Charade Quotes

I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity...

Henry turned as if to dart out of the room, then swung around and stared at them, a look of confusion passing over his freckled face, as if he had only now had cause to wonder why Will, Tessa, and Jem might be crouching together in a mostly disused storage room. "What are you three doing in here, anyway?" Will tilted his head to the side and smiled at Henry. "Charades," he said. "Massive game.

I've mastered many thing's in my life. Navigating the streets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master' or 'the magister', either. More's the pity..." "Are you highly intoxicated at the moment?

Everything’s not always black and white, Princess. Sometimes we have to do shit because there’s not another choice. Maybe you should think about that before you snub your nose at me.

This isn’t a fucking game anymore. No charades here. I don’t know exactly what to call it, but whatever it is, it’s ours. I’m going to latch onto it. And never let go.

Don’t cry, Princess. You know what they say. You have to kiss a lot of frogs before you meet your prince.

Fuck being a good sport, I’d rather be playing charades with Tom Hanks.

I think the worst time to have a heart attack is during a game of charades...or a game of fake heart attack.

I'm fucking good at this boyfriend shit. Who would have thought?

I'm a prick half the time, but you make me better. You make me happy. I don’t want to lose you. I love you. I don’t want to lose you.

Colt lies on my bed and pulls me down behind him. I expect him to go for my clothes, but instead he kisses me again. “Blanket.” I mutter, between kisses. “If you’re cold I’m doing something wrong.

She knew he’d be back. No matter how elaborate its charade, she recognized loneliness when she saw it. She sensed that in some strange tangential way, he needed her shade as much as she needed his. And she had learned from experience that Need was a warehouse that could accommodate a considerable amount of cruelty.

Are you going to deliver whatever threat Avari sent you with, or are we going to have to start guessing?" Tod said. "I gotta warn you, I'm insanely good at charades.

But when he smiles? Really smiles, it’s perfect. Like toothpaste commercial, boy-next-door beauty that makes it really hard to be pissed at him.

Just know that you can. I won’t tell. I might not be able to do much for you, but I’ll hold your secrets.

I thought this was a game,” I remind him. “Not anymore and you know it. Everything else in my life is all fucked up. This is the only thing that’s real.

Jem’s knees gave out, and he sank to the trunk at the foot of his bed, still playing. He played Will breathing the name Cecily, and he played himself watching the glint of his own ring on Tessa’s hand on the train from York, knowing it was all a charade, knowing, too, that he wished that it wasn’t. He played the sorrow in Tessa’s eyes when she had come into the music room after Will had told her she would never have children. Unforgivable, that, what a thing to do, and yet Jem had forgiven him. Love was forgiveness, he had always believed that, and the things that Will did, he did out of some bottomless well of pain. Jem did not know the source of that pain, but he knew it existed and was real, knew it as he knew of the inevitability of his own death, knew it as he knew that he had fallen in love with Tessa Gray and that there was nothing he or anyone else could do about it.

The extraordinary mystique of hers made you think she lived on rose petals and listened to nothing but Mozart, but it wasn't true. She was quite funny and ribald. She could tell a dirty joke. She played charades with a great sense of fun and vulgarity, and she could be quite bitchy.

If we really saw war, what war does to young minds and bodies, it would be impossible to embrace the myth of war. If we had to stand over the mangled corpses of schoolchildren killed in Afghanistan and listen to the wails of their parents, we would not be able to repeat clichés we use to justify war. This is why war is carefully sanitized. This is why we are given war's perverse and dark thrill but are spared from seeing war's consequences. The mythic visions of war keep it heroic and entertaining… The wounded, the crippled, and the dead are, in this great charade, swiftly carted offstage. They are war's refuse. We do not see them. We do not hear them. They are doomed, like wandering spirits, to float around the edges of our consciousness, ignored, even reviled. The message they tell is too painful for us to hear. We prefer to celebrate ourselves and our nation by imbibing the myths of glory, honor, patriotism, and heroism, words that in combat become empty and meaningless.

Society is always the same, regardless of the era. There are rules and standards, with seemingly no purpose. It's a hateful, elaborate charade, equal parts flirtation and perceived naïveté. To men we have the minds of children.

You don't have to do it on your own. Let me take some of the weight, baby." But he has so much already. "You have your own problems." "We'll share each others.

It's easier to hide in the dark...but easier to let go too.

The cup is half full, sunshine and flowers and I try to act like I agree, but really I’m pissed someone dumped out half of my drink.

Oh, I don't know. I prefer to think that when they're at home, the Silent Brothers are much like us. Playing practical jokes in the Silent City, making toasted cheese-" "I hope they play charades," said Tessa Dryly. "It would seem to take advantage of their natural talents.

But he was sick of this charade. Sick of watching people lose a little more of their humanity each day, and sick to death of seeing people tortured in the name of God. What had happened to these people?

In our charade with ourselves we pretend that our war is not really war. We have changed the name of the War Department to the Defense Department and call a whole class of nuclear missiles Peace Keepers!

I’m tired of running … This is the only thing that’s real. Don’t run from me, Tiny Dancer.

This is another paradox, that many of the most important impressions and thoughts in a person's life are ones that flash through your head so fast that fast isn't even the right word, they seem totally different from or outside of the regular sequential clock time we all live by, and they have so little relation to the sort of linear, one-word-after-another word English we all communicate with each other with that it could easily take a whole lifetime just to spell out the contents of one split-second's flash of thoughts and connections, etc. -- and yet we all seem to go around trying to use English (or whatever language our native country happens to use, it goes without saying) to try to convey to other people what we're thinking and to find out what they're thinking, when in fact deep down everybody knows it's a charade and they're just going through the motions. What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny part of it at any given instant.

As Hamlet said to Ophelia, ”God has given you one face, and you make yourself another." The battle between these two halves of identity...Who we are and who we pretend to be, is unwinnable. "Just as there are two sides to every story, there are two sides to every person. One that we reveal to the world and another we keep hidden inside. A duality governed by the balance of light and darkness, within each of us is the capacity for both good and evil. But those who are able to blur the moral dividing line hold the true power.

My face is in his neck and I think if I was going to cry, this would be the perfect place to do it

Because my patient just sat herself up--and I'm not talking about her raising her torso off the damn pillows. I wasn't there when she did it and I need to see how it happened." Red Sox seemed to stop breathing. "What...I'm sorry. What the fuck are you saying." "Do I need to reenact it in charades or some shit?" "I'll pass on that--I so don't need you on your knees in front of me with only a towel on." "Which makes two of us." "Wait, are you serious?" "Yeah. I'm really not interested in blowing you, either.

Tomorrow… don’t remind me I said this. I won’t want to talk about it, but tonight… keep me safe.

Words are so ridiculous sometimes. They don't really mean anything, but they're all I have.

Wasting time just going mindless, watching your charades. When you were younger, did it occur to you 10 years from then you'd act the same age?

Pity isn't the only thing I don't do. Princesses are high on my lists too.

I've mastered many things in my life. Navigating the strets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms...

A laugh jumps out of my mouth, surprising me. I can’t even remember the last time I laughed and it puts me on edge. I suddenly want to do the same thing to her. Let her see how it feels to teeter on that cliff.

You cut me,” he said. His voice was pleasant. British. Very ordinary. He looked at his hand with critical interest. “It might be fatal.” Tessa looked at him with wide eyes. “Are you the Magister?” He tilted his hand to the side. Blood ran down it, spattering the floor. “Dear me, massive blood loss. Death could be imminent.” “Are you the Magister?” “Magister?” He looked mildly surprised by her vehemence. “That means ‘master’ in Latin, doesn’t it?” “I…” Tessa was feeling increasingly as if she were trapped in a strange dream. “I suppose it does.” “I’ve mastered many things in life. Navigating the streets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms…” Tessa stared. “Alas,” he went on, “no one has ever actually referred to me as ‘the master’, or ‘the magister’, either. More’s the pity…

I feel like a dick for being an ass.

I don’t know how in the fuck we got here, but somehow this game is more real than anything else. And I want it. I fucking want it.

There is no denying that today’s elite may be among the more socially concerned elites in history. But it is also, by the cold logic of numbers, among the more predatory in history.

I´ve blown it, the whole grisly charade.

If you cannot breathe, I will breathe for you. If your heart will not beat, mine will beat harder. If you do not live, neither will I.

Marya Morevna, we are better at this than you are. We can hold two terrible ideas at once in our hearts. Never have your folk delighted us more, been more like family. For a devil, hypocrisy is a parlour game, like charades. Such fun, and when the evening is done we shall be holding our bellies to keep from dying of laughter.

When we pull away we’re both breathing hard, but I don’t think she’s thinking about her aunt or her mom anymore. “Damn I’m good.

Is it crazy that I’m proud of her for standing up to me at the same time that I’m pissed at her?

I still remember the day I got my first calculator Teacher: All right, children, welcome to fourth grade math. Everyone take a calculator out of the bin. Me: What are these? Teacher: From now on we'll be using calculators. Me: What do these things do? Teacher: Simple operations, like multiplication and division. Me: You mean this device just...does them? By itself? Teacher: Yes. You enter in the problem and press equal. Me: You...you knew about this machine all along, didn't you? This whole time, while we were going through this...this charade with the pencils and the line paper and the stupid multiplication tables!...I'm sorry for shouting...It's just...I'm a little blown away. Teacher: Okay, everyone, today we're going to go over some word problems. Me: What the hell else do you have back there? A magical pen that writes book reports by itself? Some kind of automatic social studies worksheet that...that fills itself out? What the hell is going on? Teacher: If a farmer farms five acres of land a day-- Me: So that's it, then. The past three years have been a total farce. All this time I've been thinking, "Well, this is pretty hard and frustrating but I guess these are useful skills to have." Meanwhile, there was a whole bin of these things in your desk. We could have jumped straight to graphing. Unless, of course, there's some kind of graphing calculator! Teacher: There is. You get one in ninth grade. Me: Is this...Am I on TV? Is this a prank show? Teacher: No.

And yet he sometimes wondered if he could ever love anyone as much as he loved Jude. It was the fact of him, of course, but also the utter comfort of life with him, of having someone who had known him for so long and who could be relied upon to always take him as exactly who he was on that particular day. His work, his very life, was one of disguises and charades. Everything about him and his context was constantly changing: his hair, his body, where he would sleep that night. He often felt he was made of something liquid, something that was being continually poured from bright-colored bottle to bright-colored bottle, with a little being lost or left behind with each transfer. But his friendship with Jude made him feel that there was something real and immutable about who he was, that despite his life of guises, there was something elemental about him, something that Jude saw even when he could not, as if Jude's very witness of him made him real.

To be truly challenging, a voyage, like a life, must rest on a firm foundation of financial unrest. Otherwise, you are doomed to a routine traverse, the kind known to yachtsmen who play with their boats at sea... "cruising" it is called. Voyaging belongs to seamen, and to the wanderers of the world who cannot, or will not, fit in. If you are contemplating a voyage and you have the means, abandon the venture until your fortunes change. Only then will you know what the sea is all about. "I've always wanted to sail to the south seas, but I can't afford it." What these men can't afford is not to go. They are enmeshed in the cancerous discipline of "security." And in the worship of security we fling our lives beneath the wheels of routine - and before we know it our lives are gone. What does a man need - really need? A few pounds of food each day, heat and shelter, six feet to lie down in - and some form of working activity that will yield a sense of accomplishment. That's all - in the material sense, and we know it. But we are brainwashed by our economic system until we end up in a tomb beneath a pyramid of time payments, mortgages, preposterous gadgetry, playthings that divert our attention for the sheer idiocy of the charade. The years thunder by, The dreams of youth grow dim where they lie caked in dust on the shelves of patience. Before we know it, the tomb is sealed. Where, then, lies the answer? In choice. Which shall it be: bankruptcy of purse or bankruptcy of life?

Your heart like a hawk-mouth in the sun, your heart like a ship on an atoll, your heart like a compass needle driven mad by a little piece of lead, like washing drying in the wind, like a whining of horses, like seed thrown to the birds, like an evening paper one has finished reading! Your heart is a charade that the whole world has guessed.

By refusing to risk its way of life, by rejecting the idea that the powerful might have to sacrifice for the common good, it clings to a set of social arrangements that allow it to monopolize progress and then give symbolic scraps to the forsaken—many of whom wouldn’t need the scraps if the society were working right.

She loves him the way a mother should love their child. Thoroughly. Completely. To her, he's the most important person in the world and I'm so very happy they have that.

It’s all society is, the repressed sex drives of men, the objectification of women, their paranoia, the posturing, the macho stances, the beauty standard, it’s all just one charade masking a never ending hard on.

We can't always control what we don't like, Tiny Dancer.

Perfect is an illusion, one that was created to maintain the status quo. The Six Sigma charade is largely about hiding from change, because change is never perfect. Change means reinvention, and until something is reinvented, we have no idea what the spec is.

I made a big show of catching invisible words in my hands and putting them in my mouth and chewing on them. I knew my word-catching charade wasn't the best way to make a fast friend at Stoneberry Elementary School. But it was the only way I could think of to make my sister feel better. And I think if you're lucky, a sister is the same as a friend, but better. A sister is like a super-forever-infinity friend.

There’s no talking. No laughing. Nothing but eager hands and sad eyes.

You guys think you fooled me in the beginning,” she rasps. “You were only fooling yourself.

you're just pissed you liked it

No matter how elaborate its charade, she recognized loneliness when she saw it.

People sometimes act as though owning books you haven't read constitutes a charade or pretense, but for me, there's a lovely mystery and pregnancy about a book that hasn't given itself over to you yet--sometimes I'm the most inspired by imagining what the contents of an unread book might be. ~ Jonathan Lethem, author of The Fortress of Solitude

He will remember eventually and this whole charade will come crashing down around me like a bad game of Jenga. Until then, I have him back and I am going to hold onto that for as long as I can.

Lila had discovered that the hardest part of her charade was pretending that everything was old hat when it was all so new, being forced to feign the kind of nonchalance that only comes from a lifetime of knowing and taking for granted. Lila was a quick study, and she knew how to keep up a front; but behind the mask of disinterest, she took in everything. She was a sponge, soaking up the words and customs, training herself to see something once and be able to pretend she’d seen it a dozen—a hundred—times before.

How can there be anything wrong with trying to do good? The answer may be: when the good is an accomplice to even greater, if more invisible, harm.

I squeeze my eyes shut as though that will somehow make it go away, but I know it won’t. It happened and there’s no changing it. No changing any of the things that happen to us. All there is to do is move on. Starting now.

I grab her arms and pull her toward me. Now she has her arms wrapped around my waist and we’re chest to chest. She’s laughing and I almost want to laugh with her. For a second it feels real and okay. The knot in my gut loosens and I’m not scared to breathe.

Are we ready to hand over our future to the elite, one supposedly world-changing initiative at a time? Are we ready to call participatory democracy a failure, and to declare these other, private forms of change-making the new way forward? Is the decrepit state of American self-government an excuse to work around it and let it further atrophy? Or is meaningful democracy, in which we all potentially have a voice, worth fighting for?

Nobody gives way to anybody. Everyone just angles, points, dives directly toward his destination, pretending it is an all-or-nothing gamble. People glare at one another and fight for maneuvering space. All parties are equally determined to get the right-of-way--insist on it. They swerve away at the last possible moment, giving scant inches to spare. The victor goes forwards, no time for a victory grin, already engaging in another contest of will. Saigon traffic is Vietnamese life, a continuous charade of posturing, bluffing, fast moves, tenacity and surrenders.

In the Mirror World, conspiracy theories detract attention from the billionaires who fund the networks of misinformation and away from the economic policies—deregulation, privatization, austerity—that have stratified wealth so cataclysmically in the neoliberal era. They rile up anger about the Davos elites, at Big Tech and Big Pharma—but the rage never seems to reach those targets. Instead it gets diverted into culture wars about anti-racist education, all-gender bathrooms, and Great Replacement panic directed at Black people, nonwhite immigrants, and Jews. Meanwhile, the billionaires who bankroll the whole charade are safe in the knowledge that the fury coursing through our culture isn’t coming for them.

You are mine

Yo podría no ser capaz de hacer mucho por ti, pero yo voy a guardar tus secretos.

Plot these days is anti-intellectual and verboten, the mark of the Philistine, the huckster with a pen. There mustn't be too much story and that should be fog-bound and shrouded in heavy symbolism, including the phallic, like a sort of covoluted charade. Symbolism now carries the day, it's the one true ladder of literary heaven.

In spite of the horror, in spite of the tragedy, in spite of the weeks of sleepless nights, I'm finally alive. I'm not pretending. I feel real. I'm not playing charades anymore. I wouldn't go back to the way I was for anything. I'm really like a different person. I'm where I am, and I'm making the most of it. I know I'm courageous now. I found out I had it in me to face this. — Barbara

Profitable companies built in questionable ways and employing reckless means engage in corporate social responsibility, and some rich people make a splash by “giving back”—regardless of the fact that they may have caused serious societal problems as they built their fortunes.

Elite networking forums like the Aspen Institute and the Clinton Global Initiative groom the rich to be self-appointed leaders of social change, taking on the problems people like them have been instrumental in creating or sustaining.

Rich American men, who tend to live longer than the average citizens of any other country, now live fifteen years longer than poor American men, who endure only as long as men in Sudan and Pakistan.

It’s also quite possible she still detests me.” Tyler dismissed this with a wave. “You’re going to let a thing like that stop you?” “I was thinking intense despisement might be an obstacle in pursuing her, yes.” “No, see, that’s what makes it all the more interesting,” Tyler said. He adopted a grandly dramatic tone. “‘Does our fair Ms. Kendall truly loathe the arrogant Mr. Jameson as she so ardently proclaims, or is it all just a charade to cover more amorous feelings for a man she reluctantly admires?’” Up front, the cabdriver snorted loudly. He appeared to be enjoying the show. “Psych 101 again?” J.D. asked. Tyler shook his head. “Lit 305: Eighteenth-Century Women’s Fiction.” He caughtJ.D.’s look and quickly defended himself. “What? I took it because of the girls in the class. Anyway, I see a bit of a P and P dynamic going on between you and Payton.” J.D. didn’t think he wanted to know. Really. But he asked anyway. “P and P?” Tyler shot him a look, appalled. “Uh, hello—Pride and Prejudice?” His tone said only a cretin wouldn’t know this. “Oh right, P and P,” J.D. said. “You know, Tyler, you might want to pick up your balls—I think they just fell right off when you said that.” Up front, the cabdriver let out a good snicker.

I sit on a man’s back choking him and making him carry me, and yet assure myself and others that I am sorry for him and wish to lighten his load by all means possible…except by getting off his back. —LEO TOLSTOY, WRITINGS ON CIVIL DISOBEDIENCE AND NONVIOLENCE

The hoodlum-occultist is “sociopathic” enough to, see through the conventional charade, the social mythology of his species. “They’re all sheep,” he thinks. “Marks. Suckers. Waiting to be fleeced.” He has enough contact with some more-or-less genuine occult tradition to know a few of the gimmicks by which “social consciousness,” normally conditioned consciousness, can be suspended. He is thus able to utilize mental brutality in place of the simple physical brutality of the ordinary hooligan. He is quite powerless against those who realize that he is actually a stupid liar. He is stupid because spending your life terrorizing and exploiting your inferiors is a dumb and boring existence for anyone with more than five billion brain cells. Can you imagine Beethoven ignoring the heavenly choirs his right lobe could hear just to pound on the wall and annoy the neighbors? Gödel pushing aside his sublime mathematics to go out and cheat at cards? Van Gogh deserting his easel to scrawl nasty caricatures in the men’s toilet? Mental evil is always the stupidest evil because the mind itself is not a weapon but a potential paradise. Every kind of malice is a stupidity, but occult malice is stupidest of all. To the extent that the mindwarper is not 100 percent charlatan through-and-through (and most of them are), to the extent that he has picked up some real occult lore somewhere, his use of it for malicious purposes is like using Shakespeare’s sonnets for toilet tissue or picking up a Picasso miniature to drive nails. Everybody who has advanced beyond the barbarian stage of evolution can see how pre-human such acts are, except the person doing them. Genuine occult initiation confers “the philosopher’s stone,” “the gold of the wise” and “the elixir of life,” all of which are metaphors for the capacity to greet life with the bravery and love and gusto that it deserves. By throwing this away to indulge in spite, malice and the small pleasure of bullying the credulous, the mindwarper proves himself a fool and a dolt. And the psychic terrorist, besides being a jerk, is always a liar and a fraud. Healing is easier (and more fun) than cursing, to begin with, and cursing usually backfires or misfires. The mindwarper doesn’t want you to know that. He wants you to think he’s omnipotent.

A successful society is a progress machine. It takes in the raw material of innovations and produces broad human advancement. America’s machine is broken. When the fruits of change have fallen on the United States in recent decades, the very fortunate have basketed almost all of them.

I'm fucking happy.

Beautiful lives women live—women do. In very breathing they draw meat and drink from some beautiful attenuation of unreality in which the shades and shapes of facts—of birth and bereavement, of suffering and bewilderment and despair—move with the substanceless decorum of lawn party charades, perfect in gesture and without significance or any ability to hurt.

FOR THE NEXT TWO DAYS Eddie and I walked together, we played charades trying to communicate and fell into fits of hysteria at each other’s antics. We stalked rabbits and missed, picked bush foods and generally had a good time. He was sheer pleasure to be with, exuding all those qualities typical of old Aboriginal people — strength, warmth, self-possession, wit, and a kind of rootedness, a substantiality that immediately commanded respect.

civic life. It is the habit of solving problems together, in the public sphere, through the tools of government and in the trenches of civil society. It is solving problems in ways that give the people you are helping a say in the solutions, that offer that say in equal measure to every citizen, that allow some kind of access to your deliberations or at least provide a meaningful feedback mechanism to tell you it isn’t working. It is not reimagining the world at conferences.

If you like being cuffed, I have no problem accommodating you, baby.” “Actually,” she returned, drawing the word out, “I was thinking I would cuff you.” She held her breath. Any minute now, he’d scoff at her request and this charade would be over. Funny, she wasn’t quite as ready to walk away as she had been moments ago. In fact, the thought of Brent’s big body, restrained by handcuffs, was surprisingly appealing. That fluttering in her stomach had graduated into a constant tug, confusing her further. “Done.” Hayden hid her shock as Brent leaned close and spoke gruffly near her ear. “Be warned, though. If you take away the use of my hands, I’ll only make up for it with my mouth.

To question the doing-well-by-doing-good globalists is not to doubt their intentions or results, rather it is to say that even when all those things are factored in, something is not quite right.

the top 10 percent of humanity have come to hold 90 percent of the planet’s wealth. It is no wonder that the American voting public—like other publics around the world—has turned more resentful and suspicious in recent years, embracing populist movements on the left and right, bringing socialism and nationalism into the center of political life in a way that once seemed unthinkable, and succumbing to all manner of conspiracy theory and fake news.

Investors are people with more money than time. Employees are people with more time than money. Entrepreneurs are simply the seductive go-betweens. Startups are business experiments performed with other people’s money. Marketing is like sex: only losers pay for it.” “Company culture is what goes without saying. There are no real rules, only laws. Success forgives all sins. People who leak to you, leak about you. Meritocracy is the propaganda we use to bless the charade. Greed and vanity are the twin engines of bourgeois society. Most managers are incompetent and maintain their jobs via inertia and politics. Lawsuits are merely expensive feints in a well-scripted conflict narrative between corporate entities. Capitalism is an amoral farce in which every player—investor, employee, entrepreneur, consumer—is complicit.

...and justice itself became a commodity, mutable in imbalance. Truth was lost, a chimera reshaped to match agenda, prejudices, thus cosigning the entire political process to a mummer's charade of false indignation, hypocritical posturing and a perverse contempt for the commonry. Once subsumed, ideals and the honor created by their avowal can never be regained, except by outright, unconstrained rejection, invariably instigated by the commonry, at the juncture of one particular moment of such brazen injustice that revolution becomes the only reasonable response.

Some women, it seemed, were entirely without guile and bestowed their affections with hardly a moment's conscious thought. Others set out to implement a campaign of military thoroughness, with branched contingency trees and fallback positions, all to 'catch' a desirable man. The word 'desirable' was the giveaway, she thought. The poor jerk wasn't actually desired, only 'desirable' - a plausible object of desire in the opinion of those others on whose account this whole sorry charade was performed. Most women, she thought, were somewhere in the middle, seeking to reconcile their passions with their perceived long-term advantage.

American scientists make the most important discoveries in medicine and genetics and publish more biomedical research than those of any other country—but the average American’s health remains worse and slower-improving than that of peers in other rich countries, and in certain years life expectancy actually declines.

The affliction was too insipid, too much a product of our surrendering mindful regard and diligence. The meanings of words lost their precision – and no-one bothered taking to task those who cynically abused those words to serve their own ambitions, their own evasion of personal responsibility. Lies went unchallenged, lawful pursuit became a sham, vulnerable to graft, and justice itself became a commodity, mutable in imbalance. Truth was lost, a chimera reshaped to match agenda, prejudices, thus consigning the entire political process to a mummer’s charade of false indignation, hypocritical posturing and a pervasive contempt for the commonry.

In an age defined by a chasm between those who have power and those who don’t, elites have spread the idea that people must be helped, but only in market-friendly ways that do not upset fundamental power equations. The society should be changed in ways that do not change the underlying economic system that has allowed the winners to win and fostered many of the problems they seek to solve. The broad fidelity to this law helps make sense of what we observe all around: the powerful fighting to “change the world” in ways that essentially keep it the same, and “giving back” in ways that sustain an indefensible distribution of influence, resources, and tools.

best Hitchcock films not made by Hitchcock. Here we go: Le Boucher, the early Claude Chabrol that Hitch, according to lore, wished he’d directed. Dark Passage, with Humphrey Bogart and Lauren Bacall—a San Francisco valentine, all velveteen with fog, and antecedent to any movie in which a character goes under the knife to disguise himself. Niagara, starring Marilyn Monroe; Charade, starring Audrey Hepburn; Sudden Fear!, starring Joan Crawford’s eyebrows. Wait Until Dark: Hepburn again, a blind woman stranded in her basement apartment. I’d go berserk in a basement apartment.

Walker had broken what in his circles were important taboos: Inspire the rich to do more good, but never, ever tell them to do less harm; inspire them to give back, but never, ever tell them to take less; inspire them to join the solution, but never, ever accuse them of being part of the problem.

Double Indemnity, Gaslight, Saboteur, The Big Clock . . . We lived in monochrome those nights. For me, it was a chance to revisit old friends; for Ed, it was an opportunity to make new ones. And we’d make lists. The Thin Man franchise, ranked from best (the original) to worst (Song of the Thin Man). Top movies from the bumper crop of 1944. Joseph Cotten’s finest moments. I can do lists on my own, of course. For instance: best Hitchcock films not made by Hitchcock. Here we go: Le Boucher, the early Claude Chabrol that Hitch, according to lore, wished he’d directed. Dark Passage, with Humphrey Bogart and Lauren Bacall—a San Francisco valentine, all velveteen with fog, and antecedent to any movie in which a character goes under the knife to disguise himself. Niagara, starring Marilyn Monroe; Charade, starring Audrey Hepburn; Sudden Fear!, starring Joan Crawford’s eyebrows. Wait Until Dark: Hepburn again, a blind woman stranded in her basement apartment. I’d go berserk in a basement apartment.

Yet we are left with the inescapable fact that in the very era in which these elites have done so much to help, they have continued to hoard the overwhelming share of progress, the average American’s life has scarcely improved, and virtually all of the nation’s institutions, with the exception of the military, have lost the public’s trust.

One day, we wake up to the narcissist’s cunning masquerade. We watch their fake mask slip off their face. Everything becomes crystal clear. We see right through their phony disguise. To anyone who’s dealt with the pain and torment of a narcissist, a silver lining is a sign of hope. Hope that someday you can break free from the abuse. Hope to rebuild a better life. Hope to find comfort and peace within. Hope to recover from your trauma. Hope to embrace a brighter future. We can no longer unsee their hideous charade. We accept how lethal a malignant narcissist is. We actively set healthy boundaries. We walk away from hurtful relationships. Like the Phoenix, we rise above the fiery ashes. We stand up, dust ourselves off, and march forward.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

The human heart was created in the context of the perfection of the garden of Eden. But we don’t live there now. This is why our instincts keep firing off the lie that perfection is possible. We have pictures of perfection etched into the very DNA of our souls. We chase it. We angle our cameras trying to catch it. We take twenty shots hoping to find it. And then even our good photos have to be color corrected, filtered, and cropped. We do our very best to make others think this posted picture is the real deal. But we all know the truth. We all see the charade. We all know the emperor is naked. But there we are, clapping on the sidelines, following along, playing the game. Trying to believe that maybe, just maybe, if we get close to something that looks like perfection it will help us snag a little of its shine for ourselves. But we know even the shiniest of things is headed in the direction of becoming dull. New will always eventually become old. Followers unfollow. People who lift us up will let us down. The most tightly knit aspects of life snag, unravel, and disintegrate before our very eyes. And we are epically disappointed. But we aren’t talking about it.