hands up and down her back. As he deepened the kiss, he became aware of clapping, cheers and catcalls. No doubt Chase had gone into the restaurant and rounded up the whole Fool’s Gold crowd to come watch the show. Zane figured they might as well get their money’s worth. He pulled back slightly and took her hand in his as he lowered himself to one knee. He took off his hat and said, “Phoebe, will you marry me?” Her eyes widened, then filled with tears. “Yes, I will.” Contentment filled him, blending with the love already in his heart. He pulled the small box from his jacket pocket. While Maya had been busy running to the meeting, Zane had spent some time on Rodeo Drive. The Tiffany’s store had a nice collection of engagement rings. He’d chosen a perfect round diamond set on a platinum band that looked like braided rope. He slipped the ring on her finger, and she gasped. “It’s so beautiful.” “I’m glad you like it. Now keep it away from the raccoons.” “I’ll never take it off. Ever.” She stared at him. “I really love you, Zane.” He didn’t doubt her for a second and knew that he never would. He and Phoebe would be together for the rest of their lives. It was going to be a hell of a ride, and he couldn’t wait to see what happened next.
Susan Mallery (Kiss Me (Fool's Gold, #17))
It had been years since he'd seen a woman handle a crowd of admirers so deftly- not since Lily in her gambling days. Fascinated, he wondered where the hell she had come from. He knew about all the new arrivals in London, and he'd never seen her before. She must be some diplomat's wife, or some exclusive courtesan. Her lips were red and pouting, her pale white shoulders enticingly bare above the blue velvet of her gown. She laughed frequently, tossing her head back in a way that caused her chestnut curls to dance. Like the other men present, Derek was captivated by her figure, the luscious round breasts, the tiny waist, all revealed by a well-fitted gown that was unlike the shapeless Grecian styles of the other women. "A toast to the loveliest bosom in London!" Lord Bromley, a rakish ne'er-do-well, exclaimed. Titillated and excited, the crowd raised their glasses with a cheer. Waiters rushed to bring more liquor. "Miss," one of them begged, "I entreat you to cast my dice for me." "Whatever good luck I have is yours," she assured him, and shook the dice in the box so vigorously that her breasts quivered beneath their shallow covering. The temperature in the room escalated rapidly as a host of admiring sighs greeted the display. Derek decided to intervene before the crowd's mood became too highly charged. Either the vixen didn't realize the lust she was inciting, or she was doing it deliberately. Either way, he wanted to meet her.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
While the indecisive customer hovered over an array of perfumes that Nettle had brought out for her, the American girls browsed among the shelves of perfumes, colognes, pomades, waxes, creams, soaps, and other items intended for beauty care. There were bath oils in stoppered crystal bottles, , and tins of herbal unguents, and tiny boxes of violet pastilles to freshen the breath. Lower shelves held treasure troves of scented candles and inks, sachets filled with clove-saturated smelling salts, potpourri bowls, and jars of pastes and balms. Nettle noticed, however, that while the younger girl, Daisy, viewed the assortment with only mild interest, the older one, Lillian, had stopped before a row of oils and extracts that contained pure scent. Rose, frangipani, jasmine, bergamot, and so forth. Lifting the amber glass bottles, she opened them carefully and inhaled with visible appreciation. Eventually the blond woman made her choice, purchased a flacon of perfume, and left the shop, a small bell ringing cheerfully as the door closed. Lillian, who had turned to glance at the departing woman, murmured thoughtfully, "I wonder why it is that so many light-haired women smell of amber..." "You mean amber perfume?" Daisy asked. "No- their skin itself. Amber, and sometimes honey..." "What on earth do you mean?" the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash." The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..." "Others have a scent like plum, or palm sap, or fresh hay," Nettle commented. Lillian glanced at him with a satisfied smile. "Yes, exactly!" Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Could it be? Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
There is one story about letters. A perpetually cheerful Frog pays a visit to Toad but finds Toad glum, sitting on his front porch. "This is my sad time of day," says Toad, "when I wait for the mail to come." "Why is that?" says Frog. "No one has ever sent me a letter. My mailbox is always empty. That is why waiting for the mail is a sad time for me." Then Frog and Toad sit "on the porch, feeling sad together." Frog rescues the situation by running home, writing a letter to Toad, and sending it literally by snail mail. The little snail brings it four days later. Even though Toad saw Frog every day, he longed for the strangeness, the otherness of a letter, for something to come from out there and address him, "Dear Toad." Is that the thrill I feel finding a letter from you in my box? The address of a friend is made into a physical fact and every letter an artifact of the otherwise invisible communion of friendship.
Amy Andrews
stars shine brighter in the blackness of darkness.Cheer up no matter your pains
Ikechukwu Joseph (Bible Faith Nuggets Series Box Set)
then the Israelite’s secret weapon was brought to the fore of the lines: The Ark of the Covenant. The gold plated box glittered in the sun. It was carried on its poles by priests and accompanied by the high priest Eleazer. Caleb rose and Eleazer pronounced a benediction on him. “Caleb ben Jephunneh, Yahweh is with you! Yahweh is with Israel! Trust in him with all your heart and lean not on your own strength, but upon the Spirit of Yahweh Elohim! He will fight for you! Be strong and courageous! Do not fear this Seed of the Serpent!” Caleb turned to address the soldiers with Othniel proudly by his side. “Let all of Israel stand in awe and wonder, for our god will deliver us!” The men cheered. They believed him for the moment, as all good soldiers do. “Shout to the Lord and praise his name before the shadow of thine enemies!” The army of Yahweh responded with a shout that rang throughout the valley in such thunderous unison that it was now the Anakim’s turn to have their confidence shaken. It was a predetermined praise of Yahweh that they had been taught. And it almost sounded like the indomitable voices of the Seraphim before the throne of Yahweh, the sound of many voices as one.
Brian Godawa (Caleb Vigilant (Chronicles of the Nephilim Book 6))
Two stages facing us had been erected in the bowl-shaped field for use by the performers, and bleachers had been built during the night on the north side of the hill. Other spectators sat on the ground, the slope itself providing a form of tiered seating. The laughs, jeers and applause that rang out from the audience on all sides felt like manna from heaven--only it fed my soul, not my stomach. My sister, father and Semari were almost bouncing up and down in an enthusiastic show of appreciation, while my mother, Alantonya and I less flamboyantly indicated our delight. Koranis and Temerson were quite vocal, tossing out taunts and cheers with the rest of the crowd. The only people we had invited who had not yet joined us were Cannan and Faramay. When I inquired after the captain, no one had information on his whereabouts, and I did my best to dismiss my concern. “Perhaps he’s ill,” I suggested. “The man hasn’t been ill in all the years I’ve known him.” My father chortled. “He’s never missed a day of service. And if he had taken sick, he would have made sure it was on a day when he was off-duty!” Other than Narian, who seemed lost inside his head, we all laughed at the joke, then went back to observing the festivities. Another hour passed, along with lunch, which was served to us within the royal box. I received a few odd glances from my father for conversing freely with Narian throughout the meal, but he didn’t address it, perhaps because of the looks my mother was sending his way. Once servants had removed our plates and dishes, Temerson stood and stretched. “I think I’ll step out, if you don’t mind, love,” he said to Miranna, who nodded, then he turned to my father and Koranis. “Would anyone care to join me?” They both agreed, and all were soon departing through the door behind us. I chuckled at their odd behavior, and Semari came to sit by Miranna, taking up Temerson’s seat. It was then that I noticed Alantonya had been left a bit stranded. She didn’t seem to mind, but I nonetheless pointed this out to Narian. Though he looked almost like he was swallowing medicine, he rose to his feet and walked to his mother, ignoring Semari’s stare. “Do you mind?” he asked Alantonya, gesturing to the vacant chair beside her. “No,” she said, surprised. “No, not at all.” With one final glance at me, to which I responded with an encouraging nod, he took a seat. “Are you enjoying the festivities?” he asked the Baroness, beginning some small talk, but their voices gradually dropped lower, their conversation more private. Though I could not hear their words, their postures relaxed. Then Alantonya reached out to place her hand over her son’s where it rested on the arm of his chair, and he smiled.
Cayla Kluver (Sacrifice (Legacy, #3))
What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
Ian opens the box and moves the polystyrene strips to uncover a matryoshka. He’s astonished when he sees that it’s his face painted on it. "But...," he says. "Is it me?" He looks at Andrea, puzzled. "You’re very good." The look is from a photo of him at a party, before he knew him personally, that he found on the internet. He’s in a gray suit and has a cane, like a count from the olden days. "That's the Count," he says, and Ian looks at him and swallows. Andrea smiles. His gift holds a deep meaning that only the two of them understand. Ian opens the first doll and inside there is another. He gasps on seeing it. "That’s Dorian," says Andrea. He has painted Ian as he had looked on the night of his first event. When he wore the white Versace suit and Borsalino fedora. His hand trembling, Ian opens the doll to see the next one inside. "That's Ian," Andrea smiles, as does Ian when he sees himself portrayed with the black linen scarf and white sweater that he was wearing when they had met for the first time in Clusone. He has a serious look in the previous dolls while here he is cheerful. Ian shakes the doll a little and hears the wood rattle. He looks at Andrea, doubtful: they both know that their rapport finishes here. Andrea hasn’t discovered his innermost layer and sounderstands his perplexity. Ian seems to have to pluck up courage and then opens again. Inside there is the last, smallest doll, made from a single small piece of wood and known as the "seed". It dances in a large empty space, given that the doll above it is missing. It’s golden and doesn’t have a face. "That’s the soul," says Andrea. "One’s missing. That's why there's that little table with brushes in my room. I hope to do it soon. As soon as I can." Ian takes the little piece of wood and holds it in his fist. "Thank you, Andrea. It’s a wonderful gift," he says, tightening his jaw. "I eagerly await the last." He’s
Key Genius (Heart of flesh)
IT ALL STARTED SO PEACEFULLY, JUST A FEW SHORT WEEKS AGO, on a lovely day in early autumn. I had driven in to work as I always did, through the happy carnage that is rush hour in Miami. It had been a bright and pleasant day: sun shining, temperature in the seventies, the other drivers cheerfully honking their horns and screaming death threats, and I’d steered through it with a blissful feeling of belonging. I had pulled into a spot in the parking lot at police HQ, still completely unaware of the lurking terror that awaited me, and carefully carried a large box of doughnuts into the building and up to the second floor. I’d arrived at my desk punctually, at my usual time. And I made it all the way into a seated position in my chair, a cup of vile coffee in one hand and a jelly doughnut in the other, before I ever for a moment suspected that today would be anything other than one more day of peaceful routine among the newly dead of Our Fair City. And then the phone on my desk began to buzz, and because I was stupid enough to answer it, everything changed forever.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
There is Brett, the Bratwurst, who wears Lederhosen. There is Stosh, the Polish sausage, who sports dark sunglasses and a blue and red rugby shirt. There is Guido, the Italian sausage, who wears chef’s garb. There is Frankie Furter, the hot dog, who wears a baseball uniform. And there is Cinco, the Chorizo, who sports a sombrero. It’s an awesome tradition. Visiting players gather on the top step of the dugout to cheer, heckle, throw cups of water, and handfuls of sunflower seeds and—in one infamous case—use a bat in an effort to disrupt the race.
Bill Schroeder (If These Walls Could Talk: Milwaukee Brewers: Stories from the Milwaukee Brewers Dugout, Locker Room, and Press Box)
When we reach the fence, we see the Dauntless standing in our headlight beams, blocking the gate. Their blue armbands stand out against the rest of their clothing. I try to keep my expression pleasant. I will not be able to fool them into thinking I’m Amity with a scowl on my face. A dark-skinned man with a gun in hand approaches Marcus’s window. He shines a flashlight at Marcus first, then Christina, then me. I squint into the beam, and force a smile at the man like I don’t mind bright lights in the eyes and guns pointed at my head in the slightest. The Amity must be deranged if this is how they really think. Or they’ve been eating too much of that bread. “So tell me,” the man says. “What’s an Abnegation member doing in a truck with two Amity?” “These two girls volunteered to bring provisions to the city,” Marcus says, “and I volunteered to escort them so that they would be safe.” “Also, we don’t know how to drive,” says Christina, grinning. “My dad tried to teach me years ago but I kept confusing the gas pedal for the brake pedal, and you can imagine what a disaster that was! Anyway, it was really nice of Joshua to volunteer to take us, because it would have taken us forever otherwise, and the boxes were so heavy--” The Dauntless man holds up his hand. “Okay, I get it.” “Oh, of course. Sorry.” Christina giggles. “I just thought I would explain, because you seemed so confused, and no wonder, because how many times do you encounter this--””Right,” the man says. “And do you intend to return to the city?” “Not anytime soon,” Marcus says. “All right. Go ahead, then.” He nodes to the other Dauntless by the gate. One of them types a series of numbers on the keypad, and the gate slides open to admit us. Marcus nods to the guard who let us through and drives over the worn path to Amity headquarters. The truck’s headlights catch tire tracks and prairie grass and insects weaving back and forth. In the darkness to my right I see fireflies lighting up to a rhythm that is like a heartbeat. After a few seconds, Marcus glances at Christina. “What on earth was that?” “There’s nothing the Dauntless hate more than cheerful Amity babble,” says Christina, lifting a shoulder. “I figured if he got annoyed it would distract him and he would let us through.” I smile with all my teeth. “You are a genius.” “I know.” She tosses her head like she’s throwing her hair over one shoulder, only she doesn’t have enough to throw. “Except,” says Marcus. “Joshua is not an Abnegation name.” “Whatever. As if anyone knows the difference.
Veronica Roth (Insurgent (Divergent, #2))
In the days leading up to the war with Germany, the British government commissioned a series of posters. The idea was to capture encouraging slogans on paper and distribute them about the country. Capital letters in a distinct typeface were used, and a simple two-color format was selected. The only graphic was the crown of King George VI. The first poster was distributed in September of 1939: YOUR COURAGE YOUR CHEERFULNESS YOUR RESOLUTION WILL BRING US VICTORY Soon thereafter a second poster was produced: FREEDOM IS IN PERIL DEFEND IT WITH ALL YOUR MIGHT These two posters appeared up and down the British countryside. On railroad platforms and in pubs, stores, and restaurants. They were everywhere. A third poster was created yet never distributed. More than 2.5 million copies were printed yet never seen until nearly sixty years later when a bookstore owner in northeast England discovered one in a box of old books he had purchased at an auction. It read: KEEP CALM AND CARRY ON The poster bore the same crown and style of the first two posters. It was never released to the public, however, but was held in reserve for an extreme crisis, such as invasion by Germany. The bookstore owner framed it and hung it on the wall. It became so popular that the bookstore began producing identical images of the original design on coffee mugs, postcards, and posters. Everyone, it seems, appreciated the reminder from another generation to keep calm and carry on.1
Max Lucado (God Will Use This for Good: Surviving the Mess of Life)
Rava approached Steldor and removed a dagger from a sheath at her hip. With her left hand, she smoothed the collar of his white shirt, then yanked the fabric away from his chest, slicing through it in a single motion. Spying the silver wolf’s head talisman that he always wore, she seized it, ripping it free of his neck. “Whether for good luck or good fortune, you’ll have no need of this,” she sneered, dropping the pendant into a pouch that hung from her belt. “I’m sorry it’s not strong enough to cover your stench,” he icily replied, for the mixture inside the talisman was the source of his rich, masculine scent. Rava stared at Steldor, then stalked around him to tear the remnants of his shirt from his back, trying without success to strip him of his pride. She perused his muscular torso, and when she faced him once more, her eyes came to rest on the scar beneath his rib cage--the one that marked the life-threatening wound given to him by a Cokyrian blade--and placed the tip of the dagger she still held against it. “Only slightly marred.” She traced the knife’s point along the jagged white line, leaving a trail of red. “I’ll see what I can do to change that.” She tucked the weapon back into its sheath and gave a nod to the soldiers who had brought Steldor out of the Bastion. As they tied his wrists with rope, she went to the woman who had brought the box and lifted its lid. With a satisfied chuckle, she removed a whip more fearsome than any I had ever seen, cradling it like a mother would an infant, and the gathered throng fell silent. It was indeed rawhide, but uncoiled it reached four feet in length before meeting a silver ring, on the other end of which another two feet of metal-studded leather waited to strike. I looked to Narian and Cannan, and knew by both of their expressions that this was not what they had expected. Indeed, Rava purposefully made eye contact with Narian, her demeanor haughty, before returning her attention to her prey. “On your knees,” Rava growled, dangling the whip in front of Steldor. He obeyed, his eyes never leaving her face, continuing to radiate strength and insolence. “How can a flag be of consequence in a dead kingdom?” she taunted. “It is cloth. It is meaningless. And it can be burned.” She ticked a finger for one of the many soldiers around us to come forward, and I recognized Saadi. He extended our rolled Hytanican flag, and Rava took it, letting it unfurl until the end touched the ground. She held out her other hand and Saadi passed her a lit torch, which she touched to the banner of my homeland, letting flames consume it. The courtyard’s white stone walkway would now and forever be scorched. Steldor’s upper lip lifted away from his teeth, but aside from this snarl, he showed no reaction. “Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Cayla Kluver (Sacrifice (Legacy, #3))
Iron Man‘s success more than made up for that July’s Incredible Hulk. The result of Marvel’s most difficult production right up to the present, the second Hulk film starred Ed Norton, who proved a terrible fit for Maisel and Feige’s philosophy that studio executives should be the ultimate creative authority. Undeniably one of the best actors of his generation, Norton is also famous in Hollywood for being “difficult” and highly opinionated, refusing to allow artistic choices he disagrees with and seeking to rewrite scripts he doesn’t like, which is what he did on The Incredible Hulk. The clashes intensified in post-production, and the director, Louis Letterier, sided with Norton over the studio. They both learned who has the ultimate power at Marvel, though, when Feige took control of editing. He excised many of the darkest scenes, including a suicide attempt meant to portray how much the scientist Bruce Banner wants to rid himself of the curse of transforming into the Hulk when he’s mad. The resulting movie was still darker and more dramatic than any other Marvel Studios production and not different enough from the Hulk movie of 2003. It grossed only $263 million at the box office and barely broke even, the worst performance for any Marvel Studios film to date. The Incredible Hulk never got a sequel, but the character has returned in Avengers films, played by the easygoing Mark Ruffalo. The usually cheerful Feige stated that the decision to recast the role was “rooted in the need for an actor who embodies the creativity and collaborative spirit of our other talented cast members.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
In order to keep her cheerful, us-fat-girls-LOVE-chocolate thing going, Ginger had to eat half the box, even though it made her feel ashamed. Comfort eating always did. That was why she could never lose weight: when her heart was heavy, she numbed it with chocolate or biscuits or ice cream. Hating herself for being fat meant she could keep all other feelings at bay. And for a while, food filled all the dark, sad holes inside her.
Cathy Kelly (The Year that Changed Everything)
Do not keep the alabaster boxes of your love and tenderness sealed up until your friends are dead. Fill their lives with sweetness, speak cheering words while their ears can hear, and while their hearts can be thrilled and made happier by them.
William Childs
A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it. I think a lot of companies would have fired Phil for that one, but we always felt we had to try some of this crazy stuff. PHIL GREEN: “Mr. Sam usually let me do whatever I wanted on these promotions because he figured I wasn’t going to screw it up, but on this one he came down and said, ‘Why did you buy so much? You can’t sell all of this!’ But the thing was so big it made the news, and everybody came to look at it, and it was all gone in a week. I had another one that scared them up in Bentonville too. This guy from Murray of Ohio called one day and said he had 200 Murray 8 horsepower riding mowers available at the end of the season, and he could let us have them for $175. Did we want any? And I said, ‘Yeah, I’ll take 200.’ And he said, ‘Two hundred!’ We’d been selling them for $447, I think. So when they came in we unpacked every one of them and lined them all up out in front of the store, twenty-five in a row, eight rows deep. Ran a chain through them and put a big sign up that said: ‘8 h.p. Murray Tractors, $199.’ Sold every one of them. I guess I was just always a promoter, and being an early Wal-Mart manager was as good a place to promote as there ever was.
Sam Walton (Sam Walton: Made In America)
On January 21, 1793, more grisly events forced a reappraisal of the notion that the French Revolution was a romantic Gallic variant of the American Revolution. Louis XVI—who had aided the American Revolution and whose birthday had long been celebrated by American patriots—was guillotined for plotting against the Revolution. The death of Louis Capet—he had lost his royal title—was drenched in gore: schoolboys cheered, threw their hats aloft, and licked the king’s blood, while one executioner did a thriving business selling snippets of royal hair and clothing. The king’s decapitated head was wedged between his lifeless legs, then stowed in a basket. The remains were buried in an unvarnished box. England reeled from the news, William Pitt the Younger branding it “the foulest and most atrocious act the world has ever seen.” On February 1, France declared war against England, Holland, and Spain, and soon the whole continent was engulfed in fighting, ushering in more than twenty years of combat.
Ron Chernow (Alexander Hamilton)
Next Day Moving from Cheer to Joy, from Joy to All, I take a box And add it to my wild rice, my Cornish game hens. The slacked or shorted, basketed, identical Food-gathering flocks Are selves I overlook. Wisdom, said William James, Is learning what to overlook. And I am wise If that is wisdom. Yet somehow, as I buy All from these shelves And the boy takes it to my station wagon, What I’ve become Troubles me even if I shut my eyes. When I was young and miserable and pretty And poor, I’d wish What all girls wish: to have a husband, A house and children. Now that I’m old, my wish Is womanish: That the boy putting groceries in my car See me. It bewilders me he doesn’t see me. For so many years I was good enough to eat: the world looked at me And its mouth watered. How often they have undressed me, The eyes of strangers! And, holding their flesh within my flesh, their vile Imaginings within my imagining, I too have taken The chance of life. Now the boy pats my dog And we start home. Now I am good. The last mistaken, Ecstatic, accidental bliss, the blind Happiness that, bursting, leaves upon the palm Some soap and water-- It was so long ago, back in some Gay Twenties, Nineties, I don’t know . . . Today I miss My lovely daughter Away at school, my sons away at school, My husband away at work--I wish for them. The dog, the maid, And I go through the sure unvarying days At home in them. As I look at my life, I am afraid Only that it will change, as I am changing: I am afraid, this morning, of my face. It looks at me From the rear-view mirror, with the eyes I hate, The smile I hate. Its plain, lined look Of gray discovery Repeats to me: “You’re old.” That’s all, I’m old. And yet I’m afraid, as I was at the funeral I went to yesterday. My friend’s cold made-up face, granite among its flowers, Her undressed, operated-on, dressed body Were my face and body. As I think of her I hear her telling me How young I seem; I am exceptional; I think of all I have. But really no one is exceptional, No one has anything, I’m anybody, I stand beside my grave Confused with my life, that is commonplace and solitary.
Randall Jarrell
Instead of celebrating our cyclic nature as a positive aspect of our female being, up until very recently we’ve been taught that we shouldn’t acknowledge our periods at all, lest we neglect the needs of our spouses and children. Consider this excerpt from a 1963 insert inside a tampon box: WHEN YOU’RE A WIFE Don’t take advantage of your husband. That’s an old rule of good marriage behavior that’s just as sensible now as it ever was. Of course, you’ll not try to take advantage, but sometimes ways of taking advantage aren’t obvious. You wouldn’t connect it with menstruation, for instance. Yet, if you neglect the simple rules that make menstruation a normal time of month, and retire for a few days each month, as though you were ill, you’re taking advantage of your husband’s good nature. He married a full-time wife, not a part-time one. So you should be active, peppy, and cheerful every day.27
Christiane Northrup (Women's Bodies, Women's Wisdom: Creating Physical And Emotional Health And Healing)
All desire to laugh fled. How exactly did Strike think that it would cheer Robin up, to know that his girlfriend was thinking of buying a ludicrously expensive flat? Or was he about to announce (Robin's fragile mood began to collapse in on itself) that he and Elin were moving in together? Like a film flickering rapidly before her eyes she saw the upstairs flat empty, Strike living in luxury, herself in a tiny box room on the edge of London, whispering into her mobile so that her vegan landlady did not hear her.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it. I think a lot of companies would have fired Phil for that one, but we always felt we had to try some of this crazy stuff. PHIL
Sam Walton (Sam Walton: Made In America)
The other coach encouraged me to go for it. I took two of my kids and had one belay me. Halfway through, the rest of the team drove up and were cheering me on. It wasn’t the time to do Shadow Boxing, but I was climbing well, the conditions changed in a positive direction, and I had all that support. I made it.
Chris Santella (Fifty Places to Rock Climb Before You Die: Rock Climbing Experts Share the World's Greatest Destinations)
The sun rises every day, what is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer!
Garth Stein (The Art of Racing in the Rain)
She’d been trying to put distance between them, afraid that the strange attraction she felt for him would somehow be noticed and he’d think her incapable of doing her job. And all this time, he was in love with her! This would never do. Polly took a deep breath as she entered the kitchen. What if Mitch was there? What was she supposed to say? Mitch, I got your note, and, against my better judgment, I am finding myself very attracted to you, but I cannot imagine how a romance between us would work? Preposterous. That’s what it was. How could she even consider falling in love with a man who would keep her tied down to a family that… “Good morning, Polly!” Five cheerful voices greeted her as she entered the kitchen. They were all seated at the kitchen table, working on their…lessons? Isabella held up a slate. “I wite name!” Someone had clearly written Isabella on her slate, and underneath, Isabella had scribbled. “I’ve already done my spelling,” Louisa said. “And the other children are still working on theirs, but we should be ready for the rest of our lessons soon.” Then she held up a book. “Pastor, er, Uncle Frank said it was all right to borrow something from his study. I thought this looked interesting.” Robinson Crusoe. Not something Polly would have picked for the girl, but if she wanted to read it… “That sounds just fine.” Polly looked around the spotless kitchen. “Where’s Maddie?” Maddie came in the back door, drying her hands on her apron. “Just out finishing up a few things. I don’t know what you did to these children, but they’ve been well behaved all morning. Said they wanted you to get your rest and helped me with the washing up, then got right to their lessons.” Polly stared at them. “Really?” “Oh, yes,” Clara said, her smile filling her face. “We like you best of all of our nannies, and since the other ones left
Regina Scott (September 2016 Box Set: A Rancher of Convenience / Texas Cinderella / The Nanny's Little Matchmakers / A Mother in the Making)
The words we spoke to one another are what joined us. Our words, our wills bind us, and even with so many looking on, clapping, cheering that we are now husband and wife, I can’t make myself look away from him, and he can’t tear his eyes away from me. We are caught in this most exquisite intimacy, and neither of us wants out. We want to revel in it, to revel in each other, for the rest of our days.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
A dragon’s roar ripped through the air, billowing past the thousands of people clustered together to see its might. The force of the sound spiraled up each floor of the amphitheater, making skirts rise, tunics flutter, and hundreds gasp in awe. Even the dust and dirt that came from crowded city life seemed to flee in terror, kicked up into the air, sweeping over the heads of the citizens as they cheered or cowered.
Jada Fisher (Brindle Dragon Boxed Set #1-9)
I clung to him as he twirled me around in joyful abandon. He finally set me back on my feet and leaned down to press his lips to mine. The laughs and cheers of our friends and family swirled around us, and I felt certain my heart would burst with happiness.
Melanie Cellier (The Four Kingdoms Box Set One (The Four Kingdoms #1-2.5))
By the 59th minute, the match was still scoreless when German striker Alexandra Popp ran down a lofted ball into the box. Julie Johnston, chasing, tugged her from behind. Popp fell, and the whistle blew. Penalty kick for Germany. This was it. This was the moment, it seemed, the Americans would lose the World Cup. It was a given, of course, that Germany would score this penalty kick. The Germans never missed in moments like this, and a goal would shift the momentum of the match. Hope Solo did the only thing she could do: stall. As Célia Šašić stepped up to the spot to take the kick, Solo sauntered off to the sideline slowly and got her water bottle. She took a sip. Paused. Scanned the crowd. Another sip. She strolled back slowly toward goal. She still had the water bottle in her hand. She wanted to let this moment linger. She wanted Šašić to think too much about the kick and let the nerves of the moment catch up to her. Finally, Solo took her spot. The whistle blew, and without even a nanosecond of hesitation, Šašić ran up to the ball and hit it, as if she couldn’t bear another moment of waiting. Solo guessed to the right, and Šašić’s shot was going left. But it kept going left and skipped wide. The pro-USA crowd at Olympic Stadium in Montreal erupted into a thunderclap that made the stands shake. The American players cheered as if they had just scored a goal. “We knew right then and there that we were going to win the World Cup,” Ali Krieger says. “That was it. That’s when we knew: This is ours.
Caitlin Murray (The National Team: The Inside Story of the Women Who Changed Soccer)
By the 59th minute, the match was still scoreless when German striker Alexandra Popp ran down a lofted ball into the box. Julie Johnston, chasing, tugged her from behind. Popp fell, and the whistle blew. Penalty kick for Germany. This was it. This was the moment, it seemed, the Americans would lose the World Cup. It was a given, of course, that Germany would score this penalty kick. The Germans never missed in moments like this, and a goal would shift the momentum of the match. Hope Solo did the only thing she could do: stall. As Célia Šašić stepped up to the spot to take the kick, Solo sauntered off to the sideline slowly and got her water bottle. She took a sip. Paused. Scanned the crowd. Another sip. She strolled back slowly toward goal. She still had the water bottle in her hand. She wanted to let this moment linger. She wanted Šašić to think too much about the kick and let the nerves of the moment catch up to her. Finally, Solo took her spot. The whistle blew, and without even a nanosecond of hesitation, Šašić ran up to the ball and hit it, as if she couldn’t bear another moment of waiting. Solo guessed to the right, and Šašić’s shot was going left. But it kept going left and skipped wide. The pro-USA crowd at Olympic Stadium in Montreal erupted into a thunderclap that made the stands shake. The American players cheered as if they had just scored a goal.
Caitlin Murray (The National Team: The Inside Story of the Women Who Changed Soccer)
But the animated display of Dolls of All Nations was definitely in trouble. The musical box underneath was still playing “Wouldn’t It Be Nice If Everyone Was Nice” but the rods that animated the figures had got twisted out of shape, so that the Klatchian boy was rhythmically hitting the Omnian girl over the head with his ceremonial spear, while the girl in Agatean national costume was kicking a small Llamedosian druid repeatedly in the ear. A chorus of small children was cheering them on indiscriminately.
Terry Pratchett (Hogfather (Discworld, #20))
The camera stared at me like a one-eyed robot, cold and unblinking. I stared back. The modern bullet-shaped contraption was out of place, anachronistic even, under the painted eaves of the century-old Victorian. Flower House was welcoming and cheerful, the front porch overflowing with barrels and boxes of many-hued flowers. The security camera was the opposite. I wrinkled my nose at the thing and stuck out my tongue. Feeling sassy, I also wiggled my hips in a childish dance of defiance.
Ellie Alexander (Cozy Case Files, Volume 15: A Cozy Mystery Sampler)
A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it.
Sam Walton (Sam Walton: Made In America)
Schumacher has no flaws. He has the best car, the best-financed team, the best tries, the most skill. Who can rejoice in his wins? The sun rises every day. What is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer! I will often admire a beautiful sunrise, but I will never consider the sun a champion for having risen. So. For me to relate the history of Denny, who is a true champion, without including his missteps and failings would be doing a disservice to all involved.
Garth Stein (The Art of Racing in the Rain)
The ceremony was beautiful, and as Hope and Mark stood beneath the towering floral arch, I couldn't help but think this scene truly looked like something out of a fairytale wedding. I even started feeling a little emotional--- until they started to recite their vows. Hope had told me earlier that she and Mark had written their own vows but failed to say more about them. At first, I thought my hearing had failed or I was having some kind of stroke. "What language is that?" I whispered to Dom from our perch in the back. "I... I actually think it's a pretend language," he replied. "What are you talking about?" I asked. "What do you mean pretend language?" "Do you have one of the programs with you?" he asked. "I bet there's a note in there about it." "No, but let me grab one." I didn't have to go far before I found the table at the back of the aisle and a basket full of programs. Each program was iridescent, in the shape of a flower with a beautiful lilac ribbon tied at the bottom. Under the order of service, a small line read: "The bride and groom have chosen to recite their own vows to one another in their favorite mythical tongue: Sindarin, one of the Elvish languages of Tolkein." My eyes were wide as saucers. Both the Elvish and English translations were printed below for everyone to follow along. Dom was going to lose it for sure. I quietly moved back to my seat next to Dom, who was still filming. "You're not going to believe what I'm about to tell you," I whispered as I casually fanned myself with the floral program. "What is it?" he asked. "It's Elvish," I said, holding back a laugh. "What?" he replied a little too loud. "Keep your voice down," I said, now pointing to the line in the program as proof. "Like, from The Lord of the Rings?" "I can't believe she didn't mention this to me earlier," I said. "But yes, I think so. This wedding is just full of surprises." "For once, I'm at a loss for words," Dom said. "They are clearly perfect for each other if this was something they both enjoyed. I bet they go to all those conferences for people who like fantasy stuff." "Maybe that's what they're doing for their honeymoon," I added. "I haven't asked them about it yet. If it is, I'm going to die." We were both holding back giggles at this point, but thankfully the couple finished reciting whatever it was they were saying to each other. I wondered whether we'd need to add subtitles to our video if we showed this part of the ceremony. As soon as the officiant pronounced them man and wife, the ceremony musicians played a set of chimes and the officiant asked for every guest to open the small box that was placed at the base of every bench. Inside each box was a butterfly that flew into the air and fluttered around the entire area above all the guests. I supposed that since real fairies weren't available, butterflies were the next best option. It was actually the perfect ending to this mythical ceremony, and everyone cheered in delight.
Mary Hollis Huddleston (Piece of Cake)
Sacrifice demands purity, and isn’t worth as much without it. This is why people get so pissed off when athletes get busted for performance-enhancing drugs. If sport were merely a competitive quest for excellence, pharmaceutical augmentations would be considered an innovation, and their side effects would be considered the price of doing business. We would feel the same way about doped-up athletes that we do about doped-up musicians: it might make them better at what they do. It’s part of the world they live in, although it’s a shame when they overdose or die. But if deep down, we know that sport is the sacrifice of a hunter’s energy, then doping destroys the purity of the ritual, and that’s what leaves us feeling robbed. It also spurs people to cheer for younger elite cyclists like Taylor Phinney, who conspicuously eschew not only banned substances but milder performing-enhancing measures like “finish bottles,” the crushed-up caffeine pills and painkillers that riders gulp down in the home stretch.5 The nutritional taboos of the Paleo Diet mesh perfectly with this mythos. The living root of sport is why Jerry Hill does one-legged box jumps in the Games, coaching from the floor of the arena: no excuses. And it’s why, when we see Chris Spealler carrying a 150-pound ball across the stadium, it seems like one of the great, for-the-ages moments in sport.
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
Man, I’m good! Come on, Sandor, you can say it. Who’s the Lord of Awesome?” Sandor gritted his teeth. “I’ll save any compliments for when we’re safely back at Havenfield five minutes early.” Which definitely would’ve been the smart thing for them to do. But Sophie had spotted a cluttered shop and decided that cheering up Keefe was a better use of that extra time. So with Dex’s help at a nearby ATM, she was able to make a very creative withdrawal through her elvin birth fund, and she used that cash to buy all the weird British biscuits that Keefe had requested—plus some called Hobnobs, and some called Custard Creams, and several bars of Cadbury chocolate, and a few boxes of proper English tea. And as they leaped home—with thirty seconds to spare—she couldn’t believe how easy it had been.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Schumacher has no flaws. He has the best car, the best-financed team, the best tires, the most skill. Who can rejoice in his wins? The sun rises every day. What is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer! I will often admire a beautiful sunrise, but I will never consider the sun a champion for having risen.
Garth Stein (The Art of Racing in the Rain)
I’ve seen on a reality show. Page after page of newspaper clippings of local events, sales, coupons, scrawled reminders cheerfully ignored, I’m sure…a litany of the collected leavings of a disturbed mind. I open the jewelry box, sort through the jumbled stuff, and find the one item I can remember her wearing when I was a child – a silver charm bracelet. I try it on my good wrist and it’s a fit. I have no use for the rest of the junk – cheap earrings and costume jewelry. There’s absolutely no hope that her wedding ring is in the box. Ralph would have pocketed that immediately since it was the only thing of value she would have passed on to me. I’m still a little freaked out over the whole Ralph-with-gun thing, and his threat is ringing in my ears as I consider the sad collection of trash that represents everything my mom accomplished and accumulated in almost forty years on the planet. I’ve always believed that we shouldn’t get too attached to our material possessions, but this is plain pitiful.
R.E. Blake (More Than Anything (Less Than Nothing, #2))
What do you get when you offer a blonde a penny for her thoughts?” Maggie asked randomly. “Huh?” Johnny shot a look at her from under his hood. “It’s a joke.” What do you get when you offer a blonde a penny for her thoughts?” “What?” “Change,” Maggie supplied, waggling her eyebrows. Johnny stared at her for a moment and shook his head. Maggie tried again. “What do you call a brunette with a blonde on either side?” Johnny didn’t reply. “An interpreter,” Maggie answered, a little less cheerfully this time. Johnny didn’t even look up from the car’s engine. “What did the blonde say when she looked in the box of Cheerios?” she said, her voice subdued. This was her favorite one. It used to be his. No reply again. “Oh, look! Donut seeds...” Maggie’s voice faded off. Johnny slammed the hood and wiped his hands on a nearby rag. “Did I used to laugh at your jokes?” he asked brusquely. “Only the blond jokes. I used to tell knock knock jokes but you told me they were terrible
Amy Harmon (Prom Night in Purgatory (Purgatory, #2))
But the words that lingered longest in the public imagination were those from Romeo and Juliet, “When I think of President Kennedy,” Bobby said, “I think of what Shakespeare said … “‘When he shall die Take him and cut him out in little stars And he will make the face of heaven so fine That all the world will be in love with night, And pay no worship to the garish sun.’” The hall burst again into applause. In a hotel room off the boardwalk, O’Brien, O’Donnell, Salinger, and Dave Powers watched the proceedings on television and wept. Elsewhere, Johnson men chafed at Bobby’s reference to the “garish sun.” An obvious, petty jab, they said. It was just like Bobby. After the twenty-minute film, as the lights in the hall were raised, Lyndon and Lady Bird Johnson entered the presidential box in which Bobby and Ethel had watched the tribute. Delegates began to cheer; the organ began a rousing reprise of “Hello, Lyndon!” The president shook Bobby’s hand. As Bobby and Ethel stepped to the back of the box, Johnson generously beckoned them forward. They sat at Lady Bird’s side while the president, moments later, gave his acceptance speech. “Let us now turn to our task!” Johnson charged the convention hall crowd in a fervent thirty-five-minute speech. “Let us be on our way!
Jeff Shesol (Mutual Contempt: Lyndon Johnson, Robert Kennedy, and the Feud that Defined a Decade)
This was followed by the sweet sound of Millie’s voice. It was such a great combination and we knew that we sounded good. But the highlight was when Jack broke into his awesome rap. To me, that was the coolest sound ever. The reaction from the audience was amazing. And the cheering and whistling of the kids in our grade spurred us on as we continued with more hit songs, perfectly played. When our final song came to an end, the audience was on their feet, demanding more. All we could do was stare at the sight in front of us. It was unbelievable that they loved our music so much. Without a doubt, it was the proudest moment of my life. And after a nod from Mrs. Harding, giving us permission to continue, we burst into another song. Glancing back towards her, I caught the beaming smile on her own face and could see that she was filled with pride as well. When we later lined up for the last of the official photos, I realized that Blake’s eye was as black as the cap on his head. But no one cared and we all joked about the stories that would be told when looking back at those photos in years to come. Out of all the photos taken, one of my favorites was the one that my brother snapped just before leaving. What made it even more special was the fact that he later decided to keep a copy for himself. That meant more to me than anything. It had been such an incredible night, one that I knew I would never forget. And when my parents surprised me afterward with a family dinner at a special restaurant in town, I couldn’t have felt happier. In addition to graduating, I had received the best report card ever and it was definitely time to celebrate. As I lay in bed later that night, reliving every minute of the previous several hours in my head, not in a million years did I anticipate that in a week’s time, an abrupt turn of events would change everything. And when I was later faced with the news, I simply could not come to terms with how things had changed so dramatically. It was incomprehensible and I did not understand. Too sudden and too unexpected, nothing could ever have prepared me.
Katrina Kahler (Julia Jones' Diary - Boxed Set #2-5)
crowd again cheers wildly. “Sage Arian will now present his Symbol,” she says, and points me towards a control box. I step over and place my hand on it. Out across the bay a massive black eagle soars. It flies over close to the crowd and screeches out, deafeningly loud, then comes in with massive wings flapping towards the stadium. A giant rush of wind blows through. The effects are startling. The eagle lands on the upper deck, and its large, menacing eyes swivel as it peers at the crowd, ready to attack. There are some shrieks and screams from the Cives. Then a small, almost imperceptible buzzing sound is heard. It grows louder, and a few honeybees fly into view and get close to the eagle. The eagle cocks its head and pecks them out of the air, swallowing them down. But then more buzzing comes, and
Chad Rasmussen (The Sage Challenger)
I only had five slices,” Simon protested, leaning his chair backward so it balanced precariously on its two back legs. “How many slices did you think were in a pizza, dork?” Clary wanted to know. “Less than five slices isn’t a meal. It’s a snack.” Simon looked apprehensively at Luke. “Does this mean you’re going to wolf out and eat me?” “Certainly not.” Luke rose to toss the pizza box into the trash. “You would be stringy and hard to digest.” “But kosher,” Simon pointed out cheerfully. “I’ll be sure to point any Jewish lycanthropes your way.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I held my father’s hand on the ride home that night. After about half an hour of cheerful bantering back and forth, he got quiet. Then he said, “I always told you not to put all your eggs in one basket. Since you were a little boy, I warned you not to put all your eggs in one basket. Now I’m glad you did.” What I didn’t have the heart to tell him was that Start the Revolution Without Me and Quackser Fortune had both failed at the box office, and if Willy Wonka also failed, I didn’t know where my next job would come from, or even if there would be a next job.
Gene Wilder (Kiss Me Like A Stranger: My Search for Love and Art)
Memorasing Mum Horrified, Becky’s eyes flicked from her mother to the campervan and back again. Then the campervan’s door opened and Uncle Percy leaned out, waving cheerfully. ‘Good - ’ He glanced up at the coal-black sky, before shifting his gaze to the bewildered group. ‘- Evening, everyone…’ Becky stood there, unable to find a reply. Uncle Percy climbed out. As he did his foot caught on a branch and, before he could stop himself, he plunged forward, landing face down with a splat in a puddle of mud. Becky forgot about her mother and rushed to his side. ‘Are you okay?’ Uncle Percy pulled a silk handkerchief from his breast pocket and dabbed his face clean. ‘I’m fine. How embarrassing!’ he said. ‘How are you, Becky?’ Becky was about to reply when she noticed his long silver hair was matted with blood. ‘You’re bleeding.’ ‘Oh, it looks worse than it is. Had a bit of an incident at Mammoth Gorge.’ Uncle Percy stood up and flattened out the creases in his suit. He waved at Mrs Mellor and Joe. ‘Hello, Catherine. Hello, Joe. Sorry I’m late.’ Mrs Mellor’s jaw had now dropped so far it threatened to fall off altogether. Uncle Percy patted down his hair in a vague attempt to look
Carl Ashmore (The Time Hunters and the Box of Eternity (Time Hunters, #2))
Mr. Walker, Well, you needn't to waste a stamp and two hours of Poke Sanford's time--think of that poor fellow having to carry a letter from your box down to the P.O. and back out the same road again to mine! I'm right next door. You could knock. That's what I meant to do today. I had a letter written up to give you in case I couldn't think of everything [. . . and here the note continued onto the second receipt] or if you weren't in the mood to chat, but really I hoped to say most of this in person. But now you aren't home. Oh, fiddle. Your truck is here. Where are you? I'll just leave you the pie and the letter. Cheer up, Mr. Walker. I hope you enjoy them both. Your neighbor, Nannie Rawley
Barbara Kingsolver (Prodigal Summer)