Charlotte Temple Quotes

We've searched our database for all the quotes and captions related to Charlotte Temple. Here they are! All 52 of them:

Charlotte: Giordano is terribly afraid Gwyneth will get everything wrong tomorrow that she can get wrong. Gideon: Pass the olive oil, please. Charlotte: Politics and history are a closed book to Gwyneth. She can’t even remember names—they go in at one ear and straight out of the other. She can’t help it, her brain doesn’t have the capacity. It’s stuffed with the names of boy bands and long, long cast lists of actors in soppy romantic films. Raphael: Gwyneth is your time-traveling cousin, right? I saw her yesterday in school. Isn’t she the one with long dark hair and blue eyes? Charlotte: Yes, and that birthmark on her temple, the one that looks like a little banana. Gideon: Like a little crescent moon. Raphael: What’s that friend of hers called? The blonde with freckles? Lily? Charlotte: Lesley Hay. Rather brighter than Gwyneth, but she’s a wonderful example of the way people get to look like their dogs. Hers is a shaggy golden retriever crossbreed called Bertie. Raphael: That’s cute! Charlotte: You like dogs? Raphael: Especially golden retriever crossbreeds with freckles. Charlotte: I see. Well, you can try your luck. You won’t find it particularly difficult. Lesley gets through even more boys than Gwyneth. Gideon: Really? How many . . . er, boyfriends has Gwyneth had? Charlotte: Oh, my God! This is kind of embarrassing. I don’t want to speak ill of her, it’s just that she’s not very discriminating. Particularly when she’s had a drink. She’s done the rounds of almost all the boys in our class and the class above us . . . I guess I lost track at some point. I’d rather not repeat what they call her. Raphael: The school mattress? Gideon: Pass the salt, please.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Be thankful for the good, be patient under the evil, and presume not to enquire why the latter predominates
Charlotte Temple
Well, then, with Miss Temple you are good?" "Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness.
Charlotte Brontë (Jane Eyre)
One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that 'an ugly man.
Charlotte Brontë (Jane Eyre)
The mind of youth eagerly catches at promised pleasure: pure and innocent by nature, it thinks not of the dangers lurking beneath those pleasures, till too late to avoid them.
Susanna Rowson (Charlotte Temple)
Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest—
Charlotte Brontë (Jane Eyre)
He had looked at a teenage girl, his teenage son’s girlfriend, and seen a shirley temple where he should have seen poison.
Brittany Cavallaro (The Case for Jamie (Charlotte Holmes, #3))
[Christianity] is a religion for slaves and women!' said the warrior of old. (Slaves and women were largely the same thing.) 'It is a religion for slaves and women' says the advocate of the Superman. Well? Who did the work of all the ancient world? Who raised the food and garnered it and cooked it and served it? Who built the houses, the temples, the aqueducts, the city wall? Who made the furniture, the tools, the weapons, the utensils, the ornaments--made them strong and beautiful and useful? Who kept the human race going, somehow, in spite of the constant hideous waste of war, and slowly built up the real industrial civilization behind that gory show?--Why just the slaves and women.
Charlotte Perkins Gilman (The Man-Made World)
I rested my temples on the breast of temptation, and put my neck voluntarily under her yoke of flowers; I tasted her cup. The pillow was burning: there is an asp in the garland: the wine has a bitter taste: her promises are hollow- her offers false. I see and know all this.
Charlotte Brontë (Jane Eyre)
I, to whom nature had denied the impromptu faculty; who, in public, was by nature a cypher; whose time of mental activity, even when alone, was not under the meridian sun; who needed the fresh silence of morning, or the recluse peace of evening, to win from the Creative Impulse one evidence of his presence, one proof of his force; I, with whom that Impulse was the most intractable, the most capricious, the most maddening of masters (him before me always excepted)--a deity, which sometimes, under circumstances apparently propitious, would not speak when questioned, would not hear when appealed to, would not, when sought, be found; but would stand, all cold, all indurated, all granite, a dark Baal with carven lips and blank eye-balls, and breast like the stone face of a tomb; and again, suddenly, at some turn, some sound, some long-trembling sob of the wind, at some rushing past of an unseen stream of electricity, the irrational demon would wake unsolicited, would stir strangely alive, would rush from its pedestral like a perturbed Dagon, calling to its votary for a sacrifice, whatever the hour--to its victim for some blood or some breath, whatever the circumstance or scene--rousing its priest, treacherously promising vaticanation, perhaps filling its temple with a strange hum of oracles, but sure to give half the significance to fateful winds, and grudging to the desperate listener even a miserable remnant--yielding it sordidly, as though each word had been a drop of the deathless ichor of its own dark veins.
Charlotte Brontë (Villette)
day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns’s shoulder, my arms round her neck. I was asleep, and Helen was—dead.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
For once, Watson didn't look the worse for wear. He never fared well on planes across the Atlantic, sleeping fitfully or not at all, but this morning his hair was so extravagantly tousled, I knew he'd spent the whole flight unconscious. Though the red lines near his temple (striated; elastic?) flummoxed me until - "You had on a sleeping mask," I said, delighted beyond all sense. "Tell me, was it one of those with the eyelashes printed on it? Was it silk? Was it your mother's, or -?" He pulled it from his pocket and tossed it to me; I caught it one-handed. Black silk, sans eyelashes. "You're a jerk," he said, laughing. "I bought it in the terminal." "Why would I be a jerk? I'm only asking about your beauty sleep.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
The Great Pyramid was a fractal resonator for the entire Earth. It is designed according to the proportions of the cosmic temple, the natural pattern that blends the two fundamental principles of creation. The pyramid has golden ratio, pi, the base of natural logarithms, the precise length of the year and the dimensions of the Earth built into its geometry. It demonstrates.... As John Michell has pointed out in his wonderful little book, City of Revelation, 'Above all, the Great Pyramid is a monument to the art of 'squaring the circle''.
Alison Charlotte Primrose (The Lamb Slain With A Golden Cut: Spiritual Enlightenment and the Golden Mean Revelation)
Miss Temple, through all changes, had thus far continued superintendent of the seminary; to her instruction I owed the best art of my acquirements; her friendship and society had been my continual solace; she had stood me in the stead of mother, governess, and latterly, companion.
Charlotte Brontë (Jane Eyre)
No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live — I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest — " "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness — to glory?
Charlotte Brontë (Jane Eyre)
I walked about the chamber most of the time.  I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple—or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity—and that now I was left in my natural element, and beginning to feel the stirring of old emotions.
Charlotte Brontë (Jane Eyre)
I felt very glad now, that the drug administered in the sweet draught had filled me with a possession which made bed and chamber intolerable. I always, through my whole life, liked to penetrate to the real truth; I like seeking the goddess in her temple, and handling the veil, and daring the dread glance.
Charlotte Brontë (Villette)
Başkaları beni sevmezken yaşamaktansa ölmeyi tercih ederim. Yalnızlığa ve nefret edilmeye dayanamam, Helen. İnan bana senin, Bayan Temple'ın ya da gerçekten sevdiğim başka birinin beni sevmemesindense kolumun kırılmasına, azgın bir boğanın boynuzları arasında kalmaya ya da çifte atan bir atın arkasında durup göğsüme darbe almaya seve seve razı olurum...
Charlotte Brontë
I can remember Miss Temple walking lightly and rapidly along our drooping line, her plaid cloak, which the frosty wind fluttered, gathered close about her, and encouraging us, by precept and example, to keep up our spirits, and march forward, as she said, "like stalwart soldiers." The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others.
Charlotte Brontë (Jane Eyre)
Miss Temple gently assisted me to his very feet, and I caught her whispered counsel— “Don’t be afraid, Jane, I saw it was an accident; you shall not be punished.” The kind whisper went to my heart like a dagger. “Another minute, and she will despise me for a hypocrite,” thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
No; I know I should think well of myself; but that is not enough; if others don’t love me, I would rather die than live – I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and lit it dash its hoof at my chest.
Charlotte Brontë (Jane Eyre)
Brocklehurst again paused—perhaps overcome by his feelings. Miss Temple had looked down when he first began to speak to her; but she now gazed straight before her, and her face, naturally pale as marble, appeared to be assuming also the coldness and fixity of that material; especially her mouth, closed as if it would have required a sculptor’s chisel to open it, and her brow settled gradually into petrified severity. Meantime, Mr.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
I then ordered my brain to find a response, and quickly. It worked and worked faster. I felt the pulses throb in my head and temples; but for nearly an hour it worked in chaos, and no result came of its efforts. Feverish, with vain labour, I got up and took a turn in the room, undrew the curtain, noted a star or two, shivered with cold, and again crept to bed. A kind fairy in my absence had surely dropped the required suggestion on my pillow, for as I lay down it came quietly and naturally to my mind.
Charlotte Brontë (Jane Eyre)
Mr. Brocklehurst hemmed. “Ladies,” said he, turning to his family, “Miss Temple, teachers, and children, you all see this girl?” Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. “You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
(...)because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain.” “Well, then, with Miss Temple you are good?” “Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness.” “A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should—so hard as to teach the person who struck us never to do it again.” “You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl.” “But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved.” “Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it.” “How? I don’t understand.” “It is not violence that best overcomes hate—nor vengeance that most certainly heals injury.” “What then?” “Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example.” “What does He say?” “Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you.
Charlotte Brontë
I went to look for Love among the roses, the roses, The pretty winged boy with the arrow and the bow; In the fair and fragrant places, 'Mid the Muses and the Graces, At the feet of Aphrodite, with the roses all aglow. Then I sought among the shrines where the rosy flames were leaping- the rose and golden flames, never ceasing, never still- For the boy so fair and slender, The imperious, the tender, With the whole world moving slowly to make the music of his will. Sought, and found not for my seeking, till the sweet quest led me further, And before me rose the temple, marble-based and gold above, Where the long procession marches 'Neath the incense-clouded arches In the world-compelling worship of the mighty God of Love. Yea, I passed with bated breath to the holiest of holies, And I lifted the great curtain from the Inmost, - the Most Fair, - Eager for the joy of finding, For the glory, beating, blinding, Meeting but an empty darkness; darkness, silence- nothing there. Where is Love? I cried in anguish, while the temple reeled and faded; Where is Love? - for I must find him, I must know and understand! Died the music and the laughter, Flames and roses dying after, And the curtain I was holding fell to ashes in my hand.
Charlotte Perkins Gilman (NEW-The Yellow Wall-Paper and Selected Writings (Penguin Vitae))
He says she’ll not be here long.” This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire—a necessity to see her; and I asked in what room she lay. “She is in Miss Temple’s room,” said the nurse. “May I go up and speak to her?” “Oh no, child! It is not likely; and now it is time for you to come in; you’ll catch the fever if you stop out when the dew is falling.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
walked about the chamber most of the time. I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple—or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity—and that now I was left in my natural element, and beginning to feel the stirring of old emotions. It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be tranquil which had failed me, but the reason for tranquillity was no more. My world had for some years been in Lowood: my experience had been of its rules and systems; now I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had courage to go forth into its expanse, to seek real knowledge of life amidst its perils.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
I, to whom nature had denied the impromptu faculty; who, in public, was by nature a cypher; whose time of mental activity, even when alone, was not under the meridian sun; who needed the fresh silence of morning, or the recluse peace of evening, to win from the Creative Impulse one evidence of his presence, one proof of his force; I, with whom that Impulse was the most intractable, the most capricious, the most maddening of masters (him before me always excepted)—a deity which sometimes, under circumstances—apparently propitious, would not speak when questioned, would not hear when appealed to, would not, when sought, be found; but would stand, all cold, all indurated, all granite, a dark Baal with carven lips and blank eye-balls, and breast like the stone face of a tomb; and again, suddenly, at some turn, some sound, some long-trembling sob of the wind, at some rushing past of an unseen stream of electricity, the irrational demon would wake unsolicited, would stir strangely alive, would rush from its pedestal like a perturbed Dagon, calling to its votary for a sacrifice, whatever the hour—to its victim for some blood, or some breath, whatever the circumstance or scene—rousing its priest, treacherously promising vaticination, perhaps filling its temple with a strange hum of oracles, but sure to give half the significance to fateful winds, and grudging to the desperate listener even a miserable remnant—yielding it sordidly, as though each word had been a drop of the deathless ichor of its own dark veins.
Charlotte Brontë (Villette)
Mientras tanto, el señor Brocklehurst, de pie ante la chimenea con las manos a la espalda, observaba majestuosamente a la concurrencia. De pronto, parpadeó como su algo lo hubiera deslumbrado o escandalizado, y dijo con palabras más atropelladas que de costumbre: - Señorita Temple, ¿qué...qué le ocurre a esa muchacha de cabello rizado? ¿Pelirroja, señorita, y cubierta de rizos? - y señaló con mano temblorosa el objeto de su ultraje con el bastón. - Es Julia Severn - respondió con voz queda la señorita Temple. -Julia Severn, señorita. ¿Y por qué motivo tiene ella, o cualquier otra, el cabello rizado? ¿Por qué, desafiando a todas las leyes y principios de esta casa evangélica y benéfica, se muestra tan abiertamente mundana como para llevar el cabello hecho una maraña de rizos? - Los rizos de Julia son naturales - contestó la señorita Temple, con voz aún más baja. - ¡Naturales! Sí, pero no nos conformamos con lo natural. Quiero que estas muchachas sean hijas de Dios. ¿Por qué semejante exceso? He dado a entender una y otra vez que quiero que se recojan el cabello de manera recatada y sencilla. Señorita Temple, a esta muchacha hay que raparle del todo; haré venir al barbero mañana. Y veo a otras con un exceso parecido. Que se dé la vuelta esa chica alta. Diga que se levanten todas las de la primera clase y se vuelvan hacia la pared. --- Estudió el envés de estas medallas humanas durante unos cinco minutos y después dictó sentencia. Sus palabras cayeron como un toque de difuntos: - ¡Que se recorten todos los moños! - Señorita - prosiguió él - he de servir a un Amo cuyo reino no es de este mundo. Es mi misión mortificar los deseos carnales de estas muchachas, enseñarles a vestirse con recato y sobriedad, y no con ropas caras y tocados complicados. Cada una de las jóvenes que tenemos delante lleva un mechón de cabello que la misma vanidad hubiera podido trenzar....
Charlotte Brontë (Jane Eyre)
Lottie pressed her face into the crook of his neck and shoulder. She had to stop him now, before her will was completely demolished. “No. Please stop. I’m sorry.” His hand slid from her blouse, and he touched her damp lips with his fingers. “Have I frightened you?” he whispered. Lottie shook her head, somehow resisting the urge to curl into his embrace like a sun-warmed cat. “No… I’ve frightened myself.” For some reason her admission made him smile. His fingers moved to her throat, tracing the fragile line with a sensitivity that made her breath catch. Tugging the peasant blouse back up to her shoulder, he retied the frayed ribbon that secured the neckline. “Then I’ll stop,” he said. “Come— I’ll take you to the house.” He stayed close to her as they continued through the forest, occasionally moving to push a branch out of the way, or taking her hand to guide her over a rough place on the path. As familiar as she was with the woods of Stony Cross Park, Lottie had no need of his assistance. But she accepted the help with demur. And she did not protest when he paused again, his lips finding hers easily in the darkness. His mouth was hot and sweet as he kissed her compulsively… swift kisses, languid ones, kisses that ranged from intense need to wicked flirtation. Drugged with pleasure, Lottie let her hands wander to the thick dishevelment of his hair, the iron-hard nape of his neck. When the blistering heat rose to an untenable degree, Lord Sydney groaned softly. “Charlotte…” “Lottie,” she told him breathlessly. He pressed his lips to her temple and cuddled her against his powerful body as if she were infinitely fragile. “I never thought I would find someone like you,” he whispered. “I’ve looked for you so long… needed you…” Lottie shivered and dropped her head to his shoulder. “This isn’t real,” she said faintly. His lips touched her neck, finding a place that made her arch involuntarily. “What’s real, then?” She gestured to the yew hedge that bordered the estate garden. “Everything back there.” His arms tightened, and he spoke in a muffled voice. “Let me come to your room. Just for a little while.” Lottie responded with a trembling laugh, knowing exactly what would happen if she allowed that. “Absolutely not.” Soft, hot kisses drifted over her skin. “You’re safe with me. I would never ask for more than you were willing to give.” Lottie closed her eyes, her head spinning. “The problem is,” she said ruefully, “I am willing to give you entirely too much.” She felt the curve of his smile against her cheek. “Is that a problem?” “Oh, yes.” Pulling away from him, Lottie held her hands to her hot face and sighed unsteadily. “We must stop this. I don’t trust myself with you.” “You shouldn’t,” he agreed hoarsely. -Lottie & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
The early Jewish Christians, seeing themselves as Jews, continued with Sabbath worship in the Temple and breaking bread in their homes. But by ad 60 they had become visibly different. Following Jesus’ example, they began to celebrate the Holy Sacrifice of the Mass on the eighth day, Sunday. And in ad 70 God allowed the Temple to be destroyed.
Charlotte Ostermann (Souls at Rest: An Exploration of the Eucharistic Sabbath)
Religion wasn’t my thing, but if Charlotte was a religion, I’d worship at her temple every night. I’d pledge my sins to her altar, beg her forgiveness in confession because holding her felt like I had faith in something.
Monty Jay (Shattered Ice (Fury, #3))
Adults didn't like maraschino cherries; nobody ate them but me. "Never give Charlotte just one cherry in her Shirley Temple," everybody said. "Make it at least five or six." But I tired of cherries, just cherries. So after a time, lemon, lime, and orange twists snaked around the brims. Dollops of Chantilly cream floated like water lilies on top of mint leaves in the fizzy pink water. The bartenders dipped sugar swizzles in grenadine overnight so they would look like pink rhinestones, capped cocktail straws with berries they had rolled in honey, and looped lemon peels around the stems of martini glasses. Everyone on the staff called those ones "Bondage Shirley Temples," and then they would wink at one another.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
The martini glass teetered on the edge of the tray. When my waiter handed me the glass, the darker pink of the liquid splashed onto the lighter pink of the tablecloth. Maraschino cherries rimmed the orange slice floating in the center and the grenadine tinted the ice cubes pink.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
By Jove, you are a goddess, and I mean to worship at your temple.
Grace Callaway (Olivia and the Masked Duke (Lady Charlotte's Society of Angels, #1))
He will never speak to you like that again once you become my wife,” I say, my voice firm. She stares at me, her lips parted. “What? I won’t let him, Charlotte. If he so much as lays one finger on you, I’ll break it. I’ll break all of them if I have to.” “But I’m his daughter,” she reminds me. “And you’ll be my wife. You’ll belong to me.” I pull her to me, slipping my other arm around her waist, my mouth at her temple as I whisper, “I don’t care if he’s your father. No one hurts what’s mine. Do you understand
Monica Murphy (The Arranged Marriage: A Lancaster and Constantine Romance (Wedded Bliss, #1-3))
in a state of wretchedly imperfect mental development
Charlotte Brontë (Villette by Charlotte Brontë ; [edited by Temple Scott]. Volume vol.1 1905 [Leather Bound])
The truly alive soul is tremblingly alive to the feelings of humanity
Charlotte Temple
She had on a blue bonnet, and with a pair of lovely eyes of the same colour, has contrived to make me feel devilish odd about the heart.
Susanna Rowson (Charlotte Temple)
Charlotte’s disheveled blond head was buried in his chest. It took him too long, floating in the blissful aftermath, to realize that she was crying. Horror blasted his satisfaction to ash. He reared back and placed his hands on either side of her head, forcing her face up until he could see her eyes. “Mo leannan, mo chridhe, I’ve hurt you. I’m so sorry. I tried to be gentle, but you were like fire in my arms. I acted like a damn barbarian. Will you ever forgive me?” She regarded him with drenched eyes as a frown drew her brows together. “Ewan, what on earth are you talking about?” He dug his fingers into her thick, warm hair. “You’re crying,” he said flatly, sick with guilt. Her lips turned down in disapproval. “I suppose you expect me to tell you why.” “For God’s sake, just tell me I didn’t hurt you.” He leaned forward and traced kisses across her brow and down her temple where he felt the deep beat of her blood. “You didn’t.” Her hands encircled his wrists. “Well, a little. At first. But then…” “Thank heaven,” he breathed, kissing the salty moisture from her fluttering eyelashes. Under his wandering lips, he felt warmth flood her cheeks. “Then it was wonderful.” “Nonetheless you cried.” He drew back to stare into her face, trying to see past her beauty to what went on in her mind. “Are you lying to make me feel better?” She released a choked laugh and tried to avoid his gaze. “When have I ever tried to make you feel better?” “When have you ever cried?” “Oh, curse you, Ewan. Can’t you leave it alone?” With some difficulty, she tugged free and sat up. “Not when you’re unhappy.” He rose until he sat in front of her. She scowled. “You’re going to make me admit it, aren’t you?” By the second, guilt and worry faded. In their place came a great happiness that turned the whole world golden. “Admit what, Charlotte?” he asked, hoping like hell he hadn’t mistaken where she was going. She swallowed, her slender throat working. Her voice was low and vibrant with emotion. “I had no idea it could be like that. You made me feel things I never imagined were possible.” “Good things?” “Now you’re just looking for compliments.” “Charlotte,” he said warningly. Her lips curved. “Marvelous, wondrous, extraordinary things.” Lyle should be happy. After all, not long ago, the thought that she wouldn’t have him under any circumstances had tormented him. Hell, not much more than a day ago, she’d baulked at letting him into the house. Now she’d given him a promise of marriage and commended his lovemaking. He was a fool to want more, but for one luminous moment, he’d hoped she might declare her love. “It’s your first time,” he said in a gloomy voice. “I’m not surprised you’re feeling a wee bit floaty.” She stared hard at him. “First time or hundredth time, I believe it’s something remarkable between us that made it like that.” “Like what?” “Like the beauty tore my soul into pieces.” Her voice was husky. His heart crashed against his ribs at her confession. Surely that was enough. Why couldn’t he accept what she offered? She told him everything he wanted to hear—except the most important words of all. “That’s just pleasure.” She gave him the familiar unimpressed look. “I’m no expert, Ewan, but I’m pretty sure that pleasure alone wouldn’t make me cry.” She bit her lip, and her eyes deepened to dark honey. “Only love could make me cry.
Anna Campbell (Stranded with the Scottish Earl)
The gift of your temple is for you to share with the special person God has chosen for you." Charlotte always looked so happy when she talked like that. Ecstatic. God also didn't want you to "pollute yourself." Touching yourself for pleasure wasn't what God designed your temple for, according to Charlotte. Either God was stupid or Charlotte was confused, because my temple was clearly designed for that.
Bryn Greenwood (All the Ugly and Wonderful Things)
Either God was stupid or Charlotte was confused, because my temple was clearly designed for that.
Bryn Greenwood (All the Ugly and Wonderful Things)
The mind of youth eagerly catches at promised pleasure: pure and innocent by nature, it thinks not of the dangers lurking beneath those pleasures, till too late to avoid them:
Susanna Rowson (Charlotte Temple)
Oh my dear girls—for to such only am I writing—listen not to the voice of love, unless sanctioned by paternal approbation: be assured, it is now past the days of romance:
Susanna Rowson (Charlotte Temple)
Pleasure is a vain illusion; she draws you on to a thousand follies, errors, and I may say vices, and then leaves you to deplore your thoughtless credulity.
Susanna Rowson (Charlotte Temple)
the heart that is truly virtuous is ever inclined to pity and forgive the errors of its fellow-creatures.
Susanna Rowson (Charlotte Temple)
The very basis of true peace of mind is a benevolent wish to see all the world as happy as one's Self; and from my soul do I pity the selfish churl, who, remembering the little bickerings of anger, envy, and fifty other disagreeables to which frail mortality is subject, would wish to revenge the affront which pride whispers him he has received.
Susanna Rowson (Charlotte Temple)
my boys, with only moderate incomes, when placed in the church, at the bar, or in the field, may exert their talents, make themselves friends, and raise their fortunes on the basis of merit.
Susanna Rowson (Charlotte Temple)
Coma. There’s something innocuous about the word, soothing almost in the way it conjures up the image of a dreamless sleep. Only Charlotte doesn’t look as though she’s sleeping to me. There’s no soft heaviness to her closed eyelids. No curled fist pressed up against her temple. No warm breath escaping from her slightly parted lips. There is nothing peaceful at all about the way her body lies, prostrate, on the duvet-less bed, a clear tracheostomy tube snaking its way out of her neck, her chest polka-dotted with multicoloured electrodes. The heart monitor in the corner of the room bleep-bleep-bleeps, marking the passage of time like a medical metronome and I close my eyes.
C.L. Taylor (The Accident)
Of all the pleasures of which the human mind is sensible, there is none equal to that which warms and expands the bosom, when listening to commendations bestowed on us by a beloved object, and are conscious of having deserved them.
Susanna Rowson (Charlotte Temple)
When you massage your face, you want to work with the direction of the muscles, not against it. Starting just underneath your cheekbones, use the knuckles of your first two fingers (with your hands in fists) and work out and slightly up from there. Press as firmly as what feels good to you, since the oil will keep the pressure from pulling your skin. Then, still using your knuckles, trace them up the sides of your nose to the top of your forehead, then down along the perimeter of your face. Finally, use the pads of your fingers to lightly massage under your eyes, as this can help drain puffiness. Start at the bridge of your nose and move out to your temples.
Charlotte Cho (The Little Book of Skin Care: Korean Beauty Secrets for Healthy, Glowing Skin)