Charlotte York Quotes

We've searched our database for all the quotes and captions related to Charlotte York. Here they are! All 34 of them:

New York - that unnatural city where every one is an exile, none more so than the American
Charlotte Perkins Gilman
Charlotte was coming to believe that arrogance was a quality not just correlated with but a manifestation of stupidity, a result of stupidity.
Kim Stanley Robinson (New York 2140)
I do my best work in the bedroom. This is completely my domain. So it should be no big deal that she asked me to wait here. But something about being in Charlotte’s bedroom is wigging me out. Mostly because there’s nudity transpiring mere feet away. She’s taking a shower, and no matter how you slice them, New York apartments are thimble size. Let me spell this out—There is a wet, naked, hot woman in a ten-foot radius. Got it? Okay. Moving on.
Lauren Blakely (Big Rock (Big Rock, #1))
Charlotte poured a stiff Irish coffee for herself, wanting both stimulation and sedation. It didn’t work, in fact it backfired, making her antsy but confused. An anti-Irish coffee, must be an English coffee.
Kim Stanley Robinson (New York 2140)
She read absorbedly books found in boarding-house parlours, in hotels, in such public libraries as the times afforded. She was alone for hours a day, daily. Frequently her father, fearful of loneliness for her, brought her an armful of books and she had an orgy, dipping and swooping about among them in a sort of gourmand's ecstasy of indecision. In this way, at fifteen, she knew the writings of Byron, Jane Austen, Dickens, Charlotte Bronte, Felicia Hemans. Not to speak of Mrs. E.D.E.N. Southworth, Bertha M. Clay, and that good fairy of the scullery, the Fireside Companion, in whose pages factory girls and dukes were brought together as inevitably as steak and onions. These last were, of course, the result of Selina's mode of living, and were loaned to her by kind-hearted landladies, chambermaids, and waitresses all the way from California to New York.
Edna Ferber
Yes; I feel that.” Charlotte Lovell took a hurried breath. “But the question is: WHICH OF US IS HER MOTHER?
Edith Wharton (Old New York)
The Doug is just in mourning," he goes on. I avoid looking at Charlotte, in case she's on the verge of laughing, too. It takes a certain something to pull off talking about yourself in third person.
Catherine Rider (Kiss Me in New York (Kiss Me, #1))
Social tolerance was not dealt in the same measure to men and to women, and neither Delia nor Charlotte had ever wondered why: like all the young women of their class they simply bowed to the ineluctable.
Edith Wharton (Old New York)
Charlotte and I have a brief discussion with our eyes, behind Doug's back. Her:What are you doing? Me: Just go with it. Her: You want to lie to The Doug? Me: Trust me, this is what The Doug needs right now. Her: If you say so.
Catherine Rider (Kiss Me in New York (Kiss Me, #1))
She saw that it was a terrible, a sacrilegious thing to interfere with another’s destiny, to lay the tenderest touch upon any human being’s right to love and suffer after his own fashion. Delia had twice intervened in Charlotte Lovell’s life:
Edith Wharton (Old New York)
Chicago in the twenties may have been corrupt, but it was not really as violent as reputation has it. With an annual rate of 13.3 murders per every 100,000 people, it was indubitably more homicidal than New York, with 6.1, Los Angeles, with 4.7, or Boston, with just 3.9—but it was less dangerous than Detroit, at 16.8, or almost any city in the South. New Orleans had a murder rate of 25.9 per 100,000, while Little Rock had a rate of 37.9, Miami 40, Atlanta 43.4, and Charlotte 55.5. Memphis was miles ahead of all other cities, with a truly whopping rate of 69.3. The average in America today, you may be surprised and comforted to hear, is 6 murders per 100,000 people.
Bill Bryson (One Summer: America, 1927)
Mr. Yorke wished to know whether this interference, vigilance, and coercion would feed those who were hungry, give work to those who wanted work, and whom no man would hire. He scouted the idea of inevitable evils. He said public patience was a camel, on whose back the last[Pg 48] atom that could be borne had already been laid, and that resistance was now a duty;
Charlotte Brontë (Shirley)
Since the day when you discovered that Clement Spender hadn’t quite broken his heart because he wasn’t good enough for you; since you found your revenge and your triumph in keeping me at your mercy, and in taking his child from me!” Charlotte’s words flamed up as if from the depth of the infernal fires; then the blaze dropped, her head sank forward, and she stood before Delia dumb and stricken.
Edith Wharton (Old New York)
Hardly had the Farlows gone than a blue-chinned cleric called—and I tried to make the interview as brief as was consistent with neither hurting his feelings nor arousing his doubts. Yes, I would devote all my life to the child’s welfare. Here, incidentally, was a little cross that Charlotte Becker had given me when we were both young. I had a female cousin, a respectable spinster in New York. There we would find a good private school for Dolly. Oh, what a crafty Humbert!
Vladimir Nabokov (Lolita)
He was resolved, he said, to return home to the Hollow that very afternoon. Mr. Yorke, instead of opposing, aided and abetted him. The chaise was sent for, though Mrs. Yorke declared the step would be his death. It came. Moore, little disposed to speak, made his purse do duty for his tongue. He expressed his gratitude to the servants and to Mrs. Horsfall by the chink of his coin. The latter personage approved and understood this language perfectly; it made amends for all previous contumacy. She and her patient parted the best friends in the world.
Charlotte Brontë (The Brontës Complete Works)
Goldie, are you sure taking Hero to New York is a good idea?" Red asked. "Babies need a lot of attention, you know." "We're still taking you, aren't we?" Goldilocks snapped. Red raised her hands defensively. "I'm just suggesting you leave him with Charlotte while we're gone. Caring for and infant and searching for a friend is quite a handful." "Absolutely not," Goldilocks said. "I refuse to be one of those women who puts her entire life on hold because she's a mother. I'm more than capable of fulfilling my responsibilities to my child without abandoning my friends.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
They say the lost ones seek the cities because there they can be alone but not lonely and I dare to say that the streets of London shaped my muscles, the way my eyes work and wander. The city taught me how to see the moon and not just the top of the finger pointing to it, which I always did before. The city taught me that a home is not where you rest your head; it's nothing permanent, and neither is it a city or a country or a friend. The city taught me how to leave and to be left and it taught me that it is possible for flowers to grow from the concrete because I’ve seen people flower and bloom during the worst of storms, because it’s simply necessary. It’s about survival. The necessary breaths to go on.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Charlotte is kissing me. On the streets of New York. Her lips are on mine. She tastes fantastic. Like cream and sugar and coffee and sweetness. Like all the good things in the world. Like I imagined she’d taste. Not that I’ve been thinking about kissing my best friend. But, look, you can’t help where your mind wanders sometimes as a guy. Any man who is friends with a woman has taken the old imagination out for a stroll to Kissing Avenue, then Lovers Lane, then Fucking Street. Which is exactly what I’m going to be visiting in Ye Olde Brain if she keeps brushing those lips softly against mine in this fluttery¸ lingering kind of kiss. Because it is getting harder to think about anything other than turning up the volume on this lip-lock. A lot harder.
Lauren Blakely (Big Rock (Big Rock, #1))
When we left, we were told it would be another month before the winner was announced. Then I felt really discouraged. Friends were telling me that my injuries and my fitness level guaranteed me the cover. I felt the opposite. I didn’t feel I was as fit as the others and I felt like the war was too controversial a topic for the magazine to want to feature a wounded veteran. I had completely talked myself out of even the slightest possibility of winning by the time I was back on a plane to New York a month later to find out the results. My family didn’t believe that I didn’t know already. They thought I’d been told and kept asking me about it. But I really didn’t know. The winner was being announced live on NBC’s Today show. I had made my peace with not winning and Jamie and I were just excited to go to New York and be on Today. We had a layover in Charlotte, North Carolina, and when we landed there I had a voice mail from my friend Billy. His message: “I thought we had to wait to see who won? It’s already out!” I clicked onto my Facebook app and saw that Billy had posted a picture of him and some of his buddies at a truck stop in Kentucky posing with a Men’s Health magazine--and I was on the cover! I was shocked. But even then I was convinced this wasn’t real. Maybe the editors had decided to give the cover to all three of us and we each had a different region of the country. It felt incredible to see myself on the cover of that magazine but I just wasn’t convinced I was the outright winner. Jamie and I got to our hotel room late. I called my contact at Men’s Health, Nora, and said, “I’ve already seen the magazine.” There was a beat on the other end of the line before she flatly said, “We’ll talk about it in the morning.” So Jamie and I went to bed. The next morning we met up with Finny and Kavan and headed over to 30 Rockefeller Plaza for the Today show. I didn’t say a word about what I’d seen. When we arrived, Nora was at the door. I waited for the others to go in before I said to her, “So we’re not going to talk about what we’re not going to talk about?” I was smirking a little but quickly wiped the grin off my face when I saw the look on Nora’s. “You’re not the only person in this competition, Noah. Not everyone knows.” Roger that. I wouldn’t say another word.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
Emma Scott (Endless Possibility (Rush, #1.5))
What is it about New York City and paying so much for cheeseburgers anyway?
Charlotte Silver (The Summer Invitation)
Her parents are on the young side, and they plan to retire early and enjoy their money. These things are never put into words, yet there is no doubt about their expectations. Vivian is the same way. She somehow makes everything clear without being blunt or even raising her voice. After she presented Sean, for example, with her timeline for having their one (and only) child, she added: “And, of course, I will be staying home.” “Of course,” he replied, although he had assumed she wanted to work. She had seemed so gung-ho ambitious when they met. “I could go back to work, but almost all my income would go to child care, so what’s the point of that?” “Of course,” he repeated. “Which means you’ll probably want to leave the newspaper and go into a corporate position.” “Of—what?” They had been living in Charlotte then. It was a hot newspaper, coming off a Pulitzer win for its coverage of Jim and Tammy Faye Bakker, part of a much-respected chain. Sean, who used his aborted premed education to position himself as a medical reporter, had planned to go as far as he could there, then move on to one of the big dogs, the Washington Post or the New York Times. It was not an unreasonable dream in 1989. It would not have been an unreasonable dream even ten years later. Twenty years later—the chain that owned the paper doesn’t even exist anymore. If he had followed his heart, he might have been one of the lucky ones, safe and sound at a big national newspaper when all the other papers started to shrink. But he was long gone from journalism by then, exiled to corporate communications, first in Charlotte’s banking industry, now for Blue Cross and Blue Shield of Florida. He makes good money, and he earns that salary in income-tax-free Florida. It was enough—just—to buy Vivian the house she expected in a neighborhood she deemed worthy, Old Northeast, although without a water view. It’s a good life. Really. Together more than twenty years, they never fight or raise their voices. They disagree. They often disagree. Then Sean explains his side and Vivian explains
Laura Lippman (The Most Dangerous Thing)
doesn’t help that Charlotte’s younger than you are, and she’s a damn pretty girl,” Alex said sensibly. “Yes, she is.” Sasha sighed. It was too late to catch a flight that night, but she switched their flight to an earlier one the next morning, and they left the hotel at eight o’clock, and were back in New York at one. She wanted to kiss the ground. “Well, that’s over with,” she said, as they got into a cab at the airport. “We don’t have to see them again till the wedding. Are you ready to back out yet?” she asked him, and he laughed. “Of course not. Just don’t ever leave me alone with your mother. She scares me to death.” “Don’t worry, I won’t. I promise. Don’t leave me alone with her either.” He agreed. They went back to the apartment to drop off their things, and everyone was out, even Morgan, who had hardly left the house recently. Sasha hoped it was a good sign. —
Danielle Steel (The Apartment)
(t)he aim of public education is not to spread enlightenment at all; it is simply to reduce as many individuals as possible to the same safe level, to breed and train a standardized citizenry, to down dissent and originality.” As a former New York State Teacher of the Year, Gatto’s views of public education were developed after years of firsthand experience within the very system he critiques.
Deborah Taylor-Hough (A Twaddle-Free Education: An Introduction to Charlotte Mason's Timeless Educational Ideas)
The estate will be held in a trust by the bank until Victor St. Clair is married, after which he will formally inherit the house. If he has not changed his civil status within two years, the trust will revert to Mrs. Charlotte Reece.
Olivia Hayle (Say Yes to the Boss (New York Billionaires, #3))
Charlotte Lucas’s restaurant is tucked away on a quiet, leafy side street in Silver Lake, the sky streaked pink and indigo through the dense, heavy branches of the mimosa trees overhead. Will is expecting some kind of echoing, gentrified macaroni factory but in fact Lodge is small and intimate and familiar in a good way, the walls painted a warm cream and votives flickering in tidy lines on the wide wooden tables. Out back is a courtyard, wisteria vining along the brick walls and tiny white lights strung up overhead. It reminds him of the kind of place you’d find hidden down at the end of a pee-smelling alley in the West Village back home, and for a moment he misses New York so much and so viscerally the inside of his head starts to roar.
Katie Cotugno (Meet the Benedettos)
nearby New York or distant Beijing, but whenever I was in town, I’d call to say I was on my way. Each time I’d arrive, she’d already have covered half the dining room table with the kind of items I only seemed to consume with her. They were a reflection of her more traditional fare from the old world — hard-boiled eggs, pickled cucumbers, herring in brine, black bread and cream cheese. We’d supplement this with ethnic staples
Leon Berger (Lunch with Charlotte)
She thought about all the baking therapy she and Char had done together during that time. Usually in the wee, wee hours. Those sessions never had anything to do with their respective jobs. And everything to do with salvation. Their worlds might be uncontrolled chaos, but baking always made sense. Flour, butter, and sugar were as integral a part of her as breathing. Lani had long since lost count of the number of nights she and Charlotte had crammed themselves into her tiny kitchen, or Charlotte's even tinier one, whipping up this creation or that, all the while hashing and rehashing whatever the problems du jour happened to be. It was the one thing she truly missed about being in New York. No one on Sugarberry understood how baking helped take the edge off. Some folks liked a dry martini. Lani and Char, on the other hand, had routinely talked themselves down from the emotional ledge with rich vanilla queen cake and some black velvet frosting. It might take a little longer to assemble than the perfect adult beverage... but it was the very solace found in the dependable process of measuring and leavening that had made it their own personal martini. Not to mention the payoff was way, way better. Those nights hadn't been about culinary experience, either. The more basic, the more elemental the recipe, the better. Maybe Lani should have seen it all along. Her destiny wasn't to be found in New York, or even Paris, or Prague, making the richest, most intricate cakes, or the most delicate French pastries. No, culinary fulfillment- for her, the same as life fulfillment- was going to be experienced on a tiny spit of land off the coast of Georgia, where she could happily populate the world with gloriously unpretentious, rustic, and rudimentary little cupcakes.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
We've been making solidarity cakes this morning in support of you, ma chere," Franco said. "We're featuring your to-die-for black walnut spice cakes with cream cheese and cardamom frosting as today's special." "Thanks, you guys," Lani said sincerely. "Every detail! Call me!" Charlotte ordered before clicking off. Lani stood there, pastry bag still at the ready, and looked at the racks in front of her. And thought about her friends in New York. Solidarity cakes. Salvation cakes. "Healing the disgruntled, displaced, and just plain dissed," she said, smiling briefly. "One cake at a time.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
We should do this more often,” Charlotte lied. “For sure,” Larry lied back.
Kim Stanley Robinson (New York 2140)
The jackapples were long and red and oddly pointed at one end. One or two had been cut open as Joe dug them up, showing flesh which looked tropically pink in the sun. The boy staggered a little under the weight of the box. "Watch your step," called Joe. "Don't drop 'em. They'll bruise." "But these are just potatoes." "Aye," said Joe, without taking his eyes from the vegetable cutter. "I thought you said they were apples, or something." "Jacks. Spuds. Taters. Jackapples. Poms de Tair." "Don't look like much to me," said Jay. Joe shook his head and began to feed the roots into the vegetable cutter. Their scent was sweetish, like papaya. "I brought seeds for these home from South America after the war," he said. "Grew 'em right here in my back garden. Took me five years just to get the soil right. If you want roasters, you grow King Edwards. If you want salads, it's your Charlottes or your Jerseys. If it's chippers you're after, then it's your Maris Piper. But these..." He reached down to pick one up, rubbing the blackened ball of his thumb lovingly across the pinkish skin. "Older than New York, so old it doesn't even have an English name. Seed more precious than powdered gold. These aren't just potatoes, lad." He shook his head again, his eyes brimful of laughter under the thick gray brows. "These are me Specials." Jay watched him cautiously. "So what are you making?" he asked at last. Joe tossed the last jackapple into the cutter and grinned. "Wine, lad. Wine.
Joanne Harris (Blackberry Wine)
Tell me how,' Charlotte said, eyes alight with the notion of destroying civilization.
Kim Stanley Robinson (New York 2140)
McLennan worked a lot with Ashley Dupré, a fact she plays up from the start of her book, The Price: My Rise and Fall as Natalia, New York’s #1 Escort. Ashley is described as young and guileless, not a savvy schemer like McLennan; her secret is that she has “the glow,” and “a near-perfect body” including a “beautiful coochie” that would make her the city’s next escort phenomenon.
Charlotte Shane (An Honest Woman: A Memoir of Love and Sex Work)
New York State pays matching donations to political campaigns. Someone donates a hundred thousand to a candidate like Jamie. New York matches that amount. And Jamie quietly returns the original donation, plus a kickback. Charlotte could use that to pay off her debt to me, and Jamie gets to keep fifty thousand in free money for his campaign. The real secret to the rich not paying for anything is no one understands how we do it.
Emily Schultz (Brooklyn Kills Me (Friends and Enemies, #2))