Cheap Shots Quotes

We've searched our database for all the quotes and captions related to Cheap Shots. Here they are! All 100 of them:

There is only one way to fight, and that's dirty. Clean gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they're down, and maybe you'll be the one who walks away.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Let's say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don't worry, the man was already dead. Or maybe you should worry, because you're the one who shot him.
David Wong (John Dies at the End (John Dies at the End #1))
People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you. You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity. Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head. You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.
Banksy
That cat was a spy. You had to take a pot shot at it. It was a very clever German midget dressed up in a cheap fur coat.
J.D. Salinger (Nine Stories)
He landed on cheap shot, but I knocked him out of the tournament.
Josh Waitzkin (The Art of Learning: A Journey in the Pursuit of Excellence)
They shot him. A few times. Mistakes were expensive and bullets were cheap.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Nothing like a cheap shot, right?’ He snorted blood from his nose. ‘I’m disappointed. I thought even terrorists had principles.’ ‘Can it,’ Nasira said, towering over him with her P90 leveled at his head. ‘If we need patriotic paramoralisms, we’ll give Jack Bauer a call.’ Denton grimaced, pulled himself upright. ‘And if I need overblown alliteration, I’ll give you a call.
Nathan M. Farrugia (The Chimera Vector (The Fifth Column, #1))
Maybe the critics are right. Maybe there's no escaping our great political divide, an endless clash of armies, and any attempts to alter the rules of engagement are futile. Or maybe the trivialization of politics has reached a point of no return, so that most people see it as just one more diversion, a sport, with politicians our paunch-bellied gladiators and those who bother to pay attention just fans on the sidelines: We paint our faces red or blue and cheer our side and boo their side, and if it takes a late hit or cheap shot to beat the other team, so be it, for winning is all that matters. But I don't think so. They are out there, I think to myself, those ordinary citizens who have grown up in the midst of all the political and cultural battles, but who have found a way-in their own lives, at least- to make peace with their neighbors, and themselves. ...I imagine they are waiting for a politics with the maturity to balance idealism and realism, to distinguish between what can and cannot be compromised, to admit the possibility that the other side might sometimes have a point. They don't always understand the arguments between right and left, conservative and liberal, but they recognize the difference between dogma and common sense, responsibility and irresponsibility, between those things that last and those that are fleeting. They are out there, waiting for Republicans and Democrats to catch up with them.
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
You can always somebody who is worse than you are to make you feel virtuous. It's a cheap shot: those awful terrorists, perverts, communists--they are the ones who need to repent! Yes, indeed they do, and for them repentance will be a full-time job, exactly as it is for all the rest of us.
Hugh Nibley (Old Testament and Related Studies (The Collected Works of Hugh Nibley, Volume 01))
You’re Penny’s shot at happiness in a world that makes cheap promises and has no guarantees and doesn’t always reward those who never did wrong. It’s like, the world will just as easily screw with a good person as it will a not-so-good one, but you devote your days to someone else selflessly anyway.
Adam Silvera (They Both Die at the End (They Both Die at the End Series, 1))
But such a cheap shot from a sibling can never be left alone.
John Grisham (Sycamore Row (Jake Brigance, #2))
The lopsided grin was just a cheap shot.
Kelly Moran (Under Pressure (Redwood Ridge, #5))
There is only one way to fight, and that’s dirty. Clean, gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they’re down, and then maybe you’ll be the one who walks away. Remember that.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End #1))
A daffodil bulb will divide and redivide endlessly. That's why, like the peony, it is one of the few flowers you can find around abandoned farmhouses, still blooming and increasing in numbers fifty years after the farmer and his wife have moved to heaven, or the other place, Boca Raton. If you dig up a clump when no one is nearby and there is no danger of being shot, you'll find that there are scores of little bulbs in each clump, the progeny of a dozen or so planted by the farmer's wife in 1942. If you take these home, separate them, and plant them in your own yard, within a couple of years, you'll have a hundred daffodils for the mere price of a trespassing fine or imprisonment or both. I had this adventure once, and I consider it one of the great cheap thrills of my gardening career. I am not advocating trespassing, especially on my property, but there is no law against having a shovel in the trunk of your car.
Cassandra Danz (Mrs. Greenthumbs: How I Turned a Boring Yard into a Glorious Garden and How You Can, Too)
One day a year let’s all pretend that death is tucked up, fast asleep. That no lives meet a tragic end, no dreams are shattered on the cheap. The world’s at peace, there are no wars, we hug our friend, our former foe. No beggars die outside locked doors, all cells are empty on death row. Nobody’s stabbed, nobody’s shot, no car runs over someone’s friend. This can’t be true! – Well, maybe not. All I’m saying is: let’s pretend.
Stig Dagerman (Dagsedlar (Samlade skrifter / Stig Dagerman) (Swedish Edition))
But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything.
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
Hey, Topher?” “Yes, Teddy?
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
but a noble cause demanded noble behavior from its advocates, something finer and more self-controlled than run-of-the-mill insults and cheap, adolescent shots.
Paul Auster (4 3 2 1)
There is only one way to fight, and that’s dirty. Clean, gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they’re down, and then maybe you’ll be the one who walks away. Remember that. You’re in a fight to the death. This isn’t a boxing match. You can’t win by scoring the most points.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
When women turn on women, and take cheap shots at their decisions purely to score political points it serves as proof that feminism, as a movement, is dead and no longer relevant or credible.
S.E. Cupp
Either peace or happiness, let it enfold you. When I was a young man I felt these things were dumb, unsophisticated. I had bad blood, a twisted mind, a precarious upbringing. I was hard as granite, I leered at the sun. I trusted no man and especially no woman... I challenged everything, was continually being evicted, jailed, in and out of fights, in and out of my mind... Peace and happiness to me were signs of inferiority, tenants of the weak, an addled mind. But as I went on...it gradually began to occur to me that I wasn't different from the others, I was the same... Everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was empty... Cautiously, I allowed myself to feel good at times. I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark. The less I needed the better I felt... I re-formulated. I don't know when, date, time, all that but the change occured. Something in me relaxed, smoothed out. I no longer had to prove that I was a man, I didn’t have to prove anything. I began to see things: coffee cups lined up behind a counter in a cafe. Or a dog walking along a sidewalk. Or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful. Then...it was gone. I began to feel good, I began to feel good in the worst situations and there were plenty of those... I welcomed shots of peace, tattered shards of happiness... And finally I discovered real feelings of others, unheralded, like lately, like this morning, as I was leaving for the track, I saw my wife in bed, just the shape of her head there...so still, I ached for her life, just being there under the covers. I kissed her in the forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive. Feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and empty of people, I saw the mailman, honked, he waved back at me.
Charles Bukowski
I was ten when the Taliban came to our valley. Moniba and I had been reading the Twilight books and longed to be vampires. It seemed to us that the Taliban arrived in the night just like vampires...These were strange-looking men with long straggly hair and beards and camouflage vests over their shalwar kamiz, which they wore with the trousers well above the ankle. They had jogging shoes or cheap plastic sandals on their feet, and sometimes stockings over their heads with holes for their eyes, and they blew their noses dirtily into the ends of their turbans...
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
Too often, those who denigrate the liberal arts are in reality advocating for nothing less than turning colleges into trade schools. Art history majors always take the cheap shots here, even though many people don’t realize that a lot of art history majors go on to some pretty lucrative careers. In any case, I don’t want to live in a civilization where there are no art history majors or, for that matter, film studies, philosophy, or sociology majors.
Thomas M. Nichols (The Death of Expertise: The Campaign against Established Knowledge and Why it Matters)
There is only one way to fight, and that’s dirty. Clean, gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they’re down, and then maybe you’ll be the one who walks away.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Hey, honey? See the net? Yeah, it would help if you shoot the puck inside of it. Outside doesn’t count, ’kay?” I smack his ass as I skate past him and get in the team box. “You’ll pay for that later,” he says as he takes his spot next to me. I’m counting on it.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
--Thing is though, Spud, whin yir intae skag, that's it. That's aw yuv goat tae worry aboot. Ken Billy, ma brar, likes? He's jist signed up tae go back intae the fuckin army. He's gaun tae fucking Belfast, the stupid cunt. Ah always knew that the fucker wis tapped. Fuckin imperialist lackey. Ken whit the daft cunt turned roond n sais tae us? He goes: Ah cannae fuckin stick civvy street. Bein in the army, it's like being a junky. The only difference is thit ye dinnae git shot at sae often bein a junky. Besides, it's usually you that does the shootin. --That, eh, likesay, seems a bit eh, fucked up like man. Ken? --Naw but, listen the now. You jist think aboot it. In the army they dae everything fir they daft cunts. Feed thum, gie the cunts cheap bevvy in scabby camp clubs tae keep thum fae gaun intae toon n lowerin the fuckin tone, upsetting the locals n that. Whin they git intae civvy street, thuv goat tae dae it aw fir thumsells. --Yeah, but likesay, it's different though, cause . . . Spud tries to cut in, but Renton is in full flight. A bottle in the face is the only thing that could shut him up at this point; even then only for a few seconds. --Uh, uh . . . wait a minute, mate. Hear us oot. Listen tae whit ah've goat tae say here . . . what the fuck wis ah sayin . . . aye! Right. Whin yir oan junk, aw ye worry aboot is scorin. Oaf the gear, ye worry aboot loads ay things. Nae money, cannae git pished. Goat money, drinkin too much. Cannae git a burd, nae chance ay a ride. Git a burd, too much hassle, cannae breathe withoot her gittin oan yir case. Either that, or ye blow it, and feel aw guilty. Ye worry aboot bills, food, bailiffs, these Jambo Nazi scum beatin us, aw the things that ye couldnae gie a fuck aboot whin yuv goat a real junk habit. Yuv just goat one thing tae worry aboot. The simplicity ay it aw. Ken whit ah mean?
Irvine Welsh (Trainspotting)
Ooh, the scowly one is cute. Who’s that?” the second blonde says. I look over and smile because that one’s coming home with me.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
What did that Katy Perry sing about again? I kissed a guy. And my dick really fucking liked it.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Fuck you, I mouth. The asshole blows me a kiss.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Remember what the fashion big mouths were saying about Jessica Simpson? Looking at her magazine pictures, sucking their teeth, going, "Oh, look at her in her 'mom jeans.'" Know what? That is an unnecessarily cheap shot at her and kinda lousy to moms at the same time. Who the hell are they to say that? What gratification does it give them to be mean at someone's expense? People made nasty comments like that about President Obama. They made an issue of his jeans when he threw out the first ball at the All-Star game in St. Louis. Why? Who was he bothering? Come on. The tabloids, celebrity mags, and TV entertainment shows do fashion critiques all the time. But it's not about fashion, it's about trashin'. Their specialty is "Celebrity Cellulite!"--running unflattering pictures of stars at the beach and saying who should give up the bikini and go for the one-piece. And this is acceptable? This is a mark of journalism in a civil society, to take ambush pictures of people at the beach? And if the camera was turned around and pointed the other way, what would that look like?
Whoopi Goldberg (Is It Just Me?: Or Is It Nuts Out There?)
The experience left me with a very strong sense of just how destructive this simple, seemingly mundane tool can be. A knife never jams. A knife never runs out of ammunition; you rarely see a gunshot murder victim who has been shot more than a few times, but any homicide investigator can tell you how common it is for the victim of a knife murder to bear twenty, thirty, or more stab and/or slash wounds. “A knife comes with a built-in silencer.” Knives are cheap, and can be bought anywhere; there used to be a cutlery store at LaGuardia Airport, not far outside the security gates. There is no prohibition at law against a knife being sold to a convicted felon. Knives can be small and flat and amazingly easy to conceal. Anywhere
Massad Ayoob (Deadly Force - Understanding Your Right To Self Defense)
To me theatricalism means dramatic embellishment: the art of the aposiopesis; the abrupt closing of a book; the lighting of a cigarette; the effects off-stage, a pistol shot, a cry, a fall, a crash; an effective entrance, an effective exit – all of which may seem cheap and obvious, but if treated sensitively and with discretion, they are the poetry of the theatre.
Charlie Chaplin (My Autobiography (Neversink))
Whoa,” Cohen says. I didn’t even hear him come back in. “What?” I snap at him. “I think we’re all a little gay after that. That was hot.” Rossi slaps Cohen’s shoulder. “Still only you, dude.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
If you believe in it, do it. If there’s a comic or a project you’ve always wanted to do, go out there and give it a try. If you fail, you’ll have given it a shot. If you succeed, then you succeeded with what you wanted to do.
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
Like all supposedly classless societies, America makes up for its lack of formal caste barriers by raising class prejudice to a fine art; the cheap shots at small town America so common among the urban middle classes who dominate today’s green scene are an expression of that, and so is the peer pressure that keeps most Americans from doing the sensible thing and buying cheap and sturdy used products in place of increasingly overpriced and slipshod new ones.
John Michael Greer (Green Wizardry: Conservation, Solar Power, Organic Gardening, and Other Hands-On Skills from the Appropriate Tech Toolkit)
It wasn’t the fact that I had been right all along. Nope. The satisfied and toothy smile that split my face had everything to do with the grumpy Aaron who was lying diagonally on the tiny twin bed with a scowl that went for miles. The best part was that he had humored me and proven it, just because I’d told him to. Just because we were equally stubborn. And that … only made me grin wider. Walking closer, I didn’t turn down the megawatt smile as I looked down at him. “Comfy?” “Very.” “I just bet you have never been this comfortable in your life.” He rolled his eyes. “Fine,” Aaron said as he sat up, the springs in the simple and—let’s face it—most likely cheap mattress creaking loudly under his weight. “So you were right,” he continued as he moved to the edge, trying to leave a bed that seemed to be turning into quicksand, swallowing each of his movements. “Now, if you would just—” Before I could even realize what was happening, the structure of the bed gave in with a big bang, engulfing part of the mattress and Aaron along with it. A gasp shot out of me as my hands flew to my mouth. “Jesus fucking Christ,” Aaron growled. “Oh my God, Aaron.” The cackle that left my mouth as I stared at the grumpier-than-ever man sitting in the middle of the box spring catastrophe was probably heard all the way in New York City.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Sera loaded the new ammunition and held up the gun. “I bet I can hit closer to the bulls-eye than you can.” Her victory came to him on a flash, right down to the cute little dance he was sure was last popular in the nineties. “Sucker bet, sunshine. Never wager with a precog.” “So cheat.” She grinned. “You haven’t even hear the terms yet. If you win, I’ll let you buy me a pretty dress and take me out for a fancy dinner.” “And if I lose?” “I get a cheap bar, beer, and hot wings, and dirty sex in the bathroom.” Julio cleared his throat, took the gun from her and winked. “Like I said, sucker bet.” “Uh-huh.” As she stepped behind him, she trailed her fingers up his arm. “I’m bad news, mister. I hope you can handle me.” “I’ll try.” He lined up a shot, squeezed the trigger and snorted when the bullet went wide. “I told you I suck at this.” She laughed and retrieved the gun to line up her shot with adorable concentration that furrowed her brows. Her shot wasn’t perfect, but it winged the target, and her victory dance was just as cute as it had been in his vision.
Moira Rogers (Impulse (Southern Arcana, #5))
No,” Harry said, crossing his arms on his chest. “I’ve thought about how we’ll catch this guy, not about how I’m going to justify not catching him.” Harry knew it was a cheap shot, but the words hit home. Hagen blinked twice. Opened his mouth and shut it again, and Harry instantly felt ashamed. Why did he always have to instigate these childish, meaningless wall-pissing contests, just to have the satisfaction of giving someone else—anyone at all—the finger? Rakel had once said that he wished he’d been born with an extra middle finger that was permanently sticking up.
Jo Nesbø (The Snowman (Harry Hole, #7))
I roll onto my side and look down at where Beck is passed out on his back. His mouth is hanging open, and his big chest lifts and falls with each breath. I lean down and brush a light kiss over his forehead, and my chest gives another little twinge. It’s not enough, so I kiss the bump in his nose as well, then brush the side of my thumb along the stubble on his jaw. His arm closest to me snakes around my waist. “Why are you waking me up?
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
But as the weeks rolled on, I realized it wasn’t a lack of glamour that was bothering me. Instead, I kept thinking back to a line Valerie liked to include in her commencements: “Put yourself in the path of lightning.” For just one night, a seventeen-minute comedy monologue was the center of political attention. It was the place to address controversies, to take shots at opponents, to project confidence to the public we served. Now, however, lightning was once again striking the campaign trail. More and more speeches—for both the president and senior staff—were the ones I could not legally write. I kind of liked having job security. I kind of loved drinking Kennedy Center beer. But nothing was as intoxicating as being part of the action. Not long after the dinner, I asked Favs if I could leave the White House for the campaign. He agreed, but proposed a plan that kept me in Washington: I would work on political speeches for POTUS, but from the Democratic National Committee in D.C. Which is how I found myself, a few weeks later, standing beside a conference table covered in turkey pinwheels and cheap champagne. Straut said something generous. Coworkers wrapped leftovers in paper napkins. I turned in my blue badge and BlackBerry. Just like that, I was no longer a government employee.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
The statist Left’s first move was to alter the meaning of liberalism so as to keep the free Left and the public in a constant state of confusion. They diluted the original principles of liberalism while firing cheap polemical shots, arguing that John Locke’s liberalism had nothing to offer, that it contradicted itself. After all, if the statist Left could not win a fair fight on the philosophical battlefield, it had to resort to chicanery to gain an advantage. One way to accomplish this was to adulterate or falsify the liberal message to render it meaningless while advancing a new, redefined liberalism to replace the old. The deception was successful. The free-Left liberals and their allies had lost the semantic ammunition to defend liberty, and therefore became neutered, defanged, almost defenseless, deprived of the cognitive capability to defend the autonomy of the individual. As for the statist Left, they had to work diligently to ‘defascistize’ historical Fascism, because to do otherwise would force them to face an ugly image in the mirror.
L.K. Samuels (Killing History: The False Left-Right Political Spectrum and the Battle between the 'Free Left' and the 'Statist Left')
We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.
Curtis Sittenfeld (Romantic Comedy)
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him.
David Wong (John Dies at the End (John Dies at the End #1))
This is a capitalistic country, it was developed through the use of capital, and we who claim the right to partake of the blessings of freedom and opportunity, we who seek to accumulate riches here, may as well know that neither riches nor opportunity would be available to us if organized capital had not provided these benefits. For more than twenty years it has been a somewhat popular and growing pastime for radicals, self-seeking politicians, racketeers, crooked labor leaders, and on occasion religious leaders, to take pot-shots at “Wall Street, the money changers, and big business.” The practice became so general that we witnessed during the business depression, the unbelievable sight of high government officials lining up with the cheap politicians, and labor leaders, with the openly avowed purpose of throttling the system which has made Industrial America the richest country on earth. The line-up was so general and so well organized that it prolonged the worst depression America has ever known. It cost millions of men their jobs, because those jobs were inseparably a part of the industrial and capitalistic system which form the very backbone of the nation. During
Napoleon Hill (Think and Grow Rich (Start Motivational Books))
and the old man himself was so cheap, his one piece of technology was an ancient radio that only seemed to pick up a religious station. “You brought some books, didn’t you? Or you can muck out the stable. Or climb up the hill.” He pointed with his chin toward the hills. “Nice views up there.” “I saw a coyote up the hill.” “Coyote’s harmless. Mostly. Old brother coyote’s too smart to go messing with humans.” He pronounced coyote “kie-oat.” “I’ve been stuck here a week,” Lana said. “Isn’t that long enough? How long am I supposed to stay here? I want to go home.” The old man didn’t even glance at her. “Your dad caught you sneaking vodka out of the house for some punk.” “Tony is not a punk,” Lana shot back.
Michael Grant (Gone (Gone, #1))
First one to come wins?” I ask. Jacobs rolls on top of me. “Isn’t it usually fastest on the trigger loses?” “Yeah, but we don’t have time for that. Flip around.” “Fuck, I love you.” I grin. “Turns out there’s a fine line between love and hate, and that line is blowjobs.” “Duh.” Jacobs positions himself on his hands and knees, facing my feet.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Even in humbleness, he’s cocky.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Always so dramatic. I thought Harvard would’ve removed that and filled you with pretention by now.” “No, that happens sophomore year.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Take what you will from that story, but remember the bottom line: if people don’t want to know about something, don’t tell them about it.
Marc MacYoung (Cheap Shots, Ambushes, and Other Lessons: A down and dirty book on streetfighting and survival)
I glanced at the card: Agent Anthony B. Soussan. No wonder he had an attitude; probably got worse every time he had to put last name first. ‘Capito, Agent Soussan, B. Anthony.’ It was a cheap shot, but it was all I could afford.
K.A. Laity (Weird Noir)
The woman’s goal seemed to be, “Don’t teach the kid to challenge our assumptions (especially, if they’re wrong or contradictory); instead, teach the child to roll over and be submissive.
Marc MacYoung (Cheap Shots, Ambushes, and Other Lessons: A down and dirty book on streetfighting and survival)
The best way to view this is to look at what you’ve learned in the most positive outlook possible. In other words, “If you can’t get a better outlook on life from something, you haven’t learned the right lesson.
Marc MacYoung (Cheap Shots, Ambushes, and Other Lessons: A down and dirty book on streetfighting and survival)
People in healthy relationships are generous with each other. They don't take cheap shots at each other and put each other down. People in healthy relationships care about their partners and take their needs and feelings seriously. The relationship that you model with your partner shows this generosity in relationships to your kids.
Amanda Metskas (Raising Freethinkers: A Practical Guide for Parenting Beyond Belief)
Of course you don’t,” Thistle said. “She’s not a football player, and you haven’t had two bottles of cheap wine to blame for being easy.” Lila furrowed her brow. “I don’t know what that means.” “It means you’re a slut,” Thistle shot back.
Amanda M. Lee (Witch Me Luck (Wicked Witches of the Midwest, #6))
There is no rhyme or reason for any of it. Life is just a casino—numbers, probabilities, and cigarette smoke—that is all we are. Life is like this. You walk into a casino. You walk over to the bar and the bartender gives you two shots of cheap whiskey. You walk in hungry, tired. Maybe you’re already a bit drunk. The whiskey goes straight to your head and you light a cigarette—you know, to calm the nerves. You walk over to a craps table. But with all of the smoke, with your eyes blurry from the alcohol, you can hardly tell what it is. Nonetheless, the dice are rolled. Nobody asks you any questions. They roll the dice and whatever the number is, that’s how long you have to play. That’s life. Just a numbers game.
Moses Yuriyvich Mikheyev (Bodies: A Romantic Bloodbath)
The guys who appeared to have a genuine interest in the videos and products at the arcade confounded everyone. You couldn’t be sure who was actually looking to fool around. It was even more disconcerting when a straight couple came in to check out dildos and cheap negligees, as if taking a shot at spicing up their sex life or beginning in earnest their earliest dalliances into swinging.
Drew Nellins Smith (Arcade)
She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
So, what time do you get off work? Would you like to grab something to eat afterward?” She released a soft exhale. “Derrick, you seem like a really nice guy, but didn’t you notice that I’m a lot older than you? How are you even in medical school? I know what you are ... you’re one of those young princes from overseas, aren’t you? From Romania maybe? You have such dark hair and eyes, like a gypsy.” He laughed. “I’m not so sure if that was a compliment or if I should be offended, but you’re not even close.” He continued to chuckle as he pulled out his wallet. “I was born in Massachusetts, I assure you, and I’m older than you think.” He was also ten years older than his driver’s license indicated, but he couldn’t share that with her. She peeked at his date of birth. “Twenty-five? I’m twenty-five! You barely look eighteen, while I probably look thirty,” she groaned. He furrowed his brow. “Most people say I look at least nineteen, so I’m above the legal age to date. That’s why I showed you my license, though. No one ever believes me,” he said through a laugh, attempting to set her at ease. “And you don’t look thirty. Twenty-nine tops,” he said, grinning. She smacked his arm. “Hey, that’s just mean to kick a girl when she’s already feeling inferior.” “Maybe that’s why I can’t get a pretty young woman to have dinner with me.” “I’m sure you get turned down all the time. Not!” He chuckled softly. “Actually, you’re the first woman I’ve asked out in a year.” She released a non-believing puff of air. “I’m flattered. But honestly, I really don’t have time to date. And ...” She paused, reaching into her backpack and pulling out her wallet too. She flipped it open and held it out for his inspection. “I have an eight-year-old daughter.” He stole a peek into the rearview mirror, then glanced at the picture of Janelle and her daughter. It appeared to be one of those shots taken at a cheap photo box booth in the mall. Her daughter had the same color hair, identical features, same smile. Even with the seventeen-year difference, they looked more like sisters than mother and daughter. “Nice try, but you failed to deter me. How about we study together at a coffee shop.” She released a long sigh. “You’re sweet —” “Oh, no ...” He laughed harder than before. He felt so natural with her. “Not sweet, anything but sweet.” She
Carmen DeSousa (Creatus (Creatus, #1))
Look, sorry to almost take you out. I thought you were his soon-to-be ex, too.” Syn walked over to the couch to get his jacket. “Sure. Whatever, Captain America,” Doug quipped angrily. Syn barked a laugh, putting his coat on. Furi walked over to him, keeping his back to his friend. Wanting to say something, anything to Syn before he left. “You talked to him about me?” Syn didn’t know if he was upset or not about that. He guessed it depended what Furi said. “A couple days back. When I left upset after those college bastards took a cheap shot at me.” Furi huffed. “I was pissed, okay. I didn’t know what you wanted from me. I thought it was just–” Syn moved in close, looking directly at him. “Just what? That you thought I only wanted to play around and experiment with you? Is that what you think?" “Not after what just happened tonight, no. But at that time, I thought so, yes. I only called Doug for a little comfort.” Furi’s voice was deep and raspy, his tight body pressed up close against Syn's. “I’m sure he comforts you damn good, too,” Syn hissed before he could think better of blurting that out. Wow. Really? "It’s not like that. Doug is my friend.” “A friend who just happened to come by after one in the morning and bust through the door to get to you.” “Stop cutting me off. Doug is straight and not my type even if he weren't. I don’t do jealousy, Syn. So knock it off.” Furi leaned in and brushed Syn’s neck with his lips. “Well, he pops up and it’s late as fuck, so what am I to think?” Syn whispered. “Hey, I’m not gonna fuck around with you if I’m already fucking around with someone else. I’m not that type of guy.” Furi moaned in Syn’s ear when he buried his thick palm in Furi's hair, soothingly massaging his scalp. Syn’s deep whisky-rough voice penetrated his brain. “I’m sorry. I’m just all screwed up right now; with you and me, what happened tonight. I just really wish we hadn’t been interrupted.” “Me too.” Syn wrapped his arms around Furi’s narrow waist. “I want to spend more time with you. I need to spend more time with you.” “We will.” “Why do you look upset?" Syn asked. “I’m nervous about the call you just got.” Furi released a shaky breath. “It’s okay. We’ll catch this person soon.” Syn held Furi’s hand, making his way to the door. “Yeah. Sounds like someone is after Illustra’s entertainers,” Doug piped up from his position on the arm of the couch. “My team is good. We’ll catch 'em.” Syn turned to Doug, “I’ll need you to come back to the precinct first thing tomorrow.” “Why?” the man asked with an exaggerated huff. “Because I said so. You were at Illustra not long ago, right?” Syn pulled out his keys while talking, not letting Doug answer. “That means the murder may’ve happened while you were there. So, like I said, I’ll need you to come back in the morning. For now. Stay here with Furi.” Syn took Furi by the shoulders, turning him to face him. “Any shit comes up, you call me on my cell.” Syn handed Furi a card from his inside jacket pocket. “If you have any problems; and I mean any at all, you call me immediately. I’m going to have the beat officer for this area do regular drive-bys to check for activity. Especially since your door is broken now.” Syn glared in Doug’s direction. Furi nodded his head. “Okay.” “I mean it.” Syn smiled and kissed Furi’s cheek like a perfect gentlemen. He leaned in and inhaled his hair one more time, whispering into it, causing Furi to quiver. “Call me later.” Furi nodded again. “Sure thing, Sergeant.
A.E. Via
He was reading a cheap-looking booklet. Since he was literate, I thought he might be one of the people I was being hired to divert with knowledge. I was right. His name was Abdullah Akbahr. With my encouragement, he would write several interesting short stories. One, I remember, was supposedly the autobiography of a talking deer in the National Forest who has a terrible time finding anything to eat in winter and gets tangled in barbed wire during the summer months, trying to get at the delicious food on farms. He is shot by a hunter. As he dies he wonders why he was born in the first place. The final sentence of the story was the last thing the deer said on Earth. The hunter was close enough to hear it and was amazed. This was it: “What the blankety-blank was that supposed to be all about?
Kurt Vonnegut Jr. (Hocus Pocus)
The popular culture has also lowered the threshold on public shaming rituals. It is not only suppressing certain speech on college campuses, but making public denunciation of certain classes of people into a form of popular entertainment. The masters of the funny cheap shot are comedians Jon Stewart and Stephen Colbert, who routinely and cleverly skewer conservatives as stupid bigots. After the Supreme Court ruling on same-sex marriage, for example, Stewart asked what was wrong with opponents of same-sex marriage, as if a view held for thousands of years, even not very long ago by both Barack Obama and Hillary Clinton, were incomprehensible. The use of humor is a cultural trick. It provides a cultural permission slip to be nasty because, or so the assumption goes, the enemies of "the people" are so unattractive that they deserve whatever Stewart or Colbert throws at them. When Stewart compares Senator Ted Cruz to the Harry Potter character Voldemort, he knows we will then think of Cruz as the book's author describes Voldemort, "a raging psychopath, devoid of the normal human responses to other people's suffering". It may seem futile to complain about the crudeness of American mass culture. It has been around for decades, and it is not about to change anytime soon. The thin line that exists these days between politics and entertainment (witness the rise of Donald Trump) is undoubtedly coarsening our politics. It is becoming more culturally acceptable to split the world into us-versus-them schemata and to indulge in all sorts of antisocial and illiberal fantasies about crushing one's enemies. Only a few decades ago most liberals had a different idea of tolerance. Most would explain it with some variation of Evelyn Beatrice Hall's line about Voltaire's philosophy of free speech: "I disapprove of what you say, but I will defend to the death your right to say it". That is no longer the case. It is now deemed necessary, indeed even noble, to be intolerant in the cause of tolerance. Any remark or viewpoint that liberals believe is critical of minorities is by definition intolerant. A liberal critique of conservatives or religious people, on the other hand, is, again by definition, incapable of being intolerant. It is a willful double standard. For liberals, intolerance is a one-way street leading straight to conservatism.
Kim R. Holmes (The Closing of the Liberal Mind: How Groupthink and Intolerance Define the Left)
EL-FAYOUMY: Do not bait this great man, lady! He presided over the appeal of Attila the Hun when you were nothing more than a cheap shot of whiskey on your great-great-grandfather’s first unpaid bar tab! JUDGE LITTLEFIELD: Well said!
Stephen Adly Guirgis (The Last Days of Judas Iscariot: A Play)
You really should pull over and eat yours before it completely melts, Anders. It will only take a couple minutes.” “I don’t have a sundae,” Anders said grimly. “That’s Leigh’s. She said she wanted two, so she has two.” “And I told you I lied so you could have one because I knew you were too annoyed to order one for yourself,” Leigh said patiently. “Pull over and eat it, Anders. I promise you it’s the best thing you’ve ever tasted.” When he didn’t respond, Marguerite said, “Why don’t you feed him, Valerie. That way he doesn’t have to stop, but can still enjoy it.” Valerie’s eyes widened. “Oh, I don’t think—” “Just pretend he’s a sick and cranky child you have to feed,” Marguerite said with amusement. Valerie’s eyes shot to Anders in time to catch him casting a dirty look into the rearview mirror, no doubt at Marguerite. Since the woman suddenly chuckled, she supposed Marguerite caught the look. Valerie glanced down at the melting sundae. It did seem a shame for it to go to waste. It was good ice cream. And it hadn’t been cheap. “Just give him a taste, Valerie, so he’ll stop and eat it,” Leigh suggested. Valerie hesitated, but they were pulling up to a red light and it wouldn’t interfere with his driving, so she scooped up a healthy selection of her own ice cream and topping and leaned over to offer her spoon to him. Anders eyed the offering, but didn’t at first open his mouth. She was just about to give up, sit back and eat it herself when he suddenly did. Valerie moved the spoon between his open lips, watching silently as he closed his mouth around the spoon and ice cream. She could have sworn the gold flecks in his eyes flashed bigger and brighter in the black irises and then he closed his eyes on a long moan that sounded almost sexual. Valerie stared wide-eyed as he savored the food, then withdrew the now clean spoon and sank back in her seat uncertainly. “Told you you’d like it,” Leigh said with amusement from the backseat. When Anders didn’t respond, but remained still, eyes closed, Bricker said, “Yo, A-man. The light’s changed.” Anders blinked his eyes open, saw that Bricker was telling the truth, and urged the car forward again. He only drove half a block though, before pulling into a mall parking lot to finish his sundae.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
Hey, check this cheap-shot fascist shit,” David muttered, just for the record.
Bruce Sterling (Islands in the Net)
You know, Rick, I want to dislike you, but I can’t find a damn thing about you not to like. You’re successful, you’re well-spoken and well-rounded, you can talk about football and never tire of my shots at your sorry-ass Cowboys. You can play one hell of a game of basketball, you get along well with my brood despite their not-so-PC thoughts, you come from a good and stable home, and most importantly, you treat my daughter like she’s the center of your universe.” “she is the center of My universe, Sir. I’ll let the cheap shot about the Cowboys go for now,” I replied, chuckling.
Harper Miller (The Sweetest Taboo)
Twitter is the gutter of the Internet . . . its just all trolls, bots and cheap shots
Kevin Kolenda
The elevator stops at my floor, and as I’m getting out, Beck grabs my arm. He yanks me to face him, and I forget everything I was going to say. Too close. Too fucking close.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
That captain spot is as good as mine.” “If you say so,” I growl. Beck boops me on the nose, and I jerk back out of his hold and get the hell away. He waits until the elevator doors are closing before he gets in the final word. Like usual. “May the best captain win.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
When I provoke him, he smiles at me and walks away. What the hell? This is not how things are supposed to go. I want to get under his skin. “Hey, kid,” I say to one of the high schoolers I’m mentoring. “Tamm.” Right. Whatever. “Yeah, I need you to do me a favor. Can you start calling that guy”—I point to Jacobs—“Topher? Oh, and if you get all the other guys to do it, there’s a six-pack of beer in it for you.” “R-really?” “Yup.” Light beer. To share with the other guys. But I’m not pointing that out. “Deal.” Now to wait.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
As I leave the ice, I hear one of the kids call Jacobs Topher, and I am loving it. Until I hear his laugh. I spin to find Jacobs shaking his head, but he’s still laughing. Unacceptable. And so not worth a six-pack of beer.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
I’m bigger, maybe have a tiny bit more definition, but his arms are fucking veiny. Not, like a super-ripped bodybuilder, but there’s this one prominent vein from his shoulder to his elbow, and when did that happen? Okay, that’s a weird thing to notice.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
The scruff around his mouth is rough against my skin, a sensation I’ve never experienced before. I can’t say I hate it. Fuck, I think I like it. Oh shit. I might like it too much. My dick twitches and hardens in my jeans. Fuck, fuck, fuck. Think of things to deflate my dick. Dead puppies. Professor Morley. Jacobs legit groans, and it’s the most erotic sound I’ve ever heard. Kissing has never been like this. Kissing is supposed to be anticipation. It’s a teaser. A taste. It’s supposed to build and grow, becoming hotter and needier over time. It doesn’t start with explosions. At least, not in my experience. Now I’m fully hard, and what the actual fuck?
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Hey, Topher?” “Yes, Teddy?” “You know that I meant for this to be a date, right?” And holy shit, I’ve never seen Beck look as uncertain as he does tonight. The big eyes, the creased forehead—where is the confident guy I’m so used to bantering with? And while I have no idea what he means by asking me on a date, or being nervous, I do know that I like it. “Then what are you doing over there?” He swiftly slides out of his side and into mine, and by the time Beck is beside me, he’s back to being the guy I know.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
I don’t get it. I am not unfit. I work out, and I plow down guys twice my size on the ice. The thing that kills me is apple picking? What the actual fuck?” Jacobs laughs. “You’re using muscles you don’t normally use.” “And your brother? The scrawny one? He’s like a machine. He can strip a tree faster than I can strip you.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Beck breaks the kiss and pulls me into a tight hug. “You could have given a guy some warning,” he tries to joke, but his voice is all thick. “Like you can talk.” “I fucking knew it!” I miss whose voice it is, but before I can turn, someone slams into my back. I immediately brace for a fight, but then … arms close around us. And another set from Beck’s side. Then another, and another. Are … are they hugging us? “The fuck?” I breathe. Beck turns his face into my neck as I feel the ghost of a laugh against my skin. “This is—” “Ridiculous?” He nods, but neither of us make a move to end it. “Okay, assholes, sucking up to the captains isn’t going to get you out of a nasty practice next week,” Beck says. “And I don’t share, so get your hands off my man.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
I lean in close to Jacobs. “If you sink this next one, I’ll let you sink one in me later.” I wink. He groans. “Sometimes I hate you. I can’t be thinking about that right now.” “Good. Hold on to that and take it out on me after the game.” He snorts.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
I swear on all that is holy, if you don’t fuck me right now, I will hurt you.” He slaps my ass. “You’re forgetting I like that.” “I hate you,” I chant. “I hate you, I hate you, I hate you.” “No, you don’t. You never did.” He finally puts me out of my misery, lining up his cock.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
It might be true I still haven’t found another guy attractive, but Grant’s pansexual explanation made me do a little research. Which made me fall into the world of Schitt’s Creek. All I can say is, David’s phrase “I like the wine and not the label” definitely appeals to me.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Yep, big surprise. I reported for duty, the Robert De Niro to Ron’s Marty Scorsese. I played Card Player #3, the one who got shot in the back. My friend Scott Greene manned the bicycle pump. His brother, Steve, played the sheriff. The other two cardplayers were Hoke Howell’s sons, Scott and Stark. Dad sometimes included me in his moviegoing outings with Ron. When we went to see The Wild Bunch, I witnessed in real time the idea for Ron’s splatter pic sparking in his brain—an expression of excitement came over his face. At home, I helped him work out the logistics of using the tubes and the pump. Then we scrounged up hats, bandannas, ponchos, and sunglasses so that the cardplayers looked convincingly outlawlike. But our attempts at authentic period costuming were compromised by budget constraints. We all wore white T-shirts because we needed cheap clothes that we could sacrifice to the ketchup-stain gods.
Ron Howard (The Boys: A Memoir of Hollywood and Family)
Kara Martinson squeezed her way toward the crowded bar, nudging between two kids she couldn’t quite believe were old enough to be legally drinking in public. They should have been funneling cheap beer in a college dorm somewhere. Or sneaking shots from Daddy’s liquor cabinet. Art gallery openings used to be much more sophisticated than this. When
Marci Bolden (The Road Leads Back (Stonehill #1))
You’re right. I liked it. Wanna know why?” My response clearly takes him by surprise because when I dip my mouth down next to his ear, he doesn’t pull away. “You were finally fucking quiet.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
General George Patton drank a shot of cheap scotch before battle, Kent’s dad always said, and a glass of good scotch after a victory.
Nick Cutter (The Troop)
I imagine it must be difficult to have masculinity so fragile you feel the need to take cheap shots at me whenever you can. Does it keep you up at night?
Mazey Eddings (A Brush with Love)
Our postmodern age likes to pretend it has mastered irony simply because our late night comedians have mastered the cheap shots of cynicism, the ability to point—as the fellow said—to the price of everything and the value of nothing. But this is not the kind of thing we mean at all. Our use of irony, if it is to be Christian, must be an harmonious echo of what God has done in Christ.
Douglas Wilson (God Rest Ye Merry: Why Christmas is the Foundation for Everything)
There’s nothing sweet or teasing about it, and the roughness has me so fucking hard I can’t think straight. Which seems fitting since there’s nothing straight about this moment.
Eden Finley (Face Offs & Cheap Shots (CU Hockey, #2))
Paul once tried to explain how the two of them had become what they were. ‘John, because of his upbringing and his unstable family life, had to be hard, witty, always ready for the cover-up, ready for the riposte, ready with the sharp little witticism. Whereas with my rather comfortable upbringing, a lot of family, a lot of people, very northern, “Cup of tea, love?”, my surface grew to be easy-going. Put people at their ease. Chat to people, be nice, it’s nice to be nice … Mentally, no one could say much to hurt me, whereas with John: his dad wasn’t home, so it was “Where’s yer dad, you bastard?” And his mother lived with somebody and that was called “living in sin” in those days, so there was another cheap shot against him. John had a lot to guard against, and it formed his personality; he was a very guarded person … He had massive hang-ups from his upbringing.
Craig Brown (One Two Three Four: The Beatles in Time)
The first inkling Michael Everett Townsend had that something was wrong was when his wife slapped him hard around the face. She had never slapped his face before. Michael hadn’t been expecting the blow. He was carrying a glass of milk, and it shot out of his hand, spattering them both. The glass was cheap and just bounced on the rug, but he jumped back in shock and stepped on it, cracking the thing into shards, one of which pierced his bare foot. Gasping in pain, he dropped down on the edge of the bed just as the blood began to pour freely from his wounded sole. Instead of the sympathy he expected to receive, however, his wife gave a scream of rage and a mighty shove, and tipped him onto the floor. Then she began looking for a knife.
Marie O'Regan (Cursed)
I won’t be here that long. Tara will come for him, and then I’m going back to Austin.” “Back to what? A guy who bails on you when you need him? What’s Dane doing now that’s more important than helping you? Fighting for the rights of endangered ferns?” I stiffened and pushed away from him, irritation jolting me out of my fugue-state. “You have no right to judge Dane or my relationship with him.” Jack made a scoffing sound. “That half-assed excuse for a relationship was over the moment Dane told you not to bring the baby to Austin. You know what he should have said? . . . ‘Hell, yes, Ella, I’ll stand by you no matter what you do. Shit happens. We’ll make it work. Come home now and get in bed.’” “There was no way Dane could have handled this and kept his company going, and you have no idea how many causes he has, how many people he helps—” “His woman should be his number-one cause.” “Spare me the bumper-sticker philosophy. And quit taking cheap shots at Dane. When have you ever put a woman first?” “I’m about to put you first right now, darlin’.” That comment could have been construed a few different ways, but the gleam in his eyes gave it a positively filthy spin. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Daniel was aware that everyone hears voices in their heads. We all carry on imaginary conversations, reframing what happened and thinking of clever comebacks after the fact. And it’s not just that: Our consciences dog us and afflict us and ghost-words from long dead insults and cheap shots haunt us. Sometimes for a lifetime.
Anonymous
was sorry that all that evidence had gone up to Washington. If Chief Curry had given the captain one full day, he would probably have traced that cheap rifle to some shop in Dallas and from there right to Oswald.
Jim Bishop (The Day Kennedy Was Shot)
the man. "I love this place," Royce said. "Feels like home." In many ways Royce looked to be quite in his element, right down to the cheap beer he ordered, which he washed down with a shot of the house tequila. Massey was amazed with the man's demeanor and again questioned himself for putting up with all Royce's garbage. "Can we just get this over with?" Massey said. "Sure, sure, but you paid for the deluxe package, so I didn't want to rush you through it." "I think I can manage." Royce placed a faded black leather messenger bag on the countertop and removed a thin stack of
Dan Kolbet (Don't Wait For Me)
George finally finished the assembly, and we went to our firing position. Then we heard Ray. "Jesus Christ, Lehrer, you shot a cat?"   We crossed over to the position and there it was—a gunshot cat struggling to walk about fifteen yards away. Even at that distance Lehrer had barely managed to hit. "Get your ass down there and kill him. Hell, no, you won't fire again! Go down and use a stone." Westmoreland came up and looked at the mess. "Sergeant Gra- ziano, if that man pulls one more stupid stunt he will be transferred to quartermaster, unloading ammunition trucks." He walked away without another word. We had failed miserably in responding to an attack. Lehrer was stupid to have fired, but he had been scared and something had moved quickly. Ray had panicked and run into the fight without calling roll and with no plan of action. George and I had been in the nearest firing position, but we hadn't yelled to learn what was happening or to let people know where the BAR would be. We had learned one more lesson cheap.
Edward Watson (A Rifleman in World War II)
seemed to think it was a player for another team,” I said. “Maybe wants
Ace Atkins (Robert B. Parker's Cheap Shot (Spenser #42))
A native man in his small wooden boat was hoping to make one last sale. He held up a woodcarving of a Haitian drummer and shouted up that I could have it for only $10. I wasn’t really interested and was ready to walk away when I heard him offer it again, this time for $5. Looking at an approaching police boat, I agreed to the deal, and lowered my $5 down to him in a bucket. He ignored the cops, who were ordering him away from the ship using a megaphone, and tied the carving onto the lanyard that, just before, had a bucket attached to it. The police warned him once more, to back away from the ship, but the deal was more important to him. Just as I pulled on the lanyard, I heard a shot go off. It took several moments for me to comprehend what had happened. The cop had shot the man I was bartering with! I could see that it hadn’t been a warning shot as blood came from an obvious wound right between his eyes! I continued pulling my carving up and over the railing. Looking down I saw the patrol boat heading back to shore. The poor vendor was floating face down, alongside his boat. As the ship started to pull away, I saw that he was adrift in a growing pool of blood, which was spreading out around him. Life was cheap here and I realized that the old woman’s prediction had come true. I had seen death before leaving Haiti!
Hank Bracker
Now I’ll deal with Derek on the ice and Valerie off. At least in the rink, I carry a stick and have pads and a helmet for protection. I’m pretty sure that Valerie’s attacks will make me look forward to Derek’s cheap shots against the boards.
Dawn FitzGerald (Getting in the Game)
Heywood
Ace Atkins (Robert B. Parker's Cheap Shot (Spenser #42))
took
Ace Atkins (Robert B. Parker's Cheap Shot (Spenser #42))
Arthur chuckled. “That’s an old film canister, from back in the day when you had to get film developed. Imagine having to take pictures with your camera, being careful not to waste a single shot because film wasn’t cheap, waiting till you filled up a whole roll of film, which could take months, sticking it into one of those canisters, and delivering it to a store. Then waiting for the photos to be printed before you could see how they looked and by then you’d forgotten what you took pictures of in the first place.” He shook his head. “In the last two minutes I’ve taken thirty-six shots, deleted nine, cropped three, taken out a shadow in one, and sent them to six relatives with the caption Jade’s First Geocaching Pepsicle. Man, modern technology!
Wendy Mass (The Candymakers and the Great Chocolate Chase)