Channel Orange Quotes

We've searched our database for all the quotes and captions related to Channel Orange. Here they are! All 15 of them:

No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline.
Chuck Palahniuk (Lullaby)
hi lisen to the sound of music
Frank Ocean (Frank Ocean - Channel Orange - Songbook)
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
He had pursued his strikingly beautiful, spirited, fashionable wife for years and years before marrying her in mid-Channel aboard a man-of-war: for so many years indeed that he had become a confirmed bachelor at last, too old a dog to give up his tricks of smoking tobacco in bed, playing his 'cello at odd untimely moments, dissecting anything that interested him, even in the drawing-room; too old to be taught to shave regularly, to change his linen, or to wash when he did not feel the need - an impossible husband. He was not house-trained; and although he made earnest attempts at the beginning of their marriage he soon perceived that in time the strain must damage their relationship, all the more so since Diana was as intransigent as himself and far more apt to fly into a passion about such things as a pancreas in the drawer of the bedside table or orange marmalade ground into the Aubusson.
Patrick O'Brian (The Ionian Mission (Aubrey & Maturin, #8))
Live water heals memories. I look up the creek and here it comes, the future, being borne aloft as on a winding succession of laden trays. You may wake and look from the window and breathe the real air, and say, with satisfaction or longing, “This is it.” But if you look up the creek, if you look up the creek in any weather, your spirit fills, and you are saying, with an exulting rise of the lungs, “Here it comes!” Here it comes. In the far distance I can see the concrete bridge where the road crosses the creek. Under the bridge and beyond it the water is flat and silent, blued by distance and stilled by depth. It is so much sky, a fallen shred caught in the cleft of banks. But it pours. The channel here is straight as an arrow; grace is itself an archer. Between the dangling wands of bankside willows, and Osage orange, I see the creek pour down. It spills toward me streaming over a series of sandstone tiers, down and down, and down. I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball.
Annie Dillard (Pilgrim at Tinker Creek)
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
As Sam came to a panting stop, a jet of orange flame burst from a high window. Several dozen kids were standing, watching. A crowd that struck Sam as very strange, until he realized why it was strange: there were no adults, just kids. “Is anyone in there?” Astrid called out. No one answered. “It could spread,” Sam said. “There’s no 911,” someone pointed out. “If it spreads, it could burn down half the town.” “You see a fireman anywhere?” A helpless shrug. The day care shared a wall with the hardware store, and both were only a narrow alley away from the burning building. Sam figured they had time to get the kids out of the day care if they acted fast, but the hardware store was something they could not afford to lose. There had to be forty kids just standing there gawking. No one seemed about to start doing anything. “Great,” Sam said. He grabbed two kids he sort of knew. “You guys, go to the day care. Tell them to get the littles out of there.” The kids stared at him without moving. “Now. Go. Do it!” he said, and they took off running. Sam pointed at two other kids. “You and you. Go into the hardware store, get the longest hose you can find. Get a spray nozzle, too. I think there’s a spigot in that alley. Start spraying water on the side of the hardware store and up on the roof.” These two also stared blankly. “Dudes: Not tomorrow. Now. Now. Go! Quinn? You better go with them. We want to wet down the hardware—that’s where the wind will take the fire next.” Quinn hesitated. People were not getting this. How could they not see that they had to do something, not just stand around? Sam pushed to the front of the crowd and in a loud voice said, “Hey, listen up, this isn’t the Disney Channel. We can’t just watch this happen. There are no adults. There’s no fire department. We are the fire department.” Edilio was there. He said, “Sam’s right. What do you need, Sam? I’m with you.” “Okay. Quinn? The hoses from the hardware store. Edilio? Let’s get the big hoses from the fire station, hook ’em up to the hydrant.” “They’ll be heavy. I’ll need some strong guys.” “You, you, you, you.” Sam grabbed each person’s shoulder, shaking each one, pushing them into motion. “Come on. You. You. Let’s go!
Michael Grant
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
WHOEVER YOU ARE, WHEREVER YOU ARE..I'M STARTING TO THINK WE'RE A LOT ALIKE. HUMAN BEINGS SPINNING ON BLACKNESS. ALL WANTING TO BE SEEN, TOUCHED, HEARD, PAID ATTENTION TO. MY LOVED ONES ARE EVERYTHING TO ME HERE. IN THE LAST YEAR OR 3 I'VE SCREAMED AT MY CREATOR. SCREAMED AT CLOUDS IN THE SKY. FOR SOME EXPLANATION. MERCY MAYBE. FOR PEACE OF MIND TO RAIN LIKE MANNA SOMEHOW. 4 SUMMERS AGO, I MET SOMEBODY. I WAS 19 YEARS OLD. HE WAS TOO. WE SPENT THAT SUMMER, AND THE SUMMER AFTER, TOGETHER. EVERYDAY ALMOST. AND ON THE DAYS WE WERE TOGETHER, TIME WOULD GLIDE. MOST OF THE DAY I'D SEE HIM, AND HIS SMILE. I'D HEAR HIS CONVERSATION AND HIS SILENCE..UNTIL IT WAS TIME TO SLEEP. SLEEP I WOULD OFTEN SHARE WITH HIM. BY THE TIME I REALIZED I WAS IN LOVE, IT WAS MALIGNANT. IT WAS HOPELESS. THERE WAS NO ESCAPING, NO NEGOTIATING WITH THE FEELING. NO CHOICE. IT WAS MY FIRST LOVE, IT CHANGED MY LIFE. BACK THEN, MY MIND WOULD WANDER TO THE WOMEN I HAD BEEN WITH, THE ONES I CARED FOR AND THOUGHT I WAS IN LOVE WITH. I REMINISCED ABOUT THE SENTIMENTAL SONGS I ENJOYED WHEN I WAS A TEENAGER.. THE ONES I PLAYED WHEN I EXPERIENCED A GIRLFRIEND FOR THE FIRST TIME. I REALIZED THEY WERE WRITTEN IN A LANGUAGE I DID NOT YET SPEAK. I REALIZED TOO MUCH, TOO QUICKLY. IMAGINE BEING THROWN FROM A PLANE. I WASN'T IN A PLANE THOUGH. I WAS IN A NISSAN MAXIMA, THE SAME CAR I PACKED UP WITH BAGS AND DROVE TO LOS ANGELES IN. I SAT THERE AND TOLD MY FRIEND HOW I FELT. I WEPT AS THE WORDS LEFT MY MOUTH. I GRIEVED FOR THEM, KNOWING I COULD NEVER TAKE THEM BACK FOR MYSELF. HE PATTED MY BACK. HE SAID KIND THINGS. HE DID HIS BEST, BUT HE WOULDN'T ADMIT THE SAME. HE HAD TO GO BACK INSIDE SOON, IT WAS LATE AND HIS GIRLFRIEND WAS WAITING FOR HIM UPSTAIRS. HE WOULDN'T TELL ME THE TRUTH ABOUT HIS FEELINGS FOR ME FOR ANOTHER 3 YEARS. I FELT LIKE I'D ONLY IMAGINED RECIPROCITY FOR YEARS. NOW IMAGINE BEING THROWN FROM A CLIFF. NO, I WASN'T ON A CLIFF, I WAS STILL IN MY CAR TELLING MYSELF IT WAS GONNA BE FINE AND TO TAKE DEEP BREATHS. I TOOK THE BREATHS AND CARRIED ON. I KEPT UP A PECULIAR FRIENDSHIP WITH HIM BECAUSE I COULDN'T IMAGINE KEEPING UP MY LIFE WITHOUT HIM. I STRUGGLED TO MASTER MYSELF AND MY EMOTIONS. I WASN'T ALWAYS SUCCESSFUL. THE DANCE WENT ON.. I KEPT THE RHYTHM FOR SEVERAL SUMMERS AFTER. IT'S WINTER NOW. I'M TYPING THIS ON A PLANE BACK TO LOS ANGELES FROM NEW ORLEANS. I FLEW HOME FOR ANOTHER MARRED CHRISTMAS. I HAVE A WINDOWSEAT. IT'S DECEMBER 27, 2011. BY NOW I'VE WRITTEN TWO ALBUMS, THIS BEING THE SECOND. I WROTE TO KEEP MYSELF BUSY AND SANE. I WANTED TO CREATE WORLDS THAT WERE ROSIER THAN MINE. I TRIED TO CHANNEL OVERWHELMING EMOTIONS. I'M SURPRISED AT HOW FAR ALL OF IT HAS TAKEN ME. BEFORE WRITING THIS I'D TOLD SOME PEOPLE MY STORY. I'M SURE THESE PEOPLE KEPT ME ALIVE, KEPT ME SAFE.. SINCERELY. THESE ARE THE FOLKS I WANNA THANK FROM THE FLOOR OF MY HEART. EVERYONE OF YOU KNOWS WHO YOU ARE.. GREAT HUMANS, PROBABLY ANGELS. I DON'T KNOW WHAT HAPPENS NOW, AND THAT'S ALRITE. I DON'T HAVE ANY SECRETS I NEED KEPT ANYMORE. THERE'S PROBABLY SOME SMALL SHIT STILL, BUT YOU KNOW WHAT I MEAN. I WAS NEVER ALONE, AS MUCH AS I FELT LIKE IT. AS MUCH AS I STILL DO SOMETIMES. I NEVER WAS. I DON'T THINK I EVER COULD BE. THANKS. TO MY FIRST LOVE, I'M GRATEFUL FOR YOU. GRATEFUL THAT EVEN THOUGH IT WASN'T WHAT I HOPED FOR AND EVEN THOUGH IT WAS NEVER ENOUGH, IT WAS. SOME THINGS NEVER ARE.. AND WE WERE. I WON'T FORGET YOU. I WON'T FORGET THE SUMMER. I'LL REMEMBER WHO I WAS WHEN I MET YOU. I'LL REMEMBER WHO YOU WERE AND HOW WE'VE BOTH CHANGED AND STAYED THE SAME. I'VE NEVER HAD MORE RESPECT FOR LIFE AND LIVING THAN I HAVE RIGHT NOW. MAYBE IT TAKES A NEAR DEATH EXPERIENCE TO FEEL ALIVE. THANKS. TO MY MOTHER, YOU RAISED ME STRONG. I KNOW I'M ONLY BRAVE BECAUSE YOU WERE FIRST.. SO THANK YOU. ALL OF YOU. FOR EVERYTHING GOOD. I FEEL LIKE A FREE MAN. IF I LISTEN CLOSELY.. I CAN HEAR THE SKY FALLING TOO. - FRANK
Frank Ocean (Channel Orange)
Even those who claimed he’d never be president credited him with reaching voters in a visceral way, as having a gift for channeling the rage of a white America which felt it had been left behind, had its privileges stolen by female, nonwhite interlopers—the kinds of people who’d never occupied the White House or held representative numbers of seats in legislative bodies, people who were paid less, taxed more for health care, and denied full control of their reproductive lives, but who had given such a convincing impression of having taken up more than an equal share of space that they were the objects of the resentful ire being channeled by the orange-tinted and toupéed businessman from Queens. The guy who just kept winning primaries.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
Sophie had to force herself to breathe slower to keep her head from getting woozy. “I’m sure I speak for everyone,” Keefe grunted, “when I say: Are we there yet?” “Almost,” Tiergan promised. “Everyone dig deep—and don’t look down.” “Steaming sasquatch poop—that’s a long way to fall!” Keefe announced. Fitz moved closer to Sophie, his new cologne tickling her nose as he whispered, “I almost forgot. I brought you a present.” Her heart skipped at least five beats when he slipped an orange velvet satchel into her palm. He’d been bringing her lots of tiny gifts lately—and she’d been trying hard not to read too much into it. “Ugh, anyone else ready to vomit from the Fitzphie?” Keefe asked. “I am,” Dex said, as Linh asked, “Did Fitzphie become an actual thing?” “I don’t even know what ‘Fitzphie’ is supposed to mean,” Tiergan noted. “Want me to explain it?” Tam offered. “No,” Sophie said, opening the satchel and pulling out a fist-size crystal prism. It was heavy like a paperweight, and when she held it up to the light, rainbow sparkles flashed across her fingers, highlighting words carved across the base, along with the Foxfire seal. Alvar Soren Vacker “That’s called a Radiant,” Fitz explained. “It’s the highest honor any prodigy can receive when they complete the basic levels at Foxfire. Alvar was so disgustingly smug about earning one that he told my mom she should keep it on the mantel in our main sitting room, so it could inspire Biana and me to work harder.” “Ugh, I forgot about that,” Biana grumbled. “I can’t believe Mom did it.” “I know. So I think it’s time to destroy it. And considering where we are, maybe it’d be fun to let it take a really nasty fall.” “Gotta give you credit,” Tam told Fitz. “That’s pretty much a perfect gift.” It was. Though Sophie felt bad taking it. “Shouldn’t you or Biana do the honors?” “Nope. Alvar was there when they took your parents,” Biana argued. “And when you were kidnapped.” “Just throw it extra hard, for us,” Fitz added. Sophie glanced at Dex. “Alvar helped kidnap you, too.” “So boost your throw with the Sucker Punch I made you,” he suggested. They seemed pretty sure, so Sophie gathered whatever mental energy she could muster and channeled it into her arm muscles. A burst of force from the Sucker Punch gave her throw extra oomph as she hurled the Radiant down the center of the curving stairs, where none of the bodyguards would be standing. A satisfying
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
Cable TV turned out to be slightly disappointing compared to all the salesmen talk that preceded it. We didn’t have 50 channels. We had one, that too available only between 6 pm and 10 pm. The channel was run by one of the leading political parties of the state. The channel’s logo was the party symbol, a yellow-orange sun. In hindsight, I wonder why this conspicuous display of nepotism never bothered us. But ironically in those days, the familiarity of the yellow-orange sun gave us some degree of comfort and trust.
Nallasivan V.
But not only did Trump seem to surge ahead in spite of his hatred and dismissal of nonwhite non-men, his supporters seemed to love him because of it. Even those who claimed he’d never be president credited him with reaching voters in a visceral way, as having a gift for channeling the rage of a white America which felt it had been left behind, had its privileges stolen by female, nonwhite interlopers—the kinds of people who’d never occupied the White House or held representative numbers of seats in legislative bodies, people who were paid less, taxed more for health care, and denied full control of their reproductive lives, but who had given such a convincing impression of having taken up more than an equal share of space that they were the objects of the resentful ire being channeled by the orange-tinted and toupéed businessman from Queens. The guy who just kept winning primaries.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
You don’t know what a wyvern is?” Rhi asks, then begins walking again. “Didn’t your parents tell you bedtime stories, Luca?” “Do enlighten me,” Luca drawls. I roll my eyes, continuing along the path. “They’re folklore,” I say over my shoulder. “Kind of like dragons but bigger, with two feet instead of four, a mane of razor-sharp feathers streaking down their necks, and a taste for humans. Unlike dragons, who think we’re a little gamey.” “My mom used to love telling my sister Raegan and me that we’d be plucked right off the front porch by one if we talked back, and their eerie-eyed venin riders would take us prisoner if we took treats we weren’t allowed to have,” Rhi says, flashing a grin at me, and I can’t help but notice that her step is lighter. Mine is, too. I notice each dragon as we pass, but my heartbeat steadies. “My dad used to read to me those fables every night,” I tell her. “And I seriously asked him one time if Mom was going to turn into a venin because she could channel.” Rhiannon chuckles as we walk by a set of glaring reds. “Did he tell you people supposedly only turn into venin if they channel directly from the source?” “He did, but it was after my mom had a really long night while we were stationed near the eastern border, and her eyes were bloodshot red, so I freaked out and started shrieking.” I can’t help but smile at the memory. “She took my book of fables away for a month because the outpost guards all came running, and I was hiding behind my brother, who couldn’t stop laughing, and, well…it was a mess.” I keep my eyes front and center as a large orange sniffs the air when I pass.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))