Charleston Moving Quotes

Charleston has a landscape that encourages intimacy and partisanship. I have heard it said that an inoculation to the sights and smells of the Carolina lowcountry is an almost irreversible antidote to the charms of other landscapes, other alien geographies. You can be moved profoundly by other vistas, by other oceans, by soaring mountain ranges, but you can never be seduced. You can even forsake the lowcountry, renounce it for other climates, but you can never completely escape the sensuous, semitropical pull of Charleston and her marshes.

Memory in these incomparable streets, in mosaics of pain and sweetness, was clear to me now, a unity at last. I remembered small and unimportant things from the past: the whispers of roommates during thunderstorms, the smell of brass polish on my fingertips, the first swim at Folly Beach in April, lightning over the Atlantic, shelling oysters at Bowen's Island during a rare Carolina snowstorm, pigeons strutting across the graveyard at St. Philip's, lawyers moving out of their offices to lunch on Broad Street, the darkness of reveille on cold winter mornings, regattas, the flash of bagpipers' tartans passing in review, blue herons on the marshes, the pressure of the chinstrap on my shako, brotherhood, shad roe at Henry's, camellias floating above water in a porcelain bowl, the scowl of Mark Santoro, and brotherhood again.

You looked me right in the eyes and said, ‘You couldn’t pay me a million dollars to date you, Ryan Henderson. Mark my words. One day, I will move to this city and date a sophisticated man and—'” “I’ll be a sophisticated, sexy lady, and my man will pick up Chinese takeout after work and bring it back to our fancy apartment, and he’ll be wearing a fancy suit from his fancy job, and we will drink fancy wine and watch my favorite movie.” A laugh bubbles through me. “And then I told you that you could never be sophisticated like that.” He’s chuckling too now. “As if Chinese takeout and fancy wine is the most sophisticated and grown-up thing in the world.

In 1881, being on a visit to Boston, my wife and I found ourselves in the Parker House with the Ingersoll's, and went over to Charleston to hear him lecture. His subject was 'Some Mistakes of Moses,' and it was a memorable experience. Our lost leaders, -- Emerson, Thoreau, Theodore Parker, -- who had really spoken to disciples rather than to the nation, seemed to have contributed something to form this organ by which their voice could reach the people. Every variety of power was in this orator, -- logic and poetry, humor and imagination, simplicity and dramatic art, moral and boundless sympathy. The wonderful power which Washington's Attorney-general, Edmund Randolph, ascribed to Thomas Paine of insinuating his ideas equally into learned and unlearned had passed from Paine's pen to Ingersoll's tongue. The effect on the people was indescribable. The large theatre was crowded from pit to dome. The people were carried from plaudits of his argument to loud laughter at his humorous sentences, and his flexible voice carried the sympathies of the assembly with it, at times moving them to tears by his pathos. {Conway's thoughts on the great Robert Ingersoll}

...thought you didn’t believe in God,” I said to Savannah as we moved slowly past the Coast Guard base at the end of the Charleston peninsula. “I don’t,” Savannah answered, “but I believe in Luke and he believes in God and I always believe in God when I truly need him.” “Situational faith,” I said.

WITH NO REPLY from Halleck to his October 26 request for a plan of operations, Grant moved forward on his own initiative on November 2. He telegraphed the general in chief that he had “commenced a movement” on Grand Junction, a sought-after prize in West Tennessee that took its name from the intersection of the east–west Memphis and Charleston and the north–south Mississippi Central railroad lines. Grant intended to assemble five divisions there and move south into Mississippi toward Holly Springs and Grenada.

Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,

Sam crossed to the other set of stairs and moved up them quickly. As it wasn’t proper for men to see women walking up the stairs, where they might accidentally catch the view of her ankle or, heaven forbid, her calf, many of Charleston’s older homes were built with two sets of stairs.

We can recognize, moreover, that a move beyond our tribalism never happens in the ordinary. It takes a miracle, or a jolt, or a gift, or killing (as in Charleston) to awaken us from our tribal numbness, to see and act afresh.

It was in her garden that whatever physical grace Abigail St. Croix possessed asserted itself. She moved among her flowers with consummate natural fluidity, enjoying the incommunicable pleasures of growing things with the patience and concentration of a watchmaker. In this, her small, green country, surrounded by an embrasure of old Charleston brick, there were camellias of distinction, eight discrete varieties of azaleas, and a host of other flowers, but she directed her prime attention to the growing of roses. She had taught me to love flowers since I had known her; I had learned that each variety had its own special personality, its own distinctive and individual way of presenting itself to the world. She told me of the shyness of columbine, the aggression of ivy, and the diseases that affected gardenias. Some flowers were arrogant invaders and would overrun the entire garden if allowed too much freedom. Some were so diffident and fearful that in their fragile reticence often lived the truest, most infinitely prized beauty. She spoke to her flowers unconsciously as we made our way to the roses in the rear of the garden. “You can learn a lot from raising roses, Will. I’ve always told you that.” “I’ve never raised a good weed, Abigail. I could kill kudzu.” “Then one part of your life is empty,” she declared. “There’s a part of the spirit that’s not being fed.

The music started, and we began to dance. It was like magic. A ghost can't lead, of course; he can't tell you where to go, with just a bit of pressure on your hand or your back. But I knew, anyway. I knew exactly where to turn, where to move. It was as if he was telling me with his eyes, which were locked on mine. And it was as if I was seeing another time through his eyes, because even though I was still in the Quackadoodle, at the same time I was back in Charleston, a hundred and twenty five years before.