“
He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy...
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.
”
”
David Foster Wallace
“
The day my internet was hooked up was better than having a hot guy check out my butt and ask for my phone number.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
"Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want." Magnus moved toward Jace.
"Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Me: “This is obviously a clog. How about I take it apart and check the internal tubing?” NASA: (after five hours of deliberation) “No. You’ll fuck it up and die.” So I took it apart.
”
”
Andy Weir (The Martian)
“
Because that’s the thing about depression. When I feel it deeply, I don’t want to let it go. It becomes a comfort. I want to cloak myself under its heavy weight and breathe it into my lungs. I want to nurture it, grow it, cultivate it. It’s mine. I want to check out with it, drift asleep wrapped in its arms and not wake up for a long, long time.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -"
"It's not," said Harry cheerfully. "It's a letter from my godfather."
"Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!"
"Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy....
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
History is important. If you don't know history it is as if you were born yesterday. And if you were born yesterday, anybody up there in a position of power can tell you anything, and you have no way of checking up on it.
”
”
Howard Zinn
“
Another thing I don't want on my tombstone," Shane said.
You have others?" Claire asked.
He held up one finger. "I thought it wasn't loaded," Shane said. Second finger. "Hand me a match so I can check the gas tank." Third finger. "Killed over ice cream. Basically, any death that requires me to be stupid first.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
I was suffering the easily foreseeable consequences. Addiction is the hallmark of every infatuation-based love story. It all begins when the object of your adoration bestows upon you a heady, hallucinogenic dose of something you never dared to admit you wanted-an emotional speedball, perhaps, of thunderous love and roiling excitement. Soon you start craving that intense attention, with a hungry obsession of any junkie. When the drug is witheld, you promptly turn sick, crazy, and depleted (not to mention resentful of the dealer who encouraged this addiction in the first place but now refuses to pony up the good stuff anymore-- despite the fact that you know he has it hidden somewhere, goddamn it, because he used to give it to you for free). Next stage finds you skinny and shaking in a corner, certain only that you would sell your soul or rob your neighbors just to have 'that thing' even one more time. Meanwhile, the object of your adoration has now become repulsed by you. He looks at you like you're someone he's never met before, much less someone he once loved with high passion. The irony is,you can hardly blame him. I mean, check yourself out. You're a pathetic mess,unrecognizable even to your own eyes. So that's it. You have now reached infatuation's final destination-- the complete and merciless devaluation of self." - pg 20-21
”
”
Elizabeth Gilbert
“
Leo took out a pen and autographed the arm of one of the nymphs. “Narcissus is a loser! He’s so weak, he can’t bench-press a Kleenex. He’s so lame, when you look up lame on Wikipedia, it’s got a picture of Narcissus—only the picture’s so ugly, no one ever checks it out.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
It's been six months since she died. But Ove still inspects the whole house twice a day to feel the radiators and check that she hasn't sneakily turned up the heating.
”
”
Fredrik Backman (A Man Called Ove)
“
I hurried upstairs and powered up my laptop. I checked on the review I'd posted last night. No comments. People sucked. But I did gain five new followers. People rocked.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Shane looked down at the staked vamp at his feet. 'Claire?'
'Yes?'
'You staked a vampire with a number two pencil.'
'I didn’t actually check the number.'
'Have I told you lately how freaking awesome you are?'
She tried to smile, but her heart was fluttering in her chest now, and not in a good way. 'Compliments later. We really need to get out of here and get to the car. Any ideas?'
'Find another pencil and I’ll pin this one down, too,' Michael said.
'You know how weird that sounds, right?' Shane said. 'Right, never mind. Number two pencil, coming up. Why do I feel like we’re taking a test?
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
”
”
Stephen Fry
“
My dear Reaper," Vlad said, still laughing. 'Did you just check out our-'
'No!' I interrupted at once, almost lunging toward the staircase. 'I'm tired and still dazed from the Remanats and ... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that.' -oh Jesus I was only making this worse- 'because I am cold already, and I need to get hot. I mean, warmer. Oh just shut up!' " -Pg 280
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
They pulled apart when Keefe shouted, "YOU GUYS HAVE TO SEE THIS!"
They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made king. The sparkly red dragon twinkled almost as much as Keefe's eyes as he said, "I went in to check on our boy and found him cuddling with THIS!"
"Isn't that the same dragon Fitz brought to your house that one time?" Dex asked Sophie.
"WHAT?" Keefe shouted. "YOU KNEW AND YOU DIDN'T TELL ME?!"
"Mr. Snuggles wasn't my secret to share," Sophie said.
"IT'S NAME IS MR. SNUGGLES?! That is... I can't even..." Keefe ran back to Fitz's room shouting, "ARE YOU MISSING YOUR SNUGGLE BUDDY?!"
"Fitz is going to die of embarrassment, you know that, right?" Biana asked.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I wake up and tear drops, they fall down like rain. I put on that old song we danced to and then, I head off to my job cause not much has changed. Punch the clock, head for home, check the phone. Just in case. Go to bed, dream of you. That's what I am doing these days.
”
”
Rascal Flatts
“
Peeta's awake already, sitting on the side of the bed, looking bewildered as the trio of doctors reassure him, flash lights in his eyes, checks his pules. I'm disappointed that mine was not the first face he saw when he woke up, but he sees it now. His features registrer disbelief and something more intense that I can't quite place. Desire? Desperation? Surely both, for he sweeps the doctors aside, leaps to his feets and moves towards me. I run to meet him, my arms extended to embrace him. His hands are reaching for mine too, to caress my face, I think.
My lips are forming his name when his fingers lock around my throat.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Yes, we are [friends] and I do like to pass the day with you in serious and inconsequential chatter. I wouldn't mind washing up beside you, dusting beside you, reading the back half of the paper while you read the front. We are friends and I would miss you, do miss you and think of you very often. I don't want to lose this happy space where I have found someone who is smart and easy and doesn't bother to check their diary when we arrange to meet.
”
”
Jeanette Winterson
“
All I ask is this: Do something. Try something. Speaking out, showing up, writing a letter, a check, a strongly worded e-mail. Pick a cause – there are few unworthy ones. And nudge yourself past the brink of tacit support to action. Once a month, once a year, or just once...Even just learning enough about a subject so you can speak against an opponent eloquently makes you an unusual personage. Start with that. Any one of you would have cried out, would have intervened, had you been in that crowd in Bashiqa. Well thanks to digital technology, you’re all in it now.
”
”
Joss Whedon
“
Conall checked his watch. Again. Soon his personal wet fantasy would be here. He wondered if it would be inappropriate to tackle her in the hallway as soon as she arrived and drag her up to his bedroom. Probably. Damn human etiquette.
”
”
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
“
Occasionally, very occasionally, say at four o’clock in the afternoon on a wet Sunday, she feels panic-stricken and almost breathless with loneliness. Once or twice she has been known to pick up the phone to check that it isn’t broken. Sometimes she thinks how nice it would be to be woken by a call in the night: ‘get in a taxi now’ or ‘I need to see you, we need to talk’. But at the best of times she feels like a character in a Muriel Spark novel – independent, bookish, sharp-minded, secretly romantic.
”
”
David Nicholls (One Day)
“
If it's your wish, I will follow you everywhere even if your throne crumbles, and your shiny crown turns to rust. Even if the bodies pile up endlessly, above the bottomless pile of corpses. Beside you as you lie softly down I will be until I hear the word "Check mate!"- Sebastian
”
”
Yana Toboso
“
Rules for Living by Olivia Joules
1. Never panic. Stop, breathe, think.
2. No one is thinking about you. They're thinking about themselves, just like you.
3. Never change haircut or color before an important event.
4. Nothing is either as bad or good as it seems.
5. Do as you would be done by, e.g. thou shalt not kill.
6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like.
7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?"
8. The key to success lies in how you pick yourself up from failure.
9. Be honest and kind.
10. Only buy clothes that make you feel like doing a small dance.
11. Trust your instincts, not your overactive imagination.
12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4.
13. Don't expect the world to be safe or life to be fair.
”
”
Helen Fielding (Olivia Joules and the Overactive Imagination)
“
I won’t snatch, harm, or scare to death people with you or use checking up on you as an excuse to cause trouble. You’re worse than my mother, Rachel.”
“Mine, too,” Jenks muttered.
”
”
Kim Harrison (White Witch, Black Curse (The Hollows, #7))
“
We are killers,” Matthias said.
Bad news.
“Not girls. We don’t kill girls.”
Good news.
“She’s no girl.”
Insulting news?
“What? Of course she’s a girl.”
“Want me to check?”
“Shut up, Blake,” the rest of them chorused.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
How did you find me? If you hacked into the Club’s computer to look up my appointments - "
“Whoa, I think you overestimate me, shitlord. Last time I checked all I did was be in the wrong place at the right time. I saw you and had to - ”
“Stalk me.”
“ - delicately approach you. In a sideways manner. From behind. Without being seen at all. For ten minutes.
”
”
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
“
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
”
”
Donna Tartt (The Goldfinch)
“
Private Detective, John Ballou, opened his glove compartment and took out his Colt 45 thinking an ex-con might be setting him up to settle an old score. He checked the bullet clip and slipped the powerful pistol into his coat pocket.
”
”
Shafter Bailey (James Ed Hoskins and the One-Room Schoolhouse: The Unprosecuted Crime Against Children)
“
Log Entry: SOL 118
My conversation with NASA about the Water Reclaimer was boring and riddled with technical details. So I'll paraphrase for you:
Me: "This is obviously a clog. How about I take it apart and check the internal tubing?"
NASA: (After about 5 hours of deliberation) "No. You'll fuck it up and die."
So I took it apart.
”
”
Andy Weir (The Martian)
“
I let her through. She checked Derek's pulse and his breathing, saying both seemed okay, then leaned down to his face.
"Nothing weird on his breath. Smells . . . like toothpaste."
Derek's eyes opened, and the first thing he saw was Tori's face inches from his. He jumped and let out an oath. Simon cracked up. I madly motioned for him to be quiet.
"Are you okay?" I asked Derek.
"He is now," Simon said. "After Tori jump-started his heart.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
My mom said the moon landing was faked,” said Eddie. “But she also said she saw Jackie Kennedy, Jimmy Hoffa, Elvis and Bigfoot at the IHOP out by the interstate. Elvis picked up the check.
”
”
Steve Bates (Back To You)
“
When Ms. Adams took attendance and called out the name of an absent classmate, Noah’s hand shot up. I watched him cautiously. After she finished roll call, Noah stood, completely unself-conscious as heads followed his progress to the front of the room.
“Um—” Ms. Adams checked her clipboard. “Ibrahim Hassin?”
Noah nodded. I died.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
…. ‘George said he needed a break. And there was something about Jonathan taking over …’ ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’ ‘Women! What women? Jonathan’s not like that …’ ‘Not like that huh! He’s flesh and blood like the rest of us.’ ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …
”
”
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
“
Well, right now I'm not dead. But when I am, it's like...I don't know, I guess it's like being inside a book that nobody's reading. [...] An old one. It's up on a library shelf, so you're safe and everything, but the book hasn't been checked out for a long, long time. All you can do is wait. Just hope somebody'll pick it up and start reading.
”
”
Tim O'Brien (The Things They Carried)
“
Friendship is an obstetric art; it draws out our richest and deepest resources; it unfolds the wings of our dreams and hidden indeterminate thoughts; it serves as a check on our judgements, tries out our new ideas, keeps up our ardor, and inflames our enthusiasm.
”
”
Antonin Sertillanges (The Intellectual Life: Its Spirit, Conditions, Methods)
“
No, I mean it. You balance each other. He helps you lighten up, and you help him focus. He boosts your confidence, and you keep his ego in check. You both dive headfirst into danger, but somehow you’re able to help each other play it a little smarter. And you both act more like yourselves when you’re together.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
When Liam stepped forward again, Derek's arm shot around me , a growl vibrating up from his stomach.
Liam put his hand out toward me. When Derek tensed he pilled back, then did it again, testing his reaction, laughing when he got one, untill even Ramone started to laugh.
"Check this out," Liam said. "I think the pup's got himself a mate. Isn't that the cutest thing?
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
I’d been raised to be practical and keep my
emotions in check, but I loved cars. That was one of the few
legacies I’d picked up from my mom. She was a mechanic,
and some of my best childhood memories were of working
in the garage with her.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
That you’re an asshole? Absolutely.” Xaden holds up his finger. “And insulting you isn’t against the Code of Conduct. I checked.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean #3))
“
She smiled again and the sun came back out. Raced backward up from the sea and lit her face. He told himself to ignore it. It wasn’t that special. Not really. He couldn’t be sure, but if his display of ignorance could make her do it again, it might be worth checking out.
”
”
William Kely McClung (Black Fire)
“
Nothing makes you appreciate life more then when you wake up from a nightmare and realize it was just that. It's a good reality check.
”
”
P.T. Michelle (Brightest Kind of Darkness (Brightest Kind of Darkness, #1))
“
Sam's phone buzzed. She fished it out of her pocket, checked the screen, and cursed. "I have to go."
"You just got here."
"Valkyrie business. Possible code three-eight-one: heroic death in progress."
"You're making that up."
"I'm not."
"So...what, somebody thinks they're about to die and they text you 'Going down! Need Valkyrie ASAP!' followed by a bunch of sad-face emojis?
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard #2))
“
Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really.
”
”
David Foster Wallace (Infinite Jest)
“
Okay. Morality in a nutshell. Don't hurt people if you can avoid it. Don't steal stuff unless you're starving or it's really, really important. Work hard. Pay your bills. Try to help others. Always double-check your math if there are explosives involved. If you screwed it up, you need to see it gets fixed. And don't eat anything that talks. If it doesn't fall under one of those categories, just do the best you can.
”
”
Ursula Vernon (Digger, Volume One (Digger, #1))
“
Keefe shouted, "YOU GUYS HAVE TO SEE THIS!" They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made kind. The sparkly red dragon twinkled almost as much as Keefe's eyes as he said, "I went in to check on our boy and found him cuddling with this!
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I really am sorry for shooting you."
"Are you?"
Her touch lingered as it reached the end of the bandage, checking that it was still securely tied. "What does that mean?"
"I suspect you would shoot me all over again if you thought it would help your grandmother."
She blinked up at him, almost surprised to discover how close they were standing. "I would," She said. "But that doesn't mean I wouldn't be sorry about it afterward.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Check it out-this is a copy of a painting of a Greek High Priestess named Calliope. it says she was also the Poet Laureate after Sappho. Doesn't she look exactly like Cher?'
Wow, that's insane. She does look just like young Cher,' Erin said.
Yeah, before she started wearing those white wigs. What the hell's up with that?' Shaunee said.
Damien gave the Twins a look. 'There is nothing wrong with Cher. Absolutely. Nothing.'
Uh-oh,' Shaunee said.
Stepped on a gay nerve,' Erin agreed.
”
”
P.C. Cast (Burned (House of Night, #7))
“
Nix to Declan:
Begin transcript—
Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck.
This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me!
Now, down to business—
Squirrel!
Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute!
Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. …
Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie?
That’s right. The Enemy of Old can be very useful to you. So use him already.
P.S. Your middle name’s about to be spelled r-e-g-r-e-t.
And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. …
[Muffled] Who’s mummy’s wittle echolocator? That’s right—you are!
—End transcript
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
People just... disappear," he says.
"The Earth just opens up and swallows people," I say, some what sadly, checking my Rolex.
"Eerie." Kimball yawns, stretching. "Really eerie."
"Ominous." I nod my agreement.
"It's just"- he sights, exasperated- "futile.
”
”
Bret Easton Ellis (American Psycho)
“
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
”
”
Billy Collins (Picnic, Lightning)
“
In the opening to the Mary Tyler Moore Show Mary's in the supermarket, hurrying through the aisles. She pauses at the meat case, picks up a steak and checks the price. Then rolls her eyes, shrugs and tosses it in the cart. That's kind of how I feel. Sure I would have liked things to be different. But, 'roll of eyes' what can you do? 'shrug' I threw the meat in my cart and moved on.
”
”
Augusten Burroughs (Running with Scissors)
“
Cross.”
His head popped up a few shelves over. “What?”
“Check out the magic crap.”
He shot me a look. “Oh, is that what we’re supposed to be doing? Because I’ve just been drawing hearts and our initials in the dirt.”
Sophie + Archer
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I miss you,” he whispers. It’s been six months since she died. But Ove still inspects the whole house twice a day to feel the radiators and check that she hasn’t sneakily turned up the heating.
”
”
Fredrik Backman (A Man Called Ove)
“
Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded time piece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth.
"He picked your pockets?" Doughty asked incredulously.
No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
A little heads up would have been nice.
Hey Heather, since we're history partners and all, I figured I should tell you I'm a murderer. But I'm hot so it's okay.
From now on, Heather was going to do background checks on all her buddies.
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
I hate when I'm at the grocery store and the person checking me out asks, "Paper or plastic?" It's offensive. As if I'm going to sleep with her just because she has a clever pick up line.
”
”
Jarod Kintz (It Occurred to Me)
“
You don't have to talk to someone to think about them and check up on them now and again.
”
”
Emily Giffin (Love the One You're With)
“
I’ll check on you when I get home. I love you, baby. (Kiefer)
I love you too, Daddy. (Kiara)
What the hell was that action? (Syn)
I think it’s something called ‘paternal concern.’ (Nykyrian)
What…? You sure? I thought that crap was a myth. (Syn)
No, really. I watched it once in a documentary. It was fascinating. Believe it or not, there are people out there who actually have feelings for their progeny. (Nykyrian)
Get the fuck out. No way. You’re screwing with my head again, aren’t you? (Syn)
No, I swear. You just saw it with your own eyes. I did not make that shit up. (Nykyrian)
Yeah but it’s really messing with my concept of the natural order of the universe. Paternal love? What’s next? Limb regrowth? Genetic splicing reversals? (Syn)
”
”
Sherrilyn Kenyon (Born of the Night (The League, #1))
“
No you don’t,” he tells me. He walks into the building lobby with me under his arm like a rolled-up newspaper. He even checks his mailbox.
”
”
Sally Thorne (The Hating Game)
“
Regardless, you ask why I
did not greet you. Well, let us assume that I had acted as you suggest I
should. Upon your approach, you would have had me gush over you?”
“Naturally.”
“You would have me point out how stunning you appear in that gown?”
“I wouldn’t complain.”
“Mention how your dazzling eyes glisten in the fireworks like burning
embers?”
“That would be nice.”
“Expound on how your lips are so perfectly red that they could leave any
man breathless with wonder, yet drive him compose the most brilliant of
poetry each time he recalled the moment?”
“I’d be flattered for certain.”
“And you claim you want these reactions from me?”
“I do.”
“Well blast it, woman,” Lightsong said, picking up his cup. “If I’m
stunned, dazzled, and breathless, then how the hell am I supposed to greet
you? By definition, won’t I be struck dumb?”
She laughed. “Well, then, you’ve obviously found your tongue now.”
“Surprisingly, it was in my mouth,” he said. “I always forget to check
there.
”
”
Brandon Sanderson (Warbreaker)
“
Crouched on the roof between BEx and Liz, I wasn't a girl who had just broken up with her boyfriend; I looked at my watch and check my gear instead of crying. I had a mission objective and not a broken heart.
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
Really, Sage? A date?"
I sighed. "Yes, Adrian. A date."
A real date. Not, like, doing homework together," he added. "I mean like where you go out to a movie or something. And a movie that's not part of a school assignment. Or about something boring."
"A real date." I figured I wouldn't give him the specifics on the Shakespheare play.
"What's the lucky guy's name?"
"Brayden."
There was a pause. "Brayden? That his real name?"
"Why are you asking if everything's real? You think I'd make any of this up?"
"No, no," Adrian assured me. "That what's so ynbelievable about it. Is he cute?"
I glanced at the clock. It was time for me to meet my study group. "Gee, maybe I should just send you a picture to review?"
"Yes, please. And a full background check and life history."
"I have to go. Why do you care so much anyway?" I finally asked in exasperation.
His answer took a long time, which was uncharacteristic.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
There are many ways in which the "check brain" light illuminates, but here's the screwed-up part: the driver can't see it. It's like the light is positioned in the backseat cup holder, beneath an empty can of soda that's been there for a month. No one sees it but the passengers—and only if they're really looking for it, or when the light gets so bright and so hot that it melts the can, and sets the whole car on fire.
”
”
Neal Shusterman (Challenger Deep)
“
At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V.
I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy.
Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him.
I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time?
I texted back: How'd you get my number?
Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers!
”
”
Amy Plum (Die for Me (Revenants, #1))
“
You just couldn’t wait to get me naked, could you, Princess?” Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in place.
“No, I—I was checking for wounds,” I stumbled. I wouldn’t meet his gaze.
“I’m sure.” He moved his thumb, almost caressing my hand, until it hit my ring. “What’s that?” He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. “Is that a wedding ring?”
“No, engagement.” I lowered my hand, resting it on the bed next to him. “I’m not married yet.”
“I’m not too late, then.” He smiled and settled back in the bed.
“Too late for what?” I asked.
“To stop you, of course.” Still smiling, he closed his eyes.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
So, uh,” I said, shuffling from one foot to the other, “want to go with me to check up on Obliteration? If you’re not doing anything else important, I mean.”
She cocked her head. “Did you just invite me on a date … to spy on a deadly Epic planning to destroy the city?”
“Well, I don’t have a lot of experience with dating, but I’ve always heard you’re supposed to pick something you know the girl will enjoy...”
She smiled. “Well, let’s get to it then.
”
”
Brandon Sanderson (Firefight (The Reckoners, #2))
“
The jogger sighed. He pulled out his phone and my eyes got big, because it glowed with a bluish light. When he extended the antenna, two creatures began writhing around it-green snakes, no bigger than earthworms.
The jogger didn't seem to notice. He checked his LCD display and cursed. "I've got to take this. Just a sec ..." Then into the phone: "Hello?" He listened. The mini-snakes writhed up and down the antenna right next to his ear.
Yeah," the jogger said. "Listen-I know, but... I don't care if he is chained to a rock with vultures pecking at his liver, if he doesn't have a tracking number, we can't locate his package....A gift to humankind, great... You know how many of those we deliver-Oh, never mind. Listen, just refer him to Eris in customer service. I gotta go.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
We have negative mental habits that come up over and over again. One of the most significant negative habits we should be aware of is that of constantly allowing our mind to run off into the future. Perhaps we got this from our parents. Carried away by our worries, we're unable to live fully and happily in the present. Deep down, we believe we can't really be happy just yet—that we still have a few more boxes to be checked off before we can really enjoy life. We speculate, dream, strategize, and plan for these "conditions of happiness" we want to have in the future; and we continually chase after that future, even while we sleep. We may have fears about the future because we don't know how it's going to turn out, and these worries and anxieties keep us from enjoying being here now.
”
”
Thich Nhat Hanh (Peace Is Every Breath: A Practice for Our Busy Lives)
“
Close your eyes, Maxon."
"What?"
"Close your eyes.
Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—"
"Stop it!"
"Sorry."
"Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?"
"Maxon, I..."
"Tell me the truth."
"Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate."
"A boy? How old?"
"Nine."
"Have you ever been like that? Starving?...How bad?"
"Maxon, it will only upset you more."
"Probably, but I'm only starting to realize how much I don't know about my own country. Please."
"We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon."
"Good God. When you said that you were only here for the food, you weren't kidding, were you?"
"Really, Maxon, we've been doing pretty well lately. I—"
"I'll see you at dinner.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Now I'm awake to the world. I was asleep before. That's how we let it happen. When they slaughtered Congress, we didn't wake up. When they blamed terrorists and suspended the constitution, we didn't wake up then, either. Nothing changes instantaneously. In a gradually heating bathtub, you'd be boiled to death before you knew it.
”
”
Margaret Atwood
“
You deserve better than some thief who's going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I'm a actually a decent guy who's halfway worthy of you. So, what scares me most" - he twisted a lock of hair between his fingers - "is that someday even you will realize that you can do better." "Thorne..." "Not to worry." He kissed the lock of hair. "I am a criminal mastermind, I have a plan." Clearing his throat, he started to check things off in the air. "First, get a legitimate job - check. Legally buy my ship - in progress. Prove that I'm hero material by helping Cinder save the world - oh, wait, I did that already." He winked. "Oh, and I have to stop stealing things, but that's probably a given. So I figure, by the time you realize how much I don't deserve you... I might kind of deserve you
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
He held up one finger. "I thought it wasn't loaded" Shane said. Second finger. "Hand me a match so I can check the gas tank." Third finger. "Killed over ice cream. Basically, any death that requires me to be stupid first."
Michael shook his head. "So what's on your good list?"
"Oh you know. Hero stuff that gets me rerun on CNN, Like I died saving a busload of supermodels" Claire smacked his arm. "Ow! Saving them! What did you think I meant?
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Come up when you’re finished down here.”
He raised a brow. “I don’t have any alarms to check up there.”
That sexy sparkle was back in her eyes. “Then I guess you’ll just have to check me.
”
”
Lisa Kessler (Dance of the Heart (Muse Chronicles, #6))
“
It is not an easy thing to do, walk away from what you’ve built and save yourself. Destroying Phoebe’s marriage felt like destroying herself. Walking out of the classroom felt like killing the twenty-two-year-old who tried to save her own life by applying to graduate school. It is so much easier to sit in things and wait for something to save us. For the past two years, Phoebe sat in the bad things the way she used to sit in the snow as a child. An hour would go by and it would be very hard for her to get back up. Eventually she looked down at her toes and became confused: Why are they frozen? It was her father who picked her up, said, It’s time to come inside. But now she has to learn when it’s time to come inside. She has to learn to check in with her toes when nobody else is looking. To care for them when no one else will.
”
”
Alison Espach (The Wedding People)
“
The other thing that troubled me: Dad was clutching his workbag. Usually when he does that, it means we're in danger. Like the time gunmen stormed into our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
”
”
Edward Bulwer-Lytton (Paul Clifford)
“
Hey, check this weirdo out." Hi was inspecting a bust on the mantel. "This face is ninety percent eyebrow. What do you want to bet he owned slaves?"
Scowling to match the carving's expression, Hi spoke in a gravelly voice. "In my day, we ate the poor people. We had a giant outdoor grill, and we cooked up peasant steaks every Sunday."
”
”
Kathy Reichs (Code (Virals, #3))
“
Be the kind of friend that you want to have.
This is what it all boils down to. Listen when they bitch. Tell them they'll be okay. Go over and check in on their cat when they're on vacation. Call them on their birthday, or better yet bake a cake in the shape of their initial. Keep their secrets. Treat them like what they are--the rare person in this world who gives a fuck about you not because they have to, but because they want to. Give a fuck about them.
”
”
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
“
Meg turned and gazed out the rear windshield, probably checking for any shiny blobs pursuing us. “At least we’re not being—”
“Don’t say it,” Percy warned.
Meg huffed. “You don’t know what I was going to—”
“You were going to say, ‘At least we’re not being followed,’” Percy said. “That’ll jinx us. Immediately we’ll notice that we are being followed. Then we’ll end up in a big battle that totals my family car and probably destroys the whole freeway. Then we’ll have to run all the way to camp.”
Meg’s eyes widened. “You can tell the future?”
"Don’t need to.” Percy changed lanes to one that was crawling slightly less slowly. “I’ve just done this a lot.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
I am a Veteran, as are most of my personal friends. A Veteran is someone, who at one point in their life, wrote a blank check payable to the United States of America for an amount up to, and including, their life. Regardless of personal or political views, there are way too many people in this country who no longer remember that fact...
”
”
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
“
79 percent of smartphone owners check their device within 15 minutes of waking up every morning.
”
”
Nir Eyal (Hooked: How to Build Habit-Forming Products)
“
It's always been most important for me to figure out "my space" rather than trying to check out what everyone else is up to, minute by minute. Technology is making it easier to connect to other people, but maybe harder to keep connected to yourself-- and that's essential for any artist, I think.
”
”
Jay-Z (Decoded)
“
Lea stood upon a fallen log ahead of us, staring ahead. Mouse walked up to her.
Gggrrrr rawf arrrgggrrrrarrrr," I said.
Mouse gave me an impatient glance, and somehow--I don't know if it was something in his body language or what--I became aware that he was telling me to sit down and shut up or he'd come over and make me.
I sat down. Something in me really didn't like that idea, but when I looked around, I saw that everyone else had done it too, and that made me feel better.
Mouse said, again in what sounded like perfectly clear English, "Funny. Now restore them."
Lea turned to look at the big dog and said, "Do you dare to give me commands, hound?"
Not your hound," Mouse said. I didn't know how he was doing it. His mouth wasn't moving or anything. "Restore them before I rip your ass off. Literally rip it off."
The Leanansidhe tilted her head back and let out a low laugh. "You are far from your sources of power here, my dear demon."
I live with a wizard. I cheat." He took a step toward her and his lips peeled up from his fangs in unmistakable hostility. "You want to restore them? Or do I kill you and get them back that way?"
Lea narrowed her eyes. Then she said, "You're bluffing."
One of the big dog's huge, clawed paws dug at the ground, as if bracing him for a leap, and his growl seemed to . . . I looked down and checked. It didn't seem to shake the ground. The ground was actually shaking for several feet in every direction of the dog. Motes of blue light began to fall from his jaws, thickly enough that it looked quite a bit like he was foaming at the mouth. "Try me."
The Leanansidhe shook her head slowly. Then she said, "How did Dresden ever win you?"
He didn't," Mouse said. "I won him.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
You are an enigma, Avery Morgansten."
I leaned against the counter, my eyes widening as he proceeded to eat half the loaf. "Not really. More like you are."
"How so?"
I gestured at him. "You just ate four hard-boiled eggs, you're eating half a loaf, and you have abs that look like they belong on a Bowflex ad."
Cam looked absolutely thrilled to hear that. "You've been checking me out, haven't you? In between your flaming insults? I feel like man candy."
I laughed. "Shut up."
"I'm a growing boy.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
”
”
Donna Tartt (The Goldfinch)
“
[Anna] In February, I woke up from a nap. A bouquet of flowers gathered from the various bushes and shrubs scattered around the island lay on the blanket beside me, a small length of rope wound around their stems.
I found T.J. down at the shore. “Someone’s been checking the calendar.”
He grinned. “I didn’t want to miss Valentine’s Day.”
I kissed him. “You’re sweet to me.”
Pulling me closer, he said, “It’s not hard, Anna.”
I stared into T.J.’s eyes, and he started to sway. My arms went around his neck and we danced, moving in a circle, the sand soft and warm under our feet.
“You don’t need music, do you?”
“No,” T.J. said. “But I do need you.
”
”
Tracey Garvis Graves (On the Island (On the Island, #1))
“
Here you go, dear."" The corners of Mrs. Colbert's mouth curled up. "You like meat, don't you?"
Emily blinked. Was it her, or did that statement seem...loaded? She checked Issac for his reaction, but he was innocently selecting a roll from a wicker basket. "Uh, thanks." Emily said, pulling the platter toward her. She did like meat. The kind you, um, eat.
”
”
Sara Shepard (Killer (Pretty Little Liars, #6))
“
if you keep interrupting your evening to check and respond to e-mail, or put aside a few hours after dinner to catch up on an approaching deadline, you’re robbing your directed attention centers of the uninterrupted rest they need for restoration. Even if these work dashes consume only a small amount of time, they prevent you from reaching the levels of deeper relaxation in which attention restoration can occur. Only the confidence that you’re done with work until the next day can convince your brain to downshift to the level where it can begin to recharge for the next day to follow. Put another way, trying to squeeze a little more work out of your evenings might reduce your effectiveness the next day enough that you end up getting less done than if you had instead respected a shutdown.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
You okay with all of this?" I whispered to Daemon.
He shrugged. "Not like I can stop her."
I knew he could if he wanted, which meant he didn't have a problem with it.
"Cookie?" he offered, holding a cookie full of chocolate chips.
Upset tummy or not, there was no way I could refuse that. "Sure."
His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it."
Come and get...? Daemon placed half the cookie between those full, totally kissable lips.
Oh, holy alien babies everywhere...
My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn't bring myself to check out what they really were doing.
That cookie—those lips—were right there.
Heat swept over my cheeks. I could feel the eyes of everyone on else, and Daemon... dear God, Daemon arched his brows, daring me.
Dee gagged. "I think I'm going to hurl."
Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take the cookie from his mouth like something straight out of an R rated version of Lady and the Tramp? Heck, I kind of wanted to and I wasn't sure what that said about me.
Daemon reached up and took the cookie. There was a gleam to his eyes, as if he just won some battle. "Times up, Kitten."
I stared at him.
Breaking the cookie into two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was... it was chocolate chip. So I ate it and loved it.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Hello, sexy. I knew that you couldn't get through the night without me," Finn's smug, slightly sleepy voice filled my ear. "So why don't you tell me what you're wearing?"
I rolled my eyes. Apparently, my foster brother hadn't bothered to check his caller ID before he picked up the phone. I wondered if this was how he answered all his late night calls, or if he was actually expecting to hear from Bria. I really hoped it was the second one.
"What am I wearing? Well, right now it would be the blood of two giants, among other naughty unmentionables," I purred. "What does that do for you, sexy?"
Silence.
Then Finn cleared his throat. "Uh Gin? Did you dial my number by mistake? Shouldn't you be cooing these sweet, sweet nothings into Owen's ear instead of mine?
”
”
Jennifer Estep (By a Thread (Elemental Assassin, #6))
“
Imagine how a man’s life would be if he trusted that he was loved by God. How could he interact with the poor and not show partiality, he could love his wife easily and not expect her to redeem him, he would be slow to anger because redemption was no longer at stake, he could be wise and giving with his money because money no longer represented points, he could give up on formulaic religion, knowing that checking stuff off a spiritual to-do list was a worthless pursuit, he would have confidence and the ability to laugh at himself, and he could love people without expecting anything in return. It would be quite beautiful, really.
”
”
Donald Miller (Searching for God Knows What)
“
Always that same LSD story, you've all seen it. 'Young man on acid, thought he could fly, jumped out of a building. What a tragedy.' What a dick! Fuck him, he’s an idiot. If he thought he could fly, why didn’t he take off on the ground first? Check it out. You don’t see ducks lined up to catch elevators to fly south—they fly from the ground, ya moron, quit ruining it for everybody. He’s a moron, he’s dead—good, we lost a moron, fuckin’ celebrate. Wow, I just felt the world get lighter. We lost a moron! I don’t mean to sound cold, or cruel, or vicious, but I am, so that’s the way it comes out. Professional help is being sought. How about a positive LSD story? Wouldn't that be news-worthy, just the once? To base your decision on information rather than scare tactics and superstition and lies? I think it would be news-worthy. 'Today, a young man on acid realized that all matter is merely energy condensed to a slow vibration. That we are all one consciousness experiencing itself subjectively. There is no such thing as death, life is only a dream and we're the imagination of ourselves' . . . 'Here's Tom with the weather.
”
”
Bill Hicks
“
Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face. “Kiss this, asshole.” I straighten up and slap the check down. “Here’s your bill; leave the money on the table. There’s the door—use it before I come back with my baseball bat and show you why they used to call me Babe Ruthette.” I
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
Why do you want a letter from me? Why don't you take the trouble to find out for yourselves what Christianity is? You take time to learn technical terms about electricity. Why don't you do as much for theology? Why do you never read the great writings on the subject, but take your information from the secular 'experts' who have picked it up as inaccurately as you? Why don't you learn the facts in this field as honestly as your own field? Why do you accept mildewed old heresies as the language of the church, when any handbook on church history will tell you where they came from?
Why do you balk at the doctrine of the Trinity - God the three in One - yet meekly acquiesce when Einstein tells you E=mc2? What makes you suppose that the expression "God ordains" is narrow and bigoted, while your own expression, "Science demands" is taken as an objective statement of fact?
You would be ashamed to know as little about internal combustion as you know about Christian beliefs.
I admit, you can practice Christianity without knowing much theology, just as you can drive a car without knowing much about internal combustion. But when something breaks down in the car, you go humbly to the man who understands the works; whereas if something goes wrong with religion, you merely throw the works away and tell the theologian he is a liar.
Why do you want a letter from me telling you about God? You will never bother to check on it or find out whether I'm giving you personal opinions or Christian doctrines. Don't bother. Go away and do some work and let me get on with mine.
”
”
Dorothy L. Sayers
“
They're both convinced
that a sudden passion joined them.
Such certainty is beautiful,
but uncertainty is more beautiful still.
Since they'd never met before, they're sure
that there'd been nothing between them.
But what's the word from the streets, staircases, hallways--
perhaps they've passed by each other a million times?
I want to ask them
if they don't remember--
a moment face to face
in some revolving door?
perhaps a "sorry" muttered in a crowd?
a curt "wrong number" caught in the receiver?
but I know the answer.
No, they don't remember.
They'd be amazed to hear
that Chance has been toying with them
now for years.
Not quite ready yet
to become their Destiny,
it pushed them close, drove them apart,
it barred their path,
stifling a laugh,
and then leaped aside.
There were signs and signals,
even if they couldn't read them yet.
Perhaps three years ago
or just last Tuesday
a certain leaf fluttered
from one shoulder to another?
Something was dropped and then picked up.
Who knows, maybe the ball that vanished
into childhood's thicket?
There were doorknobs and doorbells
where one touch had covered another beforehand.
Suitcases checked and standing side by side.
One night, perhaps, the same dream,
grown hazy by morning.
Every beginning
is only a sequel, after all,
and the book of events
is always open halfway through.
”
”
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
“
It's just the way things are. Take a moment to consider this statement. Really think about it. We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors towards animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities. It is absurd that we eat pigs and love dogs and don't even know why. Many of us spend long minutes in the aisle of the drugstore mulling over what toothpaste to buy. Yet most of don't spend any time at all thinking about what species of animal we eat and why. Our choices as consumers drive an industry that kills ten billion animals per year in the United States alone. If we choose to support this industry and the best reason we can come up with is because it's the way things are, clearly something is amiss. What could cause an entire society of people to check their thinking caps at the door--and to not even realize they're doing so? Though this question is quite complex, the answer is quite simple: carnism.
”
”
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
“
[Greens] don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked 'Liberty.' They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
Harry’s smile twitches at the corner. “I like that one,” he drawls in protest. “I chose him specifically.”
Louis looks up. “Him?”
“Aloysius.”
“Aloysius,” Louis repeats in a deadpan. “You named a shriveled strawberry Aloysius.”
Harry shines proudly, looking up to meet Louis’ gaze. “Yeah,” he nods with bright eyes and a half-smile.
“Right then. Just checking,” Louis says, and offers his palm.
”
”
Velvetoscar (Young & Beautiful)
“
Who’s your friend?”
I practically leaped into the air and spun around to see that Kate had walked up behind me. I slapped the back of my hand against Marcus’s chest, hard enough to force him back a step. “This is Marcus. Ignore him. He’s a bad seed.”
As she checked him out, that growing smile of hers told me she was up to no good. She held out a hand for him to take. “Hi. I’m Kate. I’m a bad seed, too.
”
”
Courtney Allison Moulton
“
You can use power for good or bad, for control or freedom. You grew up watching your dad abuse it one way and it made you take the opposite direction. That's what we all think. Everything's about balance. That's what sustains life. Maybe your role is to keep your dad in check?
”
”
Katie Kacvinsky (Awaken (Awaken, #1))
“
Do you know how many people would give anything for what you have? Not the fame or wealth—the opportunity to wake up tomorrow healthy, pain free and with a future stretching out before them?
”
”
Sarah Grimm (Wrecked (Blind Man's Alibi #1))
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good."
Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?"
"Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know."
Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch.
"My dear Reaper," Vlad said, still laughing. "Did you just check out our--"
"No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
Laney held up a hand. "I checked it out. He went there on scholarship and paid the rest with student loans. And he's good looking, too. Nate and I met him for dinner last night, and I subtly learned that he's looking to meet someone"
"How did you learn that?"
"I asked him if he was looking to meet someone"
"that is subtle
”
”
Julie James (Practice Makes Perfect)
“
You shouldn't make friends with crows,” he'd told her.
“Why not?” she asked.
He'd looked up from his desk to answer, but whatever he'd been about to say had vanished on his tongue.
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her checks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
“Why not” shed repeated, eyes still closed.
He said the first thing that popped into his head. “They don't have any manners.”
“Neither do you, Kaz.” She'd laughed, and if he could have a bottled the sound and gotten drunk on it every night, he would have. It terrified him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Eo took out a pen and autographed the arm of one of the nymphs.
“Narcissus is a loser! He’s so weak, he can’t bench-press a Kleenex. He’s so lame when you look up lame on Wikipedia, it’s got a picture of Narcissus-only the picture is so ugly , no one ever checks it out.”
Narcissus knit his handsome eyebrows. His face was turning from bronze to salmon pink. For the moment, he’d totally forgotten about the pond, and Leo could see the sheet of bronze sinking into the sand.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I know that I am not the only person who is alone in the world. I know that others sorrow in the night. That others pick up a razor and slice into their own skin, with greater or lesser success. I know that others look at their lives and see only silent failure and disconsolation, feeding the cat, checking their email, doing the crossword. I know that I am not the only person to have lived a life like mine. I am aware. (212)
”
”
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
“
You know you really need some help. A regular psychiatrist couldn't even help you. You need to go to like Vienna or something. You know what I mean? You need to get involved at the University level. Like where Freud studied and have all those people looking at you and checking up on you. That's the kind of help you need. Not the once a week for eighty bucks. No. You need a team. A team of psychiatrists working round the clock thinking about you, having conferences, observing you, like the way they did with the Elephant Man. That's what I'm talking about because that's the only way you're going to get better.
”
”
Jerry Seinfeld
“
Victory in defeat, there is none higher. She didn't give up, Ben; she's still trying to lift that stone after it has crushed her. She's a father working while cancer eats away his insides, to bring home one more pay check. She's a twelve-year-old trying to mother her brothers and sisters because mama had to go to Heaven. She's a switchboard operator sticking to her post while smoke chokes her and fire cuts off her escape. She's all the unsung heroes who couldn't make it but never quit.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
To this day, I wake up at times, look in the mirror, and just stare, obsessed with the idea that the person I am in my head is something entirely different than what everyone else sees. That the way I look will prevent me from doing the things I want; that there really are sneetches with stars and I’m not one of them. I touch my face, I feel my skin, I check my color every day, and I swear it all feels right. But then someone says something and that sense of security and identity is gone before I know it.
”
”
Eddie Huang (Fresh Off the Boat)
“
Gmorning.
This feeling will pass.
This workload will pass.
These people will pass.
But look at you, with the gift of memory.
You can time travel to the good stuff just by closing your eyes & breathing.
Then come right back to now, eyes up for the good stuff ahead.
You magic thing.
Gnight.
This moment will pass.
This fatigue will pass.
Tonight will pass.
But look at you, with the gift of imagination.
You can teleport to where you're happiest just by closing your eyes and breathing.
Then come right back to now, check in with the present.
You magic thing, you.
”
”
Lin-Manuel Miranda ({(Gmorning, Gnight)}[Gmorning, Gnight])
“
I recheck my inbox. Everything’s up to date. I check the clock. Three fifteen P.M. I check my lipstick in the reflection of the shiny wall tile near my computer monitor. I check Joshua, who is glowering at me with contempt. I stare back. Now we are playing the Staring Game.
I should mention that the ultimate aim of all our games is to make the other smile, or cry. It’s something like that. I’ll know when I win.
”
”
Sally Thorne (The Hating Game)
“
Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows.
“Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest.
“I dunno. Impress girls?” Nine looks over at me. “Did it work?”
“Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.”
“Tough crowd.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
We needed a refrigerator for our new place and I've never bought a refrigerator my whole life. I went into the appliance store, there's like 900 of 'em lined up, there's a salesman there. What's this guy supposed to say about refrigerators? "Well you got this refrigerator here, This keeps all your food cold for 600...You've got this refrigerator, This keeps all your food cold for 800...Check this out, 1400, keeps all your food cold.
”
”
Brian Regan
“
Love, he realized, was like the daggers he made in his forge: When you first got one it was shiny and new and the blade glinted bright in the light. Holding it against your palm, you were full of optimism for what it would be like in the field, and you couldn't wait to try it out. Except those first couple of nights out were usually awkward as you got used to it and it got used to you.
Over time, the steel lost its brand-new gleam, and the hilt became stained, and maybe you nicked the shit out of the thing a couple of times. What you got in return, however, saved your life: Once the pair of you were well acquainted, it became such a part of you that it was an extension of your own arm. It protected you and gave you a means to protect your brothers; it provided you with the confidnece and the power to face whatever came out of the night; and wherever you went, it stayed with you, right over your heart, always there when you needed it.
You had to keep the blade up, however. And rewrap the hilt from time to time. And double-check the weight.
Funny...all of that was well, duh when it came to weapons. Why hadn't it dawned on him that matings were the same?
(From the thoughts of Vishous)
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
If they keep coming back to you, it isn't love. It is because you made yourself and easy option. The moment the thing they truly want becomes less difficult to obtain is when you will realize that your worth was on sale.
”
”
Shannon L. Alder
“
Her parents, she said, has put a pinball machine inside her head when she was five years old. The red balls told her when she should laugh, the blue ones when she should be silent and keep away from other people; the green balls told her that she should start multiplying by three. Every few days a silver ball would make its way through the pins of the machine. At this point her head turned and she stared at me; I assumed she was checking to see if I was still listening. I was, of course. How could one not? The whole thing was bizarre but riveting. I asked her, What does the silver ball mean? She looked at me intently, and then everything went dead in her eyes. She stared off into space, caught up in some internal world. I never found out what the silver ball meant.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Listen, now, you're going to die, Ray-mond K. K. K. Hessel, tonight. You might die in one second or in one hour, you decide. So lie to me. Tell me the first thing off the top of your head. Make something up. I don't give a shit. I have a gun.
Finally, you were listening and coming out of the little tragedy in your head.
Fill in the blank. What does Raymond Hessel want to be when he grows up?
Go home, you said you just wanted to go home, please.
No shit, I said. But after that, how did you want to spend your life? If you could do anything in the world.
Make something up.
You didn't know.
Then you're dead right now, I said. I said, now turn your head.
Death to commence in ten, in nine, in eight.
A vet, you said. You want to be a vet, a veterinarian.
You could be in school working your ass off, Raymond Hessel, or you could be dead. You choose. I stuffed your wallet into the back of your jeans. So you really wanted to be an animal doctor. I took the saltwater muzzle of the gun off one cheek and pressed it against another. Is that what you've always wanted to be, Dr. Raymond K. K. K. K. Hessel, a veterinarian?...
So, I said, go back to school. If you wake up tomorrow morning, you find a way to get back into school.
I have your license.
I know who you are. I know where you live. I'm keeping your license, and I'm going to check on you, mister Raymond K. Hessel. In three months, and then six months, and then a year, and if you aren't back in school on your way to being a veterinarian, you will be dead...
Raymond K. K. Hessel, your dinner is going to taste better than any meal you've ever eaten, and tomorrow will be the most beautiful day of your life.
”
”
Chuck Palahniuk (Fight Club)
“
If anyone should talk to her," Renfield piped up, "it should be me. We're the most compatible, culturewise. I'm sure that on top of feeling as if she's been thrust into one of the many levels of Hades, with all of its attendant demons, she feels like a lady wandering, lost, amongst the mannerless cads of the slums."
We were all silent for a moment before Tom asked, "You do realize that we're sitting right here, right?"
"Oh, I am horribly aware of this fact."
"Just checking.
”
”
Lia Habel (Dearly, Departed (Gone with the Respiration, #1))
“
Yes! I did [grow up on a Christmas Tree farm], so this is a good season for me. I was too young to help with the hauling of the trees up the hills and putting them onto cars. So, it was my job to pull off the preying mantis pods off of the Christmas trees. The problem with that is if you leave them on there, people bring them into their house. I forgot to check one time and they hatched all over these people’s house. And there were hundreds of thousands of them. And they had little kids, and they couldn’t kill of them because that’d be a bad Christmas.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
You should stop swearing in front of twelve-year-olds. Mrs. Vitelli says that my brain’s still all squishy. I’ll probably end up in juvie if you swear just once more.” “Fuck.
”
”
Ali Hazelwood (Check & Mate)
“
It was watching Madeline Alby eat cheese with every ounce of her being, like it was the first and best time, that made him realize that he had never really tasted cheese, or crackers, or life. And he didn't want his daughter to live that way. He'd moved her into her own room the night before...He hadn't slept well, and had gotten up five times during the night to check on her, only to find her sleeping peacefully, but he could lose a little sleep if Sophie could go through life without his fears and limitations. He wanted her to experience all the glorious cheese of life.
”
”
Christopher Moore (A Dirty Job (Grim Reaper, #1))
“
Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out.
Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché.
I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would be happier. I wouldn't have to wear these shirts with the tails out all the time. Like that's fooling anyone. Fat ass.
I should start jogging again. Five miles a day. Really do it this time. Maybe rock climbing. I need to turn my life around. What do I need to do? I need to fall in love. I need to have a girlfriend. I need to read more, improve myself. What if I learned Russian or something? Or took up an instrument? I could speak Chinese. I'd be the screenwriter who speaks Chinese and plays the oboe. That would be cool.
I should get my hair cut short. Stop trying to fool myself and everyone else into thinking I have a full head of hair. How pathetic is that?
Just be real. Confident. Isn't that what women are attracted to? Men don't have to be attractive. But that's not true. Especially these days. Almost as much pressure on men as there is on women these days.
Why should I be made to feel I have to apologize for my existence? Maybe it's my brain chemistry. Maybe that's what's wrong with me. Bad chemistry. All my problems and anxiety can be reduced to a chemical imbalance or some kind of misfiring synapses. I need to get help for that.
But I'll still be ugly though.
Nothing's gonna change that.
”
”
Charlie Kaufman
“
Then, since you have never even been part of a super-tournament, what makes you qualified to be here today? Why you and not someone else?” I swallow. “I just . . .” Nothing. I got lucky. It’s a mistake. I’m not good enough and— “Man”—Nolan snorts into the mic—“she literally won the qualifying tournament to be here. Keep up, will you?
”
”
Ali Hazelwood (Check & Mate)
“
I'm starving. When we check into our hotel, let's ask the desk clerk where we can find one of those vast pizzas."
"What are you talking about?"
"Your guidebook says Florence is a city of vast pizzas. Look it up yourself."
"Those are vast piazzas, not pizzas! It means public squares!"
Dan's face fell. "Oh."
Amy sighed. "I honestly thought the clue hunt took the dweeb out of you. No such luck.
”
”
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
“
Number one on the roster was a boy, everything began with the boys, and that felt like the right, natural thing. Boys lined up first, boys led every procession no matter where they were headed, boys gave their presentations first, and boys had their homework checked first while the girls quietly waited their turn, bored, sometimes relieved that they weren’t going first, but never thinking this was a strange practice. Just as we never question why men’s national registry numbers begin with a “1” and women’s begin with a “2.
”
”
Cho Nam-Joo (Kim Jiyoung, Born 1982)
“
He sat down on the edge of Lucie’s bed—and immediately leaped back up, blushing. Lucie took her hands off her hips, amused.
“A ghost with a sense of propriety. That is funny.”
He looked at her darkly. He really did have a most arresting face, she thought. His black hair and green eyes made a wintry contrast against his pale skin. As a writer, one had to pay attention to these things. Descriptions were very important.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Most people, on waking up, accelerate through a quick panicky pre-consciousness check-up: who am I, where am I, who is he/she, good god, why am I cuddling a policeman's helmet, what happened last night?
And this is because people are riddled by Doubt. It is the engine that drives them through their lives. It is the elastic band in the little model aeroplane of their soul, and they spend their time winding it up until it knots. Early morning is the worst time -there's that little moment of panic in case You have drifted away in the night and something else has moved in. This never happened to Granny Weatherwax. She went straight from asleep to instant operation on all six cylinders. She never needed to find herself because she always knew who was doing the looking.
”
”
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
“
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago.
You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe.
When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself.
When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
”
”
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
“
Very good, Mr.—?”
“Robinson,” the boy supplied.
Ms. Terwilliger produced a clipboard and scanned a list.
“Ah, there you are. Robinson. Stephanie.”
“Stephan,” corrected the boy, flushing as some of his
friends giggled.
Ms. Terwilliger pushed her glasses up her nose and
squinted. “So you are. Thank goodness. I was just thinking
how difficult your life must be with such a name. My
apologies. I broke my glasses in a freak croquet accident
this weekend, forcing me to bring my old ones today. So,
Stephan-not-Stephanie, you’re correct. It’s a temple. Can
you be more specific?”
...
“Indeed it is,” she said. “And your name is?”
“Sydney.”
“Sydney …” She checked the clipboard and looked up in
astonishment. “Sydney Melbourne? My goodness. You
don’t sound Australian.”
“Er, it’s Sydney Melrose, ma’am,” I corrected.
Ms. Terwilliger scowled and handed the clipboard to
Trey, who seemed to think my name was the funniest thing
ever. “You take over, Mr. Juarez. Your youthful eyes are
better than mine. If I keep at this, I’ll keep turning boys into
girls and perfectly nice young ladies into the descendants
of criminals.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
we missed you at the wedding," he said.
"Yeah." puck shrugged. "I was in Kyoto at the time, visiting some old kitsune friends. We were travelling up to Hokaido to check out this old temple that was supposedly haunted. Turns out, a yuki-onna had taken up residence there and had scared off most of the locals. She wasn't terribly happy to see us. Can you believe it?" He grinned. "Course, we, uh, might've pissed her off when the temple caught fire-you know how kitsune are. She chased us all the way to the coast, throwing icicles, causing blizzards...the old hag even tried to bury us under an avalanche. We almost died." He sighed dreamily and looked at Ash. "You should've been there ice-boy.
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.”
“Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death."
“Don’t talk to me about being a brat,” I shot back. “You’re as selfish and
self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.”
“Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.”
“Good. I hope you mean it this time.”
His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had.
I won’t be coming back.
And for the first time ever, I had a feeling he really wouldn’t be.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Ah, dude," Paul said. "What if they beam around like in Star Trek?"
Sofia snorted. "I'll be sure to ask Dark Gator if I see him."
Paul burst out laughing; Tick held hid laugh in pressing his mouth closed.
What?" Sofia asked.
What did you call him?" Paul asked.
Dark Gator."
Man, oh, man, you are too good to be true Miss Italy, too good to be true." Still chuckling, he walked towards all the people. "I think I see a restaurant up there. Let's check it out.
Sofia looked at Tick, her eyebrows raised.
It's Darth Vader," he whispered. "And he's from Star Wars, not Star Trek.
”
”
James Dashner (The Hunt for Dark Infinity (The 13th Reality, #2))
“
You sleep here?”
“I don’t intend to sleep tonight.” He interrupted her gawking by pulling her up the two stairs to the platform and tumbling her onto the bed.
“I have to check in by oh seven hundred.”
“Shut up, lieutenant.”
“Okay.” With a half laugh, she rolled on top of him and fastened her mouth to his. Wild, reckless energy was bursting inside her. She couldn’t move quickly enough, her hands weren’t fast enough to satisfy the craving.
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
I don't have a problem with guilt about money. The way I see it is that my money represents an enormous number of claim checks on society. It's like I have these little pieces of paper that I can turn into consumption. If I wanted to, I could hire 10,000 people to do nothing but paint my picture every day for the rest of my life. And the GDP would go up. But the utility of the product would be zilch, and I would be keeping those 10,000 people from doing AIDS research, or teaching, or nursing. I don't do that though. I don't use very many of those claim checks. There's nothing material I want very much. And I'm going to give virtually all of those claim checks to charity when my wife and I die.
”
”
Warren Buffett
“
(a) Are the skies you sleep under likely to open up for weeks on end?
(b) Is the ground you walk on likely to tremble and split?
(c) Is there a chance (and please check the box, no matter how small that chance seems) that the ominous mountain casting a midday shadow over your home might one day erupt with no rhyme or reason?
Because if the answer is yes to one or all of these questions, then the life you lead is a midnight thing, always a hair's breadth from the witching hour; it is volatile, it is threadbare; it is carefree in the true sense of that term; it is light, losable like a key or a hair clip. And it is lethargy: why not sit all morning, all day, all year, under the same cypress tree drawing the figure eight in the dust? More than that, it is disaster, it is chaos: why not overthrow a government on a whim, why not blind the man you hate, why not go mad, go gibbering through the town like a loon, waving your hands, tearing your hair? There's nothing to stop you---or rather anything could stop you, any hour, any minute. That feeling. That's the real difference in a life.
”
”
Zadie Smith
“
Is that all?” he blurted out.
Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully.
“Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide.
“Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning.
“Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?”
Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah.
“Congratulations!”
The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought.
After the first concerted shout, people began cheering and calling his name, laughing and waving to him.
Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter.
“Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again.
Will tuned to Halt accusingly. His teacher grinned at him.
“Your face was a study,” he said.
“Do you so that to all apprentices?” Will asked.
Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors--values, standards, my own limitations as an observer--make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself.
This kind of thing doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I am very good at sensing others' true feelings." But any number of times I've seen people who say they've easily hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are duped by the most transparent flattery. It's enough to make me ask the question: How well do we really know ourselves?
The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
I don’t think we’re in love anymore.
I think about sex constantly.
I hate your parents. I’m pretty sure they hate me.
Do you have any idea how fucked up this is?
I’ve been sleeping with my back to you for months now,
and you haven’t touched me once.
I almost went home with the guy who gave me change
at the bank. I almost asked his name.
I don’t think we’re in love anymore.
We don’t kiss like we used to. Your lips are always
cold and mine are always chapped.
Neither of us even apologize.
I haven’t shaved in days and you haven’t noticed.
I am insatiable.
I am a disaster just waiting to remember
the storm in her bones.
I am proud of this.
I want someone to fuck me so hard
that something inside of me snaps
and I can’t stop screaming ‘I love you, oh my God, I love you.’
I don’t think we’re in love anymore.
Sometimes, I genuinely think the sky is bleeding, and I don’t
know how to stop it.
I don’t think I am capable of staying put.
My bags are already packed. I’ve been waiting for you
to check the bedroom.
I don’t think we’re in love anymore.
I don’t know whose fault it is.
Let’s stop trying to make a broken thing work.
We were brave for trying.
We were brave for trying.
”
”
Caitlyn Siehl
“
Maybe there’s a heaven, like they say, a place where everything we’ve ever done is noted and recorded, weighed on big karma scales. Maybe not. Maybe this whole thing is just a giant experiment run by aliens who find out human hijinks amusing. Or maybe we’re an abandoned project started by a deity who checked out a long time ago, but we’re still hard-wired to believe, to try to make meaning out of the seemingly random. Maybe we’re all part of the same unconscious stew, dreaming the same dreams, hoping the same hopes, needing the same connection, trying to find it, missing, trying again—each of us playing our parts in the other’s plotlines, just one big ball of human yarn tangled up together. Maybe this is it.
”
”
Libba Bray
“
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me.
I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
”
”
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
“
You can stay on the porch. Like how you left me on the floor outside our room."
"I didn't know what else to do. You found the check, and I panicked."
"That isn't an excuse."
"I know. And I'm not saying that this is going to make up for it. I'm going to try, really try, to make you trust me again. I want you to trust me. I just... I couldn't sleep last night without you. It was the strangest thing, being in the room alone without you. I couldn't hear you breathing, and your laughter was gone and you were gone, and it was like a part of my life was missing. A big part. I tripped going to the bathroom and banged my head. See?" He pointed to a lovely gash on his forehead.
"And then I burned my hand on the toaster oven. And then my car wouldn't start. Again. I've never had such bad luck in my life.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
We ran like young wild furies,
where angels feared to tread.
The woods were dark and deep.
Before us demons fled.
We checked Coke bottle bottoms
to see how far was far.
Our worlds of magic wonder
were never reached by car.
We loved our dogs like brothers,
our bikes like rocket ships.
We were going to the stars,
to Mars we'd make round trips.
We swung on vines like Tarzan,
and flashed Zorro's keen blade.
We were James Bond in his Aston,
we were Hercules unchained.
We looked upon the future
and we saw a distant land,
where our folks were always ageless,
and time was shifting sand.
We filled up life with living,
with grins, scabbed knees, and noise.
In glass I see an older man,
but this book's for the boys.
”
”
Robert McCammon
“
We fought over the bill when it came. By fought I mean: I insisted loudly on paying half and he responded with beleaguered silence. Instead of discussing it or attempting to engage in my one-sided conversation, he wordlessly put his credit card in the holder; he kept it carefully out of my reach as I continued to list all the reasons we should split the check, not the least of which was that we’d agreed earlier that this was not a date,
then handed it stealthily to the waiter as he passed. I was still oblivious, making my case, when Quinn signed the receipt.“Wait- what are you doing?” I looked from him to the paper slip.Silence. Scribble. Silence. “Did you just sign that? Was that the check?” My voiced hitched, my eyes wide with pseudo outrage. He glanced up at me, something like mock innocence lighting his features, and said, “I’m sorry. Did you want to split that?
”
”
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
“
Ranger picked up and there was a moment of silence as if he was sensing me at the other end, taking my body temperature and heart rate long distance. “Babe,” he finally said.
“Do you know the slum apartment building Bobby Sunflower owns on Stark?”
“Yes. It’s on the same block as his funeral home.”
“That’s the one. I’m going in to look for someone. If you don’t hear from me in a half hour maybe you could send someone to check.”
“Is this a smart thing to do?”
“Probably not.”
“As long as you know,” Ranger said. And he disconnected.
”
”
Janet Evanovich (Sizzling Sixteen (Stephanie Plum, #16))
“
I thought Oliver was trying hard before, but now I realize it's quite the opposite-- he doesn't try, he just is, makes up his mind and doesn't check if it's going to work for his image or come off wrong. Since the rest of us are being so self-aware, his presence seems calculated. No one can possibly be that breezy, saying what he thinks, feeling what he feels. I can see why people don't like him for this very reason-- it's so much easier to call him a poser.
Because if he's the real deal, then that makes the rest of us fakes.
”
”
Lindsey Leavitt (Going Vintage)
“
Talent is everything. If you've got talent, nothing else matters. You can screw up your personal life something terrible. So what. If you've got talent, it's there in reserve. Anybody who has talent they know they have it and that's it. It's what makes you what you are. It tells you you're you. Talent is everything; sanity is nothing. I'm convinced of it. I think I had something once. I showed promise, didn't I? But I was too sane. I couldn't make the leap out of my own soul into the soul of the universe. That's the leap they all made. From Blake to Rimbaud. I don't write anything but checks. I read science fiction. I go on business trips to South Bend and Rochester. The one in Minnesota. Not Rochester, New York. Rochester, Minnesota. I couldn't make the leap.
”
”
Don DeLillo (Américana)
“
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve?
The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success.
Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business.
When achievers fail, they see it as a momentary event, not a lifelong epidemic.
Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward.
Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience.
Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside.
Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you?
Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem.
Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living.
Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward.
Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new.
The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success.
If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve.
The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get.
Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action.
The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying?
Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline.
Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence.
Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might.
If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail.
The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface.
Fail early, fail often, but always fail forward.
”
”
John C. Maxwell (Failing Forward)
“
I need to check your ankle.”
“Ask.”
“If you object, I—”
“Giving me a chance to object is not the same as asking permission. You’re used to telling people what to do. That works with those guards you’re in charge of. You aren’t in charge of me. You have to ask.”
One corner of his mouth turned up. “It’s more efficient my way.”
“If your primary goal in life is efficiency, you should just die.”
That startled him. His head actually jerked back. “What?”
“The most efficient way to live a life is to die a couple seconds after you’re born. Pfft. Done.” She dusted her hands to demonstrate that. “It’s too late for you to achieve optimal efficiency, but you could still . . .
”
”
Eileen Wilks (Blood Challenge (World of the Lupi, #7))
“
Just as life is made up of day and night, and song is made up of music and silence, friendships, because they are of this world, are also made up of times of being in touch and spaces in-between. Being human, we sometimes fill these spaces with worry, or we imagine the silence is some form of punishment, or we internalize the time we are not in touch with a loved one as some unexpressed change of heart. Our minds work very hard to make something out of nothing. We can perceive silence as rejection in an instant, and then build a cold castle on that tiny imagined brick. The only release from the tensions we weave around nothing is to remain a creature of the heart. By giving voice to the river of feelings as they flow through and through, we can stay clear and open. In daily terms, we call this checking in with each other, though most of us reduce this to a grocery list: How are you today? Do you need any milk? Eggs? Juice? Toilet paper? Though we can help each other survive with such outer kindnesses, we help each other thrive when the checking in with each other comes from a list of inner kindnesses: How are you today? Do you need any affirmation? Clarity? Support? Understanding? When we ask these deeper questions directly, we wipe the mind clean of its misperceptions. Just as we must dust our belongings from time to time, we must wipe away what covers us when we are apart.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
The most glaring example in the Western world is Fox News, an entity that more than any other has normalized the practice of severing any relationship between the truth and what one wishes the truth to be. It’s a common refrain that the news industry has failed to come up with a functioning business model in the Internet age, but that’s not entirely true. Jettisoning the requirement to report news in favor of inciting the rage and fear and hatred of your audience before serving them up ads for guns and bunkers is a perfectly functional business model. It might not be journalism, might be the opposite of journalism, but the checks clear.
”
”
Omar El Akkad (One Day, Everyone Will Have Always Been Against This)
“
Sometimes I felt that growing up and being a girl was about learning to be afraid. Not paranoid, exactly, but always alert and aware, like checking out the exits in the movie theatre or the fire escape in a hotel. You came to know, in a way you hadn't as a kid, that the body you inhabited was vulnerable, imperfectly fortified. On TV, in the papers, in books and movies, it isn't ever men being raped or kidnapped or bludgeoned or dismembered or burned with acid. But in stories and crime shows and TV series and movies and in life too, it's going on all the time, all around you. So you learn, in your mind, that your body needs to be protected. It's both precious and totally dispensable, depending on whom you encounter.
”
”
Claire Messud (The Burning Girl)
“
The so-called 'psychotically depressed' person who tries to kill herself doesn't do so out of quote 'hopelessness' or any abstract conviction that life's assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really. You'd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
”
”
David Foster Wallace (Infinite Jest)
“
God: Check out this human I designed.
Angel: Wow, that looks pretty incredible. How does it work?
God: It's pretty complicated. Point to something and I'll tell you what it does.
Angel: Okay. What are these?
God: Teeth. They're for chewing up food.
Angel: How come there are so many of them?
God: I threw in, like, three or four extra. If they don't like them, they can pll them out somehow, I guess.
Angel: What about this weird bag thing?
God: That's the appendix.
Angel: What does it do?
God: It explodes.
Angel: Really? That's all?
God: Pretty much.
Angel: What causes that to happen?
God: It just happens randomly. Like you'll just be walking down the street or driving a car and boom.
Angel: Geez...that's terrifying. Does it kill the person?
God: (shrugs) Sometimes.
”
”
Simon Rich
“
Your brain is involved in everything you do.
Your brain controls everything you do, feel, and think. When you look in the
mirror, you can thank your brain for what you see. Ultimately, it is your brain that
determines whether your belly bulges over your belt buckle or your waistline is trim and
toned. Your brain plays the central role in whether your skin looks fresh and dewy or is
etched with wrinkles. Whether you wake up feeling energetic or groggy depends on your
brain. When you head to the kitchen to make breakfast, it is your brain that determines
whether you go for the leftover pizza or the low-fat yogurt and fruit. Your brain controls
whether you hit the gym or sit at the computer to check your Facebook page. If you feel
the need to light up a cigarette or drink a couple cups of java, that's also your brain's
doing.ACTION STEP Remember that your brain is involved in everything you do, every
decision you make, every bite of food you take, every cigarette you smoke, every
worrisome thought you have, every workout you skip, every alcoholic beverage you
drink, and more.
”
”
Daniel G. Amen (Change Your Brain, Change Your Body: Use Your Brain to Get and Keep the Body You Have Always Wanted)
“
Our disenchantment of the night through artificial lighting may appear, if it is noticed at all, as a regrettable but eventually trivial side effect of contemporary life. That winter hour, though, up on the summit ridge with the stars falling plainly far above, it seemed to me that our estrangement from the dark was a great and serious loss. We are, as a species, finding it increasingly hard to imagine that we are part of something which is larger than our own capacity. We have come to accept a heresy of aloofness, a humanist belief in human difference, and we suppress wherever possible the checks and balances on us - the reminders that the world is greater than us or that we are contained within it.
”
”
Robert Macfarlane (The Wild Places)
“
You're thinking of revolution as a great all-or-nothing. I think of it as one more morning in a muggy cotton field, checking the undersides of leaves to see what's been there, figuring out what to do that won't clear a path for worse problems next week. Right now that's what I do. You ask why I'm not afraid of loving and losing, and that's my answer. Wars and elections are both too big and too small to matter in the long run. The daily work--that goes on, it adds up. It goes into the ground, into crops, into children's bellies and their bright eyes. Good things don't get lost.
Codi, here's what I've decided: the very least you can do in you life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof. What I want is so simple I almost can't say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyer nor the destroyed.
”
”
Barbara Kingsolver (Animal Dreams)
“
How does she do it? She makes it sound like she is so cut up to be giving them this information, and it's all just bumph out of her head. She never told them ANYTHING. I don't think she's given them the right name of any airfield in Britain except Mainsend and Buscot, which of course were where she was stationed. They could have easily checked. It's all so close to truth, and so glib--her aircraft identification is rather good considering what a fuss she makes about it. It makes me think of the first day I met her, giving those directions in German. So cool and crisp, such authority--suddenly she really was a radio operator, a German radio operator, she was so good at faking it. Or when I told her to be Jamie, how she just suddenly turned into Jamie.
This confession of hers is rotten with error...
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
Well...unfortunately there's a little problem," he said.
"What?"
He pointed up. "That."
I looked up to see the mistletoe dangling from the ceiling where I'd hung it three hours before.
"Okay, but what does that-?"
Rhys kissed me.
"I really, really, didn't want to like that," he said.
"Rhys-" But before I could say anything else, he kissed me again and pulled me closer.
”
”
Michelle Rowen (Reign Check (Demon Princess, #2))
“
Roth,” muttered Zayne. He sounded closer, but I didn’t want to take my eyes off the Alphas to check. “You might want to chill out a bit.”
The Crown Prince smirked. “Nah. You want to know why? The Alphas could end me, but they’re not going to.”
Across from us, the Alpha who had spoken stiffened but didn’t interrupt.
“You see, I am the favorite Crown Prince,” Roth continued, his smirk spreading. “They take me out when I haven’t done anything to warrant it and they’ll have the Boss to contend with. They don’t want that.”
Surprise flickered through me. They couldn’t just end Roth because of who he was? I’d always thought they could simply do as they pleased.
The Alpha who had been silent up to this point spoke. “There are rules for a reason. It does not mean we have to like them, so I’d suggest you do not push your luck, Prince.”
Then Roth did the unthinkable. He raised his hand and extended his middle finger. “Does this count as pushing it, Bob?”
Crap on a cracker, he’d flipped off an Alpha! And he’d called the Alpha Bob! Who did that? Seriously?
”
”
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
“
Out of absolutely nowhere I felt a sudden, sweet shot of joy, piercing and distilled as the jolt I imagine heroin users get when the fix hits the vein. It was my partner bracing herself on her hands as she slid fluidly off the desk, it was the neat practiced movement of flipping my notebook shut one-handed, it was my superintendent wriggling into his suit jacket and covertly checking his shoulders for dandruff, it was the garishly lit office with a stack of marker-labeled case files sagging in the corner and evening rubbing up against the window. It was the realization, all over again, that this was real and it was my life. Maybe Katy Devlin, if she had made it that far, would have felt this way about blisters on her toes, the pungent smell of sweat and floor wax in the dance studios, the early-morning breakfast bells raced down echoing corridors. Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
”
”
Tana French (In the Woods)
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
We’re going to get a couple things straight here, Roarke.’
‘Your color’s back.’ Pleased with himself, he rose and nipped a kiss onto the tip of her nose. ‘That gray cast to your skin didn’t suit you.’ Then he grunted as her fist jammed into his stomach. He cleared his throat manfully. ‘Your energy level’s obviously up, too. Want coffee?’
‘I want you to know that if you ever pull a stunt like that again, I’ll . . .’ She trailed off, narrowed her eyes at Mavis. ‘What are you grinning at?’
‘It’s fun to watch. You two are so tipped over each other.’
‘So tipped he’s going to end up on his back checking out the ceiling if he doesn’t watch out.
”
”
J.D. Robb (Immortal in Death (In Death, #3))
“
It happens when I get really excited. The more excited I get, the more I vibrate.”
“Now there’s a thought,” Lor says.
“If you mean what I think you mean, you want to shut the fuck up and never think it again,” Ryodan says.
“Just saying, boss,” Lor says. “You can’t tell me you didn’t think it, too.”
I never understand half of what these dudes are talking about and don’t care. “You can touch me if you want to,” I say to Lor magnanimously. I’m so pumped on adrenaline and excitement that I’m feeling downright sociable. I poke one of my shoulders toward him. “Check me out. It feels really cool.”
All heads swivel my way, then they look back at Ryodan.
“He doesn’t own my fecking shoulder. Why you looking at him?
”
”
Karen Marie Moning
“
In the natural sciences, some checks exist on the prolonged acceptance of nutty ideas, which do not hold up well under experimental and observational tests and cannot readily be shown to give rise to useful working technologies. But in economics and the other social studies, nutty ideas may hang around for centuries. Today, leading presidential candidates and tens of millions of voters in the USA embrace ideas that might have been drawn from a 17th-century book on the theory and practice of mercantilism, and multitudes of politicians and ordinary people espouse notions that Adam Smith, David Ricardo, and others exploded more than two centuries ago. In these realms, nearly everyone simply believes whatever he feels good about believing.
”
”
Robert Higgs
“
I can't wait for him to visit me again. He's just so handsome, don't you think?" she asked.
I paused. "Yeah, he's cute."
"Come on, America! You have to have noticed those eyes and his voice..."
"Except when he laughs!" Just remembering Maxon's laugh had me grinning. It was cute but awkward. He pushed his breaths out, and then made a jagged noise when he inhaled, almost like another laugh in itself.
"Yes, okay, he does have a funny laugh, but it's cute."
"Sure, if you like the lovable sound of an asthma attack in your ear every time you tell a joke."
Marlee lost it and doubled over in laughter.
"All right, all right," she said, coming up for air. "You have to think there's something attractive about him."
I opened my mouth and shut it two or three times. I was tempted to take another jab at Maxon, but I didn't want Marlee to see him in a negative light. So I thought about it.
What was attractive about Maxon?
"Well, when he lets his guard down, he's okay. Like when he just talks without checking his words or you catch him just looking at something like...like he's really looking for the beauty in it."
Marlee smiled, and I knew she'd seen that in him, too.
"And I like that he seems genuinely involved when he's there, you know? Like even though he's got a country to run and a thousand things to do, it's like he forgets it all when he's with you. He just dedicates himself to what's right in front of him. I like that.
"And...well, don't tell anyone this, but his arms. I like his arms."
I blushed at the end. Stupid...why hadn't I just stuck to the general good things about his personality? Luckily, Marlee was happy to pick up the conversation.
"Yes! You can really feel them under those thick suits, can't you? He must be incredibly strong." Marlee gushed.
"I wonder why. I mean, what's the point of him being that strong? He does deskwork. It's weird."
"Maybe he likes to flex in front of the mirror," Marlee said, making a face and flexing her own tiny arms.
"Ha, ha! I bet that's it. I dare you to ask him!"
"No way!
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Cookie?” he offered, holding up a cookie full of chocolate chips.
Upset tummy or not, there was no way I could refuse that. “Sure.”
His lips tipped to one side and he leaned towards me, his mouth inches from mine. “Come and get it.”
Come and get…? Daemon placed half the cookie between those full, totally kissable lips.
Oh, holy alien babies everywhere…
My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn’t bring myself to check out what they were doing.
That cookie – those lips – were right there.
Heat swept over my cheeks. I could feel the eyes of everyone else and Demon… dear God, Daemon arched his brows, daring me.
Dee gagged. “I think I’m going to hurl.”
Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take that cookie out of his mouth like something straight out of an R-rated version of Lady and the Tramp? Heck, I kind of wanted to, and I wasn’t too sure what that said about me.
Daemon reached up and took the cookie. There was a gleam in his eyes, as if he’d just won some battle. “Time’s up, Kitten.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
It pleased him to imagine God as someone like his mother, someone beleagured by too many responsibilities, too dog-tired to monitor an energetic boy every minute of the day, but who, out of love and fear for his safety, checked in on him whenever she could. Was this so crazy? ...Miles liked the idea of a God who, when He at last had the oppotunity to return His attention to His children, might shake His head with wonder and mutter, "Jesus. Look what they're up to now." A distractible God, perhaps, one who'd be startled to discover so many of His children way up in trees since the last time He looked. A God whose hand would go rushing to His mouth in fear in that instant of recognition that - good God! - that kid's going to hurt himself. A God who could be surprised by unanticipated pride - glory be, that boy is a climber!
”
”
Richard Russo (Empire Falls)
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAPPY CHRISTMAS
Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco.
To: Anna Oliphant
From: Etienne St. Clair
Subject: I forgot to tell you.
Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled?
To: Anna Oliphant
From: Etienne St. Clair
Subject: Are you awake yet?
Wake up.Wake up wake up wake up.
To: Etienne St. Clair
From: Anna Oliphant
Subject: re: Are you awake yet?
I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me.
P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo.
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAHAHA@
Was it a PROMISE RING? Did your father give you a PROMISE RING?
To: Etienne St. Clair
From: Anna Oliphant
Subject: Re: HAHAHA!
I am so not responding to that.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
One of the dangers of having a lot of money is that you may be quite satisfied with the kinds of happiness money can give, and so fail to realize your need for God. If everything seems to come simply by signing checks, you may forget that you are at every moment totally dependent on God. Now, quite plainly natural gifts carry with them a similar danger. If you have sound nerves and intelligence and health and popularity and a good upbringing, you are likely to be quite satisfied with your character as it is. “Why drag God into it?” you may ask. A certain level of good conduct comes fairly easily to you. You are not one of those wretched creatures who are always being tripped up by sex or dipsomania or nervousness or bad temper. Everyone says you are a nice chap, and between ourselves, you agree with them. You are quite likely to believe that all this niceness is your own doing, and you may easily not feel the need for any better kind of goodness. Often people who have all these natural kinds of goodness cannot be brought to recognize their need for Christ at all until one day, the natural goodness lets them down, and their self-satisfaction is shattered. In other words, it is hard for those who are rich in this sense to enter the kingdom.
”
”
C.S. Lewis (Mere Christianity)
“
A Hard Life With Memory
I’m a poor audience for my memory.
She wants me to attend her voice nonstop,
but I fidget, fuss,
listen and don’t,
step out, come back, then leave again.
She wants all my time and attention.
She’s got no problem when I sleep.
The day’s a different matter, which upsets her.
She thrusts old letters, snapshots at me eagerly,
stirs up events both important and un-,
turns my eyes to overlooked views,
peoples them with my dead.
In her stories I’m always younger.
Which is nice, but why always the same story.
Every mirror holds different news for me.
She gets angry when I shrug my shoulders.
And takes revenge by hauling out old errors,
weighty, but easily forgotten.
Looks into my eyes, checks my reaction.
Then comforts me, it could be worse.
She wants me to live only for her and with her.
Ideally in a dark, locked room,
but my plans still feature today’s sun,
clouds in progress, ongoing roads.
At times I get fed up with her.
I suggest a separation. From now to eternity.
Then she smiles at me with pity,
since she knows it would be the end of me too.
”
”
Wisława Szymborska (Here)
“
But before I could come up with an answer, Tod appeared in the desk chair, where I'd sat minutes earlier. 'Hey. Am I interrupting something?'
'Yes,' Nash said. 'Get out.'
But Tod was watching me, and I could tell from the angry line of his jaw that he'd been listening long before he showed himself. He'd heard what Avari had done to me. What Nash had let him do.
'You want me to go?' Tod asked me, his back to his brother.
Nash implores me silently to say yes. Tod waited patiently.
'No,' I said, looking right at Nash. He scowled, and his shoulders sagged.
'Good.' Tod stood and kicked the rolling chair out of his way. 'I just checked on your friend in the straitjacket. But first...' The reaper swung before either of us realized what he intended to do.
Tod's very sold first slammed into Nash's jaw. Nash's head snapped back. He stumbled into the wall. Tod shook his hand like it hurt. 'That's for what you let him do to Kaylee.
”
”
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
“
We live in an age in which saving is subterfuge for spending. No doubt you sincerely believe that there is margarine in your refrigerator because it is more economical than butter. But you are wrong. Look in your bread drawer. How many boxes of cute snack crackers are there? How many packages of commercial cookies reeking of imitation vanilla badly masked with oil of coconut? How many presweetened breakfast cereals? Tell me now that you bought the margarine because you couldn't afford butter. You see - you can't. You bought the bread drawer of goodies because you were conned into them; and you omitted the butter because you were conned out of it. The world has slipped you culinary diagrams instead of food. It counts on your palate being not only wooden, but buried under ten coats of synthetic varnish as well. Therefore, the next time you go to check out of the supermarket, simply put back one box of crackers, circle round the dairy case again, swap your margarine for a pound of butter and walk up to the checker with your head held high, like the last of the big spenders. This is no time for cost-counters: It is time to be very rich or very poor - or both at once.
”
”
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
“
Absolutely pathetic.”
I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?”
“Lucinda flirting with couriers. Pathetic.”
Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing.
“I’m nice to him.”
“You? Nice?”
I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.”
“Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.”
He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window.
“She’s got a few lovely things about her, I suppose.”
I raise a finger and enunciate the words crisply: “Human resources.”
He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you.
We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
”
”
Sally Thorne (The Hating Game)
“
Cam’s grin was wicked as his hand coasted up my waist to cup my breast. He squeezed it, setting off a weird mixture of painful tenderness and a bolt of lust to my sex.
“My eyes!” Cole yelled.
Cam and I jerked apart, and I twisted my head to see my brother standing in the doorway in his pyjamas, his hair falling in wet locks across his forehead. His forearm covered his eyes. “I’m fucking blind,” he growled and turned around, bumping into the wall before remembering to drop his arm. After that he stomped out of the flat, the door slamming in his wake.
Horrified, I looked up into Cam’s face, my eyes wide. “I think I should let him get away with using the ‘f’ word on this occasion.”
Cam snorted, laughter sputtering as he dropped his head to my chest, his whole body shaking with amusement.
I felt an irrepressible giggle escape me despite my mortification for myself and Cole. “It’s not funny. We’ve scarred him. I better check on him.”
Cam shook his head, his eyes bright with mirth. “You’re the last person he wants to see right now … I’m sure he’s barricaded himself in his room and is doing anything he can to burn the image of me dry-humping his sister out of his mind.
”
”
Samantha Young (Down London Road (On Dublin Street, #2))
“
Tentacles is my term — the Tentacles are the evil tasks that invade my life. Like, for example, my American History class last week, which necessitated me writing a paper on the weapons of the Revolutionary war, which necessitated me traveling to the Metropolitan Museum to check out some of the old guns, which necessitated me getting the subway, which necessitated me being away from my cell phone and email for 45 minutes, which meant that I didn’t get to respond to a mass mail sent out by my teacher asking who needed extra credit, which meant other kids snapped up the extra credit, which meant I wasn’t going to get a 98 in the class, which meant I wasn’t anywhere close to a 98.6 average (body temperature, that’s what you needed to get), which meant I wasn’t going to get into a Good College, which meant I wasn’t going to have a Good Job, which meant I wasn’t going to have health insurance, which meant I’d have to pay tremendous amounts of money for the shrinks and drugs my brain needed, which meant I wasn’t going to have enough money to pay for a Good Lifestyle, which meant I’d feel ashamed, which meant I’d get depressed, and that was the big one because I knew what that did to me: it made it so I wouldn’t get out of bed, which led to the ultimate thing — homelessness. If you can’t get out of bed for long enough, people come and take your bed away.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
Marturano recommended something radical: do only one thing at a time. When you’re on the phone, be on the phone. When you’re in a meeting, be there. Set aside an hour to check your email, and then shut off your computer monitor and focus on the task at hand. Another tip: take short mindfulness breaks throughout the day. She called them “purposeful pauses.” So, for example, instead of fidgeting or tapping your fingers while your computer boots up, try to watch your breath for a few minutes. When driving, turn off the radio and feel your hands on the wheel. Or when walking between meetings, leave your phone in your pocket and just notice the sensations of your legs moving. “If I’m a corporate samurai,” I said, “I’d be a little worried about taking all these pauses that you recommend because I’d be thinking, ‘Well, my rivals aren’t pausing. They’re working all the time.’ ” “Yeah, but that assumes that those pauses aren’t helping you. Those pauses are the ways to make you a more clear thinker and for you to be more focused on what’s important.
”
”
Dan Harris (10% Happier)
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark.
He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles.
Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
“
A small boy asks his Dad, "Daddy, what is politics?" Dad says, "Well son, let me try to explain it this way: I'm the breadwinner of the family, so let's call me Capitalism. Your mom, she's the administrator of the money, so we'll call her the Government. We're here to take care of your needs, so we'll call you the People. The nanny, we'll consider her the Working Class. And your baby brother, we'll call him the Future. Now, think about that and see if that makes sense." So the little boy goes off to bed thinking about what Dad has said. Later that night, he hears his baby brother crying, so he gets up to check on him. He finds that the baby has severely soiled his diaper. The little boy goes to his parents' room and finds his mother sound asleep. Not wanting to wake her, he goes to the nanny's room. Finding the door locked, he peeks in the keyhole and sees his father having sex with the nanny. He gives up and goes back to bed. The next morning, the little boy says to his father, "Dad, I think I understand the concept of politics now." The father says, "Good, son, tell me in your own words what you think politics is all about." The little boy replies, "Well, while Capitalism is screwing the Working Class, the Government is sound asleep, the People are being ignored and the Future is in Deep Shit." ♦◊♦◊♦◊♦
”
”
Various (101 Dirty Jokes - sexual and adult's jokes)
“
Dr. Bone Specialist came in, made me stand up and hobble across the room, checked my reflexes, and then made me lie down on the table. He bent my right knee this way and that, up and down, all the way out to the side and in. Then he did the same with my left leg. He ordered X rays then started to leave the room. I panicked. I MUST GET DRUGS.
"What can I take for the pain?" I asked him before he got out the door.
"You can take some over the counter ibuprofen," he suggested. "But I wouldn't take more than nine a day."
I choked. Nine a day? I'd been popping forty. Nine a day? Like hell. I couldn't even go to the bathroom on my own, I hadn't slept in three weeks, and my normally sunny cheery disposition had turned into that of a very rabid dog. If I didn't get good drugs and get them now, it was straight to Shooter's World and then Walgreens pharmacy for me.
"I don't think you understand," I explained. "I can't go to work. I have spent the last four days with my mother who is addicted to QVC, watching jewelry shows, doll shows and make-up shows. I almost ordered a beef-jerky maker! Give me something, or I'm going to use your calf muscles to make the first batch!"
Without further ado, he hastily scribbled out a prescription for some codeine and was gone. I was happy.
My mother, however, had lost the ability to speak.
”
”
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
“
Here's what I learned over the years. Know the mission, what is expected of you and your people. Get to know those people, their attitudes and expectations. Visit all the shops and sections. Ask questions. Don't be shy. Learn what each does, how the parts fit into the whole. Find out what supplies and equipment are lacking, what the workers need. To whom does each shop chief report? Does that officer really know the people under him, is he aware of their needs, their training? Does that NCO supervise or just make out reports without checking facts? Remember, those reports eventually come to you. Don't try to bullshit the troops, but make sure they know the buck stops with you, that you'll shoulder the blame when things go wrong. Correct without revenge or anger. Recognize accomplishment. Reward accordingly. Foster spirit through self-pride, not slogans, and never at the expense of another unit. It won't take long, but only your genuine interest and concern, plus follow-up on your promises, will earn you respect. Out of that you gain loyalty and obedience. Your outfit will be a standout. But for God's sake, don't ever try to be popular! That weakens your position, makes you vulnerable. Don't have favorites. That breeds resentment. Respect the talents of your people. Have the courage to delegate responsibility and give the authority to go with it. Again, make clear to your troops you are the one who'll take the heat.
”
”
Robin Olds
“
The heroin flowing through me, I thought about the last time I saw my father alive. He was drunk and overweight in a restaurant in Beverly Hills, and curling into myself on the bed I thought: What if I had done something that day? I had just sat passively in a restaurant booth as the midday light filled the half-empty dining room, pondering a decision. The decision was: should you disarm him? That was the word I remember: disarm. Should you tell him something that might not be the truth but would get the desired reaction? And what was I going to convince him of, even though it was a lie? Did it matter? Whatever it was, it would constitute a new beginning. The immediate line: You’re my father and I love you. I remember staring at the white tablecloth as I contemplated saying this. Could I actually do it? I didn’t believe it, and it wasn’t true, but I wanted it to be. For one moment, as my father ordered another vodka (it was two in the afternoon; this was his fourth) and started ranting about my mother and the slump in California real estate and how “your sisters” never called him, I realized it could actually happen, and that by saying this I would save him. I suddenly saw a future with my father. But the check came along with the drink and I was knocked out of my reverie by an argument he wanted to start and I simply stood up and walked away from the booth without looking back at him or saying goodbye and then I was standing in sunlight. Loosening my tie as a parking valet pulled up to the curb in the cream-colored 450 SL. I half smiled at the memory, for thinking that I could just let go of the damage that a father can do to a son. I never spoke to him again.
”
”
Bret Easton Ellis (Lunar Park (Vintage Contemporaries))
“
When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes.
“Why do you wear those?” asked Lacuna.
I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.
“Gah!” I said. “Don’t do that!”
My miniature captive came to the edge of the dresser and peered down at me.
“Don’t ask questions?”
“Don’t come in here all quiet and spooky and scare me like that!”
“You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.”
“Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!”
“Why not?”
“Because of what could happen!”
“Because they might fall down on the floor?”
“No!” I snarled.
Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.”
“So why do you wear those?” I blinked.
“Clothes?”
“Yes. You don’t need them unless it’s cold or raining.”
“You’re wearing clothes.”
“I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.”
“No, it won’t.” I sighed.
Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?”
“No.”
“Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.”
“Why?”
“Because if you don’t, I . . . I . . . might pull your arms out of your sockets.” At that, she frowned. “Why?”
“Because I have to maintain discipline, don’t I?”
“True,” she said gravely. “But I have no clothes.”
I counted to ten mentally. “I’ll . . . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.”
“Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said.
“That’s what I was going for.”
“You have a visitor, my lord.”
I frowned. “What?”
“That is why I came in here. You have a visitor waiting for you.”
I stood up, exasperated. “Why didn’t you say so?”
Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.”
“It would not shock me in the least,” I said.
“Would you like me to cut open your skull and check, my lord?” she asked.
Someone that short should not be that disturbing. “I . . . No. No, but thank you for the offer.”
“It is my duty to serve,” Lacuna intoned.
My life, Hell’s bells.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
In the secret places of her thymus gland Louise is making too much of herself. Her faithful biology depends on regulation but the white T-cells have turned bandit. They don't obey the rules. They are swarming into the bloodstream, overturning the quiet order of spleen and intestine. In the lymph nodes they are swelling with pride. It used to be their job to keep her body safe from enemies on the outside. They were her immunity, her certainty against infection. Now they are the enemies on the inside. The security forces have rebelled. Louise is the victim of a coup.
Will you let me crawl inside you, stand guard over you, trap them as they come at you? Why can't I dam their blind tide that filthies your blood? Why are there no lock gates on the portal vein? The inside of your body is innocent, nothing has taught it fear. Your artery canals trust their cargo, they don't check the shipments in the blood. You are full to overflowing but the keeper is asleep and there's murder going on inside. Who comes here? Let me hold up my lantern. It's only the blood; red cells carrying oxygen to the heart, thrombocytes making sure of proper clotting. The white cells, B and T types, just a few of them as always whistling as they go.
The faithful body has made a mistake. This is no time to stamp the passports and look at the sky. Coming up behind are hundreds of them. Hundreds too many, armed to the teeth for a job that doesn't need doing. Not needed? With all that weaponry?
Here they come, hurtling through the bloodstream trying to pick a fight. There's no-one to fight but you Louise. You're the foreign body now.
”
”
Jeanette Winterson (Written on the Body)
“
Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
”
”
David D. Burns (Feeling Good: Overcome Depression and Anxiety with Proven Techniques)
“
Once upon a time, there was a prince. From a young age, he knew he was destined for greatness for he knew that one day, he would inherit the kingdom from his father. But the prince also had a secret. He was scared of failure. Terrified of it. So completely frightened of not being as good a king as his father, that he would stay up every night braced with the fear of mediocrity.
And so, the prince took a medicine to calm his anxiety and he slew trolls! And he took more, and he slew dragons! But one day, he took too much and nearly lost everything. So he was banished. The kingdom would not have him. He was the talk of the countryside, an embarrassment to his family and more important, a disappointment to the king.
But the prince would concoct a plan. He would venture back to the land of the queen. There, he would reclaim greatness and thereby gain entrance to the kingdom. And all was going well until of course, this little shit came along.
”
”
Ngozi Ukazu (Check, Please!)
“
You know what I think?”
Touching him feels so good, so strangely uncomplicated, like he’s the exception to every rule. “What?”
“I think you love your job,” he says softly. “I think you work that hard because you care ten times more than the average person.”
“About work,” I say.
“About everything.” His arms tighten around me. “Your sister. Your clients. Their books. You don’t do anything you’re not going to do one hundred percent. You don’t start anything you can’t finish.
“You’re not the person who buys the stationary bike as part of a New Year’s resolution, then uses it as a coatrack for three years. You’re not the kind of woman who only works hard when it feels good, or only shows up when it’s convenient. If someone insults one of your clients, those fancy kid gloves of yours come off, and you carry your own pen at all times, because if you’re going to have to write anything, it might as well look good. You read the last page of books first—don’t make that face, Stephens.” He cracks a smile in one corner of his mouth. “I’ve seen you—even when you’re shelving, you sometimes check the last page, like you’re constantly looking for all the information, trying to make the absolute best decisions.”
“And by you’ve seen me,” I say, “you mean you’ve watched me.”
“Of course I fucking do,” he says in a low, rough voice. “I can’t stop. I’m always aware of where you are, even if I don’t look, but it’s impossible not to. I want to see your face get stern when you’re emailing a client’s editor, being a hard-ass, and I want to see your legs when you’re so excited about something you just read that you can’t stop crossing and uncrossing them. And when someone pisses you off, you get these red splotches.” His fingers brush my throat. “Right here.”
“You’re a fighter,” he says. “When you care about something, you won’t let anything fucking touch it. I’ve never met anyone who cares as much as you do. Do you know what most people would give to have someone like that in their life?” His eyes are dark, probing, his heartbeat fast. “Do you know how fucking lucky anyone you care about is? You know . . .
”
”
Emily Henry (Book Lovers)
“
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
”
”
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
“
Frank grabbed a tourist brochure stuck under the napkin dispenser. He began to read it. Piper patted Leo’s arm, like she couldn’t believe he was really here. Nico stood at the edge of the group, eyeing the passing pedestrians as if they might be enemies. Coach Hedge munched on the salt and pepper shakers. Despite the happy reunion, everybody seemed more subdued than usual—like they were picking up on Leo’s mood. Jason had never really considered how important Leo’s sense of humor was to the group. Even when things were super serious, they could always depend on Leo to lighten things up. Now, it felt like the whole team had dropped anchor. “So then Jason harnessed the venti,” Hazel finished. “And here we are.” Leo whistled. “Hot-air horses? Dang, Jason. So basically, you held a bunch of gas together all the way to Malta, and then you let it loose.” Jason frowned. “You know, it doesn’t sound so heroic when you put it that way.” “Yeah, well. I’m an expert on hot air. I’m still wondering, why Malta? I just kind of ended up here on the raft, but was that a random thing, or—” “Maybe because of this.” Frank tapped his brochure. “Says here Malta was where Calypso lived.” A pint of blood drained from Leo’s face. “W-what now?” Frank shrugged. “According to this, her original home was an island called Gozo just north of here. Calypso’s a Greek myth thingie, right?” “Ah, a Greek myth thingie!” Coach Hedge rubbed his hands together. “Maybe we get to fight her! Do we get to fight her? ’Cause I’m ready.” “No,” Leo murmured. “No, we don’t have to fight her, Coach.” Piper frowned. “Leo, what’s wrong? You look—” “Nothing’s wrong!” Leo shot to his feet. “Hey, we should get going. We’ve got work to do!” “But…where did you go?” Hazel asked. “Where did you get those clothes? How—” “Jeez, ladies!” Leo said. “I appreciate the concern, but I don’t need two extra moms!” Piper smiled uncertainly. “Okay, but—” “Ships to fix!” Leo said. “Festus to check! Earth goddesses to punch in the face! What are we waiting for? Leo’s back!” He spread his arms and grinned. He was making a brave attempt, but Jason could see the sadness lingering in his eyes. Something had happened to him…something to do with Calypso.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow.
"You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace.
"No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze.
"I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?"
"No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet."
"I'm not too late, then." He smiled and settled back in the bed.
"Too late for what?" I asked.
"To stop you, of course." Still smiling, he closed his eyes.
"Is that why you're here?" I asked, failing to point out how near we were to my nuptials.
"I told you why I'm here," Loki said.
"What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises.
"Are you crying?" Loki asked and opened his eyes.
"No, I'm not crying." I wasn't, but my eyes were moist.
"Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down.
"You need to rest," I said.
"I will be fine." He put his hand over mine again, and I let him. "Eventually."
"Can you tell me what happened?" I asked. "Why do you need amnesty?"
"Remember when we were in the garden?" Loki asked.
Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider.
"I see you do." He grinned.
"What does that have to do with anything?" I asked.
"That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute.
"The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?"
"Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine."
"Why?" I asked. "Why does the King hate you? Why did he do this to you?"
"Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?"
"Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?"
"As you wish, Princess," he conceded, and he was already drifting back to sleep again.
I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.”
He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.”
I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again.
I spoke to him softly, “Ren? I’m here. Don’t give up.”
He raised his head as if he’d heard me.
“Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared.
I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes.
I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him.
He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?”
“Well, I’m no maggoty corpse, if that’s what you mean.”
He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.”
I countered, “Well, how do I know it’s really you?”
He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response.
When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.”
He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.”
I smiled gaily back at him. “No problem.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Instructions for Dad.
I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you.
I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me.
Don't put make-up on me. It looks stupid on dead people.
I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums.
I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements.
I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave.
I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy).
I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals.
Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare.
Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it).
Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
OK. That's it.
I love you.
Tessa xxx
”
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Jenny Downham
“
Poor, wretched, and stupid peoples, nations determined on your own misfortune and blind to your own good! You let yourselves be deprived before your own eyes of the best part of your revenues; your fields are plundered, your homes robbed, your family heirlooms taken away. You live in such a way that you cannot claim a single thing as our own; and it would seem that you consider yourselves lucky to be loaned your property, your families, and your very lives. All this havoc, this misfortune, this ruin, descends upon you not from alien foes, but from the one enemy whom you yourselves render as powerful as he is, for whom you go bravely to war, for whose greatness you do not refuse to offer your own bodies unto death. ... Where has he acquired enough eyes to spy upon you, if you do not provide them yourselves? How can he have so many arms to beat you with, if he does not borrow them from you? The feet that trample down your cities, where does he get them if they are not your own? How does he have any power over you except through you? How would he dare assail you if he had no cooperation from you? What could he do to you if you yourselves did not connive with the thief who plunders you, if you were not accomplices of the murderer who kills you, if you were not traitors to yourselves? You sow crops in order that he may ravage them, you install and furnish your homes to give him goods to pillage; you rear your daughters that he may gratify his lust; you bring up your children in order that he may confer upon them the greatest privilege he knows—to be led into his battles, to be delivered to butchery, to be made servants of his greed and the instruments of his vengeance; you yield your bodies unto hard labour in order that he may indulge in his delights and wallow in his filthy pleasures; you weaken yourselves in order to make him stronger and the mightier to hold you in check. From all these indignities, such as the very beasts of the field would not endure, you can deliver yourselves if you try, not be taking action, but merely by willing to be free. Resolve to serve no more, and you are at once freed. I do not ask that you place hands upon the tyrant to topple him over, but simply that you support him no longer; then you will behold him, like a great Colossus whose pedestal has been pulled away, fall of his own weight and break into pieces.
”
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Étienne de La Boétie (The Politics of Obedience: The Discourse of Voluntary Servitude)
“
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….]
I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors:
Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space.
[…] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
”
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Christopher Hitchens (Hitch 22: A Memoir)