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We want no proofs. We ask none to believe us! This boy will some day know what a brave and gallant woman his mother is. Already he knows her sweetness and loving care. Later on he will understand how some men so loved her, that they did dare much for her sake.” Excerpt From: Stoker, Bram. “Dracula.” iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/WebObjects/M...

I must not wish you no pain, for that can never be, but I do hope you will be always as happy as I am now” Excerpt From: Stoker, Bram. “Dracula.” iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/us/book/drac...

So I can finish this diary, and God only knows if I shall ever begin another. If I do, or if I even open this again, it will be to deal with different people and different themes, for here at the end, where the romance of my life is told, ere I go back to take up the thread of my life-work, I say sadly and without hope, "FINIS".” Excerpt From: Stoker, Bram. “Dracula.” iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/us/book/drac...

if he should come this very night I'd not refuse to answer his call. For life be, after all, only a waitin' for somethin' else than what we're doin', and death be all that we can rightly depend on” Excerpt From: Stoker, Bram. “Dracula.” iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/us/book/drac...

Economics itself offers a parallel that explains why this integration affects creativity. Clay Christensen has written about the “Innovator’s Dilemma”: the fact that large traditional firms find it rational to ignore new, breakthrough technologies that compete with their core business. The same analysis could help explain why large, traditional media companies will undermine our tradition of free culture. The property right that is copyright is no longer the balanced right that it was, or was intended to be. The property right that is copyright has become unbalanced, tilted toward an extreme. The opportunity to create and transform becomes weakened in a world in which creation requires permission and creativity must check with a lawyer.

Digital locks are roach motels: copyrighted works check in, but they don’t check out. Creators and investors lose control of their business—they become commodity suppliers for a distribution channel that calls all the shots. Anti-circumvention isn’t copyright protection: it’s middleman protection.

I looked at him and drew him into a poignant silence, traced my fingers over his lips, I watched Dominic’s green-grey eyes with fiery certainty as I swiped my thumb on his plump bottom lip and then pulled down, opening it for a kiss. He surrendered and slid his tongue against mine almost on instinct, which is when I made my move. Grabbing his tongue at first gently between my teeth, I felt him tense and shudder, the movement replaced with a moan and an acquiescence when I sucked it hard to a tingling numbness between my lips. I repeated the movement a couple of times before letting him go, and by the time I did he was close to tearing my t-shirt with the ferocity of his grip. Dominic drew in a sharp, desperate breath when I pulled back, and stared at me, wide-eyed and trying to process this. Every stage of understanding played over a fistful of split-seconds on his face, and at last he whispered: “Do you mean what I think you mean by that?” Excerpt From: Hoffman, Vee. “Acclamation.” Indie Inklings Ltd. iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/WebObjects/M... Excerpt From: Hoffman, Vee. “Acclamation.” Indie Inklings Ltd. iBooks. This material may be protected by copyright.

The US traded its manufacturing sector’s health for its entertainment industry, hoping that Police Academy sequels could take the place of the rustbelt. The US bet wrong. But like a losing gambler who keeps on doubling down, the US doesn’t know when to quit. It keeps meeting with its entertainment giants, asking how US foreign and domestic policy can preserve its business-model. Criminalize 70 million American file-sharers? Check. Turn the world’s copyright laws upside down? Check. Cream the IT industry by criminalizing attempted infringement? Check. It’ll never work. It can never work. There will always be an entertainment industry, but not one based on excluding access to published digital works. Once it’s in the world, it’ll be copied. This is why I give away digital copies of my books and make money on the printed editions: I’m not going to stop people from copying the electronic editions, so I might as well treat them as an enticement to buy the printed objects. But there is an information economy. You don’t even need a computer to participate. My barber, an avowed technophobe who rebuilds antique motorcycles and doesn’t own a PC, benefited from the information economy when I found him by googling for barbershops in my neighborhood. Teachers benefit from the information economy when they share lesson plans with their colleagues around the world by email. Doctors benefit from the information economy when they move their patient files to efficient digital formats. Insurance companies benefit from the information economy through better access to fresh data used in the preparation of actuarial tables. Marinas benefit from the information economy when office-slaves look up the weekend’s weather online and decide to skip out on Friday for a weekend’s sailing. Families of migrant workers benefit from the information economy when their sons and daughters wire cash home from a convenience store Western Union terminal. This stuff generates wealth for those who practice it. It enriches the country and improves our lives. And it can peacefully co-exist with movies, music and microcode, but not if Hollywood gets to call the shots. Where IT managers are expected to police their networks and systems for unauthorized copying – no matter what that does to productivity – they cannot co-exist. Where our operating systems are rendered inoperable by “copy protection,” they cannot co-exist. Where our educational institutions are turned into conscript enforcers for the record industry, they cannot co-exist. The information economy is all around us. The countries that embrace it will emerge as global economic superpowers. The countries that stubbornly hold to the simplistic idea that the information economy is about selling information will end up at the bottom of the pile. What country do you want to live in?

I had to keep checking the copyright page to remind myself this novel [Karl Moritz's Anton Reiser] was published in 1785, not 1985.

I asked Saf. “How do you do that?” Saf smirked. “He has you on punishment, he thinks you are hurting and wasting your time morosing over him while he lives his life” “He is exacting punishment and he is enjoying it!” “He probably not thinking of you any at all” “His hope is to come back and see you same place he left you!” “And ready to take him back and take you out of your suffering!” Saf chuckled. “Waste his time!” Saf half shouted. I leaned in conspiratorially. “Me no understand!” Saf always spoke in colloguish manner. “Change the ending, the outcome!” “Let when he checks in back, he has lost the compass!” “You can’t be found!” “That’s how you get back control!” “Right now he has all the control in the world!” “And you have none!” “You start to get back your control!” “Remember when i told you about that rope!” “The one people tug every now and then to see if you still at the end of it!” “We move pass that now…!” “You come tie the rope to a stump of a tree!” “Or on a stick or staple it to the ground!” “And you gone run…!” “You gone play the same game he is playing…!” “Play it his way but still play against him” Saf sucked her teeth. “Precognitive!” She pressed her index finger against her forehead. “Same story as the Tortoise and the Hare” Yakima II Crystal Evans Copyright ©️ 2023

When I thought I felt better, grief shot its silver tip arrow at my heart to remind me that it was still there.” Excerpt From: Holster, S.G. “Thirty Seconds to Die.” iBooks. This material may be protected by copyright. Check out this book on the iBooks Store

Table of Contents CopyRight Introduction Recommend other books Title Index Content Ending Option A Ending Option B Subscribe Conclustion Check Out My Other Books

Whiting, Fred L., Roswell Revisited. 1990, Fund for UFO Research, POB 277, Mt. Rainier, MD 20712 Send SASE for free summary and list of publications. Stringfield, Leonard, Roswell and X-15: UFO Basics, MUFON Journal, #259, Nov. 1989, pp. 3-7. Friedman, S.T., 1991 Update on Crashed Saucers. MUFON Conference Proceedings, July 1991, Chicago, IL. Available from MUFON, 103 Oldtowne Road, Seguin, TX 78155. Send SASE for info. O'Brien, Mike, Springfield, MO, News Leader, Sunday, Dec. 9, 1990, pp. F 1-4. Randle, Kevin and Schmitt, Donald, UFO Crash at Roswell. Avon, NY, (pb), July 1991. Friedman, S.T., MJ 12 articles in International UFO Reporter, Sept./Oct. 1987, pp. 13-10; Jan./Feb. 1988, pp. 20-24; May/June 1988, pp. 12-17; March/April 1990, pp. 13-16; MUFON J. 9/89. p. 16, MUFON Conf. Proc. 1989. Friedman, S.T., Flying Saucers, Noisy Negativists and Truth, MUFON Conf. 1985, UFORI, see item #3. Keel, John, FATE, March 1990, January 1991. Weiner, Tim. Blank Check: The Pentagon's Black Budget, Warner Books, 1990, p. 273. Extremely well referenced, researched and indexed. Copyright, 1991. Stanton T. Friedman COMMENT Stanton Friedman, a true blue scientist, lets it be known that he seeks only bottom-line, verifiable information from his sources -- names of witnesses, place names, dates, old records -- anything evidential that would convince a hard-nosed skeptic. If

Friedman, S.T., MJ 12 articles in International UFO Reporter, Sept./Oct. 1987, pp. 13-10; Jan./Feb. 1988, pp. 20-24; May/June 1988, pp. 12-17; March/April 1990, pp. 13-16; MUFON J. 9/89. p. 16, MUFON Conf. Proc. 1989. Friedman, S.T., Flying Saucers, Noisy Negativists and Truth, MUFON Conf. 1985, UFORI, see item #3. Keel, John, FATE, March 1990, January 1991. Weiner, Tim. Blank Check: The Pentagon's Black Budget, Warner Books, 1990, p. 273. Extremely well referenced, researched and indexed. Copyright, 1991. Stanton T. Friedman COMMENT

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