“
I am too intelligent, too demanding, and too resourceful for anyone to be able to take charge of me entirely. No one knows me or loves me completely. I have only myself
”
”
Simone de Beauvoir
“
SERIOUSLY? Is it because of Jesus? Are you, like, saving yourself for him?” Sex seemed simpler for Kelsey. She had the body of a Barbie and the sexually-charged brain of a teenage boy.
“No, Kelsey,” I said. “It would be a little difficult to save myself for someone who died over two thousand years ago.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
Let whoever is in charge keep this simple question in her head (not, how can I always do this right thing myself, but) how can I provide for this right thing to be always done?
”
”
Florence Nightingale (Notes on Nursing: What It Is, and What It Is Not (Dover Books on Biology))
“
It was time for me to take charge and live my life instead of letting something that had happened to me lead it for me. So many people had told me the same thing, hundreds of times. It was something I had to learn for myself.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented. Even the eyes of all humanity are not enough. I regret that the brutes connot write books. Very gladly would I learn what face things present to a mouse or a bee; more gladly still would I perceive the olfactory world charged with all the information and emotion it carries for a dog. Literary experience heals the wound, without undermining the privilege, of individuality... in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad of eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do.
”
”
C.S. Lewis (An Experiment in Criticism)
“
[I]f you continue to rely on others for that security, you will never find it. You're a Prime, a woman, and a mother. Make yourself secure. Take charge of yourself. My circlework my be shaky and crooked, by it's mine. I taught myself how to do it by studying books and now I'm using it. I didn't ask Rogan to draw it for me, because I didn't have to.
”
”
Ilona Andrews (Wildfire (Hidden Legacy, #3))
“
I have seen too many men go down, and I never permit myself to forget that one day, through accident or under the charge of a younger, stronger knight, I too will go down.
”
”
John Steinbeck (The Acts of King Arthur and His Noble Knights)
“
I reach out and take his hand.
“Well, he probably used up a lot of resources helping me knock you out,” I say mischievously.
“Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.”
“Or what?” I ask.
“Or . . . or . . .” He can’t think of anything good. “Just give me a minute.”
“What’s the problem?” I say with a grin.
“The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta.
“I did do the right thing,” I say.
“No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?”
I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .”
I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home.
And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
“If what, Katniss?” he says softly.
I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine.
“That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.
“Then I’ll just have to fill in the blanks myself,” he says, and moves in to me.
This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious.
This is the first kiss that makes me want another.
But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted.
“I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I pull him closer, grab a fistful of his jacket and kiss him as hard as I can, my fingers already attempting to release the first of his buttons. Warner grips my hips and allows his hands to conquer my body. He tastes peppermint, smells like gardenias. His arms are strong around me, his lips soft, almost sweet against my skin. There's an electric charge between us I hadn't anticipated. My head is spinning. His lips are on my neck, tasting me, devouring me, and I force myself to think straight.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
Like I said, magic comes from life, and especially from emotions. They're a source of the same intangible energy that everyone can feel when an autumn moon rises and fills you with a sudden sense of bone-deep excitement, or when the first warm breeze of spring rushes past your face, full of the scents of life, and drowns you in a sudden flood of unreasoning joy. The passion of mighty music that brings tears to your eyes, and the raw, bubbling, infectious laughter of small children at play, the bellowing power of a stadium full of football fans shouting "Hey!" in time to that damned song—they're all charged with magic.
My magic comes from the same places. And maybe from darker places than that. Fear is an emotion, too. So is rage. So is lust. And madness. I'm not a particularly good person. I'm no Charles Manson or anything, but I'm not going to be up for canonization either. Though in the past, I think maybe I was a better person than I am today. In the past I hadn't seen so many people hurt and killed and terrorized by the same kind of power that damn well should have been making the world a nicer place, or at the least staying the hell away from it. I hadn't made so many mistakes back then, so many shortsighted decisions, some of which had cost people their lives. I had been sure of myself. I had been whole.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
teach 120 kids on Tuesday nights in my Brand Strategy course. That’s $720,000, or $60,000 per class, in tuition payments, a lot of it financed with debt. I’m good at what I do, but walking in each night, I remind myself we (NYU) are charging kids $500/minute for me and a projector. This. Is. Fucking. Ridiculous.
”
”
Scott Galloway (The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google)
“
The Three Cs, I told myself. When you're not Comfortable with it, it's not a Compliment, it's Creepy.
”
”
Phyllis Reynolds Naylor (Alice in Charge (Alice, #22))
“
So the reason I was struck again and again was because of my overwhelmingly positive energy. Funny, I'd always thought of myself as a pessimist.
”
”
Jennifer Bosworth
“
I received an interesting call from my accountant when I was in Paris,” I said in an effort to distract myself from our disturbing proximity. “One hundred thousand dollars charged to my Amex in one day, including ten grand on flowers. Care to explain?” “You gave me a black Amex, I used it,” Vivian said with an elegant shrug. “What can I say? I like flowers. And shoes.” Translation: You were an asshole before you left, and I took it out on your bank account.
”
”
Ana Huang (King of Wrath (Kings of Sin, #1))
“
I craved the kind of closeness I felt in your embrace... I imagined giving myself over to you, completely, the way I used to, abandoning all control, letting you be in charge. I wanted that. I needed that. I'd been trying so hard to hold everything together, and I was done. I needed someone else to take over. I needed YOU to take over.
”
”
Jill Santopolo (The Light We Lost)
“
[B]y being so long in the lowest form I gained an immense advantage over the cleverer boys. They all went on to learn Latin and Greek and splendid things like that. But I was taught English. We were considered such dunces that we could learn only English. Mr. Somervell -- a most delightful man, to whom my debt is great -- was charged with the duty of teaching the stupidest boys the most disregarded thing -- namely, to write mere English. He knew how to do it. He taught it as no one else has ever taught it. Not only did we learn English parsing thoroughly, but we also practised continually English analysis. . . Thus I got into my bones the essential structure of the ordinary British sentence -- which is a noble thing. And when in after years my schoolfellows who had won prizes and distinction for writing such beautiful Latin poetry and pithy Greek epigrams had to come down again to common English, to earn their living or make their way, I did not feel myself at any disadvantage. Naturally I am biased in favour of boys learning English. I would make them all learn English: and then I would let the clever ones learn Latin as an honour, and Greek as a treat. But the only thing I would whip them for would be not knowing English. I would whip them hard for that.
”
”
Winston S. Churchill (My Early Life, 1874-1904)
“
i was accused of being against civilization, against science, against humanity. naturally, i was flattered and at the same time surprised, hurt, a little shocked. he repeated the charge. but how, i replied, being myself a member of humanity (albeit involuntarily, without prior consultation), could i be against humanity without being against myself, whom i love - though not very much; how can i be against science, when i gratefully admire, as much as i can, thales, democritus, aristarchus, faustus, paracelsus, copernicus, galiley, kepler, newton, darwin and einstien; and finally, how could i be against civilization when all which i most willingly defend and venerate - including the love of wilderness - is comprehended by the term
”
”
Edward Abbey (Desert Solitaire)
“
I have only a general sense of the pain, of not being able to control my body and my thoughts. All I ever wanted was to have control- to be in charge of myself and the rest of the world.
”
”
Samantha Schutz (I Don't Want To Be Crazy)
“
I grieved three thousand times. Then I grieved for myself, a lonely woman without the honor given to the wives of the fallen. The reverence for their loss, for their children's loss. It was eloquent and grand. So moving and charged with solidarity...On September eleventh, I faced the last moments of your father's life. I saw him in every person who tried to jump and every body they pulled from the rubble. And I saw myself as I was never allowed to be, consoled, understood, and loved.
”
”
Susan Abulhawa (Mornings in Jenin)
“
Ambrose's eyes shoot back to Charlotte and he nods. "She's changed, hasn't she? Charlotte, I mean."
"Um, besides growing her hair long she doesn't seem to have changed much to me," I say, trying not to smile. "Why?"
"It's just that she seems so... in charge. I mean, she's always had her act together, but ever since she's been back she's seemed more confident or something. And now that she's Vincent's second... I guess I've always thought of her as a little sister. You know, the huggable kind you want to take care of. But now that I see her working with him and taking control... I mean... the girl is fierce."
Ambrose's face shines with respect and a sort of curious awe, and I have to restrain myself from jumping up and cheering for the fact that it has finally happened. He has finally noticed what was right under his nose.
”
”
Amy Plum (If I Should Die (Revenants, #3))
“
The best I offer the world is the truth—my highest gift. What the world does with it is not up to me. I am not in charge of outcomes, opinions, assessments. I am not in the business of damage control. When I present a fabricated version of myself—the self who knows all, is ever certain, always steps strong—we all lose, because I cannot keep up with that lie and neither can you.
”
”
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
“
I began to recognize that there was a part of me that was stronger than I ever could have imagined. I didn't know how I was still standing. I surprised myself. I was waking up to the fact that I was in charge of my own life and it was my choice whether to sink or float.
”
”
Elizabeth Berrien (Creative Grieving: A Hip Chick's Path from Loss to Hope)
“
As a child of four, I found myself burdened by the adult problems of life and death, right and wrong. I, as a dreamer, living on the bare subsistence provided by a UN blue ration card, in a crowded room, on a side street in Sour, stand as a witness to Zionist inhumanity. I charge the world for its acquiescence in my destruction.
”
”
Leila Khaled (My People Shall Live: Autobiography of a Revolutionary as Told to George Hajjar)
“
Nothing in life is unfair. It's just life. To the extent that I had any inner turmoil, I had only myself to blame. I also thought of my two boys and what kind of example I hoped to be. I would always want them to take charge of their own futures and not be paralyzed by the comfort and certainty of the status quo or be cowed by the judgment of those on the outside looking in.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
I now tried out a new hypothesis: It was possible that I was more in charge of my happiness than I was allowing myself to be
”
”
Michelle Obama (Becoming)
“
Oddly, I had never thought of myself as a feminist. I had been denounced by certain radical feminist collectives as a ‘lackey’ for men. That charge was based on my having written and sung two albums of songs that my female accusers claimed elevated and praised men. Resenting that label, I had joined the majority of black women in America in denouncing feminism… . The feminists were right. The value of my life had been obliterated as much by being female as by being black and poor. Racism and sexism in America were equal partners in my oppression.
”
”
Elaine Brown (A Taste of Power)
“
Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?"
"Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?"
Maxon looked shocked.
"America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating.
"And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!"
He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair.
"And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?"
His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him.
"Actually, Maxon, I think you will find your soul mate here. Honestly."
"Really?" His voice charged with hope at my prediction.
"Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
His voice was quite flat, dull, almost. 'You were prepared to take chances - once.'
'Myself, yes. But this was Philippe. I had no right to take a chance on Philippe. I didn't dare. He was my charge - my duty.' The miserable words sounded priggish and unutterably absurd. 'I - I was all he had. Besides that, it couldn't be allowed to matter.'
'What couldn't.'
'That you were all I had.
”
”
Mary Stewart (Nine Coaches Waiting)
“
When pondering how the past affected us, we rarely look for OUR effect on it. We think about what we were up against versus what we stood for. We remember what we feared but not what we dreamed. We ponder how much we were loved versus how much we loved. We think, why did all that happen to me? What did I get out of it? Where will it lead me? When perhaps we should wonder, what did I make happen? What did I give? Where will I direct myself now?
”
”
Brendon Burchard
“
I've now got myself into the kind of trouble that I have always considered to be quite a possibility for me, though I have usually rated it at about 10:1 against. I shall shortly be pleading guilty to a charge of sexual offences with a young man. The story of how it all came to be found out is a long and fascinating one, which I shall have to make into a short story one day, but haven't the time to tell you now. No doubt I shall emerge from it all a different man, but quite who I've not found out.
”
”
Alan M. Turing
“
It doesn't matter what the manifest problem was in our childhood family. In a home where a child is emotionally deprived for one reason or another that child will take some personal emotional confusion into his or her adult life. We may spin our spiritual wheels in trying to make up for childhood's personal losses, looking for compensation in the wrong places and despairing that we can find it. But the significance of spiritual rebirth through Jesus Christ is that we can mature spiritually under His parenting and receive healing compensation for these childhood deprivations. Three emotions that often grow all out of proportion in the emotionally deprived child are fear, guilt, and anger. The fear grows out of the child's awareness of the uncontrollable nature of her fearful environment, of overwhelming negative forces around her. Her guilt, her profound feelings of inadequacy, intensify when she is unable to put right what is wrong, either in the environment or in another person, no matter how hard she tries to be good. If only she could try harder or be better, she could correct what is wrong, she thinks. She may carry this guilt all her life, not knowing where it comes from, but just always feeling guilty. She often feels too sorry for something she has done that was really not all that serious. Her anger comes from her frustration, perceived deprivation, and the resultant self-pity. She has picked up an anger habit and doesn't know how much trouble it is causing her. A fourth problem often follows in the wake of the big three: the need to control others and manipulate events in order to feel secure in her own world, to hold her world together- to make happen what she wants to happen. She thinks she has to run everything. She may enter adulthood with an illusion of power and a sense of authority to put other people right, though she has had little success with it. She thinks that all she has to do is try harder, be worthier, and then she can change, perfect, and save other people. But she is in the dark about what really needs changing."I thought I would drown in guilt and wanted to fix all the people that I had affected so negatively. But I learned that I had to focus on getting well and leave off trying to cure anyone around me." Many of those around - might indeed get better too, since we seldom see how much we are a key part of a negative relationship pattern. I have learned it is a true principle that I need to fix myself before I can begin to be truly helpful to anyone else. I used to think that if I were worthy enough and worked hard enough, and exercised enough anxiety (which is not the same thing as faith), I could change anything. My power and my control are illusions. To survive emotionally, I have to turn my life over to the care of that tender Heavenly Father who was really in charge. It is my own spiritual superficiality that makes me sick, and that only profound repentance, that real change of heart, would ultimately heal me. My Savior is much closer than I imagine and is willing to take over the direction of my life: "I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me, ye can do nothing." (John 15:5). As old foundations crumble, we feel terribly vulnerable. Humility, prayer and flexibility are the keys to passing through this corridor of healthy change while we experiment with truer ways of dealing with life. Godly knowledge, lovingly imparted, begins deep healing, gives tools to live by and new ways to understand the gospel.
”
”
M. Catherine Thomas
“
Bit by bit, I found myself relaxing into the conversation. Kitty had a natural talent for drawing people out of themselves, and it was easy to fall in with her, to feel comfortable in her presence. As Uncle Victor had once told me long ago, a conversation is like having a catch with someone. A good partner tosses the ball directly into your glove, making it almost impossible for you to miss it; when he is on the receiving end, he catches everything sent his way, even the most errant and incompetent throws. That’s what Kitty did. She kept lobbing the ball straight into the pocket of my glove, and when I threw the ball back to her, she hauled in everything that was even remotely in her area: jumping up to spear balls that soared above her head, diving nimbly to her left or right, charging in to make tumbling, shoestring catches. More than that, her skill was such that she always made me feel that I had made those bad throws on purpose, as if my only object had been to make the game more amusing. She made me seem better than I was, and that strengthened my confidence, which in turn helped to make my throws less difficult for her to handle. In other words, I started talking to her rather than to myself, and the pleasure of it was greater than anything I had experienced in a long time.
”
”
Paul Auster (Moon Palace)
“
I was about to reach in the basket to take one when a horse that had been grazing nearby suddenly charged at another horse. Kaden grabbed me and pulled me out of its path. We stumbled back, unable to regain our footing, and both tumbled to the ground. He rolled over me in a protective motion, hovering in case the horse came closer, but it was already gone.
The world snapped to silence. The tall grass waved above us, hiding us from view. He gazed down at me, his elbows straddling my sides, his chest brushing mine, his face inches away.
I saw the look in his eyes. My heart pounded against my ribs.
“Are you all right?” His voice was low and husky.
“Yes,” I whispered.
His face hovered closer to mine. I was going to push away, look away, do something, but I didn’t, and before I knew what was happening, the space between us disappeared. His lips were warm and gentle against mine, and his breath thrummed in my ears. Heat raced through me. It was just as I had imagined that night with Pauline back in Terravin so long ago. Before—
I pushed him away.
“Lia—”
I got to my feet, my chest heaving, busying myself with a loose button on my shirt. “Let’s forget that happened, Kaden.”
He had jumped to his feet too. He grabbed my hand so I had to look at him. “You wanted to kiss me.”
I shook my head, denying it, but it was true. I had wanted to kiss him.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Ten Best Song to Strip
1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly.
2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars.
3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.)
4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.)
5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude.
6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come."
7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.)
8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me.
9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else.
10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
”
”
Diablo Cody
“
But why did you go,” my mother asked him, “when it was bound to upset you like this?” “I went,” he told her, “because every day I ask myself the same question: How can this be happening in America? How can people like these be in charge of our country? If I didn’t see it with my own eyes, I’d think I was having a hallucination.
”
”
Philip Roth (The Plot Against America)
“
As the genuine religious impulse becomes dominant, adoration more and more takes charge. 'I come to seek God because I need Him', may be an adequate formula for prayer. 'I come to adore His splendour, and fling myself and all that I have at His feet', is the only possible formula for worship.
”
”
Evelyn Underhill
“
More than my questions about the efficacy of social actions were my questions about my own motives. Do i want social justice for the oppressed or do i jusy want to be known as a socially active person? I spend 95 percent of my time thinking about myself anyway. I dont have to watch the evening news to see the world is bad, i only have to look at myself. I am not brow beating here, i am only saying that true charge , true living giving, God honoring change would have to start with the individual. I was the very problem i had been protesting. I wanted to make a sign that read “I am the problem
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
For me words have a charge. I find myself incapable of escaping the bite of a word, the vertigo of a question-mark.
”
”
Frantz Fanon
“
I am trying to help myself.
I am grateful for myself because I am seeking help.
I am taking seeking charge of my life.
I am going to recover perfectly.
”
”
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
“
I welcomed the consciousness that I was charged with much to do, and I caused it to be known as well that, left thus to myself, I was quite remarkably firm.
”
”
Henry James (The Turn of the Screw)
“
I’ll take care of myself and my people. You think I’d trust my life to a bunch of politicians? The people in charge don’t know anything. And the ones who do don’t care.
”
”
Min Jin Lee (Pachinko)
“
I will tell you what I have learned myself. For me, a long five- or six-mile walk helps. And one must go alone and every day. I have done this for many years. It is at these times I seem to get re-charged. If I do not walk one day, I seem to have on the next what van Gogh calls "the meagerness.""The meagerness," he said, "or what is called depression." After a day or two of not walking, when I try to write I feel a little dull and irresolute. For a long time I thought that the dullness was just due to the asphyxiation of an indoor, sedentary life (which all people who do not move around a great deal in the open air suffer from, though they do not know it).
”
”
Brenda Ueland (If You Want to Write)
“
OEDIPUS:
Upon the murderer I invoke this curse-
whether he is one man and all unknown,
or one of many- may he wear out his life
in misery to miserable doom!
If with my knowledge he lives at my hearth
I pray that I myself may feel my curse.
On you I lay my charge to fulfill all this
for me, for the God, and for this land of ours destroyed and blighted, by the God forsaken.
”
”
Sophocles (The Complete Greek Tragedies (4-vol. set))
“
With self-denial and economy now, and steady exertion by-and-by, an object in life need not fail you. Venture not to complain that such an object is too selfish, too limited, and lacks interest; be content to labour for independence until you have proved, by winning that prize, your right to look higher. But afterwards, is there nothing more for me in life -- no true home -- nothing to be dearer to me than myself and by its paramount preciousness, to draw from me better things than I care to culture for myself only? Nothing, at whose feet I can willingly lay down the whole burden of human egotism, and gloriously take up the nobler charge of labouring and living for others? I suppose, Lucy Snowe, the orb of your life is not to be so rounded: for you the crescent-phase must suffice. Very good. I see a huge mass of my fellow- creatures in no better circumstances. I see that a great many men, and more women, hold their span of life on conditions of denial and privation. I find no reason why I should be of the few favoured. I believe in some blending of hope and sunshine sweetening the worst lots. I believe that this life is not all; neither the beginning nor the end. I believe while I tremble; I trust while I weep.
”
”
Charlotte Brontë (Villette)
“
Five thousand dollars? For a kiss?”
“That’s what I said.”
“With tongue?”
“It’s not really a kiss without it.
Just say yes, pet. You obviously need the money.”
I gasp before I can stop myself. I didn’t think five words from a stranger could hurt so much. What a dick.
“For fuck’s sake, Nicholas,” Simon says.
But he just looks at me, waiting, those arrogant green eyes alight with anticipation. So I give him what he’s waiting for.
“Hands under the table,” I order.
He smiles wider, puts his flask in his pocket, and does what he’s told.
“Close your eyes.”
“I like a woman who’s not afraid to take charge.”
“No more talking.” He’s said more than enough.
I lean in, keeping my eyes open the whole time, memorizing every angle of that face, feeling his warm breath against my cheek. This close, I can see the shadow of stubble on his chin and for just a second, I let myself wonder what it would feel like scratching against my stomach, my thighs—everywhere.
Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face.
“Kiss this, asshole.
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
Living is made up of these little things - a day to day business punctuated with things seen, seen best when we weren't looking for them, or things that just happened to us while we were walking "dully along" and that we ought to notice these things. It is very easy to bandage the eyes and tell everyone that life is dull. But I am called odd by these people because I really don't think so. I try to make the day have a THING in it, and it usually does whether I try or not. And that makes the day. Period. But I am purposeless.
I am talking of this far too seriously, but it rather hurts when I think that I was once very vulnerable to the charges that come my way. I have tried so damned hard to put a thing as simply as it appeared to me, and tried too damned hard not to let myself blow up a simple happening into a symbol of unrequited love but to leave it as it is. shit.
”
”
Lew Welch (I Remain: The Letters of Lew Welch and the Correspondence of His Friends, Vol. 1: 1949-1960)
“
I don’t need to drape myself over a woman to show she belongs to me. It’s all in the eyes. In hers, in mine. If a woman truly belongs to you it’s written all over her. She smells of it. It’s in her smile. In the flutter of her lashes. In the way her body pulls towards yours, like a magnet. A charge.
”
”
Jade West (Buy Me, Sir)
“
And, increasingly, I find myself fixing on that refusal to pull back. Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
”
”
Donna Tartt (The Goldfinch)
“
Have you forgotten the words of Rumi? 'You are not a drop in the ocean. You are the entire ocean, in a drop.' I had never truly given myself over to those words until this moment. The thought of the ocean inside me, with its infinite drops ran through me like a charge. My existence was integral to the universe.
”
”
Nadia Hashimi (Sparks Like Stars)
“
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just
because you can’t think with your upstairs brain.”
“No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what
anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else.
“You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t.
You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just
had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All
this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith
in him, but Ryan couldn’t stop there.
Oh, no, not Ryan Miller.
“After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed,
smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much,
you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look
at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much.
When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me,
leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule.
It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you?
I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up.
“Sorry,” I breathed as he pulled away.
“Don’t be sorry,” he teased. “Just stop.”
“Sorry,” I said again when I noticed that his leg was now bouncing under the table.
“Yeah. Looks like I don’t get to sleep through economics today.”
“On the bright side, Coach could make you run laps all practice long and you’d be fine.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
Sometimes (more in sport than from real concern) I defended myself against the charge of individualism and demanded from the others proof that I was an individualist. For want of concrete evidence they would say: “ It´s the way you behave.” “How do I behave?” “You have a strange kind of smile”. “And If I do? That´s how I express my joy.”
“No, your smile is though you were thinking to yourself.
”
”
Milan Kundera (The Joke)
“
Powerful feeling, having a man’s nuts in your mouth, isn’t it, boy?” Henry said. “Sometimes when a guy’s got me like you do now, I have to ask myself which one of us is really in charge. Is it me, ’cause you’re kneeling there with your hands behind your back, or is it you, ’cause if you wanted to, you could seriously hurt me?
”
”
H.B. Pattskyn (Bound: Forget Me Knot)
“
I began to make some money, but I could never bring myself to leave someone else in charge of the shop; the crystals are delicate things.
”
”
Paulo Coelho (The Alchemist)
“
To convince myself that there was some dignity in what I planned to do, in surrendering my own perceptions of right and wrong, of reality, of sanity itself, to earn the love of my parents. For them I believed I could don armor and charge at giants, even if I saw only windmills.
”
”
Tara Westover (Educated)
“
Then, it was by my own will that I had got the place, I had brought all this tribulation on myself, and I was determined to bear it; nay, more than that, I did not even regret the step I had taken, and I longed to show my friends that, even now, I was competent to undertake the charge, and able to acquit myself honourably to the end; and, if ever I felt degrading to submit so quietly, or intolerable to toil so constantly, I would turn towards my home, and say within myself -
"They may crush, but they shall not subdue me;
'Tis of thee that I think, not of them.
”
”
Anne Brontë (Agnes Grey)
“
And what did I do, only slip my hand inside his own and say that maybe he should hold my hand instead for a while, and I can see the look on his face even to this day. The shock and the desire. Oh, I loved the power I had over him! The power I could sense in myself! You won't understand this but it's something that every girl realizes at some point in her life, usually when she's around fifteen or sixteen. Maybe it's even younger now. That she has more power than every man in the room combined, because men are weak and governed by their desires and their desperate need for women but women are strong. I've always believed that if women could only collectively harness the power that they have then they'd rule the world. But they don't. I don't know why. And for all their weakness and stupidity, men are smart enough to know that being in charge counts for a lot. They have that over us at least.
”
”
John Boyne (The Heart's Invisible Furies)
“
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
”
”
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
“
Every time I got on my bicycle after a long hiatus it was like riding back to myself, the only way there. The dissipation of life in the city—days of to-do lists, errands, emails, small talk with strangers—generated static in my mind that I didn’t notice was there until I started pedalling and realized it was gone, the way you don’t hear the hum of a refrigerator until it stops. Such is the paradoxical freedom of cycling the Silk Road. In restricting the range of directions you can travel, in charging ordinary movement with momentum, a bike trip offers that rarest, most elusive of things in our frenetic world: clarity of purpose. Your sole responsibility on Earth, as long as your legs last each day, is to breathe, pedal, breathe—and look around.
”
”
Kate Harris (Lands of Lost Borders: A Journey on the Silk Road)
“
When I notice myself resenting my clients and wanting to quit,” Melissa Dinwiddie said, “I realize I don’t need to quit. I just need to raise my prices. If you’re feeling resentment at all, you’re charging too little.
”
”
Jeff Goins (Real Artists Don't Starve: Timeless Strategies for Thriving in the New Creative Age)
“
By what judgment am I judged? What is the accusation against me? Am I to be accused of my own betrayal? Am I to blame because you are my enemies? Yours is the responsibility, the knowledge, the power. I trusted you, you played with me as a cat plays with a mouse, and now you accuse me. I had no weapon against you, not realizing that there was need for weapons until too late. This is your place; you are at home here. I came as a stranger, alone, without a gun in my hand, bringing only a present that I wanted to give you. Am I to blame because the gift was unwelcome? Am I accused of the untranslated indictment against myself? Is it my fault that a charge has been laid against me in a different language? Is my offense that I stood too long on your threshold, holding a present that was unsuitable? Am I accused because you, wanting a victim and not a friend, threw away the only thing which I had to give?
”
”
Anna Kavan (Sleep Has His House)
“
The year was 1987, but it might as well have been the Summer of Love: I was twenty, had hair down to my shoulders, and was dressed like an Indian rickshaw driver. For those charged with enforcing our nation’s drug laws, it would have been only prudent to subject my luggage to special scrutiny. Happily, I had nothing to hide. “Where are you coming from?” the officer asked, glancing skeptically at my backpack. “India, Nepal, Thailand…” I said. “Did you take any drugs while you were over there?” As it happens, I had. The temptation to lie was obvious—why speak to a customs officer about my recent drug use? But there was no real reason not to tell the truth, apart from the risk that it would lead to an even more thorough search of my luggage (and perhaps of my person) than had already commenced. “Yes,” I said. The officer stopped searching my bag and looked up. “Which drugs did you take? “I smoked pot a few times… And I tried opium in India.” “Opium?” “Yes.” “Opium or heroin? “It was opium.” “You don’t hear much about opium these days.” “I know. It was the first time I’d ever tried it.” “Are you carrying any drugs with you now?” “No.” The officer eyed me warily for a moment and then returned to searching my bag. Given the nature of our conversation, I reconciled myself to being there for a very long time. I was, therefore, as patient as a tree. Which was a good thing, because the officer was now examining my belongings as though any one item—a toothbrush, a book, a flashlight, a bit of nylon cord—might reveal the deepest secrets of the universe. “What is opium like?” he asked after a time. And I told him. In fact, over the next ten minutes, I told this lawman almost everything I knew about the use of mind-altering substances. Eventually he completed his search and closed my luggage. One thing was perfectly obvious at the end of our encounter: We both felt very good about it.
”
”
Sam Harris (Lying)
“
Ah, 6655321, think on the divine suffering. Meditate on that, my boy.' And all the time he had this rich manny von of Scotch on him, and then he went off to his little cantora to peet some more. So I read all about the scourging and the crowning with thorns and then the cross veshch and all that cal, and I viddied better that there was something in it. While the stereo played bits of lovely Bach I closed my glazzies and viddied myself helping in and even taking charge of the tolchocking and the nailing in, being dressed in a like toga that was the heighth of Roman fashion. So being in Staja 84F was not all that wasted, and the Governor himself was very pleased to hear that I had taken to like Religion, and that was where I had my hopes.
”
”
Anthony Burgess (A Clockwork Orange)
“
I thought I was in love with Leola, by which I meant that if I could have found her in a quiet corner, and if I had been certain that no one would ever find out, and if I could have summoned up the courage at the right moment, I would have kissed her. But, looking back on it now, I know that I was in love with Mrs Dempster. Not as some boys are in love with grown-up women, adoring them from afar and enjoying a fantasy life in which the older woman figures in an idealized form, but in a painful and immediate fashion; I saw her every day, I did menial tasks in her house, and I was charged to watch her and keep her from doing foolish things. Furthermore, I felt myself tied to her by the certainty that I was responsible for her straying wits, the disorder of her marriage, and the frail body of the child who was her great delight in life. I had made her what she was, and in such circumstances I must hate her or love her. In a mode that was far too demanding for my age or experience, I loved her.
”
”
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
“
I am not so much fun
Anymore;
Couldn’t carry the role of ingenue
In a bucket, you say, laughing.
And I want to punch you.
I was never innocent, but
Thanks to you I know things
I wish I did not remember.
You don’t like it
When I talk to the man myself,
Specifying quantities and
Give him the money
Instead of giving it to you
And letting you take care of it.
You keep asking me,
Where’s the dope?
Until I finally say,
I hid it.
The look you give me is
Pure bile.
Well, fuck you.
This isn’t like Buying somebody a drink.
You don’t leave your stash out
Where I might find it.
Finally I think I’ve made you wait
Long enough,
So I get out the little paper envelope
And hand it to you.
You are still in charge of
This part, so you relax.
Performing your junky ritual with
Your favorite razor blade, until
I ask you how to calculate my dose
So I won’t O.D. when I do this
And you’re not around.
Then you really flip.
You tell me it’s a bad idea
For me to do this with other people.
**
Was it such a good idea
For me to do it with you?
Do you wait for me to turn up
Once every three months
So you can get high?
Is this our version of that famous
Lesbian fight about
Nonmonogamy?
Let me tell you what I don’t like.
I don’t like it when you
Take forever to cut up brown powder
And cook it down and
Suck it up into the needle
And measure it, then take
Three times as much for yourself
AS you give me.
I don’t like it when you
Fuck me
After you’ve taken the needle
Out of my arm.
You talk too much
And spoil my rush.
All I really want to do
Is listen to the tides of blood
Wash around inside my body
Telling me everything is
Fine, fine, fine._
And I certainly don’t want to
Eat you or fuck you
Because it will take forever
To make you come,
If you can come at all,
And by then the smack will have worn off
And there isn’t any more.
I’m trying to remember
What the part is that I do like.
I think this shit likes me
A lot more than I like it.
Now you’re hurt and angry because
I don’t want to see you again
And the truth is,
I would love to see you,
As long as I knew you were holding.
So you tell me
Is this what you want?
I bet it was what you wanted
All along.
”
”
Patrick Califia
“
I give you this charge, that you shall be of my Privy Council and content yourself to take pains for me and my realm. This judgement I have of you, that you will not be corrupted with any manner of gift and that you will be faithful to the State, and that without respect of my private will, you will give me that counsel that you think best: and, if you shall know anything necessary to be declared to me of secrecy, you shall show it to myself only and assure yourself I will not fail to keep taciturnity therein. And therefore herewith I charge you.
Administering the oath of office to William Cecil as Secretary of State, November 20, 1558, as quoted in Elizabeth I: The Word of a Prince, A Life from Contemporary Documents, by Maria Perry, Chapter V, Section: To make a good account to Almighty God
”
”
Elizabeth I
“
I get sentimental over the music of the '90s. Deplorable, really. But I love it all. As far as I'm concerned, the '90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps. Every note from those years is charged with life for me now. For instance, I hated Pearl Jam at the time. I thought they were pompous blowhards. Now, whenever a Pearl Jam song comes on the car radio, I find myself pounding my fist on the dashboard, screaming "Pearl JAM! Pearl JAM! Now this is rock and roll!
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation.
I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself.
But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down.
Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth.
I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder.
"Begin," I command.
"It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.
”
”
Pat Conroy (The Lords of Discipline)
“
I put both of my hands on the desk. 'Just tell me why you hate me. Once and for all.'
His long fingers smooth over the wood of Dain's desk. 'You really want honesty?'
'I am the one with the crossbow, not shooting you because you promised me answers. What do you think?'
'Very well.' He fixes me with a spiteful look. 'I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because you don't have a brother who beats you. And I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.'
...
'Is that all?' I demand. 'Because it's ridiculous. You can't be jealous of me. You don't have to live at the sufferance of the same person who murdered your parents. You don't have to stay angry because if you don't, there's a bottomless well of fear ready to open up under you.' I stop speaking abruptly, surprised at myself.
I said I wasn't going to be charmed, but I let him trick me in to opening up to him.
As I think that, Cardan's smile turns in to a more familiar sneer. 'Oh, really? I don't know about being angry? I don't know about being afraid? You're not the one bargaining for your life.'
'That's really why you hate me?' I demand. 'Only that? There's no better reason?'
For a moment, I think he's ignoring me, but then I realise he's not answering me because he can't lie and he doesn't want to tell the truth.
'Well?' I say, lifting the crossbow again, glad to have a reason to reassert my position as the person in charge. 'Tell me!'
He leans in and closes his eyes. 'Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.'
I am shocked in to silence.
'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
K. hung his arm around my neck. It was a casual gesture but one I wasn’t used to, and I was almost frightened by the happiness that overtook me, that filled me up and charged me and at the same time carried a thread; it was too unrestrained, there was nothing to keep it in check. I felt solid again as I walked with him, more certain of myself than I had been for years, with his arm around my neck and my own slung at his waist We knocked against each other but what did it matter, there was no one to see us, we moved with an awkward freedom but a freedom nonetheless.
”
”
Garth Greenwell (What Belongs to You)
“
Revealing my desert thoughts to a visitor one evening, I was accused of being against civilization, against science, against humanity. Naturally I was flattered and at the same time surprised, hurt, a little shocked. He repeated the charge. But how, I replied, being myself a member of humanity (albeit involuntarily, without prior consultation), could I be against humanity without being against myself, whom I love—though not very much; how can I be against science, when I gratefully admire, as much as any man, Thales, Democritus, Aristarchus, Faustus, Paracelsus, Copernicus, Galileo, Kepler, Newton, Darwin and Einstein; and finally, how could I be against civilization when all which I most willingly defend and venerate—including the love
”
”
Edward Abbey (Desert Solitaire)
“
I've taped a list to my bathroom mirror. It's my Most Violated List. . . Anger. I gave the finger to an ATM. You see, the ATM charged me a $1.75 fee for withdrawl. A dollar seventy-five? That's bananas. So I flipped off the screen. As Julie tells me, when you start making rude gestures to inanimate objects, it's time to work on your anger issues. Mine is not the shouting, pulsing-vein-in-the forehead rage. Like my dad, I rarely raise my voice. My anger problem is more one of long-lasting resentment. It's a heap of real or perceived slights that eventually build up into a mountain of bitterness. . . get some perspective. . . I ask myself the question God asked Jonah. 'Do you do well to be angry?'. . .The world will not end. . . Mute your petty resentment.
”
”
A.J. Jacobs
“
I don't know. I suppose I should have had a better idea of what I was letting myself in for. Still, the first murder – the farmer – seemed to have been so simple, a dropped stone falling to the lakebed with scarcely a ripple. The second one was also easy, at least at first, but I had no inkling how different it would be. What we took for a docile, ordinary weight (gentle plunk, swift rush to the bottom, dark waters closing over it without a trace) was in fact a depth charge, one that exploded quite without warning beneath the glassy surface, and the repercussions of which may not be entirely over, even now.
”
”
Donna Tartt (The Secret History)
“
I grew up poor among poor people in a poor town, but I never knew how poor I'd been until I moved to New York. These women with their fresh produce and diamonds and manicures. Even their skin was expensive. What got to me about them wasn't just the way they made me suddenly self-conscious about the ink under my fingernails or the haircut I gave myself in my own bathroom. It wasn't just that they'd spend more in one evening on chocolate, escarole, and jam than I did on the rice and beans and film and photo paper I needed for a week. What enraged me is that they didn't, couldn't, see me. I was less than a machine to them, less than a body. I did not even appear in their line of sight. I was nothing more than a couple of chanted phrases: Cash or charge? Paper or plastic? Thank you, have a nice night.
”
”
Rachel Lyon (Self-Portrait with Boy)
“
When I behold other people, who are of course the children of some family or other, and think of my own children, and of myself...I am astonished at how sensible, well-behaved, practical, courteous, and predictable these other children are. The other children are so easy about the whole business of being who they are, being in the world, and getting along. Whereas with us it is an awful fight, all the way.
I am left with the conclusion that we are quite probably crazy, but somehow not in a way that compels commitment. We get over our rampages before society or clinical insanity charges in on us. I can think of very few of us who are not nuts. And that's not at our worst, that's pretty much as we always are. We find fault with everything. The world stinks, and even long after we have reconciled ourselves to that truth, we still regret it, and now and then even rage against it. Running through the various branches of the family I fail to find one branch which might be said to be nice- ordinary, sober, adjusted, willing, courteous, undemanding, charming, practical, predictable, and all of the other things nice people are. Lunacy runs straight down the middle of every branch of my family. We have nobody who is not some kind of nut. What did it? How did it happen? Well, there's no answer, of course.
”
”
William Saroyan (Days Of Life And Death And Escape To The Moon)
“
Had I come before myself, I would have given Humbert at least thirty-five years for rape, and dismissed the rest of the charges. But even so, Dolly Schiller will probably survive me by many years. The following decision I make with all the legal impact and support of a signed testament: I wish this memoir to be published only when Lolita is no longer alive
”
”
Vladimir Nabokov (Lolita)
“
And what did I do, only slip my hand inside his own and say that maybe he should hold my hand instead for a while, and I can see the look on his face even to this day. The shock and the desire. Oh, I loved the power I had over him! The power I could sense in myself! You won't understand this but it's something that every girl realizes at some point in her life, usually when she's around fiteen or sixteen. Maybe it's even younger now. That she has more power than every man in the room combined, because men are weak and governed by their desires and their desperate need for women but women are strong. I've always believed that if women could only collectively harness the power that they have then they'd rule the world. But they don't. I don't know why. And for all their weakness and stupidity, men are smart enough to know that being in charge counts for a lot. They have that over us at least.' (p. 561-562)
”
”
John Boyne (The Heart's Invisible Furies)
“
Through learning at my later date things I hadn't known, or had escaped or possibly feared realizing, about my parents - and myself - I glimpsed our whole family life as if it were freed of that clock time which spaces us apart so inhibitingly, divides young and old, keeps our living through the same experiences at separate distances. It is our inward journey that leads us through time - forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction.
”
”
Eudora Welty (On Writing (Modern Library))
“
I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his Orientalism was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the Atlantic invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to.
Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
I can remember when I was a bit of an ETA fan myself. It was in 1973, when a group of Basque militants assassinated Adm. Carrero Blanco. The admiral was a stone-faced secret police chief, personally groomed to be the successor to the decrepit Francisco Franco. His car blew up, killing only him and his chauffeur with a carefully planted charge, and not only was the world well rid of another fascist, but, more important, the whole scheme of extending Franco's rule was vaporized in the same instant. The dictator had to turn instead to Crown Prince Juan Carlos, who turned out to be the best Bourbon in history and who swiftly dismantled Franco's entire system. If this action was 'terrorism,' it had something to be said for it. Everyone I knew in Spain made a little holiday in their hearts when the gruesome admiral went sky-high.
”
”
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
“
My hips bristle with totems and talismans, proof that I am not simply a character in a fixed book or film. I am no single narrative. As neither Rebecca de Winter nor Jane Eyre, I am free to revise my story, to reinvent myself, my world, at any given moment. Advancing beside Archer, I am resplendent in my savage finery of seized power. In my service charge the collected blackguards of a dozen tyrants now dispatched to a lesser oblivion. My fingers, stained crimson with the blood of despots, are not the fingers which paged through the paper lives of helpless romantic heroines. No more am I a passive damsel who waits for circumstance to decide her fate; now have I become the scalawag, the swashbuckler, the Heathcliff of my dreams bent on rescuing myself. For now do I embody all the traits I had so hoped to find in Goran. Meaning: No longer am I limited.
”
”
Chuck Palahniuk
“
Soon I was spending all my time in the basement, and I had moved from taking things apart to putting new things together. I began by building simple devices. Some, like my radios, were useful. Others were merely entertaining. For example, I discovered I could solder some stiff wires onto a capacitor and charge it up. For a few minutes, until the charge leaked away, I had a crude stun gun.
...So I decided to try it on my little brother. I charged the capacitor to a snappy but nonlethal level from a power supply I'd recently removed from our old Zenith television.
'Hey, let's play Jab a Varmint,' I said. I tried to smile disarmingly, keeping the capacitor behind my back and making sure I didn't ruin the effect by jabbing myself or some other object.
'What's that?' he asked, suspiciously.
Before he could escape, I stepped across the room and jabbed him. He jumped. Pretty high, too. Sometimes he would fight back, but this time he ran. The jab was totally unexpected and he didn't realize that I only had the one jab in my capacitor. It would be several years before I had the skill to make a multishot Varmint Jabber.
”
”
John Elder Robison (Look Me in the Eye)
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Excuse me,” I say. “If I hadn’t charged in there, your new—your new girlfriend would be dead right now.” I’ve rarely had occasion to use the word in my life, and it takes me a second to remember it. “She’s not your responsibility,” Alex says evenly. Instead of making me feel better, his response makes me feel worse. Despite everything that has happened tonight, it’s this stupid, basic fact that makes me feel like I am going to cry: He didn’t deny that she was his girlfriend. I swallow back the sick taste in my mouth. “Well, I’m not your responsibility either, remember? You can’t tell me what to do.” I’ve found the thread of anger again. Now I’m following it, pulling myself forward on it, hand over hand. “Why do you even care, anyway? You hate me.” Alex stares at me. “You really don’t get it, do you?” His voice is hard. I cross my arms and squeeze tight, trying to squeeze back the pain, to push it deep under the anger. “Don’t get what?” “Forget it.” Alex shoves a hand through his hair. “Forget I said anything at all.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
This was true: and while he spoke my very conscience and reason turned traitors against me, and charged me with crime in resisting him. They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger–look at his state when left alone; remember his headlong nature; consider the recklessness following on despair–soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for 'you'? or who will be injured by what you do?"
Still indomitable was the reply–"'I' care for myself.
”
”
Charlotte Brontë
“
No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live — I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest — "
"Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness — to glory?
”
”
Charlotte Brontë (Jane Eyre)
“
THOU RIGHTEOUS AND HOLY SOVEREIGN,
In whose hand is my life
and whose are all my ways,
Keep me from fluttering about religion;
fix me firm in it,
for I am irresolute;
my decisions are smoke and vapour,
and I do not glorify thee,
or behave according to thy will;
Cut me not off before my thoughts grow to responses,
and the budding of my soul into full flower,
for thou art forbearing and good,
patient and kind.
Save me from myself,
from the artifices and deceits of sin,
from the treachery of my perverse nature,
from denying thy charge against my offences,
from a life of continual rebellion against thee,
from wrong principles, views, and ends;
for I know that all my thoughts,
affections, desires and pursuits
are alienated from thee.
I have acted as if I hated thee,
although thou art love itself;
have contrived to tempt thee to the uttermost,
to wear out thy patience;
have lived evilly in word and action.
Had I been a prince
I would long ago have crushed such a rebel;
Had I been a father
I would long since have rejected my child.
O, thou Father of my spirit,
thou King of my life,
cast me not into destruction,
drive me not from thy presence,
but wound my heart that it may be healed;
break it that thine own hand may make it whole.
”
”
Arthur Bennett (The Valley of Vision: A Collection of Puritan Prayers and Devotions)
“
A word as to the title. In the preface of my Human Knowledge I said that I was writing not only for professional philosophers, and that 'philosophy proper deals with matters of interest to the general educated public.' Reviewers took me to task, saying they found parts of the book difficult, and implying that my words were such as to mislead purchasers. I do not wish to expose myself again to this charge; I will therefore confess that there are several sentences in the present volume which some unusually stupid children of ten might find a little puzzling. On this ground I do not claim that the essays are popular; and if not popular, then 'unpopular.
”
”
Bertrand Russell (Unpopular Essays)
“
The aged Summerlea nurse pushed past Valik and Laci and stalked over to his sickbed. “You are supposed to be sleeping.” Her face scrunched up in an expression of severe disapproval. She didn’t care that he was king. She chided him like she might any misbehaving schoolboy.
He almost smiled. It was clear Tildavera Greenleaf was accustomed to being in charge, and equally accustomed to speaking her mind and having her orders obeyed. But this was one order he had no intention of heeding.
“I’ve slept long enough. Khamsin told me you were the best healer in all of Mystral, and it’s clear she wasn’t exaggerating. You did a fine job bringing me back from the brink of death. I’m sure you can keep me clinging to life a while longer.”
The old woman’s lips pursed. “My patients do not ‘cling to life,’ ” she snapped. “I pride myself on their making a full and miraculous recovery. But carting them all about the countryside with their insides hanging out is not at all conducive to that outcome!
”
”
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
“
The thought of suicide was entertained by nearly everyone, if only for a brief time. It was born of the hopelessness of the situation, the constant danger of death looming over us daily and hourly, and the closeness of the deaths suffered by many of the others. From personal convictions which will be mentioned later, I made myself a firm promise, on my first evening in camp, that I would not “run into the wire.” This was a phrase used in camp to describe the most popular method of suicide—touching the electrically charged barbed-wire fence. It was not entirely difficult for me to make this decision. There was little point in committing suicide, since, for the average inmate, life expectation, calculating objectively and counting all likely chances, was very poor. He could not with any assurance expect to be among the small percentage of men who survived all the selections. The prisoner of Auschwitz, in the first phase of shock, did not fear death. Even the gas chambers lost their horrors for him after the first few days—after all, they spared him the act of committing suicide.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
I never had much faith in leaders. I am willing to be charged with almost anything, rather than to be charged with being a leader. I am suspicious of leaders, and especially of the intellectual variety. Give me the rank and file every day in the week. If you go to the city of Washington, and you examine the pages of the Congressional Directory, you will find that almost all of those corporation lawyers and cowardly politicians, members of Congress, and misrepresentatives of the masses — you will find that almost all of them claim, in glowing terms, that they have risen from the ranks to places of eminence and distinction. I am very glad I cannot make that claim for myself. I would be ashamed to admit that I had risen from the ranks. When I rise it will be with the ranks, and not from the ranks.
”
”
Eugene V. Debs
“
I feel excitingly...free. Things were going to happen to me last night that I did not like - and I stopped them. I have never prevented my own doom before. I have never stood in the path of certain unhappiness and told myself - lovingly, like a mother to myself - "No! This unhappiness will not suit you! Turn around and go another way!"
I have previously been resigned to any and all fates ahead - mute and compliant, worried about seeming weird or unfuckable, or about making a fuss. But now things have changed: it seems I am now the kind of girl who can instigate a threesome - then cancel a threesome, then order a cab. I am in charge of me. I can change fates! I can reorder evenings! I can say "Yes" - and then "No!" This is new information to me. I like this information. I like all information about me. I am compiling a dossier. I am my own specialist subject.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
When I went back to Iraq again, after the liberation was complete, I was myself engaged on a sort of "dig", and I decided to travel with Paul Wolfowitz. It was in its own way an archaeological and anthropological expedition. Here are some of the things we unearthed or observed. Unnoticed by almost everybody, and unreported by most newspapers, Saddam Hussein's former chief physicist Dr. Mahdi Obeidi had waited until a few weeks after the fall of Baghdad to accost some American soldiers and invite them to excavate his back garden. There he showed them the components of a gas centrifuge--the crown jewels of uranium enrichment--along with a two-foot stack of blueprints. This burial had originally been ordered by Saddam's younger son Qusay, who had himself been in charge of the Ministry of Concealment, and had outlasted many visits by "inspectors". I myself rather doubt that Hans Blix would ever have found the trove on his own.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
I usually enjoy setting up a new kitchen, but this has become a joyless and highly charged task. My mother and I each have our own set of kitchen boxes, which means that if there are two cheese graters between us, only one will make it into a cupboard. The other will be put back in a box or given to Goodwill.
Each such little decision has the weight of a Middle East negotiation. While her kitchenware is serviceable, I’m a sucker for the high end: All-Clad saucepans and Emile Henry pie dishes. Before long, I’m shaking my head at pretty much everything my mother removes from her San Diego boxes. She takes each rejected item as a personal slight – which in fact it is. I begrudge her even her lightweight bowls, which she can lift easily with her injured hand.
Here she is, a fragile old woman barely able to bend down as she peers into a low cupboard, looking for a place where she can share life with her grown daughter. At such a sight my heart should be big, but it’s small, so small that when I see her start stuffing her serving spoons into the same drawer as my own sturdy pieces, lovingly accumulated over the years, it makes me crazy. Suddenly I’m acting out decades of unvoiced anger about my mother’s parenting, which seems to be materializing in the form of her makeshift collection of kitchenware being unpacked into my drawers.
When I became a mother myself, I developed a self-righteous sense of superiority to my mother: I was better than my mother, for having successfully picked myself up and dusted myself off, for never having lain in bed for days on end, too blotto to get my child off to school or even to know if it was a school day. By sheer force of will and strength of character, I believed, I had risen above all that she succumbed to and skirted all that I might have inherited. This, of course, is too obnoxiously smug to say in words. So I say it with flatware.
”
”
Katie Hafner (Mother Daughter Me)
“
Electricity," Purva said, rolling the strange new word around in her mouth, giving it at once an Australian and a French inflection.
"Sir William was playing around with it when we met, do you remember?" Jack said to Clare. "He was storing charges in boxes."
"I remember he was blowing things up," Clare replied.
"Six of one..." Jack grinned. "Nobody really knows how it works, but down here it powers most of the lights in the big cities and parts of the automobiles and the stoves in the train kitchen. You can store the power in blocks, then hook it up to anything you might otherwise run on a boiler. It's cooler, and the blocks last longer than coal. I think I can reproduce it when we get home, if I can take enough schematics with me."
"He is going to kill himself," Purva said, but her tone was casual, not overly worried.
"I'm not going to kill myself," Jack answered, equally casual. "Just because it can cause your heart to stop doesn't mean it always does.
”
”
Sam Starbuck (The Dead Isle)
“
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember:
"The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..."
I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination.
When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me.
A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible.
After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare.
Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
”
”
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
“
Am I crazy? Do I really intend, tomorrow, to charge into the teeth of the enemy, mounted on my warhorse Bucephalus, who is recognizable on sight by every man of the foe while I myself am dressed in distinctive armor, wearing a double-plumed helmet so that every warrior on the opposing side knows it’s me? Every enemy arrow is going to be aimed at me, every javelin, every lance, every sling bullet. The greatest champions of the foe will all rush straight at me, seeking to win glory by being the one to slay me. Am I out of my mind to put myself in such a position? Surely Alexander’s comrades seconded this. “Don’t risk yourself, Sire! We need you! What will the army do if you are killed?” That was reality. Objective assessment. Who could argue with it? Yet . . . Yet there existed simultaneously—and Alexander, beyond all others, was aware of it—a second reality. In this second Reality, Alexander’s seemingly reckless charge made absolute sense. Its audacity would strike terror into the hearts of the enemy.
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Steven Pressfield (Put Your Ass Where Your Heart Wants to Be)
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I'm sorry," Gansey said, not looking at her as she leaned on the car beside him. "That was very rude."
Blue thought of a few things to reply, but couldn't say any of them out loud. She felt like one of the night birds had gotten inside her. It tumbled and fumbled every time she breathed.
He's going to die; this is going to hurt--
But she touched his neck, right where his hair was cut evenly above the collar of his shirt. He was very still. His skin was hot, and she could very, very faintly feel his pulse beneath her thumb. It wasn't like when she was with Adam. She didn't have to guess what to do with her hands. They knew. This was what it should have felt like with Adam. Less like playacting and more like a foregone conclusion.
He closed his eyes and leaned, just a little, so that her palm was flat on his neck, fingers sprawled from his ear to his shoulder.
Everything in Blue was charged. Say something. Say something.
Gansey lifted her hand gently from his skin, holding it as formally as a dance. He put it against his mouth.
Blue froze. Absolutely still. Her heart didn't beat. She didn't blink. She couldn't say don't kiss me. She couldn't even form don't.
He just leaned his cheek and the edge of his mouth against her knuckles, and then set her hand back.
"I know," he said. "I wouldn't."
Her skin burned with the memory of his mouth. The thrashing bird of her heart shivered and shivered again. "Thank's for remembering."
He looked back over the valley. "Oh, Jane."
"Oh, Jane, what?"
"He didn't want me to, did you know? He told me not to try to get you to come to the table that night at Nino's. I had to talk him into it. And then I made such an idiot of myself--" He turned back to her. "What are you thinking?"
She just looked at him. That I went out with the wrong boy. That I destroyed Adam tonight for no reason at all. That I'm not sensible at all--"I thought you were an asshole."
Gallantly, he said, "Thank God for past tense." Then: "I can't--we can't do this to him."
It was jagged inside her. "I'm not a thing. To have."
"No. Jesus. Of course you're not. But you know what I mean."
She did. And he was right. They couldn't do this to him. She shouldn't do it to herself, anyway. But how it made a disaster of her chest and her mouth and her head.
"I wish you could be kissed, Jane," he said. "Because I would beg one off you. Under all this." He flailed an arm toward the stars. "And then we'd never say anything about it again.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
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Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
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Judith McNaught (Almost Heaven (Sequels, #3))
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I have again been asked to explain how one can "become a Daoists..." with all of the sad things happening in our world today, Laozi and Zhuangzi give words of advice, tho not necessarily to become a Daoist priest or priestess... " So many foreigners who want to become “Religious Daoists” 道教的道师 (道士) do not realize that they must not only receive a transmission of a Lu 籙 register which identifies their Daoist school, and learn as well how to sing the ritual melodies, play the flute, stringed instruments, drums, and sacred dance steps, required to be an ordained and functioning Daoist priest or priestess. This process usually takes 10 years or more of daily discipleship and practice, to accomplish.
There are 86 schools and genre of Daoist rituals listed in the Baiyun Guan Gazeteer, 白雲觀志, which was edited by Oyanagi Sensei, in Tokyo, 1928, and again in 1934, and re-published by Baiyun Guan in Beijing, available in their book shop to purchase. Some of the schools, such as the Quanzhen Longmen 全真龙门orders, allow their rituals and Lu registers to be learned by a number of worthy disciples or monks; others, such as the Zhengyi, Qingwei, Pole Star, and Shangqing 正一,清微,北极,上请 registers may only be taught in their fullness to one son and/or one disciple, each generation.
Each of the schools also have an identifying poem, from 20 or 40 character in length, or in the case of monastic orders (who pass on the registers to many disciples), longer poems up to 100 characters, which identify the generation of transmission from master to disciple. The Daoist who receives a Lu register (給籙元科, pronounced "Ji Lu Yuanke"), must use the character from the poem given to him by his or her master, when composing biao 表 memorials, shuwen 梳文 rescripts, and other documents, sent to the spirits of the 3 realms (heaven, earth, water /underworld). The rituals and documents are ineffective unless the correct characters and talismanic signature are used. The registers are not given to those who simply practice martial artists, Chinese medicine, and especially never shown to scholars. The punishment for revealing them to the unworthy is quite severe, for those who take payment for Lu transmission, or teaching how to perform the Jinlu Jiao and Huanglu Zhai 金籙醮,黃籙齋 科儀 keyi rituals, music, drum, sacred dance steps. Tang dynasty Tangwen 唐文 pronunciation must also be used when addressing the highest Daoist spirits, i.e., the 3 Pure Ones and 5 Emperors 三请五帝.
In order to learn the rituals and receive a Lu transmission, it requires at least 10 years of daily practice with a master, by taking part in the Jiao and Zhai rituals, as an acolyte, cantor, or procession leader. Note that a proper use of Daoist ritual also includes learning Inner Alchemy, ie inner contemplative Daoist meditation, the visualization of spirits, where to implant them in the body, and how to summon them forth during ritual. The woman Daoist master Wei Huacun’s Huangting Neijing, 黃庭內經 to learn the esoteric names of the internalized Daoist spirits.
Readers must be warned never to go to Longhu Shan, where a huge sum is charged to foreigners ($5000 to $9000) to receive a falsified document, called a "license" to be a Daoist!
The first steps to true Daoist practice, Daoist Master Zhuang insisted to his disciples, is to read and follow the Laozi Daode Jing and the Zhuangzi Neipian, on a daily basis. Laozi Ch 66, "the ocean is the greatest of all creatures because it is the lowest", and Ch 67, "my 3 most precious things: compassion for all, frugal living for myself, respect all others and never put anyone down" are the basis for all Daoist practice. The words of Zhuangzi, Ch 7, are also deeply meaningful: "Yin and Yang were 2 little children who loved to play inside Hundun (ie Taiji, gestating Dao). They felt sorry because Hundun did not have eyes, or eats, or other senses. So everyday they drilled one hole, ie 2 eyes, 2 ears, 2 nostrils, one mouth; and on the 7th day, Hundun died.
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Michael Saso
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to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.
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Kelly Bryson (Don't Be Nice, Be Real)