Charlotte Anime Quotes

We've searched our database for all the quotes and captions related to Charlotte Anime. Here they are! All 69 of them:

To talk to each other is but a more animated and an audible thinking.
Charlotte Brontë (Jane Eyre)
It is quite possible that an animal has spoken to me and that I didn't catch the remark because I wasn't paying attention.
E.B. White (Charlotte’s Web)
I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest - blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character - perfect concord is the result.
Charlotte Brontë (Jane Eyre)
After scolding one's cat one looks into its face and is seized by the ugly suspicion that it understood every word. And has filed it for reference.
Charlotte Gray
Saving specific animals purely on the basis of what they offer humanity may be practical, but wasn’t this attitude the problem to begin with? Our overwhelming, annihilating selfishness?
Charlotte McConaghy (Migrations)
He said our lives mean nothing except as a cycle of regeneration, that we are incomprehensibly brief sparks, just as the animals are, that we are no more important than they are, no more worthy of life than any living creature. That in our self-importance, in our search for meaning, we have forgotten how to share the planet that gave us life.
Charlotte McConaghy (Migrations)
I stop being a woman, a human, an animal, whatever I was. I am fury dressed in flesh.
Charlotte McConaghy (Once There Were Wolves)
To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character - perfect concord is the result.
Charlotte Brontë (Jane Eyre)
I like eggs and bacon,” George tells me. “But”—his face clouds—“do you know that bacon is”—tears leap to his eyes—“Wilbur?” Mrs. Garrett sits down next to him immediately. “George, we’ve been through this. Remember? Wilbur did not get made into bacon.” “That’s right.” I bend down too as wetness overflows George’s lashes. “Charlotte the spider saved him. He lived a long and happy life—with Charlotte’s daughters, um, Nelly and Urania and—” “Joy,” Mrs. Garrett concludes. “You, Samantha, are a keeper. I hope you don’t shoplift.”I start to cough. “No. Never.” “Then is bacon Babe, Mom? Is it Babe?”“No, no, Babe’s still herding sheep. Bacon is not Babe. Bacon is only made from really mean pigs,George.” Mrs. Garrett strokes his hair, then brushes his tears away.“Bad pigs,” I clarify.“There are bad pigs?” George looks nervous. Oops.“Well, pigs with, um, no soul.” That doesn’t sound good either. I cast around for a good explanation. “Like the animals that don’t talk in Narnia.” Dumb. George is four. Would he know Narnia yet? He’s still at Curious George.But understanding lights his face. “Oh. That’s okay then. ’Cause I really like bacon.
Huntley Fitzpatrick (My Life Next Door)
She's not a person, who understands right and wrong. You can't be angry with an animal, can't hate it, get revenge upon it.
Charlotte McConaghy (Once There Were Wolves)
About Emily : "she never showed regard to any human creature; all her love was reserved for animals".
Elizabeth Gaskell (The Life of Charlotte Brontë)
The Arctic tern has the longest migration of any animal. It flies from the Arctic all the way to the Antarctic, and then back again within a year. This is an extraordinarily long flight for a bird its size. And because the terns live to be thirty or so, the distance they will travel over the course of their lives is the equivalent of flying to the moon and back three times.
Charlotte McConaghy (Migrations)
I don’t think we should trust to what they call passion at all, Caroline. I believe it is a mere fire of dry sticks, blazing up and vanishing: but we watch him, and see him kind to animals, to little children, to poor people.
Charlotte Brontë (Shirley)
A vagina. Were you really that mystified there, or are you actually not sure?’ ‘Sure about what?’ Goddamn, he needs to finish his sentences. ‘About the benefits of having a vagina.’ ‘Look – I know the benefits, OK?’ I totally don’t. Currently it feels like an angry animal that wants to eat him, between my legs.
Charlotte Stein (Addicted)
Don’t forget that the land is always out there, making its way, doing everything it can so you can breathe fresh air; so you can eat fresh food; so you can move and see and feel and think, and it’s on your side. The world is out there doing what it’s been doing way before you came here, it’s firm and strong and it takes a lot to bring it down. so from time to time, just go outside and look at this spectacle. This pure painting right in front of your eyes. No one created it. No one owns it. It doesn’t want anything. It doesn’t need to prove anything to anyone. It simply is. So maybe, try a little tenderness. Just give it a chance to do what it can do. Just let it help you breathe and eat and move and see and maybe just try to live your life in a way that doesn’t kill this force of nature that is just trying to give you a world worth living in. A clean world. A fresh world. Paths, forests, oceans, animals, oxygen, water. That’s all it takes. Just try a little tenderness towards this world we’ve been lucky enough to build our homes on. If you take care of it, it will take care of you.
Charlotte Eriksson
She had once told him that as soon as you placed your hands upon a stranger, they begin to talk. Everybody found it so, she said: hairdressers, nurses, nuns. It was dangerously easy to give in: human defences dissovled at another person's touch.
Charlotte Wood (Animal People)
Many animals are capable of this, we see it time and again. I believe they are more inherently loyal than we are and that connections are built deep within, where instinct lives.
Charlotte McConaghy (Once There Were Wolves)
They just keep trotting back and forth across the bridge thinking there is something better on the other side. If they'd hang head-down at the top of the thing and wait quietly, maybe something good would come along.
E.B. White (Charlotte’s Web and other classic animal stories: Charlotte’s Web, The Trumpet of the Swan, Stuart Little)
Ly-di-ah! I sit beneath your window, laaaass, singing ’cause I loooove your a—” “For the love of St. Francis of Assisi, someone call a vet. There is an injured animal screaming in pain outside,” Charlotte interrupted the flow of music in ill-humor.
Michelle M. Pillow (Love Potions (Warlocks MacGregor, #1))
Coraline.” For an animated kid’s movie, it was pretty creepy.
Charlotte Abel (Enchantment (Channie, #1))
Animals give so much love. What would a heaven be without them?
Charlotte Hughes (What Looks Like Crazy (A Kate Holly Case #1))
The point of an animal was not for it to love you; it was that you could love it. In all it's otherness, your unbelonging to its kind, it could yet receive-boundlessly-your love.
Charlotte Wood (Animal People)
She didn't kill because she was cruel. She killed because there are instincts in her body telling her to do so, to protect against threats, to survive, sustain herself, live on.
Charlotte McConaghy (Once There Were Wolves)
Happiness is not the absence of the problem, it's the ability to deal with them.
Nao Tomori
Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life.
Charlotte Brontë (Jane Eyre)
With animals I feel I am Adam's son; the heir of him to whom dominion was given over "every living thing that moveth upon the earth.
Charlotte Brontë (Shirley)
If the animals have died it will not have been quietly. It will not have been without a desperate fight. If they've died, all of them, it's because we made the world impossible for them.
Charlotte McConaghy (Migrations)
Besides, there is that peculiar voice of hers, so animating and piquant, as well as soft: it cheers my withered heart; it puts life into it.—What, Janet! Are you an independent woman? A rich woman?
Charlotte Brontë (Jane Eyre)
Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own?
Charlotte Brontë (Jane Eyre)
heart that beats in our separate bosoms; consequently, we are ever together.  To be together is for us to be at once as free as in solitude, as gay as in company.  We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking.  All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character—perfect concord is the result. Mr.
Charlotte Brontë (Jane Eyre)
Mirror-touch synesthesia. My brain re-creates the sensory experiences of living creatures, of all people and even sometimes animals; if I see it I feel it, and for just a moment I am them, we are one and their pain or pleasure is my own.
Charlotte McConaghy (Once There Were Wolves)
A farm is a peculiar problem for a man who likes animals, because the fate of most livestock is that they are murdered by their benefactors. The creatures may live serenely but they end violently, and the odor of doom hangs about them always. I have kept several pigs, starting them in spring as weanlings and carrying trays to them all through summer and fall. The relationship bothered me. Day by day I became better acquainted with my pig, and he with me, and the fact that the whole adventure pointed toward an eventual piece of double-dealing on my part lent an eerie quality to the thing. I do not like to betray a person or a creature, and I tend to agree with Mr. E.M. Forster that in these times the duty of a man, above all else, is to be reliable. It used to be clear to me, slopping a pig, that as far as the pig was concerned I could not be counted on, and this, as I say, troubled me. Anyway, the theme of "Charlotte's Web" is that a pig shall be saved, and I have an idea that somewhere deep inside me there was a wish to that effect.
E.B. White
could not forget your conduct to me, Jane--the fury with which you once turned on me; the tone in which you declared you abhorred me the worst of anybody in the world; the unchildlike look and voice with which you affirmed that the very thought of me made you sick, and asserted that I had treated you with miserable cruelty. I could not forget my own sensations when you thus started up and poured out the venom of your mind: I felt fear as if an animal that I had struck or pushed had looked up at me with human eyes and cursed me in a man's voice.
Charlotte Brontë (Jane Eyre)
It took some time to make clear to those three sweet-faced women the process which robs the cow of her calf, and the calf of its true food; and the talk led us to further discussion of the meat business. They heard it out, looking very white, and presently begged to be excused.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence devoted to me; we are precisely suited in character. -perfect concord is the result.
Charlotte Brontë (Jane Eyre)
I suppose animals kept in cages, and so scantily fed as to be always upon the verge of famine, await their food as I awaited a letter. Oh! — to speak the truth, and drop that tone of a false calm which long to sustain, outwears nature's endurance — I underwent in those seven weeks bitter fears and pains, strange inward trials, miserable defections of hope, intolerable encroachments of despair. This last came so near me sometimes that her breath went right through me. I used to feel it like a baleful air or sigh, penetrate deep, and make motion pause at my heart, or proceed only under unspeakable oppression. The letter — the well-beloved letter — would not come; and it was all of sweetness in life I had to look for.
Charlotte Brontë (Villette)
Nunca se permitiu que a terra fosse sobrecarregada com um animal mais inútil e absurdo que você! Você não tinha o direito de nascer, pois não utiliza sua vida para nada. Em vez de viver com, em e para você mesma, como deve fazer um ser humano sensato, procura apenas escorar sua fraqueza na força de outra pessoa. E se não encontra ninguém disposto a carregar um fardo tão pesado, fraco, inflado e inútil como você, grita aos quatro ventos que está sendo maltratada, que está sendo negligenciada e que é uma infeliz.
Charlotte Brontë (Jane Eyre)
if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled?
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away.
Charlotte Brontë (Jane Eyre)
It was the eager happiness of the children and the young people which first made me see the folly of that common notion of ours—that if life was smooth and happy, people would not enjoy it. As I studied these youngsters, vigorous, joyous, eager little creatures, and their voracious appetite for life, it shook my preconceived ideas so thoroughly that they had never been re-established. The steady level of good health gave them all that natural stimulus we used to call “animal spirits” —an odd contradiction in terms. They found themselves in an immediate environment which was agreeable and interesting, and before them stretched the years of learning and discovery, the fascinating, endless process of education. As I looked into these methods and compared them with our own, my strange uncomfortable sense of race-humility grew apace.
Charlotte Perkins Gilman (Herland and Selected Stories)
I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest — blest beyond what language can express; because I am my husband’s life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward’s society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character – perfect concord is the result.
Charlotte Brontë (Jane Eyre)
Finiscila, Jane! Dai troppo peso all'amore degli esseri umani. Sei troppo impulsiva, troppo irruenta. La mano divina che ha creato il tuo corpo, e poi vi ha soffiato dentro la vita, ti ha dotato di risorse che vanno ben oltre la tua fragilità dei tuoi simili. Al di là di questa terra e al di là del genere umano, c'è un mondo invisibile e un regno di anime. Quel mondo è tutto intorno a noi, perché è ovunque, e quelle anime vegliano su di noi, perché hanno il compito di proteggerci. E se stiamo morendo nel dolore e nella vergogna, se il disprezzo ci colpisce da ogni parte e l'odio ci schiaccia, gli angeli vedono i nostri tormenti, riconoscono la nostra innocenza e Dio, per incoronarci della meritata ricompensa, aspetta solo che il nostro spirito si separi dalla carne. E allora perché dobbiamo lasciarci sempre sopraffare dall'angoscia, quando la vita finisce in un attimo e la morte non è altro che un passaggio per la felicità, per la gloria?
Charlotte Brontë (Jane Eyre)
Suddenly he was sobered: a vacant space appeared near Miss de Bassompierre; the circle surrounding her seemed about to dissolve. This movement was instantly caught by Graham’s eye—ever-vigilant, even while laughing; he rose, took his courage in both hands, crossed the room, and made the advantage his own. Dr. John, throughout his whole life, was a man of luck—a man of success. And why? Because he had the eye to see his opportunity, the heart to prompt to well-timed action, the nerve to consummate a perfect work. And no tyrant-passion dragged him back; no enthusiasms, no foibles encumbered his way. How well he looked at this very moment! When Paulina looked up as he reached her side, her glance mingled at once with an encountering glance, animated, yet modest; his colour, as he spoke to her, became half a blush, half a glow. He stood in her presence brave and bashful: subdued and unobtrusive, yet decided in his purpose and devoted in his ardour. I gathered all this by one view. I did not prolong my observation—time failed me, had inclination served: the night wore late; Ginevra and I ought already to have been in the Rue Fossette. I rose, and bade good-night to my godmother and M. de Bassompierre.
Charlotte Brontë (Villette)
The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.
Mike Rowe (The Way I Heard It)
And were you immediately taken with Charlotte, when you found her?" "Who wouldn't be?" Gentry parried with a bland smile. He drew a slow circle on Lottie's palm, stroking the insides of her fingers, brushed his thumb over the delicate veins of her wrist. The subtle exploration made her feel hot and breathless, her entire being focused on the fingertip that feathered along the tender flesh of her upper palm. Most disconcerting of all was the realization that Gentry didn't even know what he was doing. He fiddled lazily with her hand and talked with Sophia, while the chocolate service was brought to the parlor and set out on the table. "Isn't it charming?" Sophia asked, indicating the flowered porcelain service with a flourish. She picked up the tall, narrow pot and poured a dark, fragrant liquid into one of the small cups, filling the bottom third. "Most people use cocoa powder, but the best results are obtained by mixing the cream with chocolate liquor." Expertly she stirred a generous spoonful of sugar into the steaming liquid. "Not liquor as in wine or spirits, mind you. Chocolate liquor is pressed from the meat of the beans, after they have been roasted and hulled." "It smells quite lovely," Lottie commented, her breath catching as Gentry's fingertip investigated the plump softness at the base of her thumb. Sophia turned her attention to preparing the other cups. "Yes, and the flavor is divine. I much prefer chocolate to coffee in the morning." "Is it a st-stimulant, then?" Lottie asked, finally managing to jerk her hand away from Gentry. Deprived of his plaything, he gave her a questioning glance. "Yes, of a sort," Sophia replied, pouring a generous amount of cream into the sweetened chocolate liquor. She stirred the cups with a tiny silver spoon. "Although it is not quite as animating as coffee, chocolate is uplifting in its own way." She winked at Lottie. "Some even claim that chocolate rouses the amorous instincts." "How interesting," Lottie said, doing her best to ignore Gentry as she accepted her cup. Inhaling the rich fumes appreciatively, she took a tiny sip of the shiny, dark liquid. The robust sweetness slid along her tongue and tickled the back of her throat. Sophia laughed in delight at Lottie's expression. "You like it, I see. Good- now I have found an inducement to make you visit often." Lottie nodded as she continued to drink. By the time she reached the bottom of the cup, her head was swimming, and her nerves were tingling from the mixture of heat and sugar. Gentry set his cup aside after a swallow or two. "Too rich for my taste, Sophia, although I compliment your skill in preparing it. Besides, my amorous instincts need no encouragement." He smiled as the statement caused Lottie to choke on the last few drops of chocolate.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
A more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered - you must have music, dancing, and society - or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes - include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one’s company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it - go on as heretofore, craving, whining, and idling - and suffer the results of your idiocy, however bad and insuperable they may be.
Charlotte Brontë
—Georgiana, nunca ha existido sobre la tierra un animal más vanidoso y absurdo que tú. No tenías derecho a nacer, pues no sacas provecho de la vida. En lugar de vivir por, para y contigo misma, como debe hacerlo un ser razonable, solo buscas cargar en la fortaleza de otra persona tu propia debilidad. Si no encuentras a nadie dispuesto a cargar con una criatura tan gorda, débil e inútil, te lamentas de que te tratan mal y te dan de lado. Para ti, la existencia debe ser un cuadro de constantes cambios y emociones; si no, el mundo es un calabozo. Deben admirarte, deben cortejarte, deben lisonjearte, debes tener música, baile y sociedad; si no, languideces y te marchitas. ¿No tienes bastante sentido como para inventar un sistema que te haga independiente de todos los esfuerzos y todas las voluntades excepto los tuyos propios? Toma un día, divídelo en partes y asigna una tarea a cada parte. No dejes al azar ni un cuarto de hora, ni diez, ni cinco minutos; inclúyelos todos. Haz cada tarea a su vez, con método y regularidad rigurosa. El día habrá acabado casi antes de que te des cuenta de que ha empezado; y no le deberás a nadie el ayudarte a llenar un minuto; no necesitarás buscar la compañía de nadie, ni su conversación, su compasión ni su indulgencia; en pocas palabras, habrás vivido como debe hacerlo un ser independiente. Sigue mis consejos, los primeros y últimos que te voy a dar. Después, no necesitarás ni de mí ni de nadie, pase lo que pase. Desóyelos, continúa como hasta ahora, implorando, lamentándote y sin hacer nada, y sufrirás las consecuencias de tu necedad, por malas e insoportables que sean.
Charlotte Brontë (Jane Eyre (Spanish Edition))
Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes, include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment; you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you...After my mother's death, I wash my hands of you; from the day her coffin is carried to the vault in Gateshead church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim. I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new.
Charlotte Brontë (Jane Eyre)
My dear boys, what are you thinking about?” exclaimed Mrs. Lynn. “I cannot possibly countenance any such inconsistent proceeding,” chimed in the Dowager Ingram. “Indeed, mama, but you can—and will,” pronounced the haughty voice of Blanche, as she turned round on the piano-stool; where till now she had sat silent, apparently examining sundry sheets of music. “I have a curiosity to hear my fortune told: therefore, Sam, order the beldame forward.” “My darling Blanche! recollect—” “I do—I recollect all you can suggest; and I must have my will—quick, Sam!” “Yes—yes—yes!” cried all the juveniles, both ladies and gentlemen. “Let her come—it will be excellent sport!” The footman still lingered. “She looks such a rough one,” said he. “Go!” ejaculated Miss Ingram, and the man went. Excitement instantly seized the whole party: a running fire of raillery and jests was proceeding when Sam returned. “She won’t come now,” said he. “She says it’s not her mission to appear before the ‘vulgar herd’ (them’s her words). I must show her into a room by herself, and then those who wish to consult her must go to her one by one.” “You see now, my queenly Blanche,” began Lady Ingram, “she encroaches. Be advised, my angel girl—and—” “Show her into the library, of course,” cut in the “angel girl.” “It is not my mission to listen to her before the vulgar herd either: I mean to have her all to myself. Is there a fire in the library?” “Yes, ma’am—but she looks such a tinkler.” “Cease that chatter, blockhead! and do my bidding.” Again Sam vanished; and mystery, animation, expectation rose to full flow once more. “She’s ready now,” said the footman, as he reappeared. “She wishes to know who will be her first visitor.” “I think I had better just look in upon her before any of the ladies go,” said Colonel Dent. “Tell her, Sam, a gentleman is coming.” Sam went and returned. “She says, sir, that she’ll have no gentlemen; they need not trouble themselves to come near her; nor,” he added, with difficulty suppressing a titter, “any ladies either, except the young, and single.” “By Jove, she has taste!” exclaimed Henry Lynn. Miss Ingram rose solemnly: “I go first,” she said, in a tone which might have befitted the leader of a forlorn hope, mounting a breach in the van of his men.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Fortunately the Omanis are generally very friendly and in no time at all, I had a knight in shining white dishdasha offering to help me.
Charlotte Smith (Paw Prints In Oman: Dogs, Mogs and Me)
You don’t really have idea about any of that olden-days stuff, do you?” He’s sure he can feel her smiling against his shoulder. “Busted,” she says. “Ah, it’s some nice talk, though, Sol. You make it all sound real nice.” “That’s the beauty of it. Just dreaming thoughts on once-was things. Animals and helping people and one place you could always call home.” “The Horizon is my home,” he says, and it strikes him for the first time how much that is true. A sudden keen longing for its shapes and spaces goes through him, and he hugs Sol to him tighter. “You are my home,” she says, real sudden. So sudden he’s sure she’s about to take it back any second—or at least wants to. But no taking back comes. He clings to the words so tightly he doesn’t think she could take them back even if she tried. Oh Sol, he thinks. God, please don’t let us die now. Not now. Not now that he realizes The Horizon isn’t his home at all. That he thinks like her. That she is his home, too.
Charlotte Stein (The Horizon)
Age: 11 Height: 5’3 Favourite animal: Tawny owl   Sometimes considered a smarty-pants by her friends and enemies, Beatrix has always adored studying hard. Being in school reminds her how many interesting things she could learn about the world, everything from how volcanoes are made to the languages of people in hundreds of countries, to the way the planets and stars occupy deep space all across the universe. She has a brain that is geared towards asking important questions and then trying to answer them, which makes her perfect for the Cluefinders Club.   Beatrix loves to read, especially the works of Arthur Conan Doyle, who wrote about the great detective Sherlock Holmes, and the romantic fiction of Charlotte Bronte. Although she is a very pretty girl, she does not listen to any compliments. She likes to think that beauty is only skin-deep, and that people would be better to compliment her intelligence or determination. So far, only her best friends and her teacher, Mister Faraday, have thought to do this. Her favourite animal is the owl, especially the tawny owl, which is often portrayed as being a wise and knowledgeable bird.
Ken T. Seth (The Case of the Vanishing Bully (The Cluefinder Club #1))
Time to go, I think," Gareth said breezily. "But first, let's see if Charlotte's inherited the de Montforte horsiness." "The what?" asked Chilcot. "You know. Horsiness. I want to see what Crusader thinks of her."  Still carrying Charlotte, he walked to his horse and held the baby up to the animal's soft, velvet nose. The big hunter arched his neck and blew softly, his ears and eyes on the baby. Charlotte shrieked at each tickling breath, kicking her feet in excitement. Grinning, Gareth lifted the child high and placed her in the saddle, where she sat smiling down at them like a tiny princess, safe within the cradle of his sure, strong grip. "No!" Juliet cried, alarmed. She ran forward. "Don't worry, I've got her," her husband said easily, his big hands firmly around Charlotte's waist. "Take her down now!  She's too little!" "She's a de Montforte, Juliet. All de Montfortes are horse-mad; it's in the blood." But Juliet pushed him aside and pulled the baby down even as everyone stared at her in dismay. Immediately, Charlotte screwed up her face and started crying. Not just crying. Screaming — fit to blow the glass out of the surrounding buildings. Cokeham
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Let them once get in touch with Nature, and a habit is formed which will be a source of delight through life. We were all meant to be naturalists, each in his degree, and it is inexcusable to live in a world so full of the marvels of plant and animal life and to care for none of these things.” – Charlotte Mason
Emily Cook (A Literary Education: Adapting Charlotte Mason for Modern Secular Homeschooling)
No, her’s was not the countenance of a Madona—it was not of angelic mould; yet, though there was a fierceness in it, it was not certainly a repelling, but a beautiful fierceness—dark, noble, strongly expressive, every lineament bespoke the mind which animated it. True, no mild, no gentle, no endearing virtues, were depicted there; but while you gazed upon her, you observed not the want of any charm. Her smile was fascination itself; and in her large dark eyes, which sparkled with incomparable radiance, you read the traces of a strong and resolute mind, capable of attempting any thing undismayed by consequences; and well and truly did they speak. Her figure, though above the middle height, was symmetry itself; she was as the tall and graceful antelope; her air was dignified and commanding, yet free from stiffness; she moved along with head erect, and with step firm and majestic; nor was her carriage ever degraded by levity or affectation.
Charlotte Dacre (Zofloya; or, The Moor)
- Allegra è la mia kryptonite e la adorerò fino al mio ultimo respiro. - Voglio che mi urli addosso il tuo dolore e le tue gioie. Voglio farti incazzare più spesso possibile perché mi fai vibrare dentro quando ti trasformi nella mia pantera. Voglio spalmarti la crema sulla pancia e massaggiarti i piedi gonfi. Voglio sentire le tue offese da dama del quattrocento o peggio mentre partorirai. Voglio essere il tuo nonnetto. Voglio questo e tutto quello che vorrai concedermi. Voglio te, Alice. - Ti amo, Ivy. Solo te, per sempre. E per sempre intendo che, se anche il destino dovesse separarci tra un istante, il mio amore per te brillerà come una stella eterna per cui non arriverà mai la supernova. - ...Entrare nel tuo cuore e prendervi la residenza permanente e incondizionata. (Se fosse possibile anche nella tua anima, nella tua testa, nel tuo corpo. Insomma, ovunque.) E ANCHE DI PIÙ di tutto ciò che ti viene in mente. - Due corpi, una sola anima. Due anime, un solo cuore. Due cuori, un solo palpito. - Perché a un certo punto non devi scegliere con chi stare, ma senza chi non puoi stare. - Sei la spinta che lo fa battere. L’emozione che lo fa palpitare. La paura che lo fa fermare. - Mi hai permesso di vedere la Grace che nessuno conosce e mi sono perdutamente innamorato. Forse ti conosco più di quanto pensi. - Me ne infischio di così tante cose da essere un imbarazzante essere anaffettivo, ma credo nell’amore eterno e tu sei il mio.
Charlotte Lays
The fact that there were more adults than children at her party didn't seem to faze Dixie. "That child is like a dandelion," Lettie said. "She could grow through concrete." Dixie's birthday party had a combination Mardi Gras/funeral wake feel to it. Mr. Bennett and Digger looped and twirled pink crepe paper streamers all around the white graveside tent until it looked like a candy-cane castle. Leo Stinson scrubbed one of his ponies and gave pony rides. Red McHenry, the florist's son, made a unicorn's horn out of flower foam wrapped with gold foil, and strapped it to the horse's head. "Had no idea that horse was white," Leo said, as they stood back and admired their work. Angela, wearing an old, satin, off-the-shoulder hoop gown she'd found in the attic, greeted each guest with strings of beads, while Dixie, wearing peach-colored fairy wings, passed out velvet jester hats. Charlotte, who never quite grasped the concept of eating while sitting on the ground, had her driver bring a rocking chair from the front porch. Mr. Nalls set the chair beside Eli's statue where Charlotte barked orders like a general. "Don't put the food table under the oak tree!" she commanded, waving her arm. "We'll have acorns in the potato salad!" Lettie kept the glasses full and between KyAnn Merriweather and Dot Wyatt there was enough food to have fed Eli's entire regiment. Potato salad, coleslaw, deviled eggs, bread and butter pickles, green beans, fried corn, spiced pears, apple dumplings, and one of every animal species, pork barbecue, fried chicken, beef ribs, and cold country ham as far as the eye could see.
Paula Wall (The Rock Orchard)
Charlotte was a fierce and strong feminist. She reflected the heroines in the stories she always talked about. A great activist and humanitarian. She loved animals as equally as people. She treated everyone the way they should be treated.
Cierra Martinez (As We Are)
They have been here for two hundred million years,” he says, “and until recently there were ten thousand species. They evolved to go in search of food, traveling farther than any other animal to survive, and thus they colonized the earth. From the oilbird, which lived in pitch-black caves, to the bar-headed goose, which bred only on the desolate Tibetan plateau. From the rufous hummingbird, which survived in the freezing altitude of fourteen thousand feet to the Rüppell’s griffon vulture, which could fly as high as a commercial airplane. These extraordinary creatures were undoubtedly the most successful on earth, because they courageously learned to exist anywhere.
Charlotte McConaghy (Migrations)
That’s right. The Arctic tern has the longest migration of any animal. It flies from the Arctic all the way to the Antarctic, and then
Charlotte McConaghy (Migrations)
Mirror-touch synesthesia. My brain re-creates the sensory experiences of living creatures, of all people and even sometimes animals; if I see it I feel it, and for just a moment I am them, we are one and their pain or pleasure is my own. It can seem like magic and for a long time I thought it was, but really it’s not so far removed from how other brains behave: the physiological response to witnessing someone’s pain is a cringe, a recoil, a wince. We are hardwired for empathy.
Charlotte McConaghy (Once There Were Wolves)
Nobody needs to be told of the extinction of the animals;
Charlotte McConaghy (Migrations)
They had to choose the more important animals, the ones we need and those with a chance of survival, letting the no-hopers fade into extinction. Interestingly, insects are high on their list—bees, wasps, butterflies, moths, ants, and some types of beetles, even flies. As are hummingbirds, monkeys, possums, and bats. All these animals are pollinators; without plant life we are truly fucked.
Charlotte McConaghy (Migrations)
Miss Breckenridge: We want the child to build relationships with the things in nature, which would include the earth itself, plant and animal life, oceanography, and astronomy. So, all things that eventually fall under science, and the more physical parts of geography. Miss Mason: And, as educators, what do we generally do with that? We consider the matter carefully; we say the boy will make a jumble of it if he is taught more than one or two sciences. We ask our friends “what sciences will tell best in examinations?” and “which are most easily learned?” We discover which are the best text-books in the smallest compass. The most economical, so to speak. The student learns up the text, listens to lectures, makes diagrams, watches demonstrations. Behold! he has “learned a science,” and is able to produce facts and figures, for a time anyway, in connection with some one class of natural phenomena; but of tender intimacy with Nature herself he has acquired none. I will now sketch what seems to me a better way.
Anne E. White (Revitalized: A new rendering of Charlotte Mason's School Education)
The fading away of animals. How lonely it will be here when it's just us.
Charlotte McConaghy (Migrations)
simply remembering what it feels like to love creatures that aren’t human. A nameless sadness, the fading away of the birds. The fading away of the animals. How lonely it will be here, when it’s just us.
Charlotte McConaghy (Migrations)
our lives mean nothing except as a cycle of regeneration, that we are incomprehensibly brief sparks, just as the animals are, that we are no more important than they are, no more worthy of life than any living creature. That in our self-importance, in our search for meaning, we have forgotten how to share the planet that gave us life.
Charlotte McConaghy (Migrations)
We were all meant to be naturalists, each in his degree, and it is inexcusable to live in a world so full of the marvels of plant and animal life and to care for none of these things. CHARLOTTE MASON, HOME EDUCATION
Leah Boden (Modern Miss Mason)
The degradation of women that he held up as ideal, she argued, had negative consequences for men, too. When husbands, fathers, and brothers are granted absolute power, their morality vanishes; they become tyrants. If men are allowed to act on their impulses without any checks on their behavior, they will be no better than animals. If women are trained to measure their worth solely by their ability to be attractive to men, then being loved will be the extent of their ambition. For a society to flourish, both men and women must have higher aspirations than these; they must also be governed by reason.
Charlotte Gordon (Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley)