Charles Drew Quotes

We've searched our database for all the quotes and captions related to Charles Drew. Here they are! All 76 of them:

Morning drew on apace. The air became more sharp and piercing, as its first dull hue: the death of night, rather than the birth of day: glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes. The rain came down, thick and fast; and pattered, noisily, among the leafless bushes.
Charles Dickens
I had decided against religion a couple of years back. If it were true, it made fools out of people, or it drew fools. And if it weren’t true, the fools were all the more foolish.
Charles Bukowski (Ham on Rye)
I was like a turd that drew flies instead of like a flower that butterflies and bees desired. I wanted to live alone,I felt best being alone, cleaner,,,
Charles Bukowski (Ham on Rye)
I had decided against religion a couple of years back. If it were true, it made fools out of people, or it drew fools. And if it weren't true, the fools were all the more foolish. What I need is a good doctor, I thought. You either lived or died.
Charles Bukowski
I was like a turd that drew flies instead of like a flower that butterflies and bees desired.
Charles Bukowski (Ham on Rye)
But I can't imagine ever not wanting her, regardless of how her body looks. Because I love her, and when you love someone, sex begins and ends with your heart. (Drew)
Eva Charles (Double Play (The New American Royals #3))
Black man invented plasma. Fellow named Charles Drew. I read somewhere that he bled to death after a car accident in the nineteen fifties because some cracker North Carolina hospital didn’t have any ‘Negro blood’ in the fridge and refused to give him ‘white blood.
Dan Simmons (Carrion Comfort)
The curtains of his bed were drawn aside; and Scrooge, starting up into a half-recumbent attitude, found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow.
Charles Dickens
Because six billion of us are pursuing an evolutionarily unstable strategy, we’re fundamentally attacking the very ecological systems that keep us alive. Just like the goat that refuses to suckle its kids, we’re in the process of eliminating ourselves. Think about the time line Charles drew in his talk about the boiling frog. For the first six thousand years, the impact of our evolutionarily unstable strategy was minimal and confined to the Near East. Over the next two thousand years, the strategy spread to Eastern Europe and the Far East. In the next fifteen hundred years, the strategy spread throughout the Old World. In the next three hundred years, it became global. By the end of the next two hundred years—which is now—so many people were following the strategy that the impact was becoming catastrophic. We’re now about two generations away from finishing the job of making this unstable strategy extinct.
Daniel Quinn (The Story of B: An Adventure of the Mind and Spirit)
Love, is it morning risen or night deceased That makes the mirth of this triumphant east? Is it bliss given or bitterness put by That makes most glad men's hearts at love's high feast? Grief smiles, joy weeps, that day should live and die. "Is it with soul's thirst or with body's drouth That summer yearns out sunward to the south, With all the flowers that when thy birth drew nigh Were molten in one rose to make thy mouth? O love, what care though day should live and die? "Is the sun glad of all love on earth, The spirit and sense and work of things and worth? Is the moon sad because the month must fly And bring her death that can but bring back birth? For all these things as day must live and die. "Love, is it day that makes thee thy delight Or thou that seest day made out of thy light? Love, as the sun and sea are thou and I, Sea without sun dark, sun without sea bright; The sun is one though day should live and die. "O which is elder, night or light, who knows? And life or love, which first of these twain grows? For life is born of love to wail and cry, And love is born of life to heal his woes, And light of night, that day should live and die. "O sun of heaven above the wordly sea, O very love, what light is this of thee! My sea of soul is deep as thou art high, But all thy light is shed through all of me, As love's through love, while day shall live and die.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Were she to decide fully to live here in Black Cove unto death, she believed she would erect towers on the ridge marking the south and north points of the sun's annual swing. It would be a great pleasure year after year to watch with anticipation as the sun drew nigh to the notch and then on a specified day fell into it and then rose out of it and retraced its path. Over time, watching that happen again and again might make the years seem not such an awful linear progress but instead a looping and a return. Keeping track of such a thing would place a person, would be a way of saying, You are here, in this one station, now. It would be an answer to the question, Where am I?
Charles Frazier (Cold Mountain)
I had decided against religion a couple years back. If it were true, it made fools out of people, or it drew fools. And if it weren't true, the fools were all the most foolish.
Charles Bukowski
On a hunch she asked whose signature Claude Aubert had forged. The group was astounded to learn it was that of Charles Leblanc! The “frightened financier”!
Carolyn Keene (The Mystery of the 99 Steps (Nancy Drew, #43))
I had decided against religion a couple of years back. If it were true, it made fools out of people, or it drew fools. And if it weren't true, the fools were all the more foolish.
Charles Bukowski (Ham on Rye)
found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow.
Charles Dickens (A Christmas Carol)
Among other targets of protest was the infuriating Red Cross practice of separating Negro from white contributions to blood banks for the aid of wounded servicemen—a division made all the more distasteful by the fact that the plasma-preserving process that made blood banks practical had been largely developed by a Negro, Dr. Charles Drew of Howard University.
Richard Kluger (Simple Justice: The History of Brown v. Board of Education and Black America's Struggle for Equality)
The children quivered and drew the quilt up to their noses, and Luce could feel them squirming towards her, their feet reaching under the covers to touch her hip where she sat on the edge of the bed. When the big goat laid the troll low, they drew a deep breath and let it out slow. By the third night, she had them joining her to shout the final lines. Snip, snap, snout. This tale’s told out.
Charles Frazier (Nightwoods)
Even at table she would bring her book, leafing through the pages while Charles ate and talked to her. The memory of the Vicomte always recurred in her reading. She drew comparisons between him and the invented characters. But little by little the circle whose centre he occupied widened around him, and that halo of glory he wore, straying from his face, spread itself further off, to illuminate other dreams.
Gustave Flaubert (Madame Bovary)
Heiron, Kyros of Aegina entered, a slow stately walk in a chiton that swept the floor, and fell in folds, like heavy Veretian curtains. ‘My son tells a different story.’ ‘Your son?’ said Charls. ‘Alexon,’ said Heiron, holding out his hand. ‘Come here.’ As Charls stood amazed, Alexon drew himself up to his full height, pushing back the blue cloak. ‘It’s true. I am Alexon, son of Heiron,’ said Alexon. ‘I am not a humble sheep farmer as I claimed.’ ‘But your insights about wool,’ said Charls. ‘I often travel anonymously through the province,’ said Alexon. ‘People show their true natures freely when they don’t know who I am.’ He
C.S. Pacat (The Adventures of Charls, the Veretian Cloth Merchant (Captive Prince Short Stories, #3))
I know we were kids at Brown. But there's no one I've met before you, or since, who even came close to completing my heart. It's always been there for you, waiting for your love to finn in the nooks and crannies. (Drew)
Eva Charles (Double Play (The New American Royals #3))
And her heart sprang in Iseult, and she drew With all her spirit and life the sunrise through And through her lips the keen triumphant air Sea-scented, sweeter than land-roses were, And through her eyes the whole rejoicing east Sun-satisfied, and all the heaven at feast Spread for the morning; and the imperious mirth Of wind and light that moved upon the earth, Making the spring, and all the fruitful might And strong regeneration of delight That swells the seedling leaf and sapling man, Since the first life in the first world began To burn and burgeon through void limbs and veins, And the first love with sharp sweet procreant pains To pierce and bring forth roses; yea, she felt Through her own soul the sovereign morning melt, And all the sacred passion of the sun; And as the young clouds flamed and were undone About him coming, touched and burnt away In rosy ruin and yellow spoil of day, The sweet veil of her body and corporal sense Felt the dawn also cleave it, and incense With light from inward and with effluent heat The kindling soul through fleshly hands and feet. And as the august great blossom of the dawn Burst, and the full sun scarce from sea withdrawn Seemed on the fiery water a flower afloat, So as a fire the mighty morning smote Throughout her, and incensed with the influent hour Her whole soul's one great mystical red flower Burst, and the bud of her sweet spirit broke Rose-fashion, and the strong spring at a stroke Thrilled, and was cloven, and from the full sheath came The whole rose of the woman red as flame: And all her Mayday blood as from a swoon Flushed, and May rose up in her and was June. So for a space her hearth as heavenward burned: Then with half summer in her eyes she turned, And on her lips was April yet, and smiled, As though the spirit and sense unreconciled Shrank laughing back, and would not ere its hour Let life put forth the irrevocable flower. And the soft speech between them grew again
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Morning drew on apace. The air became more sharp and piercing, as its first dull hue: the death of night, rather than the birth of day: glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes. The rain came down, thick and fast, and pattered, noisily, among the leafless bushes. But, Oliver felt it not, as it beat against him; for he still lay stretched, helpless and unconscious, on his bed of clay.
Charles Dickens (Oliver Twist)
Stay, Mr Jingle!' said the spinster aunt emphatically. 'You have made an allusion to Mr Tupman – explain it.' 'Never!' exclaimed Jingle, with a professional (i.e. theatrical) air. 'Never!' and, by way of showing that he had no desire to be questioned further, he drew a chair close to that of the spinster aunt and sat down.
Charles Dickens (The Pickwick Papers)
The second myth is that in its appetite for death as spectacle the Triple Alliance was fundamentally different from Europe. Criminals beheaded in Palermo, heretics burned alive in Toledo, assassins drawn and quartered in Paris—Europeans flocked to every form of painful death imaginable, free entertainment that drew huge crowds.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
I'm ready," she whispered, her stomach fluttering as soon as the words left her. Charles looked at her, the light in his eyes wavering. "Then-" "Yes," she spoke over him. "I accept." He drew her close, holding both her hands and bringing them to his lips. Wishing this moment could last forever, she leaned against the prince's shoulder. At last, she knew. So this was love.
Elizabeth Lim (So This is Love)
The history books, which had almost completely ignored the contribution of the Negro in American history, only served to intensify the Negroes’ sense of worthlessness and to augment the anachronistic doctrine of white supremacy. All too many Negroes and whites are unaware of the fact that the first American to shed blood in the revolution which freed this country from British oppression was a black seaman named Crispus Attucks. Negroes and whites are almost totally oblivious of the fact that it was a Negro physician, Dr. Daniel Hale Williams, who performed the first successful operation on the heart in America. Another Negro physician, Dr. Charles Drew, was largely responsible for developing the method of separating blood plasma and storing it on a large scale, a process that saved thousands of lives in World War II and has made possible many of the important advances in postwar medicine. History books have virtually overlooked the many Negro scientists and inventors who have enriched American life. Although a few refer to George Washington Carver, whose research in agricultural products helped to revive the economy of the South when the throne of King Cotton began to totter, they ignore the contribution of Norbert Rillieux, whose invention of an evaporating pan revolutionized the process of sugar refining. How many people know that the multimillion-dollar United Shoe Machinery Company developed from the shoe-lasting machine invented in the last century by a Negro from Dutch Guiana, Jan Matzeliger; or that Granville T. Woods, an expert in electric motors, whose many patents speeded the growth and improvement of the railroads at the beginning of this century, was a Negro?
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
As Kraynak notes, “the Founders believed that freedom was based on moral order, not moral relativism.” They drew their natural law principles from John Locke, Cicero, and others, as well as from the strong natural law tradition in Christian thought. Thus, for Kraynak, “Without natural law—meaning an objective moral law put into nature and human nature by the Creator—the ideal of republican liberty lacks an ultimate foundation.”13 The
Charles J. Chaput (Strangers in a Strange Land: Living the Catholic Faith in a Post-Christian World)
The plight of Jews in German-occupied Europe, which many people thought was at the heart of the war against the Axis, was not a chief concern of Roosevelt. Henry Feingold's research (The Politics of Rescue) shows that, while the Jews were being put in camps and the process of annihilation was beginning that would end in the horrifying extermination of 6 million Jews and millions of non-Jews, Roosevelt failed to take steps that might have saved thousands of lives. He did not see it as a high priority; he left it to the State Department, and in the State Department anti-Semitism and a cold bureaucracy became obstacles to action. Was the war being fought to establish that Hitler was wrong in his ideas of white Nordic supremacy over "inferior" races? The United States' armed forces were segregated by race. When troops were jammed onto the Queen Mary in early 1945 to go to combat duty in the European theater, the blacks were stowed down in the depths of the ship near the engine room, as far as possible from the fresh air of the deck, in a bizarre reminder of the slave voyages of old. The Red Cross, with government approval, separated the blood donations of black and white. It was, ironically, a black physician named Charles Drew who developed the blood bank system. He was put in charge of the wartime donations, and then fired when he tried to end blood segregation. Despite the urgent need for wartime labor, blacks were still being discriminated against for jobs. A spokesman for a West Coast aviation plant said: "The Negro will be considered only as janitors and in other similar capacities.... Regardless of their training as aircraft workers, we will not employ them." Roosevelt never did anything to enforce the orders of the Fair Employment Practices Commission he had set up.
Howard Zinn (A People's History Of The United States Sm)
My loneliness since then, in all this noise and riot, has been very dreadful. May God forgive me! He has seen my solitary, lingering death.’ He folded his hands, and murmuring something more they could not hear, fell into a sleep — only a sleep at first, for they saw him smile. They whispered together for a little time, and the turnkey, stooping over the pillow, drew hastily back. ‘He has got his discharge, by G — !’ said the man. He had. But he had grown so like death in life, that they knew not when he died.
Charles Dickens (The Complete Works of Charles Dickens)
The young fellow was pale; his gestures, the expression of his face, his glance, and the tones of his voice, all had a sadness which was full of grace. He was not pretending grief, he truly suffered; and the veil of pain cast over his features gave him an interesting air dear to the heart of women. Eugenie loved him the more for it. Perhaps she felt that sorrow drew him nearer to her. Charles was no longer the rich and distinguished young man placed in a sphere far above her, but a relation plunged into frightful misery.
Honoré de Balzac (Works of Honore de Balzac)
Peggotty had a basket of refreshments on her knee, which would have lasted us out handsomely, if we had been going to London by the same conveyance. We ate a good deal, and slept a good deal. Peggotty always went to sleep with her chin upon the handle of the basket, her hold of which never relaxed; and I could not have believed unless I had heard her do it, that one defenceless woman could have snored so much. We made so many deviations up and down lanes, and were such a long time delivering a bedstead at a public-house, and calling at other places, that I was quite tired, and very glad, when we saw Yarmouth. It looked rather spongy and soppy, I thought, as I carried my eye over the great dull waste that lay across the river; and I could not help wondering, if the world were really as round as my geography book said, how any part of it came to be so flat. But I reflected that Yarmouth might be situated at one of the poles; which would account for it. As we drew a little nearer, and saw the whole adjacent prospect lying a straight low line under the sky, I hinted to Peggotty that a mound or so might have improved it; and also that if the land had been a little more separated from the sea, and the town and the tide had not been quite so much mixed up, like toast and water, it would have been nicer. But Peggotty said, with greater emphasis than usual, that we must take things as we found them, and that, for her part, she was proud to call herself a Yarmouth Bloater. When we got into the street (which was strange enough to me) and smelt the fish, and pitch, and oakum, and tar, and saw the sailors walking about, and the carts jingling
Charles Dickens (David Copperfield)
Stop! Stop!” Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get. “Where are the children?” she gasped, once he’d caught her at the base of the steps. “Francesca is watching them.” “And your mother?” He grinned. “I daresay Francesca is watching her, too.” “Anyone could stumble upon us out here,” she said, looking this way and that. His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.” The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball. “The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?” His lips brushed against hers. “I have my ways,” he murmured. “And I,” she returned, smiling slyly, “have my secrets.” He drew back. “Oh? And will you share?” “We five,” she said with a nod, “are about to be six.” He looked at her face, then looked at her belly. “Are you sure?” “As sure as I was last time.” He took her hand and raised it to lips. “This one will be a girl.” “That’s what you said last time.” “I know, but—” “And the time before.” “All the more reason for the odds to favor me this time.” She shook her head. “I’m glad you’re not a gambler.” He smiled at that. “Let’s not tell anyone yet.” “I think a few people already suspect,” Sophie admitted. “I want to see how long it takes that Whistledown woman to figure it out,” Benedict said. “Are you serious?” “The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.” Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?” That stopped him cold. “You’ve been counting?” “Two hundred and thirty-three if you include the time after the masquerade.” “I can’t believe you’ve been counting.” She gave him a nonchalant shrug. “It’s exciting to be mentioned.” Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.” Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.” He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.” She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.” “Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.” “Violet?” Sophie asked softly. “It’s time my mother had a grandchild named after her, don’t you think?” Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Iroquoian Women: The Gantowisas (2004), the female-led clan councils set the agenda of the League—“men could not consider a matter not sent to them by the women.” Women, who held title to all the land and its produce, could vote down decisions by the male leaders of the League and demand that an issue be reconsidered. Under this regime women were so much better off than their counterparts in Europe that nineteenth-century U.S. feminists like Lucretia Mott, Elizabeth Cady Stanton, and Matilda Joslyn Gage, all of whom lived in Haudenosaunee country, drew inspiration from their lot.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
People feel ashamed of being depressed, they feel they should snap out of it, they feel weak and inadequate. Of course, these feelings are symptoms of the disease. Depression is a grave and life-threatening illness, much more common than we recognize. As far as the depressive being weak or inadequate, let me drop some names of famous depressives: Abraham Lincoln, Winston Churchill, Eleanor Roosevelt, Sigmund Freud. Terry Bradshaw, Drew Carey, Billy Joel, T. Boone Pickens, J. K. Rowling, Brooke Shields, Mike Wallace. Charles Dickens, Joseph Conrad, Graham Greene, Ernest Hemingway, Herman Melville, Mark Twain.
Richard O'Connor (Undoing Depression: What Therapy Doesn't Teach You and Medication Can't Give You)
I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village. I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print. When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or relate to. The idea of placing it on the border of Elfland came from the fact that I'd just re-read a fantasy classic called The King of Elfland's Daughter by the Irish writer Lord Dunsany. I love stories that take place on the borderlands between two different worlds...and so I borrowed this concept, but adapted it to a modern, punky, urban setting. I drew upon elements of the various cities I knew best -- New York, Boston, London, Dublin, maybe even a little of Mexico City, where I'd been for a little while as a teen -- and scrambled them up and turned them into Bordertown. There actually IS a Mad River in southern Ohio (where I went to college) and I always thought that was a great name, so I imported it to Bordertown. As for the water being red, that came from the river of blood in the Scottish folk ballad "Thomas the Rhymer," which Thomas must cross to get into Elfland. [speaking about the Borderland series she "founded" and how she came up with the setting. Link to source; Q&A with Holly, Ellen & Terri!]
Terri Windling
The air grew colder, as day came slowly on; and the mist rolled along the ground like a dense cloud of smoke. The grass was wet; the pathways, and low places, were all mire and water; the damp breath of an unwholesome wind went languidly by, with a hollow moaning. Still, Oliver lay motionless and insensible on the spot where Sikes had left him. Morning drew on apace. The air become more sharp and piercing, as its first dull hue—the death of night, rather than the birth of day—glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes.
Charles Dickens (Oliver Twist)
Every February, (Charles)Shultz drew a strip about Charlie Brown's failure to get any valentines. Schroeder, in one installment, chides Violet for trying to fob off a discarded valentine on Charlie Brown several days after Valentine's Day, and Charlie Brown shoves Schroeder aside with the words "Don't interfere--I'll take it!" But the story Schulz told about his own childhood experience with valentines was very different. When he was in first grade, he said, his mother helped him make a valentine for each of his classmates, so that nobody would be offended by not getting one, but he felt too shy to put them in the box at the front of the classroom, and so he took them all home again to his mother.
Jonathan Franzen
I stood upon a chair when I was left alone, and looked into the glass to see how red my eyes were, and how sorrowful my face. I considered, after some hours were gone, if my tears were really hard to flow now, as they seemed to be, what, in connection with my loss, it would affect me most to think of when I drew near home — for I was going home to the funeral. I am sensible of having felt that a dignity attached to me among the rest of the boys, and that I was important in my affliction. If ever child were stricken with sincere grief, I was. But I remember that this importance was a kind of satisfaction to me, when I walked in the playground that afternoon while the boys were in school. When I saw them glancing at me out of the windows, as they went up to their classes, I felt distinguished, and looked more melancholy, and walked slower.
Charles Dickens (The Complete Works of Charles Dickens)
She drew an arm round my neck, and drew my head close down to hers as she sat in the chair. "Love her, love her, love her! How does she use you?" Before I could answer (if I could have answered so difficult a question at all), she repeated, "Love her, love her, love her! If she favours you, love her. If she wounds you, love her. If she tears your heart to pieces - as it gets older and stronger it will tear deeper - love her, love her, love her!" Never had I seen such passionate eagerness as was joined to her utterance of these words. I could feel the muscles of the thin arm round my neck, swell with the vehemence that possessed her. "Hear me, Pip! I adopted her to be loved. I bred her and educated her, to be loved. I developed her into what she is, that she might be loved. Love her!" She said the word often enough, and there could be no doubt that she meant to say it; but if the often repeated word had been hate instead of love-despair-revenge-dire death-it could not have sounded from her lips more like a curse.
Charles Dickens (Great Expectations)
I hope you love my little brother with all the strength of your heart," he said, gazing deeply into her eyes.  "Gareth has suffered much pain in his life, and he deserves no less than what I know you can give him.  He deserves someone like you, Juliet." "I do love him, Charles."  A tear slipped from the corner of her eye, and began a slow path down her cheek.  "I do love him, and I pray that you find someone to make you as happy as he has made me."  She swiped away the tear.  "But I think you already have." He smiled, gently.  "Yes . . . I think I have." And then she reached deeply into her pocket and drew something out which she held tightly in her closed hand for a long moment. "I've been keeping these for you.  Waiting for the right moment to give them back to you.  They once belonged to you, but they really should be hers now." And then she held her hand over his and dropped two objects into his palm.  One was the miniature he'd had painted two years ago in Boston.  And the other was the signet ring with which they had sealed their betrothal that fateful night in April. Her smile was a little watery.  "You're a free man now, Charles.  Take these and be happy.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
other gentlemen had come out with him. One was a low-spirited gentleman of middle age, of a meagre habit, and a disconsolate face; who kept his hands continually in the pockets of his scanty pepper-and-salt trousers, very large and dog’s-eared from that custom; and was not particularly well brushed or washed. The other, a full-sized, sleek, well-conditioned gentleman, in a blue coat with bright buttons, and a white cravat. This gentleman had a very red face, as if an undue proportion of the blood in his body were squeezed up into his head; which perhaps accounted for his having also the appearance of being rather cold about the heart. He who had Toby’s meat upon the fork, called to the first one by the name of Filer; and they both drew near together. Mr. Filer being exceedingly short-sighted, was obliged to go so close to the remnant of Toby’s dinner before he could make out what it was, that Toby’s heart leaped up into his mouth. But Mr. Filer didn’t eat it. “This is a description of animal food, Alderman,” said Filer, making little punches in it, with a pencil-case, “commonly known to the labouring population of this country, by the name of tripe.” The Alderman laughed, and winked; for he was a merry fellow, Alderman Cute. Oh, and a sly fellow,
Charles Dickens (A Christmas Carol and Other Stories)
When Dad pulled up in front of the house, the three of us sat still for a moment and stared at the gloomy pile of bricks my great-aunt called home. Up close, it looked even worse than it had from a distance. Ivy clung to the walls, spreading over windows and doors. A wisteria vine heavy with bunches of purple blossoms twisted around the porch columns. Paint peeled, loose shutters banged in the wind, slates from the roof littered the overgrown lawn. Charles Addams would have loved it. So would Edgar Allan Poe. But not me. No, sir, definitely not me. Just looking at the place made my skin prickle. Dad was the first to speak. “This is your ancestral home, Drew,” he said, once more doing his best to sound excited. “It was built by your great-great-grandfather way back in 1865, right after the Civil War. Tylers have lived here ever since.” While Dad babbled about family history and finding your roots and things like that, I let my thoughts drift to Camp Tecumseh again. Maybe Martin wasn’t so bad after all, maybe he and I could have come to terms this summer, maybe we-- My fantasies were interrupted by Great-aunt Blythe. Flinging the front door open, she came bounding down the steps. The wind ballooned her T-shirt and swirled her gray hair. If she spread her arms, she might fly up into the sky like Mary Poppins.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
She submitted to walk slowly on, with downcast eyes. He put her hand to his lips, and she quietly drew it away. ‘Will you walk beside me, Mr Wrayburn, and not touch me?’ For, his arm was already stealing round her waist. She stopped again, and gave him an earnest supplicating look. ‘Well, Lizzie, well!’ said he, in an easy way though ill at ease with himself ‘don’t be unhappy, don’t be reproachful.’ ‘I cannot help being unhappy, but I do not mean to be reproachful. Mr Wrayburn, I implore you to go away from this neighbourhood, to-morrow morning.’ ‘Lizzie, Lizzie, Lizzie!’ he remonstrated. ‘As well be reproachful as wholly unreasonable. I can’t go away.’ ‘Why not?’ ‘Faith!’ said Eugene in his airily candid manner. ‘Because you won’t let me. Mind! I don’t mean to be reproachful either. I don’t complain that you design to keep me here. But you do it, you do it.’ ‘Will you walk beside me, and not touch me;’ for, his arm was coming about her again; ‘while I speak to you very seriously, Mr Wrayburn?’ ‘I will do anything within the limits of possibility, for you, Lizzie,’ he answered with pleasant gaiety as he folded his arms. ‘See here! Napoleon Buonaparte at St Helena.’ ‘When you spoke to me as I came from the Mill the night before last,’ said Lizzie, fixing her eyes upon him with the look of supplication which troubled his better nature, ‘you told me that you were much surprised to see me, and that you were on a solitary fishing excursion. Was it true?’ ‘It was not,’ replied Eugene composedly, ‘in the least true. I came here, because I had information that I should find you here.’ ‘Can you imagine why I left London, Mr Wrayburn?’ ‘I am afraid, Lizzie,’ he openly answered, ‘that you left London to get rid of me. It is not flattering to my self-love, but I am afraid you did.’ ‘I did.’ ‘How could you be so cruel?’ ‘O Mr Wrayburn,’ she answered, suddenly breaking into tears, ‘is the cruelty on my side! O Mr Wrayburn, Mr Wrayburn, is there no cruelty in your being here to-night!’ ‘In the name of all that’s good—and that is not conjuring you in my own name, for Heaven knows I am not good’—said Eugene, ‘don’t be distressed!’ ‘What else can I be, when I know the distance and the difference between us? What else can I be, when to tell me why you came here, is to put me to shame!’ said Lizzie, covering her face. He looked at her with a real sentiment of remorseful tenderness and pity. It was not strong enough to impell him to sacrifice himself and spare her, but it was a strong emotion. ‘Lizzie! I never thought before, that there was a woman in the world who could affect me so much by saying so little. But don’t be hard in your construction of me. You don’t know what my state of mind towards you is. You don’t know how you haunt me and bewilder me. You don’t know how the cursed carelessness that is over-officious in helping me at every other turning of my life, won’t help me here. You have struck it dead, I think, and I sometimes almost wish you had struck me dead along with it.
Charles Dickens (Our Mutual Friend)
One key characteristic of structure is its richness. To illustrate, recall the comparison that John Rawls drew between checkers and chess when he was describing the Aristotelian principle (see page 386). Both games are played on a board with 64 squares, but they have different structures. Checkers has one kind of piece, while chess has six different kinds of pieces. The movement of any checker piece is restricted to a single square per turn unless it is capturing, while movement in chess is different for each piece. In checkers, the goal is to capture all the opponents’ pieces. In chess, the goal is to trap one particular piece. The structure of chess is objectively richer than the structure of checkers. It is no coincidence that chess has thousands of books written about tactics and strategy for every aspect of the game while checkers has a fraction of that number. The nature of accomplishment in checkers and chess is also objectively different, as reflected in their relative places in Western culture.[1] I measure the richness of a structure by three aspects: principles, craft, and tools. The scientific method offers convenient examples. Conceptually, a scientific experiment proceeds according to principles such as replicability, falsifiability, and the role of the hypothesis that apply across different scientific disciplines. The actual conduct of a classic scientific experiment involves craft—the generation of a hypothesis to be tested or a topic to be explored, the creation of the methods for doing so, and meticulous observance of protocols and procedures during the actual work. The details of craft differ not only across disciplines but within disciplines. They also have a family resemblance, in the sense that a meticulous scientist behaves in ways that are recognizable to scientists in every field—“meticulous” being one of the defining characteristics of craft practiced at a high level. Tools play a double role. Sometimes they are created in direct response to needs generated by principles and craft—accurate thermometers are an example—but at least as often, a tool turns out to have unanticipated uses that alter both principles and craft, independently expanding the realm of things a discipline can achieve. An example is the invention of the diffraction grating to study spectra of light, which 40 years later turned out to enable astronomers to study the composition of the stars.
Charles Murray (Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950)
his shifters in a low tone. From the back of the room, I heard my name shouted out. It sounded like Dominicous but I couldn’t be sure. The Mata drew in close to me, ready for an attack. Green magic started pooling around them, tingling my skin. I opened up to the elements, feeling the sweet rush. I felt Stefan’s magic balancing and leveling, and then coaxing a bit more. Another rush of energy entered the link. Probably Charles. Then another—Jonas. Stefan was pooling the resources so I could unleash hell. “Here they come, baby. Get ready.”Stefan’s voice was low and anxious. Those five guys, hard-eyed and determined, pushed their way through the crowd. Vicious gazes scanned my protection unit, two focusing on Tim. The other two picked out other shifters. One only
K.F. Breene (The Council (Darkness, #5))
who held title to all the land and its produce, could vote down decisions by the male leaders of the League and demand that an issue be reconsidered. Under this regime women were so much better off than their counterparts in Europe that nineteenth-century U.S. feminists like Lucretia Mott, Elizabeth Cady Stanton, and Matilda Joslyn Gage, all of whom lived in Haudenosaunee country, drew inspiration from their lot.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
Washington appointed Hamilton, George Wythe, and Charles Pinckney to a small committee that drew up rules and procedures for the convention.
Ron Chernow (Alexander Hamilton)
We do not know whether [Hipparchus] drew maps--perhaps he did--but the truth is that in his day he could not possibly have applied his projections to the globe because the necessary data, in the form of correct findings of latitudes and longitudes of a very large number of places over the known areas of the earth, were not available. This was the weakness of all Greek cartographic science. In Greek times mathematics was in advance of mechanical instrumentation: There was no instrument for easily and correctly determining the longitude of places. However, the Piri Re'is and the other maps we went on to study, seemed to suggest that such an instrument or instruments had once existed, and had been used by people who knew very closely the correct size of the earth. Moreover, it looks as if this people had visited most of the earth. They seem to have been quite well acquainted with the Americas, and to have mapped the coasts of Antarctica.
Charles H. Hapgood (Maps of the Ancient Sea Kings: Evidence of Advanced Civilization in the Ice Age)
Byron loved and drew inspiration from Dante. He
Charles Eliot (The Harvard Classics in a Year: A Liberal Education in 365 Days)
Criminals beheaded in Palermo, heretics burned alive in Toledo, assassins drawn and quartered in Paris—Europeans flocked to every form of painful death imaginable, free entertainment that drew huge crowds. London, the historian Fernand Braudel tells us, held public executions eight times a year at Tyburn, just north of Hyde Park. (The diplomat Samuel Pepys paid a shilling for a good view of a Tyburn hanging in 1664; watching the victim beg for mercy, he wrote, was a crowd of "at least 12 or 14,000 people.") In most if not all European nations, the bodies were impaled on city walls and strung along highways as warnings. "The corpses dangling from trees whose distant silhouettes stand out against the sky, in so many old paintings, are merely a realistic detail," Braudel observed. "They were part of the landscape." Between 1530 and 1630, according to Cambridge historian V.A.C. Gatrell, England executed seventy-five thousand people. At that time, its population was about three million, perhaps a tenth that of the Mexica empire. Arithmetic suggests that if England had been the size of the Triple Alliance, it would have executed, on average, 7,500 people per year, roughly twice the number Cortes estimated for the empire. France and Spain were still more bloodthirsty than England, according to Braudel.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
Thinking that a demonstration of the New Psychology’s practical applications might make it less threatening to traditionalists, Hall delivered a series of lectures on education in Boston (arranged by Charles Eliot). The lectures drew on the work of a man named Francis Parker, who had become famous as the superintendent of schools in Quincy, Massachusetts, and the founder of a theory of pedagogy known as “the Quincy system.” Parker had served as a colonel in the Union Army (he retained the title ever after); after the war, he had spent several years in Europe, returning with a philosophy of education derived from Kantian and Fichtean ideas of mental growth, and emphasizing the importance of experience in acquiring knowledge. Hall expressed the germ of the theory in recapitulationist language: “The pupil should, and in fact naturally does, repeat the course of the development of the race, and education is simply the expediting and shortening of this course.”24 The lectures, attended mostly by teachers, were hugely successful. Hall still couldn’t get a job. He started to think about going to medical school.
Louis Menand (The Metaphysical Club: A Story of Ideas in America)
it is bewitching to watch both men [Burton and Gielgud] struggle for Shakespeare's meaning while they squirm as individuals beneath the weight of their own psychologies. This is the problem for every interpretive artist who ever drew breath. He must be true to the writer and true to himself. He literally serves two masters. To expect the interpreter to be a puppet who conceives and executes the ideal Hamlet (or Puck or Lady Macbeth or Merton of the Movies) is to deny the human condition. An actor can discipline his effects in order to avoid distortion of the play - giving up, sometimes, his most popular tricks - but to expect him to reject the totality of his personality in order to imitate The Character is madness. The actor is stuck with the character, but the character is also stuck the actor. Directors sometimes pretend that the character is everything and that the actor must adjust no matter how uncomfortable it makes him, but the actors job is to preserve himself somehow - not by distorting the play... but by admitting his own limitations, by knowing what he can make real for the audience and what he can't. If the actor has been miscast, he cannot compensate for the error by destroying his God-given nature on the stage. It is the producer's job to know beforehand how flexible the actor is.
William Charles Redfield (Letters from an Actor)
judged it the least compact in the nation.8 The report assessing congressional districts for the 1990s prepared by the Congressional Research Service applied the convex hull to the population and not to area. The least compact district as calculated using convex hull for the population was Colorado-4. Neither this district nor the next five in terms of low population scores had to defend its plan in court. Only three districts with low scores on the population compactness measure drew a legal challenge. Of these three, Florida-23 escaped unscathed when the judge dismissed the suit. On
Charles S. Bullock III (Redistricting: The Most Political Activity in America)
As the 1970s drew to a close, and Commodore, Tandy, Altair, and Apple began to emerge from the sidelines, PARC director Bert Sutherland asked Larry Tesler to assess what some analysts were already predicting to be the coming era of “hobby and personal computers.” “I think that the era of the personal computer is here,” Tesler countered; “PARC has kept involved in the world of academic computing, but we have largely neglected the world of personal computing which we helped to found.”41 His warning went largely unheeded. Xerox Corporation’s parochial belief that computers need only talk to printers and filing cabinets and not to each other meant that the “office of the future” remained an unfulfilled promise, and in the years between 1978 and 1982 PARC experienced a dispersal of core talent that rivals the flight of Greek scholars during the declining years of Byzantium: Charles Simonyi brought the Alto’s Bravo text editing program to Redmond, Washington, where it was rebooted as Microsoft Word; Robert Metcalf used the Ethernet protocol he had invented at PARC to found the networking giant, 3Com; John Warnock and Charles Geschke, tiring of an unresponsive bureaucracy, took their InterPress page description language and founded Adobe Systems; Tesler himself brought the icon-based, object-oriented Smalltalk programming language with him when he joined the Lisa engineering team at Apple, and Tim Mott, his codeveloper of the Gypsy desktop interface, became one of the founders of Electronic Arts—five startups that would ultimately pay off the mortgages and student loans of many hundreds of industrial, graphic, and interaction designers, and provide the tools of the trade for untold thousands of others.
Barry M. Katz (Make It New: A History of Silicon Valley Design (The MIT Press))
As Henry had with the Parson’s Cause, he objected strenuously to what he saw as an unjust exercise of power over the colonies. In response, he drew up the Virginia Stamp Act Resolutions, which eventually became known as the Virginia Resolves: “1.
Charles River Editors (Patrick Henry: The Life and Legacy of the Founding Father and Virginia’s First Governor)
Even when alcoholics’ brains were changed through surgery, it wasn’t enough. The old cues and cravings for rewards were still there, waiting to pounce. The alcoholics only permanently changed once they learned new routines that drew on the old triggers and provided a familiar relief.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
Juliet?" Gareth must've seen the telltale glassiness in her eyes.  He reached down and gently, drew her to her feet.  "Shhh, my love.  None of us could have been prepared for what we saw tonight, least of all you.  I know Lucien warned us that he might not be all that he had been, but you have every right to cry for him . . .  We all do." She turned her face against his chest.  "But I don't want you to think my tears are because I want him back, or that I have regrets about which brother I actually married." He cradled her to him, tenderly.  "I don't." "It's just that seeing him the way he is now . . . it has upset me.  I was not prepared  . . .  Oh, Gareth.  Please know that what I once felt for your brother is dead.  It is you, you, that I love." "I know that, dearest."  He tipped her head up and wiped away her tears with the pad of his thumb.  "Come.  You are upset, and I think it is best we go on up to bed."  Reaching down, he picked Charlotte up and held her to his chest.  Juliet looked at him and felt a raw ache at the back of her throat.  And what would become of their fourteen-month-old baby?  Would Gareth have to give the daughter that he'd loved as his own back to the brother that had made, but never even seen her?  Would Lucien come down on their side or Charles's?  Would Charles's return threaten all that they both held most dear? No, Juliet vowed.  Charlotte, no matter who had sired her, was Gareth's daughter.  Gareth's!  Gareth had nearly lost his life for the two of them, and there was no question in Juliet's mind about who her little girl belonged to. She
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Charles, what are you saying?" "It doesn't matter what I'm saying, Amy, sweet Jesus, forget I said anything and please —" he plunged his hand into his pocket, found the letter from Juliet, and held it out to her — "please, just read this before any more time passes, I beg of you, please read it and show me that someone in my life still cares for me and that this world has not been turned completely upside down, I beg of you Amy, read it and read it now!" He drew back, trembling, hands pressed against his sightless eyes as he tried to get himself under control.  He felt her hands against his shoulders, heard her soft voice only inches away. "Charles, please, it's all right —" "It's not all right, can you not see?  My army has rejected me, my own brother toys with me in the name of discipline, and here I am in my darkest hour and who is it that I want to reach for, who is it that I want to hold, who is it that I need more than any other person on earth?" "Charles —" "It's you, Amy, can't you see it, can't you feel it, can't you understand that you are the very center of my existence?!  You, not Juliet.  You.  God damn it, I need you." He pushed away from her and bent his head to his balled fist, his mouth twisted in pain and self-loathing for these needs he could not control, these feelings he should never have. "I'm sorry," Amy whispered, reeling with shock at what he'd just confessed.  "I didn't know . . ." "Juliet is the one I should want right now, not you," he was saying, hoarsely.  "It is she who holds my heart, who wears my ring, who carries my unborn baby . . . Oh, God help me, Amy, read the letter.  Read the damned letter now, so that I may be reminded where my heart lies, so that I may be reminded of my promise to the woman who loves me, so that I may be reminded of who I was and who I seek to remain.  Read it so that I may know that she, at least, is still there for me when everyone on whom I thought I could depend, has abandoned me . . ." Amy,
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
 God's people have their trials. It was never designed by God, when he  chose his people, that they should be an untried people. They were  chosen in the furnace of affliction; they were never chosen to worldly  peace and earthly joy. Freedom from sickness and the pains of mortality  was never promised them; but when their Lord drew up the charter of  privileges, he included chastisements amongst the things to which they  should inevitably be heirs. Trials are a part of our lot; they were  predestinated for us in Christ's last legacy.
Charles Haddon Spurgeon (Morning and Evening)
He was also a poet, but of less merit than pretensions. His Chrysopeia, in which he pretended to teach the art of making gold, he dedicated to Pope Leo X., in the hope that the pontiff would reward him handsomely for the compliment; but the pope was too good a judge of poetry to be pleased with the worse than mediocrity of his poem, and too good a philosopher to approve of the strange doctrines which it inculcated; he was, therefore, far from gratified at the dedication. It is said, that when Augurello applied to him for a reward, the pope, with great ceremony and much apparent kindness and cordiality, drew an empty purse from his pocket, and presented it to the alchymist, saying, that since he was able to make gold, the most appropriate present that could be made him, was a purse to put it in. This scurvy reward was all that the poor alchymist ever got either for his poetry or his alchymy. He died in a state of extreme poverty, in the eighty-third year of his age.
Charles Mackay (Extraordinary Popular Delusions and the Madness of Crowds (Illustrated Edition))
there are moral truths, grounded in the distinctive nature of our species—in facts about what human beings need if they are going to thrive. They drew on neglected ancient resources—Plato, and especially Aristotle—but also on Charles Darwin and Jane Goodall, to explain how we are less exceptional than we imagine, and more at home in the world.
Benjamin J.B. Lipscomb (The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics)
He explained that one reason she felt so at ease was likely because of the environment they had created together, how Felix had listened closely, had asked questions that drew out people’s vulnerabilities, how they had all revealed meaningful details about themselves. Felix had encouraged the scientists to explain how they saw the world, and then had proven to them that he had heard what they were saying. Whenever someone said something emotional—even when they didn’t realize their emotions were on display—Felix had reciprocated by voicing feelings of his own. All those small choices they had made, he explained, had created an atmosphere of trust.
Charles Duhigg (Supercommunicators: How to Unlock the Secret Language of Connection)
I drew on Under a Green Sky and The Medea Hypothesis, by the reliably pessimistic Peter Ward,
Robert Charles Wilson (Vortex (Spin Saga, #3))
By the fifth century, not only has rational thought been suppressed, but there has been a substitution for it of “mystery, magic and authority”, a substitution which drew heavily on irrational elements of Pagan society that had never been extinguished. Pope Gregory the Great warned those with a rational turn of mind that, by looking for cause and effect in the natural world, they were ignoring the cause of all things, the will of God. This was a vital shift of perspective, and in effect denial of the impressive intellectual advances made by the Greek philosophers.
Charles Freeman (The Closing of the Western Mind: The Rise of Faith and the Fall of Reason)
Evening in majestic shadows fell upon the fortress' walls: Sweetly were the last bells ringing on the James and on the Charles. 'Mid the choruses of freedom two departed victors lay, One beside the blue Rivanna, one by Massachusetts Bay. He was gone, and night her sable curtain drew across the sky; Gone his soul into all nations, gone to live and not to die.
Hezekiah Butterworth
Table 5.2 shows the linkage between the share of the votes won and the share of congressional seats won under differing conditions of partisan influence in 2012. In the states in which one party drew the new districts, it won more than 70 percent of
Charles S. Bullock III (Redistricting: The Most Political Activity in America)
Brady did find one trusted source for news and education that was recommended to her by many friends and fellow patriots. She began to watch the television show of a commentator named Glenn Beck. “I kind of got an education. My start of my education was Glenn Beck, I guess. Because that’s the only person that was talking about the issues that I agreed with.” Glenn Beck was the most prominent voice in the American Tea Party movement, and understanding Beck’s political philosophy was critical to understanding the Tea Party and the relationship of the Tea Party to Charles Koch’s political efforts. Glenn Beck’s television show on Fox News drew close to three million viewers in 2009, beating the combined ratings of all his competitors’ shows. Beck spent many years honing his skills as a political entertainer on talk radio, where provocation was the currency of the realm. Debate was better than discussion. Suspense was better than satisfaction. Outrage was better than understanding. Glenn Beck elevated this genre to the level of high art. The narratives he spun on his show were terrifying and purported to reveal the broad contours of chilling global conspiracies. He affected the persona of a high school teacher, wearing a cheap, ill-fitting coat and tie. He stood in front of a chalkboard. During one show, the chalkboard displayed three logos: The United Nations symbol, the Islamic crescent, and the iconic Communist hammer and sickle. Beck explained that these three logos represented the three global movements that were currently hard at work to enslave and control his viewers.
Christopher Leonard (Kochland: The Secret History of Koch Industries and Corporate Power in America)
One of Charles Koch’s primary skills was identifying undervalued commodities. By 2013, it became evident that political power in the state of Kansas was an undervalued commodity. The state was deeply Republican and still largely rural. This meant that most Kansas state officials—the occupants of the state house and the state senate—were elected during primary contests in their home districts. A state politician in Kansas might be elected by no more than a thousand voters during a primary race. Such elections drew a turnout level near zero and generated almost no media attention. It was common for a campaign to cost $10,000, on the upside.
Christopher Leonard (Kochland: The Secret History of Koch Industries and Corporate Power in America)
as we could tell by the washing of the water over our heads, and the heavy breaking of the seas against her bows, (with a sound as though she were striking against a rock,) only the thickness of the plank from our heads, as we lay in our berths, which are directly against the bows. At eight bells, the watch was called, and we came on deck, one hand going aft to take the wheel, and another going to the galley to get the grub for dinner. I stood on the forecastle, looking at the seas, which were rolling high, as far as the eye could reach, their tops white with foam, and the body of them of a deep indigo blue, reflecting the bright rays of the sun. Our ship rose slowly over a few of the largest of them, until one immense fellow came rolling on, threatening to cover her, and which I was sailor enough to know, by “the feeling of her” under my feet, she would not rise over. I sprang upon the knight-heads, and seizing hold of the fore-stay with my hands, drew myself upon it. My feet were just off the stanchion, when she struck fairly into the middle of the sea, and it washed her fore and aft, burying her in the water. As soon as she rose out of it, I looked aft, and everything forward of the main-mast, except the long-boat, which was griped and double-lashed down to the ring-bolts, was swept off clear. The
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
as we could tell by the washing of the water over our heads, and the heavy breaking of the seas against her bows, (with a sound as though she were striking against a rock,) only the thickness of the plank from our heads, as we lay in our berths, which are directly against the bows. At eight bells, the watch was called, and we came on deck, one hand going aft to take the wheel, and another going to the galley to get the grub for dinner. I stood on the forecastle, looking at the seas, which were rolling high, as far as the eye could reach, their tops white with foam, and the body of them of a deep indigo blue, reflecting the bright rays of the sun. Our ship rose slowly over a few of the largest of them, until one immense fellow came rolling on, threatening to cover her, and which I was sailor enough to know, by “the feeling of her” under my feet, she would not rise over. I sprang upon the knight-heads, and seizing hold of the fore-stay with my hands, drew myself upon it. My feet were just off the stanchion, when she struck fairly into the middle of the sea, and it washed her fore and aft, burying her in the water. As soon as she rose out of it, I looked aft, and everything forward of the main-mast, except the long-boat, which was griped and double-lashed down to the ring-bolts, was swept off clear. The galley, the pig-sty, the hen-coop, and a large sheep-pen which had been built upon the forehatch, were all gone, in the twinkling of an eye-leaving the deck as clean as a chin new reaped—and not a stick left, to show where they had stood. In the scuppers lay the galley, bottom up, and a few boards floating about, the wreck of the sheep-pen,—and half a dozen miserable sheep floating among them, wet through, and not a little frightened at the sudden change that had come upon them.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Bülow drew danger to himself by the excessive use of technique; he behaved like a spy because he enjoyed the trappings of conspiracy. He had been making the same furtive mistakes for such a long time that he believed they had preserved his life. No one else doubted that sooner or later they would kill him.
Charles McCarry (The Secret Lovers (Paul Christopher #3))
Over Europe as a whole, alterations in state control of capital and of coercion between AD 900 and the present have followed two parallel arcs. At first, during the age of patrimonialism, European monarchs generally extracted what capital they needed as tribute or rent from lands and populations that lay under their immediate control - often within stringent contractual limits on the amounts they could demand. In the time of brokerage (especially between 1400 and 1700 or so), they relied heavily on formally independent capitalists for loans, for management of revenue-producing enterprises, and for collection of taxes. By the eighteenth century, however, the time of nationalization had come; many sovereigns were incorporating the fiscal apparatus directly into the state structure, and drastically curtailing the involvement of independent contractors. The last century or so, the age of specialization, has brought a sharper separation of fiscal from military organization and an increasing involvement of states in the oversight of fixed capital. On the side of coercion, a similar evolution took place. During the period of patrimonialism, monarchs drew armed force from retainers, vassals, and militias who owed them personal service - but again within significant contractual limits. In the age of brokerage (again especially between 1400 and 1700) they turned increasingly to mercenary forces supplied to them by contractors who retained considerable freedom of action. Next, during nationalization, sovereigns absorbed armies and navies directly into the state's administrative structure, eventually turning away from foreign mercenaries and hiring or conscripting the bulk of their troops from their own citizenries. Since the mid-nineteenth century, in a phase of specialization, European states have consolidated the system of citizen militaries backed by large civilian bureaucracies, and split off police forces specialized in the use of coercion outside of war. By the nineteenth century, most European states had internalized both armed forces and fiscal mechanisms; they thus reduced the governmental roles of tax farmers, military contractors, and other independent middlemen. Their rulers then continued to bargain with capitalists and other classes for credit, revenues, manpower, and the necessities of war. Bargaining, in its turn, created numerous new claims on the state: pensions, payments to the poor, public education, city planning, and much more. In the process, states changed from magnified war machines into multiple-purpose organizations. Their efforts to control coercion and capital continued, but in the company of a wide variety of regulatory, compensatory, distributive, and protective activities.
Charles Tilly (Coercion, Capital, and European States, A.D. 990-1992)
When thou hast found such a man, and proved the sincerity of his friendship; when he has been faithful . . . to thee, grapple him to thyself with hooks of steel and never let him go. Charles Spurgeon
Drew Hunter (Made for Friendship: The Relationship That Halves Our Sorrows and Doubles Our Joys)
We need to remember, therefore, that when friends tell us our faults, they are as Charles Spurgeon put it “performing on [our] behalf the most heroic act of pure charity.”13 Who wouldn’t want a friend like that?
Drew Hunter (Made for Friendship: The Relationship That Halves Our Sorrows and Doubles Our Joys)
ARISTIDES Father of Just Taxation He drew up a list of assessments not only with scrupulous integrity and justice, but also in such a way that all states felt they had been justly and fairly taxed. . . . The levy of Aristides was a golden age for the allies of Athens. —Plutarch, Life of Aristides
Charles Adams (For Good and Evil: The Impact of Taxes on the Course of Civilization (Series; 2))
As I never saw my father or my mother … my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father’s gave me an odd idea that he was a square, stout, dark man with curly black hair. From the character and turn of the inscription “Also Georgiana Wife of the Above” I drew a childish conclusion that my mother was freckled and sickly. Charles Dickens, Great Expectations
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))